ellauri080.html on line 510: Nähtävästi tää ajaa takaa jotain niinko induktio vastaan deduktio erottelua, vaikka on vaikea nähdä mitä tekemistä sillä on noitten alkukirjainten kanssa.
ellauri089.html on line 646: § 113. and, if we use this method, it is obvious that personal affection and aesthetic enjoyments include by far the greatest goods with which we are acquainted. …
ellauri092.html on line 295: …the problems in the Keswick theology are severe. Because of its corrupt roots, Keswick errs seriously in its ecumenical tendencies, theological shallowness or even incomprehensibility, neglect of the role of the Word of God in sanctification, shallow views of sin and perfectionism, support of some tenants of Pelagianism and semi-Pelagianism, improper divorce of justification and sanctification, confusion about the nature of saving repentance, denial that God’s sanctifying grace always frees Christians from bondage to sin and changes them, failure to warn strongly about the possibility of those who are professedly Christians being unregenerate, support for an unbiblical pneumatology, belief in the continuation of the sign gifts, maintenance of significant exegetical errors, distortion of the positions and critiques of opponents of the errors of Keswick, misrepresentation of the nature of faith in sanctification, support for a kind of Quietism, and denial that God actually renews the nature of the believer to make him more personally holy. Keswick theology differs in important ways from the Biblical doctrine of sanctification. It should be rejected.
ellauri095.html on line 53: The initial “I” focuses attention on the speaker, but the explicit application of the lesson of the Book of Nature to him does not begin until the line “My heart in hiding/stirred for a bird” at the conclusion of the octet. One biographical interpretation of this line is that he was hiding from fulfilling his ambitions to be a great painter and poet. Instead of ostentatiously pursuing fame in that way, wearing his heart on his sleeve, he had chosen to be the “hidden man of the heart” (1 Peter 3:4), quietly pursuing the imitation of Christ. As Hopkins put it, Christ’s “hidden life at Nazareth is the great help to faith for us who must live more or less an obscure, constrained, and unsuccessful life.”
ellauri095.html on line 119: Hopkins's initial ambition was to be a painter – he would continue to sketch throughout his life and was inspired as an adult by the work of John Ruskin and the Pre-Raphaelites.
ellauri095.html on line 394: Rossetti oli italialaisten ulkomaalaisten toinen lapsi ja vanhin poika. Hänen isänsä Gabriele Rossetti oli Dante-tutkija, joka oli karkotettu Napolista räävittömän runouden kirjoittamisesta Napolin vuoden 1819 perustuslain tukemiseksi. Rossettin äiti oli kouluttautunut kasvatusneuvottelijaksi ja valvoi lastensa varhaiskasvatusta. Harvat viktoriaaniset perheet olivat yhtä lahjakkaita kuin Rossettis: vanhin lapsi, Maria Rossetti, julkaisi A Shadow of Dante (1871) ja hänestä tuli anglikaaninen nunna; William Michael Rossetti oli yhdessä veljensä kanssa Pre-Raphaelite Brotherhoodin aktiivinen jäsen ja hänestä tuli toimittaja, kirjainten mies ja muistelija; nuorimmasta, Christina Georgina Rossetista, tuli tärkeä ja vaikutusvaltainen lyyrinen runoilija.
ellauri096.html on line 422: This article about a painter is a stub. You can help Wikipedia by expanding it.
ellauri096.html on line 695: Hauska huomata että Yli-Juotikas soveltaa Sainte-Beuven peukuttamaa ja mun systemaattisesti soveltamaa elämä ja teoxet menetelmää maalieläimeensä Ansa Ikoseen. Se kaivelee Ansan taustoja ja koittaa selvittää sen kanadalaista sukua löytääxeen ainexia johkin Frantz Fanon-tyyppiseen freudilaiseen selityxeen mixi Ansa ei pidä maahanmuuttajista. Fanonista ei näytä olevan paasausta, pitäisikö olla? No teen tietolaatikoon. Se oli joku sivistynyt siirtomaalainen, jos värin saa mainita niin kakan. Antikolonialismia freudilaisella kuorrutuxella. Tunnettu kirjoista Peau noire, masques blancs ja Les damnés de la terre. Amerikkalaiset mainizevat miinuxena sen marxilaisuuden, ranskixet että se sähläs Algerian puolesta.
ellauri099.html on line 55: Dorian Gray is the subject of a full-length portrait in oil by Basil Hallward, an artist impressed and infatuated by Dorian's beauty; he believes that Dorian's beauty is responsible for the new mood in his art as a painter. Through Basil, Dorian meets Lord Henry Wotton, and he soon is enthralled by the aristocrat's hedonistic world view: that beauty and sensual fulfilment are the only things worth pursuing in life.
ellauri100.html on line 49: The two lived as roommates for a time in the South of France. An article in Harvard Magazine states that van Gogh's medical biographers agree that his adulthood included periods of hypersexuality, hyposexuality, bisexuality, and homosexuality, and that "his stormy homosexual affair with the painter Paul Gauguin included endless, often argumentative discussions."
