ellauri020.html on line 641: He began belittling her: “That dress is terrible.” “You’re showing too much cleavage.” “You never spend enough time with the children.” “Who would touch those plastic breasts?” Ivana told her friends that Donald had stopped sleeping with her. She blamed herself. “I think it was Donald’s master plan to get rid of Ivana in Atlantic City,” one of her assistants told me. “By then, Marla Maples was in a suite at the Trump Regency. Atlantic City was to be their playground.”
ellauri035.html on line 151: A black-haired lover on the breasts of day.
ellauri035.html on line 207: The little red flowers of her breasts to be my comfort
ellauri035.html on line 263: Touching her breasts with all her flower-soft fingers,
ellauri035.html on line 288: Her little breasts the life beyond this life.
ellauri035.html on line 318: The moon shines on her breasts, and I must die.
ellauri050.html on line 278: The breasts o’ her tenderness: mulle lempeytensä utareet:
ellauri051.html on line 671: 112 It may be you transpire from the breasts of young men, Mitämax sä kasvat nuorten miesten rinnasta,
ellauri051.html on line 1124: 533 Breast that presses against other breasts it shall be you! 533 Rinta, joka painaa muita rintoja vasten, se olet sinä!
ellauri051.html on line 1912: 1296 I reach to the leafy lips, I reach to the polish'd breasts of melons. 1296 Kurottaudun lehtihuulille, kurottaudun melonien kiillotettuihin rintoihin.
ellauri077.html on line 365: Morris further stated that the more rounded shape of human female breasts is like a shopwindow for their buttocks.
ellauri094.html on line 642: So the son of her suffering, that from breasts nigh dead Niin misun kärsimyxen poika joka puolikuolleilta tisseiltä
ellauri105.html on line 263: And she doted upon concubinage with them, whose flesh is as the flesh of asses, and whose issue is like the issue of horses. Thus thou didst call to remembrance the lewdness of thy youth, when they from Egypt bruised thy breasts for the bosom of thy youth.
ellauri110.html on line 349: Propriety did not prevent him from engaging in a number of extramarital liaisons with various women that were chronicled in his diary, often in some detail when relating the intimate details. The most dramatic of these encounters was with Deborah Willet, a young woman engaged as a companion for Elisabeth Pepys. On 25 October 1668, Pepys was surprised by his wife as he embraced Deb Willet; he writes that his wife "coming up suddenly, did find me imbracing the girl con [with] my hand sub [under] su [her] coats; and endeed I was with my main [hand] in her cunny. I was at a wonderful loss upon it and the girl also...." Following this event, he was characteristically filled with remorse, but (equally characteristically) continued to pursue Willet after she had been dismissed from the Pepys household. Pepys also had a habit of fondling the breasts of his maid Mary Mercer while she dressed him in the morning.
ellauri112.html on line 712: The night they go out starts with an amusing drive at the sound of Cindy Lauper, but becomes severely toxic when they arrive at an underground club and the drunk Marlo jumps in sync with clangorous heavy-metal rhythms and then endures pain due to engorged breasts. However, that pain was infinitesimal when compared to the afflicting news that Tully is quitting.
ellauri112.html on line 728: The film’s strength – for its first two thirds – is the relationship between the two women at the heart of the narrative. We learn through a clumsy coincidence at the beginning of the film that Marlo is bisexual; as her intimacy with Tully expands to fill the vacuum of her absentee marriage, it becomes a tender eroticism. This is mediated, always, through other bodies: as Tully cradles the baby who has just finished feeding, she talks about how the ‘molecules’ of the child still exist within the mother; later, in a bar toilet, she gently wets a paper towel and uses it to draw the milk out of Marlo’s swollen breasts. In a pivotal scene, Marlo sits behind Tully and instructs her on what to do to arouse her sleep-befuddled husband. This moment can be read as emblematic of the film’s mistreatment of the queer intimacy it establishes. Coming after a discussion of sexual history and sexual fantasy, Marlo reveals to Tully that she has a waitress’s uniform that she’s never used, bought to surprise her husband. As Tully puts the outfit on, which fits her pre-natal body in a way it wouldn’t Marlo, the moment of sexual possibility between the women is subsumed into heteronormative, ageist fantasy: Tully’s young, and therefore fantasy-appropriate, body is used as bait to ‘recharge’ the masculine battery.
ellauri118.html on line 1120: Oh yes, and breasts,
ellauri141.html on line 258: sed incitat me pectus et mammae putres It’s your slack breasts that rouse me (I have seen
ellauri161.html on line 659: Talladega Nights: The Ballad of Ricky Bobby is a 2006 American sports comedy film directed by Adam McKay and starring Will Ferrell, written by both McKay and Ferrell. Before leaving Ricky behind, stock car dad Reese tells Ricky that in life, “If you ain't first, you're last.” Ricky meets his future ex-wife Carley (Leslie Bibb), after she flashes her breasts.
ellauri171.html on line 954: In Canaanite mythology there were twin mountains Targhizizi and Tharumagi which hold the firmament up above the earth-circling ocean, thereby bounding the earth. W. F. Albright, for example, says that El Shaddai is a derivation of a Semitic stem that appears in the Akkadian shadû ("mountain") and shaddā'û or shaddû'a ("mountain-dweller"), one of the names of Amurru. Philo of Byblos states that Atlas was one of the Elohim, which would clearly fit into the story of El Shaddai as "God of the Mountain(s)". Harriet Lutzky has presented evidence that Shaddai was an attribute of a Semitic goddess, linking the epithet with Hebrew šad "breast" as "the one of the Breast". The idea of two mountains being associated here as the breasts of the Earth, fits into the Canaanite mythology quite well. The ideas of pairs of mountains seem to be quite common in Canaanite mythology (similar to Horeb and Sinai in the Bible). The late period of this cosmology makes it difficult to tell what influences (Roman, Greek, or Hebrew) may have informed Philo's writings.
ellauri219.html on line 1018: Then there’s Moonman 157 and Klara Sax, a feminist ideal of Land Art. What do they have in common? Smudging useful things with paint. An artistic version of food fight. What do Jayne Mansfield’s breasts remind adolescent Eric of? The bumper bullets on a Cadillac. What does Dumb of Dumb and Dumber take for a cute lady's boobs? A semi trailer's fog lights. Meanwhile, Eric masturbates into a condom that reminds him of a missile (with his tiny wiener all loaded and cocked inside). Dad polishes his Buick, the son his dick. The clammy hand of coincidence.
ellauri241.html on line 1355: With unladen breasts, save of blown self-applause, they proudly mount

