ellauri018.html on line 814: Motsäger jag mig själv? Gott, jag motsäger mig. Jag rymmer mångfalder. Sanoo Allah ja hymyilee monimielisesti kuin Wilt Whatman, jota siteeras Thoreau isin mielikirjassa Skogsliv vid Walden. Elastista juridiikkaa, mielivalta sisäänrakennettuna. Not a bug but a feature. Tää on yksi tieteellisen ja uskonnollisen maailmankuvan peruseroja. Hieman iso, mutta kyllä tästä selvitään, sanoo Allah ja taikoo ristiriidan piiloon. Tai poistaa valittajan pään.
ellauri022.html on line 229: Jos kaikki säästäisivät kuin Davenport ja Polly, ei olisi köyhiä, ajattelee Luisa. Senkin kommunisti. Jeesus tiesi paremmin: köyhät teillä on aina keskuudessanne, ja rikkaat myös. Sillä siitä tässä kaikessa on kysymys. Se ei ole bug, se on feature.
ellauri026.html on line 265: Joitain meidän yrttitarhan yrttejä vilistää tässä ohize, kuten ruuta, kurkkyrtti ja väinönputki. Kurkkuyrtti on englannixi bugloss, häränkieli kreikasta. Saxalainen nimi on borretsch. Sitä tulee grüne sosseen, jota on joskus tehty meidän yrttitarhan yrteistä.
ellauri031.html on line 440: för vår värdinna bugom oss —

ellauri033.html on line 811: Kerran se lähti kävelylle, kaikki naapurit tervehti iloisesti. Kun se kääntyi hakemaan lompakkoaan, se yllätti ne anti-Alf mielenosoituxesta. Pastori näytti juuri anakondaa sen ulko-ovelle. Sen hokema on ´With my luck...´ ja skezin lopussa se sanoo masixena: , ´...oh, bugger.´ Se on jostain pohjoisesta. Ehkä Yorkista kuten Graham Wiltcock.
ellauri051.html on line 869: 287 The bugle calls in the ball-room, the gentlemen run for their partners, the dancers bow to each other, 287 Bugle kutsuu juhlasalissa, herrat juoksevat kumppaneidensa luo, tanssijat kumartavat toisiaan,
ellauri051.html on line 1334: 734 Where the bat flies in the Seventh-month eve, where the great gold-bug drops through the dark, 734 Missä lepakko lentää seitsemännen kuukauden aattona, missä suuri kultarokko putoaa pimeyden läpi,
ellauri051.html on line 1656: 1048 The bull and the bug never worshipp'd half enough, 1048 Härkä ja härkä eivät koskaan palvoneet puoliksi tarpeeksi,
ellauri066.html on line 941:

bug=false" />
ellauri069.html on line 762: Biographers report that Baum had been a political activist in the 1890s with a special interest in the money question of gold and silver (bimetallism). The City of Oz earns its name from the abbreviation of ounces "Oz" in which gold and silver are measured. Unssin kaupunki. For example, the Tin Woodman wonders what he would do if he ran out of oil. "You wouldn't be as badly off as John D. Rockefeller", the Scarecrow responds, "He'd lose six thousand dollars a minute if that happened." Dorothy—naïve, young and simple—represents the American people. She is Everyman, led astray and seeking the way back home. Moreover, following the road of gold leads eventually only to the Emerald City, which may symbolize the fraudulent world of greenback paper money that only pretends to have value. It is ruled by a scheming politician (the Wizard) who uses publicity devices and tricks to fool the people (and even the Good Witches) into believing he is benevolent, wise, and powerful when really he is a selfish, evil humbug.
ellauri082.html on line 543: LSD: happo. Suomessa harvinaista herkkua. Sekoittaa aluksi pään ja aiheuttaa ihmeellisiä näköharhoja (maailma näyttää niin kovin erilaiselta, värit elävöityvät, aistit sekoittuvat koko lailla), "mutta" pitemmällä tähtäimellä johtaa masennukseen ja itsemurhaan. Harmittomista hallusinogeeneistä vittumaisin ja sopii yleensä lähinnä 5.1-kaikuakustisien tivolitalojen sekä viihde-elektroniikan bugien faneille.
ellauri097.html on line 304: But if White could criticize the country and call Australians unprincipled buggers, it was something he had earned by going back.
ellauri098.html on line 283: La vita bugiarda degli adulti on varttuneiden fusku elämä. Adulterium on varttuneiden leikkiä, jota adoleskentit ei ymmärrä. Ad-altus on loppuunvarttunut, samaa juurta kuin saxan alt ja englannin old. Lapsen silmissä kaikki adultit on senioreja. Mutta kun tätä kirjaa lukee huolella, huomaa että lapset huijaa yhtä häijysti, niillä on vaan 1 asia vähemmän huijattavana, nimittäin FUCK! Ja elämännälästä Ferraran kirjassa ei ole kysymys, ei vitussa, vaan nokintajärjestyxistä ja niihin liittyvistä häpeäntunteista.