ellauri100.html on line 323: But there is more to my journey into political philosophy. I began to think seriously about liberty and libertarianism in the 1990s. Eventually, I began to question doctrinaire libertarianism (pro-abortion, pro-same-sex “marriage”, etc.) which seems to have no room in it for the maintenance of social norms that bind civil society and make it possible for people to coexist willingly and peacefully, and to engage in beneficially cooperative behavior. And so, I have become what I call a Burkean libertarian. I had slipped all thw way to the right edge of the Virginia boys' scales, in the same way, and for the same reasons, as the Nazis after the shameful defeat in WWI.
ellauri106.html on line 65: Philip Roth was the younger of the 2 boys of Herman Roth (1901–1989) and his wife Bess, nee Finkel (1904–1981). Both parents were assimilated American Jews of the second generation of immigrants. The maternal grandparents came from the area around Kiev, the Yiddish-speaking paternal grandparents, Sender and Bertha Roth, from Koslow in Galicia. Sender Roth had trained as a rabbi in Galicia and worked in a hat factory in Newark. Herman Roth, the middle of seven children and the first child in the United States, first worked in a factory after eight years of schooling, then became an insurance agent selling door-to-door life insurance. By his retirement he made it to the district director of Metropolitan Life. Philip Roth's brother, Sanford (Sandy) Roth (1927–2009), who was four years older than him, studied art at the Pratt Institute, became vice-president of the advertising agency Ogilvy & Mather in Chicago and made a name for himself as a painter after his "early retirement".
ellauri106.html on line 327:
Amerikan kirjainten James Dean
ellauri109.html on line 234: Ruth Benedict syntyi New Yorkissa ja valmistui Vassar Collegesta vuonna 1909. Vuonna 1919 hän meni opiskelemaan Columbian yliopistoon, jossa hän opiskeli Franz Boasin oppilaana, ja valmistui filosofian tohtoriksi vuonna 1923. Margaret Mead, jonka kanssa Benedictillä epäillään olleen romanttinen suhde, lanseerasi näihin muistelmiin avaintermin Kubilabala! Liiku horisontaalisesti! Boasin kiihkeä egalitarismi vaikutti Benedictiin, joka jatkoi sitä tutkimuksissaan ja kirjoituksissaan. Benedict oli rasismin ja uskonnollisen kiihkoilun suorapuheinen vastustaja. Suvaitsevaisuus korostui kaikessa hänen työssään.
ellauri109.html on line 387: En 1840, le journaliste Alphonse Karr attribue la paternité de l'enfant qu'elle porte à son amant Victor Cousin dans un article intitulé Une piqûre de Cousin. Furieuse, Louise Colet l'agresse avec un couteau de cuisine qu'elle lui plante dans le dos. Alphonse Karr s'en tire avec une égratignure, et renonce à porter plainte au grand soulagement de Victor Cousin. Il se contente de mettre le couteau dont elle avait voulu le frapper sur une étagère avec cette inscription «Donné par Madame Louise Colet (Dans le dos)». Louise Colet est inhumée dans le vieux cimetière de Verneuil-sur-Avre, où résidait sa fille. En 2016, sa tombe est à l'abandon.
ellauri109.html on line 461: Il me déplaît pour avoir mis en axiomes et pratique « la Poésie du cœur » (double farce à l'usage des impuissants et des charlatans). En voilà un qui a été peu critique ! Il me paraît avoir eu sur l'humanité le coup d'œil d'un coiffeur sentimental ! Toujours « mon pauvre cœur », toujours les larmes ! — je crois du reste que la mère Colet l'a reproduit assez fidèlement ? et il est facile maintenant de le bien connaître. As-tu remarqué ses affectations de noblesse ? Ses éternels bals aux ambassades ? Comme c'est beau cet homme qui porte sa douleur dans le monde ! — telle qu'un bijou rare, pour l'ébahissement de ces Messieurs et ces Dames !
ellauri110.html on line 111: Yahoo! on lopetettu. Sieltä ei saa enää vastauxia kaikkiin kysymyxiin kuten Quorasta. Se oli virzarakon syöpään kuolleen kiltin Matti Keijolan mielipaikka. Sen jonka isä oli Wilhon kollega. Meidän yhteisen projektin nimi oli 4M. Maintenance Man, sovinistisesti nimetty, vaikka 2 huoltomiehistä oli naisia. Mä menin sen väittäjäisiin tummassa puvussa, kaikilla muilla oli frakki. Kyllä harmitti, oishan mulla ollut kaapintäysi frakkeja. Teekkarit on aika hienostelevia. Mä poltin 4M:n loput mainospaperit saunan uunissa.
ellauri110.html on line 310: Isaac Ilyich Levitan was a classical Russian landscape painter who advanced the genre of the "mood landscape".
ellauri110.html on line 318: Lydia Volchaninova, a good-looking, but very stern and opinionated young teacher with somewhat dictatorial inclinations is deeply engaged in the affairs of the local zemstvo. Devoted to the cause of helping peasants, she is interested in doing and speaking of nothing but practical work, mostly in the fields of medicine and education. Lydia dislikes the protagonist, a landscape painter, who frequently visits their house. From time to time the two clash over problems of both the rural community and Russia as a whole.
ellauri110.html on line 320: The painter discovers a kindred spirit in Lydia's younger sister Zhenya, a dreamy and sensitive girl who spends her time reading, admiring him painting and having long walks. The two fall in love, and an evening comes when, after a walk, the painter lets his feelings out in a passionate outburst. Zhenya responds in kind, but feels she has to tell her mother and sister about their love immediately.
