ellauri063.html on line 272: In Jewish folklore, a golem (/ˈɡoʊləm/ GOH-ləm; Hebrew: גולם‎) is an animated anthropomorphic being that is created entirely from inanimate matter (usually clay or mud). The word was used to mean an amorphous, unformed material in Psalms and medieval writing.
ellauri142.html on line 614: Starting either from religious belief or from science, Spencer argued, we are ultimately driven to accept certain indispensable but literally inconceivable notions. Whether we are concerned with a Creator or the substratum which underlies our experience of phenomena, we can frame no conception of it. Therefore, Spencer concluded, religion and science agree in the supreme truth that the human understanding is only capable of 'relative' knowledge. This is the case since, owing to the inherent limitations of the human mind, it is only possible to obtain knowledge of phenomena, not of the reality ('the absolute') underlying phenomena. Hence both science and religion must come to recognise as the 'most certain of all facts that the Power which the Universe manifests to us is utterly inscrutable.' He called this awareness of 'the Unknowable' and he presented worship of the Unknowable as capable of being a positive faith which could substitute for conventional religion. Indeed, he thought that the Unknowable represented the ultimate stage in the evolution of religion, the final elimination of its last anthropomorphic vestiges.
ellauri262.html on line 153: As a boy, Lewis was fascinated with anthropomorphic animals; he fell in love with Beatrix Potter and often wrote and illustrated his own animal tales. Along with his brother Warnie, he created the world of Boxen, a fantasy land inhabited and run by animals.
ellauri447.html on line 295: Theophilus of Alexandria was sympathetic to Origenist teaching that God was incorporeal. MITVIT milläs sitten iso nyrkki jumalatonta kumauttaa? Mitenkä se sai leivotuxi käärmeitä? "These are a cinch." A large mob of Alexandrian monks who regarded God as anthropomorphic rioted in the streets. The only true and orthodox position, was that God had a literal, physical body resembling that of a human.
ellauri468.html on line 86: In the Pixar film, a misfit ant named Flik looks for "tough warriors" to save his ant colony from a protection racket run by a gang of grasshoppers. However, the "warriors" he brings back are a troupe of Circus Bugs. During production, a controversial public feud erupted between Steve Jobs and Lasseter of Pixar and DreamWorks co-founder Jeffrey Katzenberg due to the parallel production of his similar film Antz, which was released the month prior. The script of Antz was also heavy with adult references, whereas Pixar's film was more accessible to children. Lasseter, who normally did not use profane language, cursed at Katzenberg and hung up the phone. Fuck, the warty warthog Steve Jobs was in Pixar too! Jobs and Katzenberg would not back down and the rivaling ant films provoked a press frenzy. "The bad guys rarely win," Jobs told the Los Angeles Times, probably meaning himself. In response, DreamWorks' head of marketing Terry Press suggested, "Steve Jobs should take a pill." Antz seemed to be more geared towards older audiences, featuring moderate violence, mild sexual innuendoes, insect genitals and profanity, as well as social and political satire. A Bug's Life was more family-friendly and lighthearted in tone and story. Antz played off more realistic aspects of ants and how they relate to other bugs, like termites and wasps, while A Bug's Life offered a more fanciful look at insects to better suit its anthropomorphic story.
xxx/ellauri166.html on line 217: Laughter" and "derision" are, of course, anthropo-morphisms. It is meant that God views with contempt and scorn man's weak attempts at rebellion. (That is not anthropomorphic in the least.) Psalm 2:4
xxx/ellauri229.html on line 765: Silentium! is an archetypal poem by Tyutchev. Written in 1830, it is remarkable for its rhythm crafted so as to make reading in silence easier than aloud toward others. Like so many of his poems, its images are anthropomorphic and pulsing with pantheism. As one Russian critic put it, "the temporal epochs of human life, its past and its present fluctuate and vacillate in equal measure: the unstoppable current of time erodes the outline of the present."
xxx/ellauri230.html on line 262: Based on a webcomic of an anthropomorphic dog sitting in a burning house saying “This is fine,” this is fine is a meme used as a reaction image in which someone ironically says a situation is OK … and it very clearly isn’t.
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