ellauri106.html on line 84: In October 2012, Roth announced to the French culture magazine Les Inrocks that Nemesis was his last book. At the age of 74 he began to reread his favorite authors such as Dostoyevsky, Turgenew, Conrad and Hemingway as well as his own works. He came to the conclusion that he had made the best of his possibilities and did not want to continue working as an author, read or talk about new literature.
ellauri106.html on line 97: In 2000 Saul Bellow proposed Philip Roth to the Swedish Academy for the Nobel Prize for Literature. The accusation that the academy deliberately overlooks Roth's achievements in selecting the Nobel Prize winner each year has been one of the truisms of international feuilletons since the 2000s. According to some critics, the accusation turned out to be justified in 2008, when the chairman of the jury responsible for the Nobel Prize for Literature made public general reservations about North American literature and denied it deserving of an award. Ulrich Greiner summed up Roth's rejection by the Nobel Prize Committee as follows: “The Swedes, however, love authors who help to improve the world. Philip Roth only adds something to their knowledge about what needs work."
ellauri106.html on line 195: Thomas Wolfe (1900–1938) was born in Asheville, North Carolina, and educated at the University of North Carolina and Harvard University. He taught English at New York University and traveled extensively in Europe and America. Wolfe created his legacy as a classic American novelist with Look Homeward, Angel; Of Time and the River; A Stone, a Leaf, a Door; and From Death to Morning. Wolfe's influence extends to the writings of Beat Generation writer Jack Kerouac, and of authors Ray Bradbury and Philip Roth, among others. He remains an important writer in modern American literature, as one of the first masters of autobiographical fiction, and is considered North Carolina's most famous writer. Ei mitään pientä.
ellauri107.html on line 195: In the following excerpts from Hawthorne's The Blithedale Romance, the Hawthorne-like character, poet and narrator Miles Coverdale, and the Melville-like character, passionate monomaniac Hollingsworth suggest Melville's influence on the novel. The first person narrator, a young man who joins a major enterprise with mostly adventure-seeking motives, certainly calls to mind narrator Ishmael in Melville's Moby-Dick. The dark and brawny Hollingsworth, bearing a physical resemblance to Melville, cares for Coverdale and seeks his partnership, moreover, in an intensity that seems to parallel Melville's evident affection for and desire for intimacy with Hawthorne. The sharp, mysterious break in the relationships between the two authors and the fictional pair constitute yet another likeness.
ellauri107.html on line 220: [A Tanglewood Tale] dramatizes the developing friendship of Nathaniel Hawthorne and Herman Melville during the 1850-1851 period when both authors resided in Berkshire County, Massachusetts. In spite of their strong attraction to each other, they become estranged by fundamental differences. Puritan-in-spite-of himself Hawthorne is pressed too far when worldly former whaler Melville becomes explicit about shipboard liaisons with fellow sailors. Though the play suggests Hawthorne is curious about same sex relations, the reserved New Englander flees Melville and the Berkshires rather than pursue the subject.
ellauri107.html on line 236: Melville alludes to a guy named Billy Budd to Hawthorne’s short story “The Birthmark” and draws parallelograms between the two authors in regard to their interests in the relative good and evil sides of the front and back. Here is the portion that relates most clearly to the two authors’ relationship:
ellauri110.html on line 145: On one hand, the Houyhnhnms have an orderly and peaceful society. They have philosophy and a language that is entirely free of political and ethical nonsense. They have no word for a lie (and must substitute a circumlocution: "to say a thing which is not"). They also have a form of art that is derived from nature. Outside Gulliver's Travels, Swift had expressed longstanding concern over the corruption of the English language, and he had proposed language reform. He had also, in Battle of the Books and in general in A Tale of a Tub, expressed a preference for the Ancients (Classical authors) because their art was based directly upon nature, and not upon other art.
ellauri119.html on line 426: Modern authors have distinguished further varieties of love: unrequited love, empty love, companionate love, consummate love, infatuated love, self-love, and courtly love. Numerous cultures have also distinguished ren, yuanfen, mamihlapinatapai, cafuné, kama, bhakti, mettā, ishq, chesed, amore, charity, saudade (and other variants or symbioses of these states), as culturally unique words, definitions, or expressions of love in regards to a specified "moments" currently lacking in the English language, like "orgasm".
ellauri131.html on line 902: She then moved to Chicago, where she worked in low-paying jobs. In 1950, she moved on again, to New York. At this point she changed her first name, and began a career as a fashion model. She achieved success, working for Bill Blass, Oleg Cassini, and Pauline Trigère. In 1954, she married the English businessman Andrew Hay (1928–2001); after 14 years of marriage, she felt devastated when he left her for another woman, Sharman Douglas (1928–1996). Hay said that about this time she found the First Church of Religious Science on 48th Street, which taught her the transformative power of thought. Hay revealed that here she studied the New Thought works of authors such as Florence Scovel Shinn who believed that positive thinking could change people's material circumstances, and the Religious Science founder Ernest Holmes who taught that positive thinking could heal the body.
ellauri133.html on line 861: By the 1960s, Jackson's health began to deteriorate significantly, ultimately leading to her death due to a heart condition in 1965 at the age of 48. Jackson has been cited as an influence on a diverse set of authors, including Neil Gaiman, Stephen King, Sarah Waters, Nigel Kneale, Claire Fuller, Joanne Harris, and Richard Matheson. Never heard. all except nasty Stephen King.
ellauri141.html on line 109: Quintus Horatius Flaccus (8th of December, Ab Urbe Condita 689, B. C. 65 - 27th of November, B. C. 8) was born at or near Venusia (Venosa), in the Apennines, on the borders of Lucania and Apulia. His father was a freedman, having, as his name proves, been the slave of some person of the Horatia gens. As Horace implies that he himself was ingenuus, his father must have obtained his freedom before his birth. He afterwards followed the calling of a coactor, a collector of money in some way or other, it is not known in what. He made, in this capacity, enough to purchase an estate, probably a small one, near the above town, where the poet was born. We hear nothing of his mother, except that Horace speaks of both his parents with affection. His father, probably seeing signs of talent in him as a child, was not content to have him educated at a provincial school, but took him (at what age he does not say, but probably about twelve) to Rome, where he became a pupil of Orbilius Pupillus, who had a school of much note, attended by boys of good family, and whom Horace remembered all his life as an irritable teacher, given unnecessarily to the use of the rod. With him he learnt grammar, the earlier Latin authors, and Homer. He attended other masters (of rhetoric, poetry, and music perhaps), as Roman boys were wont, and had the advantage (to which he afterwards looked back with gratitude) of his father’s care and moral training during this part of his education. It was usual for young men of birth and ability to be sent to Athens, to finish their education by the study of Greek literature and philosophy under native teachers; and Horace went there too, at what age is not known, but probably when he was about twenty. Whether his father was alive at that time, or dead, is uncertain. If he went to Athens at twenty, it was in B. C. 45, the year before Julius Cæsar was assassinated. After that event, Brutus and Cassius left Rome and went to Greece. Foreseeing the struggle that was before them, they got round them many of the young men at that time studying at Athens, and Horace was appointed tribune in the army of Brutus, a high command, for which he was not qualified. He went with Brutus into Asia Minor, and finally shared his defeat at Philippi, B. C. 42. He makes humorous allusion to this defeat in his Ode to Pompeius Varus (ii. 7). After the battle he came to Italy, having obtained permission to do so, like many others who were willing to give up a desperate cause and settle quietly at home. His patrimony, however, was forfeited, and he seems to have had no means of subsistence, which induced him to employ himself in writing verses, with the view, perhaps, of bringing himself into notice, rather than for the purpose of making money by their sale. By some means he managed to get a place as scriba in the Quæstor’s office, whether by purchase or interest does not appear. In either case, we must suppose he contrived soon to make friends, though he could not do so by the course he pursued, without also making many enemies. His Satires are full of allusions to the enmity his verses had raised up for him on all hands. He became acquainted, among other literary persons, with Virgil and Varius, who, about three years after his return (B. C. 39), introduced him to Mæcenas, who was careful of receiving into his circle a tribune of Brutus, and one whose writings were of a kind that was new and unpopular. He accordingly saw nothing of Horace for nine months after his introduction to him. He then sent for him (B. C. 38), and from that time continued to be his patron and warmest friend.
