ellauri024.html on line 418: The New Criticism made the literary work the center of critical attention, and denied, or at least greatly devaluated, the relevance of facts about the origin of literary works, their effects upon individual readers, and their personal, social, and political influence. Close reading is what is required of a critic, not biographical information about the author, a rundown of the state of society at the time the work was written,
ellauri039.html on line 351: Hatsipompponen’s artistic development is threaded with a series of performance works that are inspired by autobiographical events and social issues. Benevolence evoked an inner quietness with extremely slow and repetitive motions, questioning the exponential acceleration of our contemporary lives. MISEMONO: SIDESHOW dealt with cultural stereotypes and racial issues. Ritual for RED was a re-enactment of the lost memories suffered from a severe auto accident. "My work in execution and establishment communicates both the solid fact and the ephemerality of life."
ellauri042.html on line 504: Vignettes are usually less than totally satisfying, lacking resolutions commensurate with their conflicts. But this story, despite its interesting situation and fine production, feels emptier than most, because the resolution is largely driven not by action but by happenstance. Since Word of God is an autobiographical piece, I can't argue with what it shows, but the result seems to lack impact or message.

ellauri042.html on line 697: Dostoevsky´s literary work has strong autobiographical elements. We know from him that he suffered from hallucinations already in early childhood. He presented idiotic characters with confused views about freedom of choice, religion, socialism, atheism, good and evil. Many of his characters suffered – like the author himself – from epilepsy. Other famous people also suffered from epilepsy (Alexander the Great, Caesar, Gustave Flaubert, and Lord Byron). Flaubert had religiously tinted visions. The first 2 guys thought they were gods.
ellauri052.html on line 311: Journals contain numerous trivial details, which bear ample witness to the "plain living and high thinking" of the Wordsworth household—and, in this edition, samples of these details are given—but there is no need to record all the cases in which the sister wrote, "To-day I mended William's shirts," or "William gathered sticks," or "I went in search of eggs," etc. etc. In all cases, however, in which a sentence or paragraph, or several sentences and paragraphs, in the Journals are left out, the omission is indicated by means of asterisks. Nothing is omitted of any literary or biographical value.
ellauri067.html on line 500: ...The first piece to provide substantial information about Pynchon´s personal life was a biographical account written by a former Cornell University friend, Jules Siegel, and published in Playboy magazine. In his article, Siegel reveals that Pynchon had a complex about his teeth and underwent extensive and painful reconstructive surgery, was nicknamed "Tom" at Cornell and attended Mass diligently, acted as best man at Siegel's wedding, and that he later also had an affair with Siegel's wife. Siegel recalls Pynchon saying he did attend some of Vladimir Nabokov's lectures at Cornell but that he could hardly make out what Nabokov was saying because of his thick Russian accent. Siegel also records Pynchon's commenting: "Every weirdo in the world is on my wavelength", an observation borne out by the crankiness and zealotry that has attached itself to his name and work in subsequent years.
ellauri077.html on line 46: This article examines David Foster Wallace’s Infinite Jest alongside its eponymous film, arguing that they share a common purpose, but that the former succeeds where the latter fails. Coupled with a biographical and phenomenological analysis, the aim of this examination is to better understand Infinite Jest’s place in the cultural and literary movement away from post-modernism. Through the novel, Wallace seeks a cure for the postmodern malaise that is irony, which creates a distancing effect between author and reader. I argue that he collapses this distance by creating a conversation-like novel that uses sentimentality and endnotes to converse with a generation bombarded with easily consumable irony from television, advertisements, and even art. The results of this conversation are the curtailing of passive consumption of entertainment and the beginning of a new sincerity in literature, which allows for grand narratives without the unending cynicism of postmodernism.
ellauri095.html on line 53: The initial “I” focuses attention on the speaker, but the explicit application of the lesson of the Book of Nature to him does not begin until the line “My heart in hiding/stirred for a bird” at the conclusion of the octet. One biographical interpretation of this line is that he was hiding from fulfilling his ambitions to be a great painter and poet. Instead of ostentatiously pursuing fame in that way, wearing his heart on his sleeve, he had chosen to be the “hidden man of the heart” (1 Peter 3:4), quietly pursuing the imitation of Christ. As Hopkins put it, Christ’s “hidden life at Nazareth is the great help to faith for us who must live more or less an obscure, constrained, and unsuccessful life.”