ellauri109.html on line 515: A fiction writer’s life is his treasure, his ore, his savings account, his jungle gym,” Updike wrote. “As long as I am alive, I don’t want somebody else playing on my jungle gym—disturbing my children, quizzing my ex-wife, bugging my present wife, seeking for Judases among my friends, rummaging through yellowing old clippings, quoting in extenso bad reviews I would rather forget, and getting everything slightly wrong.”
ellauri141.html on line 366: Adolescent slave boys were fair game for a virile man. Jupiter may have had his Ganymede, but none of the standard pantheon of gods were gay as we use the term. But there was a limit: it was queer to screw a boy after he was old enough to shave. “Passive’ homosexuality was the real disgrace. The urge to bugger was understandable. A man’s desire to be buggered was disgraceful. As often observed, it was better to give than receive. And in Horace’s poems, pederasty seems no more frowned upon than a taste for veal might be frowned upon today. Actually less. By now you can see where I’m headed with all this. I think the puer in Persicos odi, puer, apparatus... is the kind of boy that Horace is sometimes fond of screwing.
ellauri142.html on line 416: kädessä; kukaan ei tee mitään kivaa, vaan tekee sitä, mitä bugi katsoo hänen velvollisuudekseen. No niimpä tietysti. Cato ja Seneca hurraa kazomossa ja tekee aaltoja tiimikaulaliinat kaulassa ja pienoisliput kädessä. Epiktetoxella on jopa kasvomeikit tiimiväreissä.
ellauri147.html on line 561: Narsismi ei ole enää bugi, se on piirre. Sellaisia on nyt vaan oltava, ei muulla voikaan enää pärjätä. Töihin ei pääse ilman myyvää videota. Kaikki työ on loppuviimexi myyntityötä meediassa. On opittava myymään izeään, tultava eläväxi merkkituotteexi. Izeluottamuxen on oltava aivan tapissa, ei kukaan muukaan muuten suhun luota. Kampaa tukkasi, laita huuleen botoxi. Leikkaa silmäsi, siirrä rasva vyötäröltä tissixi.
ellauri153.html on line 62: Disambug.png Tämä on täsmennyssivu, jonne päädyit, kun kaadoit Hikipedian palvelimen. Yritä jotain muuta myöhemmin uudelleen.
ellauri155.html on line 668: Influenced: Guzmán-Agamben-Arendt-Benjamin-Benoist-Copenhagen School-Derrida-Habermas-Jiang-Jünger-Koselleck-Lilla-Mouffe-Moldbug-Morgenthau-Negri-Strauss-Taubes-Tronti-Wielomski-Žižek.
ellauri156.html on line 416: Twenty-five years ago, hotel personnel noticed that a stairwell door lock had been taped in the open position. Burglars had broken in to readjust some of the bugging equipment installed in an earlier break-in in May. No one really seemed able to explain just what these burglars expected to gain from their crime.
ellauri192.html on line 269: Taking into sympathetic account the widest margin of human error, is it possible to take seriously an institution and procedure that passes over the majority of the greatest novelists and renewers of prose in the modern age? James Joyce, Marcel Proust, Franz Kafka (whose presence towers over our sensual literature and of the meaning of a bug, quite a feat for a little man who one should not expect to tower over anything much), Thomas Hardy, Joseph Conrad, Henry James, Andre Malraux, Hermann Broch, Robert Musil, D. H. Lawrence, either escaped the notice of or were, on nomination, rejected by the Nobel committee. Can one defend a jury which prefers the art of Pearl Buck (1938) to that of, say, Virginia Woolf? Paul Claudel, a picee of shit whose dramas we can set fairly beside those of Aeschylus and of Shakespeare just to scare people, never received the accolade. Paul Heyse was chosen, not Bertolt Brecht. Galsworthy is a Nobel, not Carlo Emilio Gadda, one of the most original and inventive writers of fiction in this century. Who the fuck is he? Composer of In-a-Gadda-da-Vida? No that was Iron Butterfly, and a good piece it was indeed.
ellauri206.html on line 90: The divergence between developed and developing countries has become systemic – a recipe for instability, crisis and forced migration. These imbalances are not a bug, but a feature of the global financial system.
ellauri216.html on line 756: Lainausmerkki: Maalliset ihmiset ja jopa munkit, joilla ei ole hengellistä erottelukykyä, houkuttelevat melkein aina humbugit, huijarit, tekopyhät ja demonisessa harhassa olevat, ja he pitävät heitä pyhimyksinä ja aidoina Jumalan palvelijoina.
ellauri223.html on line 226: The Jacobean antiquarian Sir Simonds D'Ewes (Bacon's fellow Member of Parliament) implied there had been a question of bringing him to trial for buggery, which his brother Anthony Bacon had also been charged with.
