ellauri014.html on line 1682: Then whisper, blossom, in thy sleep Kuiskaa mulle unieni sinikukka:
ellauri014.html on line 1697: Thou blossom bright with autumn dew, Sä syyskasteen kirkastama kukka,
ellauri014.html on line 1715: Hope, blossoming within my heart yhtä sinisilmäisenä mun toivoni
ellauri014.html on line 1722: So, yeah (the blogger goes on), I know I am not an internationally renowned poetry critic, but it strikes me that this is an entirely different poem. There is a blossom in both poems, and a journey. But there isn’t much else that connects them. I don’t think I am being overly literal when I suggest that either Montgomery has misattributed the original poem, or that her version is a pretty radical interpretation.
ellauri014.html on line 1760: When whisper blossom in thy sleep Kuiskaa mulle unieni sinikukka:
ellauri014.html on line 1772: It seems to me that Montgomery selects out the best bit of the poem, but again you see my bias. I am that “blossom,” I hope–but if all four verses are included it becomes rather silly to press the metaphor. Still, I think Montgomery was on the right track with her idea of “The Alpine Path.” It is a peculiar provenance that brings us this poem, but it has been an interesting journey. Once I found the names of Ella Rodman Church and August De Bubna I found that others have followed my path of curiosity. The Confederation Centre of the Arts in Charlottetown has some of L.M. Montgomery’s scrapbooks, including her copy of the poem. But the search has been interesting, nonetheless.
ellauri021.html on line 717: Knowing, certe, they will blossom
ellauri035.html on line 458: I mind that the time of the falling of blossoms started my dream
ellauri050.html on line 205: With thy young skiey blossoms heap me over kasaa sun nuoria taivaskukkia mun päälle
ellauri050.html on line 302: Even the linked fantasies, in whose blossomy twist Nekin mielikuvituxen lennot, joiden voimalla
ellauri051.html on line 1032: 444 Far-swooping elbow'd earth -- rich apple-blossom'd earth! 444 Kaukaa vajoavaa kyynärpäätä maata -- rikasta omenakukkimaa!
ellauri051.html on line 1578: 973 The blossoms we wear in our hats the growth of thousands of years. 973 Kukat, joita käytämme hatuissamme, kasvavat tuhansia vuosia.
ellauri100.html on line 887: Like two blossoms on one stem,
ellauri100.html on line 1128: White with blossoms honey-sweet
ellauri106.html on line 531: Confident from its victory over Fascism and emboldened by the subsequent economic boom, America jelled behind what social theorist Jeffrey Alexander has called modernization or romantic liberalism. As has been the case throughout much of Roth’s career, the socio-political touchstone of his American Trilogy is the “patriotic war years” and the consensus culture that blossomed immediately afterward. “Everything was in motion,” Zuckerman says in the opening pages of American Pastoral. “The lid was off. Americans were to start over again, en masse, everyone in it together”. Reagan-propagandaa.
ellauri118.html on line 352: On yonder blossoming branch of snow, Siellä kukkivalla lumenoksalla,
ellauri156.html on line 392: In our first lesson, we devoted our attention to the first four verses of chapter 11, which depict David's sin of adultery with Bathsheba. Pretty unbelievable that I got a whole four pages out of it. The trick is was to keep repeating the juicy bit about Bathsheba washing herself before (or after) David's load. I sought to demonstrate that this sin was all of David's doing. The author points his accusing finger at David, not Bathsheba. It was not Bathsheba's indiscretion in bathing herself (as I understand this story), for she was simply obeying the ritual of purification outlined in the law. It was David who, by means of his lofty elevation and view, looked inappropriately at Bathsheba, washing herself,violating her privacy. I endeavored to demonstrate that David's sin with Bathsheba was the result of a sequence of wrong decisions and attitudes on David's part. In one sense, being on the path he was, his destination (of adultery, or something like it) was to be expected. His sins of omission finally blossomed and came into full bloom.
ellauri156.html on line 578: Fourth, "How much wood would a woodchuck chuck if a woodchuck could chuck wood?" Sin snowballs. Sin has not got a snowball's chance in hell. Sin is not stagnant; it is not static. Sin grows. Look at the progression of sin in our text. David's sin starts when he ceases to act like a soldier and (what is way worse) becomes a late sleeper. David's sin grows from staying up late to adultery to murder. His sin begins very privately, but as the story progresses, more and more people become aware of it, and worse yet, more and more people become participants in it. His sin first acted out by his taking another man's wife, and then taking another man's life, and along with his life, his wife, plus the lives of a number of men who must die with him to make his death credible. David's sin blossoms so that it transforms a true and loyal friend (Uriah) to his enemy, and his enemies (the Ammonites, and his other rival Joab) into his allies.
ellauri197.html on line 365: Gentle love deeds, as blossoms on a bough, Rakkauden teot, kuin kukat oxalla,
ellauri197.html on line 397: Gentle love deeds, like blossom on a bough, bud out in spring from love’s awakened root. The poet means that just as blossoms burst out of the branches of trees in spring, gentle acts of love burst out from love, now reawakened with renewed vigor and energy. Every spring, thus, means a revival of sexual vigor, just as it also means a renewal of life and vitality in Nature.
ellauri241.html on line 171: Light flew his earnest words, among the blossoms blown. Keppanana lensi hänen vakavat sanansa, kukkien siivellä.