ellauri110.html on line 322: The following day he learns that Zhenya and her mother had departed. A boy hands him a note from Znenya, which reads: "I have told my sister everything and she insists on my parting from you. I could not hurt her by disobeying. God will give you happiness. If you knew how bitterly mamma and I have cried." The painter leaves the place too. The last glimpse of hope to fill his lonely life with any kind of meaning is now gone, and the person who robbed him of it was Lydia, the one who cared for nothing but bettering other people's lives. Time passes, but he cannot forget Zhenya and deep in his heart knows she still thinks of him, too.
ellauri115.html on line 256: Sitten Vihtori tapasi Juliette Drouet nimisen näyttelijättären jota hän kuvasi sanoilla "kalpea ja tummasilmäinen, nuori, kookas, häikäisevä". Juliettesta tuli hänen elämänikäinen rakastajattarensa jolle se kirjoitti yhtä ylevän kauniita runoja kuin ennen vaimolleen. Adèle puolestaan petti Vihtoria heidän parhaan ystävänsä kriitikko Charles Sainte-Beuven kanssa. Kun suhde Julietteen oli kestänyt vasta muutaman kuukauden, Vihtori jäi kiinni rakastajatarrikoxesta erään nuoren lehtinaisen kaa. Samanlaisena naistenmiehenä hän pysyi koko ikänsä. Vielä viimeisinä vuosinaan hän kirjoitti muistiin valloituxiaan erityiseen muistikirjaan espanjaxi, jota Adèle ei osannut.
ellauri115.html on line 1170: A: The answer to this is very simple. Utilitarianism is concerned only with the volume of pleasure and pain, and Nietzsche says in so many words that as soon as you even enter into this kind of thinking, you are already deep into the territory of nihilism. It is passive; concerned with maintenance, not construction; aloof or indifferent to meaning, something to justify the effort in the first place, even when it is successful, let alone when it isn’t. It is the staid, kindly, sober—not to say, the British—version of the same imbecilic nihilism that was prevailing on the continent in the same era. Mill did not understand the difference between pleasure and (actual) happiness, between pain and suffering, between real (spiritual) slavery and freedom.
ellauri118.html on line 382: Madison Julius Cawein was born in Louisville, Kentucky on March 23, 1865, the fifth child of William and Christiana (Stelsly) Cawein. His father made patent medicines from herbs. Thus as a child, Cawein became acquainted with and developed a love for local nature.
ellauri119.html on line 69: Synonyms: devout, godly, pious, religious, sainted, saintly, sacred. Antonyms: antireligious, faithless, godless, impious, irreligious, ungodly, unholy.
ellauri140.html on line 698: He told of Saintes and Popes, and evermore Se kerto pyhimys- ja paavikaskuja,
ellauri140.html on line 934: Her mournefull plaintes, beguiled of her art, Se lakkas valituxista, jotka oli teeskentelyä.
ellauri141.html on line 109: Quintus Horatius Flaccus (8th of December, Ab Urbe Condita 689, B. C. 65 - 27th of November, B. C. 8) was born at or near Venusia (Venosa), in the Apennines, on the borders of Lucania and Apulia. His father was a freedman, having, as his name proves, been the slave of some person of the Horatia gens. As Horace implies that he himself was ingenuus, his father must have obtained his freedom before his birth. He afterwards followed the calling of a coactor, a collector of money in some way or other, it is not known in what. He made, in this capacity, enough to purchase an estate, probably a small one, near the above town, where the poet was born. We hear nothing of his mother, except that Horace speaks of both his parents with affection. His father, probably seeing signs of talent in him as a child, was not content to have him educated at a provincial school, but took him (at what age he does not say, but probably about twelve) to Rome, where he became a pupil of Orbilius Pupillus, who had a school of much note, attended by boys of good family, and whom Horace remembered all his life as an irritable teacher, given unnecessarily to the use of the rod. With him he learnt grammar, the earlier Latin authors, and Homer. He attended other masters (of rhetoric, poetry, and music perhaps), as Roman boys were wont, and had the advantage (to which he afterwards looked back with gratitude) of his father’s care and moral training during this part of his education. It was usual for young men of birth and ability to be sent to Athens, to finish their education by the study of Greek literature and philosophy under native teachers; and Horace went there too, at what age is not known, but probably when he was about twenty. Whether his father was alive at that time, or dead, is uncertain. If he went to Athens at twenty, it was in B. C. 45, the year before Julius Cæsar was assassinated. After that event, Brutus and Cassius left Rome and went to Greece. Foreseeing the struggle that was before them, they got round them many of the young men at that time studying at Athens, and Horace was appointed tribune in the army of Brutus, a high command, for which he was not qualified. He went with Brutus into Asia Minor, and finally shared his defeat at Philippi, B. C. 42. He makes humorous allusion to this defeat in his Ode to Pompeius Varus (ii. 7). After the battle he came to Italy, having obtained permission to do so, like many others who were willing to give up a desperate cause and settle quietly at home. His patrimony, however, was forfeited, and he seems to have had no means of subsistence, which induced him to employ himself in writing verses, with the view, perhaps, of bringing himself into notice, rather than for the purpose of making money by their sale. By some means he managed to get a place as scriba in the Quæstor’s office, whether by purchase or interest does not appear. In either case, we must suppose he contrived soon to make friends, though he could not do so by the course he pursued, without also making many enemies. His Satires are full of allusions to the enmity his verses had raised up for him on all hands. He became acquainted, among other literary persons, with Virgil and Varius, who, about three years after his return (B. C. 39), introduced him to Mæcenas, who was careful of receiving into his circle a tribune of Brutus, and one whose writings were of a kind that was new and unpopular. He accordingly saw nothing of Horace for nine months after his introduction to him. He then sent for him (B. C. 38), and from that time continued to be his patron and warmest friend.