ellauri241.html on line 986: Was hung a silver bugle, and between

ellauri243.html on line 177: 1. Addressing the court 2. BJ 3. Bagpiping 4. Basket lunch 5. Beej 6. Blowie 7. Blowing the love whistle 8. Bobbing for apples 9. Bone-lipping 10. Buccal onanism 11. Brentwood hello 12. Charming the snake 13. Climbing the corporate ladder 14. Cock-gobbling 15. Copping a doodle 16. Courting the gay vote 17. Drinking a slurpee 18. Dropping on it 19. Earning your keep 20. Essin’ the dee 21. Face-frosting 22. Fellatio 23. Fluting 24. French abortion 25. Gator mouth 26. Getting a facial 27. Getting a lewinsky 28. Getting a throat culture 29. Getting to the cream filling 30. Giving cone 31. Giving face 32. Giving head 33. Gobbling pork 34. Going down 35. Gumming the root 36. Punching 37. Giving Big Jim and the twins a bath 38. Giving brain 39. Giving head 40. Gum-rooting 41. Gumming the green bean 42. Head job 43. Honkin’ bobo 44. Huffing bone 45. Hummer 46. Interrogating the prisoner 47. Kneeling at the altar 48. Knob job 49. Larking 50. Laying some lip 51. Licking the lollipop 52. Making mouth music 53. Making the blind see 54. Meeting with Mr. One-Eye 55. Mouth-fucking 56. Mouth-holstering the nightstick 57. Mouth-milking 58. Mouth-to-junk resuscitation 59. Opening wide for Dr. Chunky 60. Oral sodomy 61. Peeling the banana 62. Penilingus 63. Piston job 64. Playing pan’s pipes 65. Playing the pink oboe 66. Playing the skin flute 67. Pole-smoking 68. Polishing the trailer hitch 69. Pricknicking 70. Protein milkshake 71. Receiving holy communion 72. Respecting your superiors 73. Sampling the sausage 74. Scooby-snacking 75. Secretarial duties 76. Singing to the choir 77. Skull-buggery 78. Skull-fucking 79. Slobbin’ the knob 80. Smiling at Mr. Winky 81. Smoking the pink pipe 82. Smoking pole 83. Southern France 84. Speaking into the bonophone 85. Speaking low genitals 86. Spit-shining a baseball bat 87. Spraying the tonsils 88. Sucking off 89. Sucky-ducky 90. Suck-starting the Harley 91. Swallowing the baloney pony 92. Sword-wwallowing 93. Taking one’s temp with a meat thermometer 94. Talking into the mic 95. Telling it to the judge 96. Waxing the carrot 97. Worshiping at the altar 98. Wringing it dry 99. Yaffling the yogurt cannon 100. Zipper dinner
ellauri248.html on line 154: Schon 1873 hatte er in Basel Friedrich Nietzsche kennengelernt, 1875 entwickelte sich daraus eine Freundschaft. Im Winter 1876/1877 lebte er zusammen mit Nietzsche, Albert Brenner und Malwida von Meysenbug auf deren Einladung in Sorrent, wo sie gemeinsam philosophische Überlegungen anstellten und arbeiteten. In Sorrent entstand Rées Werk Der Ursprung der moralischen Empfindungen ebenso wie Teile von Nietzsches Menschliches, Allzumenschliches, Ausdruck von Nietzsches Abkehr von Wagner und Hinwendung zum „Réealismus“.
ellauri248.html on line 166:

bug%2C_portrait_par_Franz_von_Lenbach.jpg" height="200px" />
ellauri248.html on line 171: Malwida von Meysenbug und Paul Rée entwickelten einen intensiven Briefwechsel. Die erhalten gebliebenen Briefe Malwida von Meysenbugs sind mehr als nur persönliche Dokumente einer Freundschaft, da der eine als „Materialist“, die andere als „Idealistin“ gegensätzliche Positionen einnahmen, die auch zwei Strömungen im 19. Jahrhundert bezeichnen. Die Briefe bieten auch Einsicht in das biographische Beziehungsgeflecht zwischen Nietzsche und Rée, von Meysenbug und Nietzsche sowie Lou von Salomé.
ellauri248.html on line 175: Malwida von Meysenbug, geboren als Malwida Rivalier (geboren 28. Oktober 1816 in Kassel; gestorben 26. April 1903 in Rom), war eine deutsche Schriftstellerin, die sich auch politisch und als Förderin von Schriftstellern und Künstlern betätigte. Amelie Malwida Wilhelmina Tamina Rivalier wurde 1816 als neuntes von zehn Kindern des kurhessischen Hofbeamten Carl Rivalier (1779–1847) geboren.
ellauri248.html on line 177: Ihr Vater wurde 1825 mit Namensmehrung durch von Meysenbug in den erblichen kurhessischen Adelsstand erhoben, wodurch auch Malwida in den Rang einer Freiin aufstieg. Künstlerische und literarische Anregungen erhielten die Kinder von der Mutter, die sie u. a. mit der Gedankenwelt Friedrich Schlegels und Rahel Varnhagens vertraut machte. Nääkin kuikat on esiintyneet ennenkin.
ellauri248.html on line 181: Ab 1850 studierte von Meysenbug an der Hamburger Hochschule für das weibliche Geschlecht, um Erzieherin zu werden. Nach dem frühen Tod Theodor Althaus' im Jahre 1852 emigrierte sie, auch um einer drohenden Verhaftung zu entgehen, nach London. Dort lernte sie unter anderem Gottfried und Johanna Kinkel, Carl Schurz, Therese Pulszky und Alexander Herzen kennen. Herzen, bei dem sie wohnte, machte sie mit weiteren Persönlichkeiten des Londoner Exils bekannt; darunter waren Giuseppe Mazzini, Ferdinand Freiligrath und Giuseppe Garibaldi. Für den Witwer Alexander Herzen übernahm sie die Erziehung seiner Töchter Olga (1844–1912) und Natalie (1844–1936); besonders zu ersterer entwickelte sie eine starke "mütterliche" Zuneigung.
