Tonto's horse was called Scout. When the Lone Ranger shouted "Hi-ho, Silver-away!" Tonto would mumble "Get-um up, Scout".

“No such theory has been found in even the most voluminous and learned histories of economic theories, including J.A. Schumpeter’s monumental 1,260-page History of Economic Analysis. Yet this non-existent theory* has become the object of denunciations from the pages of the New York Times and the Washington Post to the political arena. It has been attacked by Professor Paul Krugman of Princeton and Professor Peter Corning of Stanford, among others, and similar attacks have been repeated as far away as India. It is a classic example of arguing against a caricature instead of confronting the argument actually made.”
xxx/ellauri085.html on line 445: The reality of incentive based economics is that by lowering the tax rates on future profitable activity will divert huge amounts of cash today into unproductive passive investments, and to such investments that eat away jobs and support accumulation of wealth.
xxx/ellauri085.html on line 446: That is NOT cash somehow spared from today’s taxes and diverted out of anyone’s income today. It IS cash taken out of bank accounts and passive investments TODAY, in multiples many times larger than the tax reductions involved, and invested TODAY in ways that get away with jobs and higher levels of economic gain in the FUTURE; money that would have continued to sit idle and unproductive without the incentive based tax policies.
xxx/ellauri085.html on line 466: It works well for a small rich elite, but for the majority and more importantly for the national economy? Well it has never worked in the past why assume that it would work now? This is a con perpetuated by the wealthy elite to keep more of the money they earn and give less of it to the government. Concentrating wealth in the hands of a few is actually really really bad for the economy. Less of it circulates. The poor/middle classes tend to spend everything they get, they can't not, they just have less disposable income. It tends to go on food, rent and essentials. If they don't have enough money to spend because a greater slice of the pie is tied up in fewer hands they don't have as much to spend and less money circulates through the economy. That is bad. They don't squirrel it away in the Bahamas or Swiss bank accounts or spend it on a second Ferrari Testarossa. They don't have that luxury. The myth of trickle down economics was discredited years ago.
xxx/ellauri086.html on line 430: And indeed you did. I thought that you would rue it; He used to strip her mask away.
xxx/ellauri086.html on line 665: Following her release from prison, Hester settles in a cottage at the edge of town and earns a meager living with her needlework, which is of extraordinary quality. She lives a quiet, somber life with her daughter, Pearl, and performs acts of charity for the poor. She is troubled by her daughter´s unusual fascination with the scarlet "A". The shunning of Hester also extends to Pearl, who has no playmates or friends except her mother. As she grows older, Pearl becomes capricious and unruly. Her conduct starts rumors, and, not surprisingly, the church members suggest Pearl be taken away from Hester.
xxx/ellauri087.html on line 507: a time to keep and a time to throw away,
xxx/ellauri103.html on line 218: As for the culture police’s obsession with “authenticity,” fiction is inherently inauthentic. It’s fake. It’s self-confessedly fake; that is the nature of the form, which is about people who don’t exist and events that didn’t happen. The name of the game is not whether your novel honours reality; it’s all about what you can get away with. Well mine is anyway, I don't know about you. I try to get away with anything that is not nailed or welded fast.
xxx/ellauri103.html on line 220: In his 2009 novel Little Bee, Chris Cleave, who as it happens is participating in this festival, dared to write from the point of view of a 14-year-old Nigerian girl, though he is male, white, and British. I’ll remain neutral on whether he “got away with it” in literary terms, because I haven’t read the book yet. But most likely it is drivel. I love it!
xxx/ellauri103.html on line 221: But in principle, I admire his courage – if only because he invited this kind of ethical forensics in a review out of San Francisco: “When a white male author writes as a young Nigerian girl, is it an act of empathy, or identity theft?” the reviewer asked. “When an author pretends to be someone he is not, he does it to tell a story outside of his own experiential range. But he has to in turn be careful that he is representing his characters, not using them for his plot.” Depends on who gets the money, I'd say. Chris Cleave hardly gave it all away to poor Nigerian gals.
xxx/ellauri103.html on line 229: I’m hoping that crime writers, for example, don’t all have personal experience of committing murder. Me, I’ve depicted a high school killing spree, and I hate to break it to you: I’ve never shot fatal arrows through seven kids, a teacher, and a cafeteria worker, either. We make things up, we chance our arms, sometimes we do a little research, but in the end it’s still about what we can get away with – what we can put over on our readers. And it is surprisingly easy, you wouldnt believe what the idiots are ready to swallow, especially if it agrees with their own prejudice.
xxx/ellauri103.html on line 257:

I’m from a small rural community, and ev’rybody who lived in my neighborhood, if you want to call it that, were relatives.  We called it “the circle,” and our house was there, my grandmother’s house was there, an aun’ an’ uncle who were childless lived there, and (uh) a couple of aunts an’ uncles who had children.  There were five female cousins, an’ in the summertime we hung out together all day long from early until late.  In my grandmother’s yard was a maple tree, and the five of us developed that into our apartment building.  Each of us had a limb, and [small laugh] the less daring cousins took the lo’er limbs, and I and another cousin a year younger than I always went as far to the top as we could, an’ we– we were kinda derisive of those girls who stayed with the lower limbs.  We had front doors an’ back doors.  The front door was the — the limb — were the limbs on the front, that were nearest (um) the boxwood hedge.  And the grass was all worn away in that area.  An’ then the back doorwa–was on the back side of the tree, an’ you could only enter the front an’ exit from the rear.  And that had to be done by swinging off a limb that was fairly high off the ground, and (um) my cousin Belinda and I had no problem with that, but the other girls — that was always somethin’ we had to coax them into doin’.  But still, you entered the front, you left the rear.  We (um) ate our lunches together.  When it was lunchtime — an’ our mothers always cooked lunch in the summertime ’cause they didn’ want to be in the hot kitchen at night.  So we would just take our (um) — go home, an’ we’d load our plates with all the vegetables an’ the cornbread, an’ get our glasses of milk or ice tea or whatever we were havin’, an’ we would head for somebody’s yard, where we would all sit down an’ eat together.  It was just an institution:  lunch in somebody’s yard.  An’ if you wanted to go home for a second helping– sometimes that was quite a little walk, but it was worth it, because that was our thing, having lunch together, every day.  (Um) We gathered at my grandmother’s on Sundays.  All my aunts would get those chairs, form a circle.  (Uh) One crocheted.  (Uh) Most of them just sat an’ talked, an’ we girls hung out for the main part with the women.  (Uh) The men would gather around the fish pond, which was in a side yard.  It was (um) — it was kind of a rock (um) pond that my granddaddy had, had built.  There was a ir’n pipe in the middle, an’ when he went fishin’, he would put his catch in there.  Or he caught a mud turtle, he’d put it in there.  An’ there it stayed until it was time to kill it an’ cook it, whatever it was.  The pipe in the middle had water that sprayed up all the time.  There was a locust tree near there, an’ that’s where we girls picked the leaves an’ the thorns to make the doll clothes out o’ the locust.  It’s where we always ate the watermelon.  We always had to save the rind, an’ we always had to leave some pink on that rind, because my grandmother made watermelon pickles out o’ that rind.  I hated the things.  I thought they were the worst things I ever put in my mouth.  But ever’body else thought watermelon pickles were just a great delicacy.  That was also around the time that ev’rybody grew gladiolias [sic] an’ I thought they were the ugliest flower I’d ever laid my eyes on, but ever’body had gladiolias.  ‘Course now I’ve come to appreciate the gladiolia, but back then I had absolutely no appreciation for it.  It was also where we made (uh) ice cream, (uh) on the front porch.  We made ice cream on Sunday afternoons.  I had an aunt who worked in the general mercantile business that my family owned, an’ she was only home on Sunday, so she baked all day:  homemade rolls an’ cakes.  And so, she made cakes an’ we made ice cream, an’ ever’body wan’ed to crank, of course.  (Um) That was just a big treat, to get to crank that ice cream.  It was jus’ our Sunday afternoon thing, an’ I, I think back on it.  All the aunts would sit around an’ they’d talk, an’ they’d smoke.  Even if you never saw those ladies smoke, any other time o’ the week.  On Sunday afternoon when we all were gathered about in gran- in granny’s yard, they’d have a cigarette.  Just a way of relaxing, I suppose.  The maple tree’s now gone.  In later years, it was thought the maple tree, our apartment building, was shading the house too much an’ causing mildew, so it was removed at some point.  And I don’t, to this day, enjoy lookin’ (uh) into that part o’ the yard. …

xxx/ellauri103.html on line 346: My own mother, as we walked away from the tent, suggested that perhaps I was being too sensitive. Perhaps … or perhaps that is the result of decades of being told to be quiet, and accept our place. So our conversation then turned to intent. What was Shriver’s intent when she chose to discuss her distaste for the concept of cultural appropriation? Was it to build bridges, to further our intellect, to broaden horizons of what is possible?