ellauri143.html on line 71: The history behind the picture of Valluvar is itself an interesting one. Painter KR Venugopal Sarma picturised him in 1950s and the painting was accepted by then chief minister CN Annadurai as the official picture of the poet.
ellauri145.html on line 81: Apres un autre manifeste contre le Stalinisme avec Camus, Gide, Hemingway et Huxley, il cosigne dans Le Libertaire une « Déclaration préalable » au manifeste « Surréalisme et anarchisme » : « La lutte pour le remplacement des structures sociales et l’activité déployée par le surréalisme pour transformer les structures mentales, loin de s’exclure, sont complémentaires. Leur jonction doit hâter la venue d’un âge libéré de toute hiérarchie et toute contrainte. »
ellauri145.html on line 184: « Phus phoyez, - dit-il, gue le mié hait de phus dénir dranguile; et maintenant phus zaurez gui che zuis. Recartez-moâ ! che zuis l´Ange ti Pizarre. - Assez bizarre, en effet, - me hasardai-je à répliquer; mais je m´étais toujours figuré qu´un ange devait avoir des ailes.
ellauri145.html on line 545: The answer to this is very simple. Utilitarianism is concerned only with the volume of pleasure and pain, and Nietzsche says in so many words that as soon as you even enter into this kind of thinking, you are already deep into the territory of nihilism. It is passive; concerned with high maintenance, not constructivism; aloof or indifferent to meaning, something to justify the effort in the first place, even when it is successful, let alone when it isn’t. It is the staid, kindly, sober—not to say, the British—version of the same imbecilic nihilism that was prevailing on the continent in the same era. Mill did not understand the difference between pleasure and (counterfactual) happiness, between pain and suffering, between real (spiritual) slavery and freedom. Eli koska se oli säälittävä mursuwiixinen luuseri.
ellauri145.html on line 1036: De sa plus sainte émotion ! Pyhimmällä tunteella!
ellauri146.html on line 418: Vignyn julkaisut jäivät hänen viimeisten 29 vuotensa aikana vähäisiksi. Uran alkuaikojen ystävät, Victor Hugo ja Sainte-Beuve, hylkäsivät hänet. Sainte-Beuve kirjoitti, että hän on kaunis enkeli, joka on juonut etikkaa. Ranskan akatemiaan Vigny valittiin vasta 1846, ja liittymispuhe jäi hänen viimeiseksi julkiseksi toimekseen. Viimeiset 25 vuottaan hän asui yksin maatilallaan. Vapaaehtoiseen eristäytymiseen saattoi vaikuttaa suhde taiteilija Marie Dorvaliin, johon hän oli tutustunut Chattertonin harjoituksissa. Dorvalilla oli näytelmässä "Kittyn" rooli. Heidän suhteensa päättyi pian, ja sydänsuru sai Vignyn kirjoittamaan runon La colère de Samson. Viimeisiä vuosi varjosti myös sairastuminen syöpään. Vasta hänen kuolemansa jälkeen ilmestyi hänen mestariteoksensa Les destinées (1864) ja hänen 40 vuotta pitämänsä päiväkirja, josta hänen ystävänsä ja testamentin toimeenpanija Louis Ratisbonne julkaisi katkelmia nimellä Journal d’un poète, jotka antoivat runoilijasta uudenlaisen kuvan.
ellauri146.html on line 516: Puisant dans l’amour seul plus de sainte vigueur Ja mä panin siihen enemmänkin tehoja
ellauri147.html on line 75: Ale Tyynni was a poet, author, literary and theatre critic, translator and Olympian. Tyynni won the gold medal in the literature category at the 1948 Olympic Games in London. In addition to her poetry collections, she published children’s fiction and essays. With her translations she acquainted a Finnish readership with lyrics from other countries, most notably France.
ellauri150.html on line 277: Elle faisait de la musique, comme la plupart des jeunes filles oisives d’à présent. Elle en faisait beaucoup et peu. C’est-à-dire qu’elle en était toujours occupée, et qu’elle n’en connaissait presque rien. Elle tripotait son piano, toute la journée, par désœuvrement, par pose, par volupté. Tantôt elle en faisait, comme du vélocipède. Tantôt elle pouvait jouer bien, très bien, avec goût, avec âme, — (on eût presque dit qu’elle en avait une : il suffisait, pour cela, qu’elle se mît à la place de quelqu’un qui en avait une). — Elle était capable d’aimer Massenet, Grieg, Thomé, avant de connaître Christophe. Mais elle était aussi capable de ne plus les aimer, depuis qu’elle connaissait Christophe. Et maintenant, elle jouait Bach et Beethoven très proprement, — (ce qui, à la vérité, n’est pas beaucoup dire) ; — mais le plus fort, c’était qu’elle les aimait. Au fond, ce n’était ni Beethoven, ni Thomé, ni Bach, ni Grieg, qu’elle aimait : c’étaient les notes, les sons, ses doigts qui couraient sur les touches, les vibrations des cordes qui lui grattaient les nerfs comme autant d’autres cordes, son épiderme chatouillé.