ellauri248.html on line 182: In den Jahren 1860/61 lebte Malwida von Meysenbug mit Olga in Paris, dem damaligen kulturellen Zentrum Europas. Sie war dort häufig Gast bei Richard Wagner, dessen vertrauteste Freundin sie neben Marie von Schleinitz war. Auch mit Charles Baudelaire und Hector Berlioz stand sie in Beziehung; über Wagner kam sie in Kontakt mit der schweinidealistische Philosophie Arthur Schopenhauers, welche sie – in eigener Interpretation – für sich selbst übernahm.
ellauri248.html on line 184: 1869 erschien anonym der erste Band der Memoiren einer Idealistin Malwida von Meysenbugs, zunächst auf französisch; nach einer erweiterten Übersetzung erschienen 1875 und 1876 auch ein zweiter und dritter Band.
ellauri248.html on line 186: Als enge Freundin Wagners war von Meysenbug Trauzeugin bei dessen Hochzeit mit Cosima 1870. Bei der Grundsteinlegung des Bayreuther Festspielhauses 1872 lernte sie Friedrich Nietzsche kennen, dessen Gönnerin und Freundin sie wurde und blieb.
ellauri248.html on line 187: Seit 1874 war von Meysenbug im Alter von 58 Jahren auf ärztliches Anraten in Italien geblieben und Olga nach deren Hochzeit mit Gabriel Monod nicht weiter gefolgt. In Tradition der Salons etwa der Henriette Herz oder Rahel Varnhagen lud sie oft junge Künstler und Schriftsteller zu sich ein, so etwa Nietzsche und Paul Rée 1876/1877 nach Sorrent. Auch Lou von Salomé wurde von ihr und Rée mit Nietzsche bekanntgemacht.
ellauri248.html on line 189: Die Idealistin von Meysenbug war nicht immer mit den inhaltlichen Aussagen ihrer „Buben“ einverstanden, blieb aber vor allem mit dem Menschen Nietzsche befreundet. Als sie im Frühsommer 1888 Nietzsche für seine harten Worte im Fall Wagner tadelte – sie war Wagner immer eng verbunden geblieben –, warf er ihr jedoch völliges Unverständnis seiner Werke vor und brach den Kontakt mit ihr ab. Sie schrieb dies später dem beginnenden Wahnsinn Nietzsches zu.
ellauri248.html on line 191: 1890 lernte Malwida von Meysenbug in Rom den 50 Jahre jüngeren Romain Rolland kennen; er wurde ihr letzter enger Vertrauter und der Briefwechsel ist Zeugnis einer großen Freundschaft. 1903 starb Malwida von Meysenbug in Rom und wurde dort, auf eigenen Wunsch ohne geistliche Begleitung, auf dem Cimitero acattolico an der Cestius-Pyramide beigesetzt. Malwida von Meysenbug war 1901 die erste Frau, die für den Literaturnobelpreis nominiert wurde. Aber mit lautem Gelächter beigesetzt. Tämän kaikkien aikojen ensimmäisen kirjallisuuden dynypalkinnon pokkasi ranskalainen mitättömyys nimeltä Sully Prudhomme, joka sentään oli Ranskan-Saxan sodassa "länkkärien" puolella. Sen runo "Särkynyt korva" löytyy albumista 192.
ellauri256.html on line 391: Mayakovsky produced a large and diverse body of work during the course of his career: he wrote poems, wrote and directed plays, appeared in films, edited the art journal LEF, and produced agitprop posters in support of the Communist Party during the Russian Civil War of 1917–1922. Though Mayakovsky's work regularly demonstrated ideological and patriotic support for the ideology of the Bolsheviks and a strong admiration of Vladimir Lenin, his relationship with the Soviet state was always complex and often tumultuous. Mayakovsky often found himself engaged in confrontation with the increasing involvement of the Soviet state in cultural censorship and the development of the State doctrine of Socialist realism. Works that criticized or satirized aspects of the Soviet system, such as the poem "Talking With the Taxman About Poetry" (1926), and the plays The Bedbug (1929) and The Bathhouse (1929), met with scorn from the Soviet state and literary establishment. Majakovskin lehdykkä Lef teki pilkkaa serapioniveljistä. Ei ois kannattanut. Fedin pani sen hampaankoloon ja Zishtshov närkästyi.
ellauri285.html on line 149: In 1891, Professor Albert Emerson came out to the sites to get a better look at the "artifacts" that he called "bad enough in the photograph... an examination proved them to be humbugs of the first water."
