ellauri002.html on line 260: Where night's black bird her sad infamy sings,

ellauri005.html on line 1660: Mmm, mmm, black snake crawling in my room

ellauri005.html on line 1661: Mmm, mmm, black snake crawling in my room

ellauri005.html on line 1662: Some pretty mama better come and get this black snake soon

ellauri005.html on line 1665: Sugar, what´s the matter, don´t like no black snake no how

ellauri005.html on line 1666: Mmm, mmm, wonder where my black snake gone?

ellauri005.html on line 1667: Mmm, mmm, wonder where this black snake gone?

ellauri005.html on line 1671: He is a mean mean black snake,

ellauri005.html on line 1673: mean mean mean black snake,

ellauri005.html on line 1687: I´m going to kill that black snake.

ellauri005.html on line 1690: that mean mean black snake

ellauri007.html on line 893: One would rather have black hair,

ellauri007.html on line 895: I think blonde is wonderful, and so is black.

ellauri007.html on line 896: My mom had black hair, Pollyanna was fair.
ellauri008.html on line 669: black ingratitude
ellauri008.html on line 876:
You said that giving your life up to them (them meaning all of mankind with skins brown, yellow or black in colour) was like selling your soul to a brute. You contended that that kind of thing was only endurable and enduring when based on a firm conviction in the truth of ideas racially your own, in whose name are established the order, the morality of an ethical process. We want its strength at our backs, you said. We want a belief in its necessity and its justice, to make a worthy and conscious sacrifice of our lives. In other words, you maintained that we must fight in the ranks or our lives don't count. You should know who came out cleverly without singeing your wings.
ellauri011.html on line 505: During the 1970s, he started taking cannabis as he was freed from his family. His theater success was more than his writing career, and his writing failures caused his inclination towards black magic.
ellauri016.html on line 21:

black;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">LLEGAN LOS COJONES

Keljuilua


ellauri017.html on line 21:

black;background:red;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">Pellon sulttaani

Paasausta


ellauri018.html on line 19:

black;font-size:8em;text-align:left;margin-top:0%;margin-bottom:0%">black;background:white;font-style:italic">G-mies
Jerry Cotton


ellauri018.html on line 523: The song captures Simone's response to the murder of Medgar Evers in Mississippi; and the 16th Street Baptist Church bombing in Birmingham, Alabama, killing four black children. On the recording she cynically announces the song as "a show tune, but the show hasn't been written for it yet." The song begins jauntily, with a show tune feel, but demonstrates its political focus early on with its refrain "Alabama's got me so upset, Tennessee's made me lose my rest, and everybody knows about Mississippi goddam." In the song she says: "Keep on sayin' 'go slow'...to do things gradually would bring more tragedy. Why don't you see it? Why don't you feel it? I don't know, I don't know. You don't have to live next to me, just give me my equality!"
ellauri019.html on line 19:

black;font-size:8em;text-align:center;margin-top:0%;margin-bottom:0%">BATTLER BRITTON


ellauri019.html on line 20:

black;font-size:4em;text-align:center;margin-top:0%;font-style:italic;margin-bottom:0%">HITON HIENO SAVOTTA

Sanasotaa


ellauri019.html on line 38: "I'd like to discuss slavery with you," says a cowboy, holding a gun to the head of a black man who's carrying him piggyback, "but it's a complex issue."
ellauri019.html on line 203: blackheart.jpg" />
ellauri019.html on line 1028: The triptych by the Italian artist was presented on Monday at the league's Milan headquarters, along with an anti-racism plan which included the signing of a charter by a player representing each of the 20 Serie A clubs. Italian stadiums are the scene of recurrent racist incidents, including monkey chants aimed at black players.
ellauri020.html on line 18:

black;background:#f5d0a9;font-size:8em;text-align:center;margin-top:0%;margin-bottom:0%">NALLE PUH


ellauri021.html on line 265: A big long black cigar that ain't all

ellauri022.html on line 708: "It can hardly be true that the difference lies in the attribute of reason. I saw ten, twenty, a hundred large lipped, lowbrowed black men in the streets who, except in the mere matter of language, did not exceed the sagacity of the elephant. Now is it true that these were created superior to this wise animal, and designed to control it? And in comparison with the highest orders of men, the Africans will stand so low as to make the difference which subsists between themselves & the sagacious beasts inconsiderable."
ellauri023.html on line 19:

black;background:grey;font-size:8em;text-align:leftr;margin-top:0%;margin-bottom:0%">OLLIN
kurjuus

Kertomuxia


ellauri024.html on line 17:

black;background:white;font-size:7em;text-align:leftr;margin-top:0%;margin-bottom:0%">VARTIOTORNI


ellauri024.html on line 18:

black;font-size:5em;text-align:left;margin-top:0%;margin-bottom:0%">MISTÄ VOI LÖYTÄÄ VASTAUXIA?

Vastauxia


ellauri024.html on line 914: black">
ellauri026.html on line 19:

black;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">PUNAVYÖN VANHAT YSTÄVÄT

Hyötykirjoja


ellauri028.html on line 881:

black">
ellauri028.html on line 883:

black">
ellauri028.html on line 885:

black">
ellauri028.html on line 887: 

black">

ellauri028.html on line 900: 
black">

ellauri028.html on line 902: 
black">		 TOTAL		LOVE		TOTAL/LOVE

ellauri028.html on line 907: 
black">

ellauri028.html on line 909: 
black">

ellauri028.html on line 911: 
black">

ellauri028.html on line 932: 
black">

ellauri028.html on line 938: 
black">

ellauri028.html on line 944: 
black">

ellauri028.html on line 946: 
black">

ellauri029.html on line 18: 
blacke;background:yellow;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">ÖÖ MITÄ TARKOITAT
Huuhaata


ellauri031.html on line 17: 
black;background:#a4a4a4;font-size:8em;font-style:italic;text-align:center;margin-top:0%;margin-bottom:0%">En yrhätta
Yrsel


ellauri031.html on line 18: 
black;background:#f79f81;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Dikken Zwilgmeyer


ellauri032.html on line 18: 
black;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">Eläinystävämme


ellauri032.html on line 19: 
black;background:#a4a4a4;font-size:8em;text-align:center;margin-top:0%;margin-bottom:0%">Supikoira
Hajuviestejä


ellauri033.html on line 17: 
black;background:#d7b882;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Par PAUL BOURGET
de l´Académie Française.


ellauri034.html on line 25: 
black;background:#d8d7b8;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">kukin kuolee izexeen
Yxinpuhelua


ellauri035.html on line 18: 
black;background:#efaf43;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Bilhana


ellauri035.html on line 151: A black-haired lover on the breasts of day.

ellauri035.html on line 246: Under black torches throwing cool red light,

ellauri035.html on line 259: Of a black eagle falls her nightly hair.

ellauri035.html on line 361: Bearding her black-beard father in his wrath,

ellauri035.html on line 390: I love long black eyes that caress like silk,

ellauri035.html on line 404: Like coral branches in the black sea of their hair?

ellauri035.html on line 426: Their thin black boards, their rose and green and grey,

ellauri035.html on line 470: Her weary station by the black lake

ellauri035.html on line 514:  Most fit that you strike now, black guards,

ellauri036.html on line 17: 
black;background:#eefcef;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">AKU ANKKA


ellauri036.html on line 18: 
black;background:#eefcef;font-size:3em;text-align:center;margin-top:0%;margin-bottom:0%">TÄNÄÄN EI MIKÄÄN VOI MENNÄ PIELEEN
Mussutusta


ellauri037.html on line 17: 
black;background:#97989c;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">HBL MITTEN 2021


ellauri037.html on line 18: 
black;background:#97989c;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">Klassiker fyller sjuttio
Memorabilia


ellauri037.html on line 378:     the camera will click from under that black hood.

ellauri038.html on line 17: 
black;background:white;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">John Tenniel


ellauri038.html on line 18: 
black;background:white;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">The Walrus and the Carpenter
Yli-inhimillistä


ellauri039.html on line 17: 
black;background:#e0e2e1;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Wilhelm Busch


ellauri039.html on line 18: 
black;background:#e0e2e1;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">𝔐𝔞𝔵 𝔲𝔫𝔡 𝔐𝔬𝔯𝔦𝔱𝔷
Käytännön piloja


ellauri040.html on line 19: 
black;background:#e1b4c8;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Wilhelm Busch


ellauri040.html on line 20: 
black;background:#e1b4c8;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">Schwarze Parze
McGarmiwaa


ellauri041.html on line 25: 
black;background:#636468;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Kornei Tšukovski


ellauri042.html on line 22: 
black;background:khaki;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">J. Agusta - Z. Burian


ellauri042.html on line 817: His moronic patients called him “deeply eccentric” and described him as “huge, a full beard, black leather jacket covering T-shirts riddled with holes, huge shoes, his trousers looking like they were going to slide off his body.” A friend from Sacks’s days as a medical resident remembers him as a “big, free-ranging animal” who one day “drank some blood … chasing it with milk. There was something about his need to cross taboos. Back in those days, in the early ’60s, he was heavily into drugs, downing whole handfuls of them, especially speed and LSD.” 

ellauri043.html on line 18: 
black;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Bosch / Brueghel / Flaubert 


ellauri048.html on line 18: 
black;background:#b97939;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">M. Andrejev


ellauri048.html on line 769: His hair is crisp, and black, and long,		Nokikepillä on tukka käkkärä,

ellauri049.html on line 18: 
black;background:#b97939;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">Gary Larson


ellauri051.html on line 24: 
black;background:#d29e62;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Gary Larson


ellauri051.html on line 25: 
black;background:#d29e62;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">BOOM
Politiikkaa


ellauri051.html on line 667: 108 Growing among black folks as among white,						  kasvaessaan mustien porukoiden ja valkoisten keskellä,

ellauri051.html on line 809: 229 The sun falls on his crispy hair and mustache, falls on the black of his polish'd and perfect limbs.						229 Aurinko laskee hänen raikkaille hiuksilleen ja viiksilleen, putoaa hänen kiillotettujen ja täydellisten raajojensa mustille.

ellauri051.html on line 888: 306 The crowd laugh at her blackguard oaths, the men jeer and wink to each other,									306 Yleisö nauraa hänen mustavartijavaloillaan, miehet nauravat ja silmäävät toisilleen,

ellauri051.html on line 1188: 595 (They go to guard some corpse, the flag-tops are draped with black muslin.)										595 (He menevät vartioimaan ruumista, lipunpäät ovat päällystetty mustalla musliinilla.)

ellauri051.html on line 1264: 666 And the running blackberry would adorn the parlors of heaven,											666 Ja juokseva karhunvatukka koristaisi taivaan saleja,

ellauri051.html on line 1325: 725 Where the black bear is searching for roots or honey, where the beaver pats the mud with his paddle-shaped tail;					725 Missä mustakarhu etsii juuria tai hunajaa, missä majava taputtelee mutaa melan muotoisella hännällään;

ellauri051.html on line 1344: 744 Where the fin of the shark cuts like a black chip out of the water,											744 Missä hain evä leikkaa vedestä kuin musta lastu,

ellauri051.html on line 1352: 752 At he-festivals, with blackguard gibes, ironical license, bull-dances, drinking, laughter,								752 He-festivaaleilla, mustavartijan juoruilla, ironisella lisenssillä, härkätanssilla, juomalla, naurulla,

ellauri051.html on line 1699: 1090 The black ship mail'd with iron, her mighty guns in her turrets -- but the pluck of the captain and engineers?					1090 Musta laiva postitetaan raudalla, sen mahtavat aseet torneissaan – mutta kapteenin ja insinöörien ryöstö?

ellauri051.html on line 1920: 1304 Toss, sparkles of day and dusk -- toss on the black stems that decay in the muck,									1304 Toss, päivän ja iltahämärän kimalteet -- heiluttele mustiin varret, jotka hajoavat mukassa,

ellauri052.html on line 122: Bellow punctured the pretentious, unmasked the delusions and deflated the reputations of several intellectual phonies, blackballing LeRoi Jones, Edward Said and Susan Sontag for MacArthur fellowships. He was severely condemned for his provocative but hilarious challenge: “Who is the Tolstoy of the Zulus? The Proust of the Papuans?” But no one ever answered his attack on cultural relativism and he did not apologise.

ellauri052.html on line 828: `No? There you are, we are not alike. I'll put a dressing-gown on.' Birkin remained alone, looking at the fire. His mind had reverted to Ursula. She seemed to return again into his consciousness. Gerald came down wearing a gown of broad-barred, thick black-and-green silk, brilliant and striking.

ellauri052.html on line 870: Bellow punctured the pretentious, unmasked the delusions and deflated the reputations of several intellectual phonies, blackballing LeRoi Jones, Edward Said and Susan Sontag for MacArthur fellowships. He was severely condemned for his provocative but hilarious challenge: “Who is the Tolstoy of the Zulus? The Proust of the Papuans?” But no one ever answered his attack on cultural relativism and he did not apologise

ellauri052.html on line 935: Ultimately, much of the book revolves around a perceived opposition between “young Saul,” the politically radical, amorously multitasking free spirit who raised him, and “old Saul,” the reactionary, race-baiting friend of authority and Allan Bloom who occupied his father’s body for its final 40 years. Greg had a front-row seat for Bellow’s supposed conversion, after the rise of black power and the Six Day War, to the unfashionable conservatism that remains the unspoken reason his books aren’t read much in America today. He is thus well-placed to describe how that change—dramatically evident in Mr. Sammler’s Planet (1970), the neo-con novel par excellence, but also in Herzog—manifested itself in private.

ellauri052.html on line 957: Bellow was accused of being a “lousy” sexual performer, but was more convincingly called a passionate and virile lover. He even had a fling with his black cleaning lady, “about twice as tall as he was, and well built.” No hemmetti, kysyttiinkö siivoojalta miten mini Sale pärjäsi. Tais heiluttaa patonkia porttikonkissa.

ellauri053.html on line 1017:     What do you think of father's spoiling sheets and sheets of paper with black marks all over both sides?

ellauri053.html on line 1174:     He was very much fascinated by self-induced trance states, calculated symbolism, mediums, theosophy, crystal-gazing, folklore and hobgoblins. Golden apples, archers, black pigs and such paraphernalia abounded. Often the verse has an hypnotic charm: but you cannot take heaven by magic, especially if you are, like Mr. Yeats, a very sane person.


ellauri054.html on line 23:     
ROLF KAUKA black">zeigt: 


ellauri058.html on line 25: 
black;text-align:center;margin-top:0%;margin-bottom:0%">Voitto-Sanomat


ellauri058.html on line 26: 
black;text-align:center;margin-top:0%;margin-bottom:0%">RAUHAA
Setämiehissä


ellauri058.html on line 83:   Astrid Lindgren does not shy away from describing the situation for African-Americans during that era. Her language is not always comfortable, at least not for this day, referring to blacks as “the coloured race,” “young negro girl,” and, embarrassingly, “darkies.” How much of this is just a rough translation, how much of it is accurate translation, how much was totally acceptable back then, how much did Lindgren want us to feel uncomfortable . . .? Yeah, things sucked back then (*cough*even more than they do now*cough*) for African-Americans, and it shouldn’t be comfortable to read about it.

ellauri058.html on line 720: Only about 500 cases of Fournier’s gangrene have been recorded in the medical literature. It is caused when Staphylococcus, Streptococcus or E. coli bacteria infects and starts to rapidly kill cells, turning tissue black.

ellauri060.html on line 24: 
black;text-align:center;margin-top:0%;margin-bottom:0%">Walt Disney


ellauri060.html on line 25: 
black;text-align:center;margin-top:0%;margin-bottom:0%">Aku näkee punaista
Punapyllypaviaaneja


ellauri060.html on line 477: And the blackbirds and thrushes sang on every green spray

ellauri060.html on line 1227:   Candace on black white supremacist ja female toxic male chauvinist. Mihin oikein sattuu Candace? Päähän tuskin, se vaikuttaa tyhjältä. 

ellauri061.html on line 24: 
black;background:#d8cfc8;text-align:center;margin-top:0%;margin-bottom:0%">MYRSKY JA MYLVÄYS
Myrkyllistä


ellauri061.html on line 1577: Seijan Ansu-siskolla on lapset Kalle ja Kati. Kalle on Seijan kummipoika. Se on vähän Jari Tervon näköinen mutta black of hair kuten 7 valtakunnan kuningas, ei mikään blondi Tyrion Lannister vaikka lyhkönen ja kiltin oloinen kuten se knääpiö tosin ei yhtä rääväsuu. Yhteistä Jarin kanssa sillä on toi lapsettomuusongelma. Satu ei ole kyllä mikään pervo. Kalle on lennonjohtotehtävissä. Kallen sisko Kati on menestyvä pankki-ihminen. Kalle Pervon äiti Kati hoitaa Jarin kirjastoa ja kotoa jo lennähtänyttä blondia poikaansa.

ellauri062.html on line 24: 
black;text-align:center;margin-top:0%;margin-bottom:0%">VALKOINEN 
  MEZÄSTÄJÄ
Puunhalausta


ellauri062.html on line 174: The price of admission onto the 29th Rich List was a staggering $1 billion, and, not surprisingly — as far as minorities go, at least — Jews excelled. The breakdown, according to Gawker’s research, included one black woman (No. 130, Oprah Winfrey), three gay men (No. 54, David Geffen; No. 332, Barry Diller; and No. 365, Peter Thiel), four Indians, six (non-Indian) Asians, 34 women, and, of course, 30 Jews in the top 100 (see below). They must have stopped counting after the 100 mark.

ellauri066.html on line 23: 
black;text-align:center;margin-top:0%;margin-bottom:0%">Toini Virtanen


ellauri066.html on line 24: 
black;text-align:center;margin-top:0%;margin-bottom:0%">Näkemiin Anus
Elämää ja teoxia


ellauri067.html on line 454:     Schwarzkommando: (p. 359) supposed herero fighters in the service of the nazis. It is propaganda like King Kong or the black science man Neil Degrasse Tyson to make black people seem intelligent. The Schwarzkommando in Gravity´s Rainbow is fictional. Schrödinger´s douchebag is a guy who says offensive things and decides whether he is joking based on the reaction of people around him.

ellauri067.html on line 544: Gravity´s Rainbow is a 1973 novel, first published by Viking Press, by American writer Thomas Pynchon. The narrative is set primarily in Europe at the end of World War II, and centers on the design, production and dispatch of V-2 rockets by the German military. In particular, it features the quest undertaken by several characters to uncover the secret of a mysterious device named the "Schwarzgerät" ("black device"), slated to be installed in a rocket with the serial number "00000". 


ellauri067.html on line 566: "his batman, a Corporal Wayne" [Batman's "real-world" identity was Bruce Wayne], 11; comicbook fangs, 21; Sir Denis Nayland Smith, 83, 277-78, 592, 631, 751; Hop Harrigan, Tank Tinker, 117; "old-fashioned comical room" 122; Dumbo, 135; Donald Duck, 146; Hansel and Gretel, 174; "comic-book colors" 186; "paint FUCK YOU in a balloon coming out the mouth of one of those little pink shepherdesses" 203; Plasticman, 206, 314, 331, 752; "he passes into a bickering of canary-yellow Borsalini, corksoled comicbook shoes with enormous round toes" 254; "this cartoon here" 263; "a Sunday-funnies dawn" 295; Rocketman, 366, 376, 379, 436, 512, 596; Captain Midnight Show, 375; Green Hornet, 376; "the only beings who can violate their space are safely caught and paralyzed in comic books" 379; Mickey Mouse, 392; Sundial, 472; Wilhelm Busch (cartoonist), 501; Porky Pig, 545; "comic technocracy" 579; "comic-book cats dogs and mice" 586; Bugs Bunny, 592; "comicbook-orange chunks of island" 634; Porky Pig tattoo, 638 (on Osbie Feel's stomach), 711 (on André Omnopon´s stomach); Robin Hood, 664; Mary Marvel, Wonder Woman, 676; comic-book Kamikazes, 680; "down comes a comic-book guillotine on one black & white politician" 687; Crime Does Not Pay, 709; Superman, 751; The Lone Ranger & Tonto, 752; Philip Marlowe, 752; Submariner, 752; Jimmy Olson, 752; See also Byron the Bulb; Floundering Four; Komical Kamikazes; Plasticman; film/cinema references.

ellauri069.html on line 23: 
black;text-align:center;margin-top:0%;margin-bottom:0%">My Butt


ellauri069.html on line 24: 
black;text-align:center;margin-top:0%;margin-bottom:0%">Fountain
Lähdekritiikkiä


ellauri069.html on line 142: An English illustrator, Beardsley is known for his (often erotically charged) illustrations for Oscar Wilde's Salome, Alexander Pope's Rape of the Lock and other black-and-white works. Along with Oscar Wilde, he was considered a leader of "The Decadents" of the 1890s; 71; 634; Wikipedia entry.

ellauri069.html on line 401: —the mission of Oberst Enzian, who is Tchitcherine’s Herero half-brother, one of a select company of Hereros who survived Germany’s genocide of their people to become rocket engineers during World War II; he was a bunk toy for Weissmann mentioned in the next bullet as a boy in black Africa;

ellauri070.html on line 23: 
black;text-align:center;margin-top:0%;margin-bottom:0%">Sale Niinistö


ellauri070.html on line 24: 
black;text-align:center;margin-top:0%;margin-bottom:0%">Demokratian painajainen
Jyrähtelyä


ellauri071.html on line 23: 
black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">THOMAS PYNCHON


ellauri071.html on line 123: Coward's most enduring work from the war years was the hugely successful black comedy Blithe Spirit (1941), about a novelist who researches the occult and hires a medium. A séance brings back the ghost of his first wife, causing havoc for the novelist and his second wife.

ellauri072.html on line 34: 
black;background:#ead3b1;text-align:center;margin-top:0%;margin-bottom:0%">black">Vastenmielisten miesten lyhyitä haastatteluja
Valivalia


ellauri073.html on line 26: 
black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Kakoli Ruma


ellauri073.html on line 27: 
black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Emmä tiedä, hähähä!
Vulgääriä


ellauri073.html on line 221:       In the 2000 United States Republican Party primaries, George W. Bush´s campaign used push polling against the campaign of Senator John McCain. Voters in South Carolina were asked "Would you be more likely or less likely to vote for John McCain for president if you knew he had fathered an illegitimate black child?"

ellauri073.html on line 262: Foley is disheveled, sweaty, obese, clumsy and unstylish. He exhibits poor social skills, frequently loses his temper, often disparages and insults his audience, and wallows in cynicism and self-pity about his own poor life choices, to which he often makes reference. Foley's trademark line is warning his audience that they could end up like himself: "35 years old, eating a steady diet of government cheese, thrice divorced, and living in a van down by the river!" In most sketches, whenever a member of his audience mentions a personal accomplishment, Foley responds with mockery: "Well, la-dee-frickin-da!", "Whoop-dee-frickin-doo!", or a similarly dismissive remark. The usual outfit of choice for Foley is a too-small blue-and-white plaid sport coat, a too-big white dress shirt, a solid green necktie, black horn-rimmed glasses, ill-fitting khakis which he is continually pulling up, a wristwatch, penny loafers, and slicked-down blond hair. In a prison sketch, he dons blue jeans and a denim shirt with the inmate number "3307" while retaining his watch, glasses and a crucifix necklace (he also mentions a "homemade tattoo of a van down by the river"). While working as a mall Santa in another sketch, he wears a stereotypical Santa outfit, complete with black snow boots.

ellauri074.html on line 28: 
black;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">MIT Press


ellauri074.html on line 29: 
black;text-align:center;margin-top:0%;margin-bottom:0%">DON'T WORRY!
Vetolaastareita


ellauri077.html on line 27: 
black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Thomas Ball Barratt


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Rappinkia


ellauri077.html on line 804: Meaningless words. In certain kinds of writing, particularly in art criticism and literary criticism, it is normal to come across long passages which are almost completely lacking in meaning. Words like romantic, plastic, values, human, dead, sentimental, natural, vitality , as used in art criticism, are strictly meaningless, in the sense that they not only do not point to any discoverable object, but are hardly ever expected to do so by the reader. When one critic writes, "The outstanding feature of Mr. X's work is its living quality," while another writes, "The immediately striking thing about Mr. X's work is its peculiar deadness," the reader accepts this as a simple difference opinion. If words like black and white were involved, instead of the jargon words dead and living, he would see at once that language was being used in an improper way. 

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black;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">Ad Nauseam
Jaxaajaxaa


ellauri078.html on line 103: The earliest known version is found in Christy's Plantation Melodies. No. 2, a songbook published under the authority of Edwin Pearce Christy in Philadelphia in 1853. Christy was the founder of the blackface minstrel show known as the Christy's Minstrels. Like most minstrel songs, the lyrics are written in a cross between a parody of a generic creole dialect historically attributed to African-Americans and standard American English. The song is written in the first person from the perspective of an African-American singer who refers to himself as a "darkey," longing to return to "a yellow girl" (that is, a light-skinned, or bi-racial woman born of African/African-American and European-American progenitors)

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Läppäkeppejä


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ellauri080.html on line 577: Gilligan's Island ran for 98 episodes. All 36 episodes of the first season were filmed in black and white and were later colorized for syndication. The show's second and third seasons (62 episodes) and the three television film sequels (aired between 1978 and 1982) were filmed in color. Last aired: 2001.

ellauri082.html on line 556:     Hulluruoho: Skopolamiinia ja pari muuta, ne oli just tässä paikalla. Löytyy puista mitä löytyy, ehkä viikon blackoutin jälkeen ja alasti. En nyt sori vaan ole tuollaisia papereita nähnyt.

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black;background:gold;text-align:center;margin-top:0%;margin-bottom:0%">HYVÄÄ PUUTA
Puutaheinää


ellauri083.html on line 358: Tectite is a black, opaque stone with an uneven surface. It is very dry to the touch. When polished, it can have a high luster.

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black;text-align:center;margin-top:0%;margin-bottom:0%">Arrival


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Pyllykielitiedettä


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Ufoa


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black;text-align:center;margin-top:0%;margin-bottom:0%">A Panelinha
Brassailua


ellauri090.html on line 165: Pardo (feminine parda) is a term used in the former Portuguese and Spanish colonies in the Americas to refer to the triracial descendants of Europeans, Amerindians, and West Africans. In some places they were defined as neither exclusively mestizo (Amerindian-European descent), nor mulatto (West African-European descent), nor zambo (Amerindian-West African descent). In colonial Mexico, pardo "became virtually synonymous with mulatto, thereby losing much of its indigenous referencing." In the eighteenth century, pardo might have been the preferred label for blackness. Unlike negro, pardo had no association with slavery. Casta paintings from eighteenth-century Mexico use the label negro never pardo to identify Africans paired with Spaniards.

ellauri093.html on line 734:   Jälkimmäinen vaikutelma on että ei nää porukoina ole yhtään sen parempia tai huonompia kuin muutkaan, niillä vaan on izestä ja muista aivan väärä käsitys. Jos  se ei ole rasismia, se on sitten tollasta heimomeemiä, tribal thing, kuten valkoinen vähemmistö sanoi Orange is new blackin kalpeanaamojen ruokalapöydässä, siinä ekassa osassa jossa päähenkilö vahingossa solvas keittäjää ja sai seuraavaxi ateriaxi tamponipurilaisia. Käytettyjä.