ellauri141.html on line 533: The spoof book of late Horace (it refers to contemporary politicians such as Lloyd George, gas masks, land girls, daylight saving, spiritualism, canteens and so on) which came out in 1920, was inspired by a long tradition in English literature and by Kipling’s early imitation odes and Charles Graves’s Hawarden Horace (1894) and More Hawarden Horace (1896, with a delightful introduction by T. E. Page), where felicitous modernising English versions of the Odes (and an Epode) are put in the mouth of Gladstone (251) . A[lfred] D[enis] Godley, for one, had often imagined Greek and Roman authors as still alive and commenting on nineteenth- and twentieth-century Oxford and England. (252) Kipling delighted in humorous verse. In 1917 he had enjoyed Maurice Baring’s Translations (found in a commonplace book) (253) .
ellauri142.html on line 71: Count Lev Nikolayevich Tolstoy (/ˈtoʊlstɔɪ/; Russian: Лев Николаевич Толстой, 28 August 1828 – 7 November 1910), usually referred to in English as Leo Tolstoy, was a Russian writer who is regarded as one of the greatest authors of all time. He received nominations for the Nobel Prize in Literature every year from 1902 to 1906 and for the Nobel Peace Prize in 1901, 1902, and 1909. That he never won is a major controversy. Instead, Rudyard Kipling got the medal 1907. What the fuck?
ellauri143.html on line 80: Considered one of the greatest works ever written on ethics and morality, it is known for its universality and secular nature. Its authorship is traditionally attributed to Valluvar, also known in full as Vallu Mursu. In addition, it highlights truthfulness, self-restraint, gratitude, hospitality, kindness, goodness of wife, duty, giving, and so on and so forth, besides covering a wide range of social and political topics such as king, ministers, taxes, justice, farts, war, greatness of army and soldier's honor, death sentence for the wicked, agriculture, education, abstinence from alcohol and intoxicants.
ellauri145.html on line 707: Durtal admires the documentation of Naturalism, yet wants to open it to the supernatural, to an exploration of both body and spirit: it will be a kind of “naturalisme spiritualiste” that will follow Zola’s route, but in the air.6 This tension between realism and the supernatural lies at the heart of Là-bas, a novel in which Huysmans follows Durtal’s spiritual transformation as he researches medieval and modern Satanism. Là-bas was a scandalous best-seller. It inspired a great deal of public debate, especially since it was published in the same review and at the same time as Jules Huret’s first Enquête sur l’évolution littéraire, a series of sixty-four interviews conducted with major French authors from March 3 to July 5, 1891.7 This series, which asked its interviewees whether Naturalism was dead, was a phenomenal success read by all of Paris.8 Huret caused every non-Naturalist writer to agree that Zola’s brand of Naturalism was obsolete because it neglected humanity’s soul.
ellauri146.html on line 672: Though fully a third of Poe’s critical reviews deal with American authors, almost two-thirds of the reviews treat British or European books. Only about half of Poe’s tales have reference to contemporary matters, and only a small number of these reflect the American scene. Three times as many of the tales have designated European settings as have American settings.
ellauri147.html on line 876: Some authors define paedomorphism as the retention of larval traits, as seen in salamanders. Paedophiliacs do not restrict attention to fellow salamanders, but dig young chicks clearly more.
ellauri151.html on line 544: Drury’s memoirs show that Wittgenstein discussed Hamann’s authorship in the early 1930s and 1950s. Wittgenstein’s diary notes and the
ellauri151.html on line 564: authorship in 1930–31 and 1951.
ellauri159.html on line 892: Nytpä löytyi hyvä neuvokki! Täällä authors/">kirjamellakassa on annettu kirjailijatyypeille sopivia helposti muistettavia nimiä! Taidankin käyttää näitä jatkossa.
ellauri159.html on line 905: ESFJs are the Molly Weasleys of the world. Outgoing and community-minded, people of this type value loyalty, dependability, and practicality. They are driven by an active and intense caring about people along with a strong desire to bring harmony to their relationships. Barbara Walters and Chris Wallace are ESFJ authors. Learn more about how ESFJs write here.
ellauri159.html on line 923: ESTPs are enthusiastic adventurers who enjoy hands-on experiences. They are realists who accept the world the way it is and focus on enjoying new activities and challenges. Famous ESTP authors include Sir Arthur Conan Doyle, Glenn Beck, Bret Easton Ellis, the Marquis de Sade, Ernest Hemingway, John Grisham, Dale Carnegie, Stephen R. Covey, Epicurus, and Rhonda Byrne. Learn more about how ESTPs write here.
ellauri159.html on line 928: ESFPs are enthusiastic about having new experiences and meeting new people. They are generally warm and adaptable realists who go with the flow. ESFP authors include Tony Robbins, Wayne Dyer, Deepak Chopra, Bill Clinton, and Paulo Coelho. Learn more about how ESFPs write here.
ellauri160.html on line 183: Samuel Putnam knew Pound in Paris in the 1920s and described him as stubborn, contrary, cantankerous, bossy, touchy, and "devoid of humor"; he was "an American small-towner", in Putnam's view. His attitude caused him trouble in both London and Paris. English women, with their "preponderantly derivative" minds, were inferior to American women who had minds of their own, he wrote in the New Age. The English sense of what was right was based on respect for property, not morality. "Perched on the rotten shell of a crumbling empire", London had lost its energy. England's best authors—Conrad, Hudson, James, and Yeats—were not English. English writers and critics were ignorant, he wrote in 1913.
ellauri160.html on line 653: Some authors, such as Donald Tyson, refer to them as manifestations of Lilith. In additions to being manifestations of the first Lilitu known as Lilith, Agrat and her sisters are indeed Lilith´s children she had while she was in Lilitu form and Agrat is humanoid/demonoid entity that came from Lilith when she was in her Lilitu form known as a Lilin.
ellauri161.html on line 990: Bloy was noted for personal attacks, but he saw them as the mercy or indignation of God. He acquired a reputation for bigotry because of his frequent outbursts of temper. Soon, Bloy could count such prestigious authors as Émile Zola, Guy de Maupassant, Ernest Renan, and Anatole France as his enemies. Bloy is quoted in the epigraph at the beginning of Graham Greene´s novel The End of the Affair, though Greene claimed that "this irate man lacked creative instinct." Bloy is also quoted at the beginning of John Irving´s A Prayer for Owen Meany, another turd. Some pope quoted him, yet another turd.
ellauri171.html on line 808: Ahabin dynastia omridit eli kuningas Omrin porukat oli jotain kananiittejä. Israel Finkelstein's The Bible Unearthed presents a very different picture of the Omrides than the circumcision handbook, making them responsible for the great empire, magnificent palaces, wealth, and peace in Israel and Judah that the Bible credits to the much earlier kings David and Solomon. According to Finkelstein, the reason for this discrepancy is the religious bias of the Biblical authors against the Omrides for their polytheism, and in particular their support for elements of the Canaanite religion.
ellauri171.html on line 1012: The medieval commentators differ on whether Jezebel converted to Judaism in a halachically acceptable manner. R. Levi ben Gershom (Ralbag, 1288-1344) is of the view that Jezebel did not fully embrace Judaism and was not a halachic Jewess. This would mean that her two sons, Ahazia and Jehoram, also lacked Jewish credentials. But his assumption is challenged by the fact that there are indications throughout rabbinic works that Ahazia and Jehoram were regarded as bona-fide halachic Jews. Indeed, this is the position taken by a number of halachic authorities. Some contemporary authors argue instead that Jehoram was the son of another of Ahab’s 100% Jewish wives.