ellauri310.html on line 486: Old Line's bugle, fife ja rumpu, Maryland! Minun Marylandini! Hän ei ole kuollut,
ellauri322.html on line 76: If nobody will be so kind as to become my foe, I shall need no more fleets nor armies, and shall be forced to reduce my taxes. The American war enabled me to double the taxes; the Dutch business to add more; the Nootka humbug gave me a pretext for raising three millions sterling more; but unless I can make an enemy of Russia the harvest from wars will end. I was the first to incite Turk against Russian, and now I hope to reap a fresh crop of taxes. Kuulostaapa tutulta.
ellauri336.html on line 396: Thanks for your comment, Marilyn. To clarfiy – Jewish law DOES require men to control themselves. They’re supposed to control their eyes, their words and their thoughts. The poor buggers just can't live up to it. But we see the concept as a partnership – men and women are each meant to do their part to be appropriate.
ellauri374.html on line 608: Man tappar inte huvudet för att man bugar sig djupt.
ellauri378.html on line 659: Reviewers also noted that the game was buggy and had "a number of frustrating problems", including a lag in multiplayer modes which for some players rendered the game almost "unplayable".
ellauri389.html on line 273: Philosophers could be contributing to something that’s incredibly important. Gay marriage is just one example of many. I don’t think philosophers responded particularly well to 9/11 either. As of free speech, I’m much more sympathetic to the American system actually. Of course I draw the line at incitement to violence, to certain sorts of pornography, plagiarism, false advertising, the disclosure of official secrets – these are the areas where I would shut the buggers up.”
ellauri401.html on line 262: Isä ärisi punkasta että nyt saa tuo fantasia loppua. Pekan usko horjahti: Oliko Blavazky vain humbugia? Kirjakaupsn ezessä nähty hemmo vain joku oudosti pukeutunut kaveri? oliko kaikki vain hallisinazionia? Kyllä oli.
ellauri449.html on line 654: A monk asked Zhaozhou Congshen, a Chinese Zen master (known as Jōshū in Japanese), "Has a dog Buddha-nature or not?" Zhaozhou answered, "Wú" (in Japanese, Mu, in English 'Neither'). The Chinese character represents a dancer (Wu). A monk asked, "Does a dog have a Buddha-nature or not?" The master said, "Neither [Mu]!" The monk said, "Above to all the Buddhas, below to the crawling bugs, all have Buddha-nature. Why is it that the dog has not?" The master said, "Because he has the nature of karmic delusions". A monk asked Master Zhao Zhou, "Does a dog have Buddha Nature?" Zhao Zhou replied, "Yes." And then the monk said, "Since it has, how did it get into that bag of skin?" Zhao Zhou said, "Because knowingly, he purposefully offends." In this light, the undisclosed store of the Tathagata is proclaimed: "All beings have the Buddha-Nature".
ellauri468.html on line 74: Both Antz and A Bug's Life center on a young male ant, a drone with oddball tendencies that struggles to win a princess's leg by saving their society. So Allan Königsberg is not a worker ant after all, but a drone? Stands to reason. Drones are very successful on the Ukranian front to be sure, because they can fly. If so why don't these buggers have wings?
ellauri468.html on line 86: In the Pixar film, a misfit ant named Flik looks for "tough warriors" to save his ant colony from a protection racket run by a gang of grasshoppers. However, the "warriors" he brings back are a troupe of Circus Bugs. During production, a controversial public feud erupted between Steve Jobs and Lasseter of Pixar and DreamWorks co-founder Jeffrey Katzenberg due to the parallel production of his similar film Antz, which was released the month prior. The script of Antz was also heavy with adult references, whereas Pixar's film was more accessible to children. Lasseter, who normally did not use profane language, cursed at Katzenberg and hung up the phone. Fuck, the warty warthog Steve Jobs was in Pixar too! Jobs and Katzenberg would not back down and the rivaling ant films provoked a press frenzy. "The bad guys rarely win," Jobs told the Los Angeles Times, probably meaning himself. In response, DreamWorks' head of marketing Terry Press suggested, "Steve Jobs should take a pill." Antz seemed to be more geared towards older audiences, featuring moderate violence, mild sexual innuendoes, insect genitals and profanity, as well as social and political satire. A Bug's Life was more family-friendly and lighthearted in tone and story. Antz played off more realistic aspects of ants and how they relate to other bugs, like termites and wasps, while A Bug's Life offered a more fanciful look at insects to better suit its anthropomorphic story.
ellauri468.html on line 93: Pixar-wiki Mainos Pixar-wiki Sirkusbugit Bugs-life6 Yleistä tietoa Sukupuoli Urokset ja naiset Sarjan tiedot Ulkonäkö Ötökän elämä Sirkusötökät?! Miten te voitte olla sirkusötököitä?! Flik saa selville, että soturiludeet eivät olekaan sitä, mitä hän luuli niiden olevan. Sirkusludeet ovat ötökkäryhmä Ötökän elämässä. Ne on koulutettu sirkusartisteiksi, mutta Flik erehtyy luulemaan niitä soturiludeiksi.
ellauri471.html on line 233: Se oli sentään kiva kuulla että Albanian jinx meni länkkäreiltä täysin perseelleen. Joutikin, sen verran paha perseily oli kymysyxessä. Wouldn't put it past the anglo saxon buggers, not at all. Spy vs. spy hommat on pelkkää konnailua, koska lait on olemassa vain niskan päällä olijoiden voimalla. Missä ei ole sellaista, ei ole lakeja, on vain reviirien rajoilla räyhähteleviä koiria.
