ellauri006.html on line 1654: And always look on the bright side of life,
ellauri006.html on line 1671: So always look on the bright side of death
ellauri006.html on line 1682: Always look on the bright side of life
ellauri014.html on line 1697: Thou blossom bright with autumn dew, Sä syyskasteen kirkastama kukka,
ellauri029.html on line 38: Jan Blomstedt rakastaa keinotekoista ja sievää jaottelua ja luokittelua. Koska me emme sellaista rakasta, voimme jakaa Das Janin tuotannon kolmeen lohkoon ennen sen päälleastumista: 1) Blomstedtin "parodista ja itsetiedostavaa fiktiota" voimme kuzua tiedostamattomaxi izeparodiaxi (näitä räpellyxiä löytyy mm Punkakatemiasta sekä Synteesistä 3/1984-1&2/1985); 2) esseen ja sepitteen raja-aitoja yliastuvat yritelmät käyvät hänen kriitikittömän tyylitajuttomuutensa osoituxesta ja 3) Blomstedtin normaalin esseegenren tuotteet ovat onttoudessaan ja lukkiutuneisuudessaan vain latteaa ja i-k-ä-v-y-s-t-y-t-t-ä-v-ä-ä luettavaa. Samaa voidaan sanoa myös hänen 'ironiastaan'. Blomjanin fiktion ja esseen raja-aitojen kaataminen todistaa vain sen, että hän on onneton raja-aitojen kaataja (hän kaatuu tuleen makaamaan aidan alle ja ryömii riman alize). Mutta nää oon vaan kuriositeetteja siinä Jan Blomstedtissa joka Roland Barthesin torso mukanaan harhailee pitkästyneenä pitkin maailmaa ja hyräilee: I bore myself to sleep at night / I bore myself in bright daylight / I'm bored / I'm the chairman of the bored. Markku Envall on väittänyt, että on vaikea kuvitella Blomstedtia innostuneena. E.Saarinen ja J.Blomsted on koominen pari, jotain Mikin ja Hessun tapaista.
ellauri035.html on line 139: Hiding her bright face at the point of day;
ellauri035.html on line 148: Lengthened to the bright ear and her pale side
ellauri035.html on line 183: All bright for love but very love-weary,
ellauri035.html on line 222: Racks me with memory; and her bright dress
ellauri035.html on line 242: Grapes and the small bright-coloured river flowers.
ellauri035.html on line 411: And then in a carpeted hall with a bright gold lamp
ellauri035.html on line 468: Waters of languor, this dear bright-coloured bird,
ellauri035.html on line 486: Your shadowed head lies leaving a bright space
ellauri035.html on line 513: And never a bed without my bright darling.
ellauri048.html on line 1404: Thy sliding keel, till Phosphor, bright Sun liukkaasti etenevää köliä, kunnes Fosforos,
ellauri048.html on line 1421: I see the cabin-window bright; Mä nään valon hytin ikkunassa;
ellauri051.html on line 936: 353 The bright suns I see and the dark suns I cannot see are in their place, 353 Kirkkaat auringot, joita näen, ja tummat auringot, joita en näe, ovat paikallaan,
ellauri051.html on line 1031: 443 Earth of the limpid gray of clouds brighter and clearer for my sake! 443 Pilvien kirkkaan harmaan maa kirkkaammaksi ja kirkkaammaksi minun tähteni!
ellauri051.html on line 1147: 556 Seas of bright juice suffuse heaven. 556 kirkasta mehua täyttävät taivaan.
ellauri054.html on line 293: Lay like the folds of a bright girdle furled. Se makasi kuin valopään Gödelin taittovedoxet.
ellauri067.html on line 363: Foil: In fiction or non-fiction, a foil is a character who contrasts with another character; most of the time it is the protagonist, to highlight qualities of the other character. In some cases, a subplot can be used as a foil to the main plot. This is especially true in the case of metafiction and the story within a story motif. The word foil comes from the old practice of backing gems with foil to make them shine more brightly. Paranoids like Pynchon make foil hats to foil conspiracies.
ellauri069.html on line 42: Modern art didn’t abandon the world, but it made art-making part of the subject matter of art. When (in the second account) did a break occur? It happened when artists and intellectuals stopped respecting a bright-line distinction between high art and commercial culture. Modernist art and literature, in this version of the story, depended on that distinction to give its products critical authority. Modernism was formally difficult and intellectually challenging. Its thrills were not cheap. But there were cheap thrills out there, a vast and growing mass of products manufactured to stroke the senses and flatter the self-images of their consumers. This bubble-gum culture wasn’t just averse to the spirit of high art. It was high art’s reason for being.
ellauri069.html on line 642: During the line-crossing ceremony, the Pollywogs undergo a number of increasingly embarrassing ordeals (wearing clothing inside out and backwards; crawling on hands and knees on nonskid-coated decks; being swatted with short lengths of firehose; being locked in stocks and pillories and pelted with mushy fruit; being locked in a water coffin of salt-water and bright green sea dye (fluorescent sodium salt); crawling through chutes or large tubs of rotting garbage; kissing the Royal Babys belly coated with axle grease, hair chopping, etc.), largely for the entertainment of the Shellbacks.
