ellauri020.html on line 650: Trump alluded to his extramarital affair in a 1994 interview with ABC Primetime Live, per the New York Daily News, calling his life at the time "a bowl of cherries." He added, "The business was so great ... a beautiful girlfriend, a beautiful wife, a beautiful everything." He also muses that, if the Marla-Ivana confrontation hadn´t happened, it´s possible he would´ve continued on seeing his mistress.
ellauri109.html on line 274: Shortly after the September 11 attacks, Searle wrote an article arguing that the attacks were a particular event in a long-term struggle against forces that are intractably opposed to the United States, and signaled support for a more aggressive neoconservative interventionist foreign policy. He called for the realization that the United States is in a more-or-less permanent state of war with these forces. Moreover, a probable course of action would be to deny terrorists the use of foreign territory from which to stage their attacks. Finally, he alluded to the long-term nature of the conflict and blamed the attacks on the lack of American resolve to deal forcefully with America's enemies over the past several decades.
ellauri141.html on line 113: In B. C. 17, Augustus celebrated the Ludi Seculares, and Horace was required to write an Ode for the occasion, which he did, and it has been preserved. This circumstance, and the credit it brought him, may have given his mind another leaning to Ode-writing, and have helped him to produce the fourth book, a few pieces in which may have been written at any time. It is said that Augustus particularly desired Horace to publish another book of Odes, in order that those he wrote upon the victories of Drusus and Tiberius (4 and 14) might appear in it. The latter of these Odes was not written, probably, till B. C. 13, when Augustus returned from Gaul. If so, the book was probably published in that year, when Horace was fifty-two. The Odes of the fourth book show no diminution of power, but the reverse. There are none in the first three books that surpass, or perhaps equal, the Ode in honor of Drusus, and few superior to that which is addressed to Lollius. The success of the first three books, and the honor of being chosen to compose the Ode at the Ludi Seculares, seem to have given him encouragement. There are no incidents in his life during the above period recorded or alluded to in his poems. He lived five years after the publication of the fourth book of Odes, if the above date be correct, and during that time, I think it probable, he wrote the Epistles to Augustus and Florus which form the second book; and having conceived the intention of writing a poem on the art and progress of poetry, he wrote as much of it as appears in the Epistle to the Pisones which has been preserved among his works. It seems, from the Epistle to Florus, that Horace at this time had to resist the urgency of friends begging him to write, one in this style and another in that, and that he had no desire to gratify them and to sacrifice his own ease to a pursuit in which it is plain he never took any great delight. He was likely to bring to it less energy as his life was drawing prematurely to a close, through infirmities either contracted or aggravated during his irrational campaigning with Brutus, his inaptitude for which he appears afterwards to have been perfectly aware of. He continued to apply himself to the study of moral philosophy till his death, which took place, according to Eusebius, on the 27th of November, B. C. 8, in the fifty-seventh year of his age, and within a few days of its completion. Mæcenas died the same year, also towards the close of it; a coincidence that has led some to the notion, that Horace hastened his own death that he might not have the pain of surviving his patron. According to Suetonius, his death (which he places after his fifty-ninth year) was so sudden, that he had not time to execute his will, which is opposed to the notion of suicide. The two friends were buried near one another “in extremis Esquiliis,” in the farthest part of the Esquiliæ, that is, probably, without the city walls, on the ground drained and laid out in gardens by Mæcenas.
ellauri245.html on line 170: In November 2011, Miller posted remarks pertaining to the Occupy Wall Street movement on his blog, calling it "nothing but a pack of louts, thieves, and rapists, fed by Woodstock-era nostalgia and putrid false righteousness." He said of the movement, "Wake up, pond scum. America is at war against a ruthless enemy. Maybe, between bouts of self-pity and all the other tasty tidbits of narcissism you´ve been served up in your sheltered, comfy little worlds, you´ve heard terms like al-Qaeda and Islamicism." Miller´s statement generated controversy. In a 2018 interview, Miller backed away from his comments saying that he "wasn´t thinking clearly" when he made them and alluded to a very dark time in his life during which they were made.