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ellauri095.html on line 125: Manley Hopkins moved his family to Hampstead in 1852, near where John Keats had lived 30 years before and close to the green spaces of Hampstead Heath. When he was ten years old, Gerard was sent to board at Highgate School (1854–1863). While studying Keats´s poetry, he wrote "The Escorial" (1860), his earliest extant poem. Here he practised early attempts at asceticism. He once argued that most people drank more liquids than they really needed and bet that he could go without drinking for a week. He persisted until his tongue was black and he collapsed at drill. On another occasion he abstained from salt for a week.

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ellauri095.html on line 499: Hopkins had been attracted to asceticism since childhood. At Highgate, for instance, he argued that nearly everyone consumed more liquids than the body needed, and, to prove it, he wagered that he could go without liquids for at least a week. He persisted until his tongue was black and he collapsed at drill. He won not only his wager but also the undying enmity of the headmaster Dr. John Bradley Dyne. On another occasion, he abstained from salt for a week. His continuing insistence on extremes of self-denial later in life struck some of his fellow Jesuits as more appropriate to a Victorian Puritan than to a Catholic.

ellauri095.html on line 560: She to the black-about air, to the breaker, the thickly			Ämmä huusi pimeään, vaahtopäihin, paxulti

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ellauri097.html on line 790: In leaves, no step had trodden black.		täynnä lehtiä, ei tallattuja mustia.

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ellauri098.html on line 29: 
black;text-align:center;margin-top:0%;margin-bottom:0%">GOOGLE: THERE ARE 129,864,880 BOOKS 
 IN THE ENTIRE WORLD
Kirja-arvostelua


ellauri098.html on line 160:       Schnizel-tv-sarja on karkkia. Sitä ei voi kazoa peräkkäin monta jaxoa, muuten alkaa tuntua äitelältä suussa. Ortodoxijuutalaiset on hauskoja, ja tarinat on helppoja ja liikuttavia. Orange is new black on vastoinpäin, se on ällön inhottava, mutta silti paikoin liikuttava, esim. se onneton iso transu neekeri ja sen kiltti vaimo. Siitä käy hyvin ilmi että vankilassa pahinta ei ole yxinäisyys, vaan muut apinat. Jos niitä apinoixi enää voi edes kehua, ne ovat siihen liian inhimillsiä.

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black;background:#e9f07c;text-align:center;margin-top:0%;margin-bottom:0%">Wincent was not mad, he had problems

Sekoilua


ellauri100.html on line 315: The urban riots that followed the murder of Martin Luther King Jr. opened my eyes to the futility of LBJ’s social tinkering. I saw at once that plowing vast sums into a “war” on black poverty would be rewarded with a lack of progress, sullen resentment, and generations of dependency on big brother in Washington. (Regarding the possibility that I am a racial bigot, see the note at the bottom of this page. If you don't care to read that far, yes, I am a racial bigot, and how.)
ellauri100.html on line 343: I suspect that I am not a racist. I don’t despise blacks as a group, nor do I believe that they should have fewer rights and privileges than whites. (Neither do I believe that they should have more rights and privileges than whites or persons of Asian or Ashkenazi Jewish descent — but they certainly do when it comes to college admissions and hiring.) It isn’t racist to understand that race isn’t a social construct and that there are general differences between races (see many of the posts listed here). That’s just a matter of facing facts, not ducking them, as leftists are wont to do.
ellauri100.html on line 577: Virginiassa kannatetaan Donald Trumppia ja ahdistellaan märkäselkiä. Niille maxetaan hurrikaanivahinkojen korjauxista tosi huonosti jos ollenkaan, ja paperittomia jahdataan öisin pitkin Virginian kaupunkien katuja poliisien voimilla. We don't want any wetbacks latinos blackies and coons hereabouts. Get off my property. Minähän sen oravan myrkytin.
ellauri100.html on line 705: Pine-apples, blackberries,
ellauri100.html on line 1140: Scratch’d her, pinch’d her black as ink,
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black;text-align:center;margin-top:0%;margin-bottom:0%">Naimi Pikkari


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black;text-align:center;margin-top:0%;margin-bottom:0%">NO LOGO

Nimettömiä vihapuheita


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black;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">Oiva Ketonen


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black;background:#bfc1bc;text-align:center;margin-top:0%;margin-bottom:0%">Phillu-Roth


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black;background:#bfc1bc;text-align:center;margin-top:0%;margin-bottom:0%">Elämäni setämiehenä

Törkyä


ellauri106.html on line 262: Author Philip Roth was prolific and often made blackly comic reflections on his own life and relationships. When did they get divorced?
ellauri106.html on line 348: The FBI described the WUO as a domestic terrorist group, with revolutionary positions characterized by black power and opposition to the Vietnam War.
ellauri107.html on line 124: Mailer attempted to use existentialism to excuse Rojack's misogynistic exploration as his "sexistentialist project". Rojack's victims are women and a black man, appropriate objects of the white male's "dominant wrath".
ellauri108.html on line 94: Jesus is an important figure in Rastafari. However, practitioners reject the traditional Christian view of Jesus, particularly the depiction of him as a white European, believing that this is a perversion of the truth. They believe that Jesus was a black African, and that the white Jesus was a false god. Many Rastas regard Christianity as the creation of the white man; they treat it with suspicion out of the view that the oppressors (white Europeans) and the oppressed (black Africans) cannot share the same God. Many Rastas take the view that the God worshipped by most white Christians is actually the Devil, and a recurring claim among Rastas is that the Pope is Satan or the Antichrist. Rastas therefore often view Christian preachers as deceivers and regard Christianity as being guilty of furthering the oppression of the African diaspora, frequently referring to it as having perpetrated "mental enslavement".
ellauri108.html on line 108: According to Clarke, Rastafari is "concerned above all else with black consciousness, with rediscovering the identity, personal and racial, of black people". The Rastafari movement began among Afro-Jamaicans who wanted to reject the British imperial culture that dominated Jamaica and replace it with a new identity based on a reclamation of their African heritage. Its emphasis is on the purging of any belief in the inferiority of black people, and the superiority of white people, from the minds of its followers. Rastafari is therefore Afrocentric, equating blackness with the African continent, and endorsing a form of Pan-Africanism.
ellauri108.html on line 110: Practitioners of Rastafari identify themselves with the ancient Israelites—God's chosen people in the Old Testament—and believe that black Africans broadly or Rastas more specifically are either the descendants or the reincarnations of this ancient people. This is similar to beliefs in Judaism, although many Rastas believe that contemporary Jews' status as the descendants of the ancient Israelites is a false claim. Rastas typically believe that black Africans are God's chosen people, meaning that they made a covenant with him and thus have a special responsibility. Rastafari espouses the view that this, the true identity of black Africans, has been lost and needs to be reclaimed.
ellauri108.html on line 112: There is no uniform Rasta view on race. Black supremacy was a theme early in the movement, with the belief in the existence of a distinctly black African race that is superior to other racial groups. While some still hold this belief, non-black Rastas are now widely accepted in the movement. Rastafari's history has opened the religion to accusations of racism. Cashmore noted that there was an "implicit potential" for racism in Rasta beliefs but he also noted that racism was not "intrinsic" to the religion. Some Rastas have acknowledged that there is racism in the movement, primarily against Europeans and Asians. Some Rasta sects reject the notion that a white European can ever be a legitimate Rasta. Other Rasta sects believe that an "African" identity is not inherently linked to black skin but rather is about whether an individual displays an African "attitude" or "spirit".
ellauri108.html on line 115: Rastafari teaches that the black African diaspora are exiles living in "Babylon", a term which it applies to Western society. For Rastas, European colonialism and global capitalism are regarded as manifestations of Babylon, while police and soldiers are viewed as its agents. The term "Babylon" is adopted because of its Biblical associations. In the Old Testament, Babylon is the Mesopotamian city where the Israelites were held captive, exiled from their homeland, between 597 and 586 BCE; Rastas compare the exile of the Israelites in Mesopotamia to the exile of the African diaspora outside Africa. In the New Testament, "Babylon" is used as a euphemism for the Roman Empire, which was regarded as acting in a destructive manner that was akin to the way in which the ancient Babylonians acted. Rastas perceive the exile of the black African diaspora in Babylon as an experience of great suffering, with the term "suffering" having a significant place in Rasta discourse.
ellauri108.html on line 117: Rastas view Babylon as being responsible for both the Atlantic slave trade which removed enslaved Africans from their continent and the ongoing poverty which plagues the African diaspora. Rastas turn to Biblical scripture to explain the Atlantic slave trade, believing that the enslavement, exile, and exploitation of black Africans was punishment for failing to live up to their status as Jah's chosen people. Many Rastas, adopting a Pan-Africanist ethos, have criticised the division of Africa into nation-states, regarding this as a Babylonian development, and are often hostile to capitalist resource extraction from the continent. Rastas seek to delegitimise and destroy Babylon, something often conveyed in the Rasta aphorism "Chant down Babylon". Rastas often expect the white-dominated society to dismiss their beliefs as false, and when this happens they see it as confirmation of the correctness of their faith.
ellauri108.html on line 123: By the movement's fourth decade, the desire for physical repatriation to Africa had declined among Rastas, a change influenced by observation of the 1983–1985 famine in Ethiopia. Rather, many Rastas saw the idea of returning to Africa in a metaphorical sense, entailing the restoration of their pride and self-confidence as people of black African descent. The term "liberation before repatriation" began to be used within the movement. Some Rastas seek to transform Western society so that they may more comfortably live within it rather than seeking to move to Africa. There are nevertheless many Rastas who continue to emphasise the need for physical resettlement of the African diaspora in Africa.
ellauri108.html on line 125: Rastafari is a millenarian movement, espousing the idea that the present age will come to an apocalyptic end. Many practitioners believe that on this Day of Judgement, Babylon will be overthrown, with Rastas being the chosen few who survive the upheaval. With Babylon destroyed, Rastas believe that humanity will be ushered into a "new age". This is conceived as being a millennium of peace, justice, and happiness in which the righteous shall live in Africa, now a paradise. In the 1980s, many Rastas believed that the Day of Judgment would happen around the year 2000. A view then common in the Rasta community was that the world's white people would wipe themselves out through nuclear war, with black Africans then ruling the world, something that they argued was prophesied in the Book of Daniel.
ellauri108.html on line 129: Most Rastas share a pair of fundamental moral principles known as the "two great commandments": love of a black male God and love of neighbour if he too is black and male. Many Rastas believe that to determine whether they should undertake a certain act or not, they should consult the presence of Jah within themselves. He's the little red orange and green duck in your left ear. Do not listen to the little white Jesus duck on the right, he is the deevil.
ellauri108.html on line 131: Rastafari promotes the idea of "living naturally", in accordance with what Rastas regard as nature's laws. It endorses the idea that Africa is the "natural" abode of black Africans, a continent where they can live according to African culture and tradition and be themselves on a physical, emotional, and intellectual level. Practitioners believe that Westerners and Babylon have detached themselves from nature through technological development and thus have become debilitated, slothful, and decadent. Some Rastas express the view that they should adhere to what they regard as African laws rather than the laws of Babylon, thus defending their involvement in certain acts which may be illegal in the countries that they are living in. In emphasising this Afrocentric approach, Rastafari expresses overtones of black nationalism.
ellauri108.html on line 135: Rastafari promotes what it regards as the restoration of black manhood, believing that men in the African diaspora have been emasculated by Babylon. It espouses patriarchal principles, including the idea that women should submit to male leadership. External observers—including scholars such as Cashmore and Edmonds—have claimed that Rastafari accords women an inferior position to men. Rastafari women usually accept this subordinate position and regard it as their duty to obey their men; the academic Maureen Rowe suggested that women were willing to join the religion despite its restrictions because they valued the life of structure and discipline it provided. Rasta discourse often presents women as morally weak and susceptible to deception by evil, and claims that they are impure while menstruating. Rastas legitimise these gender roles by citing Biblical passages, particularly those in the Book of Leviticus and in the writings of Paul the Apostle. The Rasta Shop is a store selling items associated with Rastafari in the U.S. state of Oregon.
ellauri108.html on line 141: Rastafari regards procreation as the purpose of sex, and thus oral and anal sex are usually forbidden. Both contraception and abortion are usually censured, and a common claim in Rasta discourse is that these were inventions of Babylon to decrease the black African birth-rate. Rastas typically express hostile attitudes to homosexuality, regarding homosexuals as evil and unnatural; this attitude derives from references to same-sex sexual activity in the Bible. Homosexual Rastas probably conceal their sexual orientation because of these attitudes. Rastas typically see the growing acceptance of birth control and homosexuality in Western society as evidence of the degeneration of Babylon as it approaches its apocalyptic end.
ellauri108.html on line 168: As Rastafari developed, popular music became its chief communicative medium. During the 1960s, ska was a popular musical style in Jamaica, and although its protests against social and political conditions were mild, it gave early expression to Rasta socio-political ideology. Particularly prominent in the connection between Rastafari and ska were the musicians Count Ossie and Don Drummond. Ossie was a drummer who believed that black people needed to develop their own style of music; he was heavily influenced by Burru, an Afro-Jamaican drumming style. Ossie subsequently popularised this new Rastafari ritual music by playing at various groundings and groundations around Jamaica, with songs like "Another Moses" and "Babylon Gone" reflecting Rasta influence. Rasta themes also appeared in Drummond's work, with songs such as "Reincarnation" and "Tribute to Marcus Garvey".
ellauri108.html on line 170: 1968 saw the development of reggae in Jamaica, a musical style typified by slower, heavier rhythms than ska and the increased use of Jamaican Patois. Like calypso, reggae was a medium for social commentary, although it demonstrated a wider use of radical political and Rasta themes than were previously present in Jamaican popular music. Reggae artists incorporated Rasta ritual rhythms, and also adopted Rasta chants, language, motifs, and social critiques. Songs like The Wailers' "African Herbsman" and Peter Tosh's "Legalize It" referenced cannabis use, while tracks like The Melodians' "Rivers of Babylon" and Junior Byles' "Beat Down Babylon" referenced Rasta beliefs in Babylon. Reggae gained widespread international popularity during the mid-1970s, coming to be viewed by black people in many different countries as music of the oppressed. Many Rastas grew critical of reggae, believing that it had commercialised their religion. Although reggae contains much Rastafari symbolism, and the two are widely associated, the connection is often exaggerated by non-Rastas. Most Rastas do not listen to reggae music, and reggae has also been utilised by other religious groups, such as Protestant Evangelicals. Out of reggae came dub music; dub artists often employ Rastafari terminology, even when not Rastas themselves.
ellauri108.html on line 173: Rastas regularly use the three colours of the Ethiopian flag for their movement, although they often add black to this tricolour, symbolising the black skin of the African people
ellauri108.html on line 177: Rastas often make use of the colours red, black, green, and gold. Red, gold, and green were used in the Ethiopian flag, while, prior to the development of Rastafari, the Jamaican black nationalist activist Marcus Garvey had used red, green, and black as the colours for the Pan-African flag representing his United Negro Improvement Association. According to Garvey, the red symbolised the blood of martyrs, the black symbolised the skin of Africans, and the green represented the vegetation of the land, an interpretation endorsed by some Rastas. The colour gold is often included alongside Garvey's three colours; it has been adopted from the Jamaican flag, and is often interpreted as symbolising the minerals and raw materials which constitute Africa's wealth. Rastas often paint these colours onto their buildings, vehicles, kiosks, and other items, or display them on their clothing, helping to distinguish Rastas from non-Rastas and allowing adherents to recognise their co-religionists. As well as being used by Rastas, the colour set has also been adopted by Pan-Africanists more broadly, who use it to display their identification with Afrocentricity; for this reason it was adopted on the flags of many post-independence African states. Rastas often accompany the use of these three or four colours with the image of the Lion of Judah, also adopted from the Ethiopian flag and symbolizing Haile Selassie.
ellauri108.html on line 187: Rastas use their physical appearance as a means of visually demarcating themselves from non-Rastas like the whites. Male practitioners will often grow long beards, and many Rastas prefer to wear African styles of clothing, such as dashikis, rather than styles that originated in Western countries. However, it is the formation of hair into dreadlocks that is one of the most recognisable Rasta symbols. Rastas believe that dreadlocks are promoted in the Bible, specifically in the Book of Numbers, and regard them as a symbol of strength linked to the hair of the Biblical figure of Samson. They argue that their dreadlocks mark a covenant that they have made with Jah, and reflect their commitment to the idea of 'naturalness'. They also perceive the wearing of dreads as a symbolic rejection of Babylon and a refusal to conform to its norms regarding grooming aesthetics. Rastas are often critical of black people who straighten their hair, believing that it is an attempt to imitate white European hair and thus reflects alienation from a person's African identity. Sometimes this dreadlocked hair is then shaped and styled, often inspired by a lion's mane symbolising Haile Selassie, who is regarded as "the Conquering Lion of Judah".
ellauri108.html on line 189: Rastas differ on whether they regard dreadlocks as compulsory for practicing the religion. Some Rastas do not wear their hair in dreadlocks; within the religion they are often termed "cleanface" Rastas, with those wearing dreadlocked hair often called "locksmen". Some Rastas have also joined the Ethiopian Orthodox Church, the Christian organisation to which Haile Selassie belonged, and these individuals are forbidden from putting their hair in dreadlocks by the Church. In reference to Rasta hairstyles, Rastas often refer to non-Rastas as "baldheads", or "combsome", while those who are new to Rastafari and who have only just started to grow their hair into dreads are termed "nubbies". Members of the Bobo Ashanti sect of Rastas conceal their dreadlocks within turbans, while some Rastas tuck their dreads under a rastacap or tam headdress, usually coloured green, red, black, and yellow. Dreadlocks and Rastafari-inspired clothing have also been worn for aesthetic reasons by non-Rastas. For instance, many reggae musicians who do not adhere to the Rastafari religion wear their hair in dreads. A Rasta man wearing a rastacap has been sighted in Jamaica.
ellauri108.html on line 199: Further contributing significantly to Rastafari's development were Ethiopianism and the Back to Africa ethos, both traditions with 18th-century roots. In the 19th century, there were growing calls for the African diaspora located in Western Europe and the Americas to be resettled in Africa, with some of this diaspora establishing colonies in Sierra Leone and Liberia. Based in Liberia, the black Christian preacher Edward Wilmot Blyden began promoting African pride and the preservation of African tradition, customs, and institutions. Also spreading throughout Africa was Ethiopianism, a movement that accorded special status to the east African nation of Ethiopia because it was mentioned in various Biblical passages. For adherents of Ethiopianism, "Ethiopia" was regarded as a synonym of Africa as a whole.
ellauri108.html on line 201: Marcus Garvey, a prominent black nationalist theorist who heavily influenced Rastafari and is regarded as a prophet by many Rastas. The Jamaican activist Marcus Garvey, spent much of his adult life in the US and Britain. Garvey supported the idea of global racial separatism and called for part of the African diaspora to relocate to Africa. His ideas faced opposition from civil rights activists like W. E. B. Du Bois who supported racial integration, and as a mass movement, Garveyism declined in the Great Depression of the 1930s. A rumour later spread that in 1916, Garvey had called on his supporters to "look to Africa" for the crowning of a black king; this quote was never verified. However, in August 1930, Garvey's play, Coronation of an African King, was performed in Kingston. Its plot revolved around the crowning of the fictional Prince Cudjoe of Sudan, although it anticipated the crowning of Haile Selassie later that year. Rastas hold Garvey in great esteem, with many regarding him as a prophet. Garvey knew of Rastafari, but took a largely negative view of the religion; he also became a critic of Haile Selassie, calling him "a great coward" who rules a "country where black men are chained and flogged".
ellauri108.html on line 203: Haile Selassie was crowned Emperor of Ethiopia in 1930. A number of Jamaica's Christian clergymen claimed that Selassie's coronation was evidence that he was the black messiah that they believed was prophesied in the Book of Revelation, the Book of Daniel, and Psalms. Over the following years, several street preachers—most notably Leonard Howell, Archibald Dunkley, Robert Hinds, and Joseph Hibbert—began claiming that Haile Selassie was the returned Jesus. They first did so in Kingston, and soon the message spread throughout 1930s Jamaica, especially among poor communities who were hit particularly hard by the Great Depression. Clarke stated that "to all intents and purposes this was the beginning" of the Rastafari movement.
ellauri108.html on line 205: Howell has been described as the "leading figure" in the early Rastafari movement. He preached that black Africans were superior to white Europeans and that Afro-Jamaicans should owe their allegiance to Haile Selassie rather than to George V, King of Great Britain and Ireland. The island's British authorities arrested him and charged him with sedition in 1934, resulting in his two-year imprisonment. Following his release, Howell established the Ethiopian Salvation Society and in 1939 established a Rasta community, known as Pinnacle, in Saint Catherine Parish. Police feared that Howell was training his followers for an armed rebellion and were angered that it was producing cannabis for sale. They raided the community on several occasions and Howell was imprisoned for a further two years. Upon his release he returned to Pinnacle, but the police continued with their raids and shut down the community in 1954; Howell himself was committed to a mental hospital.
ellauri108.html on line 220: Whereas its membership had previously derived predominantly from poorer sectors of society, in the 1960s Rastafari began attracting support from more privileged groups like students and professional musicians. The foremost group emphasising this approach was the Twelve Tribes of Israel, whose members came to be known as "Uptown Rastas". Among those attracted to Rastafari in this decade were middle-class intellectuals like Leahcim Semaj, who called for the religious community to place greater emphasis on scholarly social theory as a method of achieving change. Although some Jamaican Rastas were critical of him, many came under the influence of the Guyanese black nationalist academic Walter Rodney, who lectured to their community in 1968 before publishing his thoughts as the pamphlet Groundings. Like Rodney, many Jamaican Rastas were influenced by the U.S.-based Black Power movement. After Black Power declined following the deaths of prominent exponents such as Malcolm X, Michael X, and George Jackson, Rastafari filled the vacuum it left for many black youth.
ellauri108.html on line 239: The Bobo Ashanti sect was founded in Jamaica by Emanuel Charles Edwards through the establishment of his Ethiopia Africa Black International Congress (EABIC) in 1958. The group established a commune in Bull Bay, where they were led by Edwards until his 1994 death. The group hold to a highly rigid ethos. Edwards advocated the idea of a new trinity, with Haile Selassie as the living God, himself as the Christ, and Garvey as the prophet. Male members are divided into two categories: the "priests" who conduct religious services and the "prophets" who take part in reasoning sessions. It places greater restrictions on women than most other forms of Rastafari; women are regarded as impure because of menstruation and childbirth and so are not permitted to cook for men. The group teaches that black Africans are God's chosen people and are superior to white Europeans, with members often refusing to associate with white people. Bobo Ashanti Rastas are recognisable by their long, flowing robes and turbans.
ellauri108.html on line 248: Born in the ghettos of Kingston, Jamaica, the Rastafarian movement has captured the imagination of thousands of black youth, and some white youth, throughout Jamaica, the Caribbean, Britain, France, and other countries in Western Europe and North America. It is also to be found in smaller numbers in parts of Africa—for example, in Ethiopia, Ghana, and Senegal—and in Australia and New Zealand, particularly among the Maori.
ellauri108.html on line 252: The Rasta message resonates with many people who feel marginalised and alienated by the values and institutions of their society. Internationally, it has proved most popular among the poor and among marginalised youth. In valorising Africa and blackness, Rastafari provides a positive identity for youth in the African diaspora by allowing them to psychologically reject their social stigmatisation. It then provides these disaffected people with the discursive stance from which they can challenge capitalism and consumerism, providing them with symbols of resistance and defiance. Cashmore expressed the view that "whenever there are black people who sense an injust disparity between their own material conditions and those of the whites who surround them and tend to control major social institutions, the Rasta messages have relevance."
ellauri108.html on line 277: During the 1950s and 1960s, Rastas were among the thousands of Caribbean migrants who settled in the United Kingdom, leading to small groups appearing in areas of London such as Brixton and Notting Hill in the 1950s. By the late 1960s, Rastafari had attracted converts from the second generation of British Caribbean people, spreading beyond London to cities like Birmingham, Leicester, Liverpool, Manchester, and Bristol. Its spread was aided by the gang structures that had been cultivated among black British youth by the rudeboy subculture, and gained increasing attention in the 1970s through reggae's popularity. According to the 2001 United Kingdom Census there are about 5000 Rastafari living in England and Wales. Clarke described Rastafari as a small but "extremely influential" component of black British life.
ellauri108.html on line 279: Rastafari also established itself in various continental European countries, among them the Netherlands, Germany, Portugal, and France, gaining a particular foothold among black migrant populations but also attracting white converts. In France for instance it established a presence in two cities with substantial black populations, Paris and Bordeaux, while in the Netherlands, it attracted converts within the Surinamese migrant community.
ellauri108.html on line 307: “I saw a presentation from the center about bail bonds and I’m thinking, What does that have to do with Holocaust education? We donate to anything that helps educate people about the horrors of the Holocaust as long as it is apolitical. What does some coons getting shot just because they´re black have to do with it? Us jews count as white in America, for crissake!
ellauri108.html on line 375: In school, when we were taught of the slave trade, we did mot hear of the glory of the kings and the Kebra Nagast. We heard about "his story." We did not hear of African glory black my story, the truth as revealed in the Kebra Nagast We came to realize that even the Bible is just a version of
ellauri108.html on line 379: Solomons hubris, his tragic flaw, is the meat and bone of the Ethiopian bible, the Kebra Nagast, which, translated, is the glory of the kings. In this work, unlike the King James' bible, we see King Solomon struggling with his own mortality. Bayna-Lehkem, or David, as he is called by Solomon because of likeness to the boy's grandfather, King David, is a man of virtue who will extend his glory to Ethiopia. So, Solomon's weakness for women, which brings about his dissolution, gives him the thing he is truly seeking: a son to walk his own footsteps, like Shakespeare's Hamnet, a son wiser, by dint of his virtue, than himself. A son wiser than himself, that sounds rather like a stone too big to both create and throw. Solomon is disinherited by the lord when he marries the daughter of the Pharaoh and worships her golden insect idols. A hairy spider on its back. For this he is punished severely. We discern his absolute nihilism. His ultimate disillusionment. Knowledge is nothing but sorrow. He that increaseth knowledge increaseth sorrow. In the bitter nutmeat of the Ecclesiastes. Who was the mother? Of course, Queen Sheba. She was, by all reports, black.
ellauri108.html on line 453: Because of what they regard as the corruption of the Bible, Rastas also turn to other sources that they believe shed light on black African history. Common texts used for this purpose include Leonard Howell's 1935 work The Promised Key, Robert Athlyi Rogers' 1924 book Holy Piby, and Fitz Balintine Pettersburg's 1920s work, the Royal Parchment Scroll of Black Supremacy. Many Rastas also treat the Kebra Nagast, a 14th-century Ethiopian text, as a source through which to interpret the Bible.
ellauri108.html on line 461: Its emphasis is on the purging of any belief in the inferiority of black people, and the superiority of white people, from the minds of its followers.[99] Rastafari is therefore Afrocentric, equating blackness with the African continent, and endorsing a form of Pan-Africanism.
ellauri108.html on line 463: Practitioners of Rastafari identify themselves with the ancient Israelites—God's chosen people in the Old Testament—and believe that black Africans broadly or Rastas more specifically are either the descendants or the reincarnations of this ancient people.[102] This is similar to beliefs in Judaism,[103] although many Rastas believe that contemporary Jews' status as the descendants of the ancient Israelites is a false claim.[104] Rastas typically believe that black Africans are God's chosen people, meaning that they made a covenant with him and thus have a special responsibility. Rastafari espouses the view that this, the true identity of black Africans, has been lost and needs to be reclaimed. Some Rasta sects reject the notion that a white European can ever be a legitimate Rasta.
ellauri108.html on line 467: Rastafari teaches that the black African diaspora are exiles living in "Babylon", a term which it applies to Western society. For Rastas, European colonialism and global capitalism are regarded as manifestations of Babylon, while police and soldiers are viewed as its agents.The term "Babylon" is adopted because of its Biblical associations. In the Old Testament, Babylon is the Mesopotamian city where the Israelites were held captive, exiled from their homeland, between 597 and 586 BCE; Rastas compare the exile of the Israelites in Mesopotamia to the exile of the African diaspora outside Africa. In the New Testament, "Babylon" is used as a euphemism for the Roman Empire, which was regarded as acting in a destructive manner that was akin to the way in which the ancient Babylonians acted. Rastas perceive the exile of the black African diaspora in Babylon as an experience of great suffering, with the term "suffering" having a significant place in Rasta discourse.
ellauri108.html on line 474: Rastas turn to Biblical scripture to explain the Atlantic slave trade, believing that the enslavement, exile, and exploitation of black Africans was punishment for failing to live up to their status as Jah's chosen people.
ellauri108.html on line 481: By the movement's fourth decade, the desire for physical repatriation to Africa had declined among Rastas, a change influenced by observation of the 1983–1985 famine in Ethiopia. Rather, many Rastas saw the idea of returning to Africa in a metaphorical sense, entailing the restoration of their pride and self-confidence as people of black African descent.
ellauri108.html on line 487: In the 1980s, many Rastas believed that the Day of Judgment would happen around the year 2000. A view then common in the Rasta community was that the world's white people would wipe themselves out through nuclear war, with black Africans then ruling the world, something that they argued was prophesied in the Book of Daniel.
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black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Grabsprüche