ellauri070.html on line 342: Their four "concentric" terms are derived from Ezekiel's vision (1:4), "And I looked and behold, a whirlwind came out of the north, a great cloud, and a fire infolding itself, and a brightness was about it..." The "Three Impure Qlippot" (completely Tamei "impure") are read in the first three terms, the intermediate "Shining Qlippah" (Nogah "brightness") is read in the fourth term, mediating as the first covering directly surrounding holiness, and capable of sublimation. In medieval Kabbalah, the Shekhinah is separated in Creation from the Sefirot by man´s sin, while in Lurianic Kabbalah Divinity is exiled in the qlippot from prior initial Catastrophe in Creation. This causes "Sparks of Holiness" to be exiled in the qlippot, Jewish Observance with physical objects redeeming mundane Nogah, while the Three Impure Qlippot are elevated indirectly through Negative prohibitions. Repentance out of love retrospectively turns sin into virtue, darkness into light. When all the sparks are freed from the qlippot, depriving them of their vitality, the Messianic era begins. In Hasidic philosophy, the kabbalistic scheme of qlippot is internalised in psychological experience as self-focus, opposite to holy devekut self-nullification, underlying its Panentheistic Monistic view of qlippot as the illusionary self-awareness of Creation.
ellauri071.html on line 471: Around 1850, a British merchant service captain, Charles Noble, upon discovering that the stack of his ship´s galley was made of copper, ordered that it be kept bright. From then onwards the ship´s crew then started referring to the galley smokestack as the "Charlie Noble".
ellauri074.html on line 89: They tell me to be, like them, always looking on the bright side.
ellauri083.html on line 159: The "first chapter summons up the days when the world was first settled, in 874 AD—for that is the year when the Norsemen arrived in Iceland, and one of the book's wry conceits is that no other world but Iceland exists. ... The book is set in the early decades of the twentieth century but ... Independent People is a pointedly timeless tale. It reminds us that life on an Icelandic croft had scarcely altered over a millennium". As the story begins, Bjartur ("bright" or "fair") has recently managed to put down the first payment on his own farm, after eighteen years working as a shepherd at Útirauðsmýri, the home of the well-to-do local bailiff, a man he detests. The land that he buys is said to be cursed by Saint Columba, referred to as "the fiend Kolumkilli", and haunted by an evil woman named Gunnvör, who made a pact with Kólumkilli.
ellauri089.html on line 71: The society of the Academy also allows Heinlein to develop characters who do not succeed as well as Bob does. Bill Hädensa, a bright student who has been in the Academy an unusually long time when Matt arrives, eventually drops out because he “has no wish to become a superman.”
ellauri095.html on line 137: In life and poetry he was serious and playful – even whimsical. Spiritually, despite an early scrupulosity which he never fully lost, he followed the Jesuit way of finding God in all things, and rejoiced in “God in the world”: “The world is charged wíth the grándeur of God.” He was very, very bright, with an extensive knowledge of words and languages — he knew so many words ! His intellectual hero was the medieval philosopher Duns Scotus, whose philosophy of selfhood he held dear. Hopkins himself had a strong sense of self, appreciated his own individuality, and was immensely self-confident.
ellauri096.html on line 755: Kirjallisuutta koskevien pohdintojen ohella Anu paneutuu syvällisesti elämisen ja olemisen filosofiaan alkuräjähdyxestä loppuromahduxeen. Parhaalla tahdollakaan ei voi tulkita hänen päätelmiään optimistisixi. Ilmeinen Greta Thunbergin sukulaissielu. Mitenkäs se Trump taas niin osuvasti sille heittikään? “[s]he seems like a very happy young girl looking forward to a bright and wonderful future. So nice to see!” No Greta nauroi parhaiten viimesex kuin Hippon Akun toimelias vaimo.
ellauri100.html on line 913: One warbling for the mere bright day’s delight,
ellauri100.html on line 981: But when the noon wax’d bright
ellauri106.html on line 104: He enjoyed a robust childhood and was poplar in high school where he was a bright student but not quite diligent enough in his studies to win a prized full scholarship to Rutgers where he wanted to study law. Roth attended Rutgers University in Newark for a year, then transferred to Bucknell University in Pennsylvania, where he earned a B.A. magna cum laude in English and was elected to Phi Beta Kappa. He received a scholarship to attend the University of Chicago, where he earned an M.A. in English literature in 1955 and briefly worked as an instructor in the university´s writing program. Less prestigious Bucknell University in Pennsylvania was Roth’s fallback school. There he abandoned his vague dreams of becoming a lawyer for the underdog and turned his attention to writing.
