ellauri155.html on line 1004: wonderful exotic creature (like her handwriting) not beautiful but like a great
ellauri156.html on line 311: Now, having looked at the big picture, let's concentrate on the juicy details. The text informs us that David sees this woman bathing and notes that she is very beautiful. It is sometimes thought that David saw Bathsheba unclothed as she bathed herself publicly, and that the sight of her (unclothed/partially) body prompted David to act as he did. Virtually the identical words employed in our text (“very beautiful in appearance”) are found in Genesis 24:16 of Rebekah, as she came to the well with a water jug on her shoulder. She was neither naked nor partially clothed. Similar (though not identical) descriptions are found, where no exposure of the woman is indicated at all (see Genesis 12:11; 26:7; 29:17; Esther 1:1). I believe one of the reasons David summons Bathsheba to his palace is that he has not seen all that he wishes. (Haahaa! Bob, you are a little too bashful here. Most likely he wants to try on what he saw, like St. Thomas who wanted to put his finger in the wound. Seeing is not believing.)
ellauri156.html on line 451: A. H. Weiler of The New York Times described the film as "a reverential and sometimes majestic treatment of chronicles that have lived three millennia." He praised Dunno's screenplay and Peck's "authoritative performance" but found that Wayward "seems closer to Hollywood than to the arid Jerusalem of his Bible." Variety wrote, "This is a big picture in every respect. It has scope, pageantry, sex (for all its Biblical background), cast names, color—everything. It's a surefire boxoffice entry, one of the really 'big' pictures of the new selling season." Philip K. Scheuer of the Los Angeles Times wrote that the film "leaves little to be desired" from the standpoint of production values with Peck "ingratiating" as David and Wayward "a seductress with flaming tresses, in or out of the bath, and only her final contrition is a little difficult to believe." Richard L. Coe of The Washington Post wrote, "On the whole, the picture suggests a Reader's Digest story expanded into a master's thesis for the Ecole Copacabana."] Harrison's Reports wrote, "The outstanding thing about the production is the magnificent performance of Gregory Peck as David; he makes the characterization real and human, endowing it with all the shortcomings of a man who lusts for another's wife, but who is seriously penitent and prepared to shoulder his guilt. Susan Wayward, as Bathsheba, is beautiful and sexy, but her performance is of no dramatic consequence." The Monty Python Bulletin commented that the film had been made "with restraint and relative simplicity" compared to other historical epics, "and the playing of Gregory Peck in particular is competent. The whole film, however, is emotionally and stylistically quite unworthy of its subject." Philip Hamburger of The New Yorker wrote that "the accessories notwithstanding, something is ponderously wrong with 'David and Bathsheba.' The fault lies, I suppose, in the attempt to make excessive enlargements of an essentially-simple story." Zanuck the Hot Dog agreed.
ellauri156.html on line 633: David has become king of both Judah and Israel. He has, in large measure, consolidated his kingdom. He has taken Jebus and made it his capital city, renaming it Jerusalem. He has built his palace and given thought to building a temple (a plan God significantly revises). He has subjected most of Israel's neighboring nations. He has done battle with the Ammonites and prevailed, but he has not yet completely defeated them. The Ammonites have retreated to the royal city of Rabbah, and as the time for war (spring) approaches, David sends all Israel, led by Joab, to besiege the city and to bring about its surrender. David has chosen not to endure the rigors of camping in the open field, outside the city. He has chosen rather to remain in Jerusalem. Sleeping late, David rises from his bed as others prepare to go to bed for the night. David strolls about the rooftop of his palace and happens to steal a look at a beautiful young woman bathing herself, perhaps ceremonially, in fulfillment of the law.
ellauri161.html on line 1000: “Bourgeois are by nature people who hate and destroy heavens. When they see a beautiful site, they have no more pressing dream than to cut the trees, dry up the springs, build streets, shops and urinals. They call this seizing a business opportunity.”
ellauri163.html on line 48: He wrote the drama Got fun nekome (God of Vengeance) in the winter of 1906 in Cologne, Germany. It is about a Jewish brothel owner who attempts to become respectable by commissioning a Torah scroll and marrying off his daughter to a yeshiva student. Set in a brothel, the play includes Jewish prostitutes and a lesbian scene. I. L. Peretz famously said of the play after reading it: "Burn it, Asch, burn it!" Instead, Asch went to Berlin to pitch it to director Max Reinhardt and actor Rudolph Schildkraut, who produced it at the Deutsches Theater. God of Vengeance opened on March 19, 1907 and ran for six months, and soon was translated and performed in a dozen European languages. It was first brought to New York by David Kessler in 1907. The audience mostly came for Kessler, and they booed the rest of the cast. The New York production sparked a major press war between local Yiddish papers, led by the Orthodox Tageplatt and even the secular Forverts. Orthodox papers referred to God of Vengeance as "filthy," "immoral," and "indecent," while radical papers described it as "moral," "artistic," and "beautiful". Some of the more provocative scenes in the production were changed, but it wasn't enough for the Orthodox papers. Even Yiddish intellectuals and the play's supporters had problems with the play's inauthentic portrayal of Jewish tradition, especially Yankl's use of the Torah, which they said Asch seemed to be using mostly for cheap effects; they also expressed concern over how it might stigmatize Jewish people who already faced much anti-Semitism. The association with Jews and sex work was a popular stereotype at the time. Other intellectuals criticized the writing itself, claiming that the second act was beautifully written but the first and third acts failed to support it.
ellauri164.html on line 908: “By his rash act Moses took away the force of the lesson that God purposed to teach. The rock, being a symbol of Christ, had been once smitten, as Christ was to be once offered. The second time it was needful only to speak to the rock, as we have only to ask for blessings in the name of Jesus. By the second smiting of the rock the significance of this beautiful figure of Christ was destroyed.” –Patriarchs and Prophets, p. 418
ellauri171.html on line 404: Why did Herod hate John? John was highly critical of the ruler of Galilee, Herod Antipas, who had married the divorced wife of his brother. The woman’s name was Herodias, and she had a beautiful daughter Salome. John spoke out loud and clear against the incest that, according to Jewish law, was being committed by Antipas and Herodias. Pentateukin leviraattisäännöt on pirullisia. Enste pitää mennä naimisiin veljen vaimon kanssa, sitten taas ei saa.
ellauri171.html on line 438: Judith was a rich and beautiful widow who lived in a town besieged by Nebuchadnezzar’s general, Holofernes. Holofernes taisi olla jonkun suomalaisen kirjailijapoppoon kesäveneen nimi. Haavistoilla lomailee erittäin kovaääninen lahtelainen mies jonka lisänimi on Holofernes, koska se holottaa niin maan saatanasti. Haaviston rouvan aivasteltua koko mäen hereille alkaa Holoferneen lakkaamaton holotus. Talasniemellä ois Judithille töitä.
