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background:green;font-size:9em;text-align:center;margin-top:0%;margin-bottom:0%">EL LADRO
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background:yellow;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">MAZETAN 3 KULTARAHAA
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background:red;font-size:8em;text-align:center;margin-top:0%;margin-bottom:0%">AL DENTE
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background:yellow;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">LEUKAVASTI LAUKAISTUA
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background:red;font-size:8em;text-align:center;margin-top:0%;margin-bottom:0%">EL CHURRO
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background:yellow;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">TYTTÖ JA JÄLKIRUOKA
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background:red;font-size:10em;text-align:center;margin-top:0%;margin-bottom:0%">AL CAPONE
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background:yellow;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">GANGSTERIKUNINGAS
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background:green;font-size:10em;text-align:center;margin-top:0%;margin-bottom:0%">EL TACO
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background:yellow;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">KAPINAKENRAALIN TIMANTIT
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background:red;font-size:9em;text-align:center;margin-top:0%;margin-bottom:0%">EL PERRO
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background:yellow;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">KARAVAANI KULKEE
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background:#3ea0bb;font-size:10em;text-align:center;margin-top:0%;margin-bottom:0%">EL MONO
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background:yellow;font-size:5em;text-align:center;margin-top:0%;font-style:italic;margin-bottom:0%">LÄNNEN LAKI
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background:#245880;font-size:10em;text-align:center;margin-top:0%;margin-bottom:0%">EL PABLO
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background:yellow;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">VERTA JA KULTAA
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background:#3ea0bb;font-size:8em;text-align:center;margin-top:0%;margin-bottom:0%">LO SIENTO
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background:yellow;font-size:3em;text-align:center;margin-top:0%;margin-bottom:0%">EI NAISELTA KUNNIASANAA
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background:#3ea0bb;font-size:10em;text-align:center;margin-top:0%;margin-bottom:0%">EL RUSO
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background:yellow;font-size:3em;text-align:center;margin-top:0%;margin-bottom:0%">ANDALUSIAN SINISUKKA
ellauri014.html on line 1557: ... But more importantly, these surroundings put Marino in direct contact with the natural philosophy of Della Porta and the philosophical systems of Giordano Bruno and Tommaso Campanella. While Campanella himself was to oppose "Marinism" (though not attacking it directly), this common speculative background should be borne in mind with its important pantheistic (and thus neo-pagan and heterodox) implications, to which Marino would remain true all his life and exploit in his poetry, obtaining great success amongst some of the most conformist thinkers on the one hand while encountering continual difficulties because of the intellectual content of his work on the other.
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background:#3ea0bb;font-size:10em;text-align:center;margin-top:0%;margin-bottom:0%">EL PEDO
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background:yellow;font-size:3em;text-align:center;margin-top:0%;font-style:italic;margin-bottom:0%">KONNAT KUKKIVAT HIRSIPUUSSA
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background:green;font-size:8em;text-align:center;margin-top:0%;margin-bottom:0%">EL COYOTE
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background:black;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">LLEGAN LOS COJONES
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background:yellow;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">Puovo Lipposen seikkailuja
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background:red;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">Pellon sulttaani
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background:black;font-size:8em;text-align:left;margin-top:0%;margin-bottom:0%">background:white;font-style:italic">G-mies
Jerry Cotton
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background:#d21e42;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Varokaa heikkoja päitä
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background:black;font-size:8em;text-align:center;margin-top:0%;margin-bottom:0%">BATTLER BRITTON
ellauri019.html on line 20:
background:black;font-size:4em;text-align:center;margin-top:0%;font-style:italic;margin-bottom:0%">HITON HIENO SAVOTTA
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background:#f5d0a9;font-size:8em;text-align:center;margin-top:0%;margin-bottom:0%">NALLE PUH
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background:#facc2e;font-size:3em;text-align:center;margin-top:0%;margin-bottom:0%">Min favoritdag
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background:#d3a3a1;font-size:8em;text-align:center;margin-top:0%;margin-bottom:0%">TEX WILLER
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background:#14315d;font-size:3em;text-align:center;margin-top:0%;margin-bottom:0%">CARLSON PUUTTUU PELIIN
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background:red;font-size:3em;text-align:center;margin-top:0%;margin-bottom:0%">LOUISA M. ALCOTT
ellauri022.html on line 18:
background:red;font-size:8em;text-align:center;margin-top:0%;margin-bottom:0%">Pikku naisia
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background:grey;font-size:3em;text-align:leftr;margin-top:0%;margin-bottom:0%">UNTO KUNNAS
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background:grey;font-size:8em;text-align:leftr;margin-top:0%;margin-bottom:0%">OLLIN
kurjuus
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background:white;font-size:7em;text-align:leftr;margin-top:0%;margin-bottom:0%">VARTIOTORNI
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background:black;font-size:5em;text-align:left;margin-top:0%;margin-bottom:0%">MISTÄ VOI LÖYTÄÄ VASTAUXIA?
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background:#9daecc;font-size:7em;text-align:center;margin-top:0%;margin-bottom:0%">Hevoshullu
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background:#75912b;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">16 sivua POLLEA!
ellauri026.html on line 18:
background:red;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">ARIZONA-SARJA
ellauri026.html on line 19:
background:black;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">PUNAVYÖN VANHAT YSTÄVÄT
ellauri028.html on line 23:
background:red;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">SOVIET UNION
ellauri028.html on line 24:
background:#a2b3bd;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Nuoruuteni vuosina
ellauri028.html on line 851: Munkin viran Kouvolassa maxoi alkuaikoina Kouvolan kaupunki hintana sisäänajotien kyltistä background:blue;color:white;font-family:sans-serif">YLIOPISTO. Kuusankosken grilli tarjosi takaa maistuvat. Ja herkullisia hillomunkkeja. Aivan vitun saatanan häpeällistä ja noloa. No tulihan se sieltä.
ellauri029.html on line 18:
background:yellow;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">ÖÖ MITÄ TARKOITAT
ellauri029.html on line 19:
background:magenta;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">PRO-AKATEMIA
ellauri029.html on line 32: Punkakatemia herätti ilmestyessään syksyllä 1980 hurjan kulttuuriväittelyn. Jan Blomstedt oli tehnyt E. Saarisesta haastattelun, jossa hän otti käyttöön nimikkeen punktohtori, ja ilmestyttyään Helsingin Sanomissa 4.5.1980 juttu herätti laajaa huomiota. Haastattelu ja sen vastaanotto innostivat kirjoittajia viemään ideoitaan eteenpäin ja näin syntyi nopeassa ajassa kirjoituskokoelma Punkakatemia. Siihen sisältyi paitsi alkuperäinen punktohtorihaastattelu myös E. Saarisen Vartija-lehdessä background:orange">julkaisemiani kirjoituksia sekä eri lajityypeissä viritettyjä tekstejä. Kirja oli kokonaisuutena moninainen ja rosoinen, mitä pidimme sen ansiona.
ellauri029.html on line 88: Our background:orange">graduated students are professional team entrepreneurs, who have the best skills and knowledge to face the challenges of the future.
ellauri029.html on line 114: What we learn from the books, we put straight into practice, background:orange">in example in the dialogues during training sessions or while working in the projects.
ellauri029.html on line 120: Runk-akatemian esseekäytäntöjä on jälleen uudistettu vastaamaan oppimisen tarpeita: halutaan korostaa analyyttisen tiedon hyödyntämisen ja tekstin vaikuttavuuden merkitystä. Painoarvo on esseissä ja niiden sisällössä. Pisteitä kerrytetään HOPSeihin sen mukaan, mitä on tuotettu, millaista sisältöä on saatu background:orange">aikaiseksi ja mitä tekstityyppejä tai julkaisukanavia on otettu hallintaan.
ellauri029.html on line 174: Lähdekirjallisuuden tulee olla tasoltaan sellaista, että se kelpaisi opinnäytetyöhönkin – ellei sitten lähde ole aiheuttanut merkittävää yhteiskunnallista keskustelua. (Esim. Tuomas background:red">Embusken blogi Iltalehdessä saattaisi niin tehdä ja Iltalehdestä huolimatta silloin kelvata lähteeksi. Aamulehden kolumni on toki paljon parempi.)
ellauri029.html on line 187: Puoli tuntia saattaa olla oikein hyvä podcastin maksimikesto – turha lätinä background:red">ei korvaa laatua. Tiimin ja valmentajan kanssa voi neuvotella sopivasta pistemäärästä. (Käteiskorvauxesta ks. yllä.)
ellauri029.html on line 231:
Seuraavaan esseeseen on merkitty hyvät ja uudelleen mietittävät kohdat tunnusväreillä. background:cyan">Vihreä (tai tällänen syanidinvärinen) on "hienoa, juurikin näin on muotoiltava asiat", background:orange">oranssi "hui, tätä kannattaisi kyllä vähän stailata", ja background:red">punainen on suoranainen solesismi, joko kielioppi- tai paha tyylikömmähdys. Merkinnät "Timo". Siirin postauxessa on hyvää yritystä kyllä, mutta paljon on vielä oppimista, ennenkuin osaa hölöttää työjärjestelyistä oikealla kielellä.
background: #FAD6A5;">lähde?
ellauri029.html on line 243: Netflixin dokumentti Amerikkalainen tehdas päästi katsojat kulkemaan läpi mielenkiintoisen background:cyan">kulttuurien välisen sopeutumispolun, jossa kiinalaiset ja amerikkalaiset tehdastyöntekijät background:red">koittivatbackground:cyan"> yhteisvoimin saada background:orange">konkurssiin joutuneen tehtaan takaisin jaloilleen. Lähtökohdat yhteistyölle olivat jo erittäin haastavat background:cyan">pelkän kielimuurin takia ja tilannetta background:red">ei helpottanut yhtään tehtaan uuden kiinalaisomistajan background:orange">utopistiset käsitykset tehtaan uusimisesta.
ellauri029.html on line 245: Dokumentin alussa background:cyan">tehtaan uusi omistaja painotti vahvasti, että tehdas on amerikkalainen ja semmoiselta sen täytyi myös ulospäin näyttää. background:red">Sisutuksessa ei saisi näkyä kiinalaisia piirteitä vaan maassa maan tavalla, kuten johtaja itse totesi dokumentissa. Tehdasta uusittaessa uusiutui myös henkilökunta, sillä Kiinasta siirtyi alussa joitakin satoja työntekijöitä amerikkalaiseen tehtaaseen, background:red">niin sanotusti opettamaan amerikkalaisille tehdastyöntekijöille, miten työtä kuuluisi oikeasti tehdä.
ellauri029.html on line 249: Dokumentin alussa tehtaan johtoportaassa oli pelkästään amerikkalaisia työntekijöitä. Heidän tehtävänään oli saada tehtaan työntekijät sopeutumaan yhtenäiseen työskentelyyn sekä päästä background:cyan">liikevaihdollisiin tavoitteisiin, joita background:cyan">Kiinan päädystä oli asetettu. Tehtaan käynnistyttyä uudelleen background:red">tuli monet amerikkalaiset background:orange">konkurssinaikaiset tehdastyöntekijät takaisin töihin. Moni asia oli kuitenkin muuttunut. Pelkästään background:orange">tuntipalkat olivat laskeneet aikaisemmasta 29 dollarista background:red">jopa 12 dollariin tunnilta. Tämä, jos jokin background:orange">aiheutti tyytymättömyyttä amerikkalaisissa työntekijöissä.
ellauri029.html on line 251: Työntekijöiden haastatteluista huomasi, että monilla niin kiinalaisilla kuin amerikkalaisilla työntekijöillä oli background:cyan">negatiivisia ennakkoluuloja toisistaan. Loppujen lopuksi he kuitenkin background:cyan">pelasivat ”samaan maaliin”, joten background:red">syyttelyn sijaan olisi ollut huomattavasti tärkeämpää keksiä ratkaisuja erimielisyyksiin. background:cyan">Työntekijöiden yhtenäisyyttä background:red">ei edistänyt yhtään erikseen pidettävät palaverit kiinalaisille ja amerikkalaisille vaan se omalla tavallaan vain background:orange">kasvatti kuilua heidän välillään. Amerikkalaiset työntekijät pitivät kiinalaisia background:orange">töykeinä ja kohtuuttomina kun taas kiinalaiset ajattelivat amerikkalaisten olevan background:orange">laiskoja ja itsekkäitä.
ellauri029.html on line 253: background:cyan">Johtoporras yritti edistää kahden erilaisen kulttuurin sopeutumista asettamalla background:cyan">työpareiksi aina yhden kiinalaisen ja yhden amerikkalaisen työntekijän. Tämä oli background:red">ihan fiksu liike johdolta ja johtikin
ellauri029.html on line 255: Dokumentissa kuvattiin, kuinka muutamat amerikkalaiset tehdastyöntekijät pääsivät vierailemaan background:cyan">Kiinan päätyyn saman firman tehtaisiin. background:cyan">Kulttuurierot background:orange">lävähtivät amerikkalaisten naamalle välittömästi. Kiinassa tehtaan omistajaa kohdeltiin background:red">kuin kuninkaallista. background:red">Asioiden korruptoituneisuus oli background:orange">järkyttävää. Kiinassa jokainen työntekijä kuului background:cyan">niin sanottuun ”liittoon”, jota johti tehtaan omistajan lanko. Eli toisin sanoen background:cyan"> liitto oli täysin merkityksetön ja vain nimellinen väline, background:red">jolla voitiin uskotella ulkopuolisille, että tehtaassa kohdellaan työntekijöitä hyvin.
ellauri029.html on line 257: background:cyan">Liiton merkityksettömyydestä kielii myös se, että background:cyan">Amerikan päädyssä tehtaan työntekijöitä background:cyan">ei kannustettu background:red">missään nimessä liittymään liittoon, vaan päinvastoin sitä background:orange">katsottiin jopa pahalla. Kiinalaisessa tehtaassa background:cyan">työkulttuuri oli hyvin background:red">armeijamainen. Esimerkiksi työpäivät aloitettiin aina rivissä seisomalla ja laulamalla laulu background:red">armeijatyyliin. Työpäivät kestivät background:orange">aina 12 tuntia vähintään ja vapaapäiviä oli background:orange">maksimissaan kaksi päivää kuukaudessa. Ylityöt olivat background:red">pakollisia kaikille ja background:cyan">tehottomuudesta background:red">rankaistiin saman tien background:orange">erottamalla. Jokaisen työntekijän täytyi siis background:cyan">todistaa tehokkuutensa ja tällä tavalla background:cyan">lunastaa paikkansa työyhteisöstä.
ellauri029.html on line 259: background:orange">Työntekijöiden vapaata tahtoa ei kiinalaisessa tehtaassa juuri suosittu, vaan toiminta tehtaassa vaikutti vahvasti background:red">aivopesutoiminnalta. Työntekijöille background:red">uskoteltiin, että background:cyan">elämä on työtä ja ihminen ei tarvitse muuta kuin työtä. Kiinalaiset työntekijät vaikuttivat näin länsimaalaisen silmään background:red">tuotantoroboteilta, joilla ei ollut background:orange">tunteita tai omaa tahtoa. Jokainen työntekijä kiinalaisessa tehtaassa vaikutti kuitenkin background:cyan">täysin tyytyväiseltä tilanteeseensa. background:red">Onko tämä oikeasti tyytyväisyyttä vai tehokkaan aivopesun ansiota?
ellauri029.html on line 261: Työolot amerikkalaisessa tehtaassa kokivat background:cyan">dokumentin mukaan background:orange">dramaattisen laskun, kun omistajaksi vaihtui kiinalainen. background:red">Työtapaturmia alkoi syntyä enemmän, kun background:cyan">työtahtia background:red">kiihdytettiin jatkuvasti. background:orange">Työnlaatu huononi, kun töitä background:red">ei keretty tehdä background:cyan">huolella background:red">kiireestä johtuen. Amerikkalaiset työntekijät alkoivat background:red">turhautua tehtaan käytäntöihin ja background:cyan">vanhojen työolojen muuttumiseen. Samaan aikaan myös uusi kiinalainen omistaja background:red">alkoi turhautua, kun background:orange">tuloksia ei alkanut näkyä vaan background:orange">tappiota syntyi jatkuvasti enemmän. Ratkaisuna tähän hän background:red">irtisanoi amerikkalaiset johtoportaasta ja korvasi heidät kiinalaisilla. Amerikkalaisten background:red">turhautuneisuus kuitenkin jatkoi nousua ja esiin background:red">astui liiton työntekijät.
ellauri029.html on line 263: Liitto yritti saada tehtaan työntekijöitä puolelleen, jotta background:orange">työolot tehtaassa paranisivat. background:red">Vastaiskuna tähän tehdas background:cyan"> palkkasi konsultin puhumaan liittoon liittymistä vastaan työntekijöille. Konsultin tehtävänä oli background:red">”pelotella” työntekijöitä mahdollisilla seurauksilla, mikäli he liittyvät liittoon. Työntekijöistä myös erotettiin background:cyan"> kaikki liiton aktivistit vedoten tehottomuuteen ja korvattiin työntekijöillä, jotka background:cyan">eivät vaatineet parempia työoloja tai suurempaa palkkaa itselleen.
ellauri029.html on line 265: Ihmissuhteet tehtaassa background:red">joutuivat törmäyskurssille heti alusta asti, background:orange">eikä se ole mikään ihme. Erot amerikkalaisten ja kiinalaisten background:cyan">työmoraaleissa olivat niin suuret, että background:cyan">yhteisymmärryksen löytymiseen arkipäiväisessä työnteossa olisi tarvittu huomattavasti suurempi työ. Kiinalaisille background:cyan">työnteko oli koko elämän tarkoitus, kun taas amerikkalaisille background:red">työ on vain keino saada rahaa, jotta voi elää. Lähtökohdat yhteisymmärryksen löytymiselle eivät olleet siis kovin background:cyan">optimaaliset. Mikäli background:cyan">johtoporras olisi panostanut heti alussa huomattavasti enemmän background:cyan">työntekijöiden sopeutumiseen, olisi background:cyan">tehtaan tulos mahdollisesti noussut myös background:cyan">nopeammin kannattavaksi. He kuitenkin lähtivät heti background:orange">tavoittelemaan maksimaalista tuottoa, mikä background:orange">mahdollisesti aiheutti heille vain suuremman tappion.
ellauri029.html on line 267: background:cyan">Olen itse pitänyt itseäni aina ahkerana ihmisenä, mutta dokumentin nähtyäni näen itseni background:cyan">lähinnä hedonistisena laiskiaisena. Oli järkyttävää background:orange">ja jopa hiukan pelottavaa, miten kiinalaiset työntekijät pitivät background:cyan">ihan normaalina sitä seikkaa, että elämä koostuu vain työnteosta. Tässä huomaa background:cyan">vain suuret ajatusmaailman erot eri kulttuurien välillä. Itseäni background:red">hirvittäisi ajatus siitä, että background:orange">vapaata tahtoani background:red">riistettäisiin tai että background:orange">elämäni koostuisi pelkästä työnteosta. Voisin kuitenkin background:cyan">ottaa background:red">osittain oppia kiinalaisten työmoraalista. He todellakin background:cyan">omistautuivat työllensä ja background:cyan">antoivat sille kaiken, oli sitten kyseessä pieni tai suuri työtehtävä. Lisäksi töissä ollessaan background:cyan">he olivat iloisia, aina.
