ellauri035.html on line 191: And bending over to a golden mouth,
ellauri051.html on line 376: That now, ecstatic ghost, close to me bending, thy cornet echoing, notta nyt, huumehaamu, mun luurissa, sun korni soi
ellauri051.html on line 792: 215 They do not know who puffs and declines with pendant and bending arch, 215 He eivät tiedä, kuka puhaltaa ja hylkää riipuksen ja taipuvan kaaren,
ellauri051.html on line 813: 233 To niches aside and junior bending, not a person or object missing, 233 Syrjään ja junioritaivutukseen, ei henkilöä tai esinettä kadonnut,
ellauri053.html on line 1399: And bending down beside you in the bars,
ellauri107.html on line 246: Billy Budd provides an implicit indictment of the culture, whether military or civil, that encourages the kind of closet where a Claggart so readily succumbs to his “depravity according to nature.” Captain Vere likewise shows a closed, perhaps also “closeted” mind as ready prey for the phenomenon of evil. In Vere’s presence, as Billy is struck dumb by Claggart’s accusation, Claggart is struck dead by a single blow from Billy’s fist, the only response he can muster to defend himself. Although Vere cherishes Billy as “an angel of God” and knows him to be innocent of Claggart’s charges, he resists any bending of rules to protect him against the harshest of consequences for his act of insubordination. Ruthlessly silencing the dictates of his heart, “sometimes the feminine in man,” Vere effects what Claggart’s malice alone could not -- Billy’s total destruction.
ellauri152.html on line 656: The dog originally created the world to run through strict judgment, din. However, since the dog knew that the world could not endure such harsh conditions, He decided to incorporate the spiritual energies of compassion too, as the verse states, "These are the products of the heaven and earth when they were created in the day that Hashem's (i.e. the dog's denoting kindness and mercy, not the dog's denoting strict justice) din made earth and heaven." (Bereishit 2:4) According to the original creation plan a person would be judged strictly on his own merits. There would be no bending of the rules; no concept of leniency; no looking the other way or giving another chance. Strict justice would dictate that a person be severely punished for even the "slightest" infraction of the dog's willy.
ellauri156.html on line 645: When Bathsheba's mourning is complete, David sends for her and brings her to himself as his wife. Wait, was little David born as yet, or did he start fucking her with her belly full? I do not see him bending down on his knees, proposing. I do not see him courting her, sending her roses. I see him “taking” her once again. And again. In fact, this is my favourite part. The question in my mind is, “Why?” Why does David take Bathsheba into his house as one of his wives? I do not think he is any longer trying to “cover up” his sin; it is far too late for that. She must be “showing” her pregnancy by now, and it is hard to imagine how all Israel cannot know what has been going on. It appears that at this point, David is not trying to conceal his sin, but to legitimize it. Whatever David's reasons may be, they are hardly spiritual, and they are most certainly self-serving.
ellauri241.html on line 536: He answer'd, bending to her open eyes, Hän vastasi kumartuen hänen avoimiin silmiinsä,
ellauri241.html on line 1205: But Venus, bending forward, said: “My child,

xxx/ellauri137.html on line 349: for bending toward thee, most belovèd one,
xxx/ellauri137.html on line 469: In bending over you, queen of adored women,
xxx/ellauri225.html on line 329: I told my literature students about Ursula K. Le Guin today, squeezing a few minutes for her into a class on American science fiction writers of color, a class where she didn’t strictly speaking belong – though to be honest, I rather think she’d improve almost any class. I told them about the six books that comprise Earthsea, about the gender-bending brilliance of The Left Hand of Darkness, the anarchist explorations in The Dispossessed, the stories in The Birthday of the World and Four Ways to Forgiveness (many of which I teach, gratefully). I mentioned her National Book Award, and her host of awards in science fiction and fantasy. I gave them her story “The Ones Who Walk Away from Omelas,” which is one of the most brilliant, uncomfortable stories I’ve ever read. But no blow-by-blow romps in the sack, alas.
xxx/ellauri229.html on line 554: Everybody was supposed to be a hindless shemale, looking the same coming and going. What a pity. Where´s the fun without a long unbending peg and a matching gooey hole, going in coming out, etcetera ad nauseam. The hole moreover ingeniously placed precisely in the middle of the fork, so it can be conveniently entered from either side.
xxx/ellauri251.html on line 2870: Who is this bending over thee, lord, with tears and suppression
xxx/ellauri304.html on line 596: Status objects. An essay by Tom Wolfe (Bonfire of the Vanities) put this in my head some years ago. A certain kind of person wants to wear shirts that have little alligators on them and another totally different type of person perhaps wants to have a statue of a black jockey on his lawn…or a pink flamingo. My late loving mother, a paragon of taste, once moved into our guest house and put painted plywood cutouts of the backviews of two people, bending over as if planting something in the yard. Naturally, butt cracks were visible because they were the whole point of this architectural and horticultural display. Since my house then was a mansion and a national historic site, I suggested that my mother take her plywood cutouts off the front lawn and put them in her backyard where nobody could see her butt. (I am a long time out of Alabama.)
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