ellauri046.html on line 268: Kierkegaard's humor ranges from the droll to the rollicking; from farce to intricate, subtle analysis; from nimble stories to amusing aphorisms. In these pages you are invited to meet the wife of an author who burned her husband's manuscript and a businessman who, even with an abundance of calling cards, forgot his own name. You will hear of an interminable vacillator whom archeologists found still pacing thousands of years later, trying to come to a decision. Then there is the emperor who became a barkeeper in order to stay in the know.
ellauri060.html on line 1153: Illegitimi non carborundum is a mock-Latin aphorism, often translated as "Don't let the bastards grind you down". The phrase itself has no meaning in Latin and can only be mock-translated as a Latin–English pun.
ellauri089.html on line 155: He does have a minor talent for aphorism: "Specialization is for insects." "Progress isn't made by early risers. It's made by lazy men trying to find easier ways to do something." "When a place gets crowded enough to require IDs, social collapse is not far away."
ellauri108.html on line 92: Rastas are monotheists, worshipping a singular God whom they call Jah. The term "Jah" is a shortened version of "Jehovah", the name of God in English translations of the Old Testament. Rastafari holds strongly to the immanence of this divinity; as well as regarding Jah as a deity, Rastas believe that Jah is inherent within each individual. This belief is reflected in the aphorism, often cited by Rastas, that "God is man and man is God", and Rastas speak of "knowing" Jah, in the biblical sense, rather than simply "believing" in him. In seeking to narrow the distance between humanity and divinity, Rastafari embraces mysticism.
ellauri108.html on line 117: Rastas view Babylon as being responsible for both the Atlantic slave trade which removed enslaved Africans from their continent and the ongoing poverty which plagues the African diaspora. Rastas turn to Biblical scripture to explain the Atlantic slave trade, believing that the enslavement, exile, and exploitation of black Africans was punishment for failing to live up to their status as Jah's chosen people. Many Rastas, adopting a Pan-Africanist ethos, have criticised the division of Africa into nation-states, regarding this as a Babylonian development, and are often hostile to capitalist resource extraction from the continent. Rastas seek to delegitimise and destroy Babylon, something often conveyed in the Rasta aphorism "Chant down Babylon". Rastas often expect the white-dominated society to dismiss their beliefs as false, and when this happens they see it as confirmation of the correctness of their faith.
ellauri108.html on line 475: Rastas seek to delegitimise and destroy Babylon, something often conveyed in the Rasta aphorism "Chant down Babylon".
ellauri145.html on line 93: Jonathan Swift: Directions to Servants, A Modest Proposal, Meditation Upon a Broomstick; a few aphorisms;
ellauri145.html on line 102: Georg Christoph Lichtenberg: selected aphorisms. Georg Christoph Lichtenberg (1. heinäkuuta 1742, Ober-Ramstadt – 24. helmikuuta 1799, Göttingen) oli saksalainen tiedemies, satiirikko ja anglofiili. Hän oli pastori Johann Conrad Lichtenbergin seitsemästätoista lapsesta nuorin. (Isä oli aika panomies!) Hän aloitti opintonsa vuonna 1763 Göttingenin yliopistossa, ja hänet nimitettiin ensin vuonna 1769 fysiikan apulaisprofessoriksi ja kuuden vuoden kuluttua kokeellisen fysiikan professoriksi. Häntä pidetään saksankielisen aforismikirjallisuuden perustajana. Siltä on suomennettu Töherryskirjat: Aforismeja ja muistiinmerkintöjä. Valikoinut ja suomentanut Juhani Ihanus. Otava, Helsinki 1999.
ellauri153.html on line 260: Bustan is entirely in verse (epic metre). It consists of stories aptly illustrating the standard virtues recommended to Muslims (justice, liberality, modesty, contentment) and nostalgic reflections on the behavior of dervishes and their ecstatic practices. Gulistan is mainly in prose and contains stories and personal anecdotes. The text is interspersed with a variety of short poems which contain aphorisms, advice, and humorous reflections, demonstrating Saadi's profound awareness of the absurdity of human existence. The fate of those who depend on the changeable moods of kings like Atabak Abubakr is contrasted with the 4 degrees of freedom of the dervishes.
ellauri155.html on line 880: Santayana is mostly known for aphorisms, such as "Those who cannot remember the past are condemned to repeat it", "Only the dead have seen the end of war", and the definition of beauty as "pleasure objectified". Although an atheist, he treasured the Spanish Catholic values, practices, and worldview in which he was raised.] Santayana was a broad-ranging cultural critic spanning many disciplines. He was profoundly influenced by Spinoza´s life and thought; and, in many respects, was another Spinoza. Was he too a jew? I guess not. His father was a minor intellectual. His mother married a Bostonian merchant Sturgis who died. In Madrid, he married the Santayana guy. In 1869, Josefina Borrás de Santayana returned to Boston with her three Sturgis children, because she had promised her first husband to raise the children in the US. She left the six-year-old Jorge with his father in Spain. Jorge and his father followed her to Boston in 1872. His father, finding neither Boston nor his wife´s attitude to his liking, soon returned alone to Ávila, and remained there the rest of his life as a minor intellectual.
ellauri210.html on line 601: Marcel Duchamp: aphorisms (also found in The Writings of Marchel Duchamp)
ellauri210.html on line 891: Agence Générale du Suicide, suivi de Lord Patchogue, Je serai sérieux comme le plaisir, Roman d'un jeune homme pauvre, Pensées et aphorismes. Voix d'encre, 2015, Montélimar.
ellauri219.html on line 399: A playwright, novelist, and poet, Oscar Wilde left no shortage of aphorisms for which he is remembered, along with the novel The Picture Of Dorian Gray and plays such as The Importance Of Being Earnest and An Ideal Husband.
ellauri277.html on line 248: The work begins with the prophet Almustafa preparing to leave the city of Orphalese, where he has lived for twelve years, to return to the island of his birth. The people of the city gather and beg him not to leave, but the seeress Almitra, knowing that his ship has come for him, asks him instead to tell them his truths. The people ask him about the great themes of human life: love, marriage, children, giving, eating and drinking, and many others, concluding with death. Almustafa speaks of each of the themes in sober, sonorous aphorisms grouped into twenty-six short chapters. As in earlier books, Gibran illustrated The Prophet with his own drawings, adding to the power of the work.
ellauri277.html on line 256: In 1926 and 1927, respectively, Gibran published Sand and Foam in English (Donovan!). Sand and Foam is decorated with Gibran’s drawings, and the aphorisms are separated by floral dingbats also drawn by Gibran. Most critics did not like the book, but, like all of his English works (except the flop Twenty Drawings), it has remained in print since its publication.
xxx/ellauri167.html on line 596: The notion that simply showing police violence was evidence of liberal bias didn’t begin with Chicago. It traces back rather directly to TV coverage of civil rights, when white Southerners complained that the networks ignored their perspective and were manipulated by publicity seekers within the movement. By the late 1950s, many of the same people who would later object to the network’s coverage in Chicago had already taken to calling CBS the “Communist” or “Coon” or “Colored Broadcasting Company.” The same bigoted wordplay made NBC the “Nigger Broadcasting Company.” Alabama’s Bull Connor summed up the situation with an aphorism that wouldn’t seem out of place in some conservative circles today: “The trouble with this country is communism, socialism and journalism.”
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