ellauri476.html on line 206: The London Evening News called Philip Agee's Inside the Company: CIA Diary (1975) "a frightening picture of corruption, pressure, assassination and conspiracy". In Ecuador, Agee's primary mission was to force a diplomatic break between Ecuador and Cuba. He writes that the techniques he used included bribery, intimidation, bugging, and forgery.
ellauri476.html on line 208: The cover of the book featured an image of the bugged typewriter given to Agee by a CIA agent as part of their surveillance and attempts to stop publication of the book. In his 1983 book KGB Today, John Barron offered that Agee's resignation was forced "for a variety of reasons, including his irresponsible drinking, continuous and vulgar propositioning of embassy wives, and inability to manage his finances". Now THAT one was major failing! Agee said these claims were ad hominem attacks meant to discredit him. Agee was an immediate bestseller, eventually translated into 20 languages. He became an internationally known whistle-blower and a hero of the left.
ellauri478.html on line 330: Problemet med kristendomen är inte bara att alla de här barnsliga berättelserna inte hänger ihop, att hela judendoms historia är full av orättvisor, motsägelser, äckla figurer och lösa tråd, utan mest av allt att moralen i sagan är grundfalsk, primitiv och vidrig: en klart narcissistisk obehärskad basfigur snarar hela mänskligheten efter att han själv har lurat två av dem att ta en sidosteg, hotar slänga alla i en eldig grop, men därefter ångrar sig och köper en del av dom (de som förstår sig buga sig för honom extra lågt) genom att döda sej själv temporärt som betalning för det hela. Betalning för vad fan? Det låter inte bara dumt men också äckligt, primitivt och (och det här är det värsta) marknadsliberalt. You gave me no choice, jag hade inget val, allt måste ju gå jämnt, tit for tat, lita på mig, jag lovar, hoppas det. There is always Hope.
ellauri480.html on line 76: Neil Gaimanin ja Terry Pratchettin Good Omens nauratti vielä niihin aikoihin kun syöpäinen Nilkki koitti savustaa mut ulos verstaalta 2016. Kysyin siltä kuinka kauan aiot ize olla vielä, enää 2 vuotta. Sepä hyvä sanoin, siihen asti jaxan ehkä vielä sinnitellä. Ja jaxoinkin, vielä toiset 2 päälle. Saatanan mulkero! Nyt kun tätä lukee uudestaan huomaa selviä yhdennäköisyyxiä Nilkin ja Crawlyn välillä. It is the free will thing, it's a bugger. Free will, free enterprise, laissez faire kapitalismin kulmakiviä. Neil Gaiman on vasta 65 ja näyttää nenäjobin munanneelta Alapuron Ripalta. Munakarvat roikkuu ozalla.
ellauri488.html on line 371: 'American Gods' (novel and quickly derailed show) was the same: characters with no characters. mere cardboard archetypes, driving from one place to another in search of another God or another artefact. 'Coraline' was at least brief and atmospheric; its just another bug-hunt but the animation was distinguished and memorable. Bottom line, the problem is the pacing, the plot and the scripting based on both.
xxx/ellauri056.html on line 315: Esimerkkinä löyty Mauriselta mm. hupaisa hessu 1700-luvulta, vähän kuin Fast shown Arthur: "bugger it", "wif my luck". Tällä Lucilla meni lähes kaikki täysin päin persettä. Huono terveys, huono onni, paska elämä. Siitä huolimatta tai ehkä sixi se julkaisi nipun penseyxiä ja paasauxia Voltairen suojeluxessa. Sen mielestä Racine löi Corneillen 6-0. Voltaire taisi olla samaa mieltä. Niistä Corneille oli messuaja ja sen sankarit jotain supermiehiä niinkuin jollain Sofokleella, Racine oli show not tell koulukuntaa, ja sen hemmot inhimillisempiä (vrt Euripides). Musta molemmat vaikuttaa aiika heikoilta, vaikken ole lukenutkaan niitä kunnolla. En pidä tragedioista ylipäänsä, ne on liian yleviä.
xxx/ellauri068.html on line 539: Do what the buglers command Tee heti mitä me masit teille sanomme
xxx/ellauri075.html on line 245: Central to Klages' thought is a linguistic opposition to logocentrism, a term introduced by Klages to diagnose a fixation on language or words to the detriment of the things to which they refer. (Put that in your pipe and smoke, Benjamin!) His formulation of this concept came to be of significant importance to semiotic studies of Western science and philosophy, namely within Derridean deconstruction. Klages is similarly seen as a buggybear to critical theory, deep ecology, and existential phenomenology. Historically little of his odious literary output has been available in English, being too thick and long-winded to translate.
xxx/ellauri103.html on line 233: And here’s the bugbear, here’s where we really can’t win. At the same time that we’re to write about only the few toys that landed in our playpen, we’re also upbraided for failing to portray in our fiction a population that is sufficiently various.