xxx/ellauri104.html on line 77: The 1968 version contained 100 disorders, In 1979, the third edition shifted away from psychoanalytic emphasis, contained over 200 diagnostic categories, and introduced some silly idea called multi-axial system, which was thrown out in version 5. The term "retard" is generally no longer used, as it is considered insensitive. The more common term now is “intellectual disability”, or just "dumb".
xxx/ellauri114.html on line 335: Realizing they needed separate pasturelands because their herds would now be too large for them to remain together, Esau took his Canaanite wives and all he owned and moved some distance away into the hill country of Seir, east and south of the Dead Sea, just south of Moab and Israel. Later, the Lord told Moses He had given this land to Esau and his descendants. (Deut 2:5).
xxx/ellauri114.html on line 355: Bozrah was the capitol of Edom. It’s name can either mean sheepfold or fortress. It’s often associated with the abandoned city of Petra, which is only twenty miles away.
xxx/ellauri114.html on line 357: Combining these prophecies we have the anti-Christ, now indwelt by Satan, determined to rid the world of God’s people once and for all. Heeding the Lord’s 2,000 year old warning, the believing remnant will flee to the mountains of Edom where the city of Petra has been standing empty for centuries, as if in preparation. The phrase “wings of a great eagle” in Rev. 12:14 is reminiscent of Exodus 19:4 where the Lord used the same phrase to describe the way he delivered Israel from the Egyptians. This implies the same kind of supernatural assistance, such as when Satan spews out a river of water to sweep the woman away. But the Lord will open the earth to swallow the river and save the woman. This will enrage Satan, but he will leave the woman and go after other followers of Jesus (Rev. 12:15-17).
xxx/ellauri120.html on line 229: Following her release from prison, Hester settles in a cottage at the edge of town and earns a meager living with her needlework, which is of extraordinary quality. She lives a quiet, somber life with her daughter, Pearl, and performs acts of charity for the poor. She is troubled by her daughter's unusual fascination with the scarlet "A". The shunning of Hester also extends to Pearl, who has no playmates or friends except her mother. As she grows older, Pearl becomes capricious and unruly. Her conduct starts rumors, and, not surprisingly, the church members suggest Pearl be taken away from Hester.
xxx/ellauri122.html on line 139: Koirat ovat olleet vuosisatoja kirjailijoiden parhaita tukijoita, koska ne eivät arvostele – Taina Haahtia inspiroi coton de tuléar, Stephen Kingiä corgit, Virginia Woolfia cockerspanieli, Schopenhaueria sarja villakoiria nimeltä Atman. Goethen Mefisto oli villakoira myös. Diogenes oli ize kyynikko. Tekoäly oppii tunnistamaan sarkasmin. Totally! on dead giveaway. Ironinen Sokrates sanoi Ne ton kyna! Koira vieköön. Koppava mutta typerä homo Oscar Wilde sanoi että sarkasmi on läpän alin muoto.
xxx/ellauri122.html on line 1083:
xxx/ellauri123.html on line 985: lubricities are never far away; in the initial
xxx/ellauri124.html on line 111: EX Dolls have been working on a robotics head since 2014, but we're generations away from a Terminator-style cyborg," he also explained. "They will have an element of natural conversation so they won't sound too robotic, but they will take time – languages are massive [...] the voice recognition is no different to a smartphone, but this model also has facial expressions, unlike standard silicone heads." The DS Doll's manufacturers are hoping to release a finalised robotic head by the end of 2018. It is expected to cost around £4,500. Just in case you were wondering, underneath the silicon skin it looks like this. "
xxx/ellauri126.html on line 311: The ideas Chopra promotes have regularly been criticized by medical and scientific professionals as pseudoscience. The criticism has been described as ranging "from the dismissive to...damning". Philosopher Robert Carroll writes that Chopra, to justify his teachings, attempts to integrate Ayurveda with quantum mechanics. Chopra says that what he calls "quantum healing" cures any manner of ailments, including cancer, through effects that he claims are literally based on the same principles as quantum mechanics. This has led physicists to object to his use of the term "quantum" in reference to medical conditions and the human body. Evolutionary biologist Richard Dawkins has said that Chopra uses "quantum jargon as plausible-sounding hocus pocus". Chopra's treatments generally elicit nothing but a placebo response and have drawn criticism that the unwarranted claims made for them may raise "false hope" and lure sick people away from legitimate medical treatments.
xxx/ellauri126.html on line 532: Narsisteja on mahdoton erottaa muuten vaan kusipäistä, koska oireet ovat samat, vaihtelee vaan kantavierrevahvuus. Eikä ole selvää kumpi on narsisti ja kumpi uhri koska molemmat on narsisteja, ja voivat vieläpä vaihtaa roolia kuin Abbot ja Costello. Who's on first? Tarvitaan nöyryyttä ja muutoshalua, ja niitähän ei narsistilta löydy. Jos kyky nauttia yxinolosta on kunnossa, et voi olla narsisti. Tyydyttämättömän rakkaudennälän aiheuttama ahdistus housujen etumustassa on dead giveaway. Narsisti hivuttaa sortsin kaulusta alemmas, kuuluu DOJONGJONG ja vipsis on jättestor ståkuk juhlakunnossa.
xxx/ellauri127.html on line 522: Like Bassanio, he is willing to prefer Antonio’s life to his newly-acquired wife’s. The law-clerk manages to convince him to give his wedding ring as a gift of thanks in return, which leads to some problems on his return to Belmont, as he had sworn to Nerissa that he would never remove it. He gives away that Bassanio has done much the same.
xxx/ellauri127.html on line 622: On awakening he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper, instantly and eagerly wrote down the lines that are here preserved. At this moment he was unfortunately called out by a person on business from Porlock, and detained by him above an hour, and on his return to his room, found, to his no small surprise and mortification, that though he still retained some vague and dim recollection of the general purport of the vision, yet, with the exception of some eight or ten scattered lines and images, all the rest had passed away like the images on the surface of a stream into which a stone has been cast, but, alas! without the after restoration of the latter!
