ellauri042.html on line 657: An anecdote in "A Letter from Mr. Cibber, to Mr. Pope", published in 1742, recounts their trip to a brothel organised by Pope's own patron, who apparently intended to stage a cruel joke at the expense of the poet. Since Pope was only about 4' tall, with a hunchback, due to a childhood tubercular infection of the spine, and the prostitute specially chosen as Pope's 'treat' was the fattest and largest on the premises, the tone of the event is fairly self-apparent. Cibber describes his 'heroic' role in snatching Pope off of the prostitute's body, where he was precariously perched like a tom-tit, while Pope's patron looked on, sniggering, thereby saving English poetry. While Cibber's elevation to laureateship in 1730 had further inflamed Pope against him, there is little speculation involved in suggesting that Cibber's anecdote, with particular reference to Pope´s "little-tiny manhood", motivated the revision of hero.
ellauri080.html on line 540: Keynes's obituary in The Times included the comment: "There is the man himself – radiant, brilliant, effervescent, gay, full of impish jokes ... He was a humane man genuinely devoted to the cause of the common good." Kuulostaa Wallun äiskältä, wickedly funny. Ja gay. Ize asiassa gay pedophile kaiken kukkuraxi. Keynes was a libertine hedonist who wasted most of his adult life engaging in sexual relationships with children, including travelling around the Mediterranean visiting children’s brothels. Funnily wicked too.
ellauri159.html on line 1125: Benefit from their first-hand experience of your subject. Immersing yourself in the sensory experience of a place or an object helps you understand it and capture its essence, so reserve time and assets to actually visit, say, a brothel.
ellauri163.html on line 48: He wrote the drama Got fun nekome (God of Vengeance) in the winter of 1906 in Cologne, Germany. It is about a Jewish brothel owner who attempts to become respectable by commissioning a Torah scroll and marrying off his daughter to a yeshiva student. Set in a brothel, the play includes Jewish prostitutes and a lesbian scene. I. L. Peretz famously said of the play after reading it: "Burn it, Asch, burn it!" Instead, Asch went to Berlin to pitch it to director Max Reinhardt and actor Rudolph Schildkraut, who produced it at the Deutsches Theater. God of Vengeance opened on March 19, 1907 and ran for six months, and soon was translated and performed in a dozen European languages. It was first brought to New York by David Kessler in 1907. The audience mostly came for Kessler, and they booed the rest of the cast. The New York production sparked a major press war between local Yiddish papers, led by the Orthodox Tageplatt and even the secular Forverts. Orthodox papers referred to God of Vengeance as "filthy," "immoral," and "indecent," while radical papers described it as "moral," "artistic," and "beautiful". Some of the more provocative scenes in the production were changed, but it wasn't enough for the Orthodox papers. Even Yiddish intellectuals and the play's supporters had problems with the play's inauthentic portrayal of Jewish tradition, especially Yankl's use of the Torah, which they said Asch seemed to be using mostly for cheap effects; they also expressed concern over how it might stigmatize Jewish people who already faced much anti-Semitism. The association with Jews and sex work was a popular stereotype at the time. Other intellectuals criticized the writing itself, claiming that the second act was beautifully written but the first and third acts failed to support it.
ellauri171.html on line 468: We forgot to mention that Jezebel was the New Testament's N:o 2 whore after Magdalen. In Revelation 2 Jesus Christ rebukes the church of Thyatira saying, “You allow that woman Jezebel, who calls herself a prophetess, to teach and seduce My servants to commit sexual immorality and eat things sacrificed to idols”. Christ also says of this Jezebel, “I gave her time to repent of her sexual immorality, and she did not repent. I will kill her children with death.” Battle of the sexes. In Handmaid's Tale, a Jezebel is a woman forced to become prostitute and entertainer. They are available only to the Commanders and to their guests. Offred portrays Jezebels as attractive and educated; they may be unsuitable as handmaids due to temperament. They have been sterilized, a surgery that is forbidden to other women. They operate in unofficial but state-sanctioned brothels, unknown to most women. Jezebels, whose title also comes from the Bible (note Queen Jezebel in the Books of Kings), dress in the remnants of sexualized costumes from "the time before", such as cheerleaders' costumes, school uniforms, and Playboy Bunny costumes. Jezebels can wear make-up, drink alcohol, and socialize with men, but are tightly controlled by the Aunts. When they pass their sexual prime and/or their looks fade, they are discarded, without any precision as to whether they are killed or sent to "the Colonies" (XII Jezebels).