ellauri107.html on line 469: He had, with indignation at the criticism of Zenith, skimmed through a report in which the notorious pessimist Seneca Doane, the radical lawyer, asserted that to throw boys and young girls into a bull-pen crammed with men suffering from syphilis, delirium tremens, and insanity was not the perfect way of educating them. He had controverted the report by growling, “Folks that think a jail ought to be a bloomin' Hotel Thornleigh make me sick. If people don't like a jail, let 'em behave 'emselves and keep out of it. Besides, these reform cranks always exaggerate.” That was the beginning and quite completely the end of his investigations into Zenith's charities and corrections; and as to the “vice districts” he brightly expressed it, “Those are things that no decent man monkeys with. Besides, smatter fact, I'll tell you confidentially: it's a protection to our daughters and to decent women to have a district where tough nuts can raise cain. Keeps 'em away from our own homes.”
ellauri107.html on line 505: This advance in civilization could be carried too far, Babbitt perceived. Noel Ryland, sales-manager of the Zeeco, was a frivolous graduate of Princeton, while Babbitt was a sound and standard ware from that great department-store, the State University. Ryland wore spats, he wrote long letters about City Planning and Community Singing, and, though he was a Booster, he was known to carry in his pocket small volumes of poetry in a foreign language. All this was going too far. Henry Thompson was the extreme of insularity, and Noel Ryland the extreme of frogginess, while between them, supporting the state, defending the evangelical churches and domestic brightness and sound business, were Babbitt and his friends.
ellauri109.html on line 767: celadon (n.) "pale grayish-green color," 1768, from French Céladon , name of a character in the once-popular romance of "l'Astrée" by Honoré d'Urfé (1610); an insipidly sentimental lover who wore bright green clothes, he is named in turn after Celadon (Greek Keladon) , a character in Ovid's "Metamorphoses," whose name is said to mean "sounding with din or clamor."
ellauri112.html on line 693: The same can be said for Cody’s rough around the edges, unsubtle screenplay. This is far from her best work and for once, she seems to have written herself into a corner. Some of the narrative is so contrived that it’s dripping with cliché, crowded with irritating, pithy platitudes dressed up in a bright hipster bow. Worst of all, the film treats serious post-partum depression as a gimmicky afterthought and even tacks on a borderline inappropriate ‘gotcha!’ ending.
ellauri117.html on line 512: Don't forget to like share and subscribe if I brighten your day!
ellauri118.html on line 333: Rain rose-light down; and, poppy-bright, Sade ruusu-kevyt untuva; ja unikon kirkas,
ellauri118.html on line 633: But what from Cloris brighter Eyes was hurl´d. Muuta kuin Kloorikanan silmistä.
ellauri118.html on line 649: Her bright Eyes sweat, and yet Severe, Sen kirkkaat silmät söpöinä, silti ankarina,
ellauri132.html on line 601: she brightened hiän kirkastui
ellauri133.html on line 452: “That was y-y-your way to get us o-out,” he said, and now his eyes blazed so brightly they frightened her. “Beverly, duh-duh-don’t you uh-understand? That was y-y-your way to get us out! We all ... but we were ...” Suddenly he looked frightened, unsure. Like - get us in to get us out - in and out - in and out - and finally out all l-l-limp and gooey.”
ellauri143.html on line 406: Until you see his face with grateful gladness bright.
ellauri143.html on line 1471: The furtive glance, that gleams one instant bright,
ellauri143.html on line 1484: The (simultaneous) enjoyment of the five senses of sight, hearing, taste, smell and touch can only be found with bright braceleted (women).
ellauri147.html on line 137: ei mikään kimalla kauniimmin kuin puhtaat kyyneleet." Nothing shines brighter than faked crocodile tears.
ellauri150.html on line 255: Colette Stevens. HR Director. "Regardless of the working relationship, Colette always displays the same valuable characteristics - she is very bright, totally commercial, able to build strong and lasting relationships and is great fun to be around.
ellauri156.html on line 388: The story of David and Uriah reminds me of the story of the “Sorcerer's Apprentice.” It has been awhile, but as I remember the plot (probably the Walt Disney version), the sorcerer goes away, leaving his apprentice behind to do his chores. The apprentice gets the bright idea that the work would be a whole lot easier if he used his master's magical arts so he could sit back and watch other powers at work. The problem was that he didn't know how to stop what he started, and so more and more helpers came on the scene as the apprentice tried to reverse the process. The worst was when Mickey tried to cleave the broom with an axe, and got instead a million of smaller brooms.
ellauri156.html on line 588: Sixth, our text makes Uriah a hero and a dress model, not a chump and not a sucker. There are those who might conclude that Uriah's elevator may not “go to the top floor” (as my neighbor used to say of those she considered less than bright). Is Uriah gullible? Is he ignorant of what David is trying to do? Is he a coon? A spook? I don't think so. This is what makes his loyalty to David and to God's Law so striking. I think it is safe to say that here Uriah is very much like David in his earlier days, in terms of his response to Saul. As Saul sought to kill David unjustly, because he was jealous of his successes, so also David submitted himself to faithfully serving Saul, his master. He left his safety and future in God's hands, and God did not fail him. Who? Not Uriah, apparently.
