ellauri088.html on line 544: Idle Thoughts of an Idle Fellow, published in 1886, is a collection of humorous essays by Jerome K. Jerome. It was the author’s second published book and it helped establish him as a leading English humorist. While widely considered one of Jerome’s better works, and in spite of using the same style as Three Men in a Boat, it was never as popular as the latter. A second "Idle Thoughts" book, The Second Thoughts of An Idle Fellow, was published in 1898.
ellauri096.html on line 124: Most of these philosophical advances are reactions to the use of probability by scientists. In the twentieth century, editors of science journals began to demand that the author’s hypothesis should be accepted only when it was sufficiently probable – as measured by statistical tests. The threshold for acceptance was acknowledged to be somewhat arbitrary. And it was also conceded that the acceptance rule might vary with one’s purposes. For instance, we demand a higher probability when the cost of accepting a false hypothesis is high.
ellauri107.html on line 244: Claggart’s repressed, closeted attraction to Billy finds parallels with some interpretations of Hawthorne’s evident spurning of Melville’s too intimate attentions and Hawthorne’s character in The Blithedale Romance Coverdale’s similar rejection of the invitation from Holingsworth to be his “friend of friends, forever.” For Melville, Hawthorne’s Arthur Dimmesdale’s agonizing acknowledgement of adultery must have seemed a stunning parallel with what later generations would term “coming out of the closet.” Whether Hawthorne himself were a closeted gay man, it is clear that Melville was relatively open in his affections for the senior author and that those affections were somehow turned away and seem to have left a wound that never fully healed. The evils of the closet constitute a subtext in Billy Budd that may well have brought to its author’s mind the sad sundering of his closeness with Nathaniel Hawthorne.
ellauri107.html on line 406: The author’s sanctioned biographer, Claudia Roth Pierpont, comments that the Drenka “enlarges the sense of female possibility, and that’s what heroines are for”. Of course, Roth rather ruins this reverence by having Sabbath masturbate on her grave (and he’s not the only character who does), but then Phil always has to spoil the party. He's a real party pooper is Phil.
ellauri159.html on line 1149: Focus on the concrete and avoid useless abstract concepts. As a result, your writing will lack a unifying theme that communicates the author’s purpose to those who do not need to know. Be sure to incorporate an organizing principle or chart, such as problem–solution, to serve as a roadmap for the intended reader, for example on a separate crypted page.
ellauri189.html on line 77: "Maria" was hailed by the younger generation as one of the first authentic literary products of Polish romanticism (the adherents of the so-called Warsaw Classicism were, on the contrary, horrified by the dark plot and the author’s preference for “provincial” words and expressions). Malczewski was then already in poor health and, before a year had passed, in May 1826, he died – impoverished and disgraced because of his affair with a hysterical married woman (whom he was supposed to heal by means of mesmerism – after his death she returned to her husband).
ellauri198.html on line 848: Another important element of poems in both these collections and other volumes is Yeats’s keen awareness of old age. Even his romantic poems from the late 1890s often mention gray hair and weariness, though those poems were written while he was still a young man. But when Yeats was nearly 60, his health began to fail and he was faced with real, rather than imaginary, “bodily decrepitude” (a phrase from “After Long Silence”) and nearness to death. Despite the author’s often keen awareness of his physical decline, the last 15 years of his life were marked by extraordinary vitality and an appetite for life, including young boys and girls.
ellauri206.html on line 318: life of the author’s life (Hugo, La Fontaine, Baudelaire…)
ellauri214.html on line 80: The Casual Vacancy hit bookstores last week and drew mixed reviews. The Harry Potter author’s first adult book since the wizard franchise has caused some debate as it deals with such issues as child abuse, prostitution and drugs. Some British conservatives have described it as a liberal attack on their values.
ellauri219.html on line 280: Published in 1954, Aldous Huxley’s work, The Doors Of Perception, was required reading for the countercultural elite in the 60s. Detailing the author’s own experience of taking mescaline, it chimed with the consciousness-expanding ethos of the decade, and even gave The Doors their name. He was nominated for the Nobel Prize for Literature in seven different years and died on November 22, 1963, the same day that both With The Beatles was released and President John F Kennedy was assassinated. Aldousin veli oli Sir Julian Sorell Huxley (22. kesäkuuta 1887 - 14. helmikuuta 1975) oli brittiläinen biologi, joka kannusti pelagiolaista Teilhard de Chardinia. Huxleyt oli kaiken kaikkiaan hyvin suspekteja.