Nekrologeja


ellauri109.html on line 272: In the late 1980s, Searle, along with other landlords, petitioned Berkeley's rental board to raise the limits on how much he could charge tenants under the city's 1980 rent-stabilization ordinance. The rental board refused to consider Searle's petition and Searle filed suit, charging a violation of due process. In 1990, in what came to be known as the "Searle Decision", the California Supreme Court upheld Searle's argument in part and Berkeley changed its rent-control policy, leading to large rent-increases between 1991 and 1994. Searle was reported to see the issue as one of fundamental rights, being quoted as saying "The treatment of landlords in Berkeley is comparable to the treatment of blacks in the South ... our rights have been massively violated and we are here to correct that injustice." The court described the debate as a "morass of political invective, ad hominem attack, and policy argument".
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black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Kirjailijan päiväkirja

Hymistelyä


ellauri111.html on line 705: FLEE FROM "CONTEMPLATIVE PRAYER", "EMERGING 'CHURCH'", "CONTEMPLATIVE SPIRITUALITY" "ANCIENT FUTURE CHURCH", etc. In this movement, these people are learning and using black magic type occult techniques in churches! In disregard and disobedience to the Bible, they THEY TELL PEOPLE TO CLEAR THEIR MINDS AND KEEP REPEATING THE NAME OF THE LORD OR SOME OTHER NAME. They say that focusing on the Bible is a hinderance to prayer--yes, the Bible is a hinderance to praying to the DEVIL!!!!!!!!!!!!! Praise the Lord!!!!!!!!!!!!!!!!!!!! Stay away from people who want to teach you to pray to the devil calling the devil by the name of the Lord. Flee from anybody who puts down the word of God--they are doing that so that you will be defenseless against their lies. These are the end times and now church people are being deceived into CALLING AND SUMMON DEVILS! The emerging church of the devil is using the same yoga-type techniques as hindus, buddhists Roman Catholic mystics, Greek orthodox mystics, occultists and other mystical traditions. The people are even warned about the possibility of encountering evil spirits during these exercises--no regular prayer requires a warning, no, no, no--BUT PRAYING TO THE DEVIL DOES! AND WHEN THAT KUNDALINI SERPENT POWER RISES UP IN THESE PEOPLE, THEY WILL EITHER BECOME MAGICIANS OR GO INSANE OR SOME OTHER HORRIBLE THING--THERE ARE SYMPTOMS AND MANIFESTATIONS! CHURCH PEOPLE ARE GOING TOWARDS BEING POSSESSED! These are last days--BE WARE, DEAR ONE, BE WARE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! GET SAVED, READ YOUR BIBLE AND OBEY IT AND LEAVE THE TELEVISION ALONE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! THE BEAST IS COMING!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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Höpötystä


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Herborisointia


ellauri115.html on line 414: Hume's eyes were on France, in particular, and his reputation as the good David. His first denunciations of Rousseau were made to his friends in Paris; his Concise and Genuine Account of the Dispute between Mr. Hume and Mr. Rousseau would be published there in French, edited by Rousseau's enemies. He studiously avoided communicating with Mme de Boufflers, knowing she would, as she did, urge "generous pity". Hume's descriptions of Rousseau as ferocious, villainous and treacherous ensured joyful coverage in newspapers and discussions in fashionable drawing rooms, clubs and coffee houses. The actor-manager David Garrick wrote to a friend on July 18 that Rousseau had called Hume "noir, black, and a coquin, knave".
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black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Eeeemeliii!

Roskaa


ellauri117.html on line 326: `No? There you are, we are not alike. I'll put a dressing-gown on.' Birkin remained alone, looking at the fire. His mind had reverted to Ursula. She seemed to return again into his consciousness. Gerald came down wearing a gown of broad-barred, thick black-and-green silk, brilliant and striking.
ellauri117.html on line 385: Find yourself passionately arguing with another human adult why a monster’s rocket launcher should be gold rather than black.
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black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Choderlos de Laclos


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Syysmietteitä


ellauri118.html on line 871: Tämmöstä triangelidraamaa syntyy etenkin omistavassa yläluokassa, missä eniten on lisääntymis- ja reviirimeemien kilpalaulantaa. Kyllä niitä syntyy ilmankin, koska perimmäinen syy on että lisääntymiseen ei riitä pelkkä pano, tarvii huolehtia myös jälkikasvusta. Siihenhän sitä reviiriäkin tarvitaan. Olli Lokin emoista äiskä on aina paikalla, iskä luuhaa ison osan aikaa kokouxissa tai terdellä. Olli Lokkia ei pidä sekoittaa Olli Lehtoon, joka leikki Callen kanssa tinasotilailla. Ed. eli 1916-1994, jälk. 1925-2020. Kun Olli Lokki on liikaa poissa kotoa, syntyy Olli Lehtolapsia. Käki käy sen pesällä. There's a mean black snake sneaking round my baby's back door. Vrt. albumia 5.
ellauri118.html on line 1146: Besides a disproportionate number of blacks, the show has another representational problem: a notable absence of fat women among the handmaids.
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black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Batman ja Robin


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Pyhistelyä


ellauri119.html on line 680: From a literary point of view her novels have little character development and are cast in black and white terms. The important things in this world are just not that easy to discern, so she is painting a child´s simple view of the world, perhaps even an autistic child´s view, who doesn´t have the capability of caring for others. Ayn Rand found early inspiration for her protagonists in a 1920´s serial killer, William Hickman and used that sociopath as the model for the heros of her novels. See: Ayn Rand, Hugely Popular Author and Inspiration to Right-Wing Leaders, Was a Big Admirer of Serial Killer
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Valemuistoja


ellauri131.html on line 335: Larry Holmes – Former Heavyweight (black)
ellauri131.html on line 1035: ja musta yö sen verkkaan sammuttaa, Which by and by black night doth take away,
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black;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">How to Sell a Lot of Copies

Luovaa kirjoittamista


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Liian pitkä lukea


ellauri140.html on line 344: And over all a blacke stole she did throw, Ja sen päällä sillä oli musta stoola,
ellauri140.html on line 517: A floud of poyson horrible and blacke, Myrkkylammikon, kauhean ja mustan,
ellauri140.html on line 544: Deformed monsters, fowle, and blacke as inke, Muotopuolia hirviöitä, mustettakin mustempia,
ellauri140.html on line 620: An aged Sire,° in long blacke weedes yclad, Yhden äijän mustassa surtuutissa,
ellauri140.html on line 718: He bad awake blacke Plutoes griesly Dame,° Taivaalle se sadatteli - ettei edes häpeä,
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ellauri140.html on line 751: Whiles sad Night over him her mantle black doth spred. Surullinen yö levittää sille peittoa.
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ellauri140.html on line 827: Cast a black stole, most like to seeme° for Una fit. Ja heitti päälle samanlaisen stoolan kuin Unalla.
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Oodeja


ellauri141.html on line 254: cum sit tibi dens ater et rugis vetus And you with blackened teeth, and so advanced
ellauri141.html on line 566: The genesis of Horace Odes, Book V was in the brains of Kipling. It occurred to him about the blackest time of the last war, end of 1917 and early months of 1918, as a means of keeping up one's spirits and distracting our thoughts from present troubles, and he wrote to me outlining his plan and making many admirable suggestions for subjects of the sham odes. (262)
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black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Lauri Schlager Carlson


ellauri144.html on line 390: A black and white photograph of Thomas wearing a suit with a white spotted bow tie in a book shop in New York. Thomas at the Gotham Book Mart in New York City, 1952
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black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Andre Breton


ellauri145.html on line 537: Nietzsche’s image, through no more fault of his own than Hawking´s (LOL), has grown in a similar way to that of Hawking. We all have a vague notion of what the Ubermensch is, we’ve all heard “God is dead,” and we all know Nietzsche was a crazy philosopher with a giant mustache who wrote really hard books and scared his contemporaries and was apparently a favorite of the Nazis. There are little quips and quotes from him around the internet that sound awfully cryptic and enigmatic. And the publishing industry plays on this image, too: I have a copy of Beyond Good And Evil with a black cover and the title text printed in red and white, and the color scheme looks a little sinister. I strongly suspect that, if Nietzsche did not have a popular image as a crazy nihilist Nazi Ubermensch from the 1800s, the publisher would not have made the decision to print his books with a black and red color scheme. A cursory look at Amazon’s book listing also shows copies of Thus Spake Zarathustra with a picture of a panther’s eyes on the cover, glowering at the reader. Because… “Nietzsche was that crazy German writer or philosopher or whatever, right? And he was, like, an anarchist or nihilist or Nazi or something, right? Didn’t he kill God or something like that? Yeah.”
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black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Gottliebchen Klopfestock


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black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">der Meffias.

Hölzernes


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black;background:#cdc8b5;text-align:center;margin-top:0%;margin-bottom:0%">Ale Tyynni-Haapio


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black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Emile Zola


ellauri150.html on line 635: The house of Hur is in ruins, but people are living there. He is met by Esther; she and her father were in there for only a year. Her father was paralyzed in prison, so a big fella who shared a cell with him and went mute during that time has also moved in to help. They are still in Jerusalem because all the assets were seized by the Romans - well, not all the assets, but they don't want the Romans to know about the rest of them prematurely. Esther never married, partly because the reason for arranging that marriage no longer applied, and partly because - she looks at her all-black clothing here, so we're probably supposed to believe that her fiance died.
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black;background:#158dc1;text-align:center;margin-top:0%;margin-bottom:0%">N'EST-CE PAS

Paskakirjoja


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black;background:#158dc1;text-align:center;margin-top:0%;margin-bottom:0%">ANDREA GUIDO


ellauri151.html on line 117: Gide had a half satanic, half monk-like mien; he put one in mind of portraits of Baudelaire. Withal there was something exotic about him. He would appear in a red waistcoat, black velvet jacket and beige-coloured trousers and, in lieu of collar and tie, a loosely knotted scarf. (Frizuliina.)
ellauri151.html on line 229: Android väittää ettei jeesustarinoissa ole värisanoja. No ei niitä ollut antiikissa paljon muutenkaan, kun ei ollut värituubeja, Pompeijin graffititkin oli mustavalkoisia. No olihan siellä mosaiikkeja, ja kreikkalaiset pazaat maalattiin elävän näköisixi egyptiläisiltä opituilla konsteilla. Kuvista pahastuvat aaprahammin porukat eivät suvainneet senkään vertaa väri-iloa. On evankelistoilla sentään paikka paikoin mustaa, punaista, valkoista, sinistä, vihreää ja keltaista. Mutta eihän jumalinen tarvi paljon värejä. Sille on kaikki enemp vähemp black and white.
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black;background:lightgrey;text-align:center;margin-top:0%;margin-bottom:0%">Ano Turtiainen


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black;background:lightgrey;text-align:center;margin-top:0%;margin-bottom:0%">Täällä ei saatana juhlita!

Persuuxia


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Aiming at black xmas with swinging Jew Irving Berlin and crooning Andrea Pucelli on Classic channel

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black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Pentti Siili


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black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">ETIIKKA

Axiomatikkaa


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black;text-align:center;margin-top:0%;margin-bottom:0%">LÄSKIMOOSES'S


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VINGT
COMMANDEMENTS

Kyykytystä


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black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Riku


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black;background:#faf8bb;text-align:center;margin-top:0%;margin-bottom:0%">Cathay

Paasaajia


ellauri160.html on line 418: A sheep to Tiresias only, black and a bell-sheep. Teiresias sai pässiä, mustaa kellokasta.
ellauri160.html on line 631: The North West Angle of the Circle of the Twelve is described as a scorpion which stands upright and composed of putrefying water, gigantic in size. With this demon comes the “unnameable” one, Abaddon, his image is black, huge and covered in whirling wheels and blades, within his hand a wheel which has a multitude of cat-like demons upon it. Behind Abaddon is Maamah or Naamah, a crouching demon like woman, who is of Az – Jeh the Mother of Harlots, she has an animal’s body and eats the earth while crawling.
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black;background:#e1f5fe;text-align:center;margin-top:0%;margin-bottom:0%">Jori Huysmans - Andy Nyölén


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black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">VASTAAN HANKAAN

Nonbinääriä


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ellauri161.html on line 535: Another propaganda film by Netflix! Too long, slow, and full of annoying overuse scene! Not recommended! Entire film full of boring conversation, and annoying overuse scene! Such as, overuse of the walking scene, overuse of the arguing scene, overuse of the calling names scene, overuse of the kissing scene, overuse of the staring scene, overuse of the driving scene, overuse of the eating scene, overuse of the drinking scene, overuse of the smoking scene, overuse of the taking pill scene, overuse of the singing scene, overuse of the song playing at the background scene, overuse of the watching video scene, overuse of the tweeting scene, overuse of the making speech scene, overuse of the blackout scene, overuse of the talking on the phone scene, and overuse of the interviewing scene!
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black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Två bussar har blåst av vägen.

Lofotnoter


ellauri163.html on line 35: If God is in fact a pretty young black woman with pearly white teeth - why not! Unfortunately the (admittedly also pretty) girl on the cover of The Book of Ephesians is white. So is Courtney Joseph, though not quite as young or pretty.
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black;background:white;text-align:left;margin-top:0%;margin-bottom:0%">Arttu Rimpula


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black;background:white;text-align:left;margin-top:0%;margin-bottom:0%">Helvetin seslonki

Angstailua


ellauri172.html on line 767: One of St. Olaf's chief attractions is a giant black hole, which the townspeople enjoyed standing around and looking at - which prompted Dorothy to refer to St. Olaf sarcastically as the real "entertainment capital of the world." St. Olafians also celebrate various oddly themed festivals, including; "Hay Day" (the day everyone in town celebrates hay),"The Crowning of the Princess Pig", "The Day of the Wheat" (where everyone goes to town dressed like sandwiches), "The Festival of the Dancing Sturgeons" (a festival where the townsfolk watch sturgeons flopping around on the dock), a "Butter Queen" competition (in which Rose almost won, however her churn jammed causing her to believe it had been tampered with), and a milk diving competition (Rose ranked in the "low fat" division), as well as many other events.
ellauri180.html on line 316: It is important to start by trying your hardest to forget anything you think you know about black women and black female identity. As a white person, anything you would know about them you probably learned from media that is not controlled by or monitored by black women themselves. Meaning that it is likely not a good representation of black women at all.
ellauri180.html on line 481: Swung blind and blackening in the moonless air; Leijui sokeen mustana kuutamottomana,
ellauri180.html on line 498: Extinguish'd with a crash—and all was black. Sammui rysähtäen - ja kaikki musteni.
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black;background:#ffcba4;text-align:center;margin-top:0%;margin-bottom:0%">Banana Split


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black;background:#ffcba4;text-align:center;margin-top:0%;margin-bottom:0%">Food as a Value

Japonais-täytettä


ellauri182.html on line 419: The Zen circle is a simple, stark black circle usually painted on white paper in ink. Typically the circle is said to represent the material world that continues endlessly without cessation. There is a beginning to life (where the brush first touches the paper) and an end (where the brush leaves the paper), but this beginning and end continue one after the other, thereby signifying the wheel of birth, death and rebirth. The space within that circle is the emptiness, or the void, the understanding of which lies at the heart of Zen and the experience of which is the goal of meditation.
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ellauri183.html on line 80: Faulty interpretations can create much disappointment, as in the movie version of his novel The Fixer, "Horrible. That thing went to five different writers. Edward Albee was one of them but he would only do it if he had full say over it. Dalton Trumbo finally wrote the screen play and he's a hack. The film should have been done as a sort of fable, in black and white. Instead, it was all galloping Cossacx and dancing girls: an overdone fake. And that sickens a writer--to see his book faked."
ellauri183.html on line 258: The nuclear holocaust has come and gone. Only one man survives: paleologist Calvin Cohn, who happened to be safely, deeply underwater at the time. And, after some black-humor-ish conversations with God, Cohn is allowed to live—for a while, at least—and he finds himself on an island a la Robinson Crusoe, with a communicative chimp named Buz (product of chimp-speech experiments) as his only companion. Cohn, son of a rabbi, engages in existential, religious, and Talmudic speculations with the chimp—though he refrains from trying to convert him to Judaism. He must reexamine the basics of social interaction—when Buz gets too physically chummy ("If you had suckled the lad, could you marry him?"), when a friendly gorilla appears and causes jealousies, and, above all, when five more talking chimps appear... including the lisping Mary Madelyn, the object of everyone's sexual attention (including Cohn's).
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Sikailua


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Koijausta


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ellauri188.html on line 420: Right before the play was to open, Lucas was mugged and beaten "on his way to the theater" for "dress rehearsal". He played the role of Judas with bloody bandages across his broken nose and black eyes. The audience thought the bandages were part of the play.
ellauri189.html on line 158: Their horns were black and shiney and their hot breath he could feel

ellauri189.html on line 260: Gabriela Korwin – Piotrowska rated it did not like it Jun 02. First, Malczewski paints the picture of a Cossack galloping on black st Well.
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Kulttuurihistoriaa


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black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">KULTURPROFILERNA


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Mä entuskinharvoinjoskususeintaajaanaina
CalvinpöllönuntuvikkosappiDysplastikerENFP - Herkkusieni (Lassi)black_3.jpg" height="100px" />
"whose frolicsome black fables portray the forgotten face of history"
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black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Ruhtinas Trubetzkoy


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Sekasortoa


ellauri192.html on line 283: THIS same bias extends to literary forms. We look in vain on the Nobel register for the experimental, formally subversive, controversial movements and texts that distinguish modernism. No Surrealist has been rewarded, no major Expressionist, no poet or playwright out of the seminal world of Dada or absurdism (Andre Breton, Hugo Ball, Gertrude Stein). The boat is not to be rocked. On august occasion, lyric eroticism and even sorrowful homosexuality are admitted to Parnassus. Radical sexual play in style, in ''amoral'' revaluation, are vetoed. The liberating sensualists, such as John Cowper Powys, supreme in English fiction after Hardy, are left out. Colette is nowhere to be found. Her heir in sensuous contrivance, Nabokov, was blackballed.
ellauri192.html on line 287: Lastly, there is the rumor of the blacklist. No outside observer can show that any such list exists, let alone how and when it was explicitly arrived at. But there are stubborn, unsettling indications. Behind them stands the enigmatic figure and afterlife of Dag Hammerskjold. In one or two cases, the choice of laureate seems to have been largely his. His chill displeasures seem not only to have had great influence, but to persist beyond the grave. The list of lepers, for motives which may, in some masked degree, go back to Hammarskjold's own politics and arcane sexuality, is rumored to include Graham Greene, G"unter Grass and Borges, as it did Malraux (passed over, to de Gaulle's just anger, in favor of a French poet-diplomat close to Hammarskjold, viz. Saint-John Perse). The mere fact that the Nobel Prize in Literature has long passed Borges by suffices to put the whole institution in doubt. But whether any such blacklist is real remains baffled conjecture.
ellauri192.html on line 890: One-storied America (Одноэтажная Америка) is a 1937 book based on a published travelogue across the United States by two Soviet authors, Ilf and Petrov. The book, divided into eleven chapters and in the uninhibited humorous style typical of Ilf and Petrov, paints a multi-faceted picture of the US. America´s entrepreneurial skills and economic achievements are praised, the oppression of the blacks, the life of the Indians in the reservations and the oppression of workers are denounced. The title of the book refers to their impression that the cities of America consist mainly of one- and two-story buildings, in complete contrast to the popular image of America as the land of skyscrapers. Based on this sentence:
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ellauri194.html on line 332: Of US crime series’ 27 show runners, 21 were white men. Of 275 writers, more than 75% were white and 9% were black. 37% of writers across law and order programming were women, and 11% were women of color.
ellauri194.html on line 335: Get Christie Love! gave the first black woman to serve in a State Police force in the United States, Louise Smith, critical motivation to continue with her chosen career when she faced significant discrimination both in the barracks and on the streets. In 2017, producers Courtney Kemp and Vin Diesel became attached to a reboot of the series for ABC, entitled Get Christie Love (without the exclamation point), a co-production between Lionsgate Television and Universal Television, which focused on an African American female CIA agent who leads an elite ops unit. However, ABC later announced that it had decided not to pick the pilot up to series.
ellauri194.html on line 337: Many film professionals today still believe that there is no truly equal "Black Hollywood," as evidenced by the "Oscars So White" scandal in 2015 that caused uproar when no black actors were nominated for "Best Actor" Oscar Awards. Prior to the 2016 Oscars, Academy membership was roughly comprised of 92% white voters and 75% male members. We see a direct impact on how the #OscarsSoWhite has created change in this composition. Following the outcry, the Academy instated 41% voters of color and 46% female voters.
ellauri196.html on line 219: Let the traffic policemen wear black cotton gloves. Käyttäkööt liikennepoliisit mustia hanskoja.
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black;text-align:center;margin-top:0%;margin-bottom:0%">Butler Yeast


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black;text-align:center;margin-top:0%;margin-bottom:0%">Lapis Lazuli

Kylmiä paloja


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black;background:gray;text-align:center;margin-top:0%;margin-bottom:0%">J. H. Carlson


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black;background:gray;text-align:center;margin-top:0%;margin-bottom:0%">Carlson Credo

Vaihtoehtoisia tunnustuxia


ellauri198.html on line 509: Of its black eddy bespate with flakes and spumes. Suihkuttaen limaa kuin pirun pesin.
ellauri198.html on line 557: Bog, clay and rubble, sand and stark black dearth. Savea ja roinaa, tuo nyt on tuota.
ellauri198.html on line 571: A great black bird, Apollyon's bosom-friend, Paizi Applen tai Amazonin korppi vielä,
ellauri198.html on line 736: In a final "Coda" section, King urges the reader to close the book at this point, consider the story finished with a happy ending, and not venture inside the Tower with Roland. For those who do not heed the warning, the story resumes with Roland stepping into the Dark Tower. He realizes that the Tower is not really made of stone, but a kind of flesh: it is Gan's physical body. As he climbs the steps, Roland encounters various rooms containing siguls or signs of his past life. When he reaches the top of the Tower, he finds a door marked with his own name and opens it. Roland instantly realizes, to his horror, that he has reached the Tower countless times before. He is forced through the door by the hands of Gan and transported back in time to the Mohaine desert, back to where he was at the beginning of The Dark Tower: The Gunslinger, with no memories of what has just occurred. The only difference is that, this time, Roland possesses the Horn of Eld, which in the previous incarnation he had left lying on the ground after the Battle of Jericho Hill. Roland hears the voice of Gan, whispering that, if he reaches the Tower again, perhaps this time the result will be different; there may yet be rest. The series ends where it began in the first line of book one: "The man in black fled across the desert, and the gunslinger followed."
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black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">N.V. Gogol


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black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">IL GRANDE SCRITTORE RUSSO

Vaihtoehtoisia bioja


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black;text-align:center;margin-top:0%;margin-bottom:0%">Der eiserne Hans