ellauri180.html on line 167: Many historical accounts of circumcision have been written and most authors have used their survey to form an opinion as to whether the neonatal procedure is justified. The weak medical arguments are tempered by the importance of cultural and religious factors. Opponents of the ritual draw attention to the `rights' of the new-born to the skin on their little penises, which, they argue, must be upheld. Others contest that humans are social animals and cannot survive alone; they require their parents, community and culture to thrive, and, as such, `rights' belong to the group, not to the individual. If there is an inherent survival advantage to a group of humans who chose to maim their young, then this is presumably evidenced by their continued survival as a race. In short, to conclude any historical reflection with a reasoned `right' or `wrong', would be like claiming to have fathomed God's will. Consider this; mankind has developed this strange surgical signature that is so pervasive, that in the last five minutes alone, another 120 boys throughout the world have been circumcised. Mikä jättimäinen esinahkakukkula siitä tulisi! Israelista voisi tulla tulevien talvikisojen isäntämaa..
ellauri180.html on line 299: For the longest time, I didn’t think that white authors should write non-white characters. I had seen it done badly (as my previous article about Sarah J. Maas explains) and offensively (think J. K. Rowling with Cho Chang and the Patil twins).
ellauri181.html on line 382: Additionally, ipsative measures may be useful in identifying faking. However, ipsative measures may, especially among testing-naïve individuals exhibiting high levels of conscientiousness and/or neuroticism, decrease test validity by discouraging response and/or encouraging non-response. For example, a test's authors may force respondents to choose between "a) Animals chase me in my dreams" and "b) My dreams are nice" in an effort to see whether a given respondent is more inclined toward "faking bad" or toward "faking good." When faced with such a question, a child frequently terrified by nightmares that rarely if ever involve animals, and especially one whose parents have foolishly taught him/her/it strict rules against lying, may simply refuse to answer the question given that for that respondent nearly all of the time both descriptions are inaccurate. Even a previously presented guideline "Choose the answer that [best/better] describes you" may be unhelpful in such a situation to responders who worry that endorsing one item or the other will still involve stating it to be accurate or "well"-descriptive to some positive degree. Only if the guideline is presented as "Choose the answer that more accurately or less inaccurately describes you" and the above-described responder is sophisticated enough to reason out his/her response in terms of "Despite the infrequency with which I have nice dreams, I have them [more frequently / less infrequently] than dreams in which animals chase me" (or, in theory, vice versa) will such a responder be willing to answer the question—and phrasing the guideline in this way bears its own cost of making the question reveal less about the respondent's propensities because the respondent is no longer forced to "fake" one way or another.[citation needed].
ellauri183.html on line 329: Early research in linguistic formal semantics used Partee's system to achieve a wealth of empirical and conceptual results. Later work by Irene Heim, Angelika Kratzer, Tanya Reinhart, Robert May and others built on Partee's work to further reconcile it with the generative approach to syntax. The resulting framework is known as the Heim and Kratzer system, after the authors of the textbook Semantics in Generative Grammar which first codified and popularized it. The Heim and Kratzer system differs from earlier approaches in that it incorporates a level of syntactic representation called logical form which undergoes semantic interpretation. Thus, this system often includes syntactic representations and operations which were introduced by translation rules in Montague's system. However, work by others such as Gerald Gazdar proposed models of the syntax-semantics interface which stayed closer to Montague's, providing a system of interpretation in which denotations could be computed on the basis of surface structures. These approaches live on in frameworks such as categorial grammar and combinatory categorial grammar.
ellauri191.html on line 1538:
ellauri191.html on line 2149: The prize has "become widely seen as a political one – a peace prize in literary disguise", whose judges are prejudiced against authors with political tastes different from theirs.
ellauri191.html on line 2152: From 1901 to 1912, the committee, headed by the conservative Carl David af Wirsén, weighed the literary quality of a work against its contribution towards humanity's struggle 'toward the ideal'. Leo Tolstoy, Henrik Ibsen, Émile Zola, and Mark Twain were rejected in favour of authors little read today. The choice of philosopher Rudolf Eucken as Nobel laureate in 1908 is widely considered to be one of the worst mistakes in the history of the Nobel Prize in Literature. The main candidates for the prize that year were poet Algernon Swinburne and author Selma Lagerlöf, but the Academy were divided between the candidates and, as a compromise, Eucken, representative of the Academy's interpretation of Nobel's "ideal direction", was launched as an alternative candidate that could be agreed upon. Solzhenitsyn did not accept the award and prize money until 10 December 1974, after he was deported from the Soviet Union. Swedish Academy member Artur Lundkvist had argued that the Nobel Prize in Literature should not become a political prize and questioned the artistic value of Solzhenitsyn's work. The award to Camilo José Cela was controversial as he had moved voluntarily from Madrid to Galicia during the Spanish Civil War in order to join Franco's rebel forces there as a volunteer.A member of the Swedish Academy, Knut Ahnlund, who had not played an important role in the Academy since 1996, protested against the choice of the 2004 laureate, Elfriede Jelinek; Ahnlund resigned, alleging that selecting Jelinek had caused "irreparable damage" to the reputation of the award.
ellauri192.html on line 859: The Twelve Chairs (Russian: Двенадцать стульев, tr. Dvenadtsat stulyev) is a classic satirical novel by the Odessan Soviet authors Ilf and Petrov, published in 1928. Its plot follows characters attempting to obtain jewry hidden in a chair. A sequel was published in 1931. The novel has been adapted to other media, primarily film. Kirjoittajat oli "ihan nulikoita": Ilf 30, Katajev 26. Katajev kaatui suuressa isänmaallisessa sodassa 30-vuotiaana. Joten sepä venyi!
ellauri192.html on line 886: Ilya Ilf (Ilya Arnoldovich Feinsilberg) (Russian: Илья Арнольдович Файнзильберг, 1897-1937) and Yevgeny Petrov (Yevgeniy Petrovich Katayev or Russian: Евгений Петрович Катаев, 1902-1942) were two Ukrainian prose authors of the 1920s and 1930s.They did much of their writing together, and are almost always referred to as "Ilf and Petrov". Bet Ilf was Jewish. Ilya Arnoldovich Ilf (born Iehiel-Leyb Aryevich Faynzilberg, Russian: Иехи́ел-Лейб Арьевич Фа́йнзильберг[1]) (15 October [O.S. 3 October] 1897 in Odessa – 13 April 1937, Moscow), was a popular Soviet journalist and writer of Jewish origin who usually worked in collaboration with Yevgeni Petrov during the 1920s and 1930s. Their duo was known simply as Ilf and Petrov. Together they published two popular comedy novels The Twelve Chairs (1928) and The Little Golden Calf (1931), as well as a satirical book Odnoetazhnaya Amerika (often translated as Little Golden America) that documented their journey through the United States between 1935 and 1936.
ellauri192.html on line 890: One-storied America (Одноэтажная Америка) is a 1937 book based on a published travelogue across the United States by two Soviet authors, Ilf and Petrov. The book, divided into eleven chapters and in the uninhibited humorous style typical of Ilf and Petrov, paints a multi-faceted picture of the US. America´s entrepreneurial skills and economic achievements are praised, the oppression of the blacks, the life of the Indians in the reservations and the oppression of workers are denounced. The title of the book refers to their impression that the cities of America consist mainly of one- and two-story buildings, in complete contrast to the popular image of America as the land of skyscrapers. Based on this sentence:
ellauri192.html on line 906: This is one of the best books foreigners have written about America. It is a pleasant but sometimes hectic experience to rediscover America through the eyes of the authors of this book. – News Courier, North Carolina
ellauri192.html on line 908: The authors did not allow themselves to be fooled for one minute. They saw slums near the main streets, they saw poverty next to luxury, dissatisfaction with life, everywhere breaking out. – New Masses
ellauri203.html on line 148: Dostoyevsky despised Turgenev and Bunin couldn´t stand Nabokov. Ideology, ambition and personal conflicts - Russian classical authors had enough reasons to be rude about one another.
ellauri203.html on line 152: It’s not surprising that the two authors did not like each other. From his youth Turgenev, a wealthy nobleman, made fun of his lugubrious colleague. In a mocking poem he described Dostoyevsky as a "pimple on the nose of literature." Dostoyevsky didn´t conceal his reciprocal hostility and was indignant that, with all his wealth, Turgenev´s royalties for his publications were four times as high as he was paid.