ellauri159.html on line 1169: You may burn bright during the early stages of a project but fade before they reach the end. To avoid this pattern, take periodic breaks. Spend time with friends. Let the subject percolate in your unconscious mind. You’ll come back to the project with new inspiration for that final push toward completion. Basically, be lazy, it pays off.
ellauri160.html on line 70: And I fear for my bright cheeks, lest they fade. I grow older.
ellauri171.html on line 951: In Canaanite mythology there were twin mountains Targhizizi and Tharumagi which hold the firmament up above the earth-circling ocean, thereby bounding the earth. W. F. Albright, for example, says that El Shaddai is a derivation of a Semitic stem that appears in the Akkadian shadû ("mountain") and shaddā'û or shaddû'a ("mountain-dweller"), one of the names of Amurru. Philo of Byblos states that Atlas was one of the Elohim, which would clearly fit into the story of El Shaddai as "God of the Mountain(s)". Harriet Lutzky has presented evidence that Shaddai was an attribute of a Semitic goddess, linking the epithet with Hebrew šad "breast" as "the one of the Breast". The idea of two mountains being associated here as the breasts of the Earth, fits into the Canaanite mythology quite well. The ideas of pairs of mountains seem to be quite common in Canaanite mythology (similar to Horeb and Sinai in the Bible). The late period of this cosmology makes it difficult to tell what influences (Roman, Greek, or Hebrew) may have informed Philo's writings.
ellauri180.html on line 432: Blushed bright beneath my burning kiss: Nekrofiilisesti aloin sitä pusia,
ellauri180.html on line 478: The bright sun was extinguish'd, and the stars Kirkas päivä oli sammunut, tähdet
ellauri184.html on line 257: The Bible records that following the completion of the conquest of Canaan by the Israelite tribes, Joshua allocated the land among the twelve tribes. According to biblical scholar Kenneth Kitchen, this conquest should be dated slightly after 1200 BCE. Some modern scholars argue that the conquest of Joshua, as described in the Book of Joshua, never occurred. “Besides the rejection of the Albrightian conquest model, the general consensus among OT scholars is that the Book of Joshua has no value in the historical reconstruction. They see the book as an ideological retrojection from a later period — either as early as the reign of Josiah or as late as the Hasmonean period.” "It behooves us to ask, in spite of the fact that the overwhelming consensus of modern scholarship is that Joshua is a pious fiction composed by the deuteronomistic school, how does and how has the Jewish community dealt with these foundational narratives, saturated as they are with acts of violence against others?" ”Recent decades, for example, have seen a remarkable reevaluation of evidence concerning the conquest of the land of Canaan by Joshua. As more sites have been excavated, there has been a growing consensus that the main story of Joshua, that of a speedy and complete conquest (e.g. Josh. 11.23: 'Thus Joshua conquered the whole country, just as the LORD had promised Moses') is contradicted by the archaeological record, though there are indications of some destruction at the appropriate time. No oliko sitten koko esinahkakasa satua? Ketä enää uskoa? Usko siirtää vuoria, eikö sitten esinahkakukkuloita?
ellauri189.html on line 138: – arriving where the plain seemed to end, but again in a new flatness bends – a bright cloud in front of them, they looked like aerie knights to the eye.)
ellauri192.html on line 257: Jaroslav Seifert was born in Zizkov, a suburb of Prague, Czechoslovakia (now the Czech Republic). Seifert was one of the pioneers of modernist poetry and literature in his native country. He also worked as a journalist and translator. The period after the World War II was a disappointment for Seifert, who had been hoping for a brighter and freer future. Instead the Communist government imposed a repressive policy in which poets were expected to write political propaganda. Seifert became involved in attempts at reforms with the increased freedom implemented in his native country, such as the Prague Spring of 1968 and the Charta 77 movement.
ellauri192.html on line 317: The secretary of the academy, who had to put a brave face on Dylan’s behaviour, was Sara Danius, an essayist and literary critic, elected in 2013. “She was always thought gifted and bright but she’s not a biddable person,” said Maria Schottenius. “She was overjoyed when she was elected.”
ellauri192.html on line 531: The award of the Nobel Prize for Literature in 1984 to Jaroslav Seifert — a poet identified with reformism and not favored by the Husák regime—was a bright spot in an otherwise bleak cultural scene of the time. Tuttua ruozalaisten peukutusta länkkäreille taas. Philip Rothin kotizhekki, beatlesien näköinen Ivan Klima ei sopinut ruozalaiseen klimaattiin, eikä Philipkään.
ellauri197.html on line 441: A hope of bright prosperity? Toive tulevasta vauraudestako?
