ellauri014.html on line 518: A cartoon depicting Rousseau as a Savage Man, a Yahoo, caught in the woods was more to Hume's taste. He described it to her with relish. "I am represented as a farmer, who caresses him and offers him some oats to eat, which he refuses in a rage; Voltaire and D'Alembert are whipping him up behind; and Horace Walpole making him horns of papier maché. The idea is not altogether absurd." (Edmonds/Eidinow, Enlightened enemies, the Guardian 2007)
ellauri019.html on line 35: Once they're understood as more than just absurdities, these cartoons can be seen clearly as the work of an angry man. And there is, after all, much in this world for a decent man to be angry about. "Look around, read the newspapers,"as Kliban said. "You don't have to stretch out too much to see a little darkness out there."
ellauri052.html on line 352: If you haven't been introduced to Desperate Ambrose, Old Timer, Willie and Pop Wimpus you've been missing a lot of good, clean American humor. C. M. Payne has found the real underlying humor in home life and brings it to you in this favorite of comic strip readers everywhere. "S'Motter Pop". Charles M. Payne (1873–1964) was an American cartoonist best known for his popular long-running comic strip S'Matter, Pop?[2]. He signed his work C. M. Payne and also adopted the nickname Popsy. In 1964, Payne died in poverty.
ellauri065.html on line 221: Kliban also gives businessmen the cartoon ass-in-the-face--literally, in "Business on Parade," in which men in suits and hats crawl along on all fours, each with his face buried in the rump of the one before him--a daisy chain of brown-nosers, dominance and submission in an endless line.
ellauri067.html on line 564: Comicbook/cartoon/fictional characters
ellauri067.html on line 566: "his batman, a Corporal Wayne" [Batman's "real-world" identity was Bruce Wayne], 11; comicbook fangs, 21; Sir Denis Nayland Smith, 83, 277-78, 592, 631, 751; Hop Harrigan, Tank Tinker, 117; "old-fashioned comical room" 122; Dumbo, 135; Donald Duck, 146; Hansel and Gretel, 174; "comic-book colors" 186; "paint FUCK YOU in a balloon coming out the mouth of one of those little pink shepherdesses" 203; Plasticman, 206, 314, 331, 752; "he passes into a bickering of canary-yellow Borsalini, corksoled comicbook shoes with enormous round toes" 254; "this cartoon here" 263; "a Sunday-funnies dawn" 295; Rocketman, 366, 376, 379, 436, 512, 596; Captain Midnight Show, 375; Green Hornet, 376; "the only beings who can violate their space are safely caught and paralyzed in comic books" 379; Mickey Mouse, 392; Sundial, 472; Wilhelm Busch (cartoonist), 501; Porky Pig, 545; "comic technocracy" 579; "comic-book cats dogs and mice" 586; Bugs Bunny, 592; "comicbook-orange chunks of island" 634; Porky Pig tattoo, 638 (on Osbie Feel's stomach), 711 (on André Omnopon´s stomach); Robin Hood, 664; Mary Marvel, Wonder Woman, 676; comic-book Kamikazes, 680; "down comes a comic-book guillotine on one black & white politician" 687; Crime Does Not Pay, 709; Superman, 751; The Lone Ranger & Tonto, 752; Philip Marlowe, 752; Submariner, 752; Jimmy Olson, 752; See also Byron the Bulb; Floundering Four; Komical Kamikazes; Plasticman; film/cinema references.
ellauri070.html on line 313: Skippy: Thomas More believed "Skippy" alludes to the Percy Crosby cartoon strip Skippy, of 1920s-1945 vintage: "Skippy, like Orphan Annie, led a schlemihl's life, always threatened by evil forces of change, which meant, for the politically reactionary Crosby, Rooseveltian changes in the direction of liberalism, urbanism, and the homogenized Global Village." (p.170n.)
ellauri082.html on line 438: g) Helpful Henry was an American gag-a-day comic strip, created by cartoonist J. P. Arnot (Paul Arnot – Born: 16 September 1887 – Died: 2 December 1951). The series ran from July 17, 1922 until 1927 and was syndicated by International Feature Service. Jaakko Hintikka kutitti Kotkan varpaita Helpful Henrynä kun Kotka laittoi pussilakanaa.
ellauri099.html on line 99: | Schiller | osteri | veri | Astheniker | |  cartoon.jpg" height="100px" /> |
ellauri106.html on line 160: He is most remembered for his generous spirit, quick wit and love of 1930s and 1940s culture -- including Cole Porter and Frank Sinatra, to which his mother and he danced in the kitchen, as well as Li´l Abner cartoons and an era catchphrase: "Watch it, Toots."