xxx/ellauri127.html on line 719: However, Endymion, the "brain-sick shepherd-prince" of Mt. Latmos, is in a trancelike state, and not participating in their discourse. His sister, Peona (Fanny), takes him away and brings him to her resting place where he sleeps. After he wakes, he tells Peona of his encounter with Cynthia (Fanny B.), and how much he loved her. The poem is divided into four books, each approximately 1,000 lines long. TLDR, quips Peona. 
xxx/ellauri127.html on line 762: Mine host’s sign-board flew away, emännän merkkihousut lennähti kuin turtana
xxx/ellauri127.html on line 780: Maybe the bar was very dear to him. ‘Mine host's sign-board flew away’ is a rhetoric figure used as a synecdoche. Synecdoche is a poetic device where a part is mentioned to speak for the whole. He says that the ‘sign board flew away’ instead of saying that the tavern had closed (1818). Lähde
xxx/ellauri128.html on line 519: Bukowskin tarinat kertovat lähes aina elämän laitapuolesta ja niiden tematiikka liikkuu yksinäisyyden ja ulkopuolisuuden tunteissa. Hän kirjoitti paljon vaikeasta isäsuhteestaan, parhaana esimerkkinä omaelämäkerrallinen kasvuromaani Siinä sivussa (Ham on Rye, 1982). Tarinoiden päähenkilönä on usein Bukowskin alter ego, Henry Chinaski: naisiinmenevä mutta naimaton, rähjäinen ja vapaa mies. Kirjallisen tuotantonsa lisäksi Bukowski käsikirjoitti Mickey Rourken ja Faye Dunawayn tähdittämän elokuvan Baarikärpänen (1987). Bukowski kuoli leukemiaan vuonna 1994.
xxx/ellauri129.html on line 617: At age 17, he rebelled against his parents' wishes that he take up a military career, and ran away to Paris. In 1901, his play Chérubin was produced at the Comédie-Française where Cécile Sorel (later the Comtesse de Ségur) made her debut in it. Jules Massenet set Chérubin to music and, in 1905, Mary Garden sang its première at the Opéra de Monte-Carlo.
xxx/ellauri139.html on line 333: Farther away from the castle a man, Porphyro, who loves Madeline more than anything, is making his way to the house. He enters, unseen. If anyone finds him he knows that he will be killed. Madeline’s family hates him and holds his lineage against him. While sneaking through the house he comes upon Angela, one of the servants. He begs her to bring him to Madeline’s chamber so that he might show himself to her that night and solidify himself as her true love. After much complaining, she agrees and hides him until it is time.
xxx/ellauri139.html on line 337: After much convincing Madeline realizes her mistake. Porphyro declares that the two should run away together, since now she knows he is her true love, and escape to a home he has prepared on the “southern moors.” They need to go now while the house is asleep so that her family does not murder him.
xxx/ellauri139.html on line 397: Of old romance. These let us wish away, Mut hei, ne on menneiden talvien vaan lunta,
xxx/ellauri139.html on line 475: “Flit like a ghost away.”—“Ah, Gossip dear, Tee kuin puu ja lähde! - Öh, vanha kirkkovene,
xxx/ellauri139.html on line 638: Her soothed limbs, and soul fatigued away; alkaa tehdä mieli, ja jotain sillinmakusta.
xxx/ellauri139.html on line 770: “Let us away, my love, with happy speed; Lähtää menee, ja vähän äkäseen,
xxx/ellauri139.html on line 800: These lovers fled away into the storm. Rakastavaiset ketkä karkasivat myräkkään.
xxx/ellauri148.html on line 177: The sages said that the only difference between this world and the days of the Messiah will be with regard to the enslavement to the kingdoms. It appears from the plain meaning of the words of the prophets that at the beginning of the days of the Messiah, there will be the war of Gog and Magog. And that prior to the war of Gog and Magog, a prophet will arise to straighten Israel and prepare their hearts, as it is written, Behold, I will send to you Elijah the prophet before the coming of the great and terrible day of the Lord (Mal. 4:5) And he will come not to declare the pure impure, or the impure pure; not to declare unfit those who are presumed to be fit, nor to declare fit those who are held to be unfit; but for the sake of peace in the world….And there are those among the sages who say that prior to the coming of the Messiah will come Elijah. But all these things and their likes, no man can know how they will be until they will be. For they are indistinct in the writings of the prophets. Neither do the sages have a tradition about these things. It is rather, a matter of interpretation of the Biblical verses. Therefore there is a disagreement among them regarding these matters. And in any case, these are mere details which are not of the essence of the faith. And one should definitely not occupy oneself with the matter of legends, and should not expatiate about the midrashim that deal with these and similar things. And one should not make essentials out of them. For they lead neither to fear nor to love [of God]. Neither should one calculate the End. The sages said, “May the spirit of those who calculate the End be blown away” But let him wait and believe in the matter generally, as we have explained.
xxx/ellauri148.html on line 246: 23 "Thus he said: 'The fourth beast shall be A fourth kingdom on earth, Which shall be different from all other kingdoms, And shall devour the whole earth, Trample it and break it in pieces. 24 The ten horns are ten kings Who shall arise from this kingdom. And another shall rise after them; He shall be different from the first ones, And shall subdue three kings. 25 He shall speak pompous words against the Most High, Shall persecute the saints of the Most High, And shall intend to change times and law. Then the saints shall be given into his hand For a time and times and half a time. 26 'But the court shall be seated, And they shall take away his dominion, To consume and destroy it forever. Daniel 7: 23-26
xxx/ellauri148.html on line 254: 13 I was watching in the night visions, And behold, One like the Son of Man, Coming with the clouds of heaven! He came to the Ancient of Days, And they brought Him near before Him. 14 Then to Him was given dominion and glory and a kingdom, That all peoples, nations, and languages should serve Him. His dominion is an everlasting dominion, Which shall not pass away, And His kingdom the one Which shall not be destroyed. Daniel 7:14-14
xxx/ellauri149.html on line 436: The 1973 film has an emotionally charged moment during Everything's Alright, with Jesus gently lifting Judas' chin, the two gripping each other's shoulders, and their arms slowly slipping away from each other, until they clasp hands and have several seconds of intense eye contact.
xxx/ellauri165.html on line 45:
xxx/ellauri165.html on line 322: Greville did not inform Emma of his plan, but instead in 1785 suggested the trip as a prolonged holiday in Naples while he (Greville) was away in Scotland on business, not long after Emma's mother had suffered a stroke. Emma was thus sent to Naples, supposedly for six to eight months, little realising that she was going as the mistress of her host. Emma set off for Naples with her mother and Gavin Hamilton on 13 March 1786 overland in an old coach, and arrived in Naples on her 21st birthday on 26 April.
xxx/ellauri165.html on line 340: The Hamiltons moved into William Beckford's mansion at 22 Grosvenor Square, and Nelson and Fanny took an expensive furnished house at 17 Dover Street, a comfortable walking distance away, until December, when Sir William rented a home at 23 Piccadilly, opposite Green Park. On 1 January, Nelson's promotion to vice admiral was confirmed and he prepared to go to sea on the same night. Infuriated by Fanny's handing him an ultimatum to choose between her and his mistress, Nelson chose Emma and decided to take steps to formalise separation from his wife. He never saw her again, after being hustled out of town by an agent. While he was at sea, Nelson and Emma exchanged many letters, using a secret code to discuss Emma's condition. Emma kept her first daughter Emma Carew's existence a secret from Nelson, while Sir William continued to provide for her.