ellauri150.html on line 563: The two gazed at each other. We know what Esther presented—a beautiful woman, a happy mother, a contented wife. On the other side, it was very plain that fortune had not dealt so gently with her former rival. The tall figure remained with some of its grace; but an evil life had tainted the whole person. The face was coarse; the large eyes were red and pursed beneath the lower lids; there was no color in her cheeks, no makeup. The lips were cynical and hard, and general neglect was leading rapidly to premature old age. Her attire was ill chosen and draggled. The mud of the road clung to her sandals. Iras broke the painful silence.
ellauri150.html on line 687: Aanyway, today I want to focus on the encyclical "Libertas" written in 1888. "Libertas" means "liberty" or it could also be translated as "freedom". Either way we are well acquainted with this idea. From the Statue of Liberty to the freedoms enshrined in the Bill of Rights - Americans love their freedom!
ellauri150.html on line 730: The Church sets a very high bar when it comes to morality. You would need to be a saint to be fully faithful, and even then many saints were sinners before they got sainted. By the way, I wrote a piece on Mary Magdalene imagining what her life might have been like, but I decided not to post it because I thought it might be heretical.
ellauri151.html on line 107: Car d’après ce que j’entendis les premiers temps dans celle de Jupien et qui ne furent que des sons inarticulés, je suppose que peu de paroles furent prononcées. Il est vrai que ces sons étaient si violents que, s’ils n’avaient pas été toujours repris un octave plus haut par une plainte parallèle, j’aurais pu croire qu’une personne en égorgeait une autre à côté de moi et qu’ensuite le meurtrier et sa victime ressuscitée prenaient un bain pour effacer les traces du crime. J’en conclus plus tard qu’il y a une chose aussi bruyante que la souffrance, c’est le plaisir, surtout quand s’y ajoutent—à défaut de la peur d’avoir des enfants, ce qui ne pouvait être le cas ici, malgré l’exemple peu probant de la Légende dorée—des soucis immédiats de propreté. Enfin au bout d’une demi-heure environ (pendant laquelle je m’étais hissé à pas de loup sur mon échelle afin de voir par le vasistas que je n’ouvris pas), une conversation s’engagea. Jupien refusait avec force l’argent que M. de Charlus voulait lui donner. (SG 609/11).
ellauri152.html on line 574: Ce mythe, qui paraît fort ancien et dont certains érudits vont chercher l'origine jusque dans l'Inde bouddhique, se précise à partir du xiiie siècle dans l'Historia major du bénédictin anglais Matthieu Pâris. sous diverses formes. C'est dans les pays de langue allemande que la figure d'Ahasvérus connaît la plus grande faveur, à la suite d'une version de la légende due à Chrysostomus Dudulaeus qui présente l'aventure du « Juif éternel » (1602) comme un récit quasiment autobiographique. La traduction française de ce livre imposera l'expression « Juif errant » (1609). Dès lors, la légende se répand par l'imagerie populaire et les estampes, les complaintes, dont la plus célèbre est celle d'Isaac Laquedem. Le Juif errant, qui personnifie le destin du peuple juif depuis le christianisme, a inspiré de nombreux écrivains : Wordsworth, Goethe, Eugène Sue, Apollinaire. Cette figure légendaire n'a cessé d'alimenter, à l'encontre des Juifs, une dangereuse satire sociale. Elle est, pour une part, responsable de la genèse de l'agitation antisémite des temps modernes. Pour en savoir plus, voir l'article antisémitisme.
ellauri152.html on line 621: This genderqueerness is the simple fact of Yentl’s character in Yeshiva Boy, but totally painted over in Yentl.
ellauri155.html on line 114: Benatarin vuonna 2006 Oxfordissa julkaisema kirja Better Never to Have Been: The Harm of Coming into Existence on tämän kasvavan liikkeen avainteksti.
ellauri155.html on line 761: So important was it to Calvin to believe this doctrine that he said, “We shall never feel persuaded as we ought that our salvation flows from the free mercy of God as its fountain, until we are made acquainted with his eternal election.” Yet even though he saw eternal election this way, he also stressed a need for caution.
ellauri160.html on line 143: He would wear trousers made of green billiard cloth, a pink coat, a blue shirt, a tie hand-painted by a Japanese friend, an immense sombrero, a flaming beard cut to a point, and a single, large blue earring."
