ellauri052.html on line 493: In his novella Death in Venice, Thomas Mann hails the "Sebastian-Figure" as the supreme emblem of Apollonian beauty, that is, the artistry of differentiated forms; beauty as measured by discipline, proportion, and luminous distinctions. Juu tähän Tompan Venezian seikkailuun Sale vinkkaa myös. Hizi mikä sanaristikko on Salella tässä homostelun peittona. Täähän on kuin Proustin Albertine ja Gilbertine. Mafioso törkkää Salen sykkivään punanahkasisuxiseen autoonn takapuolesta. Polly on pelkkää hämäystä, statisti niinkuin Sepen nuolenreijät paikannut leski Irene tai Lemminkäisen äiskä.
ellauri052.html on line 497: Eventually, the poetry of William Wordsworth showed him that beauty generates compassion for others and stimulates joy. With renewed joy he continued to work towards a just society, but with more relish for the journey. He considered this one of the most pivotal shifts in his thinking. In fact, many of the differences between him and his father stemmed from this expanded source of joy. :D
ellauri052.html on line 653: It was not just Bohm who fell under the sway of Krishnamurti's charisma. He strongly influenced such writers as Joseph Campbell, the poet Robinson Jeffers, Henry Miller, Aldous Huxley, and Alan Watts who churned out popular books about Zen Buddhism. George Bernard Shaw once called young Krishnamurti "the most beautiful human being" he ever saw. Cabinet faggot. After visiting Krishnamurti's castle in Holland, Campbell wrote in a letter: "I can scarcely think of anything but the wisdom-and-beauty-of-my friend." In another letter he said, "Every time I talk with Krishna, something new amazes me."
ellauri052.html on line 809: `Yes. You have a northern kind of beauty, like light refracted from snow -- and a beautiful, plastic form. Yes, that is there to enjoy as well. We should enjoy everything.'
ellauri053.html on line 152: The term 'Pre-Raphaelite' conjures up visions of tall, willowy creatures with pale skin, flowing locks, scarlet lips, and melancholic expressions. The paintings of these models and muses, who were often the artists' wives and mistresses, defied Victorian standards of beauty and caused much controversy.
ellauri053.html on line 1164:

Eliot quoted, in evidence, four short passages from The Cutting of an Agate, in which Yeats says that the poet must “be content to find his pleasure in all that is for ever passing away that it may come again, in the beauty of woman, in the fragile flowers of spring, in momentary heroic passion, in whatever is most fleeting, most impassioned, as it were, for its own perfection, most eager to return in its glory.” Tää on puhdasta Tandoorikanaa.

Why beautiful? Human nature never changes. Then as now, people prized physical beauty (Genesis 29:17; Deuteronomy 21:11; 1 Samuel 9:2; 2 Samuel 14:25; Esther 2:2–4). Kings had the privilege and power to surround themselves with beauty, and David’s servants likely thought to win his favor by bringing a beautiful woman into his palace.
ellauri155.html on line 884: Santayana is mostly known for aphorisms, such as "Those who cannot remember the past are condemned to repeat it", "Only the dead have seen the end of war", and the definition of beauty as "pleasure objectified". Although an atheist, he treasured the Spanish Catholic values, practices, and worldview in which he was raised.] Santayana was a broad-ranging cultural critic spanning many disciplines. He was profoundly influenced by Spinoza´s life and thought; and, in many respects, was another Spinoza. Was he too a jew? I guess not. His father was a minor intellectual. His mother married a Bostonian merchant Sturgis who died. In Madrid, he married the Santayana guy. In 1869, Josefina Borrás de Santayana returned to Boston with her three Sturgis children, because she had promised her first husband to raise the children in the US. She left the six-year-old Jorge with his father in Spain. Jorge and his father followed her to Boston in 1872. His father, finding neither Boston nor his wife´s attitude to his liking, soon returned alone to Ávila, and remained there the rest of his life as a minor intellectual.
ellauri155.html on line 922: Fulfil in beauty my imperfect prayer. Kauneudella täydentää mun rujon rukouxen.
ellauri156.html on line 269: I am not suggesting that David purposed to see something he should not. (I bet he did, peeping Tom. You actually come round to the same conclusion below, Bob.) More than likely he is walking about, almost absent-mindedly, when suddenly his eyes fix on something that rivets his attention on a woman bathing herself. The text does not really tell us where this woman is bathing, and why at this time of the night? We only know that she is within sight of David's penthouse (rooftop). David notes her beauty. He does not know who she is or whether she is married. We cannot be certain how much David sees, and thus we do not know for certain whether he has yet sinned. (What the fuck? How much do you need to see to sin? Are boobs enough, or do you need to see the pudendum or the fanny?) If David saw more of this woman than he should (a fact still in question), then he surely should have diverted his eyes. It was not necessarily evil for him to discretely inquire about her. If she were unmarried and eligible, he could have taken her for his wife. His inquiry would make this clear.
ellauri156.html on line 635: It is not due to any intent on her part, nor even any indiscretion. She is bathing herself as darkness falls, and being poor (see 12:1-4), she does not have the privilege of complete privacy, especially when the king can look down from the lofty heights of his rooftop vantage point. David is struck with her beauty and sends messengers to inquire about her identity. They inform David of her identity, and that she is married to Uriah, the Hittite. That should have ended his interest, but it does not. David sends messengers who take her, bringing her to his palace, and there he sleeps with her. When she cleanses herself, she goes home. (Or was it the other way round? Can't remember.)
ellauri158.html on line 688: All such opinions spring from the notion commonly entertained, that all things in nature act as men themselves act, namely, with an end in view. It is accepted as certain, that God himself directs all things to a definite goal (for it is said that God made all things for man, and man that he might worship him). I will, therefore, consider this opinion, asking first, why it obtains general credence, and why all men are naturally so prone to adopt it? secondly, I will point out its falsity; and, lastly, I will show how it has given rise to prejudices about good and bad, right and wrong, praise and blame, order and confusion, beauty and ugliness, and the like.