ellauri198.html on line 206: The children shouting are bright as they run
ellauri198.html on line 275: Their eyes are round, boldly convex, bright as a jewel,
ellauri204.html on line 342: “So saying, Argeiphontes gave me the herb, drawing it from the ground, and showed me its nature. At the root it was black, but its flower was like milk. [305] Moly the gods call it, and it is hard for mortal men to dig; but with the gods all things are possible. Hermes then departed to high Olympus through the wooded isle, and I went my way to the house of Circe, and many things did my heart darkly ponder as I went. [310] So I stood at the gates of the fair-tressed goddess. There I stood and called, and the goddess heard my voice. Straightway then she came forth, and opened the bright doors, and bade me in; and I went with her, my heart sore troubled. She brought me in and made me sit on a silver-studded chair, [315] a beautiful chair, richly wrought, and beneath was a foot-stool for the feet. And she prepared me a potion in a golden cup, that I might drink, and put therein a drug, with evil purpose in her heart. But when she had given it me, and I had drunk it off, yet was not bewitched, she smote me with her wand, and spoke, and addressed me: [320] ‘Begone now to the sty, and lie with the rest of thy comrades.’ “So she spoke, but I, drawing my sharp sword from between my thighs, rushed upon Circe, as though I would slay her. But she, with a loud cry, ran beneath, and clasped my knees, and with wailing she spoke to me winged words: [325] “‘Who art thou among men, and from whence? Where is thy city, and where thy parents? Amazement holds me that thou hast drunk this charm and wast in no wise bewitched. For no man else soever hath withstood this charm, when once he has drunk it, and it has passed the barrier of his teeth. Nay, but the mind in thy breast is one not to be beguiled. [330] Surely thou art Odysseus, the man of ready device, who Argeiphontes of the golden wand ever said to me would come hither on his way home from Troy with his swift, black ship. Nay, come, put up thy sword in this here sheath, and let us two then go up into my bed, that couched together [335] in love we may put trust in each other.’ “So she spoke, but I answered her, and said:‘Circe, how canst thou bid me be gentle to thee, who hast turned my comrades into swine in thy halls, and now keepest me here, and with guileful purpose biddest me [340] go to thy chamber, and go up into thy bed, that when thou hast me stripped thou mayest render me a weakling and unmanned? Nay, verily, it is not I that shall be fain to go up into thy bed, unless thou, goddess, wilt consent to swear a mighty oath that thou wilt not plot against me any fresh mischief to my hurt.’
ellauri206.html on line 63: The concept is often attributed to Russian playwright Anton Chekhov, reputed to have said "Don't tell me the moon is shining; show me the glint of light on broken glass." What Chekhov actually said, in a letter to his brother, was "In descriptions of Nature one must seize on small details, grouping them so that when the reader closes his eyes he gets a picture. For instance, you’ll have a moonlit night if you write that on the mill dam a piece of glass from a broken bottle glittered like a bright little star, and that the black shadow of a dog or a wolf rolled past like a ball."
ellauri214.html on line 541: At 56, Tokarczuk is an invigorating presence: her black dreadlocks studded with bright blue beads, eyes rimmed with luminous turquoise. “Flights grew out of a time when I was travelling a lot,” she explains, at pains to stress how liberating this was for those raised under an oppressive communist regime. “I got my first passport in 1989, when I was 28. Wow.”
ellauri217.html on line 105: “You are a stimulating person. You brighten social gatherings with your flesh and original ideas. Your conversation tends to be sprinkled with novelty and wit. You have a quick tongue and charisma. You are probably an excellent salesman. There is a lot of nervous energy within you looking for an outlet. You love your freedom and you see this life as an ongoing adventure. You are upbeat and optimistic.”
ellauri222.html on line 101: Still, in New York and at Princeton, where he spent a year teaching creative writing, Bellow made friends with many of the critics who dominated literary life in the nineteen-fifties. They found him bright, congenial, and sufficiently bookish, and especially admired what they took to be his poise and real-world savvy. Irving Howe thought Bellow “very strong-willed and shrewd in the arts of self-conservation.” “Even his egocentricity added to his charms,” said William Phillips, the co-editor, with Philip Rahv, of Partisan Review. “Stunning—the ultimate beautiful young Jewish intellectual incarnate,” Alfred Kazin’s wife, Ann Birstein, remembered. Bellow maintained the allure by cultivating just the right amount of aloofness. “I was the cat who walked by himself,” as he put it.
ellauri226.html on line 133:
ellauri240.html on line 103: Nancy steps outside into a bright and foggy morning where all her friends and her mother are still alive. Nancy gets into Glen's convertible to go to school when the green and red striped top suddenly comes down and locks them in as the car drives uncontrollably down the street. Three girls in white dresses playing jump rope are heard chanting Krueger's nursery rhyme as Marge is grabbed by Krueger through the front door window. What a sad compromise! All just so they can keep on making sequels to the film. WTF. I can't stand film directors.