ellauri203.html on line 242: Writing in the Los Angeles Times, a professor of Slavic languages praised their Dostoevsky translations, stating "the reason they have succeeded so well in bringing Dostoevsky into English is not just that they have made him sound bumpy or unnatural but that they have managed to capture and differentiate the characters' many bumpy and unnatural voices." A literary critic and essayist, wrote in The Sewanee Review that their Dostoevsky translations "have recaptured the rough and vulgar edge of Dostoevsky's style. This tone of the vulgar that Dostoevsky's writings are full of, so morbidly excessively, they have translated into a vernacular equal to his own." But recently, writing in The New York Review of Books in 2016, a critic argued that Pevear and Volokhonsky have established an industry of taking everything they can get their hands on written in Russian and putting it into flat, awkward English. Other translators have voiced similar criticism, both in Russia and in the English-speaking world. A Slavic studies scholar has written in Commentary that Pevear and Volokhonsky take glorious works and reduce them to awkward and unsightly muddles. Criticism has been focused on the excessive literalness of the couple's translations and the perception that they miss the original tone of the authors.
ellauri210.html on line 1154:
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ellauri222.html on line 110: Asked whether they believe there is a possibility that our world might once experience the kind of upheaval it did during World War II and the Holocaust, much as the world of Mr. Sammle r collapsed in Saul Bellow’s novel, both Wolpe and Greg Bellow told JNS.org that Mr. Sammler’s Planet is recommended reading not just for Jews, but for everyone. They strongly believe that the history and lessons of the Holocaust must continue to be taught, with Rabbi Wolpe saying "Gaza shows the ease with which a civilization, such as Israel, can slip into barbarism.”
Wolpe wondered how many young people today even know Saul Bellow or read his work, but mused how wonderful it would be if more children of famous authors wrote about their parents, as Greg Bellow has.
ellauri223.html on line 222: Several authors believe that, despite his marriage, Bacon was primarily attracted to men. Forker, for example, has explored the "historically documentable sexual preferences" of both Francis Bacon and King James I and concluded they were both oriented to "masculine love", a contemporary term that "seems to have been used exclusively to refer to the sexual preference of men for members of their own gender."
ellauri236.html on line 132: James Hadley Chase (24 December 1906 – 6 February 1985) was an English writer. While his birth name was René Lodge Brabazon Raymond, he was well known by his various pseudonyms, including James Hadley Chase, James L. Docherty, Raymond Marshall, R. Raymond, and Ambrose Grant. He was one of the best known thriller writers of all time. The canon of Chase, comprising 90 titles, earned him a reputation as the king of thriller writers in Europe. He was also one of the internationally best-selling authors, and to date 50 of his books have been made into films.
ellauri236.html on line 150: Eli siis James Hadley Chase (24 December 1906 – 6 February 1985) was an English writer. While his birth name was René Lodge Brabazon Raymond, he was well known by his various pseudonyms, including James Hadley Chase, James L. Docherty, Raymond Marshall, R. Raymond, and Ambrose Grant. He was one of the best known thriller writers of all time. The canon of Chase, comprising 90 titles, earned him a reputation as the king of thriller writers in Europe. He was also one of the internationally best-selling authors, and to date 50 of his books have been made into films
ellauri240.html on line 63: As her fame grew there was an increase in disapproval among psychologists and psychiatrists (an all-male panel) . They questioned both the validity of her psychological claims and her authority in providing psychological advice. A growing number of male psychologists began to believe the advice she provided to her audience was unethical insofar as she did not hold any clinical degree and she was giving advice for free, not to patients who were paying customers. Mr. Stevens and Mr. Gardener, the authors of “Women and Psychology,” stated that “traditional psychologists smile subtly when her name is mentioned and they often complain that she actually does more damage to the Brotherhood than good. Besides, her eyes are way too close together.“
ellauri247.html on line 337: With the widow's money, Johnson opened Edial Hall School as a private academy at Edial, near Lichfield. He had only three pupils: Lawrence Offley, George Garrick, and the 18-year-old David Garrick, who later became one of the most famous actors of his day. The venture was unsuccessful and cost Tetty a substantial portion of her fortune. Instead of trying to keep the failing school going, Johnson began to write his first major work, the historical tragedy Irene. Biographer Robert DeMaria believed that Tourette syndrome likely made public occupations like schoolmaster or tutor almost impossible for Johnson. This may have led Johnson to "the invisible occupation of authorship".
ellauri256.html on line 528: Before getting married, she (Martha) was a companion of noted former child and prodigy William James Sidis and the object of his unrequited love. Her magazine Story is credited with the first publication and early support of a pantheon of notable authors, including: John Cheever, Carson McCullers, William Saroyan, Truman Capote, Norman Mailer, and such as J. D. Salinger, Tennessee Williams and Richard Wright.
ellauri262.html on line 607: Bad actors, evil authors
ellauri263.html on line 615: is a 1990 novel written as a collaboration between the English authors Terry Pratchett and Neil Gaiman. Se taisi olla ensimmäinen lukemani Pratchett. Käytin Crowleyta salasanana joskus 2000-luvun alussa. Alzheimeriin sittemmin kuollut länkkärihattuinen Pratchett antoi juutalaisen Neil Gaimanin kanssa kirjoittamassaan saatanallisessa niteessä Good Omens pirulle nimexi Crowley.
ellauri263.html on line 627: Almost 600 (!) biographies have been written of Blavatsky, but the details of her life, especially the years 1848–1873, remain sketchy all the same. Most of the authors have been either devoted disciples or sharply critical adversaries. Some interesting and well-documented facts, however, can be determined. She was born to a noble Russian family in present-day Ukraine, married at 17, ran away only months later, traveled widely and spent time in Cairo, among many other places, where she supported herself as a medium size sex doll.
ellauri263.html on line 631: Unlike the occultism presented earlier by Éliphas Lévi and similar authors, which mostly caught the interest only of a small circle of freethinkers, Theosophy fast became a successful semi-mass movement. By 1889 the Theosophical Society had 227 sections all over the world, and many of the era’s most important intellectuals and artists were strongly influenced by it. Avant-garde painters, especially, took this new teaching to heart, and it marked the work of great artists such as Mondrian, Kandinsky and Klee. In literature, authors like Nobel Prize laureate William Butler Yeats became
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ellauri272.html on line 83: A second study in 2014 was conducted to examine the health of women who had read the series, compared with a control group that had never read any part of the novels. The results showed a correlation between having read at least the first book and exhibiting signs of an eating disorder, having romantic partners that were emotionally abusive and/or engaged in stalking behavior, engaging in binge drinking in the last month, and having 5 or more sexual partners under age 14. The authors could not conclude whether women already experiencing these "problems" were drawn to the series, or if the series influenced these behaviors to occur after reading.
ellauri285.html on line 755: The first consequential re-evaluation of the mathematical modeling behind the critical positivity ratio was published in 2008 by a group of Finnish researchers from the Systems Analysis Laboratory at Aalto University (Jukka Luoma, Raimo Hämäläinen, and Esa Saarinen). The authors noted that "only very limited explanations are given about the modeling process and the meaning and interpretation of its parameters... [so that] the reasoning behind the model equations remains unclear to the reader"; moreover, they noted that "the model also produces strange and previously unreported behavior under certain conditions... [so that] the predictive validity of the model also becomes problematic."
ellauri285.html on line 759: Fredrickson wrote a response in which she conceded that the mathematical aspects of the critical positivity ratio were "questionable" and that she had "neither the expertise nor the insight" to defend them, but she maintained that the empirical evidence for the existence of a critical positivity ratio was solid. Brown, Sokal, and Friedman, the rebuttal authors, published their response to Fredrickson´s "Update" the next year, maintaining that there was no evidence for a critical positivity ratio. Losada declined to respond to the criticism (indicating to the Chronicle of Higher Education that he was too busy running his consulting business).[verification needed] Hämäläinen and colleagues responded later, passing over the Brown-Sokal-Friedman rebuttal claim of failed criteria for use of differential equations in modeling, instead arguing that there were no fundamental errors in the mathematics itself, only problems related to the model´s justification and interpretation.
ellauri285.html on line 779: The original rebuttal authors conclude this salvo by lamenting that the "unbridled romanticism" of which humanist psychology has been accused has not been replaced with a rigorous evidence-based psychology—as Seligman and Csikszentmihalyi promised in their founding manifesto of positive psychology—rather, the widespread acceptance of the critical positivity ratio shows that positive psychology has betrayed this promise, stating that "the sin is now romantic scientism rather than pure romanticism is not, in our view, a great advance."