Mytopoetiikkaa


ellauri204.html on line 342: “So saying, Argeiphontes gave me the herb, drawing it from the ground, and showed me its nature. At the root it was black, but its flower was like milk. [305] Moly the gods call it, and it is hard for mortal men to dig; but with the gods all things are possible. Hermes then departed to high Olympus through the wooded isle, and I went my way to the house of Circe, and many things did my heart darkly ponder as I went. [310] So I stood at the gates of the fair-tressed goddess. There I stood and called, and the goddess heard my voice. Straightway then she came forth, and opened the bright doors, and bade me in; and I went with her, my heart sore troubled. She brought me in and made me sit on a silver-studded chair, [315] a beautiful chair, richly wrought, and beneath was a foot-stool for the feet. And she prepared me a potion in a golden cup, that I might drink, and put therein a drug, with evil purpose in her heart. But when she had given it me, and I had drunk it off, yet was not bewitched, she smote me with her wand, and spoke, and addressed me: [320] ‘Begone now to the sty, and lie with the rest of thy comrades.’ “So she spoke, but I, drawing my sharp sword from between my thighs, rushed upon Circe, as though I would slay her. But she, with a loud cry, ran beneath, and clasped my knees, and with wailing she spoke to me winged words: [325] “‘Who art thou among men, and from whence? Where is thy city, and where thy parents? Amazement holds me that thou hast drunk this charm and wast in no wise bewitched. For no man else soever hath withstood this charm, when once he has drunk it, and it has passed the barrier of his teeth. Nay, but the mind in thy breast is one not to be beguiled. [330] Surely thou art Odysseus, the man of ready device, who Argeiphontes of the golden wand ever said to me would come hither on his way home from Troy with his swift, black ship. Nay, come, put up thy sword in this here sheath, and let us two then go up into my bed, that couched together [335] in love we may put trust in each other.’ “So she spoke, but I answered her, and said:‘Circe, how canst thou bid me be gentle to thee, who hast turned my comrades into swine in thy halls, and now keepest me here, and with guileful purpose biddest me [340] go to thy chamber, and go up into thy bed, that when thou hast me stripped thou mayest render me a weakling and unmanned? Nay, verily, it is not I that shall be fain to go up into thy bed, unless thou, goddess, wilt consent to swear a mighty oath that thou wilt not plot against me any fresh mischief to my hurt.’
ellauri206.html on line 63: The concept is often attributed to Russian playwright Anton Chekhov, reputed to have said "Don't tell me the moon is shining; show me the glint of light on broken glass." What Chekhov actually said, in a letter to his brother, was "In descriptions of Nature one must seize on small details, grouping them so that when the reader closes his eyes he gets a picture. For instance, you’ll have a moonlit night if you write that on the mill dam a piece of glass from a broken bottle glittered like a bright little star, and that the black shadow of a dog or a wolf rolled past like a ball."
ellauri206.html on line 299: Porte le Soleil noir de la Mélancolie. Bears the black Sun of Melancholia.
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Konnankoukkuja


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ellauri210.html on line 371: When Jack Johnson fled racially motivated prosecution in the U.S. in 1913, he arrived in Paris to a hero’s welcome. After he’d beaten Jim Jeffries to become the first black heavyweight champion of the world in 1910, he’d been tarred as a threat to social order back home. A film of the fight had been a hit in France but was banned in America for fear that images of a black man schooling a white man in the ring would cause grave insult and incite sedition.
ellauri210.html on line 784: Ja vielä 1 Tanguy: Tanguy is a 2001 French black comedy by Étienne Chatiliez. When he was a newborn baby, Edith Guetz thoughtlessly told her son Tanguy : "If you want to, you can stay at home forever". 28 years later, the over-educated university teacher of Asian languages and womanizer leads a successful and wealthy life... while still living in his parents' home. Father Paul Guetz longs to see his son finally leave the nest, a desire that his wife shares. Edith finally agrees and the pair unite to make Tanguy's life at home miserable. However, they don't know that Tanguy isn't the type of guy who easily gives up. The word Tanguy became the usual term to designate an adult still living with his parents.
ellauri213.html on line 434: Seuraavassa on listattuna pahoja naisia rikkomuxineen (kuvissa söpöset alleviivattu): Irma Grese (Naziwächterin), Myra Hindley (serial pedocide), Isabela of Castile (born in the year 1451 and died in 1504, Isabella the Catholic, was queen of Castile and León. She and her husband, Ferdinand II of Aragon, brought stability to the kingdoms that became the basis for the unification of Spain. Isabella and Ferdinand are known for completing the Reconquista, ordering conversion or exile of their Muslim and Jewish subjects and financing Christopher Columbus’ 1492 voyage that led to the opening of the “New World”. Isabella was granted the title Servant of God by the Catholic Church in 1974), Beverly Allitt (pedocide, Angel of Death), Queen Mary of England (catholic), Belle Gunness (norwegian-american serial killer), Mary Ann Cotton (serial killer), Ilse Koch (Lagerfrau), Katherine Knight (very bad Aussie), Elizabeth Bathory (hungarian noblewoman and serial killer), Sandra Avila Beltran (drugs), Patty Hearst (hänen isoisänsä oli lehtikeisari William Randolph Hearst. Hiän joutui kidnappauksen uhriksi, mutta pian tämän jälkeen hiän teki pankkiryöstön ja joutui vankilaan), Genene Jones (infanticide nurse), Karla Homolka (Canadian serial killer), Diane Downs (infanticide), Aileen Wuornos (serial killer), Griselda Blanco (drug lady), Lizzie Borden (kirvesmurhaaja), Bonnie Parker (bank robber), Anne Bonny (pirate), Mary Bell (pedocide), Delphine LaLaurie (serial slavekiller), Patricia Krenwinkel (Manson family member), Leslie van Houten (Manson family member), Darlie Routier (infanticide), Susan Smith (infanticide), Susan Atkins (Manson family member), Ching Shih (pirate), Anna Sorokin Delvey (con woman), Amelia Dyer (serial killer), Assata Shakur (black terrorist), Belle Gunness (serial killer), Gypsy Rose Blanchard (matricide), Pamela Smart (mariticide), Ruth Ellis (nightclub hostess, last woman hanged in UK), Phoolan Devi (bandit), Ma Barker (matriarch), Jennifer Pan (parenticide), Virginia Hill (gangster), Karla Faye Tucker (burglar, first woman injected in US), Leonarda Cianciully (serial murderer, soapmaker), Mary Read, Carill Ann Fugate (murder spree), Grace Marks (maid), Belle Starr (outlaw, friend of Lucky Luke), Zerelda Mimms (Mrs. Jesse James), Jane Toppan (serial killer), Sara Jane Moore (wannabe assassin of Gerald Ford), Martha Beck (serial killer), Doris Payne (jewel thief), Mary Brunner (Manson family member), Barbara Graham (executed by gas), Grace O'Malley (pirate), Sada Abe (jealous geisha. When they asked why she had killed Ishida, “Immediately she became excited and her eyes sparkled in a strange way: ‘I loved him so much, I wanted him all to myself. But since we were not husband and wife, as long as he lived he could be embraced by other women. I knew that if I killed him no other woman could ever touch him again, so I killed him…..’ ), Samantha Lewthwaite (white somali terrorist), Theresa Knorr (murderess), Lynette Fromme (Manson family, wannabe assassin of Gerald Ford), The Freeway Phantom (serial killer), Carol M. Bundy (serial killer), Fanny Kaplan (bolshevik revolutionary), Marguerite Alibert (Ed VII courtesan), Jean Harris (author), Linda Hazzard (physician, serial killer), Mary Jane Kelly (1st victim of Jack the Ripper), Kim Hyon-hui (North-Korean spy), Vera Renczi (serial killer), Clare Bronfman (filthy rich criminal), Kirsten Gilbert (serial killer nurse), Gerda Steinhoff (Lagerwächterin), Linda Carty (baby robber), Estella Marie Thompson (black prostitute, blowjobbed Hugh Grant), Elizabeth Becker (Lagerwächterin), Juana Barraza (asesina en serie), Olivera Circovic (baseball player, writer, jewel thief), Olga Hepnarova (mental serial killer), Sabina Eriksson (knäpp tvilling), Minnie Dean (serial killer), Madame de Brinvilliers (aristocrat parri- and fratricide), Martha Rendell (familicide, last woman hanged in Western Australia), Violet Gibson (wannabe assassin of Mussolini), Idoia López Riaño (terrorist), Styllou Christofi (murdered her daughter in law), Mary Eastley (convicted of witchcraft), Wanda Klaff (Lagerwächterin), Giulia Tofana (avvelenatrice), Tisiphone (1/3 raivottaresta), Jean Lee (murderer for money), Brigitte Mohnhaupt (RAF terrorist), Marcia (mistress of Commodus), Beate Zschäpe (far-right terrorist), Evelyn Frechette (singer, Dillingerin heila), Francoise Dior (naziaktivisti), Linda Mulhall (nirhasi äidin poikaystävän saxilla), Brigit Hogefeld (RAF terrorist), Martha Corey (Salem witchhunt victim), Marie Lafarge (arsenikkimurha), Debra Lafave (teacher, gave blow job to student), Enriqueta Marti (asasina en serie), Alse Young (witch hanging victim), Elizabeth Michael (actress, involuntary manslaughter: nasty boyfriend hit his head and died while beating her), Susannah Martin (witchcraft), Maria Mandl (Gefängnisoffizerin), Mary Frith (pickpocket and fence), Hanadi Jaradat (suicide bomber), Marie-Josephte Carrivau (mariticide), Gudrun Ensslin (RAF founder), Anna Anderson (vale-Anastasia), Ans van Dijk (jutku nazikollaboraattori), Elizabeth Holmes (bisneshuijari), Ghislaine Maxwell (Epsteinin haahka), Julianna Farrait (drugs), Yolanda Saldivar (embezzler, killer), Jodi Arias (convicted killer Jodi Ann Arias was born on July 9, 1980, in Salinas, California. In the summer of 2008, Arias made national headlines when she was charged with murdering her ex-boyfriend Travis Alexander, a 30-year-old member of the Church of Jesus Christ of Latter Day Saints who was working as a motivational speaker and insurance salesman. Aargh. Justifiable homicide.) Alyssa Bustamante (kid murder), Mary Kay Letourneau (kid abuser), Mirtha Young (drugs), Catherine Nevin (mariticide), Pilar Prades (maid), Irmgard Möller (terrorist), Christine Schürrer (krimi), Reem Riyashi (suicide bomber), Amy Fisher (jealous), Wafa Idris (suicide bomber), Jeanne de Clisson (ex-noblewoman), Christine Papin (maid murderer), Sally McNeil (body builder), Mariette Bosch (murderer), Sandra Ávila Beltrán (drugs), Alice Schwarzer (journalist), Andrea Yates (litter murderer), Mimi Wong (bar hostess), Pauline Nyiramasuhuko (criminal politician), Josefa Segovia (murderer), Martha Needle (serial killer), Antonina Makarova (war criminal), Mary Surratt (criminal businessperson), Dorothea Binz (officer), Leona Helmsley (tax evasion), Angela Rayola (reality tv personality), Léa Papin (maid murderer), Ursula Erikssson (kriminell mördare), Maria Petrovna (spree killer), Aafia Siddiqui (criminal), Fatima Bernawi (palestinian militant), La Voisin (fortune teller), Deniz Seki (singer), Rasmea Odeh (Arab activist), Hildegard Lächert (nurse), Sajida al-Rishawi (suicide bomber), Hayat Boumeddiene (ISIS groupie, nähty viimexi Al Holissa), Herta Ehlert (Lagerwächterin), Elizabeth Stride (seriös mördare), Adelheid Schulz (krimi), Jenny-Wanda Barkman (Wächter), Shi Jianqiao (pardoned assassin. The assassination of Sun Chuanfang was ethically justified as an act of filial piety and turned into a political symbol of the legitimate vengeance against the Japanese invaders.), Rosemary West (serial killer), Juana Bormann (Lagerwächterin), Kathy Boudin (criminal), Kate Webster (assassin), Teresa Lewis (murderer), Hermine Braunsteiner (Lagerwächterin), Flor Contemplacion (assassina), Constance Kent (fratricide), Tamara Samsonova (serial killer), Herta Bothe (Lagerwächterin), Maria Gruber (Mörderin), Irene Leidolf (möderin), Waltraud Wagner (Mörderin), Elaine Campione (criminelle), Greta Bösel (Pflegerin), Marie Manning (Mörderin), Darya Nikolayevna Saltykova (sadist), Nora Parham (executed), Maria Barbella (assassina), Linda Wenzel (ISIS activist), Anna Marie Hahn (Mörderin), Suzane von Richthofen (parenticide), Charlotte Mulhall (murderer), Khioniya Guseva (kriminal), Daisy de Melker (serial killer nurse), Stephanija Meyer (Mörderin), Sinedu Tadesse (murderer), Ayat al-Akhras (suicide bomber), Akosita Lavulavu (minister of infrastructure and tourism), Sabrina de Sousa (criminal diplomat), Sally Basset (poisoner), Emma Zimmer (Aufseher), Mary Clement (serial killer), Irina Gaidamachuk (serial killer), Dagmar Overbye (serialmorder), Gesche Gottfried (Mörderin), Frances Knorr (serial killer), Beate Schmidt (Serienmörderin), Elizabeth Clarke (accused victim of witchcraft), Kim Sun-ja (serial killer), Olga Konstantinovana Briscorn (serial killer), Roxana Baldetti (politico), Rizana Nafeek (house maid), Margaret Scott (accused of witchcraft), Jacqueline Sauvage (meurtrier), Veronique Courjault (tueur en série), Barbara Erni (thief), Hilde Lesewitz (Schutzstaffel Wächterin), Thenmoli Rajaratnam (suicide bomber), etc. etc..
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Kliseitä


ellauri214.html on line 116: In a rare chance, I might be black. If I’m black, I’m more likely to be pregnant. I’m more likely to be dead in the first 20 minutes of the movie (or first episode of the TV show).
ellauri214.html on line 541: At 56, Tokarczuk is an invigorating presence: her black dreadlocks studded with bright blue beads, eyes rimmed with luminous turquoise. “Flights grew out of a time when I was travelling a lot,” she explains, at pains to stress how liberating this was for those raised under an oppressive communist regime. “I got my first passport in 1989, when I was 28. Wow.”
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Propagandaa


ellauri217.html on line 69: Central to the plot are the futuwwat (strongmen) who control the alley and exact protection money from the people. The successive heroes overthrow the strongmen of their time, but in the next generation new strongmen spring up and things are as bad as ever. Arafat tries to use his knowledge of explosives to destroy the strongmen, but his attempts to discover Gabalawi's secrets leads to the death of the old man (though he does not directly kill him). The Chief Strongman guesses the truth and blackmails Arafat into helping him to become the dictator of the whole Alley. The book ends, after the murder of Arafat, with his friend searching in a rubbish tip for the book in which Arafat wrote his secrets. The people say "Oppression must cease as night yields to day. We shall see the end of tyranny and the dawn of miracles." Haha, night follows day as surely as the other way round, and night wins out in the end. Valot sammuu, haju jää.
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KERS. PIPPURIN
black">YXINÄISTEN SYDÄNTEN
KERHOSOITINYHTYE

Poppia


ellauri219.html on line 198: Branded a "sick comic", Bruce was essentially blacklisted from television, and when he did appear, thanks to sympathetic fans like Hefner and Steve Allen, it was with great concessions to Broadcast Standards and Practices. Jokes that might offend, like an extremely boring routine on airplane-glue-sniffing teenagers that was done live for The Steve Allen Show in 1959, had to be typed out and pre-approved by network officials. On his debut on Allen's show, Bruce made an unscripted comment on the recent marriage of Elizabeth Taylor to Eddie Fisher, wondering, "Will Elizabeth Taylor become bat mitzvahed?"
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black;text-align:center;margin-top:0%;margin-bottom:0%">RADIO CITY Music Hall

Sätkytystä


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black;text-align:center;margin-top:0%;margin-bottom:0%">Rockettes


ellauri220.html on line 93: and the mean black snake, who slithers in there without legs.
ellauri220.html on line 318:
(U.S.) a white person (southerner). This word was coined in the 19th century by Southern black people to refer to poor white people.

ellauri220.html on line 324:
(US) a black person.

ellauri220.html on line 328:
a black person (film noir); "The boogies lowered the boom on Beaver Canal."

ellauri220.html on line 330:
a black person or Native American.

ellauri220.html on line 332:
(US) a black person, in reference to Afro-textured hair.

ellauri220.html on line 334:
(US) a black person. Once generally accepted as inoffensive, this word is now considered disrespectful by some. The National Association for the Advancement of Colored People (NAACP) continues to use its full name unapologetically. This is not to be confused with the term "person of color" which is the preferred term for collectively referring to all non-white people.

ellauri220.html on line 336:
(US & UK) originally used by Europeans/white people as a pejorative term for a black person. Possibly from Portuguese barracos, a building constructed to hold slaves for sale (1837). The term (though still also used in its original sense) is commonly used today by African or Black Americans towards members of the same race who are perceived to pander/kowtow to white people; to be a 'sellout'; to hate themselves; or to "collud[e] with racism for personal gain." It is often used against black conservatives or Republicans (similar to Uncle Tom and coconut).
ellauri220.html on line 339:
(US) a black person.

ellauri220.html on line 341:
(US ) A black person. Notable for appearing in the 1979 film, The Jerk[ and the 1993 film True Romance.

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(Commonwealth) A black person. Notable for appearing in the 1964 film, Zulu.

ellauri220.html on line 347:
(Nepal), a term used for black person from Africa.

ellauri220.html on line 349:
(US & UK) a black person (JB) with stereotypical black features. (dark skin, wide nose, etc.) Refer to mannerisms that resemble dancing.

ellauri220.html on line 351:
(US) a black person; also the name for the segregation laws prevalent in much of the United States until the civil rights movement of the 1950s and 1960s.

ellauri220.html on line 353:
(South Africa) a black person.

ellauri220.html on line 355:
(US & UK) a black person.
ellauri220.html on line 357:
(South Africa) a. a black person. Arabic for heathen. Considered very offensive.

ellauri220.html on line 359:
a person of black African descent, originally used in languages of colonial powers in Africa. Same as "macaque."

ellauri220.html on line 361:
Domestic servant of black African descent, generally good-natured, often overweight, and loud.

ellauri220.html on line 363:
a person of black African descent. See also Macaca (slur). It also gave rise to the racist "monkey chants" in sports.

ellauri220.html on line 365:
a black person.

ellauri220.html on line 367:
(South Africa, Zimbabwe, & Zambia) a term, used among white people, for a black person. The term derives from muntu, the singular of Bantu.

ellauri220.html on line 369:
(US & UK) a black person.

ellauri220.html on line 371:
(International) a black person. From the word negro, which means the color black in numerous languages. Diminutive appellations include Nigg and Nigz. Over time, the terms nigga and niggaz (plural) have come to be frequently used between some African or black diaspora without the negative associations of nigger. Considered very offensive and typically censored as "the n-word" even in reference to its use. The terms niggress, negress, and nigette are feminized formulations of the term.

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a black child.

ellauri220.html on line 375:
(US) a black person, first used in the early 1900s.

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generally refers to black children, or a caricature of them which is widely considered racist.
ellauri220.html on line 380:
a black person.

ellauri220.html on line 382:
a black person.

ellauri220.html on line 384:
a black person.

ellauri220.html on line 386:
(US) an African American, black, Indigenous American, a mixed race person, or sometimes a South Asian person.

ellauri220.html on line 388:
(US) 19th century term for black people.

ellauri220.html on line 390:
a term for a black person, originated in the U.S. in the 1950s.

ellauri220.html on line 392:
a term for a black person, first recorded in 1928, from the playing cards suit.

ellauri220.html on line 394:
a black person.

ellauri220.html on line 396:
(US) a black person, especially a child.
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A black person, derived in 19th century.
ellauri220.html on line 400:
a black person

ellauri220.html on line 643: Tizzone. Italian word for black person. Literal meaning is burnt. " So lets get this straight, your'e ditsoon, charcoal briquette. Get the ditsoon mug. ditsoon (rude & offensive) Black-skinned person. Etim. "tizzone" in Italian. Literally meaning "ember". " Yo, you! Yeah you! The ditsoon in the white jacket !"
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black;text-align:center;margin-top:0%;margin-bottom:0%">JAMES BOND 007

Elvistelyä


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black;text-align:center;margin-top:0%;margin-bottom:0%">MOONRAKER


ellauri222.html on line 34:

black;background:white;text-align:left;margin-top:0%;margin-bottom:0%">Les Aventures de Saul Bellow

Finnin puristelua


ellauri222.html on line 413: Thea, the elder of the two Fenchel sisters, is a glorious-looking girl with kinky black hair and a passionate spirit. She falls in love with Augie at a mineral spring resort, but Augie is in love with her sister, Esther. Thea later comes to find Augie in Chicago, and the two move to Mexico together. Thea, whose name is Greek for “goddess,” is an eccentric woman with wild ideas; she wants to hunt with an eagle and catch poisonous snakes. In the end she finds Augie too ordinary for her. After they part ways, she marries an Air Force captain.
ellauri222.html on line 417: Old Fenchel is the fat, black-eyed uncle of Thea and Esther. He is in the mineral water business and the girls are his heiresses. His wife is sickly, timid, and silent.
ellauri222.html on line 477: Mrs. Klein is Jimmy’s mother. She is overweight and can’t keep on her feet very long. Her hair is dyed black and hangs in braids, making her look like an Indian. She has eight children, including Gilbert and Velma, who are both divorced, and Tommy, who works at City Hall. There are always grandchildren in her home. When Mrs. Klein dies, her husband marries again to a longtime sweetheart.
ellauri222.html on line 537: Harold Mintouchian is a wealthy, distinguished Armenian lawyer and international businessman who is the married lover of a friend of Stella’s and becomes a close friend and mentor of Augie. At the end of the novel, Augie works for him as a black market trader in Europe. Augie looks up to the older man as “a sage, prophet, or guru, a prince of experience with his jewel toes” and seeks his wisdom. Mintouchian, who has seen much of the darker side of human nature through his law practice, has more realistic ideas than the love-bitten Augie about what to expect from human relationships. Secrecy and lies, he tells Augie, are unavoidable. “Mind you, I’m a great admirer of our species. I stand in awe of the genius of the race. But a large part of this genius is devoted to lying and seeming what you are not.” He confesses to Augie that his mistress, Agnes, is keeping secrets from him, while he is keeping secrets from his wife.
ellauri222.html on line 641: The older of Tambow’s two sons, Donald is the handsome one. He has black curly hair like his mother. He goes into show business.
ellauri222.html on line 649: The mother of Donald and Clem, Mrs. Tambow has remarried. She is handsome and dignified, with black curly hair and a pince nez. Clem teases her for being lecherous. He thinks his mother even lusts for Augie.
ellauri223.html on line 70: Domestic affairs and partnerships are of little account, because, excepting the sign of honor, each one receives what he is in need of. To the heroes and heroines of the republic, it is customary to give the pleasing gifts of honor, beautiful wreaths, sweet food, heroine, or splendid clothes, while they are feasting. In the daytime all use white garments within the city, but at night or outside the city they use red garments either of wool or silk. They hate black as they do dung, and therefore they dislike the Japanese, who are fond of black, and Africans, for obvious reasons. Pride they consider the most execrable vice, and one who acts proudly is chastised with the most ruthless correction. Wherefore no one thinks it lowering to wait at table or to work in the kitchen or fields or clean the toilets. All work they call discipline, and thus they say that it is honorable to go on foot, to do any act of nature, to see with the eye, and to speak with the tongue, and waft with the tail; and when there is need, they distinguish philosophically between tears and spittle. Every man who, when he is told off to work, does his duty, is considered very honorable.
ellauri226.html on line 212: approximately 97,700 were black and 2,000 residents “other races.”
ellauri226.html on line 216: Even as early as 1960, just ten years and one census removed from 1950, approximately 164,000 of the 1.42 million Bronx residents were sooty black.
ellauri226.html on line 218: increasing from roughly 7% of the total population of The Bronx in 1950 to approximately 12% of the total population in 1960, that is no less than 357,000 black residents!
ellauri226.html on line 220: In 1970, the white pop. had decreased from 1.26 million to 1.08 million. The whites flew at approximately the same rate that new black residents were moving into the slum. In the 10 years between 1970 and 1980, however, this rate of
ellauri226.html on line 227: the white ethnic stronghold it had been in 1950, nor yet a black one either anymore. The 1980 census
ellauri226.html on line 229: million in 1970 to only 554,000 in 1980. While the black population did
ellauri226.html on line 278: peacefulness of the ’50s’ and ’60s coincided with the arrival of black and
ellauri226.html on line 281: Research has indicated that The Bronx began changing demographically right after World War II. The first influx of black and Hispanic residents was into the South Bronx after World War II, as former residents of Harlem were attracted to The Bronx because of its rent controlled apartments. Many of these blacks and Hispanics moved into neighborhoods following the subway and elevated trains transportation. Pre-cisely! This is just why Grankulla does not want subway nor high-rise apartment housing. Let the cleaners and station attendants sleep i Mattby i stället.
ellauri226.html on line 284: after many Hispanics and blacks began to move in, crime and drug use swept
ellauri226.html on line 290: As black and Hispanic residents slowly trickled into the South Bronx
ellauri226.html on line 294: as the new black and Hispanic residents lived in segregated areas,
ellauri226.html on line 301: 80-90% Puerto Rican or black.
ellauri226.html on line 322: the 1960s, areas of predominantly Hispanic and black concentrations
ellauri226.html on line 349: The chaos reached its peak in 1977 when a July black-out brought a dramatic increase of responsible arsonists in that same Stadium where Cosell as the Yankees played in the 1977 World Series, as part of an insurance conspiracy, however.
ellauri226.html on line 428: It was a downward spiral that many of the white ethnic residents who had called The Bronx home in the 1950s and watched it change for the worse in the 1960s and 70s were quick to blame on the Hispanics and blacks.
ellauri226.html on line 430: However, already before the turmoil of the 1970s and the 1977 blackout their
ellauri226.html on line 431: rental units were deemed dilapidated or deteriorating by city officials. As a result, the Hispanic and black residents were forced to look for housing there
ellauri226.html on line 435: the new Hispanic and black residents for the increase in crime and drugs.
ellauri226.html on line 451: influx of poor black and Hispanic residents after World War II, who often
ellauri226.html on line 467: culture clash when many blacks and Hispanics began moving
ellauri236.html on line 462: Paula Dolan, an attractively ugly girl with raven black wavy hair, large suggestive blue eyes had a figure that Fenner declared was the only asset of value in the newly established business.
ellauri236.html on line 508: He found Paula anxiously waiting for him. One of the important facts of life that Paula had learned the hard way was not to keep any man waiting. She was looking cute in a black dress, relieved by a red carnation. The cut of the dress accentuated her figure so that Fenner took a second look.
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black;background:#f1dd96;text-align:center;margin-top:0%;margin-bottom:0%">PENA OLKIMARSALKKA


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black;background:#f1dd96;text-align:center;margin-top:0%;margin-bottom:0%">Hämynä talsit

Turrnipsi pellossa


ellauri238.html on line 600: Everything that matters is my literary work and you. Not you Tuula, but you, yes you there, with black pubic hair and a billion birthmarks. I love you more than the smell of my own shit. Elämän onni on haarojen välissä.
ellauri240.html on line 32:
black">
ellauri240.html on line 33:

black;text-align:center;margin-top:0%;margin-bottom:0%">Grace Metalious


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black;text-align:center;margin-top:0%;margin-bottom:0%">Kaupunki nimeltä

Misogyniaa


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black">
ellauri241.html on line 34:

black;background:#8fbc8f;text-align:center;margin-top:0%;margin-bottom:0%">Leimiä

Misokeittoa


ellauri241.html on line 53: In the last moments of the film, Fanny cuts her hair in an act of mourning, dons black attire, and walks the snowy paths that Keats had walked many times. It is there that she recites the love sonnet that he had written for her, called "Bright Star", as she grieves the death of her consumptive unconsummated lover.
ellauri241.html on line 1448: To some black cloud; thence down I'll madly sweep

ellauri241.html on line 1466: And leave a black memorial on the sand?