xxx/ellauri165.html on line 344: Soon after this, the Prince of Wales (later King George IV) became infatuated with Emma, leading Nelson to be consumed by jealousy, and inspiring a remarkable letter by Sir William to Nelson, assuring him that she was being faithful. In late February, Nelson returned to London and met his daughter at Mrs Gibson's. Nelson's family were aware of the pregnancy, and his clergyman brother Rev. William Nelson wrote to Emma praising her virtue and goodness. Nelson and Emma continued to write letters to each other when he was away at sea, and she kept every one. While he was away too, she arranged for her mother to visit the Kidds in Hawarden and her daughter in Manchester.
xxx/ellauri165.html on line 352: Soon afterwards, Sir William collapsed at 23 Piccadilly and on 6 April died in Emma's arms. Charles Greville was the executor of the estate and he instructed her to leave 23 Piccadilly, but for the sake of respectability, she had to keep an address separate from Nelson's and so moved into 11 Clarges Street, not far away, a couple of months later.
xxx/ellauri166.html on line 329: Cast me not away from thy presence; and take not thy holy spirit from me.

xxx/ellauri170.html on line 132: A beautiful woman risking everything for a mad passion. A few wild weeks of happiness cut short by a hideous, treacherous crime. Months of voiceless agony, and then a child born in pain. The mother snatched away by death, the boy left to solitude and the tyranny of an old and loveless man. Yes; it was an interesting background. It posed the lad, made him more perfect, as it were. Behind every exquisite thing that existed, there was something tragic. Worlds had to be in travail, that the meanest flower might blow....
xxx/ellauri170.html on line 170: I don't think much of the dandelion explanation. In the case of a dandelion, it isn't the flower that is blown away by the wind but the seeds. –
xxx/ellauri175.html on line 350: Ikkuna oli jäänyt auki tähtikirkkaaseen yöhön, joka oli jo kalpea idässä; auto lähestyi, sai puiston polkujen hiekan rypistymään. - Hei! mutta he tulevat ottamaan sinut, uskonko? sanoi Edison. They're coming to take you away haha, they're coming to take you away!.
xxx/ellauri176.html on line 90: [Solon], seeing Athens full of young men, with both an instinctual compulsion, and a habit of straying in an inappropriate direction, bought women and established them in various places, equipped and common to all. The women stand naked that you not be deceived. Look at everything. Maybe you are not feeling well. You have some sort of pain. Why? The door is open. One obol. Hop in. There is no coyness, no idle talk, nor does she snatch herself away. But straight away, as you wish, in whatever way you wish. You come out. Tell her to go to hell. She is a stranger to you. You feel relieved, your bollocks are feather light.
xxx/ellauri178.html on line 136: Kakutani reviewed Norman Mailer’s 2006 novel The Gospel According to the Sun, a first-person autobiographical retelling of the Bible from the perspective of Jesus himself. She called it “a silly, self-important and at times inadvertently comical book that reads like a combination of Godspell, Nikos Kazantzakis’ Last Temptation of Christ and one of those new, dumbed-down Bible translations”; Mailer, never one to shy away from a writerly squabble, called Kakutani a “one-woman kamikaze”.
xxx/ellauri179.html on line 115: Venezuela, c. 1875. Abel, a young man of wealth, fails at a revolution and flees Caracas into the uncharted forests of Guayana. Surviving fever, failing at journal-keeping and gold hunting, he settles in an Indian village to waste away his life: playing guitar for old Cla-Cla, hunting badly with Kua-kó, telling stories to the children.
xxx/ellauri179.html on line 157: Pedro Romero is a young, good-looking bullfighting prodigy who is so skillful and beautiful that Kake, no wait, Brett falls in love with him. When Cohn learns of Romero's effect on Brett, he fights him but Romero cleverly evades him with the muleta. Romero and Brett run away together but Brett leaves him soon after when he tries to turn her into a traditional Latina woman.
xxx/ellauri179.html on line 201: Still, the fact that they bring up Hemingway’s Catholicism at all confirmed my own suspicions of a deeper, clear-eyed spiritual sensibility lurking behind all of Hemingway’s naturalistic plots — forcing me to reconsider everything I had previously thought about the man. I see Catholicism as playing a central role in Hemingway’s literary vision and moral landscape. Non-catholics just turn away from the religious clues in his work to focus on his public image, war exploits, and psychological instability — all the while missing that singularly under-reported and significant aspect of Hemingway’s life as a writer: his Catholicism.
xxx/ellauri179.html on line 214: When he won the Nobel Prize for Literature in 1954, he gave away the medal as a votive offering to “Our Lady of Cobre” in Havana.
xxx/ellauri179.html on line 227: Knowing these things does not explain away all the troubling aspects of Hemingway’s egocentric personal life — his public inebriations, domestic abuse, womanizing, and suicide, but it helps me to understand the kinds of people Hemingway admired, their motivations and ideals, and the brave, virtuous person he was attempting to become.
xxx/ellauri179.html on line 298: An unmatched introduction to Hemingway’s particular skill as a writer is the beginning of A Farewell to Arms, certainly one of the most pregnant opening paragraphs in the history of the modern American novel. In that passage the power of concentration reaches a peak, forming a vivid and charged sequence, as if it were a 10-second video summary. It is packed with events and excitement, yet significantly frosty, as if unresponsive and numb, like a silent flashback dream sequence in which bygone images return, pass in review and fade away, leaving emptiness and quietude behind them. The lapidary writing approaches the highest style of poetry, vibrant with meaning and emotion, while the pace is maintained by the exclusion of any descriptive redundancy, of obtrusive punctuation, and of superfluous or narrowing emotive signs:
xxx/ellauri179.html on line 450: “Goddamned wops,” he said and walked away.
xxx/ellauri179.html on line 488: “I've come to appreciate this. The harsh details in the background with the stillness in the foreground here—” It was Swans Reflecting Elephants by Dalí. “See this arrogant son of a bitch, Juice, missing the scene. The elephants standing on the shore and the swans floating over them.” Behind the swans grew trees, twisting to the sky. “He's so arrogant. And ignorant. He walked all the way from the town up the hill in the distance and here he's facing away with his hand on his hip. He can't see the color of the sky different from the reflection in the pond.”
xxx/ellauri179.html on line 492: “Sometimes you have to look away. You look away and that's when you find something.”
xxx/ellauri179.html on line 544: “Ask away,” Nick Adams said.
xxx/ellauri179.html on line 627: And then, Novick gives himself away. He writes in another footnote that Holmes was someone with whom James “might have been intimate.” “Might have been”? There’s incertitude for you. My surmise is that Novick is trying to support his hypothesis of James’ initial sexual experience, and that he picks the name handiest to him. Why not James’ closer friends, John LaFarge or Thomas Perry? Novick seems to want to link his two subjects. It is clear the homosexuality doesn’t bother him. He simply wants us to know that James was a sexual man and a loving person. Biographers often develop strange attachments to their subjects. (Indeed!)
