ellauri025.html on line 634: And let me put u in my little cage (C'mon)
ellauri048.html on line 1853: The linnet born within the cage,
ellauri077.html on line 621: If we take the Incandenza-wraith’s claim that “Infinite Jest” was his last, desperate attempt to reconnect with Hal, to “simply converse”(IJ 838, original emphasis), as fact, this means that the actual product does just the opposite of what it was meant to. It instead traps the viewer in a solipsistic cage out of which there seems to be no escape.
ellauri100.html on line 1222: Or like a caged thing freed,
ellauri118.html on line 956: "She was so astonishing in her audition," Miller said. "She made me feel sorry for Serena Joy, which is seemingly an impossible task. I felt bad for her. She was so wonderful and terrifying. And she's quite tall, so that works really well with Lizzie who is more small. Serena Joy wears heels and Lizzie doesn't. To have this towering viking standing over her ... she's physically intimidating." Yvonne is a whip-strong woman. Lizzie [Elizabeth Moss] is also quite strong but on the pudgy side. The two of them together, you feel like, 'I'd love to see them go toe-to-toe in a cage match.'" A mud fight with nothing on, now that would be the thing. Maybe in the next season, stay tuned.
ellauri160.html on line 221: Angered by the carnage of World War I, Pound blamed the war on finance capitalism, which he called "usury". He was completely right. He moved to Italy in 1924 and through the 1930s and 1940s promoted an economic theory known as social credit, wrote for publications owned by the British fascist Sir Oswald Mosley, embraced Benito Mussolini's fascism, and expressed support for Adolf Hitler. During World War II and the Holocaust in Italy, he made hundreds of paid radio broadcasts for the Italian government, including in German-occupied Italy, attacking the United States, Franklin D. Roosevelt, Great Britain, international finance, munitions makers and mongers, and Jews, among others, as causes, abettors and prolongers of the world war, as a result of which he was arrested in 1945 by American forces in Italy on charges of treason. He spent months in a U.S. military camp in Pisa, including three weeks in an outdoor steel cage. Deemed unfit to stand trial, he was incarcerated in St. Elizabeths psychiatric hospital in Washington, D.C., for over 12 years. Nothing has changed: this sounds precisely like the U.S. decades long persecution of Assange.
ellauri189.html on line 214: The boundless steppe of the Ukraine turns out to be a cage with invisible bars. Man appears at first sight to be free, without apparent goal roaming over the plain of life, being a lord of the steppe, “a king of the wilderness” (“król pustyni”), or tries to create in a premeditated manner his own future, deciding – by the way – on the fate of his fellow men (the source of unceasing conflicts). However, in the latter case he often unwittingly obeys the voice of his own wild, unruly nature. The ambivalence of this situation seems to be intimately connected with the concept of romantic irony. Man possesses the ability to objectify his passions, i.e. he can explain them psychologically, by means of a chain of causes and effects, but he still remains the slave of this volitional nature that constitutes his innermost self, always and ever receding (like the horizon of the Ukrainian plain) when he tries to catch it (the idea of the Unconscious does not really explain this “schizophrenic” state of mind – it merely affirms man’s essential homelessness: I am myself, when I realize that my self eternally escapes me). - I can relate to that, says the Russian tank driver sitting stuck in the Ukrainian mud.
ellauri198.html on line 533: Or wild cats in a red-hot iron cage— Vaiko joku Ryhmä Haun alkutoitotus?
ellauri210.html on line 771: Les Couilles Enragées (Eng: Mad Balls) is a book by Benjamin Péret written in 1928.. Eventually published under a pseudonym in 1954 by Eric Losfeld as Les Rouilles Encagees, Mad Balls is an explosion of Péret's virulent anti-religiousness and erotic delirium. It featured seven explicit illustrations by Yves Tanguy.
ellauri214.html on line 72: Though Rowling’s transphobia has been publicized the most, fans have also begun to notice prejudice in her writing. Very few people of color are featured in J. K. Rowling’s books, and those that are have few lines and no detailed story arcs. One of the people of color given more thought was Cho Chang, Harry Potter’s love interest who was first introduced in the third book, Harry Potter and the Prisoner of Azkaban. Rowling’s racism toward Asians and lack of knowledge of Asian culture is clearly evident from just the name Cho Chang, which is a mix of Korean and Chinese surnames. Korea and China have a longstanding history as political adversaries and each country has a distinct culture. While Rowling went to great efforts in creating a wonderfully immersive wizarding world, she gave no thought to what Cho’s ethnicity is. Cho was also sorted into Ravenclaw house, the school house for those of high intelligence, playing into a common stereotype of Asians. The only other Asian characters mentioned in the series are Indian twins Padma and Pavarti Patil. While Rowling appears to have given more thought to these characters, placing Padma in Ravenclaw and breaking the Asian stereotype by placing Pavarti in Gryffindor, she ultimately fails to adequately write Asian characters. While Pavarti, as a member of Harry Potter’s house, was given more depth than Cho or her sister, many South Asian fans were irritated by the girls’ dresses in the fourth movie, Harry Potter and the Goblet of Fire. The twins wore dull and unflattering traditional Indian attire, which many saw as a mockery of Indian culture. Cho herself wore an East Asian style dress in this movie which was a mix of different Asian styles. Rowling continued her habit of stereotyping Asians in the Fantastic Beast Movies, the first of which was released in 2016 and set in the 1920’s, several decades before the Harry Potter series. In this pre-series, the only Asian representation is displayed in the form of a woman who has been cursed to turn into a beast. Fans may remember the villain Voldemort’s pet snake, Nagini, who served him throughout the Harry Potter series. Fans were surprised to learn when watching The Crimes of Grindelwald, the second movie in the Fantastic Beasts series, that Nagini was not always a snake, but was actually a woman who had been cursed to turn into a snake. In the movie, Nagini, in human form, is caged and forced to perform in a circus. Though we do not know how Nagini came to meet Voldemort, we do know that she became his servant and the keeper of a wee snakelike portion of his soul. This is more than slightly problematic. Not only was Nagini the only Asian representation in the film, but she was also a half-human who was forced to serve an evil white man for a great part of her existence. Author Ellen Oh commented on Nagini’s inclusion in the film saying “I feel like this is the problem when white people want to diversify and don’t actually ask POC how to do so. They don’t make the connection between making Nagini an Asian woman who later on becomes the pet snake of an EEVIL whitish man.”