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ellauri301.html on line 234: She was taken in as a companion and as a servant to Riebeeck´s wife and children. However, many authors and historians speculate that she most likely lived in a sexually abusive space, based on the fondness Van Riebeek showed for her in his journals.
ellauri331.html on line 651: Aleksander Goltz (vas.) oli itävalta-unkarilainen maalari, mahdollisesti vähän pedofiili. Vähemmän tunnettu ryssä (oik.) väsää länkkäreiden aviisiin (authors/alexander-goltz">Insider) antiputinistista satanismia. "Putin on avoimesti julistanut, että se kieltää kansojen vapautumistaistelun itsevaltaisista johtajista. Hän uskoo, että kaikki protestit ja värilliset vallankumoukset ovat lännen juonitteluja", hän sanoi asiantuntijan ääenpainolla. Goltzit ovat voineet olla alunperin sorbeja jostain Puolasta.
ellauri340.html on line 578: Salman Rushdie has not won the Nobel Prize for Literature, although he has had champions who say that he should win the prize due to his popularity and critical acclaim. The prize is highly competitive, with authors all over the world in mid- and late career stages being eligible. Even those like Salman whose career is practically over. Kolmantena jonossa hiihtää David Schurman WALLACE. Kollaashistakin näkyy että myös hän on kusipää.
ellauri374.html on line 79: In 2008, Ariely, along with his co-authors, Rebecca Waber, Ziv Carmon and Baba Shiv, was awarded an Ig Nobel Prize in medicine for their research demonstrating that "high-priced fake medicine is more effective than low-priced fake medicine." Ariely is the author of several popular science books about irrationality, dishonesty, and decision making. He should know, he is the expert.
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Various authors
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The journals flourishing at the start of the century resembled imperial corporations in the extent to which they promoted individual authors, aiding the so-called "minor" romantics in particular. "Old China" illustrates this historically symbiotic collaboration of author with organ not only through its external context in the highly topical London Magazine, but also especially internally, in the essay's ventriloquization of Coleridge.
ellauri389.html on line 387: The collection was headed by an elegant Latin motto on the mutual friendship of the authors, attributed to "Groscollius," but in reality composed by Coleridge. Coleridge shortly afterwards asserted that he had only allowed Lloyd's poems to be published together with his own at the earnest solicitation of the writer, and ridiculed both them and Lamb's poems in sonnets subscribed "Nehemiah Higginbotham" in the Monthly Magazine, November 1797.
ellauri389.html on line 463: Cowper tunnetaan virsirunoilijana. Hänen tunnetuin virtensä on "There is a fountain fill'd with blood". Sen hän on kirjoittanut vaikean masennuksen jälkeen. Virsi julkaistiin alun perin 1772 Richard Conyersin kirjassa A Collection of Psalms and Hymns, from various authors: for the use of serious and devout Christians of all denominations, ja vuonna 1779 se julkaistiin Olivia Newton-Johnin ja Copwerin yhdessä julkaisemassa Oldie Hymns -kirjassa otsikolla "Praise for the fountain open". Se oli merkittävimpiä 1700-luvun evankelikaalisia laulahduxia. Se on hengellisen laulukirjan n:o
ellauri392.html on line 707: Some of the significant authors, who had written prose with Jewish thematic peculiarity, could be classified into two main groups by the language in which they had written. There are:
ellauri392.html on line 750: it has been shown in literature, art and film, elegantly and majestically but very often by the latent thematic structure and by the strong psychological portraits of their characters. (The American film industry is mainly run by - guess who.) Jewish authors always have in their heads the immense and sacred goal: glorifying the history, the roots and customs of the Jewish people, and specifically the permanent expression of Jewish self-compassion.
ellauri408.html on line 277: So much for the Bible being “inerrant” and “infallible.” As we will see, the book of Acts turned the Angels into false prophets, with a cartoonish prophecy. As we also will see, Jehovah’s first prophecy, in the opening chapters of Genesis, proved to be false. The Bible even turned Jesus into a false prophet, multiple times, when devious authors of the New Testament put false and foolish words in his mouth. Here’s a quick example with more to follow:
ellauri408.html on line 281: Jesus made similar claims to his disciples according to the authors of Matthew and Mark:
ellauri408.html on line 340: The Bible is full of badly-told fairy tales. For instance, the book of Acts says Jesus flew into the clouds like Superman before a Jerusalem crowd, with angels preaching a sermon and prophesying that he would return “the same way.” But we know that didn’t happen because no other author of the New Testament mentioned the most miraculous thing human eyes ever witnessed. The four gospels and Acts all disagree on what Jesus said and did after the alleged resurrection. But if you were hearing the words of the resurrected God, wouldn’t you be sure to remember and communicate them faithfully? Clearly five different authors made up five different accounts of what happened post-alleged-resurrection because no one knew what really happened after the empty grave was discovered. Acts says Jesus taught the mysteries of the Kingdom of God for 40 days in Jerusalem, but no one bothered to record a single word he said. Can anyone really believe that is possible?
ellauri412.html on line 657: How do you know the canonical gospel authors weren’t simply creating fictions about Jesus to make him sound more like the suffering servant of Isaiah 53 than he really was? Of course you will tout the historical reliability of the gospels, but I would provide scholarly resistance to that conclusion every step of the way. The question is not whether YOU can be reasonable to see Jesus as the Isaiah 53 servant but whether skeptics can reasonably deny this allegation.
ellauri412.html on line 676: Look, if you’re reading the Bible as an atheist and asking about a reasonable interpretation, then the world is your oyster. You are not required to accept the worldview of the authors of the Bible, who all believed in God and wrote about Him from that perspective. And at the same time, as someone who does not believe God exists and does not accept the inspired nature or inerrancy of scripture, you have limited your possible interpretations of Scripture to only natural explanations that do not invoke God. This is going to cause significant problems with your use of the historical-grammatical method, which strives to discover the biblical author’s original intended meaning in the text. For example, every time Isaiah writes, “thus says the Lord” (which is a lot!), how will you interpret that? For an atheist, a statement like that either makes Isiah delusional (he believed a non-existent God told him something) or a charlatan (he’s knowingly asserting a false attribution).
ellauri424.html on line 239: There were so many interesting elements worth exploring, I would have liked to see more of the Post-Soviet Russia that this book (like most modern Russian literature) hints at but regrettably never really explored. Russia has this amazingly rich history that has sparked so many great novels and authors and I truly think Sergei Lukyanenko could be one of them with some work. Like Dostoyevsky, Lukyanenko tries to inject the novel with philosophical ideas on morality and this could have really worked in his favour had he stuck with one story right through to the end.