ellauri161.html on line 838: Le rire et les larmes 34 La crainte et la peur 101
ellauri161.html on line 851:
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ellauri161.html on line 912: Avec quelques frères de Chambéry, il fonde en 1778, la loge réformée écossaise de « La Sincérité », qui dépend du directoire écossais dont l'âme est Jean-Baptiste Willermoz (1730-1824), disciple de Joachim Martinès de Pasqually. Il est reçu chevalier bienfaisant de la Cité Sainte sous le nom de eques Josephus a Floribus (ce surnom fait allusion aux fleurs de souci de ses armoiries). On retrouve dans son œuvre les enseignements de la maçonnerie : providentialisme, prophétisme, réversibilité des peines, etc. ; hautement investi dans la vie de cette société initiatique, à la veille du Convent de Wilhelmsbad (1782), il fait d'ailleurs parvenir à Jean-Baptiste Willermoz son célèbre Mémoire au duc de Brunswick. Il entretient par ailleurs une amitié avec Louis-Claude de Saint-Martin, pour lequel il avait une vive admiration, se faisant fort, disait-il, « de défendre en tous points l'orthodoxie », d'où son attrait pour le martinisme.
ellauri161.html on line 939: La réversibilité des mérites est cette doctrine qui affirme que les mérites des uns peuvent bénéficier aux autres. Pour le dire dans un langage peut-être plus accessible, cela signifie que la sainteté des uns peuvent bénéficier aux autres. Tää oli anekaupan perusteluna. Sama idea kuin päästökaupassa. Pyhixiltä on jäänyt niin paljon yli armoa, että sitä voi sovitusta hinnasta myydä rikkaalle syntiselle taivasevääxi. Tavoitteena hiilineutraalius tai suorastaan hiilinegatiivisuus.
ellauri161.html on line 1085: Ruysbroeck (Or Rusbroek), Jean De, the most noted of mystics in the Netherlands, was born in A.D. 1293 at Ruysbroeck no less, near Brussels, and was educated in the latter city under the direction of an Augustinian prebendary who was his relative. His fondness for solitude and day dreams prevented him from making solid progress, however. His Latin was imperfect, though it is clear that he became acquainted with the earlier mystical writings. He probably did not read the writings of Neo-Platonists, but was certainly not unacquainted with those of the Areopagite.
ellauri164.html on line 88: Tais-toi, mais tais-toi !… C’est la honte, le reproche, ici : Satan qui dit que le feu est ignoble, que ma colère est affreusement sotte. — Assez !… Des erreurs qu’on me souffle, magies, parfums faux, musiques puériles. — Et dire que je tiens la vérité, que je vois la justice : j’ai un jugement sain et arrêté, je suis prêt pour la perfection… Orgueil. — La peau de ma tête se dessèche. Pitié ! Seigneur, j’ai peur. J’ai soif, si soif ! Ah ! l’enfance, l’herbe, la pluie, le lac sur les pierres, le clair de lune quand le clocher sonnait douze… le diable est au clocher, à cette heure. Marie ! Sainte-Vierge !… — Horreur de ma bêtise.
ellauri171.html on line 215: Jacques Joseph Tissot (French: [tiso]; 15 October 1836 – 8 August 1902), Anglicized as James Tissot (/ˈtɪsoʊ/), was a French painter and illustrator. He was a successful painter of Paris society before moving to London in 1871. He became famous as a genre painter of fashionably dressed women shown in various scenes of everyday life. He also painted scenes and figures from the Bible.
ellauri171.html on line 463:
When Jehu came to Jezreel, Jezebel heard of it; she painted her eyes and adorned her head, and looked out of the window. As Jehu entered the gate, she said “Is it peace, Zimri, murderer of your master?”
ellauri171.html on line 959: Canaanite religious practice had a high regard for the duty of children to care for their parents, with sons being held responsible for burying them, and arranging for the maintenance of their tombs.
ellauri171.html on line 1021: Israel’s most accursed queen carefully fixes a pink rose in her red locks in John Byam Liston Shaw’s “Jezebel” from 1896. Jezebel’s reputation as the most dangerous seductress in the Bible stems from her final appearance: her husband King Ahab is dead; her son has been murdered by Jehu. As Jehu’s chariot races toward the palace to kill Jezebel, she “painted her eyes with kohl and dressed her hair, and she looked out of the window” (2 Kings 9:30).
ellauri172.html on line 97: Théodore Agrippa d’Aubigné (1552 Pons, Ranska −1630 Geneve, Sveitsi) oli ranskalainen kirjailija ja aikansa historioitsija, joka kuoli maanpakolaisena. Hän oli maineikas huuakotti. Hänen ystäviään oli Henrik Navarralainen, ja hän oli Madame de Maintenonin isoisä. Pariisin parlamentti määräsi hänen teoksensa Histoire universelle 1550−1601 poltettavaksi. Teos on merkittävä aikalaiskuvaustensa vuoksi. Merkittävin hänen teoksistaan on seitsenosainen runoelma Les Tragiques (1616), jossa hän käsittelee Ranskan tilannetta, uskonvainoja ja Jumalan rangaistuksia. Hän pakeni 1620 Geneveen, jossa kuoli. Kaikesta huolimatta
ellauri172.html on line 156: — Ah ! maintenant, je me rappelle !… dit-il. Qu’ai-je donc ? — Mais tu es morte ! Rooger änkyttää. Herra hän haisee jo. Sitä ei Roogerin olisi pitänyt sanoa, taika raukesi. Un faible soupir d’adieu et merci, distinct, lointain, parvint jusqu’à l’âme de Roger. Oh ! murmura-t-il, c’est donc fini ! — Seuraava kokous on sit nahkurin orsilla. Tarina osoitti millainen mahti tahto kaikkinensa on. Kuten sanottua, bullshittiä. Tää vähän ennakoi Blavatskyn ja muiden meedioiden trendausta.