ellauri339.html on line 589: The writing is on the wall. An op-ed in the New York Times entitled “I’m a Ukrainian, and I Refuse to Compete for Your Attention” summed things up nicely: A media junket the author’s friend had been organizing to Ukraine was canceled. The T.V. crew instead left for the Middle East.
ellauri359.html on line 69: But there were others. Like so many Scots before and since, Grahame held a senior post in London’s banking world. When one day a stranger accosted him there with a pistol, firing it off wildly (though happily missing his target), the author’s fear of the underclass took root. Thus, those ragamuffins in the Wild Wood, the knife-wielding, teeth-baring stoats and weasels who destroy property and have no respect for their social superiors – Rat, Toad, Badger and Mole – are his representation of the terrible face of anarchists, working classes and madmen rolled into one.
ellauri381.html on line 591: It will produce the first ever English translations of the author’s autobiography, “The Little Grain,” and the remaining volumes of his opus, “The Red Wheel.” According to Joseph Dresen of the Kennan Institute, the first translations will be completed in late 2015.
xxx/ellauri103.html on line 227: What stories are “implicitly ours to tell,” and what boundaries around our own lives are we mandated to remain within? I would argue that any story you can steal is yours to tell, and trying to push the boundaries of the author’s personal experience by usurping other people's is part of a fiction writer’s job. At least of drivelists like me.
xxx/ellauri103.html on line 272: But in my events to promote Big Brother, like trying to peddle it to my acquaintances, I started to notice a pattern. Most of the people buying the book in the signing queue were thin. Well the whole queue was pretty thin. Especially in the US, fat is now one of those issues where you either have to be one of us, or you’re the enemy. It's like Christianity: who is not for Jesus is against him. We don't know if he was fat, but most likely he was scrawny, he could not even carry his cross. I verified this when I had a long email correspondence with a “Healthy at Any Size” activist, who was incensed by the novel, which she hadn’t even read. Which she refused to read. No amount of explaining that the novel was on her side, that it was a book that was terribly pained by the way heavy people are treated and how unfairly they are judged, could overcome the scrawny author’s photo on the flap.
xxx/ellauri179.html on line 290: The posthumously published novels, such as Islands in the Stream (1970) and The Garden of Eden (1986), have disappointed many of the old Hemingway readers. However, rather than bearing witness to declining literary power, (which, considering the author’s declining mental health is indeed a rather trivial observation) the late works confront us with a reappraisal and reconsideration of basic values. Well they needed one to be sure.
xxx/ellauri179.html on line 325: The Garden of Eden, however, a book brimming with the author’s vulnerability just as A Farewell to Arms is, treats intimate and delicate matters. Paxun eufemismikuorrutuxen alle kurkistaen: tässä niteessä on varmaan erityisen paljon homostelua. "She is depicted with fascination and fear, like Marcel Proust’s Albertine." No niin aina! "Eros and Thanatos, love and death, paradise and trespass." No on se vittua!
xxx/ellauri199.html on line 1076: The estate’s decision — which prompted breathless headlines on cable news and complaints about “cancel culture” from prominent conservatives — represents a dramatic step to update and curate Seuss’s body of work, acknowledging and rejecting some of his views while seeking to protect his brand and appeal. It also raises questions about whether and how an author’s works should be posthumously curated to reflect evolving social attitudes, and what should be preserved as part of the cultural record.
xxx/ellauri329.html on line 97: In 2004, Harper’s magazine published Natasha, a first short story by a promising 31-year-old Jewish Canadian writer, David Bezmozgis. This memorable tale of a doomed teenage love between Mark, a Jewish Toronto slacker, and his troubled (shiksa) Russian cousin by marriage was eventually released in a collection chronicling the lives of a Latvian immigrant family, not unlike the author’s own. Bezmozgis’s debut became a cult sensation with critics drawing literary comparisons to Bernard Malamud and Philip Roth. The story was subsequently reprinted in 15 languages. After penning two more acclaimed novels, then writing and directing his first feature Victoria Day (SFJFF 2010), Bezmozgis finally brings his modern classic to the big screen in a remarkably assured adaptation that’s both highly provocative and deeply poignant. At the heart of this emotional, coming-of-age drama are the extraordinarily measured performances of Alex Ozerov as Mark and newcomer Sasha K. Gordon as the sexually precocious Natasha, the dark star who forever alters Mark’s staid, suburban existence. Fans of the writer’s original source material will not be disappointed in David Bezmozgis’s haunting narrative of forbidden love caught between the old world and the new, further proof of this talented artist’s notable command of both literature and the cinema. —Thomas Logoreci Note: Mature Content. A New Life in the west means a second chance for precocious Latvian jews.
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