ellauri254.html on line 506: When Klages (at 23) moved into a new Schwabing flat in 1895, he entered into an intense sexual relationship with his landlady's daughter, with the mother's approval; the daughter, whom Klages called 'Putti', was eleven years younger than him (12 yrs), and their relationship continued for almost two decades though remained only sexual in nature, and squeaky clean. During his years in Schwabing, Klages also became romantically involved with novelist Franziska zu Reventlow, which was further alluded to in her 1913 roman à clef Herrn Dames Aufzeichnungen. Both Stefan George and Alfred Schuler, with whom Klages closely associated, were openly homosexual men. Whilst some of Klages' outward statements on homosexuality may be seen as harsh, he maintained an intimate personal and not just academic admiration for Schuler all throughout his life. Kaikki käy, kuhan paikat pysyy kemiallisen puhtaana. Kemia ei tunne likaa.
ellauri336.html on line 305: The parts of the body that are considered ervah (private because they are potentially sexually-attractive) are alluded to in Shir HaShirim (Song of Songs). This includes the hair as perverse 4:1, “You are beautiful, my love, you are beautiful. Your eyes are like doves, your hair inside your kerchief is like a flock of goats that stream down from Mount Gilead” (Brachos 24a). Of course, the details of different types of ervah differ. For example, a woman’s singing voice is considered private in halacha but not her speaking voice. Similarly, uncovered hair is considered private for a married woman but not for a single woman. (It’s also not retroactive; married women don’t have to hide photos of themselves from before they were married.)
ellauri429.html on line 849: Marandi also alluded to a conspiracy theory suggesting that the action reflected an attempt by Iran's enemies to harm its image, writing "is it a coincidence that just when we are on the verge of revitalising the nuclear agreement, America makes claims about an attempted assassination of Bolton and then this happens?" Marandi's statement referenced the United States Department of Justice's allegation that Iran had planned to assassinate US national security advisor John Bolton in 2020.
xxx/ellauri087.html on line 478: The poem, along with Marvell's 'The Definition of Love', is heavily referenced throughout the 1997 film The Daytrippers, in which the main character finds a note she believes may be from her husband's mistress. In several scenes, the two Marvell poems are alluded to, quoted, and sometimes directly discussed.
xxx/ellauri148.html on line 175: It should not come to one’s mind that in the days of the Messiah anything in the customary order of the world will be annulled, or that there will be something new in the order of Creation. For the world will continue in its path. And that which Isaiah said, the wolf shall dwell with the lamb, and the leopard shall lie down with the kid (Isa. 11:6), is but an allegory and a riddle. The true meaning of it is that Israel will dwell in safety with the wicked of the idolaters who are likened to a wolf and a leopard….And all of them will return to faith of truth, and they will neither rob nor despoil, but will eat the things which are permitted, in pleasure, together with Israel, as it is written, The lion shall eat straw like the ox (Isa. 11:7). And likewise, all the similar things said about the Messiah are but allegories. And in the days of the Messiah it will become known to everybody what thing the allegory signified and to what thing it alluded.
xxx/ellauri179.html on line 648: Hemingway makes explicit here the themes of irony and pity: the irony of Kake's situation (he is a kind of superman who nevertheless can't perform the most basic of manly activities, namely fucking) as well as the pity "we" (who have our penises in working order) feel for him. The writer does so in an extended section, rich with dialogue, that is meant to be funny but has not dated well. The joking between Kake and Bill, over breakfast and later at lunch, is certainly believable as such, but it's difficult for a contemporary audience to follow, because the references to Frankie Fritsch and so forth have grown obscure with the passage of time. (The reference to Bryan's death tells us exactly when these scenes are occurring: 1925.) Do note, however, that Kake's physical condition is alluded to — and quickly backed away from. ("I'd a hell of a lot rather not talk about it" could be the motto of Kake's stoic take on the world, while Hemingway's would be "I want to talk about it all the time".) The writer has established, however, that Kake's condition is not simple impotence (rather it is loss of limb, or shortening of the joystick) and that it was caused by an accident.
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