ellauri243.html on line 554: Bob´s book is about Perpetual Potential. Inside these pages, you will discover three invaluable lessons that will propel you closer to your true potential. The lessons will serve you well on either of two different, but parallel roads you may travel: The roads towards triumph or tragedy, as well as the roads in between. In 2003 the author, Bob Stearns was on top of the world. He led his company to win the most prestigious business award in the country, the Malcolm Baldrige award. Just five short years later, tragedy struck. Bob´s oldest son Eric was killed while on a study trip abroad in Athens, Greece. Eric was 21 years old at the time and was a junior at Penn State University. Although Eric lost his precious life in Greece, he found something sprawled under the pillars of the Acropolis that many people search for their entire lifetimes. He found inner peace in the knowledge that he could truly be anything he wanted to be, he could do anything he wanted to with his life. In his book "Perhaps a Man Can Change the Stars - Eric's Pursuit of Perpetual Potential", Bob shares with you three life lessons that allowed Eric to understand his true potential. Those same lessons helped Bob and his family deal with Eric´s death. The same lessons had enabled Bob to lead his company to triumph five years earlier. A key take away from the book is that no matter what stage of life you find yourself, you have the potential to explore. You have the potential to utilize and grow the talents and aspirations that you currently have. You have the potential to rekindle old talents that lie dormant, and to allow new talents to blossom. This is true regardless of age, circumstances, and what other people may be telling us. So read, explore and think deeply about how you can apply the three lessons that Bob learned from Eric. Decide for yourself how you can best use them. Indeed, our Potential is Perpetual!
ellauri270.html on line 411: “The Lottery” begins with a description of a particular day, the 27th of June, which is marked by beautiful details and a warm tone that strongly contrast with the violent and dark ending of the story. The narrator describes flowers blossoming and children playing, but the details also include foreshadowing of the story’s resolution, as the children are collecting stones and three boys guard their pile against the “raids of the other boys.” These details… read analysis of The Juxtaposition of Peace and Violence.
xxx/ellauri127.html on line 555: Where blossomed many an incense-bearing tree; Hajupuita ja mitä lie leukaojia,
xxx/ellauri137.html on line 707: Seasonal festivals are held on its top. In autumn the colors of its tree leaves are very beautiful and in spring its cherry blossoms are very beautiful.
xxx/ellauri148.html on line 266: R. Hiyya bar Yosef said: “In the future the pious will sprout up and emerge in Jerusalem, as it is said, They will blossom out of the city like grass of the earth (Ps. 72:16)… And they will rise up in their garments, as can be concluded from the wheat; If the wheat, which is buried naked, rises in several clothes, how much more so the pious who are buried in their clothes.” Babylonian Talmud Ta’an 2 a[22]
xxx/ellauri166.html on line 46: What was the significance of Aaron's rod? All Master chefs have great staffs. The Lord told Moses, "Buds will sprout on the staff belonging to the man I choose. They left their rods before the Lord, and in the morning "Aaron's staff, representing the tribe of Levi, had sprouted, budded, blossomed, and produced ripe almonds" (verse 8).
xxx/ellauri170.html on line 426: The first part of the riddle was already solved above regarding the meaning of the word "meanest" (the superlative degree of the adjective "mean"): lowliest (garden-variety; nothing out of ordinary). As regards the word "blow", it's been even easier than that: in this particular case it has a sense of "to bloom" ("to be in blossom").
xxx/ellauri170.html on line 431: Thus, slightly amending the whole phrase we have the clear picture like: "common flower might blossom, or bloom".
xxx/ellauri170.html on line 446: This appears to be a drive-by answer by an unregistered user. It has still taught me something. M-W has the blow == blossom defintion, although very near the bottom of the page. –
xxx/ellauri186.html on line 275: Our magnolia blossoms. Life begins to happen. Meidän magnolia kukkii. Elämässä alkaa tapahtua.
xxx/ellauri199.html on line 211: of the cherry blossom’s power.
xxx/ellauri230.html on line 618: While the cherry blossom is the flower that most people associate with Japan, the chrysanthemum, or kikuli, is more intrinsically linked to the country’s culture and history. Enid Blytonin Fabulous Fiven Dick on nimetty uudelleen Prickixi, koska Dick on nyttemmin yxinomaan kikuli.
xxx/ellauri230.html on line 636: The chrysanthemum, together with the plum blossom, orchid and bamboo have been regarded as the four symbols of noble characters by Chinese scholars since ancient times. Chrysanthemum, in particular, has many meanings.
xxx/ellauri230.html on line 650: In Chinese art, the Four Gentlemen or Four Noble Ones (Chinese: 四君子; pinyin: Sì Jūnzǐ), literally meaning "Four Junzi", is a collective term referring to four plants: the plum blossom, the orchid, the bamboo, and the chrysanthemum. The term compares the four plants to Confucian junzi, or "gentlemen". They are most typically depicted in traditional ink and wash painting and they belong to the category of bird-and-flower painting in Chinese art. In line with the wide use of nature as imagery in literary and artistic creation, the Four Gentlemen are a recurring theme for their symbolism of uprightness, purity, humility, and perseverance against harsh conditions, among other virtues valued in the Chinese traditions.
xxx/ellauri251.html on line 233: ⁠Blossom by blossom the spring begins. Kukkanen kukkaselta alkaa kevätaika.
xxx/ellauri251.html on line 867: For in the greener blossom of thy life
xxx/ellauri251.html on line 1070: ⁠For an evil blossom was born
xxx/ellauri251.html on line 1088: ⁠A fleshly blossom, a flame
xxx/ellauri251.html on line 1718: A blossom of bright battle, sword and man
xxx/ellauri251.html on line 3083: Cold girdles and crowns of the sea-gods, cool blossoms of
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