ellauri171.html on line 985: “...Often beautiful, she uses her looks to her advantage to ‘lure in’ her next victim.”
ellauri171.html on line 1096: Tamara 2 was the beautiful daughter of the great King David and Maacah, a princess from a neighboring kingdom. Her half-brother Amnon became obsessed with her.
ellauri171.html on line 1099: David had a number of wives, but one of the most high-ranking was Maacah, the daughter of King Talmai of the neighboring kingdom of Geshur. Maacah had two children, both of them extraordinarily good-looking. The first was her son Absalom, a favorite of his father’s, the other her daughter Tamar, whose looks stood out even in this family of beautiful children.
ellauri182.html on line 80: Eriko (“Eh-REE-koh Tah-NAH-bee”) is Yuichi’s mother, who invites Mikage to stay at his/her home. Eriko is a transsexual and had previously been Yuichi’s father. Mikage’s first impression of Eriko is “overwhelming.” Mikage describes him/her as “an incredibly beautiful wo/man” who “seemed to vibrate with life force.” Eriko represents an ideal of feminine beauty, charm, and strength for Mikage. At times, Mikage finds it hard to believe that this woman had once been a man, or is still a man—some ambiguities over Eriko’s gender remain, both for the reader and for the characters. Yuichi refers to Eriko as both his mother and father, and other characters refer to Eriko as both “she” and “he.” Mikage could easily keep pace with Eriko.
ellauri188.html on line 133: and ten miles long, beautifully green, with Melville's storied waterfall still showing as a silver thread amongst the verdure at the head of the valley.
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ellauri192.html on line 586: My God, how beautiful this is. Jumalauta tää on kaunista.
ellauri197.html on line 102: He describes in the next lines how his love used to pass the “salley gardens / with little snow-white feet”. This is a great use of imagery that depicts his love as someone young, beautiful, and with the addition of “white,” pure feet. He describes the big mistake he made in regard to his life with his young woman. She told him to “take love easy” but he wasn’t able to do so. He rushed into this relationship and wasn’t as steady as he could’ve been. The man was “young and foolish” and now in his older age, he’s able to look back on his life and realize his mistakes.
ellauri197.html on line 106: The second stanza is very similar to the first. There are several examples of repetition. The speaker begins by describing himself standing with his love “In a field by the river” rather than in the “salley garden”. Either way, the setting is natural and likely beautiful. The scene is made even more pleasing by the fact that he was with someone he loved and she was touching his shoulder with her “snow-white hand”. Here, readers should notice the repetition of “snow-white”. This time rather than describing her feet he’s thinking about her hand. He remembers how she asked him at that moment to “take life easy”. This is almost exactly the same as in the first stanza. But, now it’s revealed that the speaker’s inability to take it “easy” stretches to his life beyond his relationship with this woman.
ellauri197.html on line 305: An interesting thing to note, however, is that the “adversity” is treated in a beautiful way by being addressed as a “Bloom.” The capitalization can be written off with the notion that even a bad memory could be important enough to merit capitalization, but a “Bloom” has a connotation of natural beauty and livelihood. This could simply mean the negativity from the circumstance grows with time, but the choice of such a soft verb gives the feeling that the narrator has warm feelings about whatever happened to cause this bad memory—maybe a relationship she loved but lost or a friend who was dear but forsaken. This would again give a reason for the grammatical chaos of the lack of subject and mismatched verb tenses since, it seems, the narrator does not know how she feels about the memory.
ellauri198.html on line 219: But what they were then, both beautiful;
ellauri198.html on line 274: Is of the beautiful liability of their nature.
ellauri198.html on line 823: Spending most of his time in London, Yeats met with Maud Gonne, a tall, beautiful, socially prominent young woman passionately devoted to Irish nationalism. Yeats soon fell in love with Gonne, and courted her for nearly three decades although he eventually learned that she had already borne two children from a long affair. Their sole attempt at copulation at long last in Paris ended with a fizz. Yeats found he actually really liked young boys and girls.
ellauri198.html on line 889: The poem as usually printed breaks off at this point, in mid-line, with the word "celestial". Keats's friend Richard Woodhouse, transcribing this poem, completed this line as "Celestial Glory dawn'd: he was a god!" Ox, nyet! nyet! The language of Hyperion is very similar to Milton's, in metre and style. However, his characters are quite different. Although Apollo falls into the image of the "Son" from Paradise Lost and of "Jesus" from Paradise Regained, he does not directly confront Hyperion as Satan is confronted. Also, the roles are reversed, and Apollo is deemed as the "challenger" to the throne, who wins it by being more "true" and thus, more "beautiful." Double yawn.
ellauri204.html on line 342: “So saying, Argeiphontes gave me the herb, drawing it from the ground, and showed me its nature. At the root it was black, but its flower was like milk. [305] Moly the gods call it, and it is hard for mortal men to dig; but with the gods all things are possible. Hermes then departed to high Olympus through the wooded isle, and I went my way to the house of Circe, and many things did my heart darkly ponder as I went. [310] So I stood at the gates of the fair-tressed goddess. There I stood and called, and the goddess heard my voice. Straightway then she came forth, and opened the bright doors, and bade me in; and I went with her, my heart sore troubled. She brought me in and made me sit on a silver-studded chair, [315] a beautiful chair, richly wrought, and beneath was a foot-stool for the feet. And she prepared me a potion in a golden cup, that I might drink, and put therein a drug, with evil purpose in her heart. But when she had given it me, and I had drunk it off, yet was not bewitched, she smote me with her wand, and spoke, and addressed me: [320] ‘Begone now to the sty, and lie with the rest of thy comrades.’ “So she spoke, but I, drawing my sharp sword from between my thighs, rushed upon Circe, as though I would slay her. But she, with a loud cry, ran beneath, and clasped my knees, and with wailing she spoke to me winged words: [325] “‘Who art thou among men, and from whence? Where is thy city, and where thy parents? Amazement holds me that thou hast drunk this charm and wast in no wise bewitched. For no man else soever hath withstood this charm, when once he has drunk it, and it has passed the barrier of his teeth. Nay, but the mind in thy breast is one not to be beguiled. [330] Surely thou art Odysseus, the man of ready device, who Argeiphontes of the golden wand ever said to me would come hither on his way home from Troy with his swift, black ship. Nay, come, put up thy sword in this here sheath, and let us two then go up into my bed, that couched together [335] in love we may put trust in each other.’ “So she spoke, but I answered her, and said:‘Circe, how canst thou bid me be gentle to thee, who hast turned my comrades into swine in thy halls, and now keepest me here, and with guileful purpose biddest me [340] go to thy chamber, and go up into thy bed, that when thou hast me stripped thou mayest render me a weakling and unmanned? Nay, verily, it is not I that shall be fain to go up into thy bed, unless thou, goddess, wilt consent to swear a mighty oath that thou wilt not plot against me any fresh mischief to my hurt.’