ellauri172.html on line 596: « Et je ne la calomnie point, n’est-ce pas, Rançonnet ?… Tu l’as eue peut-être, et si tu l’as eue, tu sais maintenant s’il fut jamais une plus brillante, une plus fascinante cristallisation de tous les vices ! Où le major l’avait-il prise ?… D’où sortait-elle ? Elle était si jeune !
ellauri172.html on line 749:Sainteté d'Olaf
ellauri172.html on line 763: Le roi Knut II de Danemark impose alors comme roi son fils Sven Knutsson qui promulgue des lois danoises jugées inacceptables par les Norvégiens. Rapidement les nobles menés par Einar Tambarskjelve et les populations découvrent alors a posteriori la sainteté d'Olaf.
ellauri180.html on line 489: The habitations of all things which dwell, Kaikkien asujainten asunnot,
ellauri181.html on line 556: Benjamin Franklin was an author, a painter, an inventor, a father, a politician, and the first American Ambassador to France. He invented bifocals, swim flippers, lightening rods, and the Franklin stove. He founded a public library, a hospital, and insurance company and a fire department. He helped write the Declaration of Independence and the U.S. Constitution. He wrote an autobiography in the middle of his life and shortly before his death in his 80's, he completed his memoirs. Franklin was truly a Renaissance man. He was one of the greatest citizens and thinkers the world has ever seen. But Franklin was not always a great or successful man. At the age of 17 he ran away from home in Boston, estranged from his family because of an argument he had with his brother.
ellauri182.html on line 419: The Zen circle is a simple, stark black circle usually painted on white paper in ink. Typically the circle is said to represent the material world that continues endlessly without cessation. There is a beginning to life (where the brush first touches the paper) and an end (where the brush leaves the paper), but this beginning and end continue one after the other, thereby signifying the wheel of birth, death and rebirth. The space within that circle is the emptiness, or the void, the understanding of which lies at the heart of Zen and the experience of which is the goal of meditation.
ellauri183.html on line 86: In a 1974 New York Review of Boox essay, Roth took on Malamud, his friend and literary father-figure, criticizing him for creating characters that were suffering Jews, virtuous victims, full of “righteousness and restraint,” lacking their stereotypical “libidinous or aggressive activities.” Though he didn’t use the phrase, Malamud had painted them as Christ-like in their poverty, pain, moral goodness, and quest for redemption. By contrast, the Christian characters, like Frank Alpine, were full of sexual lust and transgressive behavior — the bad goy to Morris Bober’s good Jew. “The Assistant,” Roth wrote, was a book of “stern morality.”
ellauri184.html on line 68: His sixth and last wife, whom he married in 1980, was Norris Church Mailer (born Barbara Jean Davis, 1949–2010), an art teacher. Why did she have to use a pseudonym as well? Apparently she was not a kike. They had one son together, John Buffalo Mailer, a writer and actor. Mailer raised and infernally adopted Matthew Norris, Church's son by her first husband, Larry Norris. Living in Brooklyn, New York and Provincetown, Massachusetts with Mailer, Church worked as a model, wrote and painted.
ellauri185.html on line 832: Judaism teaches that human beings are not basically sinful. We come into the world neither carrying the burden of sin committed by our ancestors nor tainted by it. Rather, sin, chet, is the result of our human inclinations, the yetzer, which must be properly channeled. Chet literally means something that goes astray.
ellauri189.html on line 112: Before engaging in battle Wacław visits his father-in-law and Maria (who slowly fades away, feeding on an ever-diminishing hope) to bring them the good news. The patriotic miecznik cannot, in spite of his advanced age, refrain from joining the band of his son-in-law, leaving his home and daughter without protection. The Tartars are finally (but not without difficulty) defeated and Wacław, in exultant mood, rides by night over the boundless steppe to unite with his wife as the messenger of victory. When he arrives, the manor-house of the miecznik appears to be abandoned. There are no signs of life. Entering a room, he discovers Maria, lying on a couch, her clothes in disorder, like a marble statue. It is evident that her vital strength has been extinguished, but he tries to make himself believe that she has only fainted and rushes out of the house, shouting: “O, water, water!”. Thereupon the “small figure” of a melancholy youth (“pacholę”) jumps from the thicket and relates to Wacław the events that have happened.
ellauri189.html on line 250: Jadwiga Maria Kinga Bal (Balowa) of Zaleszczyki, née Brunicka (July 26, 1879 – January 1, 1955) was a Polish baroness and a lifelong muse of Jacek Malczewski, considered Poland's national painter. She served as the live model for a series of his symbolic portrayals of women, as well as nude studies and mythological beings. Most were completed before the interwar period when Poland had not yet achieved independence.