ellauri030.html on line 17: background:#1b242d;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">UNIVERSITY PROFESSOR
ellauri030.html on line 18: background:#1b242d;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">NOT SURE IF HOMELESS
ellauri030.html on line 465:
ellauri031.html on line 17: background:#a4a4a4;font-size:8em;font-style:italic;text-align:center;margin-top:0%;margin-bottom:0%">En yrhätta
ellauri031.html on line 18: background:#f79f81;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">background:#df0101">Dikken Zwilgmeyer
ellauri032.html on line 18: background:black;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">Eläinystävämme
ellauri032.html on line 19: background:#a4a4a4;font-size:8em;text-align:center;margin-top:0%;margin-bottom:0%">Supikoira
ellauri033.html on line 17: background:#d7b882;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Par PAUL BOURGET
de l´Académie Française.
ellauri033.html on line 18: background:#4a1a10;font-size:8em;text-align:center;margin-top:0%;margin-bottom:0%">VIVE LA DISCIPLINE
ellauri034.html on line 24: background:#b7baaf;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">hans fallada
ellauri034.html on line 25: background:#d8d7b8;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">kukin kuolee izexeen
ellauri035.html on line 18: background:#efaf43;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Bilhana
ellauri035.html on line 19: background:#5b1515;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">Kaunapahkasika
ellauri036.html on line 17: background:#eefcef;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">AKU ANKKA
ellauri036.html on line 18: background:#eefcef;font-size:3em;text-align:center;margin-top:0%;margin-bottom:0%">TÄNÄÄN EI MIKÄÄN VOI MENNÄ PIELEEN
ellauri037.html on line 17: background:#97989c;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">HBL MITTEN 2021
ellauri037.html on line 18: background:#97989c;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">Klassiker fyller sjuttio
ellauri038.html on line 17: background:white;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">John Tenniel
ellauri038.html on line 18: background:white;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">The Walrus and the Carpenter
ellauri039.html on line 17: background:#e0e2e1;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Wilhelm Busch
ellauri039.html on line 18: background:#e0e2e1;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">𝔐𝔞𝔵 𝔲𝔫𝔡 𝔐𝔬𝔯𝔦𝔱𝔷
ellauri039.html on line 406: The music is a folksong that spans four centuries; and the students become aware of the continuity of German culture through folksongs.The background material is disseminated in the form of pictures, statistics, and a historical time-line. Motivation and interest is generated through the songs which focus the learner on the fact that the lesson involves products of German culture. While reading, the learners are confronted not just with the separation of Germany, but also with the division of the Germans in Germany. On the cognitive level, learners gather information about Germany's recent past from World War II to the present. Given these facts the learners connect the past with the German's recent fixation on "Vergangenheits- und Gegenwartsbewältigung." Learners take this theoretical information and explore sites found on the Internet where they find information in German on the issue of identity. This activity forms the basis for reaching a consensus on such questions as:
ellauri039.html on line 507: Some background, I came from a poor town in Virgina from an even more poor family. I grew up a short time in a city, and the contrast to Finland and those places are staggering.
ellauri039.html on line 772: The story revolves around three families in England at the beginning of the 20th century: the Wilcoxes, rich capitalists with a fortune made in the colonies; the half-German Schlegel siblings (Margaret, Helen, and Tibby), whose cultural pursuits have much in common with the Bloomsbury Group; and the Basts, an impoverished young couple from a lower-class background. The idealistic, intelligent Schlegel sisters seek to help the struggling Basts and to rid the Wilcoxes of some of their deep-seated social and economic prejudices.
ellauri040.html on line 19: background:#e1b4c8;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Wilhelm Busch
ellauri040.html on line 20: background:#e1b4c8;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">Schwarze Parze
ellauri041.html on line 25: background:#636468;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Kornei Tšukovski
ellauri041.html on line 26: background:orange;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">NORSU LUKEE
ellauri042.html on line 22: background:khaki;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">J. Agusta - Z. Burian
ellauri042.html on line 23: background:white;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">MUINAISAJAN ELÄIMIÄ
ellauri042.html on line 701: In 1833, the family moved to Tula where the father bought a manor. Shortly after the death of his mother in 1837, Fyodor (16 yrs) was sent to St. Petersburg where he entered the Army Engineering College. 2 years later, in 1839, Dostoevsky´s more and more tyrannical father died, probably of apoplexy, but there were strong rumours that he was murdered by his own serfs in a quarrel. (Unless it was Fedja who dunit.) Against the background of this legend, Sigmund Freud later interpreted the patricide in the novel “The brothers Karamazov” as showing Fedja hated his father´s guts. True, but the main thing was the epilepsy, wait and see.
ellauri043.html on line 18: background:black;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Bosch / Brueghel / Flaubert
ellauri043.html on line 19: background:peru;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">ANTTONI PYP PIPO
ellauri045.html on line 24: background:#e9e9e9;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Urheilumuseon legendat
ellauri045.html on line 25: background:#e9e9e9;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">VEIKKO KANKKONEN
ellauri046.html on line 22: background:white;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">PETER CHEYNEY
ellauri046.html on line 23: background:yellow;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">REIKÄRAUTA RENE
ellauri047.html on line 17: background:#ccc5b2;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">DEUTSCHE POST
ellauri047.html on line 18: background:#282a5a;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">GOETHE 50+25
ellauri048.html on line 18: background:#b97939;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">M. Andrejev
ellauri048.html on line 19: background:#b97939;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">OPETTELE LUKEMAAN
ellauri048.html on line 738: Bellow's characterisation of his father's background is one of the most enjoyable strands of the book and an interesting companion to Saul's fiction. His father, Abraham, is characterised by his grandson as a crook and a tyrant, who despised his youngest son's literary ambitions and pummelled him – and all his sons – until Saul grabbed his hand mid-air one day and said, "I'm a married man, Pa. You cannot hit me anymore." In adulthood, on the rare occasions Bellow tried to talk to his father about his upbringing, Saul would shake him off and say rather pointedly: "You shouldn't blame your parents for your faults." Bellow smiles. "And he said this to me, a therapist no less! His father loved him, but it was a tumultuous relationship and my grandfather was mercurial as hell."
ellauri049.html on line 18: background:#b97939;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">Gary Larson
ellauri049.html on line 19: background:#b97939;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">DISTANT HILLS
ellauri050.html on line 21: background:#b4c2c3;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Walt Disney
ellauri050.html on line 22: background:#b4c2c3;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">FROZEN YOGHURT
ellauri050.html on line 23: background:#b4c2c3;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">25 Milk Chocolates
ellauri050.html on line 408: Yogananda was the first major Indian teacher to settle in America, and the first prominent Indian to be hosted in the White House (by President Calvin Coolidge in 1927); his early acclaim led to him being dubbed "the 20th century's first superstar guru," by the Los Angeles Times. Arriving in Boston in 1920, he embarked on a successful transcontinental speaking tour before settling in Los Angeles in 1925. For the next two and a half decades, he gained local fame as well as expanded his influence worldwide: he created a monastic order and trained disciples, went on teaching-tours, bought properties for his organization in various California locales, and initiated thousands into Kriya Yoga. By 1952, SRF had over 100 centers in both India and the US; today, they have groups in nearly every major American city. His "plain living and high thinking" principles attracted people from all backgrounds among his followers.Valtaosa amerikkalaisista pitää enemmän high living and plain thinking - vaihtoehdosta.
ellauri051.html on line 24: background:#d29e62;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Gary Larson
ellauri051.html on line 25: background:#d29e62;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">BOOM
ellauri052.html on line 24: background:#e9e9e9;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">SINUN VUOTESI 1952
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ellauri053.html on line 24: background:green;font-size:10em;text-align:center;margin-top:0%;margin-bottom:0%">2 kanaa
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ellauri054.html on line 24: background:#f7e698;text-align:center;margin-top:0%;margin-bottom:0%">FiX und FOXi
ellauri054.html on line 114:
ellauri055.html on line 23: background:#f7e698;text-align:center;margin-top:0%;margin-bottom:0%">HMHKI
ellauri058.html on line 25: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Voitto-Sanomat
ellauri058.html on line 26: background:black;text-align:center;margin-top:0%;margin-bottom:0%">RAUHAA
ellauri060.html on line 24: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Walt Disney
ellauri060.html on line 25: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Aku näkee punaista
ellauri061.html on line 23: background:#d8cfc8;text-align:center;margin-top:0%;margin-bottom:0%">Keihäänheiluttaja lapsille
ellauri061.html on line 24: background:#d8cfc8;text-align:center;margin-top:0%;margin-bottom:0%">MYRSKY JA MYLVÄYS
ellauri062.html on line 23: background:green;text-align:center;margin-top:0%;margin-bottom:0%">J.A. Hunter
ellauri062.html on line 24: background:black;text-align:center;margin-top:0%;margin-bottom:0%">VALKOINEN
MEZÄSTÄJÄ
ellauri063.html on line 23: background:green;text-align:center;margin-top:0%;margin-bottom:0%">George Orwell
ellauri063.html on line 24: background:grey;text-align:center;margin-top:0%;margin-bottom:0%">ELÄINTEN VALLANKUMOUS
ellauri064.html on line 23: background:grey;text-align:center;margin-top:0%;margin-bottom:0%">C.E.Carlson
ellauri064.html on line 24: background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Liskohumanoideja
ellauri065.html on line 23: background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Hikipedia
ellauri065.html on line 24: background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Jaltan konferenssi
ellauri066.html on line 23: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Toini Virtanen
ellauri066.html on line 24: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Näkemiin Anus
ellauri066.html on line 283:
ellauri067.html on line 23: background:red;text-align:center;margin-top:0%;margin-bottom:0%">Tommi Kinnunen
ellauri067.html on line 24: background:red;text-align:center;margin-top:0%;margin-bottom:0%">Ihana uutuus
ellauri067.html on line 177: 1955-57 Two year stint in Navy provides background for V, etc.
ellauri067.html on line 493: Book reviewers have a long history of attacking Pynchon for his flat characters. Roger and Jessica are susceptible to this criticism. Neither is given much of a history. We don’t know where they grew up or who their parents were. This is one of the great failings of... what to call it? "middlebrow" is antiquated... anyway, a very common kind of criticism (common in the Anglo-American world, anyway), and it affects how authors write (which is one reason I read mainly Russian literature these days). I don't need to know "where they grew up or who their parents were" and I don't much care, unless, of course, you write about it brilliantly because that´s truly what you want to focus on, as opposed to "welp, better provide a plausible background for my characters so the reader will believe they're behaving this way." Just write good sentences in a good and surprising order. Two people have fallen out of love? I don't care if it's because one of them has mommy issues or the other was bullied as a child—people fall out of love all the time, for any reason or none, just tell me what they do about it, and in language that makes me want to keep reading! Teoxet on tärkeät, vähät elämästä. En jaxa luontokuvauxia, hyppään ne heti yli.
ellauri069.html on line 23: background:black;text-align:center;margin-top:0%;margin-bottom:0%">My Butt
ellauri069.html on line 24: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Fountain
ellauri070.html on line 23: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Sale Niinistö
ellauri070.html on line 24: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Demokratian painajainen
ellauri071.html on line 23: background:white;text-align:center;margin-top:0%;margin-bottom:0%">THOMAS PYNCHON
ellauri071.html on line 24: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Western RANGERS
ellauri072.html on line 33: background:#2b1e0d;text-align:center;margin-top:0%;margin-bottom:0%">David Foster Wallace
ellauri072.html on line 34: background:#ead3b1;text-align:center;margin-top:0%;margin-bottom:0%">Vastenmielisten miesten lyhyitä haastatteluja
ellauri073.html on line 26: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Kakoli Ruma
ellauri073.html on line 27: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Emmä tiedä, hähähä!
ellauri073.html on line 202: Cain gets introduced by some kind of very high-ranking Highway Patrol officer whose big hanging gut and face the color of rare steak seemed right out of southern-law-enforcement central casting and who spoke approvingly and at some length about Senator McCain’s military background and his 100 percent conservative voting record on crime, punishment, firearms, and the war on drugs. Wendy—who has electric-blue contact lenses and rigid blond hair and immaculate makeup and accessories and French nails and can perhaps best be described as a very Republican-looking young lady indeed—is back here at the beige table eating a large styrofoam cup of soup and using her cell phone to try to find someplace in downtown Charleston where Mrs. McCain can get her nails done.
ellauri073.html on line 443: “seemed intuitively to sense that it was a matter not of reduction at all, but—perversely—of expansion, the aleatory flutter of uncontrolled, metastatic growth—each well-shot ball admitting of n possible responses, n-squared possible responses to those responses, and on into what Incandenza would articulate to anyone who shared both his backgrounds as a Cantorian continuum of infinities of possible move and response, Cantorian and beautiful because infoliating, contained, this diagnate infinity of infinities of choice and execution, mathematically uncontrolled but humanly contained, bounded by the talent and imagination of self and opponent, bent in on itself by the containing boundaries of skill and imagination that brought one player finally down, that kept both from winning, that made it, finally, a game, these boundaries of self.”
ellauri074.html on line 28: background:grey;text-align:center;margin-top:0%;margin-bottom:0%">MIT Press
ellauri074.html on line 29: background:black;text-align:center;margin-top:0%;margin-bottom:0%">DON'T WORRY!
ellauri077.html on line 27: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Thomas Ball Barratt
ellauri077.html on line 28: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Telemakhrian yritelmä
ellauri078.html on line 27: background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">Sally Jean Foster
ellauri078.html on line 28: background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">Ad Nauseam
ellauri079.html on line 27: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Pynchon & Wallace
ellauri079.html on line 28: background:black;text-align:center;margin-top:0%;margin-bottom:0%">American HILLBILLIES
ellauri080.html on line 27: background:navy;text-align:center;margin-top:0%;margin-bottom:0%">Theofrastos et al.
ellauri080.html on line 28: background:navy;text-align:center;margin-top:0%;margin-bottom:0%">Luonteenvikoja
ellauri080.html on line 125:
ellauri080.html on line 448:
ellauri080.html on line 599: The two-man crew of the charter boat SS Minnow and five passengers on a "three-hour tour" from Honolulu run into a typhoon and are shipwrecked on an uncharted island somewhere in the Pacific Ocean. Their efforts to be rescued are typically thwarted by the inadvertent conduct of the hapless first mate, Gilligan. In 1997, show creator Sherwood Schwartz explained that the underlying concept is still "the most important idea in the world today". That is, people with extremely different characters and backgrounds being in a situation where they need to learn how to get along and cooperate with each other as a matter of survival.
ellauri082.html on line 27: background:mediumspringgreen;text-align:center;margin-top:0%;margin-bottom:0%">David Foster Wallace
ellauri082.html on line 28: background:mediumspringgreen;text-align:center;margin-top:0%;margin-bottom:0%">FLOW IN A BLOW
ellauri083.html on line 27: background:red;text-align:center;margin-top:0%;margin-bottom:0%">HELMI $ TAALA
ellauri083.html on line 28: background:gold;text-align:center;margin-top:0%;margin-bottom:0%">HYVÄÄ PUUTA
ellauri088.html on line 26: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Arrival
ellauri088.html on line 27: background:black;text-align:center;margin-top:0%;margin-bottom:0%">HUMAN
ellauri089.html on line 27: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Addams
ellauri089.html on line 28: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Illegal Aliens
ellauri089.html on line 377:
ellauri090.html on line 27: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Joaquim do Pato
ellauri090.html on line 28: background:black;text-align:center;margin-top:0%;margin-bottom:0%">A Panelinha
ellauri092.html on line 33: background:grey;text-align:center;margin-top:0%;margin-bottom:0%">John Bunyan
ellauri092.html on line 34: background:#211306;text-align:center;margin-top:0%;margin-bottom:0%">Badman and Robin
ellauri093.html on line 27: background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Hudson Taylor
ellauri093.html on line 28: background:#211306;text-align:center;margin-top:0%;margin-bottom:0%">Yours Faithfully is Christ
ellauri093.html on line 902:
ellauri094.html on line 27: background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Hanski ja Helmi Häyrinen
ellauri094.html on line 28: background:#211306;text-align:center;margin-top:0%;margin-bottom:0%">Saukki ja siipioravat
ellauri094.html on line 247: background:#ffffec; vertical-align:top;">
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ellauri095.html on line 26: background:grey;text-align:center;margin-top:0%;margin-bottom:0%">The Manly Hopkinses
ellauri095.html on line 27: background:#211306;text-align:center;margin-top:0%;margin-bottom:0%">Go fly a Kestrel
ellauri096.html on line 27: background:grey;text-align:center;margin-top:0%;margin-bottom:0%">2 Hippoa sohvalla
ellauri096.html on line 28: background:#211306;text-align:center;margin-top:0%;margin-bottom:0%">Tallitylleröt
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ellauri097.html on line 33: background:#b5f2d0;text-align:center;margin-top:0%;margin-bottom:0%">ALFRED KINSEY
ellauri097.html on line 34: background:#b5f2d0;text-align:center;margin-top:0%;margin-bottom:0%">Schopenholic und Schwester
ellauri097.html on line 442:
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ellauri098.html on line 28: background:black;text-align:center;margin-top:0%;margin-bottom:0%">MARILE
ellauri098.html on line 29: background:black;text-align:center;margin-top:0%;margin-bottom:0%">GOOGLE: THERE ARE 129,864,880 BOOKS
IN THE ENTIRE WORLD
ellauri099.html on line 27: background:white;text-align:center;margin-top:0%;margin-bottom:0%">The Figure of Dorian Gray
ellauri099.html on line 28: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Oscar Wilde
ellauri099.html on line 297:
ellauri100.html on line 27: background:#e9f07c;text-align:center;margin-top:0%;margin-bottom:0%">The Daily Telegraph
ellauri100.html on line 28: background:#e9f07c;text-align:center;margin-top:0%;margin-bottom:0%">Wincent was not mad, he had problems
ellauri100.html on line 238: Hi! I'm Loquitur Veritatem! You can call me Poco Loco for short, like my Hispano-American friends do. If my background and credentials matter to you, I present them in the following sections:
ellauri101.html on line 28: background:blue;text-align:center;margin-top:0%;margin-bottom:0%">Jjarrii!
ellauri101.html on line 29: background:blue;text-align:center;margin-top:0%;margin-bottom:0%">WHO IS YOUR INNER HERO?
ellauri102.html on line 28: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Naimi Pikkari
ellauri102.html on line 29: background:black;text-align:center;margin-top:0%;margin-bottom:0%">NO LOGO
ellauri102.html on line 211: 
background%3D000000%26cropX1%3D1457%26cropX2%3D2405%26cropY1%3D17%26cropY2%3D966" width="150px" />
ellauri105.html on line 28: background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">Oiva Ketonen
ellauri105.html on line 29: background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">Vie paska painoon
ellauri105.html on line 122: Lack any and all background in the sciences. Anyone with even a surface level education can prove the earth is round- it's not hard.