ellauri214.html on line 76: J.K. Rowling has also included plenty of sexism in her writing, indicative of her internalised misogyny. Cho Chang was Harry Potter’s love interest throughout books 4 and 5. However, Cho was in a relationship with another student in the fourth book, and unfortunately this student was killed by Lord Voldemort at the end of the book. This leaves Cho rightfully distraught. Though still in emotional turmoil, she develops a crush on Harry and they begin dating. During their first kiss, Cho is crying because she is thinking of her dead boyfriend. Harry and Cho break up after multiple arguments later in the book. Later on in the series, Harry develops feelings for his best friend’s sister, Ginny Weasley. Rowling periodically writes how Harry prefers Ginny to Cho because Cho was too emotional after the death of her boyfriend. Harry preferred Ginny, who was stronger and could contain her emotions, supposedly because she had grown up with 6 brothers (no, 5, Ronny is a sissy). This comparison of the two girls demonstrates Rowling’s internalized feelings that women exist for the purpose of pleasing men. The thinly veiled idea that women who are too emotional or too much drama queens are not desirable is evident in Rowling’s writing. Fleur Delcore is another example of this feeling. Fleur is a student at a French wizarding school who competes against Harry in a difficult tournament in the fourth book. Fleur is part veela, who are magical beings of extreme beauty but can turn monstrous when angered. Fleur eventually marries Ron Weasley’s older brother, Bill. Hermionie, Harry’s other best friend, and Ginny constantly complain about Fleur. However, the only thing their animosity can be traced back to is that Fleur is a beautiful Frenchy woman and she is confident in that, whilst they are just snubnosed Brits. This further develops Rowling’s internalized misogyny. She views women who are confident in their beauty as annoying, and has the idea that women should seek male validation. Though these portions of the book were likely unintentional, speaking from personal experience, it has to be said that Rowling’s writing of women in her book have had a lasting effect on her female readers.
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ellauri221.html on line 304: The film ends with the representatives of the US and Britain tuning in to see Holly Goodhead and Bond making love. The previous Bond film, The Spy Who Loved Me, ends in the same way, and Anya Amasova (way more beautiful than Lois) was shocked by this candaulism, but Goodhead is too "happy" to care. She is American after all. Last Words: Oh James, rake me around the moon one more time.
ellauri221.html on line 311: When a U.S. space shuttle is stolen in a mid-air hijacking, only Bond can find the evil genius responsible. The clues point to billionaire Hugo Drax, who has devised a scheme to destroy all human life on Earth. As Bond races against time to stop Drax´s evil plot, he joins forces with Dr. Holly Goodhead, a N.A.S.A. scientist who is as beautiful as she is brilliant, and 007 needs all the help he can get, for Drax´s henchman is none other Bond´s old nemesis Jaws, the indestructible steel-toothed giant. Their adventure leads all the way to a gigantic space station, where the stage is set for an epic battle for the fate of all mankind.
ellauri222.html on line 101: Still, in New York and at Princeton, where he spent a year teaching creative writing, Bellow made friends with many of the critics who dominated literary life in the nineteen-fifties. They found him bright, congenial, and sufficiently bookish, and especially admired what they took to be his poise and real-world savvy. Irving Howe thought Bellow “very strong-willed and shrewd in the arts of self-conservation.” “Even his egocentricity added to his charms,” said William Phillips, the co-editor, with Philip Rahv, of Partisan Review. “Stunning—the ultimate beautiful young Jewish intellectual incarnate,” Alfred Kazin’s wife, Ann Birstein, remembered. Bellow maintained the allure by cultivating just the right amount of aloofness. “I was the cat who walked by himself,” as he put it.
ellauri222.html on line 177: But “Ravelstein” is a revenge novel, too. It’s not really about Ravelstein/Bloom. It’s about the narrator, a writer named Chick, who has been treated cruelly by his wife, Vela, a beautiful and brilliant physicist—a wicked caricature of Bellow’s fourth wife, the mathematician Alexandra Ionescu Tulcea. There are also a couple of drive-by take-downs along the way—of Mircea Eliade, a historian of religion at Chicago rumored to have been involved in the fascist Romanian Iron Guard, and of the owner of a restaurant on St. Martin, in the Caribbean, where Bellow contracted a case of food poisoning that nearly killed him. He brings them into the story just to skewer them.
ellauri222.html on line 377: Stella Chesney is a beautiful aspiring actress—her name means “star” in Latin—whom Augie meets in Mexico. He helps her escape her boyfriend, Oliver, and much later meets her again in New York and marries her. Augie learns that Stella has lied to him about many things, but he continues to love her despite her faults. They move to Paris so that she can pursue her film career.
ellauri222.html on line 409: Esther is the younger of the two Fenchel sisters, beautiful heiresses whom Augie meets at a resort hotel with Mrs. Renling. When she refuses to go out with him, Augie faints. Esther’s more passionate older sister, Thea, falls in love with Augie.
ellauri222.html on line 425: Cissy Flexner is Simon’s fiancée. She is beautiful and tall, with an impressive figure, but dumb and conceited. Her father, Joe Flexner, is a dry-goods shopkeeper who also lost everything in the crash. Cissy marries Five Properties instead of Simon.
ellauri222.html on line 433: Sophie Geratis is a beautiful Greek girl who works as a chambermaid. Augie meets her when he is working as a union organizer, and the two become lovers. Sophie is engaged to someone else and Augie leaves her to go with Thea. They reunite later, but Augie leaves her again for Stella.
ellauri222.html on line 589: Renée is the young, beautiful, blond mistress of Simon. Simon spends his days with Renée, but goes home each night to Charlotte. Renée becomes angry and jealous because Simon never intends to leave his wife. When Charlotte finds out about the affair and demands a stop to it, Renée attempts suicide by swallowing pills (apparently an attention-getting gesture), and claims (falsely) that she is pregnant with Simon’s baby. She causes a scandal, opening a lawsuit against Simon. Charlotte and Simon have to go to court to fend her off.
