The journals flourishing at the start of the century resembled imperial corporations in the extent to which they promoted individual authors, aiding the so-called "minor" romantics in particular. "Old China" illustrates this historically symbiotic collaboration of author with organ not only through its external context in the highly topical London Magazine, but also especially internally, in the essay's ventriloquization of Coleridge.
xxx/ellauri084.html on line 627: Dowtyn, Wallin ja Petersin Introduction to Montague Semantics, jolla Wallu doppailee, oli jo ilmestyessään kuolleena syntynyt alkeisoppikirja Richard Montaguen, 1971 jossain hämärissä kotibailuissa nirhatun homopetterin hankalammista alkuperäisistä artikkeleista 60/70 lukujen vaihteesta, joita me Eskin kanssa opiskeltiin Jaakon apulaisten huoneessa lukutikku kädessä. Dowty et al. ilmestyi 1981, jolloin John oli justiinsa syntynyt ja mä valmistunut ja masentuneen Stan Petersin sitä paljon pätevämpi rouva pyysi mua Amherstiin sijaisexi, mutta me ei menty. Montague-semantiikka kuoli sitten omaan mahdottomuuteensa, tai paremminkin koska siitä ei saanut helppoja tietokonesovelluxia. Just tohon aikaan mikrot tuli joka humanistin pöydälle ja kaikki halus tehdä jotain jota niillä saattoi tehdä, ja Montaguen joukko-opillinen semantiikka ei siltä näyttänyt. Se oli pelkkää määrittelyä, siitä puuttui komputoitavuus. Onnexi ei menty.
xxx/ellauri121.html on line 313: Peg was particularly happy that he achieved the kind of swift exit she wanted and avoided the decline into further dementia that she feared. He had a lovely last few weeks locked up on Peg's boat before being taken to the shot. He was an avid birdwatcher like Antti Arjava. Peg's antics wagging her tail out on a limb were a serene joy to watch.
xxx/ellauri122.html on line 892: The novel challenges readers to consider how they think, including monitoring their reactions, judgments, and choices. Daniel Kahnemann is a sleazy customer whose antics have been taken under the lupe elsewhere.
xxx/ellauri168.html on line 297: Notable ideas: Hard problem of consciousness, extended mind, two-dimensional semantics, naturalistic dualism, philosophical zombie.
xxx/ellauri354.html on line 253: Sartre has said that the writer's is to cure the "sick" language that is incommunicative. Iris Murdoch, in attempting to answer what the sickness of the language really is, says it is the fact that we can no longer take language for granted as a medium of communication. "Its transparancy has gone. We are like people who for a long time looked out of a window without noticing the glass - and then one day began to notice this too. Hemingway also feals this way. Our time demands a simple prose. with an Eliot-like emphasis on semantics."
xxx/ellauri400.html on line 212: Arnold did not like lyrics and could not stand romantics nor comics. He was a typical mediocre Victorian. Arnold is sometimes called the third great Victorian poet, along with Alfred, Lord Tennyson, and Robert Browning.
xxx/ellauri416.html on line 81: Mitä antiikkia, samat antics on apinoilla olleet ainakin 100 kilovuotta taaxepäin: päältä/alta/sivulta, maaten/seisten/istuen, eestä/takaa/anaaliin, imutus, lutkutus, klitoris, vulva, vagina, terska, kullinvarsi vaappera, kieli, huulet, kurkku, kainalo, kädet, jalat, nenä, silmät, korvat, karvat, tukka, hampaat, tissit, pussit, napa, sormet, varpaat, pakarat, siinähän ne alkaa olla tärkeimmät.
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