ellauri434.html on line 197: Fond experiences like these, often transmitted uncritically by those of us who teach and write about Russian literature, could explain why Bulgakov’s English readers were surprised when, in 2022, his high school removed his blue plaque and the Ukrainian Writers’ Union proposed the closure of the Bulgakov Museum. The words of the dashing hero of The White Guard who describes Ukrainian as a “vile language that does not exist” were frequently quoted. Ukrainians and non-Ukrainians alike had questions: should one hold an author responsible for the speech of his fictional characters? What had Bulgakov got to do with Putin? The museum’s directors, in an irony-laden and deliberately anachronistic demand of their own, asked the Writer’s Union to first expel Bulgakov from their ranks for “anti-Soviet activity”. But, given Russia’s deliberate policy of destroying places of cultural significance to Ukraine, and having read “Kiev — town” which is voiced by the author rather than a fictional character, I found myself in sympathy with victimless and limited actions to ‘cancel’ Bulgakov. I remembered how antisemitism is exclusively reserved for Ukrainian characters in The Day of the Turbins; how in Upton’s version Ukrainians celebrate victories with “a huge, ugly, violent cheer” while the Turbin family make lyrical toasts and sing. Bulgakov’s Ukrainians are the fictional predecessors of the fictional enemy imagined today by the Russian government, media, and its audiences: a Ukrainian population of antisemites and fascists. In fact, Bulgakov’s actual Ukrainian contemporaries, who are not represented in The Day of the Turbins, were both eloquent and courageous in speaking truth to power. A transcript exists of a conversation in 1929 between Stalin and a delegation of Ukrainian writers who requested The Day of the Turbins be cancelled due to its dangerous propagation of Great-Russian chauvinism. Stalin did not disagree with their interpretation of the play but reasoned that the Ukrainians’ concerns were insignificant given its potential to convince proletarian audiences that even the most reactionary White Guards (and authors) could become Bolsheviks. The most basic material needs of Ukrainians were concurrently to be deemed insignificant with Stalin’s genocidal policies of collectivisation and the largely fictive Holodomor.
ellauri434.html on line 199: By translating “Kiev — town” I hope that those who continue to love Bulgakov at a safe distance from Russia’s war and genocide will be able to understand the devil better. As readers we could start by following Zabuzhko’s advice from 2015 to “stop indulging the late Bulgakov’s complexes as if he were still alive”. We could listen more carefully to those who point out Bulgakov’s chauvinism and be slower to accuse them of being the chauvinists. And rather than restricting ourselves to a twentieth-century Russian literary canon of authors regarded as timeless dissidents, we could start paying attention to those they belittle, silence, and exclude.
xxx/ellauri068.html on line 89: It has been claimed that the authors of Zhambyl's published poems were actually Russian poets, who were officially credited as "translators."
xxx/ellauri075.html on line 519: Hugh Walpole had notable authors in his family tree: on his father's side, the novelist and letter writer Horace Walpole. According to Somerset Maugham, Walpole made a sexual proposition to James, who was too inhibited to respond with his well-meaning old trunk.
xxx/ellauri085.html on line 565: “In the last decade, especially with the pioneering work of Thomas Piketty and his co-authors, there has been a growing consensus that tax cuts for the rich lead to higher income inequality,” Hope and Limberg said. Piketty, a French economist, wrote “Capital in the Twenty-First Century,” a book on the growth of inequality in rich nations.
xxx/ellauri085.html on line 567: Given the evidence, why are such targeted tax cuts perennially popular among policymakers, especially Republicans? The authors point to one major reason — the power of wealthy individuals and corporations to set policy agendas through lobbying and campaign contributions.
xxx/ellauri085.html on line 569: “There is a large political science literature on the power of rich voters and organised business interests to shape public policies in their favour,” the authors write in their report.
xxx/ellauri085.html on line 575: “We would argue that governments should not be unduly concerned that taxing the rich will harm their economies when deciding how to pay for the costs of COVID-19,” the study authors said via email.
xxx/ellauri086.html on line 405: In September 2017, a team of scholars, computer scientists, philologists and linguists at the University of Padua analyzed 150 novels written in Italian by 40 different authors, including seven books by Elena Ferrante, but none by Raja. Based on analysis using several authorship attribution models, they concluded that Anita Raja's husband, author and journalist Domenico Starnone, is the probable author of the Ferrante novels. Raja has worked for E/O Publishing as copy editor and has been editing Starnone's books for years.
xxx/ellauri087.html on line 454: Many authors have borrowed the phrase "World enough and time" from the poem's opening line to use in their book title or inside. The most famous is Robert Penn Warren's 1950 novel World Enough and Time: A Romantic Novel, about murder in early-19th-century Kentucky. (WTF,? bet Ernest Heminway's booklet Farewell for Arms (p. 129) is famouser.) With variations, it has also been used for books on the philosophy of physics (World Enough and Space-Time: Absolute versus Relational Theories of Space and Time), geopolitics (World Enough and Time: Successful Strategies for Resource Management), a science-fiction collection (Worlds Enough & Time: Five Tales of Speculative Fiction), and a biography of the poet (World Enough and Time: The Life of Andrew Marvell). The phrase is used as a title chapter in Andreas Wagner's pop science book on the origin of variation in organisms, "Arrival of the Fittest". The verse serves as an epigraph to Mimesis, literary critic Erich Auerbach's most famous book. It is also the title of an episode of Big Finnish Productions's The Diary of River Song series 2, and of part 1 of Doctor Who's Series 10 finale. It is the title of a Star Trek New Voyages fan episode where George Takei reprises his role as Sulu after being lost in a rift in time. The title of Robert A. Heinlein's 1973 novel Time Enough for Love also echoes this line.
xxx/ellauri103.html on line 170: In June 2018, she criticised an effort by the publisher Penguin Random House to diversify the authors that it published and better represent the population, saying that it prioritised diversity over quality and that a manuscript "written by a gay transgender Caribbean who dropped out of school at seven" would be published "whether or not said manuscript is an incoherent, tedious, meandering and insensible pile of mixed-paper recycling". Penguin Random House marketer and author Candice Carty-Williams criticised the statements. As a result of her comments Shriver was dropped from judging a competition for the magazine Mslexia.
xxx/ellauri103.html on line 196: Yet were their authors honouring the new rules against helping yourself to what doesn’t belong to you, we would not have Malcolm Lowry’s Under the Volcano. We wouldn’t have most of Graham Greene’s novels, many of which are set in what for the author were foreign countries, and which therefore have Real Foreigners in them, who speak and act like foreigners, too. (Malcolm Lowry's book has been mentioned, it is pure drivel. Grandma Greene is another lousy driveler.)
xxx/ellauri103.html on line 440: The abandonment by the fan sites follows that by the stars of the Harry Potter films, including Daniel Radcliffe, Emma Watson, Rupert Alexander Lloyd Grint, and Eddie Redmayne. Also, four authors quit Rowling’s literary agency after the company declined to issue a public statement supporting transgender rights. Fortunately and Death eaters have staunchly rallied to Rowling´s side. Dementoreita oli sillä ateistipirullakin joka kirjoitti His Dark Materials, annas olla, juu Philip Pullman. Siitä lisää fanzulle omistetussa albumissa 269.
xxx/ellauri122.html on line 170: The mechanisms underlying the benefits of Mindfulness Based Interventions are suggested to include improved emotional regulation strategies and self-compassion levels, decreased rumination and experiential avoidance [3], as well as improved meta-cognitive skills and body awareness [4,5]. A number of authors have suggested models to explain the psychological mechanisms by which mindfulness interventions have an effect [6,7,8], and Hötzel et al. [9] have proposed a theoretical framework that integrates earlier models. This framework proposes that there are four main mechanisms: (1) attention regulation; (2) body awareness; (3) emotion regulation; and (4) change in perspective of the self; these, therefore, together improve self-regulation [9].
xxx/ellauri123.html on line 716: Nabokov´s wife Véra was his strongest supporter and assisted him throughout his lifetime, but Nabokov admitted to having a "prejudice" against women writers. He wrote to Edmund Wilson, who had been making suggestions for his lectures: "I dislike Jane Austen, and am prejudiced, in fact against all women writers. They are in another class." Although Véra worked as his personal translator and secretary, he made publicly known that his ideal translator would be male, and especially not a "Russian-born female". In the first chapter of Glory he attributes the protagonist's similar prejudice to the impressions made by children's writers like Lidiya Charski, and in the short story "The Admiralty Spire" deplores the posturing, snobbery, antisemitism, and cutesiness he considered characteristic of Russian women authors.
xxx/ellauri127.html on line 140: This chapter gives a brief history of the émigré travelogue in and about America from Alexis de Tocqueville to Simone de Beauvoir, by way of introducing the four authors studied in this book: Vladimir Nabokov, Robert Frank, Alfred Hitchcock and Wim Wenders. Elsa Court argues that the outsider’s perspective has shaped representations of modern America through restless mobility, drawing a portrait of the modern highway shaped by the needs and cravings of the motorist. In the context of mobilities studies’ recent embrace of the humanities, Court makes an important case for the re-examination of the fixed places designed to facilitate motion—motel, gasoline station, roadside restaurant, as well as signage and memorials—and the roadside’s redesignation from so-called non-place to modern American topos.