ellauri171.html on line 445: He may or may not have believed her, but her beauty made her a sexual fly-trap, and he allowed her to stay. In the ensuring battle of tits, Judith managed to outwit her prey. While he was drunk and had emptied his bollocks into her, she pulled his sword out of its scabbard, prayed to God for strength, hacked Holofernes’ head off, then escaped back to her people.
ellauri180.html on line 373: These worlds inspire us with new sensations and experiences, with quoting C.S. Lewis 'such beauty, awe, or terror as the actual world does not supply', with the stuff of desires, dreams, and dread.
ellauri182.html on line 80: Eriko (“Eh-REE-koh Tah-NAH-bee”) is Yuichi’s mother, who invites Mikage to stay at his/her home. Eriko is a transsexual and had previously been Yuichi’s father. Mikage’s first impression of Eriko is “overwhelming.” Mikage describes him/her as “an incredibly beautiful wo/man” who “seemed to vibrate with life force.” Eriko represents an ideal of feminine beauty, charm, and strength for Mikage. At times, Mikage finds it hard to believe that this woman had once been a man, or is still a man—some ambiguities over Eriko’s gender remain, both for the reader and for the characters. Yuichi refers to Eriko as both his mother and father, and other characters refer to Eriko as both “she” and “he.” Mikage could easily keep pace with Eriko.
ellauri182.html on line 82: Mikage is not religious, but believes in elements of the mystical and superstitious. She “can’t believe in the gods,” but for a warm bed, she “thanked the gods—whether they existed or not.” In despair, she “implored the gods: Please, let me live.” She also has a dream that comes partially true. Ergo Mikage relates to American culture. She looks up to Eriko as an ideal of feminine beauty, charm, and strength, although Eriko was once, or still is, a man - or is s/he?
ellauri182.html on line 387: bjútíblundur "beauty sleep", bleiserjakki "blazer jacket", ginflaska "bottle of
ellauri184.html on line 516: In Classical and Hellenistic civilization, Ancient Greeks and Romans posed great value on the beauty of nature, physical integrity, aesthetics, harmonious bodies and nudity, including the foreskin (see also Ancient Greek art), and were opposed to all forms of genital mutilation, including circumcision—an opposition inherited by the canon and secular legal systems of the Christian West and East that lasted at least through to the Middle Ages, according to Frederick Hodges. Traditional branches of Judaism, Islam, Coptic Christianity, the Ethiopian Orthodox Church, and the Eritrean Orthodox Church still advocate male circumcision as a religious obligation.
ellauri189.html on line 463: Seacret is an MLM (multi-level marketing) company in the health, wellness, and beauty niche that specializes in the retail of products that contains salts, muds, and minerals which are sourced from the Dead Sea. Seacret is based in Arizona, USA and was founded by brothers Izhak Ben Shabat and Moty Ben Shabat. The company was initially launched in 2005 as a small retail shop that sold skincare products and the business continued to grow, the brothers decided to adopt an MLM business model sometime in 2011.
ellauri189.html on line 701: The ghazal (Arabic: غَزَل, Bengali: গজল, Hindi-Urdu: ग़ज़ल/غزَل, Persian: غزل, Azerbaijani: qəzəl, Turkish: gazel, Turkmen: gazal, Uzbek: gʻazal, Gujarati: ગઝલ) is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain.
ellauri191.html on line 510: "for his work which is marked by both idealism and humanity, its stimulating satire often being infused with a singular poetic beauty"
ellauri191.html on line 1667: "for works of lyrical beauty and ethical depth, which exalt everyday miracles and the living past"
ellauri191.html on line 2080: "for her unmistakable poetic voice that with austere beauty makes individual existence universal"
ellauri194.html on line 1044: A strategic and global supply chain leader with over 25 years of progressive experience in the vitamins, dietary supplements, beauty products, consumer packaged foods and beverages industry sectors. Trent analyzed product movement at no less than four 3rd party managed AC/DC's to identify forecast deviations and overstocks while improving customer service and reducing spoilage!
ellauri196.html on line 762: Her beauty and the moonlight overthrew you
ellauri197.html on line 176: Clifton's three books of poetry were published by Duckworth. The first was Dielma and Other Poems in 1932 and then followed Flight in 1934. One commentator has said that “Clifton was particularly adroit at poems honouring – and marvelling at – women” and the Times Literary Supplement stated that “His lyrics are a gracious tribute to the beauty of women”. These were fairly conventional poems unlike his final work Gleams Britain's Day published in 1942. The Spectator described it as “expressing in a sort of prophetic certitude opinions upon religion, patriotism, love, art, war and peace, which he puts in unconventional verse”. The reviewer stated that the book was “the product of a curious, whimsical mind, full of energy, squandering it on half-digested ideas”. W B Yates dedicated his poem, Lapis Lazuli, to Clifton who had given him a valuable Chinese lapis lazuli carving.
ellauri197.html on line 214: If art is to assist in mitigating sorrow, turbulence, and evil, then it must filter out the bathos that brings on hysterics. Art serves society as a sort of safety valve wherein viewers view the performance with some distance. That distance must then be framed in a way that not only lowers the temperature on sorrow but also elevates with the beauty of the truth the content portrays.
ellauri197.html on line 305: An interesting thing to note, however, is that the “adversity” is treated in a beautiful way by being addressed as a “Bloom.” The capitalization can be written off with the notion that even a bad memory could be important enough to merit capitalization, but a “Bloom” has a connotation of natural beauty and livelihood. This could simply mean the negativity from the circumstance grows with time, but the choice of such a soft verb gives the feeling that the narrator has warm feelings about whatever happened to cause this bad memory—maybe a relationship she loved but lost or a friend who was dear but forsaken. This would again give a reason for the grammatical chaos of the lack of subject and mismatched verb tenses since, it seems, the narrator does not know how she feels about the memory.
ellauri197.html on line 315: Furthermore in ‘How Happy I Was If I Could Forget’, she claims to “[l]ose [her] way like a little Child [a]nd perish of the cold,” and this concept is loaded with possible meaning. For one thing, the capitalization of the word, “Child,” could indicate that perhaps she has lost a baby and is grieving that “Child.” This would clarify why she would treat the memory simultaneously as a pain and a beauty since she would treasure the “Child” itself, but abhor the pain attached to the grief. This, however, is the only speculation since it could mean that the helplessness she feels is significant enough, like a “Child” who needs care, to merit capitalization.