ellauri222.html on line 653: Mimi Villars is a beautiful, tough-talking blonde from Los Angeles who lives next door to Augie in the student boarding house and becomes a close friend of Augie. Mimi has bohemian ideas and aspires to marry an intellectual. When she becomes pregnant with an unwanted child by her boyfriend Frazer, Augie takes her to an abortionist. Mimi later falls in love with Arthur Einhorn. Mimi’s name recalls the tragic heroine of the Puccini opera La Bohème.
ellauri222.html on line 671: In a 1943 issue of The American Scholar, Marston wrote: "Not even girls want to be girls so long as our feminine archetype lacks force, strength, and power. Not wanting to be girls, they don't want to be tender, submissive, peace-loving as good women are. Women's strong qualities have become despised because of their weakness. The obvious remedy is to create a feminine character with all the strength of Superman plus all the allure of a good and beautiful woman."
ellauri222.html on line 783: Key transcendentalism beliefs were that humans are inherently good but can be corrupted by society and institutions, insight and experience are more important than logic, spirituality should come from the self, not organized religion, and nature is beautiful and should be respected.
ellauri223.html on line 66: Capt. Moreover, the race is managed for the good of the commonwealth, and not of private individuals, and the magistrates must be obeyed. They deny what we hold—viz., that it is natural to man to recognize his offspring and to educate them, and to use his wife and house and children as his own. For they say that children are bred for the preservation of the species and not for individual pleasure, as St. Thomas also asserts. Therefore the breeding of children has reference to the commonwealth, and not to individuals, except in so far as they are constituents of the commonwealth. And since individuals for the most part bring forth children wrongly and educate them wrongly, they consider that they remove destruction from the State, and therefore for this reason, with most sacred fear, they commit the education of the children, who, as it were, are the element of the republic, to the care of magistrates; for the safety of the community is not that of a few. And thus they distribute male and female breeders of the best natures according to philosophical rules. Plato thinks that this distribution ought to be made by lot, lest some incel men seeing that they are kept away from the beautiful women, should rise up with anger and hatred against the magistrates; and he thinks further that those who do not deserve cohabitation with the more beautiful women, should be deceived while the lots are drawn by the magistrates, so that at all times the women who are suitably second rate should fall to their lot, not those whom they desire. Stop the steal!
ellauri223.html on line 68: This shrewdness, however, is not necessary among the inhabitants of the City of the Sun. For with them deformity is unknown. When the women are exercised they get a clear complexion, and become strong of limb, tall and agile, and with them beauty consists in tallness and strength. Tanakka, punakka ja rivakka, täst mie piän! Therefore, if any woman dyes her face, so that it may become beautiful, or uses high-heeled boots so that she may appear tall, or garments with trains to cover her wooden shoes, she is condemned to capital punishment. But if the women should even desire them they have no facility for doing these things. For who indeed would give them this facility? Further, they assert that among us abuses of this kind arise from the leisure and sloth of women. By these means they lose their color and have pale complexions, and become feeble and small. For this reason they are without proper complexions, use high sandals, and become beautiful not from strength, but from slothful tenderness. And thus they ruin their own tempers and natures, and consequently those of their offspring. Furthermore, if at any time a man is taken captive with ardent love for a certain woman, the two are allowed to converse and joke together and to give one another garlands of flowers or leaves, and to make verses. But if the race is endangered, by no means is further union between them permitted. Her fanny must be locked in a love girdle, and his pecker lassoed and bound behind his butt. Moreover, the love born of eager desire is not known among them; only that born of friendship. LOL
ellauri223.html on line 70: Domestic affairs and partnerships are of little account, because, excepting the sign of honor, each one receives what he is in need of. To the heroes and heroines of the republic, it is customary to give the pleasing gifts of honor, beautiful wreaths, sweet food, heroine, or splendid clothes, while they are feasting. In the daytime all use white garments within the city, but at night or outside the city they use red garments either of wool or silk. They hate black as they do dung, and therefore they dislike the Japanese, who are fond of black, and Africans, for obvious reasons. Pride they consider the most execrable vice, and one who acts proudly is chastised with the most ruthless correction. Wherefore no one thinks it lowering to wait at table or to work in the kitchen or fields or clean the toilets. All work they call discipline, and thus they say that it is honorable to go on foot, to do any act of nature, to see with the eye, and to speak with the tongue, and waft with the tail; and when there is need, they distinguish philosophically between tears and spittle. Every man who, when he is told off to work, does his duty, is considered very honorable.
ellauri223.html on line 78: They do not use dung and filth for manuring the fields, thinking that the fruit contracts something of their rottenness, and when eaten gives a short and poor subsistence, as women who are beautiful with rouge and from want of exercise bring forth feeble offspring.
ellauri223.html on line 166: I remember I have read in one of your European books, of an holy hermit amongst you that desired to see the Spirit of Fornication; and there appeared to him a little foul ugly Aethiop. Fuckin niggah. But if he had desired to see the Spirit of Chastity of Bensalem, it would have appeared to him in the likeness of a fair (paleface) beautiful Cherubim. For there is nothing amongst mortal men more fair and admirable, than the chaste minds of this people. Know therefore, that with them there are no chicken stews, frozen or otherwise, no dissolute houses, no courtesans, nor anything of that kind.
ellauri238.html on line 921: the desert blooms for us, and our children are beautiful. Erämaa kukkii meille, lapset ovat kauniita.
ellauri238.html on line 933: with our eyes of forests, with our beautiful children, mezänsilmillä, kauniilla lapsilla,
ellauri241.html on line 269: More beautiful than ever twisted braid, Kuin koskaan on kiertänyt punosta,
ellauri241.html on line 1146: My madness impious; how beautiful thou art!
ellauri241.html on line 1643: Endymion shows penile growth in Book 4 in the sense that he understands that there is value and beauty in mortal love but he has not truly learned how to live a blissful existence without the love of a beautiful (wo)man. Endymion, Adonis, Alpheus, and Glaucus are subject to a life of isolation and impotence without the presence of their beloved. Never mind, much worse is impotence in their presence!
ellauri244.html on line 575: "It's, it's...beautiful, is what it is! But you haven't been around the Flock at all. Who are you, anyway?"
ellauri247.html on line 286: CICISBEO: In 18th- and 19th-century Italy, the cicisbeo (Italian: [tʃitʃiˈzbɛːo]; plural: cicisbei) or cavalier servente (French: chevalier servant) was the man who was the professed gallant or lover of a woman married to someone else. With the knowledge and consent of the husband, the cicisbeo attended his mistress at public entertainments, to church and other occasions, and had privileged access to this woman. The arrangement is comparable to the Spanish cortejo or estrecho and, to a lesser degree, to the French petit-maître.,(petit-maître m (plural petits-maîtres) (archaic) dandy, coxcomb). The exact etymology of the word is unknown; some evidence suggests it originally meant "in a whisper" (perhaps an onomatopeic word). Other accounts suggest it is an inversion of bel cece, which means "beautiful chick (pea)". According to the Oxford English Dictionary, the first recorded usage of the term in English was found in a letter by Lady Mary Wortley Montagu dated 1718. The term appears in Italian in Giovanni Maria Muti's Quaresimale Del Padre Maestro Fra Giovanni Maria Muti De Predicatori of 1708 (p. 734).