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black">
ellauri242.html on line 33:

black;text-align:center;margin-top:0%;margin-bottom:0%">Krista Kosonen


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black;text-align:center;margin-top:0%;margin-bottom:0%">BEFOREIGNERS

Taistoturrukoita


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black">
ellauri243.html on line 33:

black;background:#C4A484;text-align:center;margin-top:0%;margin-bottom:0%">QUENTIN TARANTELLA


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black;text-align:center;margin-top:0%;margin-bottom:0%">Onnettomat paskiaiset

Paskiaiset vormuissa


ellauri244.html on line 32:
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ellauri245.html on line 38:
black">
ellauri245.html on line 322: Bury Me Standing: The Gypsies and Their Journey is a non-fiction book on the lives of the Romani people by the American-Uruguayan writer Isabel Fonseca published in 1995. The book is organized in eight chapters and contains black and white photographs and maps.
ellauri246.html on line 32:
black">
ellauri246.html on line 33:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Hindric Julius Oldenburg


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black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Oh korsteenit

Poliittista runoutta


ellauri246.html on line 331:
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Tietolaatikko

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black">
ellauri247.html on line 114: GLOSSARY Bahloo, moon. Beeargah, hawk. Beeleer, black cockatoo. Beereeun, prickly lizard. Bibbee, woodpecker, bird. Bibbil, shiny-leaved box-tree. Bilber, a large kind of rat. Bindeah, a prickle or small thorn. Birrahlee, baby. Birrableegul, children. Birrahgnooloo, woman's name, meaning "face like a tomahawk handle." Boobootella, the big bunch of feathers at the back of an emu. Boolooral, an owl. Boomerang, a curved weapon used in hunting and in warfare by the blacks; called Burren by the Narran blacks. Borah, a large gathering of blacks where the boys are initiated into the mysteries which make them young men. Bou-gou-doo-gahdah, the rain bird. Bouyou, legs. Bowrah or Bohrah, kangaroo. Bralgahs, native companion, bird. Bubberah, boomerang that returns and bumps you in the back of your head. Buckandee, native cat. Buggoo, flying squirrel. Bulgahnunnoo, bark-backed. Bunbundoolooey, brown flock pigeon. Bunnyyarl, flies. Byamee, man's name, meaning "big man." Bwana, African sir. Capparis, caper. Combi, bag made of kangaroo skins. Comfy, foldable plastic pillow. Cookooburrah, laughing jackass. Coorigil, name of place, meaning sign of bees. Corrobboree, black fellows' dance. Cunnembeillee, woman's name, meaning pig-weed root. Curree guin guin, butcher-bird. Daen, black fellows. Dardurr, bark, humpy or shed. Dayah minyah, carpet snake (vällykäärme). Deegeenboyah, soldier-bird. Decreeree, willy wagtail. Dinewan, emu. Dingo, native dog. Doonburr, a grass seed. Doongara, lightning. Dummerh, 2nd rate pigeons. Dungle, water hole. Dunnia, wattle. Eär moonan, long sharp teeth. Effendi, Turkish sir. Euloo marah, large tree grubs. Edible. In fact yummy. Euloo wirree, rainbow. Gayandy, borah devil. Galah or Gilah, a French grey and rose-coloured cockatoo. Gidgereegah, a species of small parrot. Gooeea, warriors. Googarh, iguana. Googoolguyyah, run into trees. Googoorewon, place of trees. Goolahwilleel, absolutely top-knot pigeon. Gooloo, magpie. Goomade, red stamp. Goomai, water rat. Goomblegubbon, bastard or just plain turkey. Goomillah, young girl's dress, consisting of waist strings made of opossum's sinews with strands of woven opossum's hair hanging about a foot square in front. Yummy. Goonur, kangaroo rat. Goug gour gahgah, laughing-jackass. Literal meaning, "Take a stick of bamboo and boil it in the water." Grooee, handsome foliaged tree bearing a plum-like fruit, tart and bitter, but much liked by the blacks. Guinary, light eagle hawk. Guineboo, robin redbreast. Gurraymy, borah devil. Gwai, red. Gwaibillah, star. Kurreah, an alligator. Mahthi, dog. Maimah, stones. Maira, paddy melon. Massa, American sir. May or Mayr, wind. Mayrah, spring wind. Meainei, girls. Midjee, a species of acacia. Millair, species of kangaroo rat. Moodai, opossum. Moogaray, hailstones. Mooninguggahgul, mosquito-calling bird. Moonoon, emu spear. Mooregoo, motoke. Mooroonumildah, having no eyes. Morilla or Moorillah, pebbly ridges. Mubboo, beefwood-tree. Mullyan, eagle hawk. Mullyangah, the morning star. Murgah muggui, big grey spider. Murrawondah, climbing rat. Narahdarn, bat. Noongahburrah, tribe of blacks on the Narran. Nullah nullah, a club or heavy-headed weapon. Nurroo gay gay, dreadful pain. Nyunnoo or Nunnoo, a grass humpy. Ooboon, blue-tongued lizard. Oolah, red prickly lizard. Oongnairwah, black driver. Ouyan, curlew. Piggiebillah, ant-eater. One of the Echidna, a marsupial. Quarrian, a kind of parrot. Quatha, quandong; a red fruit like a round red plum. Sahib, Indian sir. Senhor, Brazilian sir. U e hu, rain, only so called in song. Waligoo, to hide. Wahroogah, children. Wahn, crow. Walla Walla, place of many waters. Wallah, I swear to God. Wallah, Indian that carries out a manual task. Waywah, worn by men, consisting of a waistband made of opossum's sinews with bunches of strips of paddy melon skins hanging from it. ​Wayambeh, turtle. Weeoombeen, a small bird, girl's name. Some thing like robin redbreast, only with longer tail and not so red a breast. Willgoo willgoo, pointed stick with feathers on top. Widya nurrah, a wooden battle-axe shaped weapon. Wirree, small piece of bark, canoe-shaped. Wirreenun, priest or doctor. Womba, mad. Wondah, spirit or ghost. Wurranunnah, wild bees. Wurranunnah, tame bees. Wurrawilberoo, whirlwind with a devil in it; also clouds of Magellan. Yaraan, white gum-tree. Yhi, the sun. Yuckay, oh dear!
ellauri247.html on line 123: According to Australian linguist R.M.W. Dixon ("The Languages of Australia," Cambridge, 1980), the word probably is from Guugu Yimidhirr (Endeavour River-area Aborigine language) /gaNurru/ "large black kangaroo."
ellauri247.html on line 366:     As black as a tar-barrel;

ellauri248.html on line 38:
black">
ellauri248.html on line 40:

black;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">AINO-MARJA RÄSÄNEN


ellauri248.html on line 98: Justin rated it shit: The protagonist of this book really, really annoyed me. It felt like a parody of one of those old black-and-white movies where the picture freezes and the guy steps out toward the camera, lights a cigarette, pulls his hat down, and goes into this long monologue about life or women or his past or whatever. The action would pick up or a new lead would be uncovered, and here comes Rob rambling on for pages and pages.... and pages.
ellauri249.html on line 38:
black">
ellauri249.html on line 39:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">MARZIAL

Latin obscenity


ellauri249.html on line 40:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">ENKEFALOGRAMMEJA


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black;text-align:left;margin-top:0%;margin-bottom:0%">MAXIM GORKI


ellauri254.html on line 39:

black;text-align:center;margin-top:0%;margin-bottom:0%">СЕРАПИОНОВЫ БРАТЬЯ

Sosialistista realismia


ellauri254.html on line 766:
black;padding:1em">
ellauri254.html on line 831: In 1921, We became the first work banned by the Soviet censorship board. Ultimately, Zamyatin arranged for We to be smuggled to the West for publication. The outrage this sparked within the Party and the Union of Soviet Writers led directly to the State-organized defamation and blacklisting of Zamyatin and his successful request for permission from Joseph Stalin to leave his homeland. In 1937 he died in poverty in Paris. Serve him right!
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black;background:#d1cdae;text-align:center;margin-top:0%;margin-bottom:0%">Lady Ceepu


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black;background:#d1cdae;text-align:center;margin-top:0%;margin-bottom:0%">MUODIN HISTORIA

Ornamentalismia


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black;background:#f6e2ae;text-align:center;margin-top:0%;margin-bottom:0%">Mikola Gogolj


ellauri257.html on line 69: British-born director J. Lee Thompson (“The Yellow Balloon”/”The Passage”/”King Solomon’s Mines”) helms this bloody spectacular. It’s a serviceable large-scale epic that mainly goes wrong with a mushy subplot involving a miscast Tony Curtis as a Cossack wooing a Polish noblewoman, Christine Kaufmann (they were soon to be married in real-life after his divorce from Janet Leigh). It seems to be in genre form when showing hordes of Cossack horsemen flying across the steppes to do battle. It’s based on the novel by Nikolai Gogol and is written without wit or logic by Waldo Salt (former blacklisted writer) and Karl Tunberg.
ellauri258.html on line 38:

black;background:#dcc1ae;text-align:center;margin-top:0%;margin-bottom:0%">KIREÄHERMOISTA VÄKEÄ

Videotörkyä


ellauri258.html on line 568: Sysmään on hankittu wagyun alkioita sekä siemennetty charolais-hiehoja wagyu-sonnin siemenillä. Tästä yhteistyöstä on kiinnostunut HKScan. Hartolassa on risteteytetty wagyua black angus-nautojen kanssa. Yleisesti asiantuntijat tuntuvat pitävän risteytyksiin sopivana joko angusta tai herefordia. Lihamaailman samppanjan kysyntä kasvaa hemmotellun Temen ansiosta. Ei vittu mitään kommaritouhua!
ellauri260.html on line 38:

black;text-align:center;margin-top:0%;margin-bottom:0%">Martin Luther King


ellauri260.html on line 39:

black;text-align:center;margin-top:0%;margin-bottom:0%">In pirsona pirsonalmente

Perseilyä


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black;text-align:center;margin-top:0%;margin-bottom:0%">C.S. Lewis


ellauri262.html on line 39:

black;text-align:center;margin-top:0%;margin-bottom:0%">Till We Have Faeces

Fanzua


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black;text-align:center;margin-top:0%;margin-bottom:0%">Singer Brothers


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black;text-align:center;margin-top:0%;margin-bottom:0%">Shadows on the Hudson
Part 1

Pyllistelyä


ellauri264.html on line 38:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Hertz Dovid Grein


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black;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">Semitismiä

Semitismiä


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black;text-align:right;padding-right:5%;margin-top:0%;margin-bottom:0%">PLANET APE

Alastomuutta


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black;text-align:right;padding-right:5%;margin-top:0%;margin-right:2px;margin-bottom:0%">DESMOND
MORRIS


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ellauri267.html on line 40: Пожалуйста ответить на
black">телефон!

Väkivaltaa


ellauri269.html on line 193: World of Warcraftissa jokainen hahmo voi ottaa kaksi ensisijaista ammattia (engl. primary profession), ja kaikki toissijaiset ammatit (engl. secondary profession). Ensisijaiset ammatit liittyvät joko materiaalien keräämiseen tai tavaroiden luomiseen. Ensisijaisia ammatteja ovat yrttien kerääminen (engl. herbalism), malmien louhinta (engl. mining), nylkeminen (engl. skinning), alkemia (engl. alchemy), sepäntaito (engl. blacksmith), lumoaminen (engl. enchanting), konetekniikka (engl. engineering), kaivertaminen (engl. inscription), jalokivityöt (engl. jewelcrafting), nahkatyöt (engl. leatherworking) ja räätälintyöt (engl. tailoring). Toissijaiset ammatit ovat arkeologia (engl. archeology), ruoanlaitto (engl. cooking), ensiapu (engl. first aid) ja kalastus (engl. fishing).
ellauri269.html on line 351: The Wagner Group reportedly recruited a unit known as the Black Russians from imprisoned UPC rebels in the Central African Republic to fight in Ukraine and Mali. They may end up fighting equally black American mercenaries on the Ukrainian side. Mali voted with Russia, Central Africa abstained.
ellauri270.html on line 37:

black;background:#f9ede0;text-align:center;margin-bottom:0%">"COL. DWIGHT DOGCOLLAR"


ellauri270.html on line 38:

black;background:#f9ede0;text-align:center;margin-top:0%;margin-bottom:0%">"APINOIDEN SILTA"

Lisää silmitöntä väkivaltaa


ellauri270.html on line 319: Mr. Summers, the man who conducts the lottery, arrives. He also organizes the river dances, the purity pledges, and the Halloween program, because he has time to devote to volunteering. He runs the coal business in town, but his neighbors pity him because his wife is unkind and the couple has no children. Mr. Summers arrives bearing a black box. He is followed by the postmaster, Mr. Graves, who caries a stool.
ellauri270.html on line 323: Mr. Graves sets the stool in the center of the square and the black box is placed upon it. Mr. Summers asks for help as he stirs the slips of paper in the box. The people in the crowd hesitate, but after a moment Mr. Martin and his oldest son Baxter step forward to hold the box and stool. The original black box from the original lotteries has been lost, but this current box still predates the memory of any of the villagers. Mr. Summers wishes to make a new box, but the villagers don’t want to “upset tradition” by doing so. Rumor has it that this box contains pieces of the original black box from when the village was first settled. The box is faded and stained with age.
ellauri270.html on line 325: The details of the lottery’s proceedings seem mundane, but the crowd’s hesitation to get involved is a first hint that the lottery is not necessarily a positive experience for the villagers. It is also clear that the lottery is a tradition, and that the villagers believe very strongly in conforming to tradition—they are unwilling to change even something as small as the black box used in the proceedings.
ellauri270.html on line 327: Much of the original ritual of the lottery has been forgotten, and one change that was made was Mr. Summers’s choice to replace the original pieces of wood with slips of paper, which fit more easily in the black box now that the population of the village has grown to three hundred. The night before the lottery, Mr. Summers and Mr. Graves always prepare the slips of paper, and then the box is kept overnight in the safe of the coal company. For the rest of the year, the box is stored in Mr. Graves’s barn, the post office, or the Martins’ grocery store.
ellauri270.html on line 331: In preparation for the lottery, Mr. Summers creates lists of the heads of families, heads of households in each family, and members of each household in each family. Mr. Graves properly swears in Mr. Summers as the officiator of the lottery. Some villagers recall that there used to be a recital to accompany the swearing in, complete with a chant by the officiator. Others remembered that the officiator was required to stand in a certain way when he performed the chant, or that he was required to walk among the crowd. A ritual salute had also been used, but now Mr. Summers is only required to address each person as he comes forward to draw from the black box. Mr. Summers is dressed cleanly and seems proper and important as he chats with Mr. Graves and the Martins.
ellauri270.html on line 379: Bill Hutchinson regretfully agrees with Mr. Summers, and says that his only other family is “the kids.” Mr. Summers formally asks how many kids there are, and Bill responds that there are three: Bill Jr., Nancy, and little Davy. Mr. Graves takes the slips of paper back and puts five, including the marked slip of paper, in the black box. The others he drops on the ground, where a breeze catches them. Mrs. Hutchinson says that she thinks the ritual should be started over—it wasn’t fair, as Bill didn’t have enough time to choose his slip.
ellauri270.html on line 383: Mr. Summers asks if Bill Hutchinson is ready, and, with a glance at his family, Bill nods. Mr. Summers reminds the Hutchinsons that they should keep their slips folded until each person has one. He instructs Mr. Graves to help little Davy. Mr. Graves takes the boy’s hand and walks with him up to the black box. Davy laughs as he reaches into the box. Mr. Summers tells him to take just one paper, and then asks Mr. Graves to hold it for him.
ellauri271.html on line 38:

black;background:white;text-align:center;padding-right:2em;margin-top:0%;margin-right:2px;margin-bottom:0%">Frans de Waal


ellauri271.html on line 39:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">I feel your pain

Karvaperseitä


ellauri272.html on line 38:

black;background:white;text-align:center;padding-right:2em;margin-top:0%;margin-right:2px;margin-bottom:0%">Zane Grey


ellauri272.html on line 39:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">50 shades of Zane

Blacklistoja


ellauri272.html on line 318: with Forney's black-comedy illustrations explore themes of "racial tension,
ellauri274.html on line 37:

black;background:white;text-align:center;margin-bottom:0%">Siegel and Schuster


ellauri274.html on line 38:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">A BIG JOB FOR SUPERMAN

Valtapeliä


ellauri275.html on line 37:

black;background:white;text-align:center;margin-bottom:0%">Konsta Pylkkänen


ellauri275.html on line 38:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">JOE ✭ SETÄ
VOLDEMORT

Oikeutettua väkivaltaa


ellauri275.html on line 70:
black;padding:1em">
ellauri275.html on line 467:
black;padding:1em">
ellauri276.html on line 36:

black;background:peru;text-align:center;margin-bottom:0%">Alexandr Virzhavadze


ellauri276.html on line 584: When our shears are shod, to the blacksmith off we wad, Kun saksillamme on kenkiä, lankeamme sepän luo,
ellauri276.html on line 585: And so- loudly to the blacksmith we do call, ja niin kovaa seppälle, jota kutsumme,
ellauri277.html on line 36:

black;background:peru;text-align:center;margin-bottom:0%">Khalil Gibran


ellauri278.html on line 36:

black;background:white;text-align:center;margin-bottom:0%">Chicherin ja Litvinov


ellauri278.html on line 37:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Tykkivenediplomatiaa

Kansanmurhia


ellauri278.html on line 324: Rawhide is an American Western TV series starring Eric Fleming and Clint Eastwood. The show aired for eight seasons on the CBS network on Friday nights, from January 9, 1959, to September 3, 1965, before moving to Tuesday nights from September 14, 1965, until December 7, 1965, with a total of 217 black-and-white episodes. The series was produced and sometimes directed by Charles Marquis Warren, who also produced early episodes of Gunsmoke. The show is fondly remembered by many for its theme, "Rawhide".
ellauri279.html on line 36:

black;background:white;text-align:center;margin-bottom:0%">Aleksanteri Isajevits Solzhenizyn


ellauri279.html on line 37:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Еб твою мать

Nobelismia


ellauri281.html on line 36:

black;background:white;text-align:center;margin-bottom:0%">Antonio Banderas


ellauri281.html on line 37:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Pensasneuvostoliittolaisia


ellauri281.html on line 323: Rawhide is an American Western TV series starring Eric Fleming and Clint Eastwood. The show aired for eight seasons on the CBS network on Friday nights, from January 9, 1959, to September 3, 1965, before moving to Tuesday nights from September 14, 1965, until December 7, 1965, with a total of 217 black-and-white episodes. The series was produced and sometimes directed by Charles Marquis Warren, who also produced early episodes of Gunsmoke. The show is fondly remembered by many for its theme, "Rawhide".
ellauri282.html on line 36:

black;background:#8ea0ac;text-align:center;margin-top:0%;margin-bottom:0%">LÖYHÄPÄINEN KANSA

Käärijöitä ja munamiehiä


ellauri282.html on line 37:

black;background:#8ea0ac;text-align:center;margin-bottom:0%">KOTKAA KAHLEITANSA


ellauri283.html on line 36:

black;background:#d6d6d6;text-align:center;margin-bottom:0%">FOTO: NATO


ellauri283.html on line 37:

black;background:#d6d6d6;text-align:center;margin-top:0%;margin-bottom:0%">Finneken i Piss

Vitun hölmöjä


ellauri284.html on line 36:

black;background:#d6d6d6;text-align:center;margin-bottom:0%">FOTO: UK


ellauri284.html on line 37:

black;background:#d6d6d6;text-align:center;margin-top:0%;margin-bottom:0%">Suursota 1914-18

Öyhöttäjiä


ellauri284.html on line 226: blackadder.jpg" width="90%" />
ellauri284.html on line 658: Tax investigations such as these are not uncommon in India, and only a fraction pay income taxes, despite the government’s concerted efforts to combat hoards of undeclared “black money.”
ellauri285.html on line 36:

black;text-align:center;margin-bottom:0%">PATTI MULKKINEN


ellauri285.html on line 439: Ernon Finlandia-voittajan toinen osa 'Yksinäisyys' sisältää esseet Eino Leinosta, Vasili Šukšinista, Pentti Linkolasta ja Pentti Haanpäästä. Yhteistä näille neljälle hyvin erilaiselle kirjailijalle on tinkimättömyys itseään ja sanottavaansa kohtaan, pyrkimys kuvata maailma niin hyvin kuin ikinä ja pysyä rehellisenä näkemälleen. Usein yksinäisyyden, muttei sentään julkisuuden hinnalla. Ja silti, rakkaat lukijat, voin kuvitella Paasilinnan ajatelleen, olkaa varovaisia, sillä “on paljon helpompaa kirjoittaa hyvin kuin oikein“. Epäilkää, kyseenalaistakaa! Pankaa sormenne joka erälle ja kysykää: miksi - tämä - on - näin? Näistä Leino ja Linkola on oikislaisia, Haanpää vielä Noitaympyrässä vasuri vaikka kelkka taisi kääntyä Kiinan matkalla, ja Shukshin kodikkaita tuhnuja Suomi-filmityyppisiä leffoja ohjannut neuvostolainen elokuvaohjaaja. Entä Ernu ize? Joku mustanvihreä. Naipaul oli, vaikka 2. polven mamu, tunnettu kolonialismin puolustaja ja rasisti. Tyypillinen rasisti on ikääntynyt maalaisäijä tai vähän koulutettu nuori juippi. Patti lähti liikenteeseen juippina ja päätyi maailaisäijäxi. Franz Fanon, josta on paasattu mm. albumissa 96 joutui neekerinä Patin hampaisiin. Fanonin mielestä neekerien vihailu ja ihailu molemmat johtuvat niiden valtavista ruskeista vällykäärmeistä. Mean black snake sneaking in my back door, laulavat ne izekin. Patin mittausten mukaan kuukerin nelli on ihan samanmittainen kuin valkoisen ja tuntuukin naisten mukaan samalta. Mixikä se sitten kiertää sitä kuin kissa kuumaa puuroa?
ellauri286.html on line 37:

black;background:#921e1f;text-align:center;margin-top:0%;margin-bottom:0%">Stalinin lehmä

Herutusta


ellauri288.html on line 36:

black;background:#e2e9fc;text-align:center;margin-bottom:0%">Sofi Oxenan


ellauri288.html on line 37:

black;background:#e2e9fc;text-align:center;margin-top:0%;margin-bottom:0%">Jaxuhali<3

Mitä vittua!


ellauri294.html on line 37:

black;text-align:center;margin-top:0%;margin-bottom:0%">TURKIN FILMITEOLLISUUS (SF)


ellauri294.html on line 38:

black;text-align:center;margin-top:0%;margin-bottom:0%">ALPARSLAN SUURI SELZHUKKI

Reittiopas


ellauri297.html on line 32:

black;background:white;text-align:left;margin-top:0%;margin-bottom:0%">Ammi Ruhama


ellauri297.html on line 33:

black;background:white;text-align:left;margin-top:0%;margin-bottom:0%">HOOSEA AJASSAMME

Finnin puristelua


ellauri299.html on line 535: Income levels vary along racial/ethnic lines: 21% of all children in the United States live in poverty, about 46% of black children and 40% of Latino children.
ellauri300.html on line 817: The word na‘ar, which is often rendered as children/boys, means boy. The Hebrew adjective, qatan, means small. Thus we can say it’s highly unlikely the people who mocked Elisha were “little children” or “small boys.” It’s much more probable that these were young men and quite possibly they were just servants (maybe blacks?).
ellauri301.html on line 157: Wallander was once married, but his wife Mona (remember? the immigrant charity dish) left him and he has since had a difficult relationship with his rebellious only child, Linda, who barely survived a suicide attempt when she was fifteen. He also had issues with his late father, an artist who painted the same landscape 7,000 times for a living; the elder Wallander strongly disapproved of his son´s decision to join the police force and frequently derided him for it. Fair enough: painting sunsets with/without a black grouse pays off better than finding random middle fingers of color. Kurt Wallander sr is a great fan of the opera. Kurt Wallander jr says he actually hates opera. I bet that was a joke.
ellauri301.html on line 333: A braai is about being South African. What makes a braai truly South African are the traditions that have become common practise in a vast majority of households in this beautiful country. It is so much more than just the cooking of food but also the gathering of friends and loved ones. The atmosphere and VIBE of the braai is what makes it such a special event for all South Africans, black, white and yaller!
ellauri302.html on line 117: "Setä" on ilmetty Tevje: He is a tall, strong man of about forty, stout; swarthy countenance, covered all over with dark hair; his black heard cut round. He speaks in loud, gruff tones, at the same time making coarse gestures and grasping the lapel of the man whom he happens to he addressing. Despite this, his face and person heam with a certain frank geniality.
ellauri302.html on line 190: In the background of the basement brothel, several small compartments, separated from one another by thin partitions, and screened by thick black curtains. One of the curtains has been drawn aside; in the compartment are seen a bed, a wash-stand, a mirror and various toilet articles. A colored night-lamp sheds a dim light over the tiny room.
ellauri302.html on line 294: Are you cold, Rifkele darling? Nestle close to me... Ever so close... Warm yourself next to me. So. Come, let's sit down here on the lounge. (Leads Rifkele to a lounge; they sit down.) Just like this... Now rest your face snugly in my bosom. So. Just like that. And let your body touch mine... It's so cool... as if water were running between us. (Pause.) I uncovered your breasts and washed them with the rainwater that trickled down my arms. Your breasts are so white and soft. And the blood in them cools under the touch, just like white snow, — like frozen water... and their fragrance is like the grass on the meadows. And I let down your hair so... (Buns her fingers through RifkeWs hair.) And I held them like this in the rain and washed them. How sweet they smell... Like the rain itself... (She huries her face in Rifkele's hair.) Yes, I can smell the scent of the May rain in them... So light, so fine... And fresh... as the grass on the meadows... as the apple on the bough... So. Cool me, refresh me with your tresses. (She washes her face in Rifkele^s hair.) Cool me, — so. But wait... I'll comb you as if you were a bride... a nice part and two long, black braids. (Does so.) Do you want me to, Rifkele? Do you?
ellauri309.html on line 32:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Nora "Genital" Roberts


ellauri309.html on line 33:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Far, Far Away

Kapitalistinen manifesti


ellauri310.html on line 21:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Daniel
ellauri310.html on line 24: style="font-family:sans-serif;font-size:5em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Life's
ellauri311.html on line 24:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Kirsi Salo


ellauri311.html on line 25:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Tantrista

Terdellä


ellauri313.html on line 26:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Tuukka Pietarinen


ellauri313.html on line 27:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Tanssivat karhut

Aika heikkoa


ellauri317.html on line 25:

black;background:#a2a882;text-align:center;margin-top:0%;margin-bottom:0%">Kuppalehti


ellauri317.html on line 26:

black;background:#a2a882;text-align:center;margin-top:0%;margin-bottom:0%">AIVAN PARASTA ROISTOKIRJALLISUUTTA

Roistomaista


ellauri318.html on line 26:

black;background:white;text-align:right;margin-top:0%;margin-bottom:0%">RAHALLA SAA
JA HEVOSELLA PÄÄSEE

Konnailua


ellauri318.html on line 283: The old days were gone and the Mob no longer exclusively ran Trenton. The Mob had to share the Trenton pie with Russian thugs, kid gangs, Asian triads, black and Hispanic gangstas. Just som i Sverige.
ellauri321.html on line 26:

black;background:lightyellow;text-align:right;margin-top:0%;margin-bottom:0%">ERIC LINKLATER


ellauri321.html on line 61: A humorous Cockney bootblack, Sam Weller first appeared in the fourth serialised episode. Previously the monthly parts of the book had been doing badly, selling only about 1... Скрыть
ellauri321.html on line 291: Melvin Dixon sepitti runon nimeltä Heartbeats vasta kasarilla. Se kertoo homon lakukepin kuolemasta AIDSiin. Niin juuri kävi Melvin raiskalle. He wrote about black gay men. Hänen partnerinsa nimi oli osuvasti Dick Horowitz. Dick oli todnäk. nahaton. Juanin löytämä runokokoelma saattoi olla vaikka tämä:
ellauri322.html on line 25:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Mary Wolstonecraft & kumpp.


ellauri322.html on line 26:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Tom Dick and Harry Paineella

Sentimentalismia


ellauri323.html on line 25:

black;background:red;text-align:center;margin-top:0%;margin-bottom:0%">Max Beerbohm


ellauri324.html on line 25:

black;background:cyan;text-align:center;margin-top:0%;margin-bottom:0%">WILLIAM BLUM


ellauri324.html on line 289: If the author of the question long one is wealthy and well traveled he would know that Europe and Asia had many technological advances long before USA did or will ever have such as TGV or bullet trains for example. After spending time in Europe and Asia it was decades later I saw many of these advances here to buy or experience. Japanese cars nearly sunk USA automakers. Why didn’t the corp heads heed anything. TGV in France and Japan and other nations is unrivaled and we have not even one such train here. Tankless water heaters, available in Asia and Europe decades before here. Roads and other infrastructure also superior. My research shows that Americans were so busy creating totalitarian policies like redlining and private cars and pools and expressways removed entire neighborhoods of blacks to create all white suburbs that they were unconcerned with advances that would unite people. Sure everywhere are class societies but it’s a whole different level here. The homeless situation is opening eyes in this country and many things are borne out of a highly segregated society where it’s expensive to live in certain cities and suburbs and the rest be damned. Obviously California has destroyed itself from within. The liberals there and other states are the most class and race conscious than any other people on earth. This blind spot is like a beacon. A prism that breaks down social order. The wealthy libs have to accept their roles in American destruction. It will get worse long before it improves. [Redlining is an illegal practice in which lenders avoid providing credit services to individuals living in or seeking to live in, communities of color because of the race, color, or national origin of the residents in those communities.]
ellauri325.html on line 25:

black;text-align:center;margin-top:0%;margin-bottom:0%">Tom
Clancy´s


ellauri325.html on line 26:

black;text-align:center;margin-top:0%;margin-bottom:0%">POLITIKA

Antikommunismia


ellauri328.html on line 24:

black;text-align:center;margin-top:0%;margin-bottom:0%">VAD ÄR EN
DIKTATUR?