ellauri214.html on line 76: J.K. Rowling has also included plenty of sexism in her writing, indicative of her internalised misogyny. Cho Chang was Harry Potter’s love interest throughout books 4 and 5. However, Cho was in a relationship with another student in the fourth book, and unfortunately this student was killed by Lord Voldemort at the end of the book. This leaves Cho rightfully distraught. Though still in emotional turmoil, she develops a crush on Harry and they begin dating. During their first kiss, Cho is crying because she is thinking of her dead boyfriend. Harry and Cho break up after multiple arguments later in the book. Later on in the series, Harry develops feelings for his best friend’s sister, Ginny Weasley. Rowling periodically writes how Harry prefers Ginny to Cho because Cho was too emotional after the death of her boyfriend. Harry preferred Ginny, who was stronger and could contain her emotions, supposedly because she had grown up with 6 brothers (no, 5, Ronny is a sissy). This comparison of the two girls demonstrates Rowling’s internalized feelings that women exist for the purpose of pleasing men. The thinly veiled idea that women who are too emotional or too much drama queens are not desirable is evident in Rowling’s writing. Fleur Delcore is another example of this feeling. Fleur is a student at a French wizarding school who competes against Harry in a difficult tournament in the fourth book. Fleur is part veela, who are magical beings of extreme beauty but can turn monstrous when angered. Fleur eventually marries Ron Weasley’s older brother, Bill. Hermionie, Harry’s other best friend, and Ginny constantly complain about Fleur. However, the only thing their animosity can be traced back to is that Fleur is a beautiful Frenchy woman and she is confident in that, whilst they are just snubnosed Brits. This further develops Rowling’s internalized misogyny. She views women who are confident in their beauty as annoying, and has the idea that women should seek male validation. Though these portions of the book were likely unintentional, speaking from personal experience, it has to be said that Rowling’s writing of women in her book have had a lasting effect on her female readers.
ellauri221.html on line 281: the red haired beauty all dressed in green had no knickers underneath.

ellauri222.html on line 181: He also got married again, in 1961, to Susan Glassman, another celebrated beauty, this time eighteen years younger. (Glassman was a former girlfriend of Philip Roth, who said that the transfer of affections “turned out to be the best thing that ever happened to me and the worst thing that ever happened to Saul.” The marriage lasted five years; she was still taking Bellow to court in 1981.)
ellauri222.html on line 747: Another aspect, which should be discussed, is perfectionism. The author emphasizes that such a worldview can be very dangerous if the person does not keep the sense of proportion, as it is with Lord Pococurante. He is not able to see the beauty of things that surround him. His criticism can be only destructive, though Pococurante identifies drawbacks; he does put forward any suggestions, which may prove useful.
ellauri222.html on line 761: The first novel to display Bellow's characteristic expansiveness and optimism, The Adventures of Augie March presents a dazzling panorama of comically eccentric characters in a picaresque tale narrated by the irrepressible title character, who defends human possibility by embracing the hope that "There may gods turn up anywhere." Subsequent novels vary in tone from the intensity of Seize the Day to the exuberance of Henderson the Rain King to the ironic ambiguity of Herzog, but all explore the nature of human male freedom and the tensions between the individual's need for self and the needs of society. Augie March, Tommy Wilhelm, Eugene Henderson, and Moses Herzog all yearn to please themselves by finding the beauty in life. By creating these highly individualistic characters and the milieu in which they move, Bellow reveals the flashes of the extraordinary in the ordinary that make such fun possible and rejects the attitude that everyday life must be trivial and ignoble. It is like that just for the losers.
ellauri223.html on line 68: This shrewdness, however, is not necessary among the inhabitants of the City of the Sun. For with them deformity is unknown. When the women are exercised they get a clear complexion, and become strong of limb, tall and agile, and with them beauty consists in tallness and strength. Tanakka, punakka ja rivakka, täst mie piän! Therefore, if any woman dyes her face, so that it may become beautiful, or uses high-heeled boots so that she may appear tall, or garments with trains to cover her wooden shoes, she is condemned to capital punishment. But if the women should even desire them they have no facility for doing these things. For who indeed would give them this facility? Further, they assert that among us abuses of this kind arise from the leisure and sloth of women. By these means they lose their color and have pale complexions, and become feeble and small. For this reason they are without proper complexions, use high sandals, and become beautiful not from strength, but from slothful tenderness. And thus they ruin their own tempers and natures, and consequently those of their offspring. Furthermore, if at any time a man is taken captive with ardent love for a certain woman, the two are allowed to converse and joke together and to give one another garlands of flowers or leaves, and to make verses. But if the race is endangered, by no means is further union between them permitted. Her fanny must be locked in a love girdle, and his pecker lassoed and bound behind his butt. Moreover, the love born of eager desire is not known among them; only that born of friendship. LOL
ellauri223.html on line 111: The priestly vestments are of a beauty and meaning like to those of Aaron. They resemble nature and they surpass Art. Samanlaiset nahkasorzit kuin Aatamilla, ja viikunanlehtiä Eevan erogeenisillä vyöhykkeillä.
ellauri236.html on line 436: He took out a pack of condoms, got it up and offered her one. She took it and tried to put it on. “Not swollen enough, baby. You and me could get it on together,” she said. “That Blandish girl’s a beauty,” he went on. "But I like you too, baby. How much time do you need?”
ellauri241.html on line 180: And by my power is her beauty veiled Ja minun voimallani on hänen kauneutensa verhottu,
ellauri241.html on line 210: Dashed by the wood-nymph´s beauty, so he burned; puunymfin kauneus oli murskaava, joten hän oli liekeissä.
ellauri241.html on line 254: A full-born beauty new and exquisite? Täysin syntynyt kaunotar uusi ja hieno?
