ellauri018.html on line 523: The song captures Simone's response to the murder of Medgar Evers in Mississippi; and the 16th Street Baptist Church bombing in Birmingham, Alabama, killing four black children. On the recording she cynically announces the song as "a show tune, but the show hasn't been written for it yet." The song begins jauntily, with a show tune feel, but demonstrates its political focus early on with its refrain "Alabama's got me so upset, Tennessee's made me lose my rest, and everybody knows about Mississippi goddam." In the song she says: "Keep on sayin' 'go slow'...to do things gradually would bring more tragedy. Why don't you see it? Why don't you feel it? I don't know, I don't know. You don't have to live next to me, just give me my equality!"
ellauri112.html on line 618: It’s these little moments that Reitman captures so well. Like Ron Livingston’s detached husband, who routinely retreats to his room to hide under a video game headset.
ellauri119.html on line 113: In season 2's "Hot Off the Griddle," Catwoman captures Batman and Robin and straps them to two giant aluminum grills, smears them with margarine and places two giant magnifying glasses above them, with the intent to roast them with the hot sun. Robin shouts, "Holy Oleo!" to which Catwoman humorously retorts, "I didn't know you could yodel."
ellauri119.html on line 137: In season two's "Hot off the Griddle," Catwoman captures Batman and Robin in a room where the floor is red hot. They hop up and down while trying to figure out a plan and Robin shouts out "holy bunions!" Just the sight of the two of them hopping up and down while Robin is shouting out nonsense is delightful.
ellauri133.html on line 589: Aika moukkamaisia, Austenia lukuunottamatta, joka moukan mielestä on romcomia. No tavallaanhan se onkin, muttei siinä kaikki! Frankenstein on Maryn avainromaani Percy Shelleystä. Loput infantiilit äijä"klassikot" löytyy myös leffana, kuvitettuina ja piirrettynä leffana. captures-the-very-essence-of-jane-austens-classic-novel-pride-and-prejudice/">Tota Austen cartoonia en ollut ennen nähnyt. Kertaalleen tää moukka on vielä lisäx lukassut:
ellauri140.html on line 54: Book II is centred on the virtue of Temperance as embodied in Sir Guyon, who is tempted by the fleeing Archipelago into nearly attacking the Redcrosse Knight. Guyon discovers a woman killing herself out of grief for having her lover tempted and bewitched by the witch Acrasia and killed. Guyon swears a vow to avenge them and protect their child. Guyon on his quest starts and stops fighting several evil, rash, or tricked knights and meets Arthur. Finally, they come to Acrasia's Island and the Bower of Bliss, where Guyon resists temptations to violence, idleness, and lust. Guyon captures Acrasia in a net, destroys the Bower, and rescues those imprisoned there.
ellauri140.html on line 90: Busyrane M-, the evil sorcerer who captures Amoret on her wedding night. When Britomart enters his castle to defeat him, she finds him holding Amoret captive. She is bound to a pillar and Busirane is torturing her. The clever Britomart handily defeats him and returns Amoret to her husband Artefact.
ellauri153.html on line 373: without sufficient reasons. The first meaning must be contrasted with the second, which captures
ellauri153.html on line 386: meaning. Wright’s definition of evil as an anti-good, anti-God and anti-creation force also captures
ellauri181.html on line 210: The figure below provides a quick guide to values that conflict and those that are congruent. There are two bipolar dimensions. One “contrasz ‘openness to change’ and ‘conservation’ values. This dimension captures the conflict between values that emphasize independence of thought, action, and feelings and readiness for change (self-direction, stimulation) and values that emphasize order, self-restriction, preservation of the past, and resistance to change (security, conformity, tradition).”
ellauri181.html on line 214: “The second dimension contrasz ‘self-enhancement’ and ‘self-transcendence’ values. This dimension captures the conflict between values that emphasize concern for the welfare and interesz of others (universalism, benevolence) and values that emphasize pursuit of one’s own interesz and relative success and dominance over others (power, achievement).”