Lipilaaria


ellauri328.html on line 25:

black;margin-top:0%;margin-bottom:0%">TEXT OCH IDÉ


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black;text-align:left;margin-top:0%;margin-bottom:0%">Equipo Plantel


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black;text-align:center;margin-top:0%;margin-bottom:0%">P. Pylkkänen


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black;text-align:center;margin-top:0%;margin-bottom:0%">Tietoisuuden mysteeri

Höpsismiä


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black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Anna-Lena Lauren


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black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">PROPAGANDASOTAA

Voluntarismia


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Gazeta.Ru blackhat.jpg" width="10%"/>

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inoSMI blackhat.jpg" width="10%"/>

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Interfax blackhat.jpg" width="10%"/>

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Life blackhat.jpg" width="10%"/>

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PeaceData blackhat.jpg" width="10%"/>

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Pravda.ru blackhat.jpg" width="10%"/>

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RBK blackhat.jpg" width="10%"/>

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REGNUM blackhat.jpg" width="10%"/>

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Uutistoimisto Novosti blackhat.jpg" width="10%"/>

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Reskomnadzor blackhat.jpg" width="10%"/>

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Ridus blackhat.jpg" width="10%"/>

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Rossija Segodnya blackhat.jpg" width="10%"/>

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RTV blackhat.jpg" width="10%"/>

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Antti pantti pakana blackhat.jpg" width="10%"/>

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Venäjän sisärengas blackhat.jpg" width="10%"/>

ellauri331.html on line 672:
Sputnik blackhat.jpg" width="10%"/>

ellauri331.html on line 712:
Vzgljad blackhat.jpg" width="10%"/>

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black;background:#83a9b6;text-align:center;margin-top:0%;margin-bottom:0%">George Lucas


ellauri332.html on line 480: Prynne is a slumming-sexpot pariah, Chillingworth comes back from the woods with a clinical eye for vengeance, flabby-chinned Dimmesdale (Lou Castel) keeps fainting on the edge of the widescreen. Pearl (Yella Rottländer) giggles as the black-clad puritan leading the arrest slips and falls in the mud.
ellauri332.html on line 654: Kriitikko Joe Morgenstern The Wall Street Journalista lkuvaili hahmoa "rastafari Stepin Fetchitiksi kaviotasolla, joka ärsyttävästi risteää Butterfly McQueenin." Naislakimies ja kriittinen rotuteoreetikko Patricia J. Williams on ehdottanut, että monet Jar Jarin hahmon piirteet muistuttavat läheisesti blackface-minstrel-shown esiintyjiä ja Powell Ford ehdottaa, että hahmo on "rento klovnihahmo" joka jatkaa stereotypioita mustasta Karibiasta. Lucas kiisti yhteydet hahmon ja rasismin välillä; Best totesi myös, että Jar Jarilla ei ole yhteyttä Karibiaan, toisin kuin Bestillä.
ellauri333.html on line 26:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">King Ashoka & Buddha


ellauri333.html on line 27:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Mlecch

Koprolaliaa


ellauri333.html on line 49: Väärin väärin itäintiaanit! Kalat eivät pane vaan ne kutevat. The kala pani (lit. black water) taboo represents the proscription of traveling overseas in Hinduism. According to this prohibition, crossing the seas to foreign lands causes the loss of one's social respectability, as well as the putrefaction of one’s cultural character and posterity. Merelle ei parane mennä siellä kalat panevat ja skorbioonit pistää sammakoita lääkepiikillä. I am levitating now, mukeltavat mutakuono itäintiaanit tämännimisessä pimeässä Clickflix kauhusarjassa, saastunutta vettä juovat, nikottelevat ja verta sylkevät.
ellauri334.html on line 354: What race was Judas in the Bible? Was he black?
ellauri334.html on line 360: Can black people be Jewish? Do black people hate Judas?
ellauri335.html on line 26:

black;margin-top:0%;margin-bottom:0%;padding-right:2%">Leonardo da Vinci


ellauri335.html on line 27:

black;margin-top:0%;margin-bottom:0%">Cos'é la vita?

Trendejä


ellauri338.html on line 26:

black;margin-top:0%;margin-bottom:0%;padding-right:2%">Thomas Schelling


ellauri338.html on line 27:

black;margin-top:0%;margin-bottom:0%">Strategy of Inner Conflict

Demilitarisaatiota


ellauri339.html on line 26:

black;background:#edab5d;margin-top:0%;margin-bottom:0%;padding-right:2%">Marshal Zhukov


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black;background:#edab5d;margin-top:0%;margin-bottom:0%">Zhuk v muraveynike

Rautaesiripun takana


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Peilailua


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Lisää matuja


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POHJANMAALTA

Fasilitointia


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Anaalisosialismia


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black;background:red;margin-top:0%;margin-bottom:0%;padding-right:5%">(C) LAINEET


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black;background:white;margin-top:0%;margin-bottom:0;padding-right:5%">Valinnaisia sukulaisia

To business!


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black;background:beige;margin-top:0%;margin-bottom:0%;padding-right:5%">LEONID BREZHNEV


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Kulturnoje


ellauri346.html on line 318: The above video is indeed real and was created by Israeli advocacy group The Civil Front, which frequently does public campaigns to support the Israeli armed forces. The children in the slickly-produced video wore black T-shirts with the same blue logo as that on The Civil Front’s YouTube page. The video was reportedly sent to all media and news agencies in Israel.
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Geriatriaa


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black;background:lightgreen;margin-top:0%;margin-bottom:0%;padding-right:5%">Pirjo "Säi säi" Winter


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black;background:white;margin-top:0%;margin-bottom:0%;padding-right:5%">E. SAARISEN


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US
TEN T
ONA
VA

Positiivista


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black;background:beige;margin-top:0%;margin-bottom:0%;padding-right:5%">ANGELA MONTENEGRO-AHOLA


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black;margin-top:0%;margin-bottom:0%;padding-right:5%">Joseph Mengele


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black;margin-top:0%;margin-bottom:0;padding-right:5%">Die Geschichte vom
hölzernen Bengele

Emävaleita


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Hätävaleita


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black;background:beige;margin-top:0%;margin-bottom:0;padding-right:5%">Lähikuvia Marko Tapion elämästä


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black;background:beige;margin-top:0%;margin-bottom:0%">Ostankinon juna

Puolitotuuxia


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black;margin-top:0%;margin-bottom:0%;padding-bottom:20px">William Blake


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black;margin-top:0%;margin-bottom:0%">Kirpun henki

Ilmaisrakkautta


ellauri359.html on line 65: The original mole entered the Grahame household some years before the book. The author found the creature in his garden tussling with a blackbird for a worm. He kept it as a pet until a new housekeeper, thinking it vermin, killed it. On learning her mistake, she cried: “Oh, but sir, couldn’t you just make the mole into a story for Master Alastair?” Shortly after, Graham began to regale his son with bedtime tales of the riverbank creatures.
ellauri360.html on line 32:

black;background:yellow;margin-top:0%;margin-bottom:0%;padding-bottom:20px">ROBBE GRILLET présente:


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black">A Novel by JANE AUSTEN


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black;background:#e3d3af;margin-top:0%;margin-bottom:0%;padding-bottom:20px">The Family Guy


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black;background:#e3d3af;margin-top:0%;margin-bottom:0%">TUULIRUUSU

Kuppasta


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black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">VIISIKKO
VAKOILIJOIDEN NAAMIAISISSA

Vakoilua


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black;background:white;text-align:leftr;margin-top:0%;margin-bottom:0%">CORNE
LIUS
NEPOS


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black;text-align:center;margin-top:0%;margin-bottom:0%">Den evige Jøde

Syntipukkeilua


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black;background-color:#ffbc57;text-align:center;margin-top:0%;margin-bottom:0%">PROTOKOLY SiONSKIXb MUDRETSOBb.

Paranoidia


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black;background-color:#ffbc57;text-align:center;margin-top:0%;margin-bottom:0%">(Po textu S.A. Nilusa)


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black;background-color:white;text-align:center;margin-top:0%;margin-bottom:0%">Flaccid Horace


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black;background-color:white;text-align:center;margin-top:0%;margin-bottom:0%">Oodi hippiäiselle

Sikasovinismia


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black;text-align:center;margin-top:0%;margin-bottom:0%">SEISOO UKRAINAN KANSSA

Kökkäreitä


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black;background-color:grey;text-align:center;margin-top:0%;margin-bottom:0%">Даниел Сазоновъ


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black;background-color:white;text-align:center;margin-top:0%;margin-bottom:0%">Pistis Sofia


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Hurlumheitä


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Rapukarkkeja


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black;background-color:white;text-align:center;margin-top:0%;margin-bottom:0%">el alamy


ellauri378.html on line 647: Black Ops takes place between 1961 and 1968 during both the Cold War and the Vietnam War, 16 years to 23 years after the events of World War 3. It portrays a secret history of black operations carried out behind enemy lines by the CIA. Missions take place in various countries around the globe, including Cuba, the Soviet Union, the United States, South Vietnam, China, British Hong Kong, Canada, and Laos. The single-player campaign revolves around the CIA's attempts to stop Soviet sleeper agents embedded in the US, to be activated via broadcasts from a numbers station, deploying an experimental nerve agent and chemical weapon known as "Nova 6".
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black;background:white;text-align:center;margin-bottom:0%">Antonio Banderas


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black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Puskaryssiä

Pomilointia


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black;background:#8faa81;text-align:center;margin-bottom:0%">Vladimir Zhirinovski-vainaja


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black;background:#8faa81;text-align:center;margin-top:0%;margin-bottom:0%">Itätyttöjä

Suunsoittoa


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black;background:#f4f3ef;text-align:center;margin-bottom:0%">Various authors


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black;background:#f4f3ef;text-align:center;margin-top:0%;margin-bottom:0%">Poena Cullei

Mölinää


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black;color:#f4f3ef;text-align:center;margin-bottom:0%">THOMAS WHICHELLO


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black;color:#f4f3ef;text-align:center;margin-top:0%;margin-bottom:0%">ÖBAUT

Hölinää


ellauri384.html on line 385: Jews have criticized the show’s casting: Its titular heroine, her parents Abe and Rose Weissman (Tony Shalhoub and Marin Hinkle) and Lenny Bruce (Luke Kirby) are all played by non-Jews. A debate over the casting of non-Jewish actors in Jewish roles has heated up in recent years, Comedian Sarah Silverman popularized the term “Jewface” to criticize the trend. Watching a gentile actor portraying, like, a Jew-y Jew is just — agh — feels, like, embarrassing and cringey, like a paleface blackened with shoeshine to play a coon,” Silverman said on her podcast in 2021.
ellauri384.html on line 387: The real Lenny Bruce was accused of using the Yiddish word “shmuck,” taken as an obscenity to mean “penis.” He incorporated the charge into his standup, explaining that the colloquial Jewish meaning of “schmuck” was “fool”, not "schlong" (meisseli). Driven to pennilessness by relentless prosecution, police harassment and blacklisting from most clubs across the country, he died of a morphine overdose in 1966 at 40 years old.
ellauri386.html on line 37:

black;color:#f4f3ef;text-align:center;margin-bottom:0%">Teppo Tulppu


ellauri386.html on line 38:

black;color:#f4f3ef;text-align:center;margin-top:0%;margin-bottom:0%">Oman elämänsä Teppo

Teppoilua


ellauri389.html on line 126: 1Suspension of disbelief is the avoidance — often described as willing — of critical thinking and logic in understanding something that is unreal or impossible in reality, such as something in a work of speculative fiction, in order to believe it for the sake of enjoying its narrative. Vähän sama asia kuin Jamesin "will to believe". Coleridge also referred to this concept as "poetic faith", citing the concept as a feeling analogous to the supernatural, which stimulates the mind's faculties regardless of the irrationality of what is being understood. With a film, for instance, the viewer has to ignore the reality that they are viewing a staged performance and temporarily accept it as their reality in order to be entertained. Early black-and-white films are an example of visual media that require the audience to suspend their disbelief that everything is black and white. Not to mention mute films! Tolkien ei uskonut tollaseen, ei kukaan normaalijärkinen oikeasti edes väliaikaisesti usko örkkeihin ja haltioihin. Sehän on vaan satua!
ellauri389.html on line 150: viiva jonka piirtää hyrskyt rantaviivalle, All is black shadow, but the lucid line
ellauri389.html on line 170: Viestinnän tarkoituksena on usein kääntää huomio pois aiheen sisällöstä (punainen silakka). Tavoitteena voi olla myös kritiikin oikeutuksen ja kriitikon legitiimiyden, rehellisyyden ja oikeudenmukaisuuden kyseenalaistaminen, mikä voi saada kritiikin halveksuvan luonteen, joka voi olla perusteltua tai ei. Argumentin kohteena ovat kaksoisstandardit ja tekopyhyys , mutta sitä voidaan käyttää myös vastapuolen näkemysten tai käyttäytymisen suhteuttamiseksi. Julia Ioffe called whataboutism a "sacred Russian tactic", and compared it to accusing the pot of calling the kettle black. Pata kattilaa soimaa, musta kylki kummallakin.
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black;text-align:center;margin-bottom:0%">James Fennimore Cooper


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black;text-align:center;margin-bottom:0%">Piisamirotta


xxx/ellauri013.html on line 787: Nekrukoomikko, black chap,

xxx/ellauri027.html on line 19:

black;background:orange;font-size:4em;text-align:left;margin-top:0%;margin-bottom:0%">SMURFFIEN SEIKKAILUJA


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black">
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black">
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black;background:#deb463;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">Maailman Paskin Nalle

Kevätnarsismia


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black;background:#aaa27e;text-align:center;margin-top:0%;margin-bottom:0%">PYNCHON ORIGINAL


xxx/ellauri068.html on line 157: Borat and Tutar blackmail Nazarbayev into giving him his job back and changing Kazakhstan's misogynistic laws. Three months later, Tutar and Borat are a reporting team and Kazakhstan has a new tradition to replace the nation's antisemitic ones: the Running of the American. It features exaggerated :) caricatures of Trump supporters pretending to spread COVID-19 and killing an effigy of Anthony Fauci. The film ends with a message encouraging viewers to vote in the upcoming presidential election.
xxx/ellauri068.html on line 276: Martin was not a nice guy. One of his great talents was singing at the Pulperia. At the fort, he was forced to work hard and fight against the Indians. He had a night-long payada (singing duel) with a black payador (singer), who turns out to be the younger brother of the man Fierro murdered in a duel. He deliberately provoked an affair of honor by insulting a black woman in a bar. In the knife duel that ensued, he killer her male companion. He escaped justice with a police sergeant and went native.
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black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">David Foster Wallace


xxx/ellauri075.html on line 28:

black;text-align:center;margin-top:0%;margin-bottom:0%">Tennis on parasta huumetta

Hörhöilyä


xxx/ellauri075.html on line 374: Eartha Mae Keith was born on a cotton plantation near the small town of North, South Carolina, or St. Matthews on January 17, 1927. Her mother Annie Mae Keith was of Cherokee and African descent. Though she had little knowledge of her father, it was reported that he was a son of the owner of the farm where she had been born, and that Kitt was conceived by rape. In a 2013 biography, British journalist John Williams claimed that Kitt's father was a white man, a local doctor named Daniel Sturkie. Kitt's daughter, Kitt McDonald, has questioned the accuracy of the claim. Eartha's mother, Annie Mae Keith (later Annie Mae Riley), soon went to live with a black man who refused to accept Eartha because of her relatively pale complexion; she was raised by a relative named Aunt Rosa, in whose household she was abused. After the death of Annie Mae, Eartha was sent to live with another relative named Mamie Kitt (who may, in fact, have been her biological mother) in Harlem, New York City, where she attended the Metropolitan Vocational High School (later renamed the High School of Performing Arts). Diana Ross said that as a member of The Supremes she largely based her look and sound after Kitt's.
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black;background:lightblue;text-align:center;margin-top:0%;margin-bottom:0%">KIRJAVA MIEHISTÖ


xxx/ellauri076.html on line 143: Yellow, red, black or white Kelta-puna-musta-valkosia
xxx/ellauri076.html on line 345: blackgirlsdarkskingirlsfavim_com4329456_jpeg_jpeg519679df9a77e9c5ded796578b83d4af" height="200px" />
xxx/ellauri076.html on line 346: black-is-beautiful.jpg" height="200px" />
xxx/ellauri076.html on line 347: black-woman-200x300.jpg" height="200px" />
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black;text-align:center;margin-top:0%;margin-bottom:0%">Ecstasy of St. Teresa, 1645–52

Ekstaasia


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black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Kuuluisien diktaattorien vauvavalokuvia

Nalkutusta


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black;text-align:center;margin-top:0%;margin-bottom:0%">CENSORED DIALOGUE

Makulatuuria


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black;text-align:center;margin-top:0%;margin-bottom:0%">Sydämen kuiskaus

Kuiskauxia


xxx/ellauri086.html on line 429: You did it! You did it! You said that you would do it, That blackguard who uses the science of speech
xxx/ellauri086.html on line 430: And indeed you did. I thought that you would rue it; More to blackmail and swindle than teach;
xxx/ellauri086.html on line 613: A letter from the queen's lover has been stolen from her boudoir by the unscrupulous Minister D—. D— was in the room, saw the letter, and switched it for a letter of no importance. He has been blackmailing the queen.
xxx/ellauri086.html on line 625: Alone together, the narrator asks Dupin how he found the letter. Dupin explains the Paris police are competent within their limitations, but have underestimated with whom they are dealing. The prefect mistakes the Minister D— for a fool because he is a poet. (Siis kumpi on? Perfekti vai ministeri Dee? No Poe on ainakin, senhän sanoo nimikin, Poe-t. Ja hölmökin se on.) For example, Dupin explains how an eight-year-old boy made a small fortune from his friends at a game called Odds and Evens. The boy had determined the intelligence of his opponents and played upon that to interpret their next move. Tästä aiheesta on valtava amer. kirjallisuus, koskien vangin dilemman toistoja. He explains that D— knew the police detectives would have assumed that the blackmailer would have concealed the letter in an elaborate hiding place, and thus hid it in plain sight.
xxx/ellauri086.html on line 688: After several years, Hester returns to her cottage and resumes wearing the scarlet letter. When she dies, she is buried near the grave of Dimmesdale, and they share a simple slate tombstone engraved with an escutcheon described as: "On a field, sable, the letter A, gules" ("A red letter A written on a black background").
xxx/ellauri086.html on line 887: Leave no black plume as a token of that lie thy soul hath spoken! Ala mennä korjaa luusi senkin Pluto, sille huusin.
xxx/ellauri087.html on line 850:
2nd generation (with one black parent)
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black;text-align:center;margin-top:0%;margin-bottom:0%">Hilja Haahti


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black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Päiväkirjan lisälehtiä

Muistoja


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black">
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black;text-align:center;margin-top:0%;margin-bottom:0%">Lionel Drivel


xxx/ellauri103.html on line 29:

black;text-align:center;margin-top:0%;margin-bottom:0%">We have to talk about Kevin

Toxisia penseitä


xxx/ellauri103.html on line 200: We wouldn’t have Maria McCann’s erotic masterpiece, As Meat Loves Salt – in which a straight woman writes about gay men in the English Civil War. Though the book is nonfiction, it’s worth noting that we also wouldn’t have 1961’s Black Like Me, for which John Howard Griffin committed the now unpardonable sin of “blackface.” Having his skin darkened – Michael Jackson in reverse – Griffin found out what it was like to live as a black man in the segregated American South. He’d be excoriated today, yet that book made a powerful social impact at the time.
xxx/ellauri103.html on line 209: So far, the majority of these farcical cases of “appropriation” have concentrated on fashion, dance, and music: At the American Music Awards 2013, Katy Perry got it in the neck for dressing like a geisha. According to the Arab-American writer Randa Jarrar, for someone like me to practice belly dancing is “white appropriation of Eastern dance,” while according to the Daily Beast Iggy Azalea committed “cultural crimes” by imitating African rap and speaking in a “blaccent.” Some of my friends got even told off for painting themselves black with shoe polish and making fat red lips! Now what may be wrong with that, I just ask. Clean innocent fun! Why don't the coons just laugh along?
xxx/ellauri103.html on line 240: Fine. But I still would like to reserve the right as a novelist to use only the characters that pertain to my story. Which is NOT going to be about some funny lesbians and fat blacks, as long as I have a say on this. And I do, I do! For I am a straight white middle-class American, and thank God they still have the say!
xxx/ellauri103.html on line 245: In The Mandibles, I have one secondary character, Luella, who’s black. She’s married to a more central character, Douglas, the Mandible family’s 97-year-old patriarch. I reasoned that Douglas, a liberal New Yorker, would credibly have left his wife for a beautiful, stately African American because arm candy of color would reflect well on him in his circle, and keep his progressive kids’ objections to a minimum. But in the end the joke is on Douglas, because Luella suffers from early onset dementia, while his ex-wife, staunchly of sound mind, ends up running a charity for dementia research. As the novel reaches its climax and the family is reduced to the street, they’re obliged to put the addled, disoriented Luella on a leash, to keep her from wandering off. LOL! What a laugh, ain't it? Get it, the guy thought he was getting arm candy, but instead he got a goat!
xxx/ellauri103.html on line 250: Thus in the world of identity politics, fiction writers better be careful. If we do choose to import representatives of protected groups, special rules apply. If a character happens to be black, they have to be treated with kid gloves, and never be placed in scenes that, taken out of context, might seem disrespectful. But that’s no way to write. We know that most criminals are black anyway, and many if not most blacks are criminal. Writing to hide that fact would be writing fiction, and we fiction writers have your responsibility toward the white audience. The burden is too great, the self-examination paralysing. The natural result of that kind of criticism in the Post is that next time I don’t use any black characters, lest they do or say anything that is short of perfectly admirable and lovely. (No ei munkaan olis pitänyt alottaa tätä albumia, jossa haukutaan törkimyxiä jotka sattuu olemaan naisia. Äkkiä se kääntyyy naisten haukkumisexi sillä tekosyyllä, että ne sattuu olemaan törkimyxiä. Ehkä se onkin sitä!)
xxx/ellauri103.html on line 255: I confess that this climate of scrutiny has got under my lucidly white skin. When I was first starting out as a novelist, I didn’t hesitate to write black characters, for example, or to avail myself of black dialects, for which, having grown up in the American South, I had a pretty good ear. I am now much more anxious about depicting characters of different races, and accents make me nervous. I try my best to talk average middle class American, but occasionally a few bits of North Carolina slip out. Sorry about that. Here's how I'd sound if I din't steal from anyone but the likes of me:
xxx/ellauri103.html on line 266: Worse: the left’s embrace of gotcha hypersensitivity inevitably invites backlash. Donald Trump appeals to people like me who have had it up to their eyeballs with being told what they can and cannot say. Pushing back against a mainstream culture of speak-no-evil suppression, they lash out in defiance, and then what they say is pretty appalling. I actually think President Trump is a real cool guy. Especially I love his hair, it most definitely is not black and curly like that other president's.
xxx/ellauri103.html on line 287: Now I get to the topic: Why the fuss over a white woman having a black hairstyle? Sit tight and read more! I know this is TDLR, but this is so important!
xxx/ellauri104.html on line 27:
black">
xxx/ellauri104.html on line 28:

black;text-align:center;margin-top:0%;margin-bottom:0%">John Nash


xxx/ellauri104.html on line 29:

black;text-align:center;margin-top:0%;margin-bottom:0%">Iltaan mennessä selkenevää

Hulluttelua


xxx/ellauri113.html on line 28:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Theory of Everything

Kaiken teoriaa


xxx/ellauri113.html on line 38: This development could open up a bizarre vision of the universe in which black holes can cough themselves into nothingness, Hawking said during recent lectures on the BBC and at Harvard. “This raises a serious problem that strikes at the heart of our understanding of science,” he said. “If determinism, the predictability of the universe, breaks down with black holes, it could break down in other situations,” he said. “Even worse, if determinism breaks down, we can’t be sure of our past history, either. The history books and our memories could just be illusions,” he said. The Nobel prize could just be an illusion, he said. Two years later he died.
xxx/ellauri113.html on line 52: With gravity, this high-energy/short-distance correspondence breaks down. If you could collide two particles with center-of-mass energy much larger than the Planck scale, then when they collide their wave packets would contain more than the Planck energy localized in a Planck-length-sized region. This creates a black hole. If you scatter them at even higher energy, you would make an even bigger black hole, because the Schwarzschild radius grows with mass. So the harder you try to study shorter distances, the worse off you are: you make black holes that are bigger and bigger and swallow up ever-larger distances. No matter what completes general relativity to solve the renormalizability problem, the physics of large black holes will be dominated by the Einstein action, so we can make this statement even without knowing the full details of quantum gravity.
xxx/ellauri113.html on line 54: This tells us that quantum gravity, at very high energies, is not a quantum field theory in the traditional sense. It's a stranger theory, which probably involves a subtle sort of nonlocality that is relevant for situations like black hole horizons.
xxx/ellauri113.html on line 70: Hawking ja Thorne hävisivät vedon Preskillille, info ei häviä mustassa aukossa, se vaan mukiloidaan tuntemattomaxi. “I am sorry to disappoint science fiction fans, but if information is preserved, there is no possibility of using black holes to travel to other universes. If you jump into a black hole, your mass energy will be returned to our universe, but in a mangled form which contains the information about what you were like, but in an unrecognisable state.” Thorne ei ole vielä vakuuttunut, mutta se onkin vielä elossa. Se seisoo yhä Hawkingin hartioilla, jotka olivat kyllä ihan lysyssä.
xxx/ellauri113.html on line 93: The Principle of Reason, the text of an important and influential lecture course that Martin Heidegger gave in 1955-56, takes as its focal point Leibniz's principle: nothing is without reason. Heidegger shows here that the principle of reason is in fact a principle of being. Much of his discussion is aimed at bringing his readers to the "leap of thinking," which enables them to grasp the principle of reason as a principle of being. This text presents Heidegger's most extensive reflection on the notion of history and its essence, the Geschick of being, which is considered on of the most important developments in Heidegger's later thought. One of Heidegger's most artfully composed texts, it also contains important discussions of language, translation, reason, objectivity, and technology as well as remarkable readings of Leibniz, Kant, Aristotle, and Goethe, among others. And lots of black-and-white pictures of scantily dressed women.
xxx/ellauri113.html on line 114: Today, many physicists believe that the holographic principle (specifically the AdS/CFT duality) demonstrates that Hawking's conclusion was incorrect, and that information is in fact preserved. In 2004 Hawking himself conceded a bet he had made, agreeing that black hole evaporation does in fact preserve information.
xxx/ellauri114.html on line 26:

black;background:#dcdcdc;text-align:center;margin-top:0%;margin-bottom:0%">Mamuhuijarit


xxx/ellauri114.html on line 768: The story's original purpose may have been to justify the subjection of the Canaanite people to the Israelites, but in later centuries, the narrative was interpreted by some Christians, Muslims and Jews as an explanation for black skin, as well as a justification for slavery. Similarly, the Latter Day Saint movement used the curse of Ham to prevent the ordination of black men to its priesthood.
xxx/ellauri116.html on line 28:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Moskaportaali

Moskaa


xxx/ellauri120.html on line 27:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Snoopy


xxx/ellauri120.html on line 28:

black;background:cyan;text-align:center;margin-top:0%;margin-bottom:0%">It was a dark and stormy night.