ellauri106.html on line 27: background:#bfc1bc;text-align:center;margin-top:0%;margin-bottom:0%">Phillu-Roth
ellauri106.html on line 28: background:#bfc1bc;text-align:center;margin-top:0%;margin-bottom:0%">Elämäni setämiehenä
ellauri106.html on line 106: That same year, rather than wait to be drafted, Roth enlisted in the army. Roth enlisted in the Army that year to avoid being drafted and assigned to unpleasant duty like the infantry. Fortunately he suffered a back injury during basic training and was given a medical discharge. Who knows. He returned to Chicago in 1956 to study for a PhD in literature but dropped out after one term. It was a yeasty environment for a young writer. Saul Bellow was a contemporary and with some what similar backgrounds and interests they could not avoid being rivals. During that year he met a lovely shiksa waitress Margaret Martinson, a single woman with a small child. He was smitten. An intense, but often troubled relationship ensued. At the end of the year he dropped out of the U of C and headed to the University of Iowa to teach in its creative writing program. None the less, whatever he may have said, Roth was not happy there, perhaps because the semi-rural Midwesterness of Ames was alien to him. After a while with Martinson in tow he moved on to a similar position at Princeton, another WASP bastion but one with even more prestige. Everyone who knew him recognized Roth as an early comer. He later continued his academic career at the University of Pennsylvania, where he taught comparative literature before retiring from teaching in 1991. Roth started teaching literature in the late 1960s at the University of Pennsylvania. The 1969 feature film adaptation of Goodbye, Columbus coincided with the publication of Portnoy’s Complaint, which soon became a best-seller amid controversy for its prurient content. (Those who've read it will likely not forget Portnoy's "love affair" with mom´s slab of liver in the fridge.)
ellauri106.html on line 536: Although Roth’s heroes vary slightly—Levov, for instance, comes from a somewhat more privileged background and is five or ten years younger than Ringold and Silk—they share a demanding physical presence and, more significantly, the formative experiences of the Great Depression and World War II.
ellauri107.html on line 27: background:#90EE90;text-align:center;margin-top:0%;margin-bottom:0%">Peppy
ellauri107.html on line 28: background:#90EE90;text-align:center;margin-top:0%;margin-bottom:0%">Herttaisia muistoja
ellauri108.html on line 26: background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">Haile Selassie
ellauri108.html on line 27: background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">MUSTARASTAS
ellauri108.html on line 242: The Twelve Tribes of Israel were founded in 1968 in Kingston by Vernon Carrington. He proclaimed himself the reincarnation of the Old Testament prophet Gad and his followers call him "Prophet Gad", "Brother Gad", or "Gadman". It is commonly regarded as the most liberal form of Rastafari and the closest to Christianity. Practitioners are often dubbed "Christian Rastas" because they believe Jesus is the only saviour; Haile Selassie is accorded importance, but is not viewed as the second coming of Jesus. The group divides its members into twelve groups according to which Hebrew calendar month they were born in; each month is associated with a particular colour, body part, and mental function. Maintaining dreadlocks and an ital diet are considered commendable but not essential, while adherents are called upon to read a chapter of the Bible each day. Membership is open to individuals of any racial background.
ellauri108.html on line 250: As of 2012, there were an estimated 700,000 to 1,000,000 Rastas worldwide. They can be found in many different regions, including most of the world's major population centres. Rastafari's influence on wider society has been more substantial than its numerical size, particularly in fostering a racial, political, and cultural consciousness among the African diaspora and Africans themselves. Men dominate Rastafari. In its early years, most of its followers were men, and the women who did adhere to it tended to remain in the background. This picture of Rastafari's demographics has been confirmed by ethnographic studies conducted in the late 20th and early 21st centuries.
ellauri109.html on line 27: background:grey;text-align:center;margin-top:0%;margin-bottom:0%">10 Promis
ellauri109.html on line 28: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Grabsprüche
ellauri110.html on line 27: background:#bbbcb7;text-align:center;margin-top:0%;margin-bottom:0%">Heppahullu
ellauri110.html on line 28: background:#bbbcb7;text-align:center;margin-top:0%;margin-bottom:0%">Kirjoita hevoseläimestäsi!
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ellauri111.html on line 28: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Kirjailijan päiväkirja
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ellauri112.html on line 28: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Höpötysikoneita
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ellauri115.html on line 28: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Memorisant en herborisant
ellauri115.html on line 440: Rousseau published Emile, or On Education in 1762. A famous section of Emile, "The Profession of Faith of a Savoyard Vicar", was intended to be a defense of religious belief. Rousseau's choice of a Catholic vicar of humble peasant background (plausibly based on a kindly prelate he had met as a teenager) as a spokesman for the defense of religion was in itself a daring innovation for the time. The vicar's creed was that of Socinianism (or Unitarianism as it is called today). Because it rejected original sin and divine revelation, both Protestant and Catholic authorities took offense. Eikös ne Emersonin porukat olleet unitaareja? Ja se Erasmuxen elämäkerturi Ephraim Emerton Bostonista.
ellauri117.html on line 27: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Janne-Jaakkoo
ellauri117.html on line 28: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Eeeemeliii!
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ellauri118.html on line 27: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Choderlos de Laclos
ellauri118.html on line 28: background:lightgreen;text-align:center;margin-top:0%;margin-bottom:0%">Vaarallisia yhteyshenkilöitä
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ellauri119.html on line 28: background:orange;text-align:center;margin-top:0%;margin-bottom:0%">HOLY SMOKE!
ellauri119.html on line 404: The Time cover for April 8, 1966, with its stark words "Is God Dead?" against a dark background, garnered record sales. So did a 1966 book, Radical Theology and the Death of God, coauthored by Hamilton and Thomas J. J. Altizer. "It was Bill who in the ´60s created the scandal of a death of God theology," Altizer told the Century, adding that Hamilton was the more articulate.
ellauri119.html on line 537: Manic lovers speak of their partners with possessives and superlatives, and they feel that they "need" their partners. This kind of love is expressed as a means of rescue, or a reinforcement of value. Manic lovers value finding a partner through chance without prior knowledge of their financial status, education, background, or personality traits. Insufficient expression of manic love by one's partner can cause one to perceive the partner as aloof, materialistic and detached. In excess, mania becomes obsession or codependency, and obsessed manic lovers can thus come across as being very possessive and jealous. One example from real life can be found in the unfortunate case of John Hinckley, Jr., a mentally disturbed individual who attempted to assassinate the incumbent US President Ronald Reagan due to a delusion that this would prompt the actress Jodie Foster to finally reciprocate his obsessive love.
ellauri131.html on line 27: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Eastman Kodak
ellauri131.html on line 28: background:cyan;text-align:center;margin-top:0%;margin-bottom:0%">Halusin tallettaa sen hetken
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ellauri132.html on line 28: background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">How to Sell a Lot of Copies
ellauri132.html on line 113: Sam is the son of actor Berkeley Harris, who appeared mainly in Western films, and TV writer and producer Susan Harris (née Spivak), who created Soap (TV series) and The Golden Girls among other series. His father, born in North Carolina, came from a Quaker background, and his mother is Jewish but not religious. He was raised by his mother following his parents' divorce when he was aged two. Harris has stated that his upbringing was entirely secular and that his parents rarely discussed religion, though he also stated that he was not raised as an atheist.
ellauri133.html on line 27: background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">PONIT
ellauri133.html on line 28: background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">ponien maailma
ellauri135.html on line 27: background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">K. Paustovski
ellauri135.html on line 28: background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">Iljitshin syvänne
ellauri140.html on line 27: background:#fefefe.jpg;text-align:center;margin-top:0%;margin-bottom:0%">E. Difpenfer
ellauri140.html on line 28: background:#fefefe;text-align:center;margin-top:0%;margin-bottom:0%">THE DRAGGE QVEENE.
ellauri140.html on line 122: Introduced in the first canto of the poem, he bears the emblem of Saint George, patron saint of England; a red cross on a white background that is still the flag of England. The Redcrosse Knight is declared the real Saint George in Canto X. He also learns that he is of English ancestry, having been stolen by a Fay and raised in Faerieland. In the climactic battle of Book I, Redcrosse slays the dragon that has laid waste to Eden. He marries Una at the end of Book I, but brief appearances in Books II and III show him still questionng thoroughly the choice. Punasen ristin ritari tuo mieleen Foster Wallacen skroden sankaripulzarin, mikä sen nimi olikaan. Se nenäliinaan piiloutunut ämmä olis tää Aku Ankan Una.
ellauri141.html on line 27: background:#fefefe;text-align:center;margin-top:0%;margin-bottom:0%">HORATIUS FLACCUS
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ellauri143.html on line 32: background:orange;text-align:center;margin-top:0%;margin-bottom:0%">Tikku Kuralla
ellauri144.html on line 31: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Lauri Schlager Carlson
ellauri144.html on line 32: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Kuvia varten Carlson Lauri
ellauri145.html on line 31: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Andre Breton
ellauri145.html on line 32: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Anthologie de l´humour ligneux
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ellauri146.html on line 648: But it is dangerous to attempt to separate any historical figure from his setting. No individual can ever be understood fully until the subtle influences of his formal education, his reading, his associates, and his time and country (with his heredity) are traced and synthesized. Too much has been said, perhaps, about Poe’s “detachment” from his environment and too little about his background—his heritage from Europe and the influences of his early life in Virginia. Elizabeth Arnold, Poe’s mother, was born in England in 1787 and was brought to this country when she was a girl of nine. “In speaking of my mother,” Poe wrote years later to Beverley Tucker of Virginia, “you have touched a string to which my heart fully responds.” Judging from his spirited defense of Elizabeth Poe, it appears that Poe never became unmindful of his immediate English origins on the maternal side.
ellauri146.html on line 662: “I am a Virginian,” declared Poe; and “the distinguishing features of Virginian character at present-features of a marked nature—not elsewhere to be met with in America-and evidently akin to that chivalry which denoted the Cavalier—can be in no manner so well accounted for as by considering them the debris of a devoted loyalty.” Poe’s Virginia background may or may not have rendered him typically American, but it seems reasonable to think that it fostered in him a Virginian Anglo-American attitude as opposed to an Anglophobic Americanism so common at that time in New England.
ellauri147.html on line 32: background:#cdc8b5;text-align:center;margin-top:0%;margin-bottom:0%">Ale Tyynni-Haapio
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ellauri150.html on line 602: We start with the filmmaker's take on the birth of Christ. We see, after a bit of Roman Empire background, Joseph and Mary arrive at the census point; we see the Star of Bethlehem shine, the shepherds see it, the wise men see it; we see the Star of Bethlehem shine down; we see the filmmaker's vision of a nativity scene. Finally, we see the Star of Bethlehem dim back down, as somebody blows a shofar horn. It's very tastefully done, but still effective.
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ellauri151.html on line 38: background:#158dc1;text-align:center;margin-top:0%;margin-bottom:0%">ANDREA GUIDO
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ellauri153.html on line 358: Marise-älä marise, ja Pyllistä-älä pyllistä. Siinä kaikki. Jotta jumalan tiimi voittaisi, sen pitää ensin marista ja sit pyllistää. Nain on meidankin elamassamme! Marise mitä mariset, mut muista pyllistää!
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ellauri155.html on line 32: background:lightgrey;text-align:center;margin-top:0%;margin-bottom:0%">Täällä ei saatana juhlita!
ellauri156.html on line 31: background:#85b8cb;text-align:center;margin-top:0%;margin-bottom:0%">Bob & Dawg
ellauri156.html on line 32: background:#85b8cb;text-align:center;margin-top:0%;margin-bottom:0%">Bathsheba pesulla
ellauri156.html on line 394: One of the tragic aspects of our story is that the sequence of sin in David's life does not end with his adulterous union with Bathsheba. It leads to a deceptive plot to make her husband Uriah appear to be the father of David's child with Bathsheba and culminates in David's murder of Uriah and his marriage to Uriah's wife, Bathsheba. As we take up where we left off in our last lesson, a few more bits of background information are vital to our understanding of this text.
ellauri156.html on line 451: A. H. Weiler of The New York Times described the film as "a reverential and sometimes majestic treatment of chronicles that have lived three millennia." He praised Dunno's screenplay and Peck's "authoritative performance" but found that Wayward "seems closer to Hollywood than to the arid Jerusalem of his Bible." Variety wrote, "This is a big picture in every respect. It has scope, pageantry, sex (for all its Biblical background), cast names, color—everything. It's a surefire boxoffice entry, one of the really 'big' pictures of the new selling season." Philip K. Scheuer of the Los Angeles Times wrote that the film "leaves little to be desired" from the standpoint of production values with Peck "ingratiating" as David and Wayward "a seductress with flaming tresses, in or out of the bath, and only her final contrition is a little difficult to believe." Richard L. Coe of The Washington Post wrote, "On the whole, the picture suggests a Reader's Digest story expanded into a master's thesis for the Ecole Copacabana."] Harrison's Reports wrote, "The outstanding thing about the production is the magnificent performance of Gregory Peck as David; he makes the characterization real and human, endowing it with all the shortcomings of a man who lusts for another's wife, but who is seriously penitent and prepared to shoulder his guilt. Susan Wayward, as Bathsheba, is beautiful and sexy, but her performance is of no dramatic consequence." The Monty Python Bulletin commented that the film had been made "with restraint and relative simplicity" compared to other historical epics, "and the playing of Gregory Peck in particular is competent. The whole film, however, is emotionally and stylistically quite unworthy of its subject." Philip Hamburger of The New Yorker wrote that "the accessories notwithstanding, something is ponderously wrong with 'David and Bathsheba.' The fault lies, I suppose, in the attempt to make excessive enlargements of an essentially-simple story." Zanuck the Hot Dog agreed.
ellauri158.html on line 30: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Pentti Siili
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VINGT
COMMANDEMENTS
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ellauri159.html on line 1258: You tend to grasp the big picture and to focus on the future. Ensure that your work contains enough background material and concrete detail. To avoid tangents or a cursory treatment of the subject, keep the central thesis or purpose of the project in mind while writing. Solicit feedback from someone whose competence you trust.
ellauri160.html on line 27: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Riku
ellauri160.html on line 28: background:#faf8bb;text-align:center;margin-top:0%;margin-bottom:0%">Cathay
ellauri161.html on line 28: background:#e1f5fe;text-align:center;margin-top:0%;margin-bottom:0%">Jori Huysmans - Andy Nyölén
ellauri161.html on line 29: background:white;text-align:center;margin-top:0%;margin-bottom:0%">VASTAAN HANKAAN
ellauri161.html on line 535: Another propaganda film by Netflix! Too long, slow, and full of annoying overuse scene! Not recommended! Entire film full of boring conversation, and annoying overuse scene! Such as, overuse of the walking scene, overuse of the arguing scene, overuse of the calling names scene, overuse of the kissing scene, overuse of the staring scene, overuse of the driving scene, overuse of the eating scene, overuse of the drinking scene, overuse of the smoking scene, overuse of the taking pill scene, overuse of the singing scene, overuse of the song playing at the background scene, overuse of the watching video scene, overuse of the tweeting scene, overuse of the making speech scene, overuse of the blackout scene, overuse of the talking on the phone scene, and overuse of the interviewing scene!
ellauri162.html on line 27: background:white;text-align:center;margin-top:0%;margin-bottom:0%">www.expressen.se
ellauri162.html on line 28: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Två bussar har blåst av vägen.
ellauri163.html on line 28: background:white;text-align:right;margin-top:0%;margin-bottom:0%">Courtney Joseph
ellauri163.html on line 29: background:white;text-align:right;margin-top:0%;margin-bottom:0%">DEUTERONOMIA
ellauri163.html on line 731: 11-21 is the average result that people get (many women average around 15 and men around 17)
background:yellow">My Asperger Quotient Result was 21. Käytit testin tekemiseen 4 minuuttia 34 sekuntia ja testipistemääräsi on 96 eli sinulla ei ole Aspergerin syndroomaa. (Minun on helppoa päätellä mihin toiset kysymyxillään pyrkivät.)
ellauri164.html on line 28: background:white;text-align:left;margin-top:0%;margin-bottom:0%">Arttu Rimpula
ellauri164.html on line 29: background:white;text-align:left;margin-top:0%;margin-bottom:0%">Helvetin seslonki
ellauri164.html on line 472: Iisak Singerin mukaan Mooseskaan ei selvinnyt Jahven palvelusta puhtain paperein. Mikä oli Moosexen moka ja minkä rangaistuxeen hän sai? Tästä löytyy aivan vimmattu määrä selittelyä. Oliko ongelmana background:yellow">väärä kiven käsittely kepillä, vaiko background:orange">rähähtäminen napisevalle kansalle?
ellauri164.html on line 474: Ei kumpikaan niistä as such, sanoo useimmat, kyllä kyseessä oli background:red">riittämätön nöyristely Jaffelle. Moppe oli jaxanut mukisematta totella yli sata vuotta, Mirja siskokin oli kuukahtanut, ja aivan loppumetreillä meni hermot. Sitä Jaffe ei voinut antaa sille anteexi, sillä se on hyvin äkkipikainen. Ei täällä tarvi kenenkään muun vetää nenään hernettä.
ellauri164.html on line 498: So, now, what can we learn from Moses’ life? Moses’ life is generally broken down into three 40-year periods. The first is his life in the court of Pharaoh. As the adopted son of Pharaoh’s daughter, Moses would have had all the perks and privileges of a prince of Egypt. He was instructed “in all the wisdom of the Egyptians, and he was mighty in his words and deeds” (Acts 7:22). As the plight of the Hebrews began to disturb his soul, Moses took it upon himself to be the savior of his people. As Stephen says before the Jewish ruling council, “[Moses] supposed that his brothers would understand that God was giving them salvation by his hand” (Acts 7:25). From this incident, we learn that Moses was a man of action as well as a man possessed of a hot temper and prone to rash actions. Did God want to save His people? Yes. Did God want to use Moses as His chosen instrument of salvation? Yes. But Moses, whether or not he was truly cognizant of his role in the salvation of the Hebrew people, background:orange"> acted rashly and impetuously. He tried to do in his timing what God wanted done in His timing. The lesson for us is obvious: we must be acutely aware of not only doing God’s will, but doing God’s will in His timing, not ours. As is the case with so many other biblical examples, background:orange">when we attempt to do God’s will in our timing, we make a bigger mess than originally existed.
ellauri164.html on line 504: The third and final chapter in Moses’ life is the chapter that Scripture spends the most time chronicling, namely, his role in the redemption of Israel. Several lessons can be gleaned from this chapter of Moses’ life as well. First is how to be an effective leader of people. Moses essentially had responsibility over two million Hebrew refugees. When things began to wear on him, his father-in-law, Jethro Tull, suggested that he delegate responsibility to other faithful men, a lesson that many people in authority over others need to learn (Exodus 18). We also see a man who was dependent on the grace of God to help with his task. Moses was continually pleading on behalf of the people before God. If only all people in authority would petition God on behalf of those over whom they are in charge! Moses was keenly aware of the necessity of God’s presence and even requested to see God’s glory (Exodus 33). Moses knew that, apart from God, the exodus would be meaningless. It was God who made the Israelites distinct, and they needed Him most. Moses’ life also teaches us the lesson that there are certain sins that will continue to haunt us throughout our lives. The same hot temper that got Moses into trouble in Egypt also got him into trouble during the wilderness wanderings. In the aforementioned incident at Meribah, Moses struck the rock in anger in order to provide water for the people. background:red">However, he didn’t give God the glory, nor did he background:yellow">follow God’s precise commands. Because of this, God forbade him from entering the Promised Land. In a similar manner, we all succumb to certain besetting sins which plague us all our days, sins that require us to be on constant alert.