ellauri257.html on line 423: Pornography is D.H. Lawrence without the penetration, Diary of a Chambermaid with none of the bite and philosophical imagination. A group of Germans inexplicably fuck around in the near distance. Frederic curiously precedes a murderous request by squeezing a young blonde’s breasts like melons. A Jewish family hides under the kitchen’s floorboards, but no explanation is offered for how they got there.
ellauri266.html on line 333: For fertilization to take place, certain interindividual processes must take place: male and female must get each other´s attention, stimulate each other, secure each other´s cooperation or at least compliance, until the female (or male) finally assumes the appropriate position for receiving the sperm. This known as courtship. Mm, I´m getting the hots by just saying this. General semantics must surely have something to contribute to human sexuality. Mobility increases intelligence, that must be why the in-out moving human male is more intelligent than the female. The adult male is capable of being sexually aroused with or without provocation at practically any time. No wonder females prefer smelly company to no company at all. Except in a KZ lager they tend to lose interest, says Morris Gombinder in Shadows on the Hudson. Desmond Morris has an ingenious argument about the relation of a man´s sexuality to his way of life. "The naked ape is the sexiest man alive!", he says, and means it. "In baboons", he says, "the time from mounting to ejaculation is max 8 seconds, a goldfish´s attention span. Our ladies would never be satisfied with that!" Specialized organs such as lips, ear-lobes, nipples, breasts and genitals are richly endowed with things to lick and suck. Sorry folks, now I just have to take a break for a quick wank, I´m really gettting uncomfortably erect. Thank you. The sexually attractive parts are predominantly at the front, except the arse. Face-to-face sex is personalized sex, said the missionary. From the back you don´t really know who you are interacting with.
ellauri302.html on line 272: Manke: Don't be afraid of your father. He won't wake up so soon. Come, let's rather stand in the rain. I'll let your hair down. (She undoes Rifkele's braids, reaching for her breasts doing so.) There. And now I'll wash them for you in the rain. Just like this.
ellauri302.html on line 294: Are you cold, Rifkele darling? Nestle close to me... Ever so close... Warm yourself next to me. So. Come, let's sit down here on the lounge. (Leads Rifkele to a lounge; they sit down.) Just like this... Now rest your face snugly in my bosom. So. Just like that. And let your body touch mine... It's so cool... as if water were running between us. (Pause.) I uncovered your breasts and washed them with the rainwater that trickled down my arms. Your breasts are so white and soft. And the blood in them cools under the touch, just like white snow, — like frozen water... and their fragrance is like the grass on the meadows. And I let down your hair so... (Buns her fingers through RifkeWs hair.) And I held them like this in the rain and washed them. How sweet they smell... Like the rain itself... (She huries her face in Rifkele's hair.) Yes, I can smell the scent of the May rain in them... So light, so fine... And fresh... as the grass on the meadows... as the apple on the bough... So. Cool me, refresh me with your tresses. (She washes her face in Rifkele^s hair.) Cool me, — so. But wait... I'll comb you as if you were a bride... a nice part and two long, black braids. (Does so.) Do you want me to, Rifkele? Do you?
ellauri360.html on line 488: Anabaptists argued that an informal Christendom exists in America. Even though no particular brand of Christianity or Church is named by the government of the United States (disestablishment), Christians still see their nation as Christian in some sense and see the church as obligated to serve the state, much like a chaplain. American Christians see themselves between the extreme of Anabaptist independence and full-blown Christendom as modeled in Europe. The shift away from the Christendom model, however subtle, is crucial to understanding American Christianity. In the end, it is the voluntary, independent, and businesslike disposition of Western missionaries that left the lasting mark upon the churches of the Global South. Translation holds ample opportunity for Western missionaries to import their own cultural bias. The effect of translation was not only cultural manipulation, but a boost for wearing US made t-shirts, shorts and baseball caps to hide the yummy naked breasts.