xxx/ellauri128.html on line 630: Maureen Patricia Duffy (born 21 October 1933) is an English poet, playwright, novelist and non-fiction author. Long an activist covering such issues as gay rights and animal rights, she campaigns especially on behalf of authors. She has received the Benson & Hedges Medal for her damn long writings.
xxx/ellauri130.html on line 633: The Scriblerus Club was an informal association of authors, based in London, that came together in the early 18th century. They were prominent figures in the Augustan Age of English letters. The nucleus of the club included the satirists Jonathan Swift and Alexander Pope. Other members were John Gay, John Arbuthnot, Henry St. John and Thomas Parnell.
xxx/ellauri137.html on line 641: If you're buying this trash for a class then you're a sucker, turn back now! Hopefully Edward isn't still teaching his own tasteless fan fiction in a college setting. It's a misunderstood teenager's journey through satire complete with crude, unoriginal and stereotypical takes on characters from the lens of a self insert hero amounting to little more than finger pointing. You'll be offended, sure, but with little substance left to interpret besides the authors very obvious discomfort with himself and others unlike him. (Make some new friends, Edward.) Beyond being ridiculous as a required reading piece for a class, actually paying for this garbage is insulting, and of course it is an absolute drag to slog through. Nobody's going to publish this except on demand printing obviously and that's why you're buying it from Amazon!!!
xxx/ellauri137.html on line 662: Alok Mishra is a literary entrepreneur as well as a literary philanthropist who has been active in this field almost for a decade now (adding the individual capacity as well as organisational). He is currently active as the founder of BookBoys PR, a dedicated company which works for authors and publishers and help them reach the target readers. Alok has been in this field, promotions and author branding, for more than 4 years now.
xxx/ellauri138.html on line 82: Rohn mentored Mark R. Hughes (the founder of Herbalife International) and life strategist Tony Robbins in the late 1970s. Others who credit Rohn for his influence on their careers include authors/lecturers Mark Victor Hansen and Jack Canafield (Chicken Soup book series), Everton Edwards (Hallmark Innovators Conglomerate), Brian Tracy, Todd Smith, and T. Harv Eker. Rohn also coauthored the novel Twelve Pillars with Chris Widener.
xxx/ellauri138.html on line 269: Literary history is full of moments of betrayal, when trusted confidants defied the wishes of the authors. Max Brod ignored Franz Kafka's order to burn his unpublished manus and diaries. Vladimir Nabokov and Philip Larkin's instructions to destroy the unpublished manus were rescinded by the heirs and executors, who not only retained but published them. Bailey did not publish Roths samizdats.
xxx/ellauri148.html on line 75: Pro-Israeli people in 179 countries have celebrated the holiday, and McCormack has received written support from almost 100 authors, entertainers, Nobel Prize winners and world leaders. But it is proved hard to find people who are authors, entertaineers, Nobel Prize winners and world leaders all at once. So far, only Ronald Reagan and Donald Trump have qualified. 98 to go, says Michael optimistically.
xxx/ellauri149.html on line 416: It probably originates from the old days, when the homosexuality taboo was serious enough that every gay pairing was considered a Crack Pairing, so when authors wrote same-sex characters as very intimate with each other, audiences largely accepted that they were just very good friends, and moved on, or when authors wrote outright references to homosexuality, most just laughed at the sheer absurdity of the thought.
xxx/ellauri167.html on line 606: Ewige Blumenkraft (German: "eternal flower power" or "flower power forever") is given in Robert Shea and Robert Anton Wilson´s 1975 Illuminatus! Trilogy as a slogan or password of the Illuminati. Ewige Blumenkraft und ewige Schlangenkraft is also offered in Illuminatus! as the complete version of this motto. The text translates "Schlangenkraft" as "serpent power"; thus "Ewige Blumenkraft und ewige Schlangenkraft" means "eternal flower power and eternal serpent power" and may allude to the conjoinment of cross and rose within the alchemical furnace. In this interpretation, the authors seem to suggest sexual magic as the secret or a secret of the Illuminati.
xxx/ellauri167.html on line 620: The Illuminatus! Trilogy is a series of three novels by American writers Robert Shea and Robert Anton Wilson, first published in 1975. The trilogy is a satirical, postmodern, science fiction–influenced adventure story; a drug-, sex-, and magic-laden trek through a number of conspiracy theories, both historical and imaginary, related to the authors´ version of the Illuminati. The narrative often switches between third- and first-person perspectives in a nonlinear narrative. It is thematically dense, covering topics like counterculture, numerology, and Discordianism.
xxx/ellauri179.html on line 604: Alicia Rix´s study of the relationship between cycling and authorship in James’s “The Papers” sums up Jake Barnes and Bill Gorton’s exchange in The Sun Also Rises linking Henry’s bicycle to Jake’s impotence. Rix examines James’s anxiety about authorial exposure and aversion to publicity and includes embarrassing depictions of him cycling by Ford Madox Ford, David Lodge, and others. (The original manuscript shows that, before deletion, this had read "Henry James's bicycle.")
xxx/ellauri179.html on line 992: Indeed, it could be a parlor game on the order of listing the famous alcoholics in American literature: Name the 20th-century authors who were anti-Semites — Theodore Dreiser; Hemingway; F. Scott Fitzgerald (a little); Sinclair Lewis; Ezra Pound, of course; T. S. Eliot; William Faulkner; Thomas Wolfe — the list goes on.
xxx/ellauri193.html on line 600: Well, first of all, everything can be exaggerated, so calm down a little, Karl Ragnar Gierow. But also there’s a tone here that doesn’t sit well with me. Certainly the literary world has a tendency to calcify—the people who have enough time to write books tend to be from the upper classes, so literature’s concerns and perspectives invariably get narrow without new blood. But those sidebar reassurances that working-class poets aren’t here to ravage and plunder seem nervous and uptight, and not really reassuring to boot. It seems to me that we want a little ravagement and plunder in our literary traditions. Why else would we welcome a stirring new voice, if it didn’t stir us up a little? And if it doesn’t stir us up, is it really a new voice, even if it comes from a place most of us haven’t visited? “To determine an author and his work against the background of his social origin and political environment is, at present, good form,” the speech continues, and that’s OK as far as it goes. But if you’re going to decide that two authors are tied for literary merit, surely we can find some criterion besides their socioeconomic origin stories.
xxx/ellauri193.html on line 602: Therefore, as I read these two books, I decided to be much more exacting in my evaluation process than my usual experiential woolgathering, and I tallied up a few figures, in categories that seem equally obvious and problematic as the authors’ humble beginnings.
xxx/ellauri193.html on line 656: I’ll let Sweden handle this. Both authors apparently get a ten.
xxx/ellauri193.html on line 659: And there you have it. It’s a crude way of evaluating literature, of course, but it doesn’t seem much cruder than the methodology used by the people who chose these two authors in the first place. And which author is better, you ask? Well, let’s see, seven plus five, another seven, carry the one—hey! Ladies and gentlemen, we have a tie!
xxx/ellauri199.html on line 1071: The rhymes morphed into his first children’s book, “And to Think That I Saw It on Mulberry Street,” about a boy who witnesses increasingly outlandish things. First published in 1937, the book started Geisel’s career as Dr. Seuss. He went on to publish more than 60 books that have sold some 700 million copies globally, making him one of the world’s most enduringly popular children’s book authors.
xxx/ellauri208.html on line 404: Some magazine observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out." Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, John Henry Newman and John Ruskin. Vankkaa porukkaa.
xxx/ellauri215.html on line 482: These findings suggest that orgasm inequality likely worsens rather than improves within a relationship when women climax less often than their male partner and then place less importance this kind of sexual pleasure. The Rutgers authors said it's important to increase women's expectations for and entitlement to orgasm during sex with men in order to break this cycle.