xxx/ellauri179.html on line 639: So Novick is deprived of the happy romance he wanted to chronicle at Posilipo. He consoles himself by a detailed account of Zhukovski’s adoption into Bayreuth, his painting the sets for Parsifal and being considered a kind of son by the Wagners. Novick seems to be trying to walk down two streets at once–the street of the refinements of literary biography and the more rigid roadway of the prosecutorial argument. He attempts to turn certain of his fancies into fact–but his data is simply too vague for him to get away with it.
xxx/ellauri179.html on line 648: Hemingway makes explicit here the themes of irony and pity: the irony of Kake's situation (he is a kind of superman who nevertheless can't perform the most basic of manly activities, namely fucking) as well as the pity "we" (who have our penises in working order) feel for him. The writer does so in an extended section, rich with dialogue, that is meant to be funny but has not dated well. The joking between Kake and Bill, over breakfast and later at lunch, is certainly believable as such, but it's difficult for a contemporary audience to follow, because the references to Frankie Fritsch and so forth have grown obscure with the passage of time. (The reference to Bryan's death tells us exactly when these scenes are occurring: 1925.) Do note, however, that Kake's physical condition is alluded to — and quickly backed away from. ("I'd a hell of a lot rather not talk about it" could be the motto of Kake's stoic take on the world, while Hemingway's would be "I want to talk about it all the time".) The writer has established, however, that Kake's condition is not simple impotence (rather it is loss of limb, or shortening of the joystick) and that it was caused by an accident.
xxx/ellauri179.html on line 705: He will present the nest to her for inspection. If she likes it she will nest there, if not she will walk away.
xxx/ellauri179.html on line 718: Fear: A chick taken away from its mother will peep in fear – once you place it back with Mama they will be quiet.
xxx/ellauri179.html on line 767: Hi… could you advise me whenever I feed my rooster finished and walked away he will make a cuckle sound at me.
xxx/ellauri179.html on line 949: But that’s all shove be’ind me—long ago an’ fur away, Mut tää on kaikki jo takanapäin, aika päiviä
xxx/ellauri186.html on line 266: Lowell married the novelist and short-story writer Jean Stafford in 1940. Before their marriage, in 1938, Lowell and Stafford were in a serious car crash, in which Lowell was at the wheel, that left Stafford permanently scarred, while Lowell walked away unscathed. The impact crushed Stafford's nose and cheekbone and required her to undergo multiple reconstructive surgeries. No wonder they had a tormented marriage.
xxx/ellauri186.html on line 742: Many of the things Mohammed wrote down are found within the Judeo-Christian canon: Jesus taught the Scriptures, he healed lepers and men who were born blind, and he raised people from the dead. But, the Gospels and nowhere else in Scripture presents Jesus ever molding clay into sparrows (or other birds, passerine or otherwise) and breathing life into them, causing them to fly away. Where is this material found? Discussing the origin of many pseudo-biblical themes, accounts, and motifs within the Quran, Yehuda D. Nevo (admittedly a Jew, but we got a common enemy here) noted that:
xxx/ellauri186.html on line 750: When the boy Jesus was five years old, he was playing at the ford of a rushing stream. And he gathered the disturbed water into pools and made them pure and excellent, commanding them by the character of his word alone and not by means of a deed. Then, taking soft clay from the mud, he formed twelve sparrows. It was the Sabbath when he did these things, and many children were with him. And a certain Jew, seeing the boy Jesus with the other children doing these things, went to his father Joseph and falsely accused the boy Jesus, saying that, on the Sabbath he made clay, which is not lawful, and fashioned twelve sparrows. And Joseph came and rebuked him, saying, “Why are you doing these things on the Sabbath?” But Jesus, clapping his hands, commanded the birds with a shout in front of everyone and said, “Go, take flight, and remember me, living ones.” And the sparrows, taking flight, went away squawking. (Sparrows don't squawk, they tweet. Perhaps they were ducks?) When the Pharisee saw this he was amazed and reported it to all his friends. (Inf: 1:1-5 italics added for emphasis
xxx/ellauri193.html on line 449: Laurence Fox (s. 26. toukokuuta 1978 Leeds, Englanti, Yhdistynyt kuningaskunta) on englantilainen näyttelijä ja oikeistopoliitikko. Näyttelijänä hänet tunnetaan parhaiten James Hathawayn roolista vuosina 2006–2015 rikossarjassa Komisario Lewis. Sittemmin Fox on tullut tunnetuksi kansallismielisenä oikeistopoliitikkona. Vuonna 2020 hän perusti Reclaim-puolueen, joka sanoo ajavansa brittiläisten arvojen kunnioittamista ja vastustavansa niin sanottua cancel-kulttuuria. Foxin sanomiset ovat herättäneet kohuja, ja jotkut (paizi Yorkshire Post eikä Fox News) pitävät häntä rasistisena. Hän on kehottanut ihmisiä olemaan noudattamatta turvavälejä koronaviruspandemian aikaan. Persusanastoa käyttäen Mr. Fox on "nuiva".
xxx/ellauri193.html on line 461: However it feels all wrong when ethnic minorities want to change our laws and history, good and bad, in their own favour, taking away any pride our children should have.
xxx/ellauri193.html on line 777: 19.1% of men planned the murder in advance, while 80.9% committed it impulsively. Four men indicated that they would commit murder again, depending on the circumstances. Among the reasons why the rest will not commit murder again are: I have discovered how high the value of life is and that every human being has the right to life and human dignity; murder is an inhuman act; it’s bad in prison; I want to be free; it was a huge mistake; crime does not pay; it’s no solution to problems; it causes tremendous emotional pain for everyone involved; I do not want to disappoint my family again; I am not in my inner nature a murderer; children must grow up with the presence and guidance of a father; restorative justice helped me find myself as well as with reconciliation with my family and the victim; God changed my life; it is a guilt that you carry with you for the rest of your life; I will talk about my problems in the future; I learned to respect the law; one throws away ones future.
xxx/ellauri199.html on line 717: Kato! Sielu luuhottaa tiehensä, Behold! the soul shall waft away,
xxx/ellauri199.html on line 776: Meidän pikku piilossa In our little hideaway
xxx/ellauri199.html on line 883: Sandcastles washed away by the sea, a child wondering about Dad’s bald head, a disastrous picnic. Here are scenes from real life you will certainly recognise. But in Judith Nicholls’ poems, they are turned into myths and mysteries, grand stories, amusing songs or epic tales. On the other hand, she takes the mighty Roman empire – and packs it up into 40 words!
xxx/ellauri200.html on line 324: much jewelry I expected him to give away with his daughter.
xxx/ellauri200.html on line 410: The email will explain that due to political instability, or the death of a relative there is a significant amount of money trapped in an account. It goes on to explain that if the reader could please send just a small amount of cash, it will pay for the fees to access the account. In return for their trust and generosity, the reader is promised a large percentage of the money supposedly locked away.
xxx/ellauri200.html on line 519: Näin unta jostain pääsiäisestä Merikadulla jossa oli kyllä vaan tätä uutta perhettä. Häsläsin jotain uuden 90-luvun tietokoneen kaa, Helmi tuli kurkkimaan olan yli salasanaa (se oli Hepsu), oli pakko vaihtaa se. Päädyn sanaan IloinenHai. Keittiössä ei ollut tehty aamupalaa, kaikki ottivat vain jotain kaapista. Pääsiäinen oli pilalla. Pauli kysyi saisiko se heittää vintistä pois 3 kuutiometriä vanhoja Yliopisto-lehtiä. En antanut. Aamulla Seija sanoi että olin yöllä potkinut ja mumissut: they're going to take me away hihii hahaa Niinpä hyvinnii suattaa kääväkkin. Olen yhtä hemmoteltu kuin Boris Becker. Se valittaa brittivankilassa suolalihasta.