ellauri241.html on line 337: And soon his eyes had drunk her beauty up, Ja pian hänen silmänsä olivat juoneet hänen kauneutensa,
ellauri241.html on line 384: Happy in beauty, life, and love, and every thing, Onnellisena kauneudesta, elämästä ja rakkaudesta ja kaikesta,
ellauri241.html on line 424: With no more awe than what her beauty gave, Vaatimatta enempää kunnioitusta kuin mitä hänen kauneutensa antoi,
ellauri241.html on line 745: Full on the alarmed beauty of the bride, Täysin morsiamen hälyttyneeseen kauneuteen,
ellauri241.html on line 949: A thing of beauty is a joy for ever:

ellauri241.html on line 980: Like the TikTok beauty banned for her ass.
ellauri241.html on line 1182: Of fondest beauty; with his limp

ellauri241.html on line 1637: Endymion declares that he will let go of the possibility of immortality so that he can love and adore the Maiden instead. The god Mercury appears and strikes the ground with his magic wand. Winged horses arrive to fly Endymion and the Indian Maiden into the sky where the shepherd-prince dreams that he is in Olympus which is the sanctuary of the gods. He is conflicted when he suddenly sees Diana who is also known as Phoebe and she looms over him. Endymion looks over at the sleeping Indian Maiden and "could not help but kiss her: then he grew / Awhile forgetful of all beauty save / Young Phoebe's, golden hair'd; and so 'gan crave Forgiveness." Once again he looks at the Maiden with adoration, but Phoebe begins to fade away, and he protests in panic. The noise awakens the sleeping Maiden next to him. In this moment Endymion chooses to abandon Diana and immortality as he professes to the Maid, "I love thee! and my days can never last. I always love the one that is readily available, she is the best." They soar through the sky and the Indian Maiden grows pale and suddenly vanishes before Endymion's eyes. Ow fuck! He cries out in surprise and grief as he finds himself alone yet again.
ellauri241.html on line 1643: Endymion shows penile growth in Book 4 in the sense that he understands that there is value and beauty in mortal love but he has not truly learned how to live a blissful existence without the love of a beautiful (wo)man. Endymion, Adonis, Alpheus, and Glaucus are subject to a life of isolation and impotence without the presence of their beloved. Never mind, much worse is impotence in their presence!
ellauri243.html on line 339: Apart At Warp Speed 》 herbeauty.co › celeb-marriages-that Marriage is a
ellauri245.html on line 700: But I hardly know this beauty by my side Kaunottaren mekossa
ellauri245.html on line 719: Well, I hardly know this beauty by my side
ellauri247.html on line 264: His wife was a fine lady, a "Creole" beauty who had a small stash of her own; but, on the other hand, her income was very precarious, and she herself somewhat silly and incapable in the eyes of Smollett's old Scotch friends.
ellauri247.html on line 417: Lady Mary Montagu (1689-1762), court beauty, wife of the British Ambassador to Istanbul and prolific letter-writer, was the first major female travel writer of her time. She was a correspondent with Alexander Pope, knew and was disliked by Horace Walpole, and introduced the Turkish, then Ottoman, method of inoculation to Britain.
ellauri247.html on line 421: Lyhyenläntä rampa Pope syntyi samana vuonna kuin Mary. Pope oli Tory ja Mary äänesti Walpolea. - Amazing! I have read that Alexander Pope made passionate and wild love to Lady Mary Wortley Montagu. From this poem I understand that Pope loved the sense of wit and beauty that Lady Mary W. M. possessed.
ellauri247.html on line 434: In beauty, or wit, Ulkonäössä tai ällissä
ellauri249.html on line 80: It is precisely in this sense that we should understand Dostoyevsky’s remark that beauty will save the world, or Matthew Arnold’s belief that we shall be saved by poetry. It is probably too late for the world, but for the individual man (me) there always remains a chance. What distinguishes us from other members of the animal kingdom is speech. Literature—and poetry, in particular, my poetry—is, to put it bluntly, the goal of our species.” Minä minä! Täähän on pahempi egosentrikko kuin minä ja pikku-CEC Norjassa.
ellauri254.html on line 517: In Munich, the Cosmic Circle of Ludwig Klages and Alfred Schuler, deeming "the Jew the enemy of the human race," gave their erstwhile leader, Stefan George, this ultimatum: "What is your stand on Judah?" He replied that he wished he had more such deep-throated Jewish disciples as Wolfskehl. George's views continued to overlap with those of the Cosmic Circle, especially in invoking the pagan earth mother of "Templars." Actually what first launched the George cult on a nationwide basis was Klages's own book, Stefan George, of 1902. The accusation of Klages's Nazism by indignantly pointing out that the Nazis distinctly distanced themselves from Klages. Though the Nazis shared Klages's basic metapolitics and had found him useful for propaganda among professors, they later found the Klages-Schuler cult embarrassing. The intensity of George's break with Klages-Schuler is paralleled by Nietzsche's break with the Jew-hater Richard Wagner; in both cases an intense friendship was severed on the grounds of civilized values higher than friendship. Klages thought that Nazis and Israelis were both wrong in thinking they were the chosen people, with the difference that the Jews had actually already won the beauty contest.
ellauri256.html on line 251: Boris Bugaev was born in Moscow, into a prominent intellectual family. His father, Nikolai Bugaev, was a noted mathematician who is regarded as a founder of the Moscow school of mathematics. His mother, Aleksandra Dmitrievna (née Egorova), was not only highly intelligent but a famous society beauty, and the focus of considerable gossip. She was also a pianist, providing Bugaev his musical education at a young age.
ellauri277.html on line 264: Gibran has generally been dismissed as sentimental and mawkishly [imelän] mystical. Nevertheless, his works are widely read and are regarded as serious literature by people who do not often read such literature. The unconventional beauty of his language and the moral earnestness of his ideas allow him to speak to a broad audience as only a handful of other twentieth-century American poets have. The sad fact is that a large majority of these monkeys are sentimental and mawkishly mystical.
ellauri302.html on line 68: Regrettably, however, 'The God of Vengeance," despite conclusions too easily drawn, is not a sex play. When Ash wishes to deal with sex as sex he is not afraid to handle the subject with all the poetry and power at his command. Such a play as his "Jephthah's Daughter" treats the elemental urge of sex with daring, beauty and Dionysiac abandon. A lurid reader is referred to this other play. This one is bound to be a disappointment.