ellauri164.html on line 518: At Thursday’s daily Mass (Thursday of the 18th week of the year) we Roman catholics read of the sin that excluded Moses from leading the people to the Promised Land. While there are some mysterious elements to it, one thing seems clear: the grumbling of the people got on Moses’ nerves. Indeed, grumbling often affects more than just the one doing the complaining. background:orange">Through it, infectious negativity can be set loose. Even if only a small number are grousing, it can still incite discontent, anger, and/or fear in others. Yes, the people nearly wore him out. At a particularly low moment, when the people were complaining about the food, Moses lamented to God,
ellauri164.html on line 532: 1. Moses sinned by background:yellow">not following the Lord’s instruction. The Lord told Moses to take his staff in hand and bid the rock to bring forth water. He was told to speak to the rock, but instead he struck it—twice. The striking of the rock, while not specifically directed according to the passage in Numbers, does not seem particularly egregious; in fact, in another description of this event (see Exodus 17:6) God does tell Moses to strike it. The Fathers of the Church (e.g., St. Jerome) did not view this as sinful, even interpreting the striking of the rock twice as a sign of the two bars of the cross.
ellauri164.html on line 533: 2. background:red">Moses exhibited sinful pride. Having assembled the people, Moses reviled them, saying, “Hear now, you rebels!” He then continued, perhaps pridefully, “Shall we bring water for you out of this rock?” Neither Moses nor Aaron can bring forth water, however; only God can do that. Some of the Fathers of the Church interpreted this not as pride on Moses’ part but rather as an indication of the wavering of his faith.
ellauri164.html on line 534: 3. background:orange">Moses sinned by speaking harshly and rashly. Psalm 106 seems to favor this interpretation. They angered the Lord at the waters of Meribah, and it went ill with Moses on their account, for they made his spirit bitter, and he spoke rashly with his lips (Psalm 106:32-33).
ellauri164.html on line 543: background:orange">Moses was worn down by the constant grumbling of the people. Be cognizant of the toll that such behavior takes on others. Practice gratitude, an important antidote to the poison spread by grumbling.
ellauri164.html on line 761: background:yellow">2. Instead of speaking to the rock, Moses strikes it twice.
ellauri164.html on line 764: background:red">A. Disobedience.
ellauri164.html on line 767: background:red">2. God has always demanded strict obedience to His expressed will.
ellauri164.html on line 771: background:orange">1. Moses was angry at God's people and openly expressed his anger at them.
ellauri164.html on line 780: background:orange">D. Misrepresented God To The People.
ellauri171.html on line 32: background:#8e333c;text-align:center;margin-top:0%;margin-bottom:0%">VOITTO-SANOMAT
ellauri171.html on line 33: background:#8e333c;text-align:center;margin-top:0%;margin-bottom:0%">ne naiset
ellauri171.html on line 451:
ellauri172.html on line 38: background:#8e333c;text-align:center;margin-top:0%;margin-bottom:0%">Sr. Brueghel
ellauri172.html on line 39: background:#8e333c;text-align:center;margin-top:0%;margin-bottom:0%">JUONIPALJASTUS
ellauri172.html on line 825: Émile de Jean-Jacques Rousseau, 1762, dans la partie Profession de foi du Vicaire savoyard, le personnage du Vicaire savoyard, porte-parole des idées de Rousseau background:green">CHECK
ellauri172.html on line 840: Le Rouge et le Noir, roman de Stendhal, 1830, personnage de l'abbé Chélan, mentor et conseiller de Julien Sorel. background:green">CHECK
ellauri172.html on line 850: La Chartreuse de Parme, roman de Stendhal, 1839, personnage de l'abbé Blanès. background:green">CHECK
ellauri172.html on line 856: Splendeurs et misères des courtisanes, roman d'Honoré de Balzac, 1838-1847, l'abbé Carlos Herrera sous l'habit duquel se cache Vautrin. background:green">CHECK
ellauri172.html on line 864: Illusions perdues, roman d'Honoré de Balzac 1836 et 1843 avec le personnage du vicaire général de l'évêque d'Angoulême. background:green">CHECK
ellauri172.html on line 881: Madame Bovary, roman de Gustave Flaubert, 1857, l'abbé Bournisien présenté comme un raté, ne sachant pas accompagner ses ouailles. background:green">CHECK
ellauri172.html on line 885: Un prêtre marié roman de Jules Barbey d'Aurevilly, 1864, le prêtre défroqué Jean Sombreval. background:green">CHECK
ellauri172.html on line 893: La Faute de l'abbé Mouret, roman d'Émile Zola, 1875. background:green">CHECK
ellauri172.html on line 895: Bouvard et Pécuchet, roman de Gustave Flaubert, (1882) l'abbé Jeufroy formidablement crédule. background:green">CHECK
ellauri172.html on line 905: Père Brown (The Wisdom Of Father Brown, The Incredulity Of Father Brown..), séries de nouvelles par G. K. Chesterton, 1911-1935, avec le personnage du père Brown. background:green">CHECK
ellauri172.html on line 908: - André Gide, La symphonie pastorale, roman, éd. Gallimard, 1920. background:green">CHECK
ellauri172.html on line 920: Le Journal d'un curé de campagne, roman de Georges Bernanos, 1936, avec le curé de Torcy, personnage inspiré à Bernanos par ses souvenirs d'enfance de Fressin, et le curé d'Ambricourt[38] qui emprunte plusieurs traits au curé Fenouille de Monsieur Ouine. background:green">CHECK
ellauri172.html on line 932: La Peste, roman d'Albert Camus, 1947. Le père Paneloux a un rôle secondaire. Ses deux sermons sont des passages clefs du roman. background:green">CHECK
ellauri172.html on line 934: Don Camillo, série de nouvelles humoristiques de Giovannino Guareschi, 1948 background:green">CHECK
ellauri172.html on line 958: Le Nom de la rose, roman d'Umberto Eco, 1980 background:green">CHECK
ellauri180.html on line 32: background:#d2b4a9;text-align:center;margin-top:0%;margin-bottom:0%">Meet Author
ellauri180.html on line 33: background:#d2b4a9;text-align:center;margin-top:0%;margin-bottom:0%">KAYLA ANCRUM
ellauri181.html on line 32: background:#a47f55;text-align:center;margin-top:0%;margin-bottom:0%">CH. DARWIN
ellauri181.html on line 33: background:red;text-align:center;margin-top:0%;margin-bottom:0%">PENIS DE MONO
ellauri182.html on line 32: background:#ffcba4;text-align:center;margin-top:0%;margin-bottom:0%">Banana Split
ellauri182.html on line 33: background:#ffcba4;text-align:center;margin-top:0%;margin-bottom:0%">Food as a Value
ellauri183.html on line 32: background:#0a6566;text-align:center;margin-top:0%;margin-bottom:0%">BERNARD
MALAMUD
ellauri183.html on line 33: background:#8fa9a6;text-align:center;margin-top:0%;margin-bottom:0%">God's Grace
ellauri184.html on line 32: background:blue;text-align:center;margin-top:0%;margin-bottom:0%">Norman Mailer
ellauri184.html on line 33: background:blue;text-align:center;margin-top:0%;margin-bottom:0%">KAPERNAUMIN EVANKELIUMI
ellauri184.html on line 239: This may at first blush sound like interesting background material that is not especially helpful for reading and interpreting the gospels. But Mark and Matthew have structured their narratives around a geographical framework dividing the north and the south, culminating in the confrontation of this prophet from Galilee and the religious establishment of Jerusalem.
ellauri184.html on line 773: Jose Saramago is an atheist. This should be enough warning for everyone that desires to read the book. It is very explicit and so religion it’s exposed at its weakest and God as a character is revealed. I come from a Roman-Catholic background but I still wanted to read it, ever since the Gnostic gospel where Jesus childhood is revealed and he changes from a mischievous badly behaved kid to the Jesus from the new testament I wanted to see Saramago’s take on it. Saramago is such a master of words that he makes every bit of faith look totally illogical.
ellauri185.html on line 32: background:white;text-align:left;margin-top:0%;margin-bottom:0%">Belovin Sale
ellauri185.html on line 33: background:white;text-align:left;margin-top:0%;margin-bottom:0%">Horatio Alger
ellauri188.html on line 32: background:black;text-align:center;margin-top:0%;margin-bottom:0%">APINOIDEN KANTTIINI
ellauri188.html on line 33: background:black;text-align:center;margin-top:0%;margin-bottom:0%">HERMAN MELVILLE
ellauri189.html on line 32: background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Anttoni Pyp Pipo
ellauri189.html on line 33: background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Steppenwolf
ellauri189.html on line 212: satisfy man, must be situated somewhere in space (be present as a phenomenon), which on the one hand is represented as receding into an infinite distance, and on the other hand as a “theatre”, in which phenomena eternally repeat the same circular movement (only half of their orbit is visible against the background of the heavenly dome – the other half remains hidden in the dark).
ellauri190.html on line 32: background:lightgrey;text-align:center;margin-top:0%;margin-bottom:0%">George V. Woodchuck
ellauri190.html on line 33: background:lightgrey;text-align:center;margin-top:0%;margin-bottom:0%">Irtopäitä
ellauri190.html on line 389: Pompey (the Great), was a distinguished and ambitious Roman military leader, provincial administrator and politician of the 1st century BC, the period of the Late Republic. Hailing from an Italian provincial background, Pompey first disting...
ellauri191.html on line 33: background:white;text-align:center;margin-top:0%;margin-bottom:0%">HINOA JOHN
ellauri191.html on line 34: background:white;text-align:center;margin-top:0%;margin-bottom:0%">KULTURPROFILERNA
ellauri191.html on line 1400: "for his poetry, which, against the background of Greek tradition, depicts with sensuous strength and intellectual clear-sightedness modern man's struggle for freedom and creativeness"
ellauri192.html on line 33: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Ruhtinas Trubetzkoy
ellauri192.html on line 34: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Sekasorron aika
ellauri194.html on line 33: background:#bd0a0d;text-align:center;margin-top:0%;margin-bottom:0%">Nätti-Jussi
ellauri194.html on line 34: background:#bd0a0d;text-align:center;margin-top:0%;margin-bottom:0%">Apocalypse Now
ellauri194.html on line 97:
ellauri196.html on line 33: background:green;text-align:center;margin-top:0%;margin-bottom:0%">Sr. Brueghel
ellauri196.html on line 34: background:green;text-align:center;margin-top:0%;margin-bottom:0%">Molskis sanoi Ikaros
ellauri197.html on line 33: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Butler Yeast
ellauri197.html on line 34: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Lapis Lazuli
ellauri198.html on line 33: background:gray;text-align:center;margin-top:0%;margin-bottom:0%">J. H. Carlson
ellauri198.html on line 34: background:gray;text-align:center;margin-top:0%;margin-bottom:0%">Carlson Credo
ellauri198.html on line 693: In 1838, he visited Italy looking for background for Sordello, a long poem in heroic couplets, presented as the imaginary biography of the Mantuan bard spoken of by Dante in the Divine Comedy, canto 6 of Purgatory, set against a background of hate and conflict during the Guelph-Ghibelline wars. This was published in 1840 and met with widespread derision, gaining him the reputation of wanton carelessness and obscurity. Tennyson commented that he only understood the first and last lines and Carlyle wrote that his wife had read the poem through and could not tell whether Sordello was a man, a city or a book. Ai tän mä taisinkin jo kertoa albumissa 54.
ellauri203.html on line 33: background:white;text-align:center;margin-top:0%;margin-bottom:0%">N.V. Gogol
ellauri203.html on line 34: background:white;text-align:center;margin-top:0%;margin-bottom:0%">IL GRANDE SCRITTORE RUSSO
ellauri204.html on line 33: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Gebrüder Grimm
ellauri204.html on line 34: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Der eiserne Hans
ellauri205.html on line 33: background:#486573;text-align:center;margin-top:0%;margin-bottom:0%">Valtameediot
ellauri205.html on line 34: background:#623113;text-align:center;margin-top:0%;margin-bottom:0%">PUTIN JA EUROOPPA
ellauri206.html on line 33: background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Naguib Mahfouz
ellauri206.html on line 34: background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Riannan hemmottelupäivä
ellauri207.html on line 32: background:yellow;text-align:left;margin-top:0%;margin-bottom:0%">VILHO SORVARI
ellauri207.html on line 33: background:yellow;text-align:right;margin-top:0%;margin-bottom:0%">KONGON OSKARI
ellauri210.html on line 33: background:lightblue;text-align:center;margin-top:0%;margin-bottom:0%">Andre Breton
ellauri210.html on line 34: background:lightblue;text-align:center;margin-top:0%;margin-bottom:0%">Loppupään dadaisteja
ellauri211.html on line 33: background:crimson;text-align:center;margin-top:0%;margin-bottom:0%">Kalutut Palat
ellauri211.html on line 34: background:crimson;text-align:right;margin-top:0%;margin-bottom:0%">Lukijan Ruoansulatus
ellauri213.html on line 33: background:blue;text-align:center;margin-top:0%;margin-bottom:0%">Walt Disney (†)
ellauri213.html on line 34: background:blue;text-align:center;margin-top:0%;margin-bottom:0%">EMBOTELLADO
ellauri213.html on line 354: The Achille Lauro hijacking has inspired a number of dramatic retellings, including The Death of Klinghoffer (1991), an opera by John Adams and Alice Goodman after a concept of theatre director Peter Sellars. Its depiction of the hijacking has proved controversial. Controversy surrounded the American premiere and other productions in the years which followed. Some critics and audience members condemned the production as antisemitic and appearing to be sympathetic to the hijackers. Adams, Goodman, and Sellars repeatedly claimed that they were trying to give equal voice to both Israelis and Palestinians with respect to the political background. That kind of unpatriotic talk was effectively silenced with the Iraqi wars and the 9/11 incident. It is unpatriotic to be impartial.
ellauri214.html on line 33: background:orange;text-align:center;margin-top:0%;margin-bottom:0%">NEMI
ellauri214.html on line 34: background:orange;text-align:center;margin-top:0%;margin-bottom:0%">FOSSIILEJA KAIVAMASSA
ellauri216.html on line 33: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Petri Sarho
ellauri216.html on line 34: background:white;text-align:center;margin-top:0%;margin-bottom:0%">TIMANTTISET ROSSIT
ellauri217.html on line 33: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Naguib Mahfouz
ellauri217.html on line 34: background:white;text-align:center;margin-top:0%;margin-bottom:0%">POPEYE THE SAILOR MAN!
ellauri219.html on line 33: background:white;text-align:center;margin-top:0%;margin-bottom:0%">KERS. PIPPURIN
YXINÄISTEN SYDÄNTEN
KERHOSOITINYHTYE
ellauri219.html on line 34: background:white;text-align:center;margin-top:0%;margin-bottom:0%">KUORIAISET
ellauri219.html on line 597: In his autobiographical essay, “On My Religion,” Rawls explains why he abandoned his orthodox Christian beliefs in spite of the deeply religious temperament that informed his life and writings. In particular, he recounts how his personal experiences during the Second World War, and especially his awareness of the Holocaust, led him to question whether prayer was possible. “To interpret history as expressing God’s will, God’s will must accord with the most basic ideas of justice as we know them. For what else can the most basic justice be? Thus, I soon came to reject the idea of the supremacy of the divine will as [like the Holocaust] also hideous and evil.” Furthermore, by studying the history of the Inquisition Rawls came to “think of the denial of religious freedom and liberty of conscience as a very great evil,” such that “it makes the claims of the Popes to infallibility impossible to accept.” Finally, his reading of Jean Bodin’s thoughts about toleration led him to claim that religions should be “each reasonable, and accept the idea of public reason and its idea of the domain of the political.” Against this background, it is no wonder that Rawls considers the very concept of religious truth as authoritarian and intolerant, and the ensuing persecution of dissenters as the curse of Christianity.
ellauri219.html on line 639: Meanwhile Carole's plan seems to work and Michael asks to marry her. She agrees and they settle on marrying within the week. She moves in but Michael finds fidelity impossible. When a second "fiancee" arrives, she knows the worst. Simultaneously, a woman parachutes into Michael's open-top sports car and he ends up sleeping with her, also meeting other conquests at the bar. This takes place at a small country hotel, where all parties materialise in the format of a typical French farce. Some are checked in, but most just appear. This includes Carole's parents who wander the corridors, causing Michael to jump from room to room. A rumour has also started locally that an orgy is taking place so side characters such as the petrol station attendant also start to appear. Carole appears and wishes to see Michael's room. As they speak, all the other participants chase each other around in the background. Fassbinder's wife tracks him down.
ellauri220.html on line 33: background:black;text-align:center;margin-top:0%;margin-bottom:0%">RADIO CITY Music Hall
ellauri220.html on line 34: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Rockettes
ellauri220.html on line 519: This refers to casting practice, and in the case of Trope Codifier Peter Stormare it has even achieved the status of Casting Gag. It refers to "international" or "ethnic" - at any rate not American or British - actors who are considered to somehow look or be able to act so vaguely but conspicuously foreign that they can be used for any nationality. (Cliff Curtis is a maori.) It´s As Long as It Sounds Foreign and Gratuitous Foreign Language applied to casting. However, But Not Too Foreign is often in effect because you´ll want someone who speaks good English (even though intentionally accented) and rather panders to viewers´ expectations than give an accurate portrayal of a specific ethnic identity which also means that the character´s background might be very vague as long as it´s foreign.
ellauri221.html on line 33: background:black;text-align:center;margin-top:0%;margin-bottom:0%">JAMES BOND 007
ellauri221.html on line 34: background:black;text-align:center;margin-top:0%;margin-bottom:0%">MOONRAKER
ellauri222.html on line 32: background:white;text-align:left;margin-top:0%;margin-bottom:0%">Horatio Alger
ellauri222.html on line 34: background:white;text-align:left;margin-top:0%;margin-bottom:0%">Les Aventures de Saul Bellow
ellauri223.html on line 32: background:lightblue;text-align:center;margin-top:0%;margin-bottom:0%">Tommaso Campanella
ellauri223.html on line 33: background:lightblue;text-align:center;margin-top:0%;margin-bottom:0%">Aurinkovaltio
ellauri223.html on line 168: In the last third of the book, the Head of the Salomon's House takes one of the European visitors to show him all the scientific background of Salomon's House, where experiments are conducted in Baconian method to understand and conquer nature (no tietysti), and to apply the collected knowledge to the betterment of society. Namely: 1) the end, or purpose, of their foundation; 2) the preparations they have for their works; 3) the several employments and functions whereto their fellows are assigned; 4) and the ordinances and rites which they observe.