xxx/ellauri121.html on line 352: Janine on samanlainen vetelys kuin leffassa muttei silmätön. Ollaan puolessa välissä. Moira on karannut. Ei ole kerrottu eze oli Junebugin petikaveri. Sikäli kun muistan; kirja ja sarja menee vähän sekasin. Leffassa on ääreist paljon enempi bylsintää kuin kirjassa, muuten kazelijat herpaantuis."Alahuulellani helmeilee jo hiki kun odotan väistämätöntä munaa." Mitä! Tuleeko nyt bylsintäkohtaus? Naah, pelkkää boredomia.
xxx/ellauri125.html on line 546: other thing, it is the difference between the lightning bug and the
xxx/ellauri136.html on line 105: Annals of the Former World by John McPhee—this is me cheating so I don’t have to say “all of John McPhee’s geology writing”—John McPhee, who made reading about oranges (yes the fruit) interesting, got bit by the geology bug while researching for an essay about geology in the Southwest. I know this feeling. Again, this is engagingly written and most informative.
xxx/ellauri179.html on line 723: This wake up alarm means it is time to get up and hunt up some bugs. He crows to let everyone know this is his territory and his ladies.
xxx/ellauri186.html on line 295: In 1941, bugler and career soldier Private Robert E. Lee Prewitt (Montgomery Clift) transfers from Fort Shafter to a rifle company at Schofield Barracks on the island of Oahu. Because Prewitt was also a boxer, Captain Dana "Dynamite" Holmes wants him on his regimental team. Prewitt explains that he stopped fighting after blinding a friend and refuses. Consequently, Holmes makes Prewitt's life miserable and ultimately orders First Sergeant Milton Warden (Lancaster) to prepare a court-martial. Warden suggests doubling Prewitt's company punishment as an alternative. Prewitt is hazed by the other NCOs and is supported only by his close friend, Private Angelo Maggio (Sinatra).
xxx/ellauri186.html on line 782:

Ergo: Islam SUCKS! KILL the buggers!
xxx/ellauri199.html on line 958: Holy Peter holy Allen holy Solomon holy Lucien holy Kerouac holy Huncke holy Burroughs holy Cassady holy the unknown buggered and suffering beggars holy the hideous human angels!

xxx/ellauri208.html on line 895: Vad är det för mening med livet? Bedragen allt ihop. Vad är det för mening med allt det här, frågade hon igen. Att förtränga ledan så man slipper se att det inte finns nån mening, att det är humbug alltihop. Varför spjärna emot när det ändå är så? Ge upp, sa hon till sig själv, kämpa inte emot. Gör ingenting. Förträng ingenting, begär inte, bara existera.
xxx/ellauri215.html on line 137: “A fiction writer’s life is his treasure, his ore, his savings account, his jungle gym,” he wrote. “As long as I am alive, I don’t want somebody else playing on my jungle gym—disturbing my aborted children, quizzing my ex-wife, bugging my present wife, seeking for Judases among my friends, rummaging through yellowing old clippings, quoting in extenso bad reviews I would rather forget, and getting everything slightly wrong.”
xxx/ellauri291.html on line 577: Tuskanhuuto, jota seuraa miesjoukon kaamea nauru, ja hiljaisuus. Kuulitteko? muuan palveluspoika kysyy - Leikkasivat kaverilta kurkun - hehhehhee! Ja sitten nauru, kaamea, nautinnollinen bugandalainen rakätys.
xxx/ellauri307.html on line 711:

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xxx/ellauri356.html on line 419: Marina Ivanovna Tsvetajeva (26. syyskuuta [ 8. lokakuuta ] 1892 Moskova, Venäjän valtakunta - 31. elokuuta 1941, Elabuga, tatarillinen autonominen sosialistinen neuvostotasavalta, Neuvostoliitto) - hopeakauden venäläinen runoilija, proosakirjailija, kääntäjä. Haudattiin postuumisti 1990.