ellauri204.html on line 344: If you thought that a visit to the brothel district was going to be fun and sexy, the “Circe” episode’s opening stage directions quickly dispel you of that notion by establishing the unseemly setting of Joyce’s Nighttown. The tracks are “skeleton,” the signals warn of “danger,” the houses are “grimy,” the men are “stunted,” and the women “squabble” about price. Indeed, Encyclopaedia Britannica in 1885 labeled this part of Dublin “the worst slum in Europe”. Located in east Dublin between Montgomery Street and Tyrone (né Mecklenburgh) Street, Nighttown is an ugly place filled with unsavory people. Moly (ei Molly) yrtti oli luultavasti valkosipuli. Bloomin mielixeen kengittämän hoidon hampaat haisi valkosipulilta.
ellauri221.html on line 103: brothels were closed, including 180 in Paris. Many brothels were converted into hotels, which prostitutes continued to use, so haha! James Bond was coldcocked by this cruel and inhumane law. He switched immediately to drinking only Tittinger.
ellauri256.html on line 378: Osip did not only let Lilya play around, he also visited brothels with her,” writes Alisa Ganieva, the author of Lilya Brik's biography L.Yu.B. However, Osip had a different interest in prostitutes - he was writing a PhD thesis about them and was something of a “social worker” (giving them legal assistance). However, he took his young wife with him there for fun.
ellauri302.html on line 77: YEKEL TCHAFTCHOVITCH, familiarly known as the "Uncle;'' the owner of a brothel.
ellauri302.html on line 83: HINDEL, first girl of the brothel; a girl of some thirty odd years, but much older in appearance.
ellauri302.html on line 143: What is worst they are planning to start a competing brothel! And demanding Hindel's back wages from Tevje. Suggest engaging Rifkele to the trade. WTF! Downstairs with you! Shloyme ja Hindel vittuilevat isännille, alkaa rökitys.
ellauri302.html on line 188: The furniture of the basement brothel consists of several lounges, a tahle, benches and card-tables; on the walls, looking-glasses bedecked with gaudy ornaments; chromos representing women in suggestive poses...
ellauri302.html on line 190: In the background of the basement brothel, several small compartments, separated from one another by thin partitions, and screened by thick black curtains. One of the curtains has been drawn aside; in the compartment are seen a bed, a wash-stand, a mirror and various toilet articles. A colored night-lamp sheds a dim light over the tiny room.
ellauri302.html on line 365: I'll go... You'll go... Rifkele will go... Everything and everybody will go... (Pointing to the brothel.) Down into the bargain basement... God won't have it otherwise... He is vengeful all right.
ellauri302.html on line 374: Yekel, pacing about the room as before. No more home... No more wife... no more daughter... Down into the basement... Back to the brothel... We don't need any daughter now... don't need her... She's become what her mother was... God won't have it... Back to the bike basement... Down into the brothel!
ellauri302.html on line 379: It's all the same to me now...The devil got her, too. No more daughter... No more Holy Scroll... Into the brothel with everything... Back to the brothel... God won't have it... (Long pause. Beizel appears at the door, thrusting in her head. Steals into the room and stops near the entrance. Yekel notices her, and stares at her vacantly.)
ellauri302.html on line 398: Yekel Down into the brothel... (Pointing below. Then to Reizel.) Down below, with the rest of them. Down into the brothel. No more Holy Scroll.
ellauri302.html on line 425: It's all the same to me now. Let everybody know. No more daughter... No more Holy Scroll... Into the basement. Into the brothel with everything.
ellauri302.html on line 434: Yekel My daughter has gone to a brothel. The Scroll has been desecrated. God has punished me.
ellauri302.html on line 516: Yes, he 'll sit inside there and study the sacred books... I have a virtuous Jewish daughter. (Goes into the room and drags Rifkele out hy force. She is only half dressed, her hair in disorder, one boob sticking out. He points to her.) Your son will marry a virtuous Jewish daughter, I say. She will bear him pure, Jewish children... even as all pious daughters. (To Sarah.) Isn't that so? (Laughing wildly, to the stranger.) Yes, indeed, my friend, — she'll make a pure, pious little mate. My wife will lead her under the wedding canopy... Down into the brothel! Down below! (Pointing to the basement.) Down into the brothel! (Dragging Rifkele hy her hair to the door.) Down into the brothel with you! Down!