ellauri095.html on line 510: The result is an ode of thirty-five eight-line stanzas, divided into two parts. The first part, consisting of ten stanzas, is autobiographical, recalling how God touched the speaker in his own life. The second begins with seven stanzas dramatizing newspaper accounts of the wreck. Then fourteen stanzas narrow the focus to a single passenger, the tallest of the five nuns who drowned. She was heard to call on Christ before her death. The last four stanzas address God directly and culminate in a call for the conversion of England.
ellauri106.html on line 80: In the early 2000s, Roth met the young assistant editor Lisa Halliday at his literary agency Andrew Wylie. A love affair developed from having lunch together, which culminated in a lifelong deep friendship. Halliday processed the love and friendship for Roth in the highly acclaimed autobiographical inspired novel Asymmetrie, which she completed in 2016. Roth, who read the manuscript, liked it.
ellauri106.html on line 195: Thomas Wolfe (1900–1938) was born in Asheville, North Carolina, and educated at the University of North Carolina and Harvard University. He taught English at New York University and traveled extensively in Europe and America. Wolfe created his legacy as a classic American novelist with Look Homeward, Angel; Of Time and the River; A Stone, a Leaf, a Door; and From Death to Morning. Wolfe's influence extends to the writings of Beat Generation writer Jack Kerouac, and of authors Ray Bradbury and Philip Roth, among others. He remains an important writer in modern American literature, as one of the first masters of autobiographical fiction, and is considered North Carolina's most famous writer. Ei mitään pientä.
ellauri109.html on line 517: When Updike, in the eighties, felt the sour breath of potential biographers on his neck, he tried to preëmpt his pursuers by writing a series of autobiographical essays about such topics as the Pennsylvania town where he grew up, his stutter, and his skin condition. The resulting collection, “Self-Consciousness,” is a dazzlingly intimate book, but his imagination and industry did more to draw biographical attention than to repel it. In the weeks before his death, of lung cancer, in early 2009, he continued to write, including an admiring review of Blake Bailey’s biography of John Cheever. And five years later there it was: “Updike,” a biography by Adam Begley.
ellauri118.html on line 860: Certain critics have endeavored to trace the character of Mme. de La Fayette in that of the Princess of Clèves, of M. de La Rochefoucauld in that of M. de Nemours; but too strict an autobiographical interpretation destroys the charm of the story.
ellauri133.html on line 851: After publishing her debut novel The Road Through the Wall (1948), a semi-autobiographical account of her childhood in California, Jackson gained significant public attention for her short story "The Lottery", which presents the sinister underside of a bucolic American village.
ellauri135.html on line 218: From "Russian biographical dictionary" of A. A. Polovtsev:
ellauri135.html on line 233: In the last decade of his life he published his work in the "Russian antiquities" and the "Historical journal". Of the things placed in the first magazine, the most curious is the biographical sketch of "Graf F. F. Berg (1881, vol. XXXI).
ellauri146.html on line 654: Poe, unlike other great American writers of his time, spent a considerable portion of his childhood in Britain. In 1815, John Allan set out for England, accompanied by his wife, Frances Allan; his sister-in-law, “Aunt Nancy” Valentine; and his six-year-old foster son, Edgar Poe. For a time Edgar attended the small London school of Miss Dubourg (a name which subsequently was to appear in “The Murders in the Rue Morgue”) and later, for a period of three years from 1817 to 1820, was sent to a better school, the Manor House at Stoke Newington near London. Here Poe, in addition to being affected profoundly by the atmosphere of England, studied French, Latin, history and literature. The Manor House School, with its “Dr.” Bransby, Poe later was to transplant bodily to the semi-autobiographical tale “William Wilson” (1840).