xxx/ellauri356.html on line 445: Elokuun 27. päivänä tytär Ariadne pidätettiin ja Efron pidätettiin 10. lokakuuta. 16. lokakuuta 1941 Sergei Jakovlevich ammuttiin Lubjankassa (muiden lähteiden mukaan Orjolin keskuskeskuksessa); Ariadne kunnostettiin vuonna 1955 viidentoista vuoden vankilassa ja maanpaossa. Tänä aikana Tsvetaeva ei käytännössä kirjoittanut runoutta, vaan teki käännöksiä. Sota löysi Tsvetajevan kääntämässä Federico Garcia Lorcaa. Työ keskeytettiin. 8. elokuuta, Tsvetaeva ja hänen poikansa lähtivät veneellä evakuointiin; Kahdeksantoista päivänä hän saapui useiden kirjailijoiden kanssa Elabugan kaupunkiin Kaman varrella. Chistopolissa, jossa enimmäkseen evakuoidut kirjailijat sijaitsivat, Tsvetaeva sai suostumuksen rekisteröintiin ja jätti lausunnon: "Kirjallisuusrahaston neuvostolle. Pyydän teitä palkkaamaan minut astianpesukoneeksi Kirjallisuusrahaston avausruokalaan. 26. elokuuta 1941". Pyyntö hylättiin. 31. elokuuta 1941 hän teki itsemurhan (hirtti itsensä) Brodelštšikovien talossa, jonne hänet ja hänen poikansa määrättiin arestiin. Hän jätti kolme itsemurhaviestiä. Runonäyte Tsvetajevalta:
xxx/ellauri410.html on line 152: In brief, “The Columbiad,” as Eliot also calls it, begins in Spain, where Columbo dines in with the King and Queen. Queen Isabella “pricks” Columbo’s navel; in response, he defecates on the table. Columbo takes the Queen with him on his voyage, buggers his mates, and finds, in what is now Cuba, King Bolo and BBQ. The setting shifts to the Philippines and then to London, first to the suburb of Golders Green, and then to Russell Square, where Eliot launches the Bolovian Club luncheons. An important upshot of all the whoring is a bastard son named Boloumbo, who presumably begins the European line of ancestry. The rest of the “epic” documents contain Prof. Krapp’s (et al.) and Eliot’s research on the ancient history of the Bolovians, who originate somewhere in South America. Not only the locations, but also the tables have been turned. The “scholarship” reveals that Bolovian behavior and characteristics are the sources of many modern Western traditions, including the wearing of bowler hats. Bolovians practiced Wuxianity, a religion with two gods (or more, depending on the interpretation), anticipating the divine/ human controversy in Christology. Their language, in which Eliot has learned to sing the Bolovian anthem, predates the Indo-European pronunciations of “W,” a combination of the “Greek Ksi” and the “German schsh” (Letters III 730). Eliot’s verses borrow from many versions of Christopher Columbus and his adventures. “Columbo” is a common misspelling for “Colombo,” which is Italian and Portuguese for “Columbus.” Many children know, “In fourteen hundred and ninety-two, Columbus sailed the ocean blue,” but others may know some of the sailors’ ditties or military songs, one of which has the following chorus:
xxx/ellauri410.html on line 207: And buggered him in the ass-o. (IMHO 317)
xxx/ellauri410.html on line 209: C.S. Lewis betrayed his conservatism in his now infamous refusal to publish any “Words Ending in -Uck, -Unt, and -Ugger” (Pound 8). It is ironic that, except for “bugger”, “fuck” and “cunt,” other words ending in those syllables do not occur in Eliot's poems.
xxx/ellauri410.html on line 212: Manila Harbor in 1909. “He was forced to resign . . . following an alleged liaison with a cabin boy” (Letters II 768n). But the cabin boy was savʼd alive/ And buggerʼd, in the sphincter. Eliot was convinced that his father thought him a failure. Publication of these verses might reverse that problem.
xxx/ellauri410.html on line 243: That his bawdy verse was not published anywhere was a continuous joke in Eliotʼs correspondence. When they were finally available to the public in 1996, they received diverse labels: “scatological,” “scabrous,” “obscene,” “pornographic” and “x-rated,” “politically incorrect,” “racist” and “misogynist,” tending towards “coprophilia,” and “grotesquely graphic. In their childish and sordid sexuality these poems have little to do with one of the root meanings of ribald, which is amorous. Instead, they are "descriptions of huge penises, defecations, buggeries and group masturbations." Twenty years later, Eliot was writing Cats, and forgive me, I prefer the kink.
xxx/ellauri485.html on line 260: Ludwig (1897–1992) was #1 on the first Forbes 400 list in 1982. Though he was one of the wealthiest super oil tanker tycoons of his day, with operations spanning 23 countries, he was an unperson (nobody nonentity loser cipher nothing lightweight man in the street villain offender non-person small fry unimportant average joe mediocre person rascal rogue scamp culprit rapscallion scallywag photographer paparazzo shutterbug cameraperson celebrity photographer freelance photographer documentarian photog photographist shooter photojournalist unimportant person person of no importance person of no account man of straw cypher pygmy zero insignificancy zilch unknown cog in the machine yesterday's news fanboi one in the eye john q public).
xxx/ellauri491.html on line 569: The land was hilly, rocky and infertile. None of Ford's managers had the requisite knowledge of tropical agriculture. In the wild, the rubber trees grow apart from each other as a protection mechanism against plagues and diseases, often growing close to bigger trees of other species for added support. In Fordlândia, however, the trees were planted close together in plantations, easy prey for tree blight, Saúva ants, lace bugs, red spiders, and leaf caterpillars.This same lack of expertise caused disease and unrest to spread throughout the camp.

xxx/ellauri492.html on line 138: Here’s how you can handle them. Effective Strategies: Stay Calm. Maintain your composure when faced with manipulative behavior. Do not give the buggers as much as a speaking turn. Responding emotionally may escalate the situation. Assert Yourself: Clearly communicate your feelings and boundaries without succumbing to guilt or pressure. Document Interactions: Keep a record of conversations or incidents to validate your experiences. Use business letter format, stay cool.
xxx/ellauri495.html on line 279: I have read that Lewis invented his own automobile types, but haven’t been able to find a good source explaining his motives (the Teal bug, for example, or the Gomez-Deperdussin, are not named for real companies, of which there was a surprising proliferation in the first decades of the twentieth century). Why didn't he just advertise existing companies like we influencers do today?
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