ellauri241.html on line 81: Before King Oberon's bright diadem, Ennen Kuningas Oberonin kirkasta ozaripaa,
ellauri241.html on line 131: Dissolved, or brighter shone, or interwreathed tai kirkkaammin loistivat tai kietoivat
ellauri241.html on line 158: And, swiftly as a bright Phoebean dart, ja nopeasti kuin kirkas Phoeben nuoli, iskevän
ellauri241.html on line 250: With the bright mists about the mountains hoar Vuorten kirkkaissa sumuissa kähisten
ellauri241.html on line 253: Whither fled Lamia, now a lady bright, Minne pakeni Leimi, nyt kirkas nainen,
ellauri241.html on line 329: Turned syllabling thus, "Ah, Lycius bright, kääntyi tavaten näin: "Ah, Lycius kirkas,
ellauri241.html on line 378: But rather, if her eyes could brighter be, Vaan pikemminkin, jos hänen silmänsä voisivat olla kirkkaammat,
ellauri241.html on line 379: With brighter eyes and slow amenity, kirkkaammilla silmillä ja hitaammin viihteellä,
ellauri241.html on line 660: With an unbidden presence the bright throng kirkkaan joukon pyytämättömällä läsnäololla;
ellauri241.html on line 710: Flush'd were their cheeks, and bright eyes double bright: Heidän poskensa olivat punaiset, ja kirkkaat silmät tupla kirkkaat:
ellauri241.html on line 713: In baskets of bright osier'd gold were brought Kirkkaasta kullasta punotussa korissa tuotiin
ellauri241.html on line 1160: Dark, nor light, the region; nor bright, nor sombre wholly,
ellauri241.html on line 1362: Couched in thy brightness, dream of fields divine,
ellauri245.html on line 682: I've never seen you shine so bright, mhm hm Ihan silmät sädehtivät, mhmhm
ellauri245.html on line 700: I've never seen you shine so bright Iho kiiltää kuin kahvipannun kylki
ellauri247.html on line 462: From a second bright Eve, Toiselta älypäältä Eevalta
ellauri254.html on line 389: ‘How often we wandered through the streets of the snowy city… All of the theatrical events that seemed so important in their time have grown dim in my memory. Acting at the theatre, which I loved so much, now seems to me far less exciting and bright than that game of masks in Blok’s circle. It is true that even at that time I did not look upon our meetings, gatherings, and strolls as mere entertainment. There is no doubt that others too felt the significance and creative value of it all, yet nonetheless we did not realize that the charms of Blok’s poetry almost deprived us all of our real existence, turning us into Venetian masqueraders of the north.’
ellauri256.html on line 370: The well-off Osip even offered to finance the publication of the poem - he became a kind of a promoter for Mayakovsky. In the meantime, Lilya started working on the poet's image like Pipsa on E. Saarinen: she made him change his brightly-coloured cubo-futuristic robes for a coat and formal suit and have his teeth done. In other words, there were three of them in that relationship.
ellauri269.html on line 59: Uther Pendragon was the most controlled man Arthur had ever known, and yet his eyes were bright with unwashed tears as he placed his arm on Arthurs's broad shoulders. He spoke in a voice that was powerful trembling with emotion. "By the strength of the Light, may your enemas be well done."
ellauri313.html on line 622: And all that’s best of dark and bright Ja kaikki paras tummasta ja kirkkaudesta
ellauri321.html on line 137: Whenever I go abroad it is always involuntary. I never return home without feeling some pleasing emotion, which I often suppress as useless and foolish. The instant I enter on my own land, the bright idea of property, of exclusive right, of independence exalt my mind. Precious soil, I say to myself, by what singular custom of law is it that thou wast made to constitute the riches of the freeholder? What should we American farmers be without the distinct possession of that soil? It feeds, it clothes us, from it we draw even a great exuberancy, our best meat, our richest drink, the very honey of our bees comes from this privileged spot. No wonder we should thus cherish its possession, no wonder that so many Europeans who have never been able to say that such portion of land was theirs, cross the Atlantic to realize that happiness. this is what may be called the true and the only philosophy of an American farmer. He is like a cock perhaps, arrayed with the most majestic plumes, tender to its mate, bold, courageous, endowed with an astonishing instinct to fuck, with thoughts, with memory, and every distinguishing characteristic of the reason of man. I really enjoy killing all my animals, like doves, my record is fourteen dozen.
ellauri331.html on line 60: Always look at the bright side of life
ellauri339.html on line 612: Americans, both the people and their government, distracted by the greatest propaganda tools ever imagined (the media), seem capable of focusing on only one bright shiny object at a time. In the case of wars, a new bright shiny object must include two clear sides, one good and one pure evil, with one preferably an underdog, daily combat footage which can be obtained without too much danger, and a football game-like progression across a map that is easy to follow. It should not be boring. Ukraine was such a conflict and enjoyed almost a full two-year run.
ellauri344.html on line 261: Jews without Money is set in a slum populated mainly by Jewish immigrants from Eastern Europe. The father of the hero is a Romanian-born painter who suffers from lead poisoning. When he falls from a scaffold, he is disabled and can no longer work. His business fails and the family is pushed into poverty. The mother has to seek work in a restaurant. Although he is a bright boy, young Michael decides he must leave school. On the final page of the book, the poor Jewish boy prays for the arrival of a Marxist worker's revolution that will emancipate the working class.