ellauri151.html on line 129: Gide was, by general consent, one of the dozen most important writers of the 20th century. Moreover, no writer of such stature had led such an interesting life, a life accessibly interesting to us as readers of his autobiographical writings, his journal, his voluminous correspondence and the testimony of others. It was the life of a man engaging not only in the business of artistic creation, but reflecting on that process in his journal, reading that work to his friends and discussing it with them; a man who knew and corresponded with all the major literary figures of his own country and with many in Germany and England; who found daily nourishment in the Latin, French, English and German classics, and, for much of his life, in the Bible; [who enjoyed playing Chopin and other classic works on the piano;] and who engaged in commenting on the moral, political and sexual questions of the day. Monsters lead an interesting li-i-fe.
ellauri184.html on line 76: Barbary Shore (1951) was not well received by the critics. It was a surreal parable of Cold War leftist politics set in a Brooklyn rooming-house, and Mailer's most autobiographical novel. His 1955 novel, The Deer Park drew on his experiences working as a screenwriter in Hollywood from 1949 to 1950. It was initially rejected by seven publishers due to its purportedly sexual content before being published by Putnam's. It was not a critical success, but it made the best-seller list, sold over 50,000 copies its first year, and is considered by some critics to be the best Hollywood novel since Nathanael West's The Day of the Locust.
ellauri191.html on line 717: "for her rich and truly epic descriptions of peasant life in China and for her biographical masterpieces"
ellauri191.html on line 931: "for his mastery of historical and biographical description as well as for brilliant oratory in defending exalted human values"
ellauri194.html on line 498: Nora Bender, joka opiskeli Business Adminia University of Waterloossa, täsmentää: For people, the person who is the topic of a biographical article should be worthy of notice or note—that is, "remarkable" or "significant, interesting, or unusual enough to deserve attention or to be recorded" within Wikipedia as a written account of that person's life. "Notable" in the sense of being famous or popular—although not irrelevant—is secondary.
ellauri194.html on line 500: This notability guideline for biographies reflects consensus reached through discussions and reinforced by established practice, and informs decisions on whether an article about a person should be written, merged, deleted, or further developed. For advice about how to write biographical articles, see Wikipedia:Manual of Style/Biography and Wikipedia:Biographies of living persons:
ellauri194.html on line 510: The opening paragraph of a biographical article should neutrally describe the person, provide context, establish notability and explain why the person is notable, and reflect the balance of reliable sources.
ellauri210.html on line 778: An autobiographical work by Michel del Castillo, a Spanish born writer who writes in French, Tanguy is a powerfully moving novel highly reminiscent of The Diary of Anne Frank (due mainly to the child's point of view as opposed to that of the adult). Narrating in first person, the story of a young Spanish boy, Tanguy, the novel is set against the backdrop of the war.
ellauri210.html on line 1310: It is based on Breton's actual "interactions" with a young woman, Nadja (actually Léona Camille Ghislaine Delacourt 1902–1941), over the course of ten days, and is presumed to be a semi-autobiographical description of his relationship with a patient of Pierre Janet. The book's non-linear structure is grounded in reality by references to other Paris surrealists such as Louis Aragon and 44 photographs. Tästä E. Saarinen lie ottanut postmodernia mallia.
ellauri214.html on line 547: Tokarczuk composed Flights as a “constellation novel”: a postmodern mosaic of meditations on all things in motion from travel-sized toiletries to the blood pumping through the human heart. National, emotional and temporal boundaries are crossed. Thoughts from a thoughtlessly flying semi-autobiographical narrator to Poland and the popular legend of Philippo Verheyen, the Flemish anatomist rumoured to have eaten his own amputated leg.
ellauri219.html on line 597: In his autobiographical essay, “On My Religion,” Rawls explains why he abandoned his orthodox Christian beliefs in spite of the deeply religious temperament that informed his life and writings. In particular, he recounts how his personal experiences during the Second World War, and especially his awareness of the Holocaust, led him to question whether prayer was possible. “To interpret history as expressing God’s will, God’s will must accord with the most basic ideas of justice as we know them. For what else can the most basic justice be? Thus, I soon came to reject the idea of the supremacy of the divine will as [like the Holocaust] also hideous and evil.” Furthermore, by studying the history of the Inquisition Rawls came to “think of the denial of religious freedom and liberty of conscience as a very great evil,” such that “it makes the claims of the Popes to infallibility impossible to accept.” Finally, his reading of Jean Bodin’s thoughts about toleration led him to claim that religions should be “each reasonable, and accept the idea of public reason and its idea of the domain of the political.” Against this background, it is no wonder that Rawls considers the very concept of religious truth as authoritarian and intolerant, and the ensuing persecution of dissenters as the curse of Christianity.