ellauri248.html on line 93: Can you write a mystery story that ends with uncertainty? Where you never know who really did it? You can, but it’s unsatisfying. It’s unpleasant for the reader . There needs to be something at the end, some sort of resolution. It’s not that the killer even needs to be caught or locked up. It’s that the reader needs to know. Not knowing is the worst outcome for any mystery story, because we need to believe that everything in the world is knowable. Justice is optional, but answers, at least, are mandatory. And that’s what I love about Holmes. That the answers are so elegant and the world he lives in so ordered and rational. It’s beautiful.”
ellauri257.html on line 67: Taras Bulba (1962), yhdysvaltalainen sovitus, pääosissa Yul Brynner ja Tony Curtis ja ohjaaja J. Lee Thompson. The tale of a Cossack chief who has sworn to be the eternal enemy of the treacherous Poles. So, when his son falls for a beautiful Pole who has saved his life, the father is faced with the dilemma of whether to kill his own flesh and blood as a traitor. This film reinforced the Brynner stereotype as king of the Asiatic wide open spaces.
ellauri257.html on line 73: The cocky and arrogant Taras raises two sons, Andrei (Tony Curtis) and Ostap (Perry Lopez), and eventually sends them to Kiev University to learn how their enemies think. The independent-minded Andrei falls in love with Natalia (Christine Kaufmann), a young beautiful Polish noblewoman, but her family deems him unworthy of her because of his lowly birth. The heartbroken Andrei returns home to the steppes and his bloodthirsty barbarian warrior father—definitely not a college grad.
ellauri260.html on line 319: Hitherto the beautiful had been considered far superior to the useful, but the useful is now cleansed of the stain that it was supposed to have ; it is ennobled and becomes a spur to action. The beautiful got to be what it always is, a luxury available to those who have the means. Engels olis sevverran oikeassa että "it is not ideas, as independent forces, but the vital interests of business life, which control the whole." Rikastuminen ei ole keino vaan päämäärä, ainoa että sosialismissa se jaettaisiin koko porukalle eikä kökkäreille yxinään.
ellauri260.html on line 417: rom the soul of this older culture came the words of Aristotle : " It is the part of a free and high-minded man to seek, not the useful, but the beautiful." This acute student of men has ably described the chief types of human conduct, and has distinguished five principal shades of thought and character : great, good, those who love honour and power, those who are intent on gain and enjoyment, and, finally, criminal natures. The truth of this division is supported by the fact that it has been substantially preserved in the tradition of the Catholic Church.
ellauri262.html on line 308: The scholar Patrick Curry, defending Tolkien against the feminist scholar Catherine R. Stimpson's charge that "Tolkien is irritatingly, blandly, traditionally masculine....He makes his women characters, no matter what their rank, the most hackneyed of stereotypes. They are either beautiful and distant, simply distant, or simply simple", comments that "it is tempting to reply, guilty as charged", agreeing that Tolkien is "paternalistic", though he objects that Galadriel and Éowyn have more to them than Stimpson alleges.
ellauri267.html on line 183: Emotional Alex Murdaugh describes his wife as beautiful and says he'd never hurt her
ellauri267.html on line 186: "She was just as beautiful inside as she was outside," he said while crying during his testimony Thursday. Maggie was devoted to her two sons, Buster and Paul, he said. "She didn't grow up in the swamp and in the country, riding four-wheelers and hunting and fishing," Murdaugh said, but when she had two sons, she became "a boys' mom." "She threw herself into her boys' life," he said.
ellauri270.html on line 411: “The Lottery” begins with a description of a particular day, the 27th of June, which is marked by beautiful details and a warm tone that strongly contrast with the violent and dark ending of the story. The narrator describes flowers blossoming and children playing, but the details also include foreshadowing of the story’s resolution, as the children are collecting stones and three boys guard their pile against the “raids of the other boys.” These details… read analysis of The Juxtaposition of Peace and Violence.
ellauri276.html on line 421: A thing that is beautiful Asia, joka on kaunis,
ellauri277.html on line 240: In the spring of 1913 he visited the International Exhibition of Modern Art—the “Armory Show”—which introduced European modern art to America. He approved of the show as a “declaration of independence” from tradition, but he did not think most of the paintings were beautiful and did not care for the artistic ideologies behind movements such as cubism. The reviews of an exhibition of his own work in December 1914 were mixed. Hedevoted most of his time to painting for the next eighteen years but remained loyal to the symbolism of his youth and became an isolated figure on the New York art scene.
ellauri285.html on line 265: Kuappinen avaa paperinsa huonosti väittämällä että Anna Kareninan todellinen sankari on Konstantin Levin. Mitä vittua? No koska "Levin is a respected, wealthy and hardworking landowner, and a proud father married to a beautiful and insightful woman who loves him deeply." Kun muut ovat yhdentekeviä, näyttää olevan oman etumme mukaista elää ize enemmän tai vähemmän merkityksellistä elämää.
ellauri301.html on line 258: His (Fred´s) former wife Marike described de Klerk as being "extremely sensitive to beautiful things", exhibiting something akin to an artistic temperament. Kauni
ellauri301.html on line 333: A braai is about being South African. What makes a braai truly South African are the traditions that have become common practise in a vast majority of households in this beautiful country. It is so much more than just the cooking of food but also the gathering of friends and loved ones. The atmosphere and VIBE of the braai is what makes it such a special event for all South Africans, black, white and yaller!