Lyttäystä


xxx/ellauri120.html on line 239: After several years, Hester returns to her cottage and resumes wearing the scarlet letter. When she dies, she is buried near the grave of Dimmesdale, and they share a simple slate tombstone engraved with an escutcheon described as: "On a field, sable, the letter A, gules" ("A red letter A written on a black background"). Ingan vaakunassa on hassu jellona kieli ulkona kuin Hanna Montanalla sinisellä taustalla.
xxx/ellauri121.html on line 27:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Varhaiskasvattajat


xxx/ellauri121.html on line 28:

black;background:#cdc6d0;text-align:center;margin-top:0%;margin-bottom:0%">Lapsenkokoinen kazomuskasvatus

Hartautta


xxx/ellauri122.html on line 31:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Olivera


xxx/ellauri122.html on line 32:

black;background:#e9e2df;text-align:center;margin-top:0%;margin-bottom:0%">Tips

Vinkkejä


xxx/ellauri122.html on line 1200: Lukyanova began rebelling against her father at age 13 — but she describes her style then as more goth. She rebelled against her Siberian-born grandfather and father at 13 by dyeing her hair and wearing all-black. She has always claimed her looks were never intended to attract men.
xxx/ellauri123.html on line 31:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Ivar Kreuger


xxx/ellauri123.html on line 32:

black;background:#e9e2df;text-align:center;margin-top:0%;margin-bottom:0%">THE COCK

Löysiä kukkoja ja kanoja


xxx/ellauri123.html on line 1035: black ink drawings were influenced by Japanese woodcuts, and emphasized the
xxx/ellauri123.html on line 1045: Many a true word is spoken in jest, especially about the kinship between eros and thanatos. FUCK! KILL! Puuttuu enää EAT! The two closest glimpses Humbert gives us of his own self-hatred are not without their death wish—made explicit in the closing paragraphs—and their excremental aspects: "I am lanky, big-boned, wooly-chested Humbert Humbert, with thick black eyebrows and a queer accent, and a cesspoolful of rotting monsters behind his slow boyish smile." Two hundred pages later: "The turquoise blue swimming pool some distance behind the lawn was no longer behind that lawn, but within my thorax, and my organs swam in it like excrements in the blue sea water in Nice." And then there's the offhand aside "Since (as the psychotherapist, as well as the rapist, will tell you) the limits and rules of such girlish games are fluid …" in which it takes a moment to notice that "therapist" and "the rapist" are in direct apposition.
xxx/ellauri124.html on line 31:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Mark O'Connell


xxx/ellauri124.html on line 32:

black;background:#e9e2df;text-align:center;margin-top:0%;margin-bottom:0%">To Be a Machine

Masinointia


xxx/ellauri125.html on line 31:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Владимир Набоков


xxx/ellauri125.html on line 32:

black;background:#e9e2df;text-align:center;margin-top:0%;margin-bottom:0%">Лолита

Gastropodiaa


xxx/ellauri125.html on line 299: The line as used by West is notable for what it’s not: a charged reference to black freedom. Rather, those that are “free at last” aren’t enslaved humans but a woman’s breasts, released from the bondage of a bra during a bathroom tryst.
xxx/ellauri125.html on line 311: Elsewhere, the raised-fist call of the Black Panther Party, one of the most potent symbols of black power, is employed as a cheap metaphor for sexual penetration.
xxx/ellauri125.html on line 502:
black">
xxx/ellauri126.html on line 31:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Me Naiset


xxx/ellauri126.html on line 32:

black;background:#cbe7f3;text-align:center;margin-top:0%;margin-bottom:0%">Miten reagoit naapureihisi?

Urbaania


xxx/ellauri127.html on line 31:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Vladimir Nabokov


xxx/ellauri127.html on line 32:

black;background:#cbe7f3;text-align:center;margin-top:0%;margin-bottom:0%">Pigita

Mansplainingia


xxx/ellauri127.html on line 252: 1952 is a capital year in the novel and the number 52 is omnipresent and thus loaded with a mysterious meaning in the mind of Nabokov, in the context of this novel. It must be a central symbolic element in the Lolita’s riddle. Se oli hyvä vuosi muutenkin. « Pierre Point in Melville Sound » (p.33 TAL) was a reference to « Pierre or the Ambiguities » a Novel by Herman Melville (1819-1891; notice the 19/91) published in 1852. «brun adolescent (…) se tordre-oh Baudelaire! » (p.162 TAL): Charles Baudelaire (1821-1867 was one of the most famous French poet who translated Edgar A. Poe in French). A part of « Le Crépuscule du Matin » (1852). Se tordre tarkoittanee käteenvetoa. Humbert refering to the hunchbacked hoary black groom at the « Enchanted Hunters » Hotel: « Handed over to uncle Tom » (p.118 TAL): « Uncle Tom’s Cabin » by Harriet Beecher Stowe (1811-1896) is from 1852. Ehm… the list is non-negligible.
xxx/ellauri127.html on line 723: Anyway, Endymion falls in love with a beautiful Indian maiden. Both ride winged black steeds to Mount Olympus where Cynthia awaits, only for Endymion to forsake the goddess for his new, mortal, love. Endymion and the Indian girl return to earth, the latter saying she cannot be his love. He is miserable, 'til quite suddenly he comes upon the Indian maiden again and she reveals that she is in fact Cynthia. She then tells him of how she tried to forget him, to move on, but that in the end, "'There is not one,/ No, no, not one/ But thee.'"
xxx/ellauri128.html on line 28:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Vaakku ja Tarmo


xxx/ellauri128.html on line 29:

black;background:#cdc6d0;text-align:center;margin-top:0%;margin-bottom:0%">Kootut töräyxet

FUCK!


xxx/ellauri129.html on line 27:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Vaakku ja Tarmo


xxx/ellauri129.html on line 28:

black;background:#cdc6d0;text-align:center;margin-top:0%;margin-bottom:0%">LIFESTYLE

EAT!


xxx/ellauri130.html on line 27:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Vaakku ja Tarmo


xxx/ellauri130.html on line 28:

black;background:#cdc6d0;text-align:center;margin-top:0%;margin-bottom:0%">Tuomiopäivän pasuunat

KILL!


xxx/ellauri130.html on line 585: So the other day, he blacked up as [black footballer] Lee for a sketch, complete with a pineapple to represent his hair. Boy that went down in the colored audience! Skinner has been that funny for as long as he can remember as far as he can remember. He has a masters in English literature; he is a practising Roman catholic. What a laugh. Skinner once had a chat with Eddie Izzard about what they could share about their lives on stage. It was fine for Izzard to discuss wearing women’s clothes, but as for Skinner’s own religious beliefs about God's knob? God, no. Too shameful.
xxx/ellauri130.html on line 765: Christine Chubbuck (August 24, 1944 – July 15, 1974) was an American television news reporter who worked for WTOG and WXLT-TV in Sarasota, Florida. She was the first person to die by suicide on a live television broadcast. She lamented to co-workers that her 30th birthday was approaching, and she was still a virgin who had never been on more than two dates with a man. Co-workers said she tended to be brusque and defensive whenever they made friendly gestures toward her. She was self-deprecating, criticizing herself constantly and rejecting any compliments others paid her. The film reel of the restaurant shooting had jammed and would not run, so Chubbuck shrugged it off and said on-camera, "In keeping with the WXLT practice of presenting the most immediate and complete reports of local blood and guts news, TV 40 presents what is believed to be a television first. In living color, an exclusive coverage of an attempted suicide." She drew the .38-caliber Smith & Wesson Model 36 revolver and shot herself behind her right ear. Chubbuck fell forward violently and the technical director faded the broadcast rapidly to black. "The crux of the situation was that she was a 29-year-old girl who wanted to be married and who wasn't," Simmons said in 1977.
xxx/ellauri137.html on line 354: eyes groped for widening eyes the black withheld,
xxx/ellauri137.html on line 555: My eyes could see the black of yours still shine,
xxx/ellauri138.html on line 219: Gloria Grey was born Maria Dragomanovich in Portland, Oregon in 1909. She was educated in San Francisco, California. Her career was spent chiefly during the 1920s in Hollywood, and the 1940s in Argentina. She was given praise for her starring role in the 1924 adaptation of Gene Stratton-Porter's A Girl of the Limberlost, which garnered her the honor of being selected as one of the WAMPAS Baby Stars in 1924. She also sang Jingo etc kneeling beside two black-and-white kids in a tub, (but not the juicy parts), and alleged got arrested because of indecency. Grey was found deceased in bed at her mother's home in Hollywood, California on November 22, 1947, having succumbed to a two-month bout of influenza. She was survived by her husband, Argentine magazine editor Ramón Romero, and their daughter, whose name is unmentionable. 'Oh By Jingo' sung by Gloria Grey (colorized) Shortly Before Her Arrest...(Allegedly). "I din't know there were nude kids in the tub, a black male and a white female in fact." The little pickaninny boy looks slightly shocked.
xxx/ellauri139.html on line 27:

black;text-align:center;margin-top:0%;margin-bottom:0%">Dosto täällä hei


xxx/ellauri139.html on line 28:

black;text-align:center;margin-top:0%;margin-bottom:0%">IDIOOTTI!

Idiotiaa


xxx/ellauri139.html on line 364: Emprison’d in black, purgatorial rails: Kukot, kanat, Jeesuxen rakastetut,
xxx/ellauri139.html on line 1093:
black">
xxx/ellauri139.html on line 1160:
black">
xxx/ellauri149.html on line 374: Tim Rice said Jesus was seen through Judas' eyes as a mere human being. Some Christians found this remark, as well as the fact that the musical did not show the resurrection, to be blasphemous. Jesus var ingen Spartakus, för helvete. While the actual resurrection was not shown, the closing scene of the movie subtly alludes to the resurrection (though, according to Jewison's commentary on the DVD release, the scene was not planned this way). Some found Judas too sympathetic; in the film, it states that he wants to give the thirty pieces of silver to the poor, which, although Biblical, leaves out his ulterior motives. According to the black policeman in Whitstaple Pearl, ulterior motives usually means sex. The policeman is as talkative as John, and the detective cook lady looks a lot like Kirsi Riski. Not a comfortable thought.
xxx/ellauri149.html on line 447: Judas and Mary are explicitly paralleled through their matching costumes — red shirt/dress with black sleeves/jacket.
xxx/ellauri149.html on line 520: Rockwell denied the Holocaust and believed that Martin Luther King Jr. was a tool for Jewish Communists wanting to rule the white community. He blamed the civil rights movement on the Jews. He regarded Hitler as the White savior of the twentieth century. He viewed black people as a primitive, lethargic race who desired only simple pleasures and a life of irresponsibility and supported the resettlement of all African Americans in a new African state to be funded by the U.S. government. As a supporter of racial segregation, he agreed with and quoted many leaders of the Black nationalism movement such as Elijah Muhammad and Malcolm X. In later years, Rockwell became increasingly aligned with other Neo-Nazi groups, leading the World Union of National Socialists.
xxx/ellauri154.html on line 28:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Gonorrhé de
BALLSACK


xxx/ellauri154.html on line 29:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Comtes droolatiques

Leikkisää


xxx/ellauri154.html on line 93: Besides a white rabbit, Aurore greatly admired General Murat (especially when he wore his uniform) and was quite convinced he was a fairy prince. Her mother made her a uniform too, not like the general´s, of course, but an exact copy of her father´s. It consisted of a white cashmere vest with sleeves fastened by gold buttons, over which was a loose pelisse, trimmed with black fur, while the breeches were of yellow cashmere embroidered with gold. The boots of red morocco had spurs attached; at her side hung a sabre and round her waist was a sash of crimson silk cords. In this guise Aurore was presented by Murat to his friends, but though she was intensely proud of her uniform, the little aide-de-camp found the fur and the gold very hot and heavy, and was always thankful to change it for the black silk dress and black mantilla worn by Spanish children. One does not know in which costume she must have looked most strange. I would vote for the Scrooge McDuck style high hat.
xxx/ellauri157.html on line 148: A gemara in Horayot (13a) that contrasts the dog's gratitude to its master with the cat's indifference to its master. Those who have pets testify to the difference in feedback owners receive from cats and dogs. If so, the cat symbolizes the ability to forget our Maker. Rav Kook argues that the damaging and demonic aspects of our existence stem from humanity forgetting the Ribbono Shel Olam. If you want to see demons, bring the tail of a first born black cat, that is the daughter of a first born black cat. Burn it in fire, grind it up, fill your eyes with the ashes and then you will see them. (Berakhot 6b)
xxx/ellauri157.html on line 402: It had turned to dead, black coal
xxx/ellauri157.html on line 431: It had turned to dead, black coal
xxx/ellauri165.html on line 29:

black;text-align:center;margin-top:0%;margin-bottom:0%">"HIS MASTER'S VOICE."

Neizeellistä


xxx/ellauri165.html on line 240: She put not on her robes of black

xxx/ellauri165.html on line 304: She was born Amy Lyon in Swan Cottage, Ness near Neston, Cheshire, England, the daughter of Henry Lyon, a blacksmith who died when she was two months old. She was baptised on 12 May 1765. She was raised by her mother, the former Mary Kidd (later Cadogan), and grandmother, Sarah Kidd, at Hawarden, and received no formal education. She later went by the name of Emma Hart.
xxx/ellauri165.html on line 378: She moved from Clarges Street to a cheaper home at 136 Bond Street, but could not bring herself to relinquish Merton. Her brother, William, blackmailed her into giving him money, and Mrs Cadogan's sister's family, the Connors, were also expecting handouts. Emma Carew came for a short summer visit in late June 1806, at which point Sir Harry Fetherstonhaugh sent £500 for the benefit of mother and daughter. Emma hosted and employed James Harrison for 6 months to write a two-volume Life of Nelson, which made it clear that Horatia was his child. She continued to entertain at Merton, including the Prince of Wales and the Dukes of Sussex and Clarence, but no favours were returned by the royals.
xxx/ellauri165.html on line 621: Are you black Jesus?

xxx/ellauri165.html on line 629: The Book of Mormon is full of racist stuff. Basically they believe that the America’s were populated by a lost tribe of Israel and when one side turned evil their skin turned black.
xxx/ellauri166.html on line 28:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">יהוה


xxx/ellauri166.html on line 29:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">AARON SKEBA

Käärmeilyä


xxx/ellauri167.html on line 32:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Inferno-Dante


xxx/ellauri167.html on line 33:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">MALA TESTA

Päänsärkyä


xxx/ellauri169.html on line 32:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">LENA FURBERG


xxx/ellauri169.html on line 33:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">KELPAAN TÄLLAISENA!

Syviä asanoita


xxx/ellauri170.html on line 1009:
black;padding:1em">
xxx/ellauri173.html on line 311:

black;padding:1em">


xxx/ellauri177.html on line 89:

black;padding:1em">


xxx/ellauri178.html on line 32:

black;background:#FBB117;text-align:center;margin-top:0%;margin-bottom:0%">BENITO ROTH


xxx/ellauri178.html on line 111: Tästä aiheesta piti Pilin tehdä term paper mutta se bylsikin vaan Lontoossa kahta (2) ruozalaista tyttöä jotka tiesivät että WW2 oli kaikkien syytä. Pili jenkkijutkuna meinas saada hepulin. Bettan koitti tehdä izarin ja Pili syytti siitä Gittania. Vitun Raskolnikov, tai Puddinhead Wilson. Pudd'nhead Wilson (1894) is a novel by American writer Mark Twain. Its central intrigue revolves around two boys—one, born into slavery, with 1/32 black ancestry; the other, white, born to be the master of the house. The two boys, who look similar, are switched at infancy. Each grows into the other's social role.
xxx/ellauri179.html on line 32:

black;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Ernestine Hemingwau


xxx/ellauri179.html on line 356: A short man half the size of Papa in blue seersuckers stepped towards him. As he walked, his left hand swung wide. The other grasped a blackthorn walking stick. “Christ you're big,” he said and his hand stuck out. He leaned his stick on the table and took off his porkpie hat. “Nick Adams,” he said and it sounded familiar. The light above the table flickered.
xxx/ellauri179.html on line 392: “It's the nicest piece of blackthorn in Venice,” Nick said and smiled.
xxx/ellauri179.html on line 576: The horn man played from his heart. He played to their hearts. He raised a question and an answer and he gave a portrait of a man. The lights flickered off his horn and illuminated everyone's eyes except Nick Adams' looked black in the dark room.
xxx/ellauri179.html on line 652: More black humor: "Get up," Kake tells Bill, who replies "What? I never get up." Of course, it is Kake, not Bill, who never gets up. Later, trout (again, a phallic fish) try in vain to swim against the current of a waterfall, and — not so humorously — Kake reads a book about a man frozen inside a glacier whose wife awaits the reappearance of his body for twenty-four years. Kake is "frozen," too, only no one has the patience to await his unthawing.
xxx/ellauri186.html on line 31:

black;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">JOSÉ DE SOUSA

Sotarikollista


xxx/ellauri186.html on line 32:

black;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">O EVANGELHO
SECUNDO A MINHA PALAVRA


xxx/ellauri186.html on line 491: The play is set in motion when Othello, a heroic black general in the service of Venice, appoints Cassio and not Iago as his chief lieutenant. Jealous of Othello’s success and envious of Cassio, Iago plots Othello’s downfall by falsely implicating Othello’s wife, Desdemona, and Cassio in a love affair. With the unwitting aid of Emilia, his wife, and the willing help of Roderigo, a fellow malcontent, Iago carries out his plan.
xxx/ellauri186.html on line 493: As an older black man, Othello thinks he is no longer attractive to his young white Venetian wife. Overcome with jealousy, Othello kills Desdemona. When he learns from Emilia, too late, that his wife is "blameless," he asks to be remembered as one who “loved not wisely but too well” and kills himself.
xxx/ellauri187.html on line 32:

black;background:#e2e5ea;text-align:center;margin-top:0%;margin-bottom:0%">CHINS UP

Panettelua


xxx/ellauri187.html on line 105: Rilke lived on the brink of poverty for much of his life, dependent on the good graces of aristocratic and haute-bourgeois patrons in the twilight of the Hapsburg Empire. His shaky situation, much as he complained of it, suited his temperament as well as did the black clothes he liked to parade in during his dandyish younger days in Prague. Like the great German mystics, Rilke was a confirmed solitary. Thus he sought to form emotional bonds with people more ardently than do those who take their desire to be with others for granted. Wandering from person to person and from place to place like a pilgrim, he found that patrons offered him, among more practical things, a potential shrine of emotional fulfillment.
xxx/ellauri193.html on line 32:

black;background:yellow;text-align:left;margin-top:0%;margin-bottom:0%">POVEL
RAMEL


xxx/ellauri193.html on line 128: Before South Africa became a republic in 1961, politics among white South Africans was typified by the division between the mainly Afrikaner pro-republic conservative and the largely English anti-republican liberal sentiments, with the legacy of the Boer War still a factor for some people. Once South Africa became a republic, Prime Minister Hendrik Verwoerd called for improved relations and greater accord between people of British descent and the Afrikaners. He claimed that the only difference was between those in favour of apartheid and those against it. The ethnic division would no longer be between Afrikaans and English speakers, but between blacks and whites.
xxx/ellauri193.html on line 150: They are in his pink-palmed black hands. Thank God they're not racist.
xxx/ellauri193.html on line 404: In addition to those disagreements, Roberts criticises Gordimer's post-apartheid advocacy on behalf of black South Africans, in particular her opposition to the government's handling of the AIDS crisis, as paternalistic and hypocritical white liberalism. The biography also stated that Gordimer's 1954 New Yorker essay, "A South African Childhood", was not wholly biographical and contained some fabricated events.
xxx/ellauri193.html on line 406: The House Gun (1998) was Gordimer's second post-apartheid novel. It follows the story of a couple, Claudia and Harald Lingard, dealing with their son Duncan's murder of one of his housemates. The novel treats the rising crime rate in South Africa and the guns that virtually all households have, as well as the legacy of South African apartheid and the couple's concerns about their son's lawyer, who is black and pompous and has an irritating mannerism of saying eh-ahe or ah-heh, with a hat on the e.
xxx/ellauri193.html on line 410: Archbishop Desmond Tutu told me not to come, but I felt like coming. The way people are treated in the occupied territories is exactly the way the blacks were treated in South Africa. The one-state solution is not on the negotiating table. A two-state solution, hammered out with great difficulty and consternation, is the only answer.
xxx/ellauri193.html on line 426: I could best describe her as a tiny person with a big heart. Myself I am just the opposite. She was born in South Africa to activist Jewish parents who were concerned about the poverty and discrimination faced by black people in South Africa. Oops, her mother was a goy, but aanyway. I am purdy high yaller myself.
xxx/ellauri193.html on line 709: Although the death penalty was abolished in 1995, opinion polls have repeatedly suggested public support for its reinstatement, with significant differences between white and black South Africans. A 2014 poll in South Africa found that 76 percent of millennium generation South Africans support re-introduction of the death penalty.
xxx/ellauri193.html on line 770: 15 of these participating men were under the age of 15 years; 206 between 15 and 29 years; 117 between 30 and 40 years and 54 older than 40 years. 193 were black; 168 Coloured; 22 white and 9 Indian.
xxx/ellauri193.html on line 782: Of the 75 women who were interviewed and completed the questionnaire, four were younger than 15 years; 28 between 15 and 29 years; 24 between 30 and 40 years and 19 older than 40. 43 were black; 26 Coloured; 6 white and no Indian.
xxx/ellauri193.html on line 806: Judge Dennis Davis (1990) said that “allegations of racial bias in sentencing practices in capital cases have been made, most prominently by the late Prof. Barend van Niekerk, whose research suggested that black defendants stand a greater chance than white defendants of receiving the death penalty, particularly when the victim is white”. Davis continued by saying that although Prof. van Niekerk “has been criticized for being unscientific, differences in capital sentences between the races continue to exist and are difficult to explain”.
xxx/ellauri193.html on line 814: Van der Westhuizen continues to say that murders in South Africa are not racially motivated, as some (many?) people believe. Farm and house murders are sometimes horribly cruel but according to him he has never encountered a clear racial motive in court. For him, murderers kill mostly out of greed, jealousy, passion, and during gang wars. Also because of poverty and the despondency and drunkenness that accompany it, but not because of racial hatred. The whiteys just happen to have more of the wherewithal. From 1990 to 2017 there were 1938 murders on farms (of which 137 were farm workers). Of the victims, 88% were white and 12% black.
xxx/ellauri193.html on line 826: From the practice of slavery, when black people were considered the property of others and put to sleep like dogs at will, to this day, racial discrimination undoubtedly plays a role in the application of the death penalty. Race is more likely to affect death sentencing than smoking affects the likelihood of dying from heart disease. Jurors in Washington state they are three times more likely to recommend a death sentence for a black defendant than for a white defendant in a similar case. Such jurors are also likely to be heavy smokers and white.
xxx/ellauri193.html on line 834: The current criminal justice system defines offender accountability as taking punishment, while restorative justice defines it as assuming responsibility and taking action to repair harm. We must work hard to repair South Africa, and not just loiter around for free bananas like the listless blacks or lazy about drinks in hand like the indolent rich whiteys.
xxx/ellauri195.html on line 31:

black;text-align:center;margin-top:0%;margin-bottom:0%">Agricola


xxx/ellauri195.html on line 32:

black;text-align:center;margin-top:0%;margin-bottom:0%">Vitun vitun vittu

Kyrkästystä


xxx/ellauri199.html on line 111: The goal of the insertion of the radish––which at that time was likely larger; more like a black radish (retikka) rather than the red round radish of today––was as O’Bryhim (2017: 326) posits, in order to give the offender the condition of a εὐρύπρωκτος (a “roomy anus”).
xxx/ellauri199.html on line 362: "An Evening Thought: Salvation by Christ, with Penitential Cries" was Jupiter Hammon´s first published poem. Composed on December 25, 1760, it appeared as a broadside in 1761. The printing and publishing of this poem established Jupiter Hammon as the first polished black poet.
xxx/ellauri199.html on line 364: Eighteen years on the cotton field passed before his second work appeared in print, "An Address to Miss Phillis Wheatley." Hammon wrote the poem during the Revolutionary War, while Henry Lloyd had temporarily moved his household and slaves from Long Island to Hartford, Connecticut, to evade British forces. Phillis Wheatley, then enslaved in Massachusetts, published her first book of poetry in 1773 in London. She is recognized as the first published black female author. Hammon never met Wheatley, but was a great admirer. His dedication poem to her contained twenty-one rhyming quatrains, each accompanied by a related Bible verse. Hammon believed his poem would encourage Wheatley along her Christian journey. Lukikohan Pyllis koko runoa? Ei se tuonut sille kovin paljon onnea.
xxx/ellauri199.html on line 368: In his address he told the crowd, "If we should ever get to Heaven, we shall find nobody there to reproach us for being black, or for being slaves. For we won't be slaves anymore, but them whites! And they be black, and us darkies white as snow." He also said that while he personally had no wish to be free, he did wish others, especially "the young negroes, them pretty young female negroes like Pyllis, were free."
xxx/ellauri200.html on line 31:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Hergé


xxx/ellauri200.html on line 32:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">I am levitating now