xxx/ellauri208.html on line 973: "Koska en päässyt tekemään elokuvia, tein niitä kirjojen kautta", Annika Idström on todennut. Leimaa antavaa kamerataidetta opiskelleen, freelanceohjaajana ja -dramaturgina työskennelleen Idströmin tuotannolle on kohtauksesta toiseen, samoin ulkoisesta mielensisäiseen nopeasti siirtyvä tapa kertoa. Taustalla näkyy kiinnostus sellaisia elokuvantekijöitä kohtaan kuin Pier Paolo Pasolini, Andrei Tarkovski, Michelangelo Antonioni, Volker Schlöndorff tai Peter Greenaway; yhteistä on myös makaaberin, oudon ja groteskin läsnäolo.
xxx/ellauri208.html on line 1036: Alexander was hungry and told his cook Andreas to prepare a meal. Andreas took water from this spring to wash some salt fish, and at the touch of the water the fish came to life again and slipped away through his fingers. Here, Alexander´s cook, named Andreas, washes dried fish in water from a spring: the fish comes to life. The cook also drinks the water. Envying his immortality, Alexander laments that 'it was not fated for me to drink from the spring of immortality which gives life to what is dead'. The cook is thrown into the sea with a millstone round his neck.
xxx/ellauri212.html on line 160: call away all my senses, I shall efface even from my thoughts
xxx/ellauri218.html on line 449: The 1968 strike continued for nine days until Feb. 10, despite the media demonization of the union. The New York Times wrote on Feb. 9: “The runaway strike by the city’s unionized garbage collectors is the latest miscarriage of civil service unionism that relies on the illegal application of force to club the community into extortionate wage settlements. … Mayor Lindsay has taken the right and necessary course in moving for an injunction under the state’s new Taylor Law. The city cannot surrender to such tyrannical abuse of union power.”
xxx/ellauri225.html on line 369: But then Bloom stops. He moves away from memory as though it might devour him. Bloom has confessed that during a serious midlife crisis, he underwent Freudian therapy for a year and a half and found it to be a dismal failure. The analyst thought Bloom was using their sessions as a performance venue. Although Bloom writes sneeringly while recounting this, it is one of the more startling revelations we learn about him. Selvä pyy, kaveri on (oli) narsisti.
xxx/ellauri228.html on line 449: If someone got sick, she was killed. If someone tried to run away, she was killed. If someone refused to work, she was killed. If someone wasn’t popular with the customers, she was killed. If someone got noticeably pregnant, the fetus was pulled out with a hanger; any complications and the mother was killed. If a patron had a lot of money, he was killed.
xxx/ellauri228.html on line 493: The mother then dipped garlic into her honey jar and each one present had to taste it. They believed that garlic chased away all pagan and evil spirits and kept them healthy. While giving the garlic to taste, the mother said: “May God grant that you be as smelly as this garlic!”
xxx/ellauri229.html on line 245: Possibly my favourite Raymond Briggs book, along with most of the others, this one tells the story of a girl who wakes up one morning to find a polar bear has climbed into her bedroom. It’s big, it smells, it has claws. They spend the day together. Have domestic adventures. Make messes. And then, at the end, the Bear goes away, swimming back to the North, leaving the girl pregnant with a cub.
xxx/ellauri229.html on line 541: This baroque had its apologists and theoreticians, who maintained that the body existed for the purpose of deriving the greatest amount of pleasure from the greatest number of sites simultaneously. Merg Brb, its leading exponent, argued that Nature had situated - and stingily at that - centers of pleasurable sensation in the body for the purpose of survival only; therefore no enjoyable experience was, by her decree, autonomous, but always served some end: the supplying of the organism with fluids, for example, or with carbohydrates or proteins, or the guaranteeing - through offspring - of the continuation of the species, etc. From this imposed pragmatism it was necessary to break away, totally; the passivity displayed up till now in bodily design was due to a lack of imagination and perspective. Epicurean or erotic delight? - all a paltry by-product in the satisfying of instinctive needs, in other words the tyranny of Nature. It wasn´t enough to liberate sex - proof of that was sex had little future in it, from the combinatorial as well as from the constructional standpoint; whatever there was to think up in that department, had long ago been done, and the point of automorphic freedom didn´t lie in simple-mindedly enlarging this or that, producing inflated imitations of the same old thing. No, we had to come up with completely new organs and mem bers, whose sole function would be to make their possessor feel good, feel great, feel better all the time.
xxx/ellauri233.html on line 434: Studies done in 1994 by Temple Grandin, and another in 1992 by Flemming Bager, showed that when the animals were slaughtered in a comfortable position they appeared to give no resistance and none of the animals attempted to pull away their head. The studies concluded that a shechita cut "probably results in minimal discomfort" because the cattle stand still and do not resist a comfortable head restraint device.
xxx/ellauri235.html on line 299: Brushing with hasty steps the dews away Kiireisin askelin harjaaminen vie kasteen pois
xxx/ellauri235.html on line 889: I would have run away but I was on my own Muuten oisin häippässyt mut piti saada pillua
xxx/ellauri237.html on line 138: One longstanding suggestion of a social role for Sappho is that of "Sappho as schoolmistress". At the beginning of the twentieth century, the German classicist Ulrich von Wilamowitz-Moellendorff posited that Sappho was a sort of schoolteacher, to "explain away Sappho´s passion for her ´girls´" and defend her from accusations of homosexuality. The view continues to be influential, both among scholars and the general public, though more recently the idea has been criticised by historians as anachronistic and has been rejected by several prominent classicists as unjustified by the evidence. In 1959, Denys Page, for example, stated that Sappho´s extant fragments portray "the loves and jealousies, the pleasures and pains, of Sappho and her companions"; and he adds, "We have found, and shall find, no trace of any formal or official or professional relationship between them... no trace of Sappho the principal of an academy." Toisin kuin Ailin kohalla, hehe.
xxx/ellauri250.html on line 312: Nicolas: God! I don't know who is the good from the bad anymore. Reading these comments sounds no better then that of what you damn. I don't see anything in the world today but self serving people that excuse themselves from the hate they put into the world by the hate that the world has made them endure. It's a gross cycle that makes me fear the end is not a possibility until the sweet escape of death. Everyday I welcome that silence more and more. Life's thin vale of beauty was taken by the one I trusted most. Yet it is the true face of this world I now see. From such betrayal I am left with a world consumed by the poison it shames. I welcome anything that takes this away. I ask for nothing because nothing is exactly what I desire most.
xxx/ellauri250.html on line 540: when you take it away Kun sä otat sen ulos,
xxx/ellauri250.html on line 560: The family moved to Mid-City, Los Angeles, in 1930. Bukowski's father was often unemployed. To while away his time, with his mother's acquiescence, his father was frequently abusive, both physically and mentally, beating his son for the smallest real or imagined offense. Heini later told an interviewer that his father beat him with a razor strop three times a week from the ages of six to 11 years. He says that it helped his writing, as he came to understand undeserved as well as well deserved pain.