ellauri109.html on line 551: Kleinschmidt published a journal article in which he describes the case of a “successful Southern playwright” with an overbearing mother: “His rebellion was sexualized, leading to compulsive masturbation which provided an outlet for a myriad of hostile fantasies. These same masturbatory fantasies he both acted out and channeled into his writing.” Roth, who was obviously Kleinschmidt’s “playwright,” saw the article just after finishing the novel. He spent multiple sessions berating Kleinschmidt for this “psychoanalytic cartoon” and yet continued his analysis with him for years.
ellauri115.html on line 422: A cartoon depicting Rousseau as a Savage Man, a Yahoo, caught in the woods was more to Hume's taste. He described it to her with relish. "I am represented as a farmer, who caresses him and offers him some oats to eat, which he refuses in a rage; Voltaire and D'Alembert are whipping him up behind; and Horace Walpole making him horns of papier maché. The idea is not altogether absurd."
ellauri133.html on line 589: Aika moukkamaisia, Austenia lukuunottamatta, joka moukan mielestä on romcomia. No tavallaanhan se onkin, muttei siinä kaikki! Frankenstein on Maryn avainromaani Percy Shelleystä. Loput infantiilit äijä"klassikot" löytyy myös leffana, kuvitettuina ja piirrettynä leffana. cartoon-captures-the-very-essence-of-jane-austens-classic-novel-pride-and-prejudice/">Tota Austen cartoonia en ollut ennen nähnyt. Kertaalleen tää moukka on vielä lisäx lukassut:
ellauri155.html on line 886: Young Santayana spent a lot of time in Harvard under William James. He was involved in 11 clubs as an alternative to athletics. He did not like athletics. He was founder and president of the Philosophical Club, a member of the literary society known as the O.K., an editor and cartoonist for The Harvard Lampoon, and co-founder of the literary journal The Harvard Monthly, to name a few. In December, 1885, he played the role of Lady Elfrida in the Hasty Pudding theatrical Robin Hood, followed by the production Papillonetta in the spring of his senior year. Would have been less hassle to take part in athletics. But maybe he was a little like that, sissy-missy, you know. Yep yep:
ellauri155.html on line 894: Chuck Jones used Santayana´s description of fanaticism as "redoubling your effort after you´ve forgotten your aim" to describe his cartoons starring Wile E. Coyote and Road Runner.
ellauri161.html on line 625: This might be less damaging if those cartoons were funny, or if the overall story was compelling, but neither is the case.
ellauri222.html on line 213: Podhoretz told Leader that he considered all of Bellow’s characters puppets. And there is something animatronic about them. This is especially true in “Augie March,” where the extended procession of too vivid personalities is like a Wes Anderson movie. Bellow tended to make his characters look the way a child sees grownups, unalterable cartoons, weirdly unself-conscious in their one-dimensionality.
ellauri264.html on line 134: 
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ellauri272.html on line 293: Spirit Jr., also known as "Junior", a 14-year-old promising cartoonist. The book is
ellauri301.html on line 102: There is little nihilism in Swedish noir: good and bad are always clearly distinguished all the way through to the cartoonish culmination of the genre in Stieg Larsson’s trilogy about Lisbeth Salander. The only problem for Stieg´s heroes is that good no longer plays in the same team with the Swedish state. Evil is firmly located in reassuringly wicked villains. Everything is privatized just like in Britain and America. All is well. (These sharp observations courtesy of The Guardian.)
ellauri310.html on line 33: Created by the ingenious Disney cartoonist Carl Barks, Gyro Gearloose made his
ellauri362.html on line 289: "Tom and Jerry" was a commonplace phrase for young men given to drinking, gambling, and riotous living in 19th-century London, England. The term comes from Life in London; or, The Day and Night Scenes of Jerry Hawthorn, Esq., and his elegant friend, Corinthian Tom (1821) by Pierce Egan, the British sports journalist who authored similar accounts compiled as Boxiana. However Brewer notes no more than an "unconscious" echo of the Regency era, and thus Georgian era, origins in the naming of the cartoon.