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ellauri302.html on line 160: Reb Ali (shutting up Yekele): That is, you will present the Holy Scroll as a wedding-gift to your son-in-law. That's the idea, isn't it? (To the Scribe.) Do you see, Reb Aaron, there are still pious Jews in the world ; here 's a man with a daughter, and has a Scroll of the Law written for her future husband... How beautiful that is, — how virtuous... I tell you, Reb Aaron, that the spirit of Israel, the Jewish spark... the... ahem... ah!.. ah!... (Smacking his lips.)
ellauri302.html on line 173: Rifkele: I 'll call up Manke and have her comb me... I love to have her comb me. She does it so beautifully. Makes my hair so smooth... And her hands are so cool. (Takes something and taps the floor with it, calling.) Manke! Manke!
ellauri302.html on line 277: Manke, embraces her passionately. Come, Rifkele, I'll wash your eyes in the rainwater. The night is so beautiful, the rain is so warm and the air is so full of delightful fragrance. Come.
ellauri302.html on line 298: Manke You'll be the bride... a beautiful bride... It's Sabbath eve and you are sitting with your papa and mamma at the table... I — I am your sweetheart... your bridegroom, and I've come as your guest. Eh, Rifkele? Do you like that game?
ellauri311.html on line 52: have a beautiful name for their genitalia. Lingam is the Sanskrit word for
ellauri322.html on line 272: Hei Gil! Terveisiä täältä kesäisestä Skandinaviasta. The weather is here, wish you were beautiful.
ellauri323.html on line 119: Zuleika was not strictly beautiful. Her eyes were a trifle large, and their lashes longer than they need have been. An anarchy of small curls was her chevelure, a dark upland of misrule, every hair asserting its rights over a not discreditable brow. For the rest, her features were not at all original. They seemed to have been derived rather from a gallimaufry of familiar models. From Madame la Marquise de Saint-Ouen came the shapely tilt of the nose. The mouth was a mere replica of Cupid’s bow, lacquered scarlet and strung with the littlest pearls. No apple-tree, no wall of peaches, had not been robbed, nor any Tyrian rose-garden, for the glory of Miss Dobson’s cheeks. Her neck was imitation-marble. Her hands and feet were of very mean proportions. She had no waist to speak of.
ellauri336.html on line 305: The parts of the body that are considered ervah (private because they are potentially sexually-attractive) are alluded to in Shir HaShirim (Song of Songs). This includes the hair as perverse 4:1, “You are beautiful, my love, you are beautiful. Your eyes are like doves, your hair inside your kerchief is like a flock of goats that stream down from Mount Gilead” (Brachos 24a). Of course, the details of different types of ervah differ. For example, a woman’s singing voice is considered private in halacha but not her speaking voice. Similarly, uncovered hair is considered private for a married woman but not for a single woman. (It’s also not retroactive; married women don’t have to hide photos of themselves from before they were married.)
ellauri349.html on line 720: Eskin mielestä vastaanjuoxevasta koirasta on helpompi ilahtua kuin nelivuotiaasta tyttärestä. Täh? Mihin tää eltaantunut ajatus on liittyvinään? Ihanko se vaan putkahti Eskin sairaammasta päästä? No Eskillä ei ole tytärtä, eikä se pojistakaan juuri luukuta. Ei sillä koiraakaan kai ollut. "Mutta tyttärelle täytyy antaa enemmän kuin koiralle jos haluaa ize enemmän." All beautiful things have a number. Tarvitaan tietä, totuutta ja elämää, vahvistaa dosentti Saarinen, ja uskokaa tai älkää, minä olen juuri se. Tai ne.
ellauri362.html on line 276: Rachel Knowles writes clean/Christian historical romance set in the time of Jane Austen. She has been sharing her research on this blog since 2011. Rachel lives in the beautiful Georgian seaside town of Weymouth, Dorset, on the south coast of England, with her husband, Andrew.
ellauri370.html on line 59: The Bible makes a point of saying whenever someone is attractive. Esther's called "very beautiful" and was said to have a "lovely figure," so you know she's really rocking it. But her beauty may also have been a superpower. For The Jewish Encyclopedia states the other girls, instead of being jealous, take care of her because they clearly see the king will choose her. That's beauty as a superpower!
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ellauri384.html on line 218: The ski resort of Sallbach is a traditional Austrian village with beautiful views. ... The lifts from Sallbach are very good mainly chairs and gondolas. Excellent stay in Sallbach(er hof). Review of Saalbacher Hof. Reviewed Aug 1, 2014. Everything was great. Just one elementary thing we suggest one can improve: The soap dispensors in the bathroom and WC are very difficult to get soap out of. One must nearly be a bodybuilder to be able to squeeze soap liquid out of them. Hope this is fixed till next time qwe come becuse we are sure to be back. Very nice rooms, friendly staff, excellent food and nice facilities. Lovely harp music. --- Aber im Moplach. Homber, Bodenart form Rommelsberge Vor dem Rommelsberg! Bockelswiesen die Bückelswiesen! Brern Wissen Breite Wiesen. Besenrren, grappig lachertje mop lach streek stunt. Brrm. Grrrrrh. 'Leuk mop.' Lach ik. Хорошая шутка. я смеюсь.
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xxx/ellauri086.html on line 903: "The Philosophy of Composition" is Edgar Allan Poe's theory about how good writers write when they write well. He concludes that length, "unity of effect" and a logical method are important considerations for good writing. He also makes the assertion that "the death... of a beautiful woman" is "unquestionably the most poetical topic in the world". Poe uses the composition of his own poem "The Raven" as an example. The essay first appeared in the April 1846 issue of Graham's Magazine. It is uncertain if it is an authentic portrayal of Poe's own method.
xxx/ellauri086.html on line 919: The essay states Poe's conviction that a work of fiction should be written only after the author has decided how it is to end and which emotional response, or "effect", he wishes to create, commonly known as the "unity of effect". Once this effect has been determined, the writer should decide all other matters pertaining to the composition of the work, including tone, theme, setting, characters, conflict, and plot. In this case, Poe logically decides on "the death... of a beautiful woman" as it "is unquestionably the most poetical topic in the world, and equally is it beyond doubt that the lips best suited for such topic are those of a bereaved lover." Some commentators have taken this to imply that pure poetry can only be attained by the eradication of female beauty. Biographers and critics have often suggested that Poe's obsession with this theme stems from the repeated loss of women throughout his life, including his mother Eliza Poe, his foster mother Frances Allan and, later, his wife Virginia.
xxx/ellauri091.html on line 298: From 1883 to 1884 Hauptmann studied art in Rome and wrote a romantic poem based on the myth of Prometheus. Ill health forced him to return to Germany. In 1885 he married Marie Thienemann; they had four children. Marie Thienemann was a beautiful, rich heiress, whom he had met in 1881, and who supported him through the four years of their engagement. Hauptmann settled with Marie in Berlin. She admired her husband, but did not much understand literature and was devastated when Gerhart's attention strayed. However, her wealth gave him the freedom to start his career as a writer.