ellauri313.html on line 612: Hebrew Melodies on Lord Byronin 30 runon kokoelma. Byron loi ne suurelta osin säestämään Isaac Nathanin säveltämää musiikkia, joka soitti virsimelodioita, joiden hän väitti (virheellisesti) olevan peräisin Jerusalemin temppelin palveluksesta. Esim. Nathanin "My Soul is Dark" perustuu oikeasti saksalaiseen lieder-tyyliin. 1 niistä on nimeltään She walks in beauty. "She Walks in Beauty" sopii hyvin synagogahymniin Adon Olam, josta taitaa olla jo joku paasaus.
ellauri313.html on line 618: She walks in beauty Hän kävelee kauneudessa
ellauri313.html on line 620: She walks in beauty, like the night Hän kulkee kauneudessa, lailla öiden
ellauri322.html on line 397: The Swedes are in general attached to their families, yet a divorce may be obtained by either party on proving the infidelity of the other or acknowledging it themselves. The women do not often recur to this equal privilege, for they either retaliate on their husbands by following their own devices or sink into the merest domestic drudges, worn down by tyranny to servile submission. Do not term me severe if I add, that after youth is flown the husband becomes a sot, and the wife amuses herself by scolding her servants. In fact, what is to be expected in any country where taste and cultivation of mind do not supply the place of youthful beauty and animal spirits?
ellauri336.html on line 368: The other point I’d like to make is that a woman’s hair is cited (somewhere,) as her crown. After she is married, the beauty of her hair is only available for her husband to see. This helps makes her seductive to him. I also have to say that I can’t imagine having an intimate relationship with a woman with a shaved head as I have referenced in the previous paragraph.
ellauri362.html on line 216: Jotka sun hyveet ja rinnat mussa nostatti; Which thy beauty and virtue had rais’d in my breast;
ellauri365.html on line 565: In truth he gave the final blow to the left-wing realistic school, enemy of all imagination, which was then dominant in Sweden and which since 1880 had darkened literature with its sadness and its gloom. This was the first manifestation of a new poetry in which free individuals, led only by the logic of their imagination, worshipped beauty and wealth for its own sake.
ellauri370.html on line 62: The Bible makes a point of saying whenever someone is attractive. Esther's called "very beautiful" and was said to have a "lovely figure," so you know she's really rocking it. But her beauty may also have been a superpower. For The Jewish Encyclopedia states the other girls, instead of being jealous, take care of her because they clearly see the king will choose her. That's beauty as a superpower!
ellauri381.html on line 113: Eastern tribes of the Pechenegs, Kipchaks and even Mongols have all contributed to the modern beauty of the Ukranian women (albumi 224).
ellauri386.html on line 378: False love, desire, and beauty frail, adieu.

ellauri392.html on line 505: Had everything, immortal beauty,
ellauri393.html on line 286: Saunders on Norman Rockwell luokan vässykkä. Rockwellin lehtikuvittajan ura alkoi Boy’s Life -lehdestä vuonna 1913, ja pian hänet tunnettiin ”poikakuvittajana” joka sai toimeksiantoja muiltakin kasvatuksellisilta nuortenlehdiltä, kuten St. Nicholas, American Boy ja Youth’s Companion. Jotain vähän pederastista oli siinäkin. Rockwell oli lieväshti nyrjähtänyt, Erik Eriksonin (os Salomonsen, hapajuutalainen) potilas. Celebrated as a painter of American ideals, he was actually craving male beauty. Deborah Solomon makes a clear case of him.
ellauri393.html on line 287: Although she can't conclusively prove that Rockwell had sex with men, she makes a sound argument that he "demonstrated an intense need for emotional and physical closeness with men" and that his unhappy marriages were attempts at "passing" and "controlling his homoerotic desires." Rockwell went on to have close relationships with his studio assistants (even sleeping in the same bed with one on an extended camping trip) and created his own version of idealized boyhood beauty.
ellauri405.html on line 227: Mit vit kaikki anglosaxisia kyhäyxiä. Monikohan aasialainen on näitä nähnyt. "Walt Whitman is America’s world poet—a latter-day successor to Homer, Virgil, Dante, and Shakespeare. In Leaves of Grass (1855, 1891-2), he celebrated democracy, nature, love, and friendship. This monumental work chanted praises to the body as well as to the soul, and found limited beauty and reassurance even in death." Whitman’s self-published Leaves of Grass was inspired in part by his travels through the American frontier and by his admiration for Ralph Waldo Emerson. Ylläri.
ellauri405.html on line 236: ¹Analysis (ai): This simple yet profound poem by Robert Louis Stevenson captures the essence of contentment and appreciation. Its concise language belies a depth of meaning that encourages readers to find joy in the abundance of life's offerings. The poem's structure is as straightforward as its message. Two rhyming couplets emphasize the simplicity of Stevenson's message: that the world is full of blessings we often overlook. The repetition of "number" and "things" reinforces the idea of abundance, inviting readers to pause and notice the countless sources of happiness that surround them. This poem stands in stark contrast to the grim realities of Victorian England, where Stevenson lived. The Industrial Revolution had brought both progress and poverty, and many people struggled to find happiness amidst the harsh conditions. Stevenson's message of finding joy in simplicity and gratitude may have been a source of solace during challenging times. Compared to Stevenson's other works, such as "Treasure Island" and "The Strange Case of Dr. Jekyll and Mr. Hyde," this poem is a departure in terms of tone. It is not an adventure story or a psychological thriller but rather a quiet meditation on the beauty of life. However, it shares the same optimistic spirit that permeates much of Stevenson's writing, reminding readers that even in the face of adversity, there is always something to be grateful for.
ellauri408.html on line 942: Sonnet 227 documents Petrarch´s slow realization that his love for Laura, 12, might be more painful than it is pleasant. The early sonnets praise her beauty and the importance of romance. Sonnet 227 compares Laura's gaze to being stung by the "wasps of love." Petrarch is still very much in love with Laura, but this love now arrives to him in the form of a painful sting. He is left stumbling around like an animal. He has lost all of his dignity. Petrarch's love for Laura is no longer the impassioned daydream that it once was.