ellauri351.html on line 649: Hän oli avajais Yitzak Rabin Fellow, Rabin Center for Israeli Studies, Tel Aviv, Israel; vieraileva oikeustieteen professori, Harvardin yliopisto, Boston, Massachusetts; valtiotieteen vieraileva professori Wienin yliopistossa Wienissä, Itävallassa ja Bahceșehirin yliopistossa Istanbulissa, Turkissa. Hän työskenteli vierailevana psykiatrian professorina kolmessa Turkin yliopistossa. Vuonna 2006 hän oli Fulbright/Sigmund Freud-Privatstiftungin vieraileva psykoanalyysitutkija Wienissä, Itävallassa. Vuonna 2015 hänestä tuli vieraileva professori Pystymezän yliopistossa Bogotassa Kolumbiassa.
ellauri362.html on line 240: Ne belfiet oli hurjan kivoja ja eläväisiä How bright were the pictures, untinted with shade,
ellauri375.html on line 523: The future being better than the past is a hope that many people hold onto, despite the challenges we face. Whether it's through personal growth, societal progress, or spiritual transformation, many believe in the possibility of a brighter future. However, it's also okay to acknowledge the difficulties and uncertainties that come with life and to find meaning in the present moment, regardless of what the future holds.
ellauri381.html on line 651: Robert Powell ennen/jälkeen kuvissa. Always look at the bright side of life.
ellauri390.html on line 613: 
brightness%289%29%3Asharpen%280.1%29%3Acontrast%2810%29&version=1553198765" width="60%" />
ellauri391.html on line 158: Hamann deserves to be known precisely because he was the first to voice counter-Enlightenment views. Named by Goethe as the "brightest intellect of his era," Hamann, a resident of Königsberg, East Prussia, and friend of Kant, was denied access to a professorship or a pastoral call because he was a stutterer. Having undergone a conversion experience while on a business trip to London that had gone awry, he disavowed the Enlightenment ideal of limiting truth to autonomous reason. In a word, autonomous reason is no substitute for "Christ" (the word).
xxx/ellauri081.html on line 121: Tyger Tyger, burning bright, Tyyker, tyyker, palat nöin
xxx/ellauri081.html on line 146: Tyger Tyger burning bright, Tyyker tyyker palat noin
xxx/ellauri122.html on line 908: Malcolm Gladwell explores the world of 'outliers' -- the world's brightest, most successful, and most famous people, and questions what makes these high-achievers different from others.
xxx/ellauri122.html on line 1029: Barbie today is close to fifty years old, but she doesn’t look a day over seventeen. Not only does her image take up entire ailses in toy stores, but she also has a boyfriend, cousins, sisters, and even a punk rock groupie band. She’s found in every little girls toy chest, and her smile still shines brightly off her her glowing rosy plastic face.
xxx/ellauri127.html on line 554: And there were gardens bright with sinuous rills, Oli, puutarhassa kieroja salaojia,
xxx/ellauri139.html on line 679: On golden dishes and in baskets bright Neidin yöpöydälle, jep älä muuta vikise,
xxx/ellauri149.html on line 364: Roger Ebert gave the film three stars out of four, calling it "a bright and sometimes breathtaking retelling" of the source material. He praised it as a improved version of the "commercial shlock" of the source material, "being light instead of turgid" and "outward-looking instead of narcissistic". He applaud the portrayal of the titular character as "human, strong and reachable", only achieved elsewhere by The Gospel According to St. Matthew (1964) and The Last Temptation of Christ (1988).
xxx/ellauri166.html on line 395: Drawing on the breadth of Midrashic, Talmudic and Aggadic literature (including literature that is no longer extant), as well as his knowledge of Hebrew grammar and halakhah, Rashi clarifies the "simple" meaning of the text so that a bright child of five could understand it. At the same time, his commentary forms the foundation for some of the most profound legal analysis and mystical discourses that came after it. Scholars debate why Rashi chose a particular Midrash to illustrate a point, or why he used certain words and phrases and not others. Rabbi Shneur Zalman of Liadi wrote that "Rashi's commentary on Torah is the 'wine of Torah'. It opens the heart and uncovers one's essential love and fear of Cod.
xxx/ellauri167.html on line 592: To his advantage, however, was the fact that he had microphone access whenever he wanted it. But at a key moment, he pointedly chose not to take the mic. When Ribicoff made his crack about “Gestapo tactics in the streets of Chicago” from the dais, Daley stood up and shouted from the floor “Fuck you, you Jew son of a bitch, you lousy motherfucker, go home!” The forceful exclamation, shown on live TV, was later deciphered by lip readers. Friends said Daley called Ribicoff not a “fucker,” but a “faker.” Enemies suggested he had called him not a “Jew” but a “kike.” The CBS newsman who was closest simply reported that Daley had gone bright red with anger.
xxx/ellauri170.html on line 274: What though the radiance which was once so bright Mitä välii vaikka taannoinen kirkas säteily
xxx/ellauri170.html on line 294: The innocent brightness of a new-born Day Uuden päivän viaton aloitus
xxx/ellauri178.html on line 183: Sometimes the sky is overcast ... And I am feeling blue... And as the hours wander by... I know not what to do... And sometimes there is tragedy . . . To meet me at the door... And I must wonder whether life . . . Is worth my fighting for ... always there is some way out... And I have come to know ... That brighter things will comfort me ... In just a day or so .. And I have learned that what is past . . . Was purposeful and good. But in my bed of bitterness ... It was misunderstood... There is a certain destiny...! In every human quest .. Because when anything goes wrong... It happens for the best.