ellauri226.html on line 32: background:whitesmoke;text-align:center;margin-top:0%;margin-bottom:0%">Rantojen Miehet
ellauri226.html on line 33: background:whitesmoke;text-align:center;margin-top:0%;margin-bottom:0%">CHEESE!
ellauri236.html on line 32: background:burlywood;text-align:center;margin-top:0%;margin-bottom:0%">James Hadley Chase
ellauri236.html on line 33: background:burlywood;text-align:center;margin-top:0%;margin-bottom:0%">FUX NEWS
ellauri236.html on line 210: One ought not to infer too much from the success of Mr. Chase's books. It is possible that it is an isolated phenomenon, brought about by the mingled boredom and brutality of war. (LOL) But if such books should definitely acclimatize themselves in England (or Nigeria!), instead of being merely a half-understood import from America, there would be good grounds for dismay. In choosing Raffles as a background for No Orchids I deliberately chose a book which by the standards of its time was morally equivocal. Raffles, as I have pointed out, has no real moral code, no religion, certainly no social consciousness. All he has is a set of reflexes the nervous system, as it were, of a gentleman. Give him a sharp tap on this reflex or that (they are called ‘sport’, ‘pal’, ‘woman’, ‘king and country’ and so forth), and you get a predictable reaction. In Mr. Chase's books there are no gentlemen and no taboos. Emancipation is complete. Freud and Machiavelli have reached the outer suburbs. Comparing the schoolboy atmosphere of the one book with the cruelty and corruption of the other, one is driven to feel that snobbishness, like hypocrisy, is a check upon behaviour whose value from a social point of view has been underrated.
ellauri238.html on line 30: background:#f1dd96;text-align:center;margin-top:0%;margin-bottom:0%">PENA OLKIMARSALKKA
ellauri238.html on line 31: background:#f1dd96;text-align:center;margin-top:0%;margin-bottom:0%">Hämynä talsit
ellauri240.html on line 33: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Grace Metalious
ellauri240.html on line 34: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Kaupunki nimeltä
ellauri240.html on line 205: Metalious's father deserted his wife and three daughters when Grace was 11 years old. At that time divorce was unusual in a French Canadian family, and Grace and her sisters felt stigmatized. In high school Grace met George Metalious, who was neither Catholic nor of French-Canadian background and, thus, highly unacceptable to her family. Nevertheless, they married in 1943. A few years later, with one child already, the Metalious's moved to Durham, New Hampshire, where George attended the University of New Hampshire. It was here that Metalious began writing seriously, neglecting both her house and, eventually, three children, despite the condemnation of her neighbors.
ellauri241.html on line 33: background:#8fbc8f;text-align:center;margin-top:0%;margin-bottom:0%">Kiits
ellauri241.html on line 34: background:#8fbc8f;text-align:center;margin-top:0%;margin-bottom:0%">Leimiä
ellauri242.html on line 33: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Krista Kosonen
ellauri242.html on line 34: background:black;text-align:center;margin-top:0%;margin-bottom:0%">BEFOREIGNERS
ellauri243.html on line 33: background:#C4A484;text-align:center;margin-top:0%;margin-bottom:0%">QUENTIN TARANTELLA
ellauri243.html on line 34: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Onnettomat paskiaiset
ellauri243.html on line 728: Benjy personified the kind of paternalistic, kindly, homely statesmanship that appealed to a significant proportion of the cinema audience ... Even workers attending Labour party meetings deferred to leaders with an elevated social background who showed they cared. Voi vittu, mitä horseshittiä.
ellauri243.html on line 732: Endymion is Disraeli in his youth except in the story he is a true-blood British aristocrat. Zenobia, a queen of fashion, is based on his Lady Blessington with a combination of some other great lady. She was Benjamin Disraeli´s first great patroness, who opened the avenue of his wonderful career. Zenobia later retires to the background to give place to Lady Montfort. She is a combination of Lady Blessington and Mrs. Wyndham Lewis (the latter Disraeli married) so we have in Lady Montfort at once the patroness and the wife. It would be interesting to know if the rabbis got to cut Benjy´s prepuce before the falling-out with the synagogue? Maybe that is what the fight was all about?
ellauri244.html on line 33: background:navy;text-align:center;margin-top:0%;margin-bottom:0%">Benoît Mandelbrot
ellauri244.html on line 34: background:navy;text-align:center;margin-top:0%;margin-bottom:0%">KLICHEITÄ
ellauri245.html on line 39: background:#8fbc8f;text-align:center;margin-top:0%;margin-bottom:0%">Jonne Nääsnääsböö
ellauri245.html on line 40: background:#8fbc8f;text-align:center;margin-top:0%;margin-bottom:0%">CASH BY CANS
ellauri246.html on line 33: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Hindric Julius Oldenburg
ellauri246.html on line 34: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Oh korsteenit
ellauri246.html on line 268: For in the background figures vague and vast Sillä hämärinä isoina takapiruina
ellauri247.html on line 39: background:brown;text-align:center;margin-top:0%;margin-bottom:0%">Tauno Köriläs
ellauri247.html on line 40: background:brown;text-align:center;margin-top:0%;margin-bottom:0%">SUURI KASKUKIRJA
ellauri248.html on line 39: background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Marjaana Madagaskarissa
ellauri248.html on line 40: background:grey;text-align:center;margin-top:0%;margin-bottom:0%">AINO-MARJA RÄSÄNEN
ellauri248.html on line 165:
ellauri249.html on line 39: background:white;text-align:center;margin-top:0%;margin-bottom:0%">MARZIAL
ellauri249.html on line 40: background:white;text-align:center;margin-top:0%;margin-bottom:0%">ENKEFALOGRAMMEJA
ellauri249.html on line 84: Czeslaw Milosz felt that Brodsky’s background allowed him to make a vital contribution to literature. Writing in the New York Review of Books, Milosz stated, “Behind Brodsky’s poetry is the experience of political terror, the experience of the debasement of man and the growth of the totalitarian empire."
ellauri254.html on line 38: background:black;text-align:left;margin-top:0%;margin-bottom:0%">MAXIM GORKI
ellauri254.html on line 39: background:black;text-align:center;margin-top:0%;margin-bottom:0%">СЕРАПИОНОВЫ БРАТЬЯ
ellauri254.html on line 766:
ellauri256.html on line 38: background:#d1cdae;text-align:center;margin-top:0%;margin-bottom:0%">Lady Ceepu
ellauri256.html on line 39: background:#d1cdae;text-align:center;margin-top:0%;margin-bottom:0%">MUODIN HISTORIA
ellauri257.html on line 38: background:#f6e2ae;text-align:center;margin-top:0%;margin-bottom:0%">Mikola Gogolj
ellauri257.html on line 39: background:#f6e2ae;text-align:center;margin-top:0%;margin-bottom:0%">TARAS BULJBA
ellauri258.html on line 38: background:#dcc1ae;text-align:center;margin-top:0%;margin-bottom:0%">KIREÄHERMOISTA VÄKEÄ
ellauri258.html on line 39: background:#dcc1ae;text-align:center;margin-top:0%;margin-bottom:0%">МИХАИЛ ЗОЩЕНКО
ellauri260.html on line 38: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Martin Luther King
ellauri260.html on line 39: background:black;text-align:center;margin-top:0%;margin-bottom:0%">In pirsona pirsonalmente
ellauri260.html on line 72: Ize asiassa personalism has nearly always been united to Biblical theism. Joku Von Balthasar suggests that “Without the biblical background personalism is inconceivable.” Mitä vittua, mihis se Bobrowin venäläinen personalismi unohtui?
ellauri262.html on line 38: background:black;text-align:center;margin-top:0%;margin-bottom:0%">C.S. Lewis
ellauri262.html on line 39: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Till We Have Faeces
ellauri262.html on line 194: In later life, Lewis corresponded with Joy Davidman Gresham, an American writer of Jewish background, a former Communist, and a convert from atheism to Christianity. She was separated from her alcoholic and abusive husband, novelist William L. Gresham, and came to England with her two sons, David and Douglas.
ellauri263.html on line 37: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Singer Brothers
ellauri263.html on line 38: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Shadows on the Hudson
Part 1
ellauri264.html on line 38: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Hertz Dovid Grein
ellauri264.html on line 39: background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">Semitismiä
ellauri266.html on line 37: background:black;text-align:right;padding-right:5%;margin-top:0%;margin-bottom:0%">PLANET APE
ellauri266.html on line 38: background:black;text-align:right;padding-right:5%;margin-top:0%;margin-right:2px;margin-bottom:0%">DESMOND
MORRIS
ellauri266.html on line 69: Morris is also criticized for stating that gender roles have a deep evolutionary rather than cultural background. True or false, it is completely non-woke currently. Uncle Sam is not a fan of woke, he thinks it narrows his freedom of speech. Koiraiden ja naaraiden tasa-arvoa edistänee tällä haavaa se, että miehet kasvattavat wiixiä ja naiset ajavat ne pois.
ellauri267.html on line 38:
ellauri267.html on line 39: background:white;text-align:right;margin-top:0%;margin-bottom:0%">
ellauri267.html on line 174: Some background: Murdaugh was shot in the head on a roadway on September 4, 2021 but survived.
ellauri269.html on line 37: background:#a85740;text-align:center;margin-bottom:0%">Joe-setä ja Voldemort
ellauri269.html on line 38: background:#a85740;text-align:center;margin-top:0%;margin-bottom:0%">Fotataidon Maailma
ellauri269.html on line 39:
ellauri269.html on line 290: The Alliance and the Horde each have different backgrounds and stories, and are divided along racial lines. Which faction you choose will dictate where you play, who you play with, and what Races you can play. This may sound all too realistic, but that is how the cookie crumbles!
ellauri269.html on line 755:
ellauri270.html on line 37: background:#f9ede0;text-align:center;margin-bottom:0%">"COL. DWIGHT DOGCOLLAR"
ellauri270.html on line 38: background:#f9ede0;text-align:center;margin-top:0%;margin-bottom:0%">"APINOIDEN SILTA"
ellauri271.html on line 38: background:white;text-align:center;padding-right:2em;margin-top:0%;margin-right:2px;margin-bottom:0%">Frans de Waal
ellauri271.html on line 39: background:white;text-align:center;margin-top:0%;margin-bottom:0%">I feel your pain
ellauri272.html on line 38: background:white;text-align:center;padding-right:2em;margin-top:0%;margin-right:2px;margin-bottom:0%">Zane Grey
ellauri272.html on line 39: background:white;text-align:center;margin-top:0%;margin-bottom:0%">50 shades of Zane
ellauri274.html on line 37: background:white;text-align:center;margin-bottom:0%">Siegel and Schuster
ellauri274.html on line 38: background:white;text-align:center;margin-top:0%;margin-bottom:0%">A BIG JOB FOR SUPERMAN
ellauri275.html on line 37: background:white;text-align:center;margin-bottom:0%">Konsta Pylkkänen
ellauri275.html on line 38: background:white;text-align:center;margin-top:0%;margin-bottom:0%">JOE ✭ SETÄ
VOLDEMORT
ellauri276.html on line 36: background:peru;text-align:center;margin-bottom:0%">Alexandr Virzhavadze
ellauri276.html on line 37: background:peru;text-align:center;margin-top:0%;margin-bottom:0%">KYNTÄJIÄ
ellauri277.html on line 36: background:peru;text-align:center;margin-bottom:0%">Khalil Gibran
ellauri277.html on line 37: background:peru;text-align:center;margin-top:0%;margin-bottom:0%">GET A HUMP ON YOU!
ellauri278.html on line 36: background:white;text-align:center;margin-bottom:0%">Chicherin ja Litvinov
ellauri278.html on line 37: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Tykkivenediplomatiaa
ellauri278.html on line 167: He spoke good French, was quick, clever and efficient, and always knew his dossier well, but whereas I had a certain unwilling respect for Molotov, I had none at all for Vyshinsky. All Soviet officials at that time had no choice but to carry out Stalin's policies without asking too many questions, but Vyshinsky above all gave me the impression of a cringing toadie only too anxious to obey His Master's Voice even before it had expressed his wishes. ... I always had the feeling with Vyshinsky that his past as a Menshevik together with his Polish and bourgeois background made him particularly servile and obsequious in his dealings with Stalin and to a lesser extent with Molotov.
ellauri278.html on line 242: The replacement of Litvinov with Molotov significantly increased Stalin´s freedom to manoeuver in foreign policy. The dismissal of Litvinov, whose Jewish background was viewed disfavorably by Nazi Germany, removed an obstacle to negotiations with Germany. Stalin immediately directed Molotov to "purge the ministry of Jews". Recalling Stalin´s order, Molotov commented: "Thank God for these words! Jews formed an absolute majority in the leadership and among the ambassadors. It wasn´t good."
ellauri279.html on line 36: background:white;text-align:center;margin-bottom:0%">Aleksanteri Isajevits Solzhenizyn
ellauri279.html on line 37: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Еб твою мать
ellauri281.html on line 36: background:white;text-align:center;margin-bottom:0%">Antonio Banderas
ellauri281.html on line 37: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Pensasneuvostoliittolaisia
ellauri281.html on line 166: He spoke good French, was quick, clever and efficient, and always knew his dossier well, but whereas I had a certain unwilling respect for Molotov, I had none at all for Vyshinsky. All Soviet officials at that time had no choice but to carry out Stalin's policies without asking too many questions, but Vyshinsky above all gave me the impression of a cringing toadie only too anxious to obey His Master's Voice even before it had expressed his wishes. ... I always had the feeling with Vyshinsky that his past as a Menshevik together with his Polish and bourgeois background made him particularly servile and obsequious in his dealings with Stalin and to a lesser extent with Molotov.
ellauri281.html on line 241: The replacement of Litvinov with Molotov significantly increased Stalin´s freedom to manoeuver in foreign policy. The dismissal of Litvinov, whose Jewish background was viewed disfavorably by Nazi Germany, removed an obstacle to negotiations with Germany. Stalin immediately directed Molotov to "purge the ministry of Jews". Recalling Stalin´s order, Molotov commented: "Thank God for these words! Jews formed an absolute majority in the leadership and among the ambassadors. It wasn´t good."
ellauri282.html on line 36: background:#8ea0ac;text-align:center;margin-top:0%;margin-bottom:0%">LÖYHÄPÄINEN KANSA
ellauri282.html on line 37: background:#8ea0ac;text-align:center;margin-bottom:0%">KOTKAA KAHLEITANSA
ellauri283.html on line 36: background:#d6d6d6;text-align:center;margin-bottom:0%">FOTO: NATO
ellauri283.html on line 37: background:#d6d6d6;text-align:center;margin-top:0%;margin-bottom:0%">Finneken i Piss
ellauri284.html on line 36: background:#d6d6d6;text-align:center;margin-bottom:0%">FOTO: UK
ellauri284.html on line 37: background:#d6d6d6;text-align:center;margin-top:0%;margin-bottom:0%">Suursota 1914-18
ellauri284.html on line 619: Though the Trump Organization has declined to comment for this article, Alan Garten, the company’s general counsel, addressed questions earlier this year about some of the company’s other unorthodox business partners. He said that blemishes on their records are not “reflective of the portfolio as a whole” and that the organization conducts “due diligence” background checks.
ellauri284.html on line 712: background:lightyellow">
ellauri284.html on line 756:
ellauri286.html on line 36: background:#921e1f;text-align:center;margin-bottom:0%">Sofi Oxenan
ellauri286.html on line 37: background:#921e1f;text-align:center;margin-top:0%;margin-bottom:0%">Stalinin lehmä
ellauri286.html on line 427:
ellauri286.html on line 436: background:lightblue;padding:1em">
ellauri288.html on line 36: background:#e2e9fc;text-align:center;margin-bottom:0%">Sofi Oxenan
ellauri288.html on line 37: background:#e2e9fc;text-align:center;margin-top:0%;margin-bottom:0%">Jaxuhali<3
ellauri290.html on line 37: background:red;text-align:center;margin-top:0%;margin-bottom:0%">PEKKA ja PÄTKÄ SUEZ'illa
ellauri290.html on line 38: background:red;text-align:center;margin-top:0%;margin-bottom:0%">SUOMEN FILMITEOLLISUUS (SF)
ellauri294.html on line 37: background:black;text-align:center;margin-top:0%;margin-bottom:0%">TURKIN FILMITEOLLISUUS (SF)
ellauri294.html on line 38: background:black;text-align:center;margin-top:0%;margin-bottom:0%">ALPARSLAN SUURI SELZHUKKI
ellauri297.html on line 32: background:white;text-align:left;margin-top:0%;margin-bottom:0%">Ammi Ruhama
ellauri297.html on line 33: background:white;text-align:left;margin-top:0%;margin-bottom:0%">HOOSEA AJASSAMME
ellauri299.html on line 32: background:#294865;text-align:center;margin-top:0%;margin-bottom:0%">Teppo Kurko ja Jasper Pääkallo
ellauri299.html on line 33: background:#294865;text-align:center;margin-top:0%;margin-bottom:0%">MUSTA TORNI
ellauri300.html on line 37: background:#eceae9;text-align:center;margin-top:0%;margin-bottom:0%">part 2 of
ellauri300.html on line 38: background:#eceae9;text-align:left;margin-top:0%;margin-bottom:0%">
ellauri300.html on line 134:
ellauri300.html on line 638: Titus’ background is not explained, other than the fact he was Gentile and apparently never circumcised (Paul had checked, Galatians 2:4). This is an interesting point, since Timothy was half-Greek, and not circumcised either! Still, Paul chose to circumcise Timothy to honor the Jews in an area that the two of them were ministering in (Acts 16:1-5). Paul repeatedly mentions in his letters that circumcision is not necessary under the new covenant (though great fun), and even tells Titus to silence Christians who try to promote it (Titus 1:10-14). So, Paul’s choice to circumcise Timothy would suggest that he had a pragmatic thorn in his side. He did not require his disciples to be circumcised, but if the situation called for working among Jews and it made things easier, he would gladly do it. Whether Titus ever ministered to Jewish believers is not stated, and both he and Titus worked at churches in Gentile areas (Timothy in Ephesus, Titus in Crete, and Corinth and Dalmatia).
ellauri301.html on line 32: background:dodgerblue;text-align:center;margin-top:0%;margin-bottom:0%">HARRI NYKÄNEN
ellauri301.html on line 33: background:dodgerblue;text-align:center;margin-top:0%;margin-bottom:0%">KAVERI TAPETTIIN TAPETTIIN
ellauri302.html on line 32: background:red;text-align:center;margin-top:0%;margin-bottom:0%">Sholem Ash
ellauri302.html on line 33: background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">KOST' JUMALA
ellauri302.html on line 62: It is interesting to consider Ash's 'The God of Vengeance" in connection with a play like ''Mrs. Warren's Profession." To be sure, there is no technical resemblance between the two dramas; nor, despite an external similarity in backgrounds, is there any real identity of purpose. Shaw's play is essentially sociological, and is a drama of disillusionment. Ash's piece glows with poetic realism and recounts an individual tragedy not without symbolic power. Mikä molemmisssa on mukavaa on että niissä on paljon prostituutteja!