xxx/ellauri103.html on line 245: In The Mandibles, I have one secondary character, Luella, who’s black. She’s married to a more central character, Douglas, the Mandible family’s 97-year-old patriarch. I reasoned that Douglas, a liberal New Yorker, would credibly have left his wife for a beautiful, stately African American because arm candy of color would reflect well on him in his circle, and keep his progressive kids’ objections to a minimum. But in the end the joke is on Douglas, because Luella suffers from early onset dementia, while his ex-wife, staunchly of sound mind, ends up running a charity for dementia research. As the novel reaches its climax and the family is reduced to the street, they’re obliged to put the addled, disoriented Luella on a leash, to keep her from wandering off. LOL! What a laugh, ain't it? Get it, the guy thought he was getting arm candy, but instead he got a goat!
xxx/ellauri104.html on line 33:
xxx/ellauri113.html on line 224: Being an atheist doesn’t mean you have to hate and resent anything created by Christians. If it did, you’d have to hate most of Britain’s most beautiful buildings along with Newton’s laws.
xxx/ellauri114.html on line 363: Our various destinations always included the ruins of Jerash (Gerasa). It was a prominent city of the Decapolis in the Lord’s time (Matt. 4:25), and is located about 30 miles north of Amman. Traveling through the ancient land of the Ammonites, we found it to be quite beautiful in places, with green valleys and numerous villages.
xxx/ellauri122.html on line 822: 'A Confederacy of Dunces' was written 11 years after Toole committed suicide. Ignatius O'Reilly is a 30-year-old man living with his mother in New Orleans, who comes into contact with many French Quarter characters while searching for employment. Though comical, there is a deep streak of melancholy that runs through Reilly's character, and Toole's ability to combine these two aspects beautifully won him the Pulitzer Prize for fiction in 1981. The moral (as usual): everybody is the Steven of his or her own life. A complete turd. Supposedly funny. Parochial baloney.
xxx/ellauri124.html on line 161: "I'm not a beautiful woman and these things are beautiful and I was feeling I'm not good enough.
xxx/ellauri127.html on line 282: The most famous literary version of Melusine tales, that of Jean d'Arras, compiled about 1382–1394, was worked into a collection of "spinning yarns" as told by ladies at their spinning coudrette (coulrette (in French)). He wrote The Romans of Partenay or of Lusignen: Otherwise known as the Tale of Melusine, giving source and historical notes, dates and background of the story. Another version, Chronique de la princesse (Chronicle of the Princess). tells how in the time of the Crusades, Elynas, the King of Albany (an old name for Scotland or Alba), went hunting one day and came across a beautiful lady in the forest. She was Pressyne, mother of Melusine. He persuaded her to marry him but she agreed, only on the promise—for there is often a hard and fatal condition attached to any pairing of fay and mortal—that he must not enter her chamber when she birthed or bathed her children. She gave birth to triplets. When he violated this taboo, Pressyne left the kingdom, together with her three daughters, and traveled to the lost Isle of Avalon.
xxx/ellauri127.html on line 402: Men absolutely love a beautiful, sparkling smile.
xxx/ellauri127.html on line 723: Anyway, Endymion falls in love with a beautiful Indian maiden. Both ride winged black steeds to Mount Olympus where Cynthia awaits, only for Endymion to forsake the goddess for his new, mortal, love. Endymion and the Indian girl return to earth, the latter saying she cannot be his love. He is miserable, 'til quite suddenly he comes upon the Indian maiden again and she reveals that she is in fact Cynthia. She then tells him of how she tried to forget him, to move on, but that in the end, "'There is not one,/ No, no, not one/ But thee.'"
xxx/ellauri127.html on line 738: At eighteen, Fanny Brawne “was small, her eyes were blue and often enhanced by blue ribbons in her brown hair; her mouth expressed determination and a sense of humour and her smile was disarming. She was not conventionally beautiful: her nose was a little too aquiline, her face too pale and thin (some called it sallow). But she knew the value of elegance; velvet hats and muslin bonnets, crêpe hats with argus feathers, straw hats embellished with grapes and tartan ribbons: Fanny noticed them all as they came from Paris. She could answer, at a moment’s notice, any question on historical costume. ... Fanny enjoyed music. ... She was an eager politician, fiery in discussion; she was a voluminous reader. ... Indeed, books were her favourite topic of conversation”.
xxx/ellauri127.html on line 802: Full beautiful, a faery's child; Tosi kauniin, keijumaisen;
xxx/ellauri136.html on line 97: One Hundred Years of Solitude by Gabriel Garcia Marquez—I’m sorry I can’t read it in the original language, but it flows so beautifully even in English. Magic.
xxx/ellauri136.html on line 518: What underpinned this shame, this "I'm not good enough," -- which, we all know that feeling: "I'm not white enough. I'm not thin enough, rich enough, beautiful enough, smart enough, promoted enough." The thing that underpinned this was excruciating vulnerability. This idea of, in order for connection to happen, we have to allow ourselves to be seen, really seen, butts bare.
xxx/ellauri136.html on line 592: 1905, from German Narzissismus, coined 1899 (in "Die sexuellen Perversitäten"), by German psychiatrist Paul Näcke (1851-1913), on a comparison suggested 1898 by Havelock Ellis, from Greek Narkissos, name of a beautiful youth in mythology (Ovid, "Metamorphoses," iii.370) who fell in love with his own reflection in a spring and was turned to the flower narcissus (q.v.). Narcissus himself as a figure of self-love is attested by 1767. Coleridge used the word in a letter from 1822.
xxx/ellauri137.html on line 652: John has just published another beautifully prepared edition of the "North Atlantic Review," a literary magazine with choice offerings in poetry, essays, short stories, and photos. Endorsed by Edward Eriksson, Literary Presentations, July 11, 2011, Edward worked with john in the same group.
xxx/ellauri137.html on line 707: Seasonal festivals are held on its top. In autumn the colors of its tree leaves are very beautiful and in spring its cherry blossoms are very beautiful.
xxx/ellauri139.html on line 326: ‘The Eve of St. Agnes‘ by John Keats is a celebration of an idealized love between two beautiful and heroic characters.
xxx/ellauri139.html on line 334: When Madeline finally enters the room, undresses, and falls to sleep, Porphyro is watching her. When he decides that she has fallen completely asleep he makes his approach and wakes her with the playing of a flute. She is ripped from a dream in which she was with a heavenly, more beautiful version of Porphyro and is aghast when she sees the real one. She believes for a moment that he is close to death.
xxx/ellauri148.html on line 107: For ten years, Savilino has been creating artisan leather goods meant to be simple, beautiful, and durable. Now, as Harvard returns to regular campus life, they have created custom totes meant to become an everyday necessity.