xxx/ellauri076.html on line 158: Miss World and beauty queens Miss Maailma ja kauneuskuningattaret
xxx/ellauri076.html on line 403: beauty-xlarge_trans_NvBQzQNjv4Bqeo_i_u9APj8RuoebjoAHt0k9u7HhRJvuo-ZLenGRumA.jpg" height="200px" />
xxx/ellauri081.html on line 158: The main theme of William Blake's poem "The Tyger" is creation and origin. The speaker is in awe of the fearsome qualities and raw beauty of the tiger, and he rhetorically wonders whether the same creator could have also made "the Lamb" (a reference to another of Blake's poems).
xxx/ellauri086.html on line 659: In Puritan Boston, Massachusetts, a crowd gathers to witness the punishment of Hester Prynne, a young woman who has given birth to a baby of unknown parentage. Her sentence required her to stand on the scaffold for three hours, exposed to public humiliation, and to wear the scarlet "A" for the rest of her life. As Hester approaches the scaffold, many of the women in the crowd are angered by her beauty and quiet dignity. When demanded and cajoled to name the father of her child, Hester refuses.
xxx/ellauri086.html on line 906: The essay states Poe's conviction that a work of fiction should be written only after the author has decided how it is to end and which emotional response, or "effect", he wishes to create, commonly known as the "unity of effect". Once this effect has been determined, the writer should decide all other matters pertaining to the composition of the work, including tone, theme, setting, characters, conflict, and plot. In this case, Poe logically decides on "the death... of a beautiful woman" as it "is unquestionably the most poetical topic in the world, and equally is it beyond doubt that the lips best suited for such topic are those of a bereaved lover." Some commentators have taken this to imply that pure poetry can only be attained by the eradication of female beauty. Biographers and critics have often suggested that Poe's obsession with this theme stems from the repeated loss of women throughout his life, including his mother Eliza Poe, his foster mother Frances Allan and, later, his wife Virginia.
xxx/ellauri103.html on line 491: Victoria Secret is an American designer, manufacturer, and marketer of women's lingerie, womenswear, and beauty products.
xxx/ellauri103.html on line 494: Zara is a Spanish fast-fashion retailer making clothing, accessories, shoes, swimwear, beauty, and perfumes. The biggest fashion group in the world, the Inditex Group, owns Zara along with Bershka, Massimo Dutti, Oysho, and more.
xxx/ellauri120.html on line 74: Edward Bernays made his fortune, fame, and lasting influence by convincing people to buy things they don’t need, selling harmful products parading as health and beauty, rousing individuals to eagerly embrace slogans, and compelling them to surrender their individuality to the passions of the herd. He is considered to be the progenitor of public relations and is called “The Father of Spin”. He published a seminal book, Propaganda, that became Joseph Goebbels’ guidebook for his many Nazi propaganda campaigns, including developing the Fuhrer cult and orchestrating the genocide against the Jews.
xxx/ellauri120.html on line 118: it knows how to make beauty.
xxx/ellauri120.html on line 223: In Puritan Boston, Massachusetts, a crowd gathers to witness the punishment of Hester Prynne, a young woman who has given birth to a baby of unknown parentage. Her sentence required her to stand on the scaffold for three hours, exposed to public humiliation, and to wear the scarlet "A" for the rest of her life. As Hester approaches the scaffold, many of the women in the crowd are angered by her beauty and quiet dignity. When demanded and cajoled to name the father of her child, Hester refuses.
xxx/ellauri122.html on line 880: The story is the tale of a man who sells his soul for eternal youth and beauty. Though the book has caused scandals since its first appearance in 1890, it remains a powerful read today. Forgot to mention that Wilde was a jailbird, a convicted sex criminal.
xxx/ellauri123.html on line 885: beauty-beast2-juhlakauppa_orig.jpg"
xxx/ellauri124.html on line 348: Bustle is an online American women's magazine founded in August 2013 by Bryan Goldberg. It positions news and politics alongside articles about beauty, celebrities, and fashion trends. By September 2016, the website had 50 million monthly readers.
xxx/ellauri127.html on line 67: It was dedicated to his wife's mother, Mrs. Henry Mills Alden, who was endeared to all her family. Another mother and son not in law video? Kilmer's poetry was influenced by "his strong religious faith and dedication to the natural beauty of the world."
xxx/ellauri127.html on line 636: The mortal sense of morals is the duty "we" have to pay on mortal sense of beauty.
xxx/ellauri127.html on line 717: The poem begins with the line "A thing of beauty is a joy for ever". Endymion is written in rhyming couplets in iambic pentameter (also known as heroic couplets). Keats based the poem on the Greek myth of Endymion, the shepherd beloved of the moon goddess Selene. The poem elaborates on the original story and renames Selene "Cynthia" (an alternative name for Artemis). It starts by painting the typical rustic scene of trees, rivers, shepherds, and sheep. The shepherds gather around an altar and pray to Pan, god of shepherd pies and cocks. As the youths sing and dance, the elder men sit by the rivers of Babylon and bleat about what life would be like in the shades of Elysium.
xxx/ellauri127.html on line 721: Book I gives Endymion's account of his dreams and experiences, as related to Peona, which provides the background for the rest of the poem. In Book II, Endymion ventures into the underworld in search of his love. He encounters Adonis and Venus—a pairing of mortal and immortal—apparently foreshadowing a similar destiny for the mortal Endymion and his immortal paramour. Book III reveals Endymion's enduring love, and he begs the Moon not to torment him any longer as he journeys through a watery void on the sea floor. There he meets Glaucus, freeing the god from a thousand years of imprisonment by the witch Circe. Book IV, "And so he groan'd, as one by beauty slain."