ellauri302.html on line 190: In the background of the basement brothel, several small compartments, separated from one another by thin partitions, and screened by thick black curtains. One of the curtains has been drawn aside; in the compartment are seen a bed, a wash-stand, a mirror and various toilet articles. A colored night-lamp sheds a dim light over the tiny room.
ellauri308.html on line 33: background:maroon;text-align:center;margin-top:0%;margin-bottom:0%">JUUTALAISTA HUUMORIA
ellauri308.html on line 34: background:maroon;text-align:center;margin-top:0%;margin-bottom:0%">Tuomiset
ellauri309.html on line 32: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Nora "Genital" Roberts
ellauri309.html on line 33: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Far, Far Away
ellauri310.html on line 21: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Daniel
ellauri310.html on line 24: style="font-family:sans-serif;font-size:5em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Life's
ellauri311.html on line 24: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Kirsi Salo
ellauri311.html on line 25: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Tantrista
ellauri313.html on line 26: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Tuukka Pietarinen
ellauri313.html on line 27: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Tanssivat karhut
ellauri315.html on line 25: background:#3c6bd5;text-align:center;margin-top:0%;margin-bottom:0%">Untitled Goose
ellauri315.html on line 26: background:#3c6bd5;text-align:center;margin-top:0%;margin-bottom:0%">Simple Reasoning
ellauri316.html on line 25: background:white;text-align:center;margin-top:0%;margin-bottom:0%">B. MARKOBCSKNÑ
ellauri316.html on line 26: background:#19228b;text-align:center;margin-top:0%;margin-bottom:0%">КЕМ БЫТЬ?
ellauri317.html on line 25: background:#a2a882;text-align:center;margin-top:0%;margin-bottom:0%">Kuppalehti
ellauri317.html on line 26: background:#a2a882;text-align:center;margin-top:0%;margin-bottom:0%">AIVAN PARASTA ROISTOKIRJALLISUUTTA
ellauri318.html on line 25: background:white;text-align:right;margin-top:0%;margin-bottom:0%">JENS VAPIDUS
ellauri318.html on line 26: background:white;text-align:right;margin-top:0%;margin-bottom:0%">RAHALLA SAA
JA HEVOSELLA PÄÄSEE
ellauri321.html on line 25: background:teal;text-align:right;margin-top:0%;margin-bottom:0%">
AMERIKASSA
ellauri321.html on line 26: background:lightyellow;text-align:right;margin-top:0%;margin-bottom:0%">ERIC LINKLATER
ellauri321.html on line 258: Sorry, but the background and implications of the 2014 far-right coup in Kiev, which overthrew the pro-Russian President Viktor Yanukovych, is critical for understanding the current Ukraine-Russia war. This coup was openly supported by US and European imperialism and implemented primarily by far-right shock troops such as the Right Sector and the neo-Nazi Svoboda Party.
ellauri322.html on line 25: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Mary Wolstonecraft & kumpp.
ellauri322.html on line 26: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Tom Dick and Harry Paineella
ellauri323.html on line 25: background:red;text-align:center;margin-top:0%;margin-bottom:0%">Max Beerbohm
ellauri323.html on line 26:
background:red;color:lightyellow;margin-top:0%;margin-bottom:0%" />
ellauri323.html on line 27: background:red;text-align:center;margin-top:0%;margin-bottom:0%">Zuleika Dobson
ellauri324.html on line 25: background:cyan;text-align:center;margin-top:0%;margin-bottom:0%">WILLIAM BLUM
ellauri324.html on line 26: background:cyan;text-align:center;margin-top:0%;margin-bottom:0%">ROISTO-
VALTIO
ellauri324.html on line 267: I live in a wealthy suburb on the outskirts of Silicon Valley in California; trees, flowers, birds, mostly nice neighbors of diverse backgrounds. On the surface, it seems a wonderful place to live, and in many respects, it is, however, if I look out my front window, I see this:
ellauri325.html on line 25: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Tom
Clancy´s
ellauri325.html on line 26: background:black;text-align:center;margin-top:0%;margin-bottom:0%">POLITIKA
ellauri326.html on line 25: background:#a09661;text-align:center;margin-top:0%;margin-bottom:0%">SALAMANTERI-
SOTA
ellauri326.html on line 26: background:#a09661;text-align:center;margin-top:0%;margin-bottom:0%">KAREL CAPEK
ellauri327.html on line 25: background:#adc75c;text-align:center;margin-top:0%;margin-bottom:0%">Various artists
ellauri327.html on line 26: background:#adc75c;text-align:center;margin-top:0%;margin-bottom:0%">Koirameemejä
ellauri328.html on line 24: background:black;text-align:center;margin-top:0%;margin-bottom:0%">VAD ÄR EN
DIKTATUR?
ellauri328.html on line 25: background:black;margin-top:0%;margin-bottom:0%">TEXT OCH IDÉ
ellauri328.html on line 26: background:black;text-align:left;margin-top:0%;margin-bottom:0%">Equipo Plantel
ellauri330.html on line 25: background:black;text-align:center;margin-top:0%;margin-bottom:0%">P. Pylkkänen
ellauri330.html on line 26: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Tietoisuuden mysteeri
ellauri331.html on line 26: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Anna-Lena Lauren
ellauri331.html on line 27: background:white;text-align:center;margin-top:0%;margin-bottom:0%">PROPAGANDASOTAA
ellauri332.html on line 26: background:#83a9b6;text-align:center;margin-top:0%;margin-bottom:0%">George Lucas
ellauri332.html on line 27: background:#83a9b6;text-align:center;margin-top:0%;margin-bottom:0%">Jar-Jar Bling
ellauri333.html on line 26: background:white;text-align:center;margin-top:0%;margin-bottom:0%">King Ashoka & Buddha
ellauri333.html on line 27: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Mlecch
ellauri333.html on line 181:
ellauri334.html on line 27:
ellauri335.html on line 26: background:black;margin-top:0%;margin-bottom:0%;padding-right:2%">Leonardo da Vinci
ellauri335.html on line 27: background:black;margin-top:0%;margin-bottom:0%">Cos'é la vita?
ellauri336.html on line 26: background:#cce8f3;margin-top:0%;margin-bottom:0%;padding-right:2%">Rebbe Chinuch
ellauri336.html on line 27: background:#cce8f3;margin-top:0%;margin-bottom:0%">Puhtaiden mielien
JA
sydänten kasvattaminen
ellauri338.html on line 26: background:black;margin-top:0%;margin-bottom:0%;padding-right:2%">Thomas Schelling
ellauri338.html on line 27: background:black;margin-top:0%;margin-bottom:0%">Strategy of Inner Conflict
ellauri339.html on line 26: background:#edab5d;margin-top:0%;margin-bottom:0%;padding-right:2%">Marshal Zhukov
ellauri339.html on line 27: background:#edab5d;margin-top:0%;margin-bottom:0%">Zhuk v muraveynike
ellauri340.html on line 26: background:black;margin-top:0%;margin-bottom:0%;padding-right:2%">★ TUOMARILIIGA
ellauri340.html on line 27: background:black;margin-top:0%;margin-bottom:0%">PISSALIISA
ellauri340.html on line 271: Tärkeimmät periaatteet kokardipäisen kärhämöinnin säätelyssä
ellauri341.html on line 26: background:#3ba3da;margin-top:0%;margin-bottom:0%;padding-right:2%">Täävoi Purra
ellauri341.html on line 27: background:#3ba3da;margin-top:0%;margin-bottom:0%">Uuteen Jerusalemiin
ellauri342.html on line 26: background:black;margin-top:0%;margin-bottom:0%">Neljäs Laine
ellauri342.html on line 27: background:black;margin-top:0%;margin-bottom:0%;padding-right:5%">Martti Larni
ellauri342.html on line 329:
ellauri343.html on line 26: background:lightgrey;margin-top:0%;margin-bottom:0%">kärhämää
POHJANMAALTA
ellauri343.html on line 28: background:darkgrey;margin-top:0%;margin-bottom:0%;padding-right:5%">PASKA TUURI
ellauri344.html on line 26: background:red;margin-top:0%;margin-bottom:0;padding-right:5%">MUROPAKETTI
ellauri344.html on line 27: background:red;margin-top:0%;margin-bottom:0%;padding-right:5%">(C) LAINEET
ellauri345.html on line 30: background:white;margin-top:0%;margin-bottom:0%;padding-right:5%">Benjy
ellauri345.html on line 31: background:white;margin-top:0%;margin-bottom:0;padding-right:5%">Valinnaisia sukulaisia
ellauri346.html on line 30: background:beige;margin-top:0%;margin-bottom:0%;padding-right:5%">LEONID BREZHNEV
ellauri346.html on line 31: background:beige;margin-top:0%;margin-bottom:0;padding-right:5%">KOHTA ON KIVAA
ellauri347.html on line 30: background:black;margin-top:0%;margin-bottom:0%;padding-right:5%">ANTTI ESKOLA
ellauri347.html on line 31: background:black;margin-top:0%;margin-bottom:0;padding-right:5%">VANHUSMAISTA
ellauri348.html on line 30: background:lightgreen;margin-top:0%;margin-bottom:0%;padding-right:5%">Pirjo "Säi säi" Winter
ellauri348.html on line 31: background:lightgreen;margin-top:0%;margin-bottom:0;padding-right:5%">TOIVOSSA
ON HYVÄ ELÄÄ
ellauri349.html on line 30: background:white;margin-top:0%;margin-bottom:0%;padding-right:5%">E. SAARISEN
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RUNKKAUSTA
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VA✷
HA-✷A✷
MME
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hölzernen Bengele
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GRILLET FISK
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ellauri362.html on line 33: background:white;margin-top:0%;margin-bottom:0%;padding-bottom:20px">A Novel by JANE AUSTEN
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JA ME
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VAKOILIJOIDEN NAAMIAISISSA
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LIUS
NEPOS
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MIEHIÄ
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ellauri371.html on line 27: background-color:#ffbc57;text-align:center;margin-top:0%;margin-bottom:0%">(Po textu S.A. Nilusa)
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ellauri386.html on line 38: background:black;color:#f4f3ef;text-align:center;margin-top:0%;margin-bottom:0%">Oman elämänsä Teppo
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xxx/ellauri010.html on line 19: background:#3ea0bb;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">LOS MUERTOS
xxx/ellauri010.html on line 20: background:yellow;font-size:3em;text-align:center;margin-top:0%;margin-bottom:0%">Mustan mantiljan salaisuus
xxx/ellauri013.html on line 19: background:#3ea0bb;font-size:8em;text-align:center;margin-top:0%;margin-bottom:0%">EL MUERTO
xxx/ellauri013.html on line 20: background:yellow;font-size:4em;text-align:center;margin-top:0%;font-style:italic;margin-bottom:0%">VIESTI KUOLEMALTA
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xxx/ellauri027.html on line 20: background:green;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">SMURFFIT
JA TAIKAMUNA
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xxx/ellauri027.html on line 962: Each seminar group feels unique and special. The fact that there are 100 participants of heterogeneous backgrounds means that the inviduals may feel just semi-unique and not-quite-so special (there are about 30 unique ideas in ciruclation anyway, as my assistent has shown), but semi-guided discussions as well as informal dialogues outside the seminar room can be highly rewarding for the participants. Such dialogues are not charged separately.
xxx/ellauri027.html on line 1027: The Paphos seminar is not statement-based. The seminar does not seek to provide the ”right” answers. It does not even identify ”fundamental themes”. No particular beliefs are targeted as objects of criticism or veneration. Instead, the content is expected to shine through as if behind a veil. Generic themes such as ”choice”, ”respect”, ”love”, ”temporality” serve like melodies in the background.
xxx/ellauri044.html on line 24: background:#deb463;font-size:8em;text-align:center;margin-top:0%;margin-bottom:0%">BAMSE
xxx/ellauri044.html on line 25: background:#deb463;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">Maailman Paskin Nalle
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xxx/ellauri056.html on line 24: background:green;text-align:center;margin-top:0%;margin-bottom:0%">ENID BLYTON
xxx/ellauri056.html on line 25: background:green;text-align:center;margin-top:0%;margin-bottom:0%">Viisikko
ja aavejuna
xxx/ellauri057.html on line 24: background:#ae534a;text-align:center;margin-top:0%;margin-bottom:0%">Tex Willer
xxx/ellauri057.html on line 25: background:#bfab6c;text-align:center;margin-top:0%;margin-bottom:0%">DJEVEL-FJELLET
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xxx/ellauri068.html on line 23: background:#aaa27e;text-align:center;margin-top:0%;margin-bottom:0%">PYNCHON ORIGINAL
xxx/ellauri068.html on line 24: background:#aaa27e;text-align:center;margin-top:0%;margin-bottom:0%">BOЯДT SUBSEQUENT MOVIEFILM
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xxx/ellauri075.html on line 27: background:white;text-align:center;margin-top:0%;margin-bottom:0%">David Foster Wallace
xxx/ellauri075.html on line 28: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Tennis on parasta huumetta
xxx/ellauri076.html on line 27: background:lightblue;text-align:center;margin-top:0%;margin-bottom:0%">KIRJAVA MIEHISTÖ
xxx/ellauri076.html on line 28: background:red;text-align:center;margin-top:0%;margin-bottom:0%">TYPYJÄ TYPYJÄ TYPYJÄ
xxx/ellauri081.html on line 27: background:red;text-align:center;margin-top:0%;margin-bottom:0%">Gian Lorenzo Bernini
xxx/ellauri081.html on line 28: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Ecstasy of St. Teresa, 1645–52
xxx/ellauri084.html on line 27: background:grey;text-align:center;margin-top:0%;margin-bottom:0%">James Wallace
xxx/ellauri084.html on line 28: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Kuuluisien diktaattorien vauvavalokuvia
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xxx/ellauri084.html on line 773: In France, after its release, communists, socialists, and "independent groups" treated the film favorably; however, the far right disapproved on account of the director's background. Some French critics denounced the film as unpatriotic. The film has also been criticized for being too selective and that the director was "too close to the events portrayed to provide an objective study of the period."
xxx/ellauri085.html on line 27: background:blue;text-align:center;margin-top:0%;margin-bottom:0%">Sally Jean Foster
xxx/ellauri085.html on line 28: background:black;text-align:center;margin-top:0%;margin-bottom:0%">CENSORED DIALOGUE
xxx/ellauri086.html on line 27: background:blue;text-align:center;margin-top:0%;margin-bottom:0%">Hieno japanilainen animaatio
xxx/ellauri086.html on line 28: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Sydämen kuiskaus
xxx/ellauri086.html on line 688: After several years, Hester returns to her cottage and resumes wearing the scarlet letter. When she dies, she is buried near the grave of Dimmesdale, and they share a simple slate tombstone engraved with an escutcheon described as: "On a field, sable, the letter A, gules" ("A red letter A written on a black background").
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xxx/ellauri087.html on line 27: background:red;text-align:center;margin-top:0%;margin-bottom:0%">E. Saarinen
xxx/ellauri087.html on line 28: background:red;text-align:center;margin-top:0%;margin-bottom:0%">Ilman Pipsaa ei olisi muutakaan
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xxx/ellauri087.html on line 626: Historicity: activity systems take shape and get transformed over long stretches of time. Potentials and problems can only be understood against the background of their own histories.
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xxx/ellauri091.html on line 27: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Hilja Haahti
xxx/ellauri091.html on line 28: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Päiväkirjan lisälehtiä
xxx/ellauri091.html on line 102: Miesten käsirysyn kautta turvattu rauha on yhdenlaista naisen alistamista, tuumaavat naiset Saudi-Arabiassa ja Lontoossa. background:yellow">En 48-årig polis har häktats misstänkt för att ha background:yellow">kidnappat och dödat en kvinna. Fallet fick Londonpolisen att varna kvinnor, be dem vara försiktiga och inte ta promenader på egen hand. Gå ut bara i sällskap av en manlig släkting, far, bror, farbror, morbror eller kusin. En helkroppsmask är också en bra idé. Många menar att den typen av uttalanden antyder att det är kvinnors ansvar att själva undvika att bli attackerade. Enligt Storbritanniens premiärminister Boris Godunov ska lagstiftingen leda till skärpta straff för flanörer och background:yellow">fler poliser på gatorna.
xxx/ellauri091.html on line 383: Left: Favors laws such as background checks or waiting periods before buying a gun; banning certain high capacity weapons to prevent mass shootings.