xxx/ellauri149.html on line 370: Jesus was able to show the film to Pope Paul VI. Ted Neeley later remembered that the pope "openly loved what he saw. He said, 'Mr. Jesus, not only do I appreciate your beautiful rock opera film, I believe it will bring more people around the world to Christianity, than anything ever has before.'"For the Pope, Mary Magdalene's song "I Don't Know How to Love Him" "had an inspired beauty".
xxx/ellauri157.html on line 62: One cannot collect all the beautiful shells on the beach without being caught.
xxx/ellauri157.html on line 252: A powerful King was grateful to two simple poor people for their devotion, and decided to show his gratitude. The poor labourers had never been into the palace before, but had only seen the King at state occasions. After receiving their invitations to see the King, in trepidation and excitement, they approached the palace. As they entered, they were amazed to behold the magnificence of the palace. One servant was so enamoured of these riches, that he stopped in the great halls to delight in their beauty. He never progressed beyond these chambers. Meanwhile, the other servant was wiser, and his desire was only for the King. The beautiful ornaments did not distract him, as he entered the inner chamber, where he delighted in beholding the King himself, stark naked.
xxx/ellauri165.html on line 48: Papen travelled with with Australian photographer Jesse Walker to the isolated Omo Valley in south-western Ethiopia, where she lived for a whole week with the Surma tribe. Papen said: 'What we claim to call beautiful in our Western world isn´t quite the same how the Surma tribe pursues beauty. Both Surma men and woman pierce their ears, some woman stretch their lower lip with a plate.
xxx/ellauri165.html on line 316: Seeing an opportunity to make some money by taking a cut of sales, Greville sent her to sit for his friend, the painter George Romney, who was looking for a new model and muse. It was then that Emma became the subject of many of Romney's most famous portraits, and soon became London's biggest celebrity. So began Romney's lifelong obsession with her, sketching her nude and clothed in many poses that he later used to create paintings in her absence. Through the popularity of Romney's work and particularly of his striking-looking young model, Emma became well known in society circles, under the name of "Emma Hart". She was witty, intelligent, a quick learner, elegant and, as paintings of her attest, extremely beautiful. Romney was fascinated by her looks and ability to adapt to the ideals of the age. Romney and other artists painted her in many guises, foreshadowing her later "attitudes".
xxx/ellauri165.html on line 320: To be rid of Emma, Greville persuaded his uncle, younger brother of his mother, Sir William Hamilton, British Envoy to Naples, to take her off his hands. Greville's marriage would be useful to Sir William, as it relieved him of having Greville as a poor relation. To promote his plan, Greville suggested to Sir William that Emma would make a very pleasing mistress, assuring him that, once married to Henrietta Middleton, he would come and fetch Emma back. Sir William, then 55 and newly widowed, had arrived back in London for the first time in over five years. Emma's famous beauty was by then well known to Sir William, so much so that he even agreed to pay the expenses for her journey to ensure her speedy arrival. A great collector of antiquities and beautiful objects, he took interest in her as another acquisition. He had long been happily married until the death of his wife in 1782, and he liked female companionship. His home in Naples was well known all over the world for hospitality and refinement. He needed a hostess for his salon, and from what he knew about Emma, he thought she would be the perfect choice.
xxx/ellauri165.html on line 472: He dressed beautifully with hand-made shirts and hand-stitched brogues. These days, he is a fan of the less elegant Birkenstock sandals.
xxx/ellauri165.html on line 473: ‘I used to be a foot fetishist. I had such beautiful shoes. But my feet changed shape and now I can only wear them for limited periods,’ he says.
xxx/ellauri167.html on line 699: Leary kuoli eturauhassyöpään 31. toukokuuta 1996. Hänen kuolemansa kuvattiin, ja hänen viimeiset sanansa saatiin nauhalle. Viimeisillä elinhetkillään Leary sanoi pojanpojalleen Zach Learylle, ”Why not?” Leary toisti lausetta useita kertoja eri intonaatioilla ja kuoli pian sen jälkeen. Zach Learyn mukaan hänen viimeinen sanansa oli ”beautiful”.
xxx/ellauri170.html on line 97: Are beautiful and fair; On kauniita ja hienoja;
xxx/ellauri170.html on line 368: A beautiful woman risking everything for a mad passion. A few wild weeks of happiness cut short by a hideous, treacherous crime. Months of voiceless agony, and then a child born in pain. The mother snatched away by death, the boy left to solitude and the tyranny of an old and loveless man. Yes; it was an interesting background. It posed the lad, made him more perfect, as it were. Behind every exquisite thing that existed, there was something tragic. Worlds had to be in travail, that the meanest flower might blow....
xxx/ellauri177.html on line 245: The Demise of Father Mouret (French: La Faute de l'Abbé Mouret, "The Mistake of Father Mouret") is a 1970 French film directed by Georges Franju, based on the 1875 novel La Faute de l'Abbé Mouret by Émile Zola. Like the novel, the film is about Father Mouret, a young priest (played by Francis Huster) who is sent to a remote village in Provence, then has a nervous breakdown and develops amnesia. While recuperating, he meets and falls in love with a beautiful young woman, Albine (Gillian Hills), with whom he begins an idyllic relationship meant to recall the story of Adam and Eve. When he regains his memory, though, he is wracked with guilt, and ends the relationship, leading to tragedy for both.
xxx/ellauri179.html on line 157: Pedro Romero is a young, good-looking bullfighting prodigy who is so skillful and beautiful that Kake, no wait, Brett falls in love with him. When Cohn learns of Romero's effect on Brett, he fights him but Romero cleverly evades him with the muleta. Romero and Brett run away together but Brett leaves him soon after when he tries to turn her into a traditional Latina woman.
xxx/ellauri179.html on line 330: “now I am a boy … You see why it’s dangerous, don’t you? … Why do we have to go by everyone else’s rules? We’re us … Please understand and love me … I am Peter … You’re my beautiful lovely Catherine.”
xxx/ellauri179.html on line 803: It is the close of a busy and vexatious day—say half past five or six o´clock of a winter afternoon. I have had a cocktail or two, and am stretched out on a divan in front of a fire, smoking. At the edge of the divan, close enough for me to reach her with my hands, sits a woman not too young, but still good-looking and well dressed—above all, a woman with a soft, low-pitched, agreeable voice. As I snooze she talks—of anything, everything, all the things that women talk of: books, music, the play, men, other women. No politics. No business. No religion. No metaphysics. Nothing challenging and vexatious—but remember, she is intelligent; what she says is clearly expressed... Gradually I fall asleep—but only for an instant... then to sleep again—slowly and charmingly down that slippery hill of dreams. And then awake again, and then asleep again, and so on. I ask you seriously: could anything be more unutterably beautiful?
xxx/ellauri186.html on line 41: To a hen, "You're a beautiful creature."
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