xxx/ellauri121.html on line 388: * Coming on her face, or if not her face, maybe on her stomach, breasts, or back.
xxx/ellauri122.html on line 1023: A tiny miniature woman will stand in front of your little bro, also only about six inches tall standing up. Her long blonde hair accents her sparkling blue eyes and huge white smile. Her long plastic legs bend only slightly and her pointy breasts perk out of her hot pink tank top. She doesn’t look like anything a five year old would play with, but Barbie is obviously her favorite. How does a five year old relate to Barbie? She isn’t comforting to…show more content…
xxx/ellauri122.html on line 1035: Just joking. The inspiration behind Barbie is a questionable one, as she was based off of Bild-Lilli, a German doll who pursued wealthy men and wore suggestive clothing, being sold in tobacco shops, bars and adult-themed toy stores. Is Barbie an insult to feminism? Japp, säger lilla Charlotte och skrattar glatt. Barbin unelmatalon asukkailla riittää pätäkkää, ne riitelevät aika lailla, ilmeilevät veikeästi ja saavat päähän tylpillä astaloilla pyörryttäviä iskuja. Hassua! Barbie is a feminist (yes, really). Barbie inventor, Ruth Handler, thought it was important for a young girl’s self-esteem to “play with a doll with breasts.” Det tycker jag också om, men varför kan Ken inte ha en jättestor ståkuk som kan blotta ollonet?
xxx/ellauri124.html on line 200: But Dr Santos says the "aggressive" crowd of randy onlookers "groped" Samantha's breasts and head so vigorously that she broke down.
xxx/ellauri125.html on line 299: The line as used by West is notable for what it’s not: a charged reference to black freedom. Rather, those that are “free at last” aren’t enslaved humans but a woman’s breasts, released from the bondage of a bra during a bathroom tryst.
xxx/ellauri139.html on line 390: With hair blown back, and wings put cross-wise on their breasts. Takatukka takana: hyvät juhlat lienee nupussa.
xxx/ellauri176.html on line 63: The best known event in Phryne's life is her trial. Athenaeus writes that she was prosecuted for a capital charge and defended by the orator Hypereides, who was one of her lovers. Athenaeus does not specify the nature of the charge, but Pseudo-Plutarch writes that she was accused of impiety. The speech for the prosecution was written by Anaximenes of Lampsacus according to Diodorus Periegetes. When it seemed as if the verdict would be unfavourable, Hypereides removed Phryne's robe and bared her breasts before the judges to arouse their "pity". Her beauty instilled the judges with a superstitious fear, who could not bring themselves to condemn "a prophetess and priestess of Aphrodite" to death. They decided to acquit her out of "pity". Pity ja piety on sama sana. Molemmat tulee sanasta 'pipu' (lat. penis).
xxx/ellauri176.html on line 65: However, Athenaeus also provides a different account of the trial given in the Ephesia of Posidippus of Cassandreia. He simply describes Phryne as clasping the hand of each juror, pleading for her life with tears, without her disrobing being mentioned. Craig Cooper argues that the account of Posidippus is the authentic version and that Phryne never bared her breasts before the court during her trial.
xxx/ellauri176.html on line 71: There are also arguments for the veracity of the disrobing. The words "a prophetess and priestess of Aphrodite" might have indicated that Phryne participated in the Aphrodisia festival on Aegina. If true, this would have showed the jurors that she was favored by the goddess and deserving of "pity". Also, it was accepted at the time that women were especially capable of evoking the sympathy of the judges. Mothers and children could be brought to courts for such purposes. The baring of breasts was not restricted or atypical for prostitutes or courtesans, and could be used to arouse compassion as well as "pity".
xxx/ellauri176.html on line 120:

RTF

Reverse titty fuck. The guy fucks his partner’s breasts while he places his bottom on his or her face.

xxx/ellauri176.html on line 122:

Spinner

An adult actress with a tiny frame and small breasts. The man tries to spin the woman around on his erect manly penis. (?)

xxx/ellauri199.html on line 980: Great to use on its own or as a companion book, Devotions for a Revolutionary Year expands on the themes of Lynn Cowell’s first book, His Revolutionary Love. In short, easy-to-read daily devotions, Lynn chats to girls about the challenges of growing up as a girl: identity and acceptance, breasts and pubic hair, rejection and rebellion, pads and tampons, and self-control and surrender. Through Scripture and stories any girl can relate to, Lynn Cowell encourages girls to remember that Jesus loves them and is harassing pursuing them every day—and that knowing his love day by day can make for one revolutionary year.
xxx/ellauri218.html on line 152: The actress Pert Keaton who played Wilma got blacklisted due to the fact that her husband Ralph had, many years earlier, marched in a May Day parade. Pert had never even voted in her life. Audrey who plays Wilma in the TV series is pretty enough to eat, with her elaborate 40's hairdo and wide collared tight waisted smock that shows her swan neck and halfmoon breasts to best advantage. If I could get a boner I'd love to get one with her. Maybe Debbie should share time with Audrey Meadows. Yxi miinus kuitenkin: se poltti kuin korsteeni, siihen se sitten kuolikin.
xxx/ellauri250.html on line 522: soap up the breasts, get them and the belly, the neck, Saippuoin tisulit, ja mahan, niskan,
xxx/ellauri251.html on line 2100: Hers, and the warm slow breasts of morning heave,
xxx/ellauri251.html on line 2153: Tame heads against my little maiden breasts
xxx/ellauri251.html on line 2281: Thy womb that bare him and the breasts he knew,
xxx/ellauri251.html on line 3228: O mother, O breasts that bare me, for ye know,
xxx/ellauri304.html on line 470: Everybody’s favorite hero is the person s/he wants to be or have. If you are an acne-ridden teeen it is James Bond. If you are James Bond it is an acne-ridden teen with pointy breasts.
xxx/ellauri410.html on line 285: This article is more than 9 years old: New edition of TS Eliot poetry challenges perceptions of his sexuality. "I love a tall girl. When she sits on my knee/ She with nothing on, and I with nothing on/ I can just take her nipple in my lips / And stroke it with my tongue,” he writes, in a poem titled How the Tall Girl and I Play Together. In another poem, Eliot – who took a vow of chastity in 1928 after being confirmed into the Church of England – celebrates the “miracle of sleeping together as I touch the delicate down beneath her navel. Her breasts are like ripe pears that dangle Above my mouth Which reaches up to take them”. Euu, cringe.
xxx/ellauri416.html on line 722: El means "God" in the Ugaritic and the Canaanite languages. The literal meaning of Shaddai, however, is the subject of debate. Some scholars have argued that it came from Akkadian shadû ("mountain") or from the Hebrew verb shaddad שדד meaning "Destroyer". Shaddai may have also come from shad שד meaning mammary; shaddai is a typical Biblical Hebrew word (שדי). The plural (Shaddayim -- שדיים) is the typical Modern Hebrew word for human breasts in dual grammatical number.The Deir Alla Inscription contains shaddayin as well as elohin rather than elohim. Scholars translate this as "shadday-gods," taken to mean unspecified boobs, mountain or destroyer gods. A popular interpretation of the name Shaddai is that it is composed of the Hebrew relative particle she- (Shin plus vowel segol followed by dagesh), or, as in this case, as sha- (Shin plus vowel patach followed by a dagesh). The noun containing the dagesh is the Hebrew word dai meaning "enough, sufficient, sufficiency". However, Day's overview says a "rabbinic view understanding the name meaning 'who suffices' (Se + day) is clearly fanciful and has no support."
48