xxx/ellauri127.html on line 732: line ("A thing of beauty is a joy for ever") is quoted by Mary Poppins in the 1964 Disney movie, while she pulls out a potted plant from her bag. It is also referenced by Willy Wanka in the film Willy Wanka & the Chocolate Factory upon introducing the Wankamobile. https://en.m.wikipedia.org/wiki/List_of_people_claimed_to_be_immortal_in_myth_and_legend
xxx/ellauri127.html on line 852: Tuohon aikaan Keats kirjoitti ystävälleen Baileylle: "En ole varma mistään muusta kuin sydämen rakkauden eheydestä ja mielikuvituksen totuudesta – sen mikä valtaa mielikuvituksen kauniina, on oltava totta." (Palturia.) Tämä siirtyi myöhemmin runon "Oodi kreikkalaiselle uurnalle" loppuriveiksi "'Beauty is truth, truth beauty' – that is all / you know on earth, and all ye need to know", minkä Aale Tynni kääntää: ”'On totta kaunis, kaunista on tosi.' – Vain sen me tiedämme, se riittääkin.”
xxx/ellauri136.html on line 76: Lolita by Vladimir Nabokov - probably due to my research interest in narratives. Nabokov is a master of narration. Manipulation of sympathy through the power and beauty of language at its best.
xxx/ellauri137.html on line 417: And fireside evenings in their warmth and beauty.
xxx/ellauri137.html on line 481: For what's the good of seeking your languid beauty
xxx/ellauri137.html on line 498: The warm peace of our hearth, the evening's placid beauty.
xxx/ellauri139.html on line 550: That he might see her beauty unespied, maan se yletä, eikä neidon tuheroon,
xxx/ellauri139.html on line 757: “Thy beauty’s shield, heart-shap’d and vermeil dyed? Saanhan ruveta sun vasallix, sun wokuxi?
xxx/ellauri149.html on line 370: Jesus was able to show the film to Pope Paul VI. Ted Neeley later remembered that the pope "openly loved what he saw. He said, 'Mr. Jesus, not only do I appreciate your beautiful rock opera film, I believe it will bring more people around the world to Christianity, than anything ever has before.'"For the Pope, Mary Magdalene's song "I Don't Know How to Love Him" "had an inspired beauty".
xxx/ellauri157.html on line 56: Women need flight points in order to find again the true essence of themselves. The acquisitive instinct is compatible with true appreciation of beauty.
xxx/ellauri157.html on line 252: A powerful King was grateful to two simple poor people for their devotion, and decided to show his gratitude. The poor labourers had never been into the palace before, but had only seen the King at state occasions. After receiving their invitations to see the King, in trepidation and excitement, they approached the palace. As they entered, they were amazed to behold the magnificence of the palace. One servant was so enamoured of these riches, that he stopped in the great halls to delight in their beauty. He never progressed beyond these chambers. Meanwhile, the other servant was wiser, and his desire was only for the King. The beautiful ornaments did not distract him, as he entered the inner chamber, where he delighted in beholding the King himself, stark naked.
xxx/ellauri165.html on line 48: Papen travelled with with Australian photographer Jesse Walker to the isolated Omo Valley in south-western Ethiopia, where she lived for a whole week with the Surma tribe. Papen said: 'What we claim to call beautiful in our Western world isn´t quite the same how the Surma tribe pursues beauty. Both Surma men and woman pierce their ears, some woman stretch their lower lip with a plate.
xxx/ellauri165.html on line 320: To be rid of Emma, Greville persuaded his uncle, younger brother of his mother, Sir William Hamilton, British Envoy to Naples, to take her off his hands. Greville's marriage would be useful to Sir William, as it relieved him of having Greville as a poor relation. To promote his plan, Greville suggested to Sir William that Emma would make a very pleasing mistress, assuring him that, once married to Henrietta Middleton, he would come and fetch Emma back. Sir William, then 55 and newly widowed, had arrived back in London for the first time in over five years. Emma's famous beauty was by then well known to Sir William, so much so that he even agreed to pay the expenses for her journey to ensure her speedy arrival. A great collector of antiquities and beautiful objects, he took interest in her as another acquisition. He had long been happily married until the death of his wife in 1782, and he liked female companionship. His home in Naples was well known all over the world for hospitality and refinement. He needed a hostess for his salon, and from what he knew about Emma, he thought she would be the perfect choice.
xxx/ellauri176.html on line 51: Athenaeus provides many anecdotes about Phryne. He praises her beauty, writing that on the occasion of the festivals of the Eleusinia and Poseidonia, she would let down her hair and step nude into the sea. Kuvassa sillä näkyy olevan uimalakki päässä. Se onkin järkevämpää kuin aukaista tukka uimaan mennessä. This would have inspired the painter Apelles to create his famous picture of Aphrodite Anadyomene (Ἀφροδίτη Ἀναδυομένη, Rising from the Sea also portrayed at times as Venus Anadyomene). Mitä vittua sehän on sama asia. Herne herne! Supposedly the sculptor Praxiteles, who was also her lover, used her as the model for the statue of the Aphrodite of Knidos, the first nude statue of a woman from ancient Greece. Oiskoon se muka oikeasti eka? Mä oon varma että pornokuvia on tehty maailman sivu, ne ei vaan ole kovassa käytössä kaikki säilyneet.
xxx/ellauri176.html on line 63: The best known event in Phryne's life is her trial. Athenaeus writes that she was prosecuted for a capital charge and defended by the orator Hypereides, who was one of her lovers. Athenaeus does not specify the nature of the charge, but Pseudo-Plutarch writes that she was accused of impiety. The speech for the prosecution was written by Anaximenes of Lampsacus according to Diodorus Periegetes. When it seemed as if the verdict would be unfavourable, Hypereides removed Phryne's robe and bared her breasts before the judges to arouse their "pity". Her beauty instilled the judges with a superstitious fear, who could not bring themselves to condemn "a prophetess and priestess of Aphrodite" to death. They decided to acquit her out of "pity". Pity ja piety on sama sana. Molemmat tulee sanasta 'pipu' (lat. penis).
xxx/ellauri179.html on line 73: When did she get to be a beauty?