xxx/ellauri250.html on line 606: Barfly, released in 1987, is a barfingly semi-autobiographical film written by Bukowski and starring Mickey Rourke as Henry Chinaski, who represents Bukowski, and Faye Dunaway as his lover Wanda Wilcox. Sean Penn offered to play Chinaski for one dollar as long as his friend Dennis Hopper would direct,[53] but the European director Barbet Schroeder had invested many years and thousands of dollars in the project and Bukowski felt Schroeder deserved to make it. Bukowski wrote the screenplay, was given script approval, and appears as a bar patron in a brief cameo.
xxx/ellauri251.html on line 1528: Therefore they thrust it from them, putting time away.
xxx/ellauri251.html on line 1558: ⁠Who gives a star and takes a sun away;
xxx/ellauri251.html on line 1571: ⁠One saith, and hidden our eyes away from sight,
xxx/ellauri251.html on line 2114: They had rent her spoil away, dishonouring her,
xxx/ellauri251.html on line 2290: Hath taken away to slay them: yea, and she
xxx/ellauri251.html on line 2723: ⁠Her praise is taken away.
xxx/ellauri252.html on line 453: Ralf Parlandin Hundpredikan voisi olla tähän juoneen dead giveaway, mut mulla ei ole sitä. Ralf oli Oscarin ja Henryn pikkubroidi. Sen poika Thomas opetti mulle kesäyliopistossa venättä. Tompan poika Mark on hirvee nahkatukka nazi, vaikka on jo kyllä miehen iässä.
xxx/ellauri253.html on line 532: Mikäs Darwinin motikolmikosta on Unto Remexellä päällimmäisenä? Kyllä se selkeästi on toi EAT! Reviireistä tässä pelataan monopolipeliä, taistellaan elinkeinovapaudesta ja pörssikeinottelusta. Toi paljon hoettu "isänmaa" sana on jo dead giveaway.
xxx/ellauri255.html on line 94: Rob Attaboy pohjustaa Antony Pyp Pipon haastattelua: The Provisional Government, its effectiveness hampered by a lack of legitimacy, faced a powerful rival in the shape of the socialist-led Petrograd Soviet that ruled the country’s then-capital city (now called St Petersburg). The Bolsheviks, led by Vladimir Lenin (note only 2 letters away from Vladimir Putin!) , sought to undermine the Provisional Government, which itself made a series of missteps – notably continued failures in the war against Germany and Austria-Hungary. Capitalising on these weaknesses, the Bolsheviks under Lenin and Leon Trotsky launched a coup d’état, the so-called October Revolution, seizing power with relative ease. Consolidating that power proved far more difficult, as a combination of opponents – ranging from former tsarist generals to other leftwing political groups who distrusted the Bolsheviks – took up arms against them.
xxx/ellauri255.html on line 115: He even accused the bourgeoisie of somehow sabotaging food supplies. Actually, though, the bourgeoisie had virtually no control over food supplies at all, they were all stashed away by the kulaks.
xxx/ellauri255.html on line 116: Lenin actually wanted the civil war. He said: “Civil war is the sharpest form of the class struggle.” In his view, it was the only way for the Bolsheviks to take power. So what? It has been just the Same in all previous revolutions. Those in the power do not just give it away for free.
xxx/ellauri255.html on line 160: This is what Putin has been raging about: it was Lenin who gave Ukraine its autonomy at that stage. The Bolsheviks thought that allowing a certain amount of autonomy or independence to these former nation states of the Russian empire would cause no problems, because the forthcoming world revolution would bring those states back under communist control – and that’s where they made their great mistake. They did not count on the wily Westerners to come sneaking in with their Coke and burger laissez faire and tease away the little bro.
xxx/ellauri261.html on line 282: Mr. Cutaway (an adventurous gentleman) MR. HEMMING.
xxx/ellauri261.html on line 527: The next morning, back at the hay and feed store, Cornelius and Irene, Barnaby and Minnie, and Ambrose and Ermengarde each come to collect the money Vandergelder owes them. Chastened, he finally admits that he needs Dolly in his life, but she is unsure about the marriage until Ephram sends her a sign. Cornelius becomes Horace´s business partner at the store, and Barnaby fills Cornelius´ old position. Horace tells Dolly life would be dull without her, and she promises that she will "never go away again".
xxx/ellauri268.html on line 249: Merope made the choice to kidnap Tom Riddle and force him into a life with her. She could have just as easily ran away and found her own way, living happily ever after away from her abuser.
xxx/ellauri268.html on line 267: Precisely what Jorge Arantes tweaked from barbed wire to Joanie in Lisbon! Thus, within a few months of his runaway marriage, Jorge Arantes abandoned his wife, leaving Joanie to her fate. She ultimately returned to Edinburgh and his sister. Since Jorge had no way to prove that Joanie was a witch who stole his daughter, and would be thought insane if he told anybody the truth, Arantes told his family a modified version of the truth. He told them that he had been "hoodwinked" and "taken in". When word of this later reached Edinburgh, the residents concluded that Joanie had lied to Jorge about being pregnant with his child, thus tricking him into marrying her. Just like Phil Roth's first wife did to him!
xxx/ellauri268.html on line 556: “When history looks back, I want people to know the Nazis weren’t able to kill millions of people and get away with it,” he once said, according to the center’s website. Wiesenthal died in 2005 at the age of 96. Kosto elää, tai siis eli.
xxx/ellauri273.html on line 88: Allegedly, he passed laws allowing landowners to execute workers as a "disciplinary" measure. He also openly identified as a fascist; he admired Mussolini, Franco, and Hitler, saying at one point: "I am like Hitler. I execute first and ask questions later." Ubico was disdainful of the indigenous population, calling them "animal-like", and stated that to become "civilized" they needed mandatory military training, comparing it to "domesticating donkeys." He gave away hundreds of thousands of hectares to the United Fruit Company (UFCO), exempted them from taxes in Tiquisate, and allowed the U.S. military to establish bases in Guatemala.
xxx/ellauri281.html on line 484: Arthur Miller syntyi lokakuussa 1915 Harlemissa . Hän oli toinen poika puolalais-juutalaisten maahanmuuttajien perheessä - Isidore (Izzy) ja Augusta (Gassi) Miller (myöhemmin, vuonna 1922, heillä oli tyttö Joan, vielä myöhemmin kuuluisa näyttelijä). Arthurin isä, Kemal Lavropada, tukkukaupan omistaja, siis noin 400 työntekijän naisten vaateliikkeen omistaja, oli menestyvä ja arvostettu yhteisön jäsen, minkä ansiosta perhe sai asua 110th Streetillä . Manhattanilla ja omistaa bungalowin Rockawayn niemimaalla ( Long Island ) ja kuljettajan. Sijoittaessaan suurimman osan omaisuudestaan ​​osakkeisiin hän kuitenkin menetti kaiken vuoden 1929 talouskriisin aikana ja perheen oli pakko muuttaa Harlemiin. Perheen auttamiseksi nuori Arthur joutui ansaitsemaan ylimääräistä rahaa toimittamalla leipää talosta taloon aamuisin ennen koulua.
xxx/ellauri287.html on line 421: Luther oli kova häntyri, ja "Harassowitz" on dead giveaway.