ellauri408.html on line 277: So much for the Bible being “inerrant” and “infallible.” As we will see, the book of Acts turned the Angels into false prophets, with a cartoonish prophecy. As we also will see, Jehovah’s first prophecy, in the opening chapters of Genesis, proved to be false. The Bible even turned Jesus into a false prophet, multiple times, when devious authors of the New Testament put false and foolish words in his mouth. Here’s a quick example with more to follow:
xxx/ellauri103.html on line 507: Doonesbury sarjakuvaa ei muista kukaan, varsinkaan sen jälkeen kun Gary Trudeau (ihan aiheesta) 2015 kritisoi Charlie Hebdon piirtäjiä "for punching downward..., attacking a powerless, disenfranchised minority with crude, vulgar drawings closer to graffiti than cartoons", and thereby wandering "into the realm of hate speech" with cartoons of Muhammad. Muiden pöyristyneiden öykkärien joukossa joku paska David Frum "criticized what he called Trudeau's moral theory that holds "the privilege-bearer responsible". Eihän se nyt käy, privilege on privilege, Mariallakin oli sellainen, eikä sitä siltäkään otettu pois. Rääppä humanistiystävineen piti rinnassa "Je suis Charlie" läppyjä. Charlie Chaplin lie ollut kyseessä.
xxx/ellauri123.html on line 736: Questionable things that parents made us do in the 90s: Roam the neighborhood alone. Stay home alone. Skip the sunblock. Play with questionable toys like yourself and Barbie. Watch late night shows or young adult cartoons like Whisper of the Heart.
xxx/ellauri125.html on line 450: cartoon” and yet continued his analysis with him for years.
xxx/ellauri130.html on line 549: Alfred Austin P.L. (30 May 1835 – 2 June 1913) was an English poet who was appointed Poet Laureate in 1896, after an interval following the death of Tennyson, when the other candidates had either caused controversy or refused the honour. It was claimed that he was being rewarded for his support for the Conservative leader Lord Salisbury in the General Election of 1895. Austin´s poems are little-remembered today, his most popular work being prose idylls celebrating nature. Austin oli aika lailla Unlucky Alfin näköinen. Bugger it. With my luck, they nominate me as Poet Laureate. Austin was caricatured as "Sir Austed Alfrin" by L. Frank Baum in his 1906 novel John Dough and the Cherub. He was also the subject of a Vanity Fair cartoon by Spy published on 20 February 1896.
xxx/ellauri149.html on line 403: Thus goes the logic in a lot of comedy shows and a few adult cartoons. Sadly, that's not the case. The line separating The Three Stooges-style painful fun from outright villainous squicky sadism varies from person to person but is definitely there; crossing it makes one fan's "Nyuk nyuk!" another fan's Guilty Pleasures.
xxx/ellauri169.html on line 143: 1938 -- Valtin äiti kuolee kaasumyrkytykseen. Isabelle onnistuu vetämään Eliaksen turvaan, mutta Waltin äiti kuolee. Walt got a call one day that there was a malfunction of the heating system in Elias and Flora Disney's house that the boys had had built with warp speed by studio workers who did not know what they did. Walt and Roy's parents had suffered carbon monoxide poisoning, and Flora died. Walt went to her funeral, and then immediately back to work. He never talked about the incident again. According to historians, cinema offered Walt a way to emote that he couldn't in his personal life. That's why there are no mothers in Disney cartoons. No fathers either except a bad'un, Zeke. Walt did not attend his father's funeral either. He was on vacation in South Africa.
xxx/ellauri218.html on line 295: Penn was born and raised in Atlanta. She started her company in 2008 at the age of 8. She spoke at the TEDWomen event in San Francisco, which was streamed live on TED.com. She has done 2 official TEDTalks and 1 TEDxxxTalk. Penn is also an animator and artist, drawing cartoon characters from an early age. She is the creator of an animated series called The Pollinators which focuses on the importance of birds and bees and other pollinators like men. She premiered a clip of The Pollinators and another animated series called Malicious Dishes at TEDWomen 2013. What a dish!
xxx/ellauri229.html on line 395: Koosalagoopagoop, Dee Dee´s imaginary friend in the cartoon television series Dexter´s Laboratory
xxx/ellauri235.html on line 853: A 1907 cartoon depicting Harriman and his railroads as subject to federal law and the Interstate Commerce Commission
xxx/ellauri250.html on line 589: In the 1980s, Bukowski collaborated with cartoonist Robert Crumb on a series of comic books with extremely big-assed hippies on huge shoes. Karl was in his sixties by then.
xxx/ellauri281.html on line 732: Navalny’s idea is that Putin is the single mastermind of Russian rule and that he dictates to the oligarchs the tribute they should pay–in treasure for him to accumulate and display for himself, his friends and girlfriends in private. This is an Anglo-American cartoon about how oligarchy works everywhere, including the UK and the U.S.–in Russia in particular.
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