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xxx/ellauri103.html on line 28: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Lionel Drivel
xxx/ellauri103.html on line 29: background:black;text-align:center;margin-top:0%;margin-bottom:0%">We have to talk about Kevin
xxx/ellauri103.html on line 168: In 2016 Shriver gave a controversial speech about cultural appropriation. Shriver had previously been criticized for her depiction of Latino and African-American characters in her book The Mandibles, which was described by one critic as racist and by another as politically misguided. In her Brisbane speech, Shriver contested these criticisms, saying writers ought to be entitled to write from any perspective, race, gender or background that they choose, even racist and politically misguided, in fact particularly so, because they sell best. The full text of her speech was published in the British newspaper The Guardian.
xxx/ellauri103.html on line 205: I am hopeful that the concept of “cultural appropriation” is a passing fad: rubbing people with different backgrounds against each other and exchanging our flaky ideas and shady practices against their money is self-evidently one of the most productive, fascinating aspects of modern urban life.
xxx/ellauri103.html on line 252: In fact, I’m reminded of a letter I received in relation to my seventh novel from an Armenian-American who objected – why did I have to make the narrator of We Need to Talk About Kevin Armenian? He didn’t like my narrator, and felt that her ethnicity disparaged his community. I took pains to explain that I knew something about Armenian heritage, because my best friend in the States was Armenian, and I also thought there was something dark and aggrieved in the culture of the Armenian diaspora that was atmospherically germane to that book. Besides, I despaired, everyone in the US has an ethnic background of some sort, and she had to be something! Joe Biden has finally admitted that the Armenian genocide was a genocide and not just an unusually bad case of flu. I am not convinced of it yet.
xxx/ellauri104.html on line 28: background:black;text-align:center;margin-top:0%;margin-bottom:0%">John Nash
xxx/ellauri104.html on line 29: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Iltaan mennessä selkenevää
xxx/ellauri104.html on line 253: Funny thing is, nobody knows why neurotransmitters are of a different level for people with "schizophrenia" and blame it on this label. Those with such illnesses were not always measured for levels of neurotransmitters, they were only assumed to have such levels of neurotransmitters by the psychiatrist who has no real medical background like that of a surgeon. To worsen it, Earthling's medical science has yet to be able to measure these levels accurately and safely! Isn't this shocking?
xxx/ellauri113.html on line 27: background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Stephen Hawking
&
Pekka Reinikainen
xxx/ellauri113.html on line 28: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Theory of Everything
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xxx/ellauri114.html on line 26: background:#dcdcdc;text-align:center;margin-top:0%;margin-bottom:0%">Mamuhuijarit
xxx/ellauri114.html on line 27: background:#2be264;text-align:center;margin-top:0%;margin-bottom:0%">Do vil inte ha pengar ?
xxx/ellauri116.html on line 27: background:white;text-align:center;margin-top:0%;margin-bottom:0%">ILTALEHTI
xxx/ellauri116.html on line 28: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Moskaportaali
xxx/ellauri120.html on line 27: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Snoopy
xxx/ellauri120.html on line 28: background:cyan;text-align:center;margin-top:0%;margin-bottom:0%">It was a dark and stormy night.
xxx/ellauri120.html on line 239: After several years, Hester returns to her cottage and resumes wearing the scarlet letter. When she dies, she is buried near the grave of Dimmesdale, and they share a simple slate tombstone engraved with an escutcheon described as: "On a field, sable, the letter A, gules" ("A red letter A written on a black background"). Ingan vaakunassa on hassu jellona kieli ulkona kuin Hanna Montanalla sinisellä taustalla.
xxx/ellauri121.html on line 27: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Varhaiskasvattajat
xxx/ellauri121.html on line 28: background:#cdc6d0;text-align:center;margin-top:0%;margin-bottom:0%">Lapsenkokoinen kazomuskasvatus
xxx/ellauri122.html on line 31: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Olivera
xxx/ellauri122.html on line 32: background:#e9e2df;text-align:center;margin-top:0%;margin-bottom:0%">Tips
xxx/ellauri123.html on line 31: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Ivar Kreuger
xxx/ellauri123.html on line 32: background:#e9e2df;text-align:center;margin-top:0%;margin-bottom:0%">THE COCK
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xxx/ellauri124.html on line 31: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Mark O'Connell
xxx/ellauri124.html on line 32: background:#e9e2df;text-align:center;margin-top:0%;margin-bottom:0%">To Be a Machine
xxx/ellauri125.html on line 31: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Владимир Набоков
xxx/ellauri125.html on line 32: background:#e9e2df;text-align:center;margin-top:0%;margin-bottom:0%">Лолита
xxx/ellauri126.html on line 31: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Me Naiset
xxx/ellauri126.html on line 32: background:#cbe7f3;text-align:center;margin-top:0%;margin-bottom:0%">Miten reagoit naapureihisi?
xxx/ellauri127.html on line 31: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Vladimir Nabokov
xxx/ellauri127.html on line 32: background:#cbe7f3;text-align:center;margin-top:0%;margin-bottom:0%">Pigita
xxx/ellauri127.html on line 282: The most famous literary version of Melusine tales, that of Jean d'Arras, compiled about 1382–1394, was worked into a collection of "spinning yarns" as told by ladies at their spinning coudrette (coulrette (in French)). He wrote The Romans of Partenay or of Lusignen: Otherwise known as the Tale of Melusine, giving source and historical notes, dates and background of the story. Another version, Chronique de la princesse (Chronicle of the Princess). tells how in the time of the Crusades, Elynas, the King of Albany (an old name for Scotland or Alba), went hunting one day and came across a beautiful lady in the forest. She was Pressyne, mother of Melusine. He persuaded her to marry him but she agreed, only on the promise—for there is often a hard and fatal condition attached to any pairing of fay and mortal—that he must not enter her chamber when she birthed or bathed her children. She gave birth to triplets. When he violated this taboo, Pressyne left the kingdom, together with her three daughters, and traveled to the lost Isle of Avalon.
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xxx/ellauri127.html on line 721: Book I gives Endymion's account of his dreams and experiences, as related to Peona, which provides the background for the rest of the poem. In Book II, Endymion ventures into the underworld in search of his love. He encounters Adonis and Venus—a pairing of mortal and immortal—apparently foreshadowing a similar destiny for the mortal Endymion and his immortal paramour. Book III reveals Endymion's enduring love, and he begs the Moon not to torment him any longer as he journeys through a watery void on the sea floor. There he meets Glaucus, freeing the god from a thousand years of imprisonment by the witch Circe. Book IV, "And so he groan'd, as one by beauty slain."
xxx/ellauri128.html on line 28: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Vaakku ja Tarmo
xxx/ellauri128.html on line 29: background:#cdc6d0;text-align:center;margin-top:0%;margin-bottom:0%">Kootut töräyxet
xxx/ellauri129.html on line 27: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Vaakku ja Tarmo
xxx/ellauri129.html on line 28: background:#cdc6d0;text-align:center;margin-top:0%;margin-bottom:0%">LIFESTYLE
xxx/ellauri130.html on line 27: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Vaakku ja Tarmo
xxx/ellauri130.html on line 28: background:#cdc6d0;text-align:center;margin-top:0%;margin-bottom:0%">Tuomiopäivän pasuunat
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xxx/ellauri134.html on line 27: background:purple;text-align:center;margin-top:0%;margin-bottom:0%">Erika Vikman ja Arttu Viskari
xxx/ellauri134.html on line 28: background:purple;text-align:center;margin-top:0%;margin-bottom:0%">Tääl on niin kuuma
xxx/ellauri136.html on line 27: background:#b93c2b;text-align:center;margin-top:0%;margin-bottom:0%">AS Pushkin
xxx/ellauri136.html on line 28: background:grey;text-align:center;margin-top:0%;margin-bottom:0%">SOLD
xxx/ellauri137.html on line 31: background:#52b1df;text-align:center;margin-top:0%;margin-bottom:0%">Turun Darwin
xxx/ellauri137.html on line 32: background:#eeb8b8;text-align:center;margin-top:0%;margin-bottom:0%">Hentosudenkorento ja Jauhopukki
xxx/ellauri137.html on line 204: Majas on a Balcony 1800-1810 is one of the many genre paintings by Goya portraying scenes from contemporary life. The physical setting is an azotea or balcony, a characteristic appendage of Spanish houses and an integral part of social life and character in the towns and cities of Goya's country. The features and props of the setting are confined to an iron railing with vertical grills, a very austere structure (compared to the rich elaborate grill-work of which we are accustomed to think as flourishing in Spain, or at least in New Orleans), which alludes to the socio-economic character of the house; the edge of the floor; some chairs - rather inelegant - one of which has cheap wicker matting; and in the background, a bare wall, a only proof of whose presence is a shadow to the extreme right suggesting a material surface.
xxx/ellauri138.html on line 27: background:#a6b1ad;text-align:center;margin-top:0%;margin-bottom:0%">J.W.v Goethe
xxx/ellauri138.html on line 28: background:#a6b1ad;text-align:center;margin-top:0%;margin-bottom:0%">Dichtung und Wahrheit
xxx/ellauri139.html on line 27: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Dosto täällä hei
xxx/ellauri139.html on line 28: background:black;text-align:center;margin-top:0%;margin-bottom:0%">IDIOOTTI!
xxx/ellauri148.html on line 32: background:blue;text-align:center;margin-top:0%;margin-bottom:0%">The McCormacks
xxx/ellauri148.html on line 33: background:blue;text-align:center;margin-top:0%;margin-bottom:0%">WORLD HOORAY DAY
xxx/ellauri149.html on line 32: background:grey;text-align:center;margin-top:0%;margin-bottom:0%">E. Saarinen et al.
xxx/ellauri149.html on line 33: background:grey;text-align:center;margin-top:0%;margin-bottom:0%">LIMAA
xxx/ellauri149.html on line 54: Tung said he prefers teams with cross-cultural backgrounds. For example, Zhang Sheng, co-founder of Wish, is a Chinese who once studied in the U.S., while another co-founder of the company Peter Szulczewski is a Jew from east Europe. He explained that Americans tend to focus on domestic market and ignore overseas opportunities. But teams with multinational backgrounds are more likely to set their eyes on global market. For example, around 50% of Wish’s revenue comes from overseas market.
xxx/ellauri154.html on line 28: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Gonorrhé de
BALLSACK
xxx/ellauri154.html on line 29: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Comtes droolatiques
xxx/ellauri157.html on line 31: background:green;text-align:center;margin-top:0%;margin-bottom:0%">Kuka Ruikki
xxx/ellauri157.html on line 32: background:green;text-align:center;margin-top:0%;margin-bottom:0%">TIEDE 2022
xxx/ellauri157.html on line 107: In the seventeenth century, the story of King Candaules’s wife was seen as a moral lesson, warning against violations of the marital bedchamber. The theme was treated by the poet Jacob Cats in his Toneel vande mannelicke Achtbaerheyt, in which he devoted no less than eighty-six verses to the tale of Candaules and Gyges, and illustrates the scene in the royal bedchamber with a print by Pieter de Jode after Adriaen van de Venne. In the print the Queen is seen half naked from behind. Candaules is already in bed, and the Queen looks at Gyges, who is largely concealed behind the wallhangings. The moral of the story is clarified by a scene on a smaller scale in the background, showing Candaules being slain by Gyges. The print no doubt served as an inspiration for several other later renditions of the theme in Northern Netherlandish painting, including works by Frans van Mieris the Elderv, and Eglon van de Neervi.
xxx/ellauri165.html on line 28: background:#ac5a34;text-align:center;margin-top:0%;margin-bottom:0%">St. Ambrose
xxx/ellauri165.html on line 29: background:black;text-align:center;margin-top:0%;margin-bottom:0%">"HIS MASTER'S VOICE."
xxx/ellauri166.html on line 28: background:white;text-align:center;margin-top:0%;margin-bottom:0%">יהוה
xxx/ellauri166.html on line 29: background:white;text-align:center;margin-top:0%;margin-bottom:0%">AARON SKEBA
xxx/ellauri167.html on line 32: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Inferno-Dante
xxx/ellauri167.html on line 33: background:white;text-align:center;margin-top:0%;margin-bottom:0%">MALA TESTA
xxx/ellauri168.html on line 32: background:#35225e;text-align:left;margin-top:0%;margin-bottom:0%">Fritz the Cat ja Cisco Caramba
xxx/ellauri168.html on line 33: background:#35225e;text-align:leftr;margin-top:0%;margin-bottom:0%">SYVEMPÄÄ TIETOA...
xxx/ellauri169.html on line 32: background:white;text-align:center;margin-top:0%;margin-bottom:0%">LENA FURBERG
xxx/ellauri169.html on line 33: background:white;text-align:center;margin-top:0%;margin-bottom:0%">KELPAAN TÄLLAISENA!
xxx/ellauri170.html on line 32: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Rodolphe Bresdin
xxx/ellauri170.html on line 33: background:white;text-align:center;margin-top:0%;margin-bottom:0%">LA COMÉDIE DE LA MORT
xxx/ellauri170.html on line 368: A beautiful woman risking everything for a mad passion. A few wild weeks of happiness cut short by a hideous, treacherous crime. Months of voiceless agony, and then a child born in pain. The mother snatched away by death, the boy left to solitude and the tyranny of an old and loveless man. Yes; it was an interesting background. It posed the lad, made him more perfect, as it were. Behind every exquisite thing that existed, there was something tragic. Worlds had to be in travail, that the meanest flower might blow....
xxx/ellauri173.html on line 32: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Aku Aatamisaari
xxx/ellauri173.html on line 33: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Papinin marmiitti
xxx/ellauri174.html on line 32: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Aku Aatamisaari
xxx/ellauri174.html on line 33: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Hadaly
xxx/ellauri175.html on line 32: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Aku Aatamisaari
xxx/ellauri175.html on line 33: background:white;text-align:center;margin-top:0%;margin-bottom:0%">SOWANA
xxx/ellauri176.html on line 38: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Emily Pseudo-Cooper
xxx/ellauri176.html on line 39: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Ruppari
xxx/ellauri177.html on line 32: background:white;text-align:center;margin-top:0%;margin-bottom:0%">NOUVEAU MASTER HAUTE DÉFINITION
xxx/ellauri177.html on line 33: background:white;text-align:center;margin-top:0%;margin-bottom:0%">PAPPI ASTUU PASKAAN
xxx/ellauri178.html on line 32: background:#FBB117;text-align:center;margin-top:0%;margin-bottom:0%">BENITO ROTH
xxx/ellauri178.html on line 33: background:#FBB117;text-align:center;margin-top:0%;margin-bottom:0%">Intohimon Professori
xxx/ellauri178.html on line 309: Isaiah 16:14 But now the Lord speaks, saying, “Within three years, as a hired man would count them, the glory of Moab will be degraded along with all his great population, and his remnant will be very small and background-color:pink">impotent.”
xxx/ellauri178.html on line 311: Acts 4:9 If we this day be examined of the good deed done to the background-color:pink">impotent man, by what means he is made whole;
xxx/ellauri178.html on line 313: John 5:3 In these lay a great multitude of background-color:pink">impotent folk, of blind, halt, withered, waiting for the moving of the water.
xxx/ellauri178.html on line 315: Acts 14:8 And there sat a certain man at Lystra, background-color:pink">impotent in his feet, being a cripple from his mother's womb, who never had walked.
xxx/ellauri178.html on line 317: John 5:7 The background-color:pink">impotent man answered him, Sir, I have no man, when the water is troubled, to put me into the pool: but while I am coming, another steppeth down before me.
xxx/ellauri179.html on line 32: background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Ernestine Hemingwau
xxx/ellauri179.html on line 33: background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Ford Fiesta
xxx/ellauri179.html on line 488: “I've come to appreciate this. The harsh details in the background with the stillness in the foreground here—” It was Swans Reflecting Elephants by Dalí. “See this arrogant son of a bitch, Juice, missing the scene. The elephants standing on the shore and the swans floating over them.” Behind the swans grew trees, twisting to the sky. “He's so arrogant. And ignorant. He walked all the way from the town up the hill in the distance and here he's facing away with his hand on his hip. He can't see the color of the sky different from the reflection in the pond.”
xxx/ellauri179.html on line 500: “His pocket lies open too. A trusting man. The man on the right sulks, looking down with his overbite and light coat. Look in the background. Look at the bar and the uncertainty beyond it and how the scene gets lighter from left to right.”
xxx/ellauri179.html on line 669: Ilkeännäköinen mies jonka nenä kasvaa ozan suuntaisesti. The Four Feathers is a 1902 adventure novel by British writer A.E.W. Mason that has inspired many films of the same title. Against the background of the Mahdist War, young Faversham disgraces himself by quitting the army; this act the others perceive as cowardice, symbolized by the four white feathers they give him. Chicken! “buk, buk, buk, ba-gawk”! The story tells of his fight to reclaim his honour and win back the heart of the woman he loves. Bleeding heart, purple heart. Nää sydänjutut ottaa kyllä päähän. Mä ällöön sydämiä, ne näyttää katkaistuine putkineen tosi törkeiltä.
xxx/ellauri179.html on line 801: Mencken praised women, though he believed they should remain in the background of industry and politics. In personal letters especially, Mencken would write that women should appreciate men and do their best to support them. Although Mencken did not intend to demean women, his description of his "ideal scene" with a woman in the 1922 edition was not conventionally progressive:
xxx/ellauri186.html on line 31: background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">JOSÉ DE SOUSA
xxx/ellauri186.html on line 32: background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">O EVANGELHO
SECUNDO A MINHA PALAVRA
xxx/ellauri187.html on line 31: background:#e2e5ea;text-align:center;margin-top:0%;margin-bottom:0%">RACHEL CORBETT
xxx/ellauri187.html on line 32: background:#e2e5ea;text-align:center;margin-top:0%;margin-bottom:0%">CHINS UP
xxx/ellauri193.html on line 31: background:yellow;text-align:left;margin-top:0%;margin-bottom:0%">MIN
GALNA
HAGE
xxx/ellauri193.html on line 32: background:yellow;text-align:left;margin-top:0%;margin-bottom:0%">POVEL
RAMEL
xxx/ellauri193.html on line 247: In an understandable effort to free Mr. Seib, the reporter's family, according to a UPI report in The Post Feb. 4, announced: "We want to stress his Catholic background, his German Volga background, his ethnic background." Further, "His upbringing did not have anything to do with the type of person who would spy for anybody." The Iranians chimed in to the effect that "mistakes and misunderstandings" played a major role in Mr. Seib's detention.
xxx/ellauri193.html on line 598: The Swedes feel differently, though. The presentation speech lays out a “cut-out silhouette of two remarkable literary profiles,” drawing parallels between two writers whose work is not very similar, but whose lives curiously are. Both Eyvind Johnson and Harry Martinson come from hardscrabble backgrounds and emerged as unlikely, startling literary figures. “They are representative,” the speech tells us, “of the many proletarian writers or working-class poets who, on a wide front, broke into our literature, not to ravage and plunder, but to enrich it with their fortunes. Their arrival meant an influx of experience and creative energy, the value of which can hardly be exaggerated.”
xxx/ellauri193.html on line 600: Well, first of all, everything can be exaggerated, so calm down a little, Karl Ragnar Gierow. But also there’s a tone here that doesn’t sit well with me. Certainly the literary world has a tendency to calcify—the people who have enough time to write books tend to be from the upper classes, so literature’s concerns and perspectives invariably get narrow without new blood. But those sidebar reassurances that working-class poets aren’t here to ravage and plunder seem nervous and uptight, and not really reassuring to boot. It seems to me that we want a little ravagement and plunder in our literary traditions. Why else would we welcome a stirring new voice, if it didn’t stir us up a little? And if it doesn’t stir us up, is it really a new voice, even if it comes from a place most of us haven’t visited? “To determine an author and his work against the background of his social origin and political environment is, at present, good form,” the speech continues, and that’s OK as far as it goes. But if you’re going to decide that two authors are tied for literary merit, surely we can find some criterion besides their socioeconomic origin stories.
xxx/ellauri193.html on line 812: The death penalty is often used within skewed justice systems. The weight of the death penalty is disproportionally carried by those with less advantaged socio-economic backgrounds or belonging to a racial, ethnic or religious minority.