ellauri302.html on line 520: Yekel: Down into the brothel with you! (He leaves together with Rifkele, whose cries are heard from outside.)
ellauri350.html on line 308: brothel.jpg/400px-A_German_prostitute%27s_self-portrait_in_a_brothel.jpg" />
xxx/ellauri068.html on line 221: I also said something about Borges’s love life, which is present in several places in his work, just like his reticence, yes, to go beyond “a certain point” (in the story “The Other,” for example, various critics have found a subtle reference to a brothel and a prostitute located almost in a blank space, between two French names that are almost identical).
xxx/ellauri122.html on line 796: In their early 20s the pair vacationed together on Lake Garda on the Austrian-Italian border; they paid their respects at Goethe’s house in Weimar; stayed together at the Hotel Belvedere au Lac in Lugano, Switzerland; and even visited brothels together in Prague, Milan, Leipzig, and Paris. Brod, a self-confessed ladies’ man with an insatiable appetite for adventurous sexual conquests, often berated Kafka for not having a similarly urgent drive of eros. “You avoid women and try to live without them,” Brod once told his friend.
xxx/ellauri128.html on line 538: He had a good education at the lycée in Rouen, falling under the influence of a charismatic teacher, Émile-Auguste Chartier, known as “Alain.” Alain inspired other pupils, too, including Simone Weil and Raymond Aron, urging them to question received ideas. He gave Maurois a love of literature but also, perhaps surprisingly, urged him to take up the mill business after leaving school. Maurois did so, but in his Elbeuf office he kept a secret cupboard filled with Balzac novels and notebooks, and copied out pages of Stendhal to improve his writing style. He became a Kipling enthusiast, and learned excellent English. He travelled to Paris at least one day a week, and frequented brothels there.
xxx/ellauri176.html on line 75: Prostitution was a common aspect of ancient Greece (Fig.1) In the more important cities, and particularly the many ports, it employed a significant number of people and represented a notable part of economic activity. It was far from being clandestine; cities did not condemn brothels, but rather only instituted regulations on them.
xxx/ellauri176.html on line 78: In Athens, the legendary lawmaker Solon is credited with having created state brothels with regulated prices. Prostitution involved both sexes differently; women of all ages and young men were prostitutes, for a predominantly (LOL) male clientele.
xxx/ellauri176.html on line 86: In the classical era of ancient Greece, pornai were slaves of barbarian origin; starting in the Hellenistic era the case of young girls abandoned by their citizen fathers could be enslaved. They were considered to be slaves until proven otherwise. Pornai were usually employed in brothels located in "red-light" districts of the period, such as Piraeus (port of Athens) or Kerameikos in Athens. Seija harrasti keramiikkaa Bostonissa. "And what do you do Seija?" "I have been learning pottery." "Oh, ceramics" sanoi Mrs. Breckenridge, piruillaxeenko vai ei, paha sanoa.
xxx/ellauri176.html on line 88: The classical Athenian politician Solon is credited as being the first to institute legal public brothels. He did this as a public health measure, in order to contain adultery. The poet Philemon praised him for this measure in the following terms:
xxx/ellauri176.html on line 92: As Philemon highlights, the Solonian brothels provided a service accessible to all, regardless of income. (One obolus is one sixth of one drachma, the daily salary of a public servant at the end of the 5th century BC. By the middle of the 4th century BC, this salary was up to a drachma and a half.) In the same light, Solon used taxes he levied on brothels to build a temple to Aphrodite Pandemos (literally "Aphrodite of all the people"). Even if the historical accuracy of these anecdotes can be doubted, it is clear that classical Athens considered prostitution to be part of its democracy.[citation needed]
xxx/ellauri178.html on line 362: On 25 May 1901, Chekhov married Olga Knipper quietly, owing to his horror of weddings. She was a former protégée and sometime lover of Nemirovich-Danchenko whom he had first met at rehearsals for The Seagull. Up to that point, Chekhov, known as "Russia's most elusive literary bachelor," had preferred passing liaisons and visits to brothels over commitment. For the rest, he lived largely at Yalta, she in Moscow, pursuing her acting career. In 1902, Olga suffered a miscarriage; and Americans have offered evidence, based on the couple's letters, that conception may have occurred when Chekhov and Olga were apart, although Russian scholars have rejected that claim. Perhaps the semen was conveyed from Yalta to Moscow by snail mail.
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