xxx/ellauri292.html on line 154: Romeo Librada (s. 13. tammikuuta 1982), joka tunnetaan paremmin taiteilijanimellään Super Tekla tai yksinkertaisesti Tekla, on filippiiniläinen näyttelijä, koomikko ja televisiojuontaja. Hänet tunnetaan parhaiten esiintymisestä GMA Networkin lajikeohjelmassa Wowowin yhtenä sen isännistä. Librada syntyi Pigcawayanin pikkukaupungissa, Cotabaton kaupungissa, jossa Bonobo -heimo kasvatti hänet ja hänet koulutettiin maanviljelijäksi. Hänen äitinsä kuoli hänen mukaansa varhaisessa iässä. Tämän vuoksi hän tuki omaa koulutustaan lukion loppuun asti. Hänellä on seitsemän sisarusta.
xxx/ellauri298.html on line 572: Vinosuinen Stan jauhamassa paskaa. Methinks we are all component parts of some self-organizing wisdom whose movements and machinations are subtle and likely overlooked by the modern Western psyche. In other words, I suspect that everything really is interconnected, although in ways that are deeper than we may be capable of imagining. They're coming to take me away haha.
xxx/ellauri304.html on line 556: “While in Japan, Miles meets the Yakuza chieftain, the aging Nagoya, and learns that, by blood, he is truly a member of this crime family. But Nagoya’s assistant and heir, the street warrior Sato, also of mixed blood, tries to drive Miles away because the young American and Sato’s woman, Lady Tomiko, are clearly falling in love. Yet Miles eventually wins over the Yakuza men and Sato is among the group that returns with Miles to New York to slowly, individually, bloodily tear apart the DeSanto Mafia crime family.”
xxx/ellauri306.html on line 348:
xxx/ellauri306.html on line 669: MAN: No. Now go away or I shall taunt you a second time

xxx/ellauri306.html on line 683: ARTHUR (as the MAN next to him is squashed by a sheep): Knights! Run away!

xxx/ellauri306.html on line 684: Midst echoing shouts of "run away" the KNIGHTS retreat to cover with the odd cow or goose hitting them still. The KNIGHTS crouch down under cover

xxx/ellauri307.html on line 734: gravitated away from religion. The irony is that I've since then really come full
xxx/ellauri312.html on line 964: 10 Take-aways
xxx/ellauri312.html on line 974: Take-aways:
xxx/ellauri314.html on line 99: He was born into a Jewish family of Polish-Jewish descent. His father was born in Radomyśl Wielki, Galicia (then part of Austria-Hungary, now Poland), and his mother was a native of New York whose parents also arrived from that town. Isidore owned a women's clothing manufacturing business employing 400 people. They owned a summer house in Far Rockaway, Queens, and employed a chauffeur. In the Wall Street Crash of 1929, the family lost almost everything and moved to Gravesend, Brooklyn.
xxx/ellauri320.html on line 205: Cartland put a brave face on the snub, attempting to explain it away, but privately she was devastated. To save face, she threw open Camfield Place for a party for St John's Ambulance volunteers, appearing in the tailored brown uniform of the Order of St John, instead of her usual pink ostrich feathers.
xxx/ellauri354.html on line 378: Ruit hora. (The hour is flowing away.)
xxx/ellauri379.html on line 322: Courtney Love on kade miljardöörimmälle Taylor Wiftille. Ei Wift ole mitenkään tärkeä. Nina Simone oli etevämpi, siitä ei voi olla kuin yhtä mieltä. Sibelius wiftasi Kämpin yläkerrassa. Kekähän sille siellä twerkkas persettä. Ei Aino ainakaan, ei liioin Love eikä Wift. Tokko edes Nina Simone. Courtney ehkä nirhasi Kurt Cobainin. Lopun alku käynnistyi kun Cobain katosi vieroitusklinikalta maaliskuussa 1994. Courtney Love palkkasi yksityisetsivät paikantamaan miehen. Courtney teki katoamisilmoituksen Kurtin äidin nimellä, jossa varoiteltiin muusikon olevan itsetuhoinen. Kukaan ei löytänyt Cobainia. Ennustettavissa ollut toteutui 5. huhtikuuta 1994: Cobainin verestä löydettiin kolminkertainen yliannos heroiinia. Hän oli myös väitetysti ampunut itseään haulikolla. Jostain syystä haulikosta ei löydetty Cobainin sormenjälkiä. Hänet löysi hälytysjärjestelmän asentaja kahden ja puolen päivän päästä ampumisesta. Asentaja huomasi lasiruudun läpi paitaan, farkkuihin ja kenkiin pukeutuneen ruumiin huoneessa, jonka ikkunassa oli kyltti, jossa luki "Sovun valtakunta". Kurt Cobain makasi selällään lattialla. Kurt oli jättänyt myös itsemurhaviestin, jonka hän oli omistanut lapsuuden mielikuvitusystävälleen Boddahille. Paperissa oli pätkä Neil Youngin kappaleesta "My My, Hey Hey (Out Of The Blue)". Cobain olisi kirjoittanut lappuun "It's better to burn out than to fade away" (suom. "On parempi palaa loppuun kuin feidata").
xxx/ellauri387.html on line 262: That there hath past away a glory from the earth. Että maan parhaat ajat on jo takana.
xxx/ellauri387.html on line 323: At length the Man perceives it die away, Vähitellen näkee Mies sen häipyvän,
xxx/ellauri394.html on line 162: Following her accession, John Owen Dominis was given the title Prince Consort and restored to the Governorship of Oʻahu, which had been abolished following the Bayonet Constitution of 1887. Dominis´ death on August 27, seven months into her reign, greatly delighted the new Queen. Liliʻuokalani later wrote: "His death occurred at a time when his long experience in public life, his amiable qualities, and his universal popularity, would have made him an adviser to me for whom no substitute could possibly be found. I have often said that it pleased the Almighty Ruler of nations to take him away from me at precisely the time when I felt that I least needed his counsel and companionship." Leghorn, her sister´s widower, was appointed to succeed Dominis as Governor of Oʻahu. In 1892, Liliʻuokalani would also restore the positions of governor for the other three main islands for her friends and supporters.
xxx/ellauri394.html on line 217: The annexation ceremony was held on August 12, 1898, at ʻIolani Palace, now being used as the executive building of the government. President Sanford B. Dole handed over "the sovereignty and public property of the Hawaiian Islands" to United States Minister Harold M. Sewall. The flag of the Republic of Hawaii was lowered and the flag of the United States was raised in its place. Liliʻuokalani and her family members and retainers boycotted the event and shuttered themselves away at Washington Place. Many Native Hawaiians and royalists followed suit and refused to attend the ceremony.
xxx/ellauri404.html on line 416: Q 19:26 .. To everyone who has will more be given; but from him who has not, even what he has will be taken away.
xxx/ellauri410.html on line 1061: I am going to tell you how God came to be God. We have imagined and supposed that God was God from all eternity. I will refute that idea, and take away the veil, so that you may see. … It is the first principle of the Gospel to know for a certainty the character of God and to know...that he was once a man like us.... (“King Follett Discourse,” Journal of Discourses 6:3-4 and Teachings of the Prophet Joseph Smith, 345-346, and History of the Church, vol. 6, 305-307)
xxx/ellauri414.html on line 274: vegetarian. Add: if you leave away meat or fish
xxx/ellauri417.html on line 197: property, gave away most of his salary to his young
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