xxx/ellauri195.html on line 31: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Agricola
xxx/ellauri195.html on line 32: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Vitun vitun vittu
xxx/ellauri199.html on line 31: background:#2c4758;text-align:center;margin-top:0%;margin-bottom:0%">Neptune
xxx/ellauri199.html on line 32: background:#2c4758;text-align:center;margin-top:0%;margin-bottom:0%">Hello Poetry
xxx/ellauri200.html on line 31: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Hergé
xxx/ellauri200.html on line 32: background:white;text-align:center;margin-top:0%;margin-bottom:0%">I am levitating now
xxx/ellauri201.html on line 31: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Isokukko Uljas
xxx/ellauri201.html on line 32: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Meninas do pinup
xxx/ellauri202.html on line 30: background:#fcc58c;text-align:center;margin-top:0%;margin-bottom:0%">ROGER MARTIN DU GARD
xxx/ellauri202.html on line 31: background:#fcc58c;text-align:center;margin-top:0%;margin-bottom:0%">Hiljaa virtaa jaaritus
xxx/ellauri208.html on line 33: background:red;text-align:center;margin-top:0%;margin-bottom:0%">Näkyip
Nahkapouz
xxx/ellauri208.html on line 34: background:red;text-align:center;margin-top:0%;margin-bottom:0%">Middag-kuja
xxx/ellauri209.html on line 32: background:#474342;text-align:center;margin-top:0%;margin-bottom:0%">Frederick McCubbin
xxx/ellauri209.html on line 33: background:#474342;text-align:center;margin-top:0%;margin-bottom:0%">On the Wallaby Track
xxx/ellauri212.html on line 33: background:#5b3039;text-align:center;margin-top:0%;margin-bottom:0%">JOHN LODWICK
xxx/ellauri212.html on line 34: background:#5b3039;text-align:center;margin-top:0%;margin-bottom:0%">AMOR ME DIO LA DESPEDIDA
xxx/ellauri215.html on line 33: background:white;text-align:center;margin-top:0%;margin-bottom:0%">TH. KITTELSEN
xxx/ellauri215.html on line 34: background:white;text-align:center;margin-top:0%;margin-bottom:0%">TROLLET PÅ KARL JOHAN
xxx/ellauri218.html on line 34: background:peru;text-align:center;margin-top:0%;margin-bottom:0%">Naurunappula
xxx/ellauri218.html on line 35: background:peru;text-align:center;margin-top:0%;margin-bottom:0%">KUOLEMAN KUNNARI
xxx/ellauri224.html on line 32:
xxx/ellauri224.html on line 35: background:cyan;text-align:center;margin-top:0%;margin-bottom:0%">SMORE
xxx/ellauri224.html on line 38: background:peru;text-align:center;margin-top:0%;margin-bottom:0%">KUOLEMA JAUHONAAMOILLE
xxx/ellauri224.html on line 444: There important historical antecedents that may help us figure out the true reasons of the charming beauty of Ukranian women. Ukraine is a very special country which is located nearly in the centre of Europe. Therefore, it has always been the point of intersection between different cultures and nations. It has been largely affected by both, the West and the East. The trade routes that were used by the ancient and middle ages merchants ran through the territory of the modern-day Ukraine. Thus, nations such as the Nordic Vikings and Southern Greeks met each other en route to their destinations towns and ports. They made their way through Ukraine. Eastern tribes of the Pechenegs, Kipchaks and even Mongols have all contributed to the modern beauty of the Ukranian women. Afterwards, it was largely affected by Russia which also has very beautiful women. During the past century, lots of European nations managed to leave their scumbags in the Ukraine. So, this is the historical background which helps us realise that the current beauty of the Ukranian women is attributed to the mixture of very different nations from two different parts of the world.
xxx/ellauri225.html on line 32: background:peru;text-align:center;margin-top:0%;margin-bottom:0%">URSULA KRÖBER L. G.
xxx/ellauri225.html on line 33: background:gold;text-align:center;margin-top:0%;margin-bottom:0%">2x haarautuva halko
xxx/ellauri227.html on line 32: background:lightblue;text-align:center;margin-top:0%;margin-bottom:0%">КАМИЛЛА ЛЭКБЕРГ
xxx/ellauri227.html on line 33: background:lightblue;text-align:center;margin-top:0%;margin-bottom:0%">IS PRINSESSA
xxx/ellauri227.html on line 344: Despite the titillating title, there's no sex to speak of in Marklund's second thriller featuring Swedish reporter Annika Bengtzon. The events in this book precede those in The Bomber, which introduced Annika as a successful newspaper editor. Here we see her eight years earlier, working as a summer intern at the same Stockholm paper. A young stripper's body is found in a city park, and as Annika and her colleagues investigate, they discover some strange links between the murder, high-ranking Swedish officials, and an illegal espionage operation long since disbanded. Meanwhile, Annika is struggling with a clingy boyfriend and learning the ins and outs of reporting in a competitive environment. These struggles are more compelling than the crimes she is investigating, and the action tends to move at a snail's pace until the rushed climax. However, fans of The Bomber will enjoy a second dose of spunky Annika and the realistic newsroom scenes. An author's note gives helpful background information on Swedish politics and the real-life inspiration for the story.
xxx/ellauri228.html on line 32: background:green;text-align:center;margin-top:0%;margin-bottom:0%">CHICKEN CACCIATORE &CO
xxx/ellauri228.html on line 33: background:green;text-align:center;margin-top:0%;margin-bottom:0%">HEI BEIBI,
MÄ OON
TULLA!
xxx/ellauri229.html on line 32: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Harry Bosch
xxx/ellauri229.html on line 33: background:black;text-align:center;margin-top:0%;margin-bottom:0%">6-SEAT CHRONOBUS
xxx/ellauri229.html on line 65:
xxx/ellauri229.html on line 117:
xxx/ellauri230.html on line 32: background:grey;text-align:center;margin-top:0%;margin-bottom:0%">"Kustu" Ramstedt
xxx/ellauri230.html on line 33: background:grey;text-align:center;margin-top:0%;margin-bottom:0%">MUISTINVARAISESTI NIPPONISTA
xxx/ellauri230.html on line 341: In October 2021, NBC sports reporter Kelli Stavast was interviewing racing driver Brandon Brown, the winner of the Sparks 300 race at the Talladega Superspeedway, on his win. In the background of the interview were chants of “Fuck Joe Biden” from the crowd – which Stavast mistook for chants of “Let’s Go Brandon,” and reported it live on-air as such. The use of “dark” in referring to political candidates actually first came from supporters of Donald Trump in March of this year. Supporters coined the phrase and Twitter hashtag #DarkMAGA – a reference to the Make America Great Again slogan – to represent a Trump running for president in 2024 who abandoned all political norms.
xxx/ellauri231.html on line 32: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Wikipedia
xxx/ellauri231.html on line 33: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Töhnä-kerhon jälkeenjääneet paperit
xxx/ellauri232.html on line 32: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Ung Wallenberg
xxx/ellauri232.html on line 33: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Feminism underifrån
xxx/ellauri232.html on line 99: If social claims appeal to the people's struggle with poverty and inequality, nationalism offers an encompassing narrative, an identity that blurs the lines of social classes and hides the social fractures that created this very problem. While Fascism promises to protect workers, studies show how Workers' conditions worsened severely during fascist times, something that can also be seen in the strong ultraliberal component most of the 'new far right', and of the dubious democratic credentials of of neoliberalism, devoid of the philosophical background of political liberalism. Nationalism gives the two great enemies behind the woes of people: foreigners, and immigrants. The external enemy, the internal enemy. Both combined ensure that no one is paying attention at inequality or working and living conditions.
xxx/ellauri233.html on line 32: background:white;text-align:center;margin-top:0%;margin-bottom:0%">MICAEL DAHLEN
xxx/ellauri233.html on line 33: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Våga drömma
xxx/ellauri233.html on line 201:
xxx/ellauri234.html on line 32: background:#990000;text-align:center;margin-top:0%;margin-bottom:0%">VILLI LÄNSIÖ JA ESA SAARINEN
xxx/ellauri234.html on line 33: background:#990000;text-align:center;margin-top:0%;margin-bottom:0%">TÖRNI KÄRJESSÄ
xxx/ellauri235.html on line 32: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Willy Wanker
xxx/ellauri235.html on line 33: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Kävin kirjastossa
Suklaaosastossa
xxx/ellauri237.html on line 32: background:teal;text-align:center;margin-top:0%;margin-bottom:0%">Pablo Basoalto
xxx/ellauri237.html on line 33: background:teal;text-align:center;margin-top:0%;margin-bottom:0%">THIS SUCKS
xxx/ellauri237.html on line 388:
xxx/ellauri239.html on line 33: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Lao Rui
xxx/ellauri239.html on line 34: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Kummastuxen avonainen ovi
xxx/ellauri239.html on line 122:
xxx/ellauri250.html on line 39: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Kaksplus
xxx/ellauri250.html on line 40: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Suku on pahin
xxx/ellauri251.html on line 38: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Algernon Swinburne
xxx/ellauri251.html on line 39: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Gjenganger
xxx/ellauri252.html on line 38: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Hans von Blixt
xxx/ellauri252.html on line 39: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Mondo Cane
xxx/ellauri253.html on line 38: background:black;text-align:left;margin-top:0%;margin-bottom:0%">UNTO
REMES
xxx/ellauri253.html on line 39: background:black;text-align:center;margin-top:0%;margin-bottom:0%">KREMLIN
NYRKISTÄ
xxx/ellauri255.html on line 38: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Nasha Darya
xxx/ellauri255.html on line 39: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Vienanlahdelta Laatokkaan
xxx/ellauri259.html on line 38: background:#aa9f83;text-align:center;margin-top:0%;margin-bottom:0%">Yrjö Larmola
xxx/ellauri259.html on line 39: background:#aa9f83;text-align:center;margin-top:0%;margin-bottom:0%">Vapauden ongelma
xxx/ellauri261.html on line 38: background:#aa9f83;text-align:center;margin-top:0%;margin-bottom:0%">LIISA PARTANEN
xxx/ellauri261.html on line 39: background:#aa9f83;text-align:center;margin-top:0%;margin-bottom:0%">HYMINÄÄ
xxx/ellauri265.html on line 38:
xxx/ellauri265.html on line 39: background:#fba375;text-align:center;margin-top:0%;margin-bottom:0%">Samuli Kukko
xxx/ellauri265.html on line 40: background:#fba352;text-align:center;margin-top:0%;margin-bottom:0%">PUHUKAA BANAANIIN
xxx/ellauri268.html on line 38: background:#e3d2b8;text-align:right;margin-top:0%;margin-bottom:0%">Kuinka valloittaa veitikka
xxx/ellauri268.html on line 39: background:#e3d2b8;text-align:right;margin-top:0;margin-bottom:0%">Svetlana Moskovasta
xxx/ellauri273.html on line 38: background:lightgrey;text-align:left;margin-top:0%;margin-bottom:0%">Veripalttua
Guate
malassa
xxx/ellauri273.html on line 39: background:white;text-align:center;padding-right:2em;margin-top:0%;margin-right:2px;margin-bottom:0%">M.A. Asturias
xxx/ellauri280.html on line 36: background:white;text-align:center;margin-bottom:0%">Ken Follett
xxx/ellauri280.html on line 37: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Joka kynsi halkesi
xxx/ellauri281.html on line 36: background:#9da1ad;text-align:center;margin-bottom:0%">Postinen
xxx/ellauri281.html on line 37: background:#9da1ad;text-align:center;margin-top:0%;margin-bottom:0%">Påskägg
xxx/ellauri281.html on line 540:
xxx/ellauri286.html on line 36: background:#921e1f;text-align:center;margin-bottom:0%">Sofi Oxenan
xxx/ellauri286.html on line 37: background:#921e1f;text-align:center;margin-top:0%;margin-bottom:0%">Stalinin lehmä
xxx/ellauri286.html on line 426:
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xxx/ellauri287.html on line 283:
xxx/ellauri287.html on line 329:
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xxx/ellauri289.html on line 36: background:#7f8b7d;text-align:center;margin-bottom:0%">KERTTU JUVA
xxx/ellauri289.html on line 37: background:#561e27;text-align:center;margin-top:0%;margin-bottom:0%">MASULAN PERITA
xxx/ellauri291.html on line 36: background:yellow;text-align:center;margin-bottom:0%">ENSIARVOISEN TÄRKEÄÄ
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STAR TREK
xxx/ellauri292.html on line 130: “Michelle, utang na loob, may anak akong babae, may mga kapatid akong babae. Mahirap lang kami Michelle, sa bukid lang, alam mo background ng family ko,” Super Tekla said as he denied the accusations.
xxx/ellauri292.html on line 131: (Michelle, I beg you, I have a daughter, I have sisters, We are only poor, living in a farm, you know my family background.)
xxx/ellauri293.html on line 36: background:#ffffe6;padding-right:1em;text-align:right;margin-top:0%;margin-bottom:0%">ElvenaR
xxx/ellauri293.html on line 247:
xxx/ellauri295.html on line 37: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Merlin
xxx/ellauri295.html on line 38: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Tintagel
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xxx/ellauri296.html on line 37: background:white;text-align:center;margin-top:0%;margin-bottom:0%">JOSHUA
xxx/ellauri296.html on line 38: background:white;text-align:center;margin-top:0%;margin-bottom:0%">ESINAHKAKUKKULA
xxx/ellauri298.html on line 37: background:white;text-align:center;margin-top:0%;margin-bottom:0%">EHRLICH WARTEGG
xxx/ellauri298.html on line 38: background:white;text-align:center;margin-top:0%;margin-bottom:0%">SYYLÄMUNATESTI
xxx/ellauri303.html on line 37: background:black;text-align:center;margin-top:0%;margin-bottom:0%">JEHOVAN IHMISSUHDE
xxx/ellauri303.html on line 38: background:black;text-align:center;margin-top:0%;margin-bottom:0%">Izec Hersz Zynger (writer)
xxx/ellauri304.html on line 37: background:white;text-align:left;margin-top:0%;margin-bottom:0%">Tyhmyyden Ylistys
xxx/ellauri304.html on line 38: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Warren Murphy (writer)
xxx/ellauri304.html on line 426: Colorful background.
xxx/ellauri304.html on line 430: But those five -- plot, hero, motivation, action, background -- are the basic big ideas you need to move ahead with your story, so they are the things you should be kicking around, and not these six, by Ruthanne Reid.
xxx/ellauri305.html on line 37: background:#fff1da;text-align:center;margin-top:0%;margin-bottom:0%">Теодор Драйзер
xxx/ellauri305.html on line 38: background:#fff1da;text-align:center;margin-top:0%;margin-bottom:0%">Американская трагедия
xxx/ellauri306.html on line 38: background:#fff1da;text-align:center;margin-top:0%;margin-bottom:0%">Peter Schwartz (writer)
xxx/ellauri306.html on line 39: background:#fff1da;text-align:center;margin-top:0%;margin-bottom:0%">Ilkeyden ylistys
xxx/ellauri307.html on line 38: background:magenta;text-align:center;margin-top:0%;margin-bottom:0%">Walt Disney
xxx/ellauri307.html on line 39: background:magenta;text-align:center;margin-top:0%;margin-bottom:0%">PRINSSINNAKKEJA
xxx/ellauri312.html on line 24: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Hummeripoika
xxx/ellauri312.html on line 25: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Syntymästä lautaselle
xxx/ellauri314.html on line 25: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Seng-Zan
xxx/ellauri314.html on line 26: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Känslor i kroppen
xxx/ellauri319.html on line 33: background:black;text-align:leftt;margin-top:0%;margin-bottom:0%">Trölli eli Allu Tuppurainen
xxx/ellauri319.html on line 34: background:black;text-align:left;margin-top:0%;margin-bottom:0%">Omituisten Otusten Kerho
xxx/ellauri319.html on line 686:
xxx/ellauri320.html on line 25: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Ole Oma Paras Ystäväsi
xxx/ellauri320.html on line 26: background:lightyellow;text-align:center;margin-top:0%;margin-bottom:0%">"Haj" Ross
xxx/ellauri329.html on line 25: background:white;text-align:center;margin-top:0%;margin-bottom:0%">David Bezogis
xxx/ellauri329.html on line 26: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Natasha
Mail order bride...
xxx/ellauri337.html on line 37: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Heinrich Böll
xxx/ellauri337.html on line 38: background:white;text-align:center;margin-top:0%;margin-bottom:0%">Gruppenbild mit Damen
xxx/ellauri354.html on line 34: background:beige;margin-top:0%;margin-bottom:0%;padding-right:5%">Gabi
Garciá Márquez
xxx/ellauri354.html on line 35: background:beige;margin-top:0%;margin-bottom:0;padding-right:0%">Memoria de
mis cojones tristes
xxx/ellauri356.html on line 34: background:red;margin-top:0%;margin-bottom:0%;padding-right:5%;padding-bottom:20px">Eva Maria Korsisaari
xxx/ellauri356.html on line 35: background:red;margin-top:0%;margin-bottom:0;padding-right:5%">Tule käteeni
xxx/ellauri357.html on line 34: background:#ead5b6;margin-top:0%;margin-bottom:0%;padding-right:5%;padding-bottom:20px">Hannu Sivenius
xxx/ellauri357.html on line 35: background:#ead5b6;margin-top:0%;margin-bottom:0;padding-right:5%;padding-bottom:0%">AVAUTUA SOLMUUN
xxx/ellauri358.html on line 34: background:#fdfff4;margin-top:0%;margin-bottom:0%;padding-right:5%;padding-bottom:20px">HANNU HARJU
xxx/ellauri358.html on line 35: background:#fdfff4;margin-top:0%;margin-bottom:0">esittää
xxx/ellauri358.html on line 36: background:#fdfff4;margin-top:0%;margin-bottom:0;padding-right:5%;padding-bottom:0%">HALOT
xxx/ellauri361.html on line 34: background:black;margin-top:0%;margin-bottom:0%;padding-right:5%;padding-bottom:20px">Paxu Lexa
xxx/ellauri361.html on line 35: background:black;margin-top:0%;margin-bottom:0;padding-right:5%;padding-bottom:0%">Ylösnousemus
xxx/ellauri363.html on line 32: background:white;margin-top:0%;margin-bottom:0%;padding-bottom:20px">Hannes Heikinheimo
xxx/ellauri363.html on line 33: background:white;margin-top:0%;margin-bottom:0%">ROTU JA ENNAKKOLUULO
xxx/ellauri366.html on line 32: background:#ba2174;margin-top:0%;margin-bottom:0%;padding-bottom:20px">Hannu Mäkelä
xxx/ellauri366.html on line 33: background:#ba2174;margin-top:0%;margin-bottom:0%">HERRA HUU
xxx/ellauri376.html on line 30: background-color:#34afd1;color:#6c414b;text-align:center;margin-top:0%;margin-bottom:0%">JAG, OLLE OCH PENSÉ
xxx/ellauri376.html on line 32: background-color:#ac926f;text-align:center;margin-top:0%;margin-bottom:0%">HASSE ÅSKVIGG
xxx/ellauri376.html on line 895: background-color:beige">
xxx/ellauri379.html on line 30: background-color:#5C4033;text-align:center;margin-top:0%;margin-bottom:0%">Ford Coppola
xxx/ellauri379.html on line 32: background-color:#5C4033;text-align:center;margin-top:0%;margin-bottom:0%">Pepun hajua
xxx/ellauri380.html on line 30: background-color:black;text-align:center;margin-top:0%;margin-bottom:0%">JALLU
xxx/ellauri380.html on line 32: background-color:#5C4033;text-align:center;margin-top:0%;margin-bottom:0%">Emmi Kastehelmi ja Joel Laikka
xxx/ellauri385.html on line 42: background-color:black;text-align:center;margin-top:0%;margin-bottom:0%">Mötley Crüe
xxx/ellauri385.html on line 43:
1980
xxx/ellauri385.html on line 44: background-color:red;text-align:center;margin-top:0%;margin-bottom:0%">törkyä
xxx/ellauri387.html on line 41: background-color:purple;text-align:center;margin-top:0%;margin-bottom:0%">JAN GUILLOU
xxx/ellauri387.html on line 42: background-color:purple;text-align:center;margin-top:0%;margin-bottom:0%">Vägen till Moskau
xxx/ellauri387.html on line 140: Gunnar Gunnarsson is one of Iceland's most esteemed writers. From a poor peasant background, Gunnar moved to Denmark in 1907 to get an education. He wrote mainly in Danish throughout his career, in order to reach a wider audience. He wrote Vargur í Vjeum in 1917.
xxx/ellauri388.html on line 37: background:#f4f3ef;text-align:center;margin-bottom:0%">Mika Waltari
xxx/ellauri388.html on line 38: background:#f4f3ef;color:black;text-align:center;margin-top:0%;margin-bottom:0%">Puhdas ihannes
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