ellauri185.html on line 131: David captures Jerusalem and brings the Ark there. David wishes to build a temple, but Nathan tells him that one of his sons will be the one to build the temple. David defeats the enemies of Israel, slaughtering Philistines, Moabites, Edomites, Syrians, and Arameans.
ellauri220.html on line 187: The Zapruder film is a silent 8mm color motion picture sequence shot by Abraham Zapruder with a Bell & Howell home-movie camera, as United States President John F. Kennedy's motorcade passed through Dealey Plaza in Dallas, Texas, on November 22, 1963. The film captures the moment of the President's assassination. Abraham Zapruder (May 15, 1905 – August 30, 1970) was a Ukrainian-born American clothing manufacturer.
ellauri221.html on line 302: Bond meets Goodhead again once Drax puts them under ´Moonraker 5´ to be incinerated by the lift-off. They escape and are able to pilot ´Moonraker 6´. After following Drax to his space station, Goodhead and Bond listen to Drax´s speech and leave. Jaws later captures them after the first globe is launched. Drax tells Bond about his plan about having perfect human beings on his earth, with no physical peculiarity or ugliness, but this is overheard by Jaws. He sees that because of his ugly steel teeth, he will be destroyed alongside his ugly girlfriend, Dolly, so turns on Drax and helps Bond and Goodhead to fight Drax´s men. After Bond goes to defeat Drax, Goodhead helps him, and Dolly and Jaws get off on the self-destructing space station, escaping on a pod of their own into Earth´s atmosphere. Bond and Goodhead go after the globe, nearly destroying its inhabitants, but not quite. Bugger it.
ellauri360.html on line 480: It is easy to understand scholars slightly overemphasizing when they claim that the global expansion is actually the Pentecostal expansion. Missionaries are frequently criticized as serving both Christ and commerce. They are pictured as agents of colonial expansion and unable to distinguish between the gospel message and their own cultural preferences. Kenyan Jomo Kenyatta famously captures this critical perspective: “When the missionaries came to Africa they had the Bible and we had the land. They said ‘Let us pray.’ We closed our eyes. When we opened them we had the Bible and they had the land.”
ellauri375.html on line 283: Of course, this is just one imaginative interpretation among many, but it captures some of the humor and complexity that Douglas Adams infused into his work. What do you think?
ellauri405.html on line 236: ¹Analysis (ai): This simple yet profound poem by Robert Louis Stevenson captures the essence of contentment and appreciation. Its concise language belies a depth of meaning that encourages readers to find joy in the abundance of life's offerings. The poem's structure is as straightforward as its message. Two rhyming couplets emphasize the simplicity of Stevenson's message: that the world is full of blessings we often overlook. The repetition of "number" and "things" reinforces the idea of abundance, inviting readers to pause and notice the countless sources of happiness that surround them. This poem stands in stark contrast to the grim realities of Victorian England, where Stevenson lived. The Industrial Revolution had brought both progress and poverty, and many people struggled to find happiness amidst the harsh conditions. Stevenson's message of finding joy in simplicity and gratitude may have been a source of solace during challenging times. Compared to Stevenson's other works, such as "Treasure Island" and "The Strange Case of Dr. Jekyll and Mr. Hyde," this poem is a departure in terms of tone. It is not an adventure story or a psychological thriller but rather a quiet meditation on the beauty of life. However, it shares the same optimistic spirit that permeates much of Stevenson's writing, reminding readers that even in the face of adversity, there is always something to be grateful for.
xxx/ellauri441.html on line 276: Certainly! Raymond Carver's poem "An Old Photograph of My Son" captures themes of memory, nostalgia, and the passage of time. Here’s a detailed analysis:
xxx/ellauri441.html on line 308: In summary, the poem captures a more nuanced and affectionate perspective rather than portraying the speaker as a victim of his son's actions.
xxx/ellauri441.html on line 330: Cunk's interpretation invites readers to consider the darker, more chaotic aspects of parenthood that Carver captures. While Carver's poem reflects love and nostalgia, Cunk emphasizes the potential for conflict and frustration, providing a more nuanced understanding of the emotional landscape of parenting. This perspective resonates with many parents who grapple with the challenges of raising children and the sacrifices involved.
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