xxx/ellauri225.html on line 43: Did you know that Ursula K. Le Guin wrote a science fiction novel with a lesbian protagonist? I wouldn’t blame you if not; The Telling is not one of her more popular books. I wasn’t even sure if I wanted to review it—I try to feature sapphic authors with my reviews here, if at all possible. But I have a soft spot in my heart for The Telling, and I do believe that it is highly underrated when it comes to Le Guin’s esteemed corpus of work.
xxx/ellauri225.html on line 268: Le Guin read both classic and speculative fiction widely in her youth. She later said that science fiction did not have much impact on her until she read the works of Theodore Sturgeon and Cordwainer Smith, and that she had sneered at the genre as a child. Authors Le Guin describes as influential include Victor Hugo, William Wordsworth, Charles Dickens, Boris Pasternak, and Philip K. Dick. Le Guin and Dick attended the same high-school, but did not know each other. She also considered J. R. R. Tolkien and Leo Tolstoy to be stylistic influences, and preferred reading Virginia Woolf and Jorge Luis Borges to well-known science-fiction authors such as Robert Heinlein, whose writing she described as being of the "white man conquers the universe" tradition. Several scholars state that the influence of mythology, which Le Guin enjoyed reading as a child, is also visible in much of her work: for example, the short story "The Dowry of Angyar" is described as a retelling of a Norse myth.
xxx/ellauri229.html on line 169: Kandel is perhaps best known for his translations of the works of Stanisław Lem from Polish to English. Recently he has also been translating works of other Polish science fiction authors, such as Jacek Dukaj, Marek Huberath and Andrzej Sapkowski. The quality of his translations is considered to be excellent and is especially notable in the case of Lem´s writing, which makes heavy use of wordplay and other difficult-to-translate devices.
xxx/ellauri229.html on line 171: Michael Kandel was a Fulbright student in Poland, 1966-67; taught Russian literature at George Washington University; received his PhD in Slavic at Indiana University; translated Polish writer Stanislaw Lem for Harcourt; wrote a few articles on Lem; worked as an editor at Harcourt, where he acquired authors Jonathan Lethem, Ursula K. Le Guin, James Morrow, and others; has written science fiction, short stories, and a few novels (Bantam, St. Martin´s); and is presently an editor at the Modern Language Association. He is the editor and translator of the anthology A Polish Book of Monsters.
xxx/ellauri230.html on line 70: In addition to the numerous mentions of Zen and nature, one topic that was briefly mentioned in Kawabata´s mile long Nobel lecture was that of suicide. Kawabata reminisced of other famous Japanese authors who committed suicide, in particular Ryūnosuke Akutagawa. He contradicted the custom of suicide as being a form of enlightenment, mentioning the priest Ikkyū, who also thought of suicide twice. He quoted Ikkyū, "Among those who give thoughts to things, is there one who does not think of suicide?" There was much speculation about this quote being a clue to Kawabata´s suicide in 1972, a year and a half after Mishima had committed suicide. Kawabata saw ca. 200 nighmares about it. Vittu nää insulaariset viirusilmät on aika vinxahtaneita.
xxx/ellauri239.html on line 50: Wayne W. Dyer on izehoitopersoona, joka on tullut mainituxi toisaalla esimerkkinä ESFP-persoonallisuudesta. ESFP (extroverted sensing feeling perceiving) is one of the sixteen personality types of the Myers-Briggs Type Inventory (MBTI) test. ESFPs operate from the principle that “all the world’s a stage” — and they want to be the stars. ESFP on realistinen sopeutuja ihmissuhteissa. ESFP on jenkein ja ämmämäisin tyypeistä: öykkäri ketku touho ääliö. Tai positiivisemmin, "Free-spirited and fun-loving people persons" kuten Kinsella. ESFPs are enthusiastic about having new experiences and meeting new people. They are generally warm and adaptable realists who go with the flow. ESFP authors include Tony Robbins, Wayne Dyer, Deepak Chopra, Bill Clinton, and Paulo "Kani" Coelho. Learn more about how ESFPs write somewhere else. Eli tämä paasaus keskittyy vain Wile E. Coyoteen alias Wayne W. Dyeriin.
xxx/ellauri250.html on line 662: Should the Baby Live? The Problem of Handicapped Infants is a 1985 book by the philosophers Peter Singer and Helga Kuhse, in which the authors examine moral issues surrounding babies born with disabilities, and argue for infanticide in certain cases and cannibalism in others.
xxx/ellauri268.html on line 220: Famous authors
xxx/ellauri281.html on line 735: Robert Michels Political Parties A Sociological Study of the Oligarchic Tendencies of Modern Democracy First was published in German in 1911 then Italian in 1912 with the authors additions it was translated into English by Eden and Cedar Paul in 1915 In 2001 their edition was published on the internet by Batoche Books Canada.
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xxx/ellauri354.html on line 263: Frederic Henry and Catherine Barkley show familiarity with well-known painters (Mantegna, Rubens, Titian) and with canonic authors (Shakespeare, Marvell), but their current reading is sparse, practical, and not literary: Catherine reads the Almanac and Frederic reads magazines and newspapers (mostly out of date).
xxx/ellauri380.html on line 389: writings and even the thoughts of its authors who are all dependent
xxx/ellauri380.html on line 391: to which the authors must subject themselves and their art in order to
xxx/ellauri388.html on line 91: The authors of the magazine included at least Kersti Bergroth, Pentti Haanpää, Martti Merenmaa, Elina Vaara, Väinö Nuorteva, and Mika Waltari. The editors-in-chief were Yrjö Rauanheimo, Lauri Viljanen and Waltari. Craucher was the acquirer and marketer of the magazine´s advertising space. As the magazine itself was not very attractive, Craucher even resorted to blackmail in obtaining advertising contracts.
xxx/ellauri388.html on line 93: Craucher´s saloon was a popular watering place for Tiilenkantajat ("The Flame Throwers") and other young writers of the time because of her generous service and her fascinating arse. Craucher herself, for her part, felt drawn to uniforms. Of the authors who visited Craucher´s saloon, at least Joel Lehtonen, Martti Merenmaa and Mika Waltari have described the salon and its owner.
xxx/ellauri400.html on line 171: metropolitan authors and politicians of the
xxx/ellauri410.html on line 146: Faber & Faber published The Faber Book of Blue Verse (1997), which was reissued as Making Love to Marilyn Monroe (2006). Both editions contain Eliot’s “Columbiad: Two Stanzos,” “There Was a Young Girl of Siberia,” and “ ’Twas Christmas on the Spanish Main,” and include verse by such eminent authors as Geoffrey Chaucer, Edna St. Vincent Millay, and the famous Anon. It is an indigestible fudge of the familiar, the feeble and the indiscriminately filthy” (Wheen 262).
xxx/ellauri410.html on line 1044: And even if either of the authors did say that Mormons believe in pagan idols, neither is a Church authority and have no authority to declare Church doctrine.
xxx/ellauri427.html on line 242: Amis eventually moved further to the political right, a development he discussed in the essay "Why Lucky Jim Turned Right" (1967); his conservatism and anti-communism can be seen in works like the dystopian novel Russian Hide and Seek (1980). In 1967, Amis, Robert Conquest, John Braine, and several other authors signed a letter to The Times entitled "Backing for U.S. Policies in Vietnam", supporting the US government in the Vietnam War. He spoke at the Adam Smith Institute, arguing against government subsidy to the arts.
xxx/ellauri436.html on line 123: Sometimes, moral conflicts can be resolved because one of the values clearly overrides the other. Thus, from a research integrity perspective, authorship requirements are more important than gratitude. In order to do justice to the value of gratitude, the person can be mentioned in an acknowledgement. However, there are examples of situations where conflicts can be irresolvable, because the person who has to choose feels the obligation to do justice to two incompatible values, like whether to smash a white mother with baby or three black businessmen. In such cases, one is confronted with a moral dilemma. A moral dilemma is a conflict situation in which the choice one makes causes a moral harm, which cannot be restlessly repaired.
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