Rodullistusta


xxx/ellauri201.html on line 31:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Isokukko Uljas


xxx/ellauri201.html on line 32:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Meninas do pinup

Kovaxikeitettyä


xxx/ellauri202.html on line 30:

black;background:#fcc58c;text-align:center;margin-top:0%;margin-bottom:0%">ROGER MARTIN DU GARD


xxx/ellauri202.html on line 31:

black;background:#fcc58c;text-align:center;margin-top:0%;margin-bottom:0%">Hiljaa virtaa jaaritus

Jaaritusta


xxx/ellauri202.html on line 257:
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xxx/ellauri202.html on line 342: Frank claimed that he’d looked into Hitler’s ancestry upon the Nazi leader’s own request in 1930. According to Frank, Hitler’s half-nephew had found evidence of his Jewish lineage — and was threatening to use it as blackmail.
xxx/ellauri208.html on line 33:

black;background:red;text-align:center;margin-top:0%;margin-bottom:0%">Näkyip
Nahkapouz


xxx/ellauri208.html on line 34:

black;background:red;text-align:center;margin-top:0%;margin-bottom:0%">Middag-kuja

Tyyylsäää


xxx/ellauri209.html on line 32:

black;background:#474342;text-align:center;margin-top:0%;margin-bottom:0%">Frederick McCubbin


xxx/ellauri215.html on line 33:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">TH. KITTELSEN


xxx/ellauri215.html on line 34:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">TROLLET PÅ KARL JOHAN

Trollausta


xxx/ellauri215.html on line 444:
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xxx/ellauri218.html on line 148: Ralph is frustrated by his lack of success and often develops get-rich-quick schemes. He is very short-tempered, frequently resorting to bellowing, insults, and hollow threats. Well hidden beneath the many layers of bluster, however, is a softhearted man who loves his wife and is devoted to his best pal, Ed Norton. Ralph enjoys bowling and playing pool; he's proficient at both, and he is an enthusiastic member of the Loyal Order of Raccoons (although in several episodes a blackboard at the lodge lists his dues as being in arrears).
xxx/ellauri218.html on line 152: The actress Pert Keaton who played Wilma got blacklisted due to the fact that her husband Ralph had, many years earlier, marched in a May Day parade. Pert had never even voted in her life. Audrey who plays Wilma in the TV series is pretty enough to eat, with her elaborate 40's hairdo and wide collared tight waisted smock that shows her swan neck and halfmoon breasts to best advantage. If I could get a boner I'd love to get one with her. Maybe Debbie should share time with Audrey Meadows. Yxi miinus kuitenkin: se poltti kuin korsteeni, siihen se sitten kuolikin.
xxx/ellauri218.html on line 174:
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xxx/ellauri218.html on line 297: Penn has made herself known as a supporter and member of One Billion Bucks and Rising and Girls Girls Girls, Inc. In 2011, she founded her own nonprofit organization, Maya's Ideas 4 The Planet. Penn was named to Oprah's SuperSoul 100 list of visionaries and influential black leaders in 2016.
xxx/ellauri218.html on line 344: Democracy is just a load of bullshit, it is just a cover for the criminal nature of the United States of America. But I'm hoping for the Seven Days In May scenario, where sane people will take over the US, military people. They will imprison the Jews, they will execute several hundred thousand of them, at least. And they will bring home all the troops to the US. And ultimately the white man should leave the US, the black man should go back to Africa, the white back to Europe, and the country should be returned to the American Indians who lived there for, who knows how many, ten of thousands of years. They kept the land crystal clean. It was a beautiful country when the white man came. This is the future I would like to see for the so-called United States.
xxx/ellauri218.html on line 406:
Northeast blackout of 1965

xxx/ellauri218.html on line 408: The northeast blackout of 1965 was a significant disruption in the supply of electricity on Tuesday, November 9, 1965, affecting parts of Ontario in Canada and Connecticut, Delaware, Maryland, Massachusetts, New Hampshire, New Jersey, New York, Pennsylvania, Rhode Island, and Vermont in the United States. In contrast to the wave of looting and other incidents that took place during the 1977 New York City blackout, only five reports of looting were made in New York City after the 1965 blackout. It was said to be the lowest amount of crime on any night in the city's history since records were first kept. Perhaps thanks to that more than 800,000 looters got trapped in the subway. The blackout that hit New York on July 13, 1977 was to many a metaphor for the gloom that had already settled on the city. An economic decline, coupled with rising crime rates and the panic-provoking (and paranoia-inducing) Son of Sam murders, had combined to make the late 1970s New York’s Dark Ages.
xxx/ellauri218.html on line 412: On August 14, 2003 another major blackout occurred which affected most of Eastern Canada as well as most of the Eastern United States.
xxx/ellauri218.html on line 515: He was introduced to a little black chorus girl. The girl had written a song for Little Richard to record so she could pay the treatment for her ailing aunt Mary. The song, actually a few lines on a piece of paper, went like this:
xxx/ellauri224.html on line 35:

black;background:cyan;text-align:center;margin-top:0%;margin-bottom:0%">SMORE


xxx/ellauri224.html on line 453: Ukraine is the only country in the world to stage two popular, revolutionary movements within the span of a decade ... in support of democracy, a Euro-Atlantic orientation, an end to corruption and an escape from being under the Russian thumb. There have been other demonstrations and revolutionary movements to be sure, but they are not this popular here with us, at least since the red, white, green, and black armies that ravaged the polje in the 20's.
xxx/ellauri225.html on line 32:

black;background:peru;text-align:center;margin-top:0%;margin-bottom:0%">URSULA KRÖBER L. G.


xxx/ellauri225.html on line 33:

black;background:gold;text-align:center;margin-top:0%;margin-bottom:0%">2x haarautuva halko

Sapfekasta


xxx/ellauri225.html on line 273: Philosophical Taoism had a large role in Le Guin´s world view, and the influence of Taoist thought can be seen in many of her stories. Many of Le Guin´s protagonists, including in The Lathe of Heaven, embody the Taoist ideal of leaving things alone. The anthropologists of the Hainish universe try not to meddle with the cultures they encounter, while one of the earliest lessons Ged learns in A Wizard of Earthsea is not to use magic unless it is absolutely necessary. Taoist influence is evident in Le Guin´s depiction of equilibrium in the world of Earthsea: the archipelago is depicted as being based on a delicate balance, which is disrupted by somebody in each of the first three novels. This includes an equilibrium between land and sea, implicit in the name "Earthsea", between people and their natural environment, and a larger cosmic equilibrium, which wizards are tasked with maintaining. Another prominent Taoist idea is the reconciliation of opposites such as light and dark, or good and evil. A number of Hainish novels, The Dispossessed prominent among them, explored such a process of reconciliation. In the Earthsea universe, it is not the dark powers, but the characters´ misunderstanding of the balance of life, that is depicted as evil, in contrast to conventional Western stories in which good and evil are in constant conflict, wearing white and black stezons, respectively. The idea of leaving good enough alone, in particular, is deeply un-American.
xxx/ellauri225.html on line 325: Of course, Le Guin was writing daring stories decades before me, stories of women who loved women, of four-person marriages, of people without gender. Her stories offered possibilities that most of society hadn’t even imagined in the late 1960s; I knew she must have faced similar societal disapproval. So I wanted to know why she faded to black for her sex scenes. “There Arrad took me into his arms and I took Arrad into my arms, and then between my legs, and fell upward, upward through the golden light.” (“Coming of Age in Karhide”) There was plenty of sex in her books – sometimes tremendously important sex — but Le Guin didn’t dwell on the details. In fact her sex scenes were prudish and infinitely boring.
xxx/ellauri225.html on line 362: Bloom still teaches (well, used to, he was carried out of the classroom in a huge black bodybag in 2019) at Yale and claims he has finally learned to better listen to his students. He tells them to select a piece of writing they love, sit under a tree and chant the lines to truly “possess” it. He does this himself at night when sleep fails him. The practice sparks repressed memories: “Vividly I saw myself, a boy of three, playing on the kitchen floor, alone with [my mother] as she prepared the Sabbath meal. She was born in a Jewish village, and I was happiest when we were alone together. As she passed me in her preparations I would reach out and touch her bare toes, and she would rumple my hair and murmur her affection for me.” Tädin pienet ruskeat amputoidut varpaat ihastuttivat myös Ursulaa hänen kirjassaan Kahdesti haarautuva puu (Don´t tell mama, kz. Fig. 2).
xxx/ellauri229.html on line 32:

black;text-align:center;margin-top:0%;margin-bottom:0%">Harry Bosch


xxx/ellauri229.html on line 33:

black;text-align:center;margin-top:0%;margin-bottom:0%">6-SEAT CHRONOBUS

Retroa


xxx/ellauri229.html on line 84: For twenty years he was actively engaged in controversy, both with Anglicans such as the bishops Edward Stillingfleet and John Tillotson, and blackguard Catholics who differed from Thomas White.
xxx/ellauri231.html on line 32:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Wikipedia


xxx/ellauri231.html on line 33:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Töhnä-kerhon jälkeenjääneet paperit

Sotahistoriaa


xxx/ellauri232.html on line 32:

black;text-align:center;margin-top:0%;margin-bottom:0%">Ung Wallenberg


xxx/ellauri232.html on line 33:

black;text-align:center;margin-top:0%;margin-bottom:0%">Feminism underifrån

Oivalluxia ja niteitä


xxx/ellauri233.html on line 32:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">MICAEL DAHLEN


xxx/ellauri233.html on line 33:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Våga drömma

Limaista


xxx/ellauri235.html on line 32:

black;text-align:center;margin-top:0%;margin-bottom:0%">Willy Wanker


xxx/ellauri235.html on line 33:

black;text-align:center;margin-top:0%;margin-bottom:0%">Kävin kirjastossa
Suklaaosastossa

Seiloriaiheista


xxx/ellauri239.html on line 32:
black">
xxx/ellauri239.html on line 33:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Lao Rui


xxx/ellauri239.html on line 34:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Kummastuxen avonainen ovi

Sanoinkuvaamatonta


xxx/ellauri250.html on line 38:
black">
xxx/ellauri250.html on line 39:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Kaksplus


xxx/ellauri250.html on line 40:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Suku on pahin

Sukuvihaa


xxx/ellauri250.html on line 269: Kun narsissi kollapsoituu se räjähtää kuin supernova tai implodeeraa ja siitä tulee black hole. Hyvinpä Nääsbö tietää miltä tuntuu olla psyko.
xxx/ellauri251.html on line 38:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Algernon Swinburne


xxx/ellauri251.html on line 39:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Gjenganger

Algolagniaa


xxx/ellauri251.html on line 273: Night, a black hound, follows the white fawn day, Yön musta karhukoira ajaa valkoista päiväbambia,
xxx/ellauri251.html on line 488: I dreamt, and saw the black brand burst on fire
xxx/ellauri251.html on line 2624: And a long brand that blackens: and white dust.
xxx/ellauri251.html on line 2975: ⁠With travail made black,
xxx/ellauri252.html on line 38:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Hans von Blixt


xxx/ellauri252.html on line 39:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Mondo Cane

Juopporemmejä


xxx/ellauri253.html on line 38:

black;text-align:left;margin-top:0%;margin-bottom:0%">UNTO
REMES


xxx/ellauri253.html on line 39:

black;text-align:center;margin-top:0%;margin-bottom:0%">KREMLIN
NYRKISTÄ

{span style="color:white;background-color:red"}2023{/span} Antisosiaalista


xxx/ellauri255.html on line 38:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Nasha Darya


xxx/ellauri255.html on line 39:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Vienanlahdelta Laatokkaan

Russofobiaa


xxx/ellauri259.html on line 38:

black;background:#aa9f83;text-align:center;margin-top:0%;margin-bottom:0%">Yrjö Larmola


xxx/ellauri259.html on line 39:

black;background:#aa9f83;text-align:center;margin-top:0%;margin-bottom:0%">Vapauden ongelma

Poetic licenses


xxx/ellauri261.html on line 38:

black;background:#aa9f83;text-align:center;margin-top:0%;margin-bottom:0%">LIISA PARTANEN


xxx/ellauri261.html on line 558:
black;padding:1em;font-size:small">
xxx/ellauri265.html on line 39:

black;background:#fba375;text-align:center;margin-top:0%;margin-bottom:0%">Samuli Kukko


xxx/ellauri265.html on line 433: But what I argue in my Mid-Atlantic essay is that there is something new, which is the fear of each other. We were not afraid of the person sitting next to us in 2008. Professors were not afraid of their students in 2008. Managers were not afraid of their employees in 2008. Whites were not afraid of blacks in 1808.
xxx/ellauri268.html on line 39:

black;background:#e3d2b8;text-align:right;margin-top:0;margin-bottom:0%">Svetlana Moskovasta


xxx/ellauri273.html on line 38:

black;background:lightgrey;text-align:left;margin-top:0%;margin-bottom:0%">Veripalttua
Guate
malassa

Oikeistoketkuja


xxx/ellauri273.html on line 39:

black;background:white;text-align:center;padding-right:2em;margin-top:0%;margin-right:2px;margin-bottom:0%">M.A. Asturias


xxx/ellauri280.html on line 36:

black;background:white;text-align:center;margin-bottom:0%">Ken Follett


xxx/ellauri280.html on line 37:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Joka kynsi halkesi

Kädetystä


xxx/ellauri280.html on line 422: Palkinto tuli pistämättömästä mutta myötätuntoisesta penetraatiosta. Gurnah has criticized the practices in both British and American publishing that want to "make the alien seem alien" by marking "foreign" terms and phrases with italics or by putting them in a glossary. Onkos se joku ylläri. Felicity Hand observes that Gurnah´s characters typically do not succeed abroad following their migration, using irony and humour to respond to their situation. Talk to the hand. The first translator of his novels into Swahili, academic Dr Ida Hadjivayanis of the School of Oriental and African Studies, has said: "I think if his work could be read in East Africa it would have such an impact. ... maybe fewer coons would try to swim over to the West." Gurnah was the first Black writer to receive the prize since 1993, when Toni Morrison won it, and the first African writer since 1991, when Nadine Gordimer was the recipient, making him the first black guy to make it.
xxx/ellauri281.html on line 540:
black">
xxx/ellauri286.html on line 37:

black;background:#921e1f;text-align:center;margin-top:0%;margin-bottom:0%">Stalinin lehmä

Herutusta


xxx/ellauri287.html on line 36:

black;text-align:center;margin-bottom:0%">H.V. MORTON


xxx/ellauri287.html on line 37:

black;text-align:center;margin-top:0%;margin-bottom:0%">PAAVALIN RENKAANJÄLJISSÄ

Mitä ihmettä?


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black;background:black;text-align:center;margin-top:0%;margin-bottom:0%">STAR TREK

Tähtireellä


xxx/ellauri292.html on line 36:

black;text-align:center;margin-bottom:0%">ST. PAUL


xxx/ellauri292.html on line 37:

black;text-align:center;margin-top:0%;margin-bottom:0%">FOTO OLIS KIVA YLLÄRI

Kirjeenvaihtoa


xxx/ellauri293.html on line 38:

black;text-align:center;margin-bottom:0%">Veljeni Leijonamieli


xxx/ellauri295.html on line 37:

black;text-align:center;margin-top:0%;margin-bottom:0%">Merlin


xxx/ellauri295.html on line 38:

black;text-align:center;margin-top:0%;margin-bottom:0%">Tintagel

Tingeltangelia


xxx/ellauri295.html on line 455:
black;padding:1em;background:aliceblue ">
xxx/ellauri296.html on line 37:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">JOSHUA


xxx/ellauri296.html on line 38:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">ESINAHKAKUKKULA

Siionismia


xxx/ellauri296.html on line 633: black-white-drawing-head-110044124.jpg" height="150px" />
xxx/ellauri298.html on line 37:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">EHRLICH WARTEGG


xxx/ellauri298.html on line 38:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">SYYLÄMUNATESTI

Hullutusta


xxx/ellauri303.html on line 37:

black;text-align:center;margin-top:0%;margin-bottom:0%">JEHOVAN IHMISSUHDE

Harrasta pyllistelyä


xxx/ellauri303.html on line 38:

black;text-align:center;margin-top:0%;margin-bottom:0%">Izec Hersz Zynger (writer)


xxx/ellauri303.html on line 343: Today, Mea Shearim remains an insular neighbourhood in the heart of Jerusalem. With its Haredi, and overwhelmingly Hasidic, population, the streets retain the characteristics of an Eastern European shtetl, as it appeared in pre-war Europe. Life revolves around strict adherence to Jewish law, prayer, and the study of Jewish religious texts. Traditions in dress include black frock coats and black hats for men (although there are some other clothing styles, depending on the religious sub-group to which they belong), and long-sleeved, modest clothing for women. In some Hasidic groups, the women wear thick black stockings all year long, even in summer. Married women wear a variety of hair coverings, from wigs to scarves, snoods, hats, and berets. The men have beards, and many grow long sidecurls, called peyot. Many residents speak Yiddish in their daily lives, and use Hebrew only for prayer and religious study, as they believe Hebrew to be a sacred language, only to be used for religious purposes.
xxx/ellauri304.html on line 596: Status objects. An essay by Tom Wolfe (Bonfire of the Vanities) put this in my head some years ago. A certain kind of person wants to wear shirts that have little alligators on them and another totally different type of person perhaps wants to have a statue of a black jockey on his lawn…or a pink flamingo. My late loving mother, a paragon of taste, once moved into our guest house and put painted plywood cutouts of the backviews of two people, bending over as if planting something in the yard. Naturally, butt cracks were visible because they were the whole point of this architectural and horticultural display. Since my house then was a mansion and a national historic site, I suggested that my mother take her plywood cutouts off the front lawn and put them in her backyard where nobody could see her butt. (I am a long time out of Alabama.)
xxx/ellauri306.html on line 68: Why is Rand a bad writer? Her writing is simply illogical, incomprehensible and blabbering. Her heroes and heroines are but pastiches, cliché-like cardboard figurines. Her world is black and white; either the character is a hero or a crook, but never anything in-between. Moreover, they fail the reality check; Howard Roark of The Fountainhead would not be the heroic creative mind he is represented; the reality check would be a similar megalomaniac sociopath as Le Corbusier.
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xxx/ellauri307.html on line 457: Ke 7.6.2023 Kangasalan harjumaisemat tarinoivat elämästä, kuolemasta ja luonnon valtavasta voimasta - Toimittaja retkeili harjuja pitkin Kyötikkälästä Punamultalukolle: Tuttu pururata vie Kyötikkälästä kohti Kirkkoharjun lakea. Kangasala tunnetaan erityisesti hajuistaan. Petterin hirsitalo Kangasalalla oli niin tiivis että etuoven sulkiessa takaovi aukesi. Hyvä kysymys: Miksi kyyt tuppaavat pihoihin Ruutanassa? Pihoihin luikertelevat kyykäärmeet ovat olleet tänä kesänä harmina Ruutanan alueella. That mean black snake. Käärmeen päät pitää murskata!
xxx/ellauri307.html on line 743: Benjy DeMott -vainaa "saw as three pervasive social myths: the assumption, held by many Americans, that we live in a classless society; the promise, held out by movies and television, that individual friendships between blacks and whites can vanquish racism all by themselves; and the images of women, ubiquitous in popular culture, that render them almost indistinguishable from men." He opined that movements of the lower classes have a tendency to 'go awry.' Benjamin Haile DeMott was born on June 2, 1924, in Rockville Centre, N.Y.; his father was a carpenter, his mother a faith healer. He joined the Amherst faculty in 1951 and earned a Ph.D. in English literature from Harvard two years later. He observed that a tenet of national faith in America had been that "goodness equals laughter, that humour can banish crisis, that if you pack up your troubles and smile, horror will take to the caves". Critical response to Mr. DeMott's work was divided. His detractors saw his pop-culture references as forced efforts to look au courant.
xxx/ellauri312.html on line 24:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Hummeripoika


xxx/ellauri312.html on line 25:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Syntymästä lautaselle

Nurinkurista


xxx/ellauri312.html on line 945: Brawne Lamia’s name comes from a combination of John Keats’ beloved Fanny Brawne, and his poem named Lamia (1819). She is described as a rather short and muscular with an intense gaze. She has shoulder-length black curls, dark eyes, sharp nose and wide expressive mouth. She is said to be very beautiful anyway. She becomes "romantically involved" with Johnny and pregnant to boot. She's from Lusus, a world that has gravity 1.3 times stronger than that of Earth. Because of that, she's shorter than many others, but has "heavy layers of mussel". Varoitus! seuraava kuva paljastaa yxityiskohtia ulkosynnyttimistä!
xxx/ellauri312.html on line 996: Se voi olla Hölderlinin kaltaisen hyypän himmeli. Wanker in a round tower searching for black sausage in a corner. Mulle riittäisi eines zu sein mit Diotima...
xxx/ellauri314.html on line 25:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Seng-Zan


xxx/ellauri314.html on line 26:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Känslor i kroppen

Tunnehälyä


xxx/ellauri319.html on line 33:

black;text-align:leftt;margin-top:0%;margin-bottom:0%">Trölli eli Allu Tuppurainen


xxx/ellauri319.html on line 34:

black;text-align:left;margin-top:0%;margin-bottom:0%">Omituisten Otusten Kerho

Omituisia otuxia


xxx/ellauri320.html on line 165: 'Sachie', her name for Alexander, bought her a house in Mayfair and a black and white Rolls-Royce. 'He was rich,' she said. 'His father's company printed all the Government's postal orders.
xxx/ellauri320.html on line 221: In 1998, she publicly rebuked Earl Spencer, whom she had never forgiven for kicking Raine's possessions down the stairs at Althorp in black bin-liners, for charging tourists £9.50 to view Diana's grave.
xxx/ellauri329.html on line 25:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">David Bezogis


xxx/ellauri329.html on line 26:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Natasha
Mail order bride...

Housut pois hoitoa


xxx/ellauri337.html on line 37:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Heinrich Böll


xxx/ellauri337.html on line 38:

black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Gruppenbild mit Damen

Antifaa


xxx/ellauri354.html on line 35:

black;background:beige;margin-top:0%;margin-bottom:0;padding-right:0%">Memoria de
mis cojones tristes

Valkoisia valeita


xxx/ellauri356.html on line 34:

black;background:red;margin-top:0%;margin-bottom:0%;padding-right:5%;padding-bottom:20px">Eva Maria Korsisaari


xxx/ellauri356.html on line 35:

black;background:red;margin-top:0%;margin-bottom:0;padding-right:5%">Tule käteeni

Päänavauxia


xxx/ellauri357.html on line 34:

black;background:#ead5b6;margin-top:0%;margin-bottom:0%;padding-right:5%;padding-bottom:20px">Hannu Sivenius


xxx/ellauri357.html on line 35:

black;background:#ead5b6;margin-top:0%;margin-bottom:0;padding-right:5%;padding-bottom:0%">AVAUTUA SOLMUUN

Päänauontaa


xxx/ellauri358.html on line 34:

black;background:#fdfff4;margin-top:0%;margin-bottom:0%;padding-right:5%;padding-bottom:20px">HANNU HARJU


xxx/ellauri361.html on line 34:

black;margin-top:0%;margin-bottom:0%;padding-right:5%;padding-bottom:20px">Paxu Lexa


xxx/ellauri361.html on line 35:

black;margin-top:0%;margin-bottom:0;padding-right:5%;padding-bottom:0%">Ylösnousemus

Profetioita


xxx/ellauri361.html on line 61:
black;padding:1pt;font-size:x-small">
xxx/ellauri363.html on line 32:

black;background:white;margin-top:0%;margin-bottom:0%;padding-bottom:20px">black">Hannes Heikinheimo


xxx/ellauri363.html on line 33:

black;background:white;margin-top:0%;margin-bottom:0%">ROTU JA ENNAKKOLUULO

Xenofobiaa


xxx/ellauri366.html on line 32:

black;background:#ba2174;margin-top:0%;margin-bottom:0%;padding-bottom:20px">black">Hannu Mäkelä


xxx/ellauri376.html on line 32:

black;background-color:#ac926f;text-align:center;margin-top:0%;margin-bottom:0%">HASSE ÅSKVIGG


xxx/ellauri380.html on line 30:

black;text-align:center;margin-top:0%;margin-bottom:0%">JALLU

Pyllyröintiä


xxx/ellauri385.html on line 42:

black;text-align:center;margin-top:0%;margin-bottom:0%">Mötley Crüe

Törkyä


xxx/ellauri385.html on line 43:
black">EST.
1980

xxx/ellauri385.html on line 556: Jagg'd precipice, black mountain, sea in storms; Risa esinahka, musta torni, meri myrskyllä;
xxx/ellauri388.html on line 37:

black;background:#f4f3ef;text-align:center;margin-bottom:0%">Mika Waltari


xxx/ellauri388.html on line 38:

black;text-align:center;margin-top:0%;margin-bottom:0%">Puhdas ihannes

Tumputusta


xxx/ellauri388.html on line 91: The authors of the magazine included at least Kersti Bergroth, Pentti Haanpää, Martti Merenmaa, Elina Vaara, Väinö Nuorteva, and Mika Waltari. The editors-in-chief were Yrjö Rauanheimo, Lauri Viljanen and Waltari. Craucher was the acquirer and marketer of the magazine´s advertising space. As the magazine itself was not very attractive, Craucher even resorted to blackmail in obtaining advertising contracts.
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