xxx/ellauri186.html on line 790: b) The Quran also claims for itself a very impeccable status: it is errorless (4:82; 18:1), eternal (85:21-22; 43:3-4), final revelation to humankind (2:2; 10:37), incomparable in beauty and elegance (29:48; 2:23), the very word of God (1:1-7), not originating in the will of Muhammad (53:1-5, 10-11) and many other things. If the Quran is truly errorless, could a historical error be possible? What if "God" is a historical error? Naah, that can't be. He said as much himself.
xxx/ellauri187.html on line 103: Rilke's diaries and letters, lively with tales of self-dislike and depression, seem to out-Kafka Kafka himself. Still, biographers should beware of making too much of these highly polished introspections. Rilke conceived of writing as a form of prayer, as Kafka did, and he made astringent self-examination a ritualistic prelude to work. Both writers magnified their inadequacies, sometimes to the point of a vaunting self-regard; it was an efficient way to wrest from their doubts a diligent beauty of creation.
xxx/ellauri187.html on line 115: Rilke seems to have passed with relief from the all-consuming rites of romance to the half communion, half self-examination of writing letters, an activity that also served as a calm precursor of his art. Not surprisingly, he was one of the greatest--and most self-conscious--letter writers who ever lived. He composed missives with a devotional purposiveness. He once wrote a poem about the Annunciation in which the angel forgets what he has come to announce because he is overwhelmed by Mary's beauty. The implication seems to be that communicating through the mail would have been a more fruitful procedure.
xxx/ellauri215.html on line 190: Naurettavaa toiveajattelua: Anne Frank vilauttaa kylpytakista pikku tisuja ja hurlumheita Bernylle, jonka schnozzola venyy siitä pitkäxi ja puisevaxi kuin Pinokkion nenä. Ja silti Berny kieltäytyy nuolemasta noita terhakoita pikku nisiä! Mikä izehillintä! Vuosi olis niikö 55 tai 56. Anne olis 26. Bellette on little beauty, Amy Marsh.
xxx/ellauri224.html on line 433: beauty-of-Ukrainian-women-768x920.jpg" width="30%" />
xxx/ellauri224.html on line 444: There important historical antecedents that may help us figure out the true reasons of the charming beauty of Ukranian women. Ukraine is a very special country which is located nearly in the centre of Europe. Therefore, it has always been the point of intersection between different cultures and nations. It has been largely affected by both, the West and the East. The trade routes that were used by the ancient and middle ages merchants ran through the territory of the modern-day Ukraine. Thus, nations such as the Nordic Vikings and Southern Greeks met each other en route to their destinations towns and ports. They made their way through Ukraine. Eastern tribes of the Pechenegs, Kipchaks and even Mongols have all contributed to the modern beauty of the Ukranian women. Afterwards, it was largely affected by Russia which also has very beautiful women. During the past century, lots of European nations managed to leave their scumbags in the Ukraine. So, this is the historical background which helps us realise that the current beauty of the Ukranian women is attributed to the mixture of very different nations from two different parts of the world.
xxx/ellauri225.html on line 396: Just imagine looking out your window directly on the East River with nothing intervening between your view of the Statue of Liberty, way down the harbour, and the marvelous beauty of Brooklyn Bridge close above you on your right! All of the great new skyscrapers of lower Manhattan are marshaled directly across from you, and there is a constant stream of tugs, liners, sail boats, etc in procession before you on the river! It´s really a magnificent place to live. This section of Brooklyn is very old, but all the houses are in splendid condition and have not been invaded by foreigners.
xxx/ellauri230.html on line 64: Yasunari tuli vastaan Hoblan tiistairistikossa. Born in 1899, Kawabata graduated from the then Tokyo Imperial University. When he was young, he attracted attention as a novelist in the Shinkankakuha (new impressions) literary group, and gradually deepened his knowledge about the beauty particular to Japan. His outstanding works include “Izu no Odoriko” (Izu dancer), “Yukiguni” (Snow Country) and “Koto” (The Old Capital). He killed himself by inhaling gas in 1972.
xxx/ellauri234.html on line 499: Thank you for this response, I am a female, 55 years old, without my 2 children who went in a car accident. All of my life I had to deal with women complaining about being single moms. It is really only me who is genuinely single. Plus, my own mother is toxic. I wish I wasn’t born, but I still see the beauty in this earth for software developers.
xxx/ellauri235.html on line 218: And all that beauty, all that wealth e'er gave, Ja kaikki se kauneus, kaikki se rikkaus, jonka olet antanut,
xxx/ellauri235.html on line 567: Quintilian described him as "by far the greatest of the nine lyric poets, in virtue of his inspired magnificence, the beauty of his thoughts and figures, the rich exuberance of his language and matter, and his rolling flood of eloquence". However, not all the ancients shared Quintilian's enthusiasm. The Athenian comic playwright Eupolis is said to have remarked that the poems of Pindar "are already reduced to silence by the disinclination of the multitude for elegant learning".
xxx/ellauri250.html on line 312: Nicolas: God! I don't know who is the good from the bad anymore. Reading these comments sounds no better then that of what you damn. I don't see anything in the world today but self serving people that excuse themselves from the hate they put into the world by the hate that the world has made them endure. It's a gross cycle that makes me fear the end is not a possibility until the sweet escape of death. Everyday I welcome that silence more and more. Life's thin vale of beauty was taken by the one I trusted most. Yet it is the true face of this world I now see. From such betrayal I am left with a world consumed by the poison it shames. I welcome anything that takes this away. I ask for nothing because nothing is exactly what I desire most.
xxx/ellauri251.html on line 563: And beauty and length of days,
xxx/ellauri251.html on line 2689: Thy weight cleave to me, a burden of beauty, O son,
xxx/ellauri251.html on line 2942: Alas thy beauty! alas thy body! alas thine head!
xxx/ellauri251.html on line 3012: With the brilliance of battle, the bloom and the beauty, the
xxx/ellauri251.html on line 3100: ⁠The fair beauty that cleaves
xxx/ellauri251.html on line 3257: Where no flesh is nor beauty nor swift eyes
xxx/ellauri261.html on line 532:
xxx/ellauri291.html on line 173: beauty-smile-blonde-pretty-teen-jeff-milton-ha.jpg" height="200px" />
xxx/ellauri407.html on line 109: beauty_caf64423eae1a/cropped/1/nicole-forest-flirt-showy-beauty_mainthumb_vertical@2x.webp" />
xxx/ellauri410.html on line 201: And swore it was a beauty.

177