ellauri222.html on line 185: “Herzog” was nevertheless received the way all Bellow’s novels had been received: as a report on the modern condition. Many of the critics who reviewed it—Irving Howe, Philip Rahv, Stanley Edgar Hyman, Richard Ellmann, Richard Poirier—knew Bellow personally and knew all about the divorce. (Poirier was an old friend of Ludwig’s; the review he published, in Partisan Review, was a hatchet job.) None of these reviewers mentioned the autobiographical basis of the book, and several of them warned against reading it autobiographically, without ever explaining why anyone might want to. The world had no way of knowing that the story was not completely made up.
ellauri222.html on line 195: You can see the biographical problem. From the beginning, Bellow drew on people he knew, including his wives and girlfriends and the members of his own family, for his characters. In “Augie March,” almost every character—and there are dozens—was directly based on some real-life counterpart. Most of “Herzog” is a roman à clef. Leader therefore decided to treat the novels as authoritative sources of information about the people in Bellow’s life. When Leader tells us about Jack Ludwig and Sondra Tschacbasov, he quotes the descriptions of Gersbach and Madeleine in “Herzog.” In the case of the many relatives with counterparts in “Augie March,” this can get confusing. You’re not always sure whether you’re reading about a person or a fictional version of that person.
ellauri222.html on line 197: One reason for reading biographies of writers like Bellow, who draw from people in their own lives, is to learn what those people were really like, or at least what they were like to someone who is not Bellow. You often can’t do that with Leader’s biography. Leader also wants to assess Bellow’s accomplishment as a novelist. He has to keep three balls in the air at once: the biographical story, an interpretation of the fiction as autobiography, and a consideration of the fiction as fiction. That’s why his book is so long.
ellauri257.html on line 528: Singer continued to write and translate his stories and novels throughout the 1980s, until the onset of dementia in 1987. In the end, as Singer suffered from dementia, his relationships with Goran, Menashe and perhaps even Alma soured. The effects lingered unpleasantly even after his death, and as a consequence it’s hard to track the sirvienta. We don’t even know her name or nationality for certain. The idea of a Spanish-speaking maid as an integral part of Singer’s household is ripe not only for biographical scrutiny, but also for fictional development: !Ah! !Ah! !Si! !Si! !Si señor! !!Mas rapido! !Mas profundo!
ellauri316.html on line 305: Lähde: Who's who among Finnish-Americans: A biographical directory of persons of Finnish descent who have made noteworthy contributions to the pattern of American life. Planning committee: Oskari Tokoi, John Suominen, Henry Askeli. Fitchburg, Mass.: Raivoaja Publishing Company, 1949
ellauri344.html on line 258: Jews Without Money is a 1930 semi-autobiographical novel by American critic Mike Gold.
ellauri365.html on line 289: Michel Drach directed and co-wrote a 1982 French biographical film: Guy de Maupassant. Claude Brasseur stars as the titular character.
ellauri369.html on line 354: The novel purports to be a commentary on the thought and early life of a German philosopher called Diogenes Teufelsdröckh (which translates as 'God-born Devil's-dung'. He is author of a tome entitled Clothes: Their Origin and Influence. Teufelsdröckh's Transcendentalist musings are mulled over by a sceptical English Reviewer (referred to as Editor) who also provides fragmentary biographical material on the philosopher. The work is, in part, a parody of Hegel, and of German Idealism more generally. Har har har olipa humoristista.
ellauri389.html on line 57: In previous critical examinations of Lamb, Samuel Taylor Coleridge is usually cited as the archetypal representative of romantic imagination that Lamb tried to ape (esp. Sam's colonialistic Kubla Kurkussa). The celebrated philosopher and poet was Lamb's childhood friend, and hence anchors the predominantly biographical criticism on Lamb that accounts for his distinctively precious tone as an evasive expression of his sense of literary inferiority. Similarly, Lamb's 10 years older sister Mary, who murdered their mother in 1796, has been suggested as another source of Charles's supposed romantic agony.