xxx/ellauri179.html on line 548: “You wouldn't want to know him,” Nick said. “He's a real bright boy.”
xxx/ellauri179.html on line 550: “Oh, yeah? What's a bright boy to you? You're something of a bright boy yourself.”
xxx/ellauri225.html on line 255: In 1953 (aged 24) while traveling to France aboard the Queen Mary, Ursula met historian Charles Le Guin.They married in Paris in December 1953. According to Le Guin, the marriage signaled the "end of the doctorate" for her. While her husband finished his doctorate at Emory University in Georgia, and later at the University of Idaho, Le Guin taught French and worked as a secretary until the birth of her daughter Elisabeth in 1957. A second daughter, Caroline, was born in 1959. Also in that year, Charles became an instructor in history at Portland State University, and the couple moved to Portland, Oregon, where their son Theodore was born in 1964. They would live in Portland for the rest of their lives, although Le Guin received further Fulbright grants to travel to London in 1968 and 1975.
xxx/ellauri229.html on line 171: Michael Kandel was a Fulbright student in Poland, 1966-67; taught Russian literature at George Washington University; received his PhD in Slavic at Indiana University; translated Polish writer Stanislaw Lem for Harcourt; wrote a few articles on Lem; worked as an editor at Harcourt, where he acquired authors Jonathan Lethem, Ursula K. Le Guin, James Morrow, and others; has written science fiction, short stories, and a few novels (Bantam, St. Martin´s); and is presently an editor at the Modern Language Association. He is the editor and translator of the anthology A Polish Book of Monsters.
xxx/ellauri229.html on line 649: In 1999, Thorne´s remains were found by a Finnish and Joint Task Force-Full Accounting team and repatriated to the United States following a cursory Hanoi Noi Bai International Airport ceremony that included Secretary of State Madeleine Albright and Ambassador Pete Peterson. Formally identified in 2003, his remains were buried on 26 June 2003 at Arlington National Cemetery, along with the RVNAF casualties of the mission recovered at the crash site. He was memorialized on the Vietnam Veterans Memorial at Panel 02E, Line 126. He was survived only by his fiancée, Marja Kops.
xxx/ellauri230.html on line 645: The chrysanthemum blooms in bright colors during chilly autumn, a time when most flowers wither. Facing coldness and a tough environment, it blooms splendidly without attempting to compete with other flowers – this unique aspect of the chrysanthemum makes it a symbol of strong vitality and tenacity in the eyes of scholars.
xxx/ellauri235.html on line 779: Your eyes are like the diamond bright, but mine are dull as lead." Sun silmät on kuion timantit, mun on lyijynmustat.
xxx/ellauri251.html on line 202: And the brown bright nightingale amorous Ja ruskea älykäs satakieli kiimainen
xxx/ellauri251.html on line 256: Her bright breast shortening into sighs; Paljastaen tissit kiivaassa huohotuxessa,
xxx/ellauri251.html on line 471: Divide the bright light of the brass, and make Joka kiiltelee kuin kahvipannun kylki, ja
xxx/ellauri251.html on line 614: Burns, and bright points break up and baffle day.
xxx/ellauri251.html on line 923: With bitter flowers and bright salt scurf of brine;
xxx/ellauri251.html on line 1001: For silver nor bright snow nor feather of foam
xxx/ellauri251.html on line 1508: We are outcast, strayed between bright sun and moon;
xxx/ellauri251.html on line 1718: A blossom of bright battle, sword and man
xxx/ellauri251.html on line 1766: Poised a like arrow; and bright blood brake afoam,
xxx/ellauri251.html on line 1924: As bright water without breath
xxx/ellauri251.html on line 2150: And shining shapes of mirror and bright crown
xxx/ellauri265.html on line 427: 
brightspotcdn.com/dims4/default/4b547d5/2147483647/strip/true/crop/4924x3280+4+0/resize/1300x866!/format/webp/quality/90/?url=https%3A%2F%2Fcdn.vox-cdn.com%2Fthumbor%2FMl4omTTysy_PxbVWLb8RQ3a9pGk%3D%2F0x0%3A4928x3280%2F4928x3280%2Ffilters%3Afocal%284166x1836%3A4167x1837%29%2Fcdn.vox-cdn.com%2Fuploads%2Fchorus_asset%2Ffile%2F23606109%2Fjonathanhaidt.jpeg" height="300px" />
xxx/ellauri287.html on line 337: Most angels in the Bibble have the appearance and form of a man. Many of them have wings, but not all. Some are larger than life. Others have multiple faces that appear like a man from one angle, and a lion, ox, or eagle from another angle. Some angels are bright, shining, and fiery, while others look like ordinary humans. Some angels are invisible, yet their presence is felt, and their voice is heard.
132