ellauri266.html on line 462: Les prisonniers sont mis dans des chariots et conduits à une maison où les chasseurs sont attendus par leurs femmes venant admirer l’œuvre de leurs maris4. Les morts sont exposés aux regards admiratifs des guenons et les vivants sont conduits dans des chariots vers la capitale pour servir de cobaye dans des recherches scientifiques. Sur place, le narrateur est mis dans une cage individuelle située en face de la cage de Nova que surveillent deux gorilles appelés Zanam et Zoram. Voulant attirer leur attention sur sa différence, le narrateur les remercie avec amabilité. Surpris, les deux gorilles avertissent leur supérieur, un chimpanzé femelle appelée Zira. Intriguée par ce cas, la guenon avertit son supérieur : un vieil orang-outan, qui fait subir au narrateur plusieurs tests de conditionnement pour s’assurer de son intelligence. Étonné par les résultats obtenus, le vieillard, appelé Zaïus, reste cependant convaincu qu´il s´agit d´un cas d´humain dressé et non d´un humain conscient et intelligent. Il en informe un autre collègue, puis décident de faire subir au narrateur le même test d’accouplement qu´aux autres cobayes. Il lui choisit comme partenaire Nova.
xxx/ellauri056.html on line 566: Fichte war das erste von acht Kindern des Bandwebers Christian Fichte (1737–1812) und seiner Frau Maria Dorothea (geb. Schurich, 1739–1813) in Rammenau in der Oberlausitz. Er wuchs ärmlich in einem von Frondiensten geprägten dörflichen Milieu auf. (Frondienst on socage eli torpparius, maaorjuuden eräs muoto.) Seine Auffassungsgabe und sein gutes Gedächtnis fielen einem Verwandten der örtlichen Gutsherrschaft, dem Gutsherrn Ernst Haubold von Miltitz (1739–1774), bei einem Besuch in Rammenau auf: Er hatte eines Sonntags die kirchliche Predigt verpasst, woraufhin der zehnjährige Fichte gerufen wurde, von dem man versicherte, er könne die Predigt wiederholen. Daraufhin imitierte dieser den Pfarrer so perfekt, dass der Freiherr in seiner Entzückung dem Kind nach einer Vorbereitungszeit im Pfarrhaus zu Niederau den Besuch der Stadtschule in Meißen ermöglichte. Danach finanzierte ihm sein Förderer 1774 eine Ausbildung an der Landesschule Pforta bei Naumburg, verstarb jedoch im selben Jahr.
xxx/ellauri103.html on line 283: I made this same point in relation to gender in Melbourne last week: both as writers and as people, we should be seeking to push beyond the constraining categories into which we have been arbitrarily dropped by birth. If we embrace narrow group-based identities too fiercely, we cling to the very cages in which others would seek to trap us. We pigeonhole ourselves. We limit our own notion of who we are, and in presenting ourselves as one of a membership, a representative of our type, an ambassador of an amalgam, we ask not to be seen. I have done my best to stretch my female identity, and after years of strenuous stretching it is in fact almost as long already as that of my drummer boy's.
xxx/ellauri139.html on line 882: Le bocage était sans mystère, Pyökistö oli mysteeritön,
xxx/ellauri173.html on line 301: C'est l'être humain qui est la personne qui rode les autres animaux derrière la serrure avec son covid-19 masque, il n’y a pas de vache obscure qui pourrait prendre sa place pour jeter ses regards à travers des orifices de cet animal. Il est un être capable en lui-même et par lui-même de jouer avec le vrai et le faux, le réel et l’apparent, les autres animaux y compris des comperes, et de les saisir comme tels dans une cage, autrement dit: un être qui vit et tue en pensant seulement a soi-meme.
xxx/ellauri173.html on line 457: Ô bords siciliens d’un calme marécage

xxx/ellauri173.html on line 458: Qu’à l’envi des soleils ma vanité saccage,

xxx/ellauri193.html on line 500: concern is there for caged
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