xxx/ellauri086.html on line 927: Even the term "Nevermore," he says, is based on logic following the "unity of effect." The sounds in the vowels in particular, he writes, have more meaning than the definition of the word itself. He had previously used words like "Lenore" for the same effect. The raven itself, Poe says, is meant to symbolize Mournful and Never-ending Remembrance. This may imply an autobiographical significance to the poem, alluding to the many people in Poe's life who had died.
xxx/ellauri122.html on line 808: With characters that are semi-autobiographical, O'Brien creates a style that blurs fiction and non-fiction. Vietnam was not so bad after all, what doesn't kill you makes you stronger.
xxx/ellauri138.html on line 271: "I am against the holocaust of anything," said Claire Bloom. Roth was invested serving much of his own paper trail, said Avishai. He started donated their papers to the Library of Congress in the 1970s, and the institution amassed some 25,000 articles from 1938 to 2001, including correspondence with Bloom, Updike, Saul Bellow and Cynthia Ozick. After Roth's death, the library acquired more material, including correspondence, drafts, research notes, autobiographical notes, and other personal effects. Vitun hamsteri.
xxx/ellauri154.html on line 108: George Sand is portrayed by Merle Oberon in A Song to Remember, by Patricia Morison in Song Without End, by Rosemary Harris in Notorious Woman, by Judy Davis in Impromptu and by George Who? in a 1973 French biographical film.
xxx/ellauri176.html on line 69: Furthermore, Pseudo-Cooper continues that the evidence suggests that Idomeneus invented the more salacious version of the story, possibly in his desire to parody and ridicule the courtroom displays of Athenian demagogues. Considering his preference for attributing sexual excess to these demagogues, the provocative act of disrobing Phryne fits the character Hypereides had acquired in Idomeneus' work. As is not uncommon in the biographical tradition, later biographers failed to notice that earlier biographers did not give an accurate representation of events. The later biographer Hermippus incorporated the account of Idomeneus in his own biography. An extract from Hermippus' biography is preserved in the work of Athenaeus and Pseudo-Plutarch.
xxx/ellauri178.html on line 136: Kakutani reviewed Norman Mailer’s 2006 novel The Gospel According to the Sun, a first-person autobiographical retelling of the Bible from the perspective of Jesus himself. She called it “a silly, self-important and at times inadvertently comical book that reads like a combination of Godspell, Nikos Kazantzakis’ Last Temptation of Christ and one of those new, dumbed-down Bible translations”; Mailer, never one to shy away from a writerly squabble, called Kakutani a “one-woman kamikaze”.
xxx/ellauri179.html on line 619: Novick’s attempt to find love affairs in James’ life reminds me of the 1920s, when there were no biographies of James, and critics loved to speculate on the mysteries of his privacy. Van Wyck Brooks, a skillful writer of pastiche, produced his quasi-biographical Pilgrimage of Henry James to prove the novelist was a literary failure because he had uprooted himself from the United States. Edna Kenton, a devoted Jamesian in Greenwich Village, demonstrated in a biting review in The Bookman that Brooks used important James quotations out of context. Years later, Brooks confessed to having nightmares “in which Henry James turned great luminous menacing eyes upon me.”
xxx/ellauri187.html on line 129: The first strut of biographical art to buckle under such an avenging mission is language. "Death emasculates," Freedman reports dishearteningly. He describes one doubly unlucky fellow as being "fatally electrocuted." We find Rilke seeking the "panacea of a cure." Women almost never give birth--they just "birth." Clara, Rilke's wife, "was the messenger but also the transparent glass and reflecting mirror of Rilke's depression." And what a shame that a sentence like this should appear in a book about a poet's life: "Like garden flowers opening their petals early only to wither quickly, Italy's current art avoided the hard surface required for effective poetry." It's as if, somewhere in the deeper regions of his writing self, Freedman knows that Rilke wasn't any of the bad things his biographer says he was.
xxx/ellauri193.html on line 404: In addition to those disagreements, Roberts criticises Gordimer's post-apartheid advocacy on behalf of black South Africans, in particular her opposition to the government's handling of the AIDS crisis, as paternalistic and hypocritical white liberalism. The biography also stated that Gordimer's 1954 New Yorker essay, "A South African Childhood", was not wholly biographical and contained some fabricated events.
xxx/ellauri225.html on line 353: In his newest book, “Possessed by Memory: The Inward Light of Criticism,” Bloom promised to shake off the polemical battles that have shadowed him for years. He pledged to include never-revealed autobiographical snippets. He wanted to share with his readers his recent reevaluations of some of his most beloved writers. He only partially delivers.
xxx/ellauri228.html on line 349: From 1973 to 1974, he shot the film Zerkalo, a highly autobiographical and unconventionally structured film drawing on his childhood and incorporating some of his father´s poems. In this film Tarkovsky portrayed the plight of childhood affected by war. Tarkovsky had worked on the screenplay for this film since 1967, under the consecutive titles Confession, White day and A white, white day. From the beginning the film was not well received by Soviet authorities due to its content and its perceived elitist nature. Such third rate films also placed the film-makers in danger of being accused of wasting public funds, which could have serious effects on their future productivity. These difficulties are presumed to have made Tarkovsky play with the idea of going abroad and producing a film outside the Soviet film industry.
xxx/ellauri250.html on line 159: He is best known for his semi-autobiographical novel Ask the Dust (1939) about the life of Arturo Bandini, a struggling writer in Depression-era Los Angeles. It is widely considered the great Los Angeles novel, and is one in a series of four, published between 1938 and 1985, that are now collectively called "The Bandini Quartet". Ask the Dust was adapted into a 2006 film starring Colin Farrell and Salma Hayek.
xxx/ellauri250.html on line 565: Failing to break into the military world, Bukowski grew disillusioned with the publication process and quit writing for almost a decade, a time that he referred to as a "ten-year drunk". These "lost years" formed the basis for his later semiautobiographical chronicles, fictionalized versions of Bukowski's life through his highly stylized alter-ego, Henry Chinaski.
xxx/ellauri250.html on line 604: Barfly, released in 1987, is a barfingly semi-autobiographical film written by Bukowski and starring Mickey Rourke as Henry Chinaski, who represents Bukowski, and Faye Dunaway as his lover Wanda Wilcox. Sean Penn offered to play Chinaski for one dollar as long as his friend Dennis Hopper would direct,[53] but the European director Barbet Schroeder had invested many years and thousands of dollars in the project and Bukowski felt Schroeder deserved to make it. Bukowski wrote the screenplay, was given script approval, and appears as a bar patron in a brief cameo.
xxx/ellauri259.html on line 699: The movie is based on the cult novel by Kari Hotakainen, itself a comedic, exaggerated vision of the author's own bohemian life. A newspaper editor hints at Hotakainen (Martti Suosalo) that he should write autobiographical texts about real-world subjects. The lonely and quiet writer is confused since he has little life of which to write about. So he decides to buy a used car and write about the experience. But he has to meet some strange people such as the nihilistic salesman Kartio (Matti Onnismaa) and the jobless layabout Pera (Janne Hyytiäinen), in order to do so. Pera in particular will stop at nothing to get his hands on the same car Hotakainen has been viewing, which sparks up a huge rivalry. These flabby machos drive the disgruntled small guy over the edge.
xxx/ellauri379.html on line 115: Analyysi. On the most superficial level, Heart of Darkness can be understood through its semiautobiographical relationship to Conrad’s real life. Much like his protagonist Marlow, Conrad’s career as a merchant marine also took him up the Congo River. And much like Marlow, Conrad was profoundly affected by the human depravity he witnessed on his boat tour of European colonialism in Africa.
xxx/ellauri387.html on line 211: When the film Evil (2003), an adaptation of Guillou's autobiographical novel from 1981, was nominated for an Academy Award in 2003 Guillou was still listed as a terrorist by the US government because of the IB affair. Or was it the CIA affair? "Jamista" on täydentävä paasaus albumissa 301.
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