ellauri190.html on line 245: On Easter Sunday of the year 1168, a savage warlord from the Volga region, called Andrei (cynically nicknamed Bogolubsky, i.e. “God-lover”) and his horde of Finno-Ugric tribesmen (damn those Finns!) sacked and burned Kyiv to the ground. Most Kyivites were massacred. The barbarians robbed churches, even ripping off slices of gold from their domes (something that Genghiside Mongolians later never did, they were gentlemen). They stole, among others, one most precious and revered icon of the Most Holy Mother of God from a church in the Berestovo village just south of Kyiv, taking it to their land and pretending, for centuries to follow, that it was theirs. This icon to this day is known as Матерь Божья Владимирская, “the Mother of God of Vladimir-on-Klyazyma,” as if it was painted in that savage place. The 1168 massacre marked the beginning of the “brotherly” relationship between the Ukrainian people and what is now known as “Russians” (русские, not to be confused with Rusyns-Rusychi-Ukrainians). Kyiv was hit so hard that it did not fully recover for the next ~200 years. When the Mongols under Khan Batu came in 1240, Kyiv was still not fully repopulated or rebuilt, and fell a relatively easy prey to the Asian conquerors.
ellauri191.html on line 1501:"who in his novel combines the poet's and the painter's creativeness with a deepened awareness of time in the depiction of the human condition"
ellauri192.html on line 207: Mais nous, du monde entier la plainte nous harcèle : Mut me, meitä härkkii kurjuus joka puolelta,
ellauri192.html on line 211: Ah ! L'oubli maintenant ne nous est plus possible Äh! me ei voida enää niitä unohtaa,
ellauri192.html on line 645: Few Americans have ever heard of Jaroslav Seifert, whose poems are virtually unobtainable in the United States, but scholars who are acquainted with his work said yesterday that the Czech poet fully deserves the Nobel Prize awarded to him. Thogh an old commie, he is (or was) now staunchly on our side.
ellauri192.html on line 904: Here is a book that Americans should read and ponder. We have no right to be angry and rage at the sight of a painted picture. Maybe we really remind her. – Saturday Review of Literature
ellauri194.html on line 106: 1950-luvulla Route 66:sta tuli Los Angelesiin suuntaavien lomailijoiden pääreitti. Reitti kulki Arizonan Painted Desertin läpi ja läheltä Painted Grand Canyonia. Matkailun nopea kasvu antoi sysäyksen tärkeille tienvarsinähtävyyksille kuten tiipiin-muotoisille motelleille, jäätelökojuille, intiaaninmyyntikojuille ja käärmefarmeille.
ellauri205.html on line 206: C'est par 1à que l'Iliade est une chose unique, par cette amertume qui procède de la tendresse, et qui s'étend sur tous les humains, égale comme la clarté du soleil. Jamais le ton ne cesse d’être imprégné d'amertume, jamais non plus il ne s'abaisse à la plainte.
ellauri206.html on line 312: Les soupirs de la Sainte et les cris de la Fée. The sighs of the Saint and the Fairy’s screams.
ellauri210.html on line 65: Dans un article publié dans le no 2 de Maintenant, daté de juillet 1913, Cravan fait une description iconoclaste de sa visite chez André Gide :
ellauri210.html on line 392: Dans un article publié dans le no 2 de Maintenant, daté de juillet 1913, Cravan fait une description iconoclaste de sa visite chez André Gide :
ellauri210.html on line 1102: OULIPO on lyhenne sanoista Ouvroir de Littérature Potentielle, joka tarkoittaa kokeellisen tai potentiaalisen kirjallisuuden työpajaa. Sen perustivat kirjailija Raymond Queneau (1903-1976) ja matemaatikko François Le Lionnais (1901-1984) vuonna 1960. OuLiPon jäsenet pyrkivät kehittämään kielellisiä kokeiluja, jotka perustuivat johonkin sääntöön (contrainte), jota tuli noudattaa mahdollisimman tiukasti.
ellauri210.html on line 1109: Mary Leonora Carrington OBE (6 April 1917 – 25 May 2011) was a British-born Mexican artist, surrealist painter, and novelist. She lived most of her adult life in Mexico City and was one of the last surviving participants in the surrealist movement of the 1930s. Carrington was also a founding member of the women's liberation movement in Mexico during the 1970s.
ellauri210.html on line 1115: Between 1937–1938 Carrington painted a Self-Portrait, where she is perched on the edge of a chair in this curious, dreamlike scene, her hand outstretched toward a prancing hyena and her back to a tailless rocking horse flying behind her. The hyena depicted in Self-Portrait (1937–38) joins both male and female into a whole, metaphoric of the worlds of the night and the dream. The symbol of the hyena is present in many of Carrington's later works, including "La Debutante" in her book of short stories The Oval Lady.
ellauri210.html on line 1171: Arrêté et passé à tabac après avoir uriné sur la tombe du Soldat inconnu en protestation contre la guerre d'Algérie (the anglo-saxon page does not mention his motivation), il est emprisonné, puis interné à l'hôpital Sainte-Anne en juillet 1959.
ellauri210.html on line 1218: Noniin siis Alphonse Rabben maine liittyy hänen Album d'un pessimiste -albumiinsa . Hänen ystävänsä, kuten Alexandre Dumas , Victor Hugo in Chants du Crépuscule , Sainte-Beuve in Muotokuvat contemporains tai kirjoittajat kuten Baudelaire in Fusées , ovat säilyttäneet hänen muistinsa. Myöhemmin André Breton ei unohda sitä Manifeste du surréalismessa.
ellauri213.html on line 421:aintertelas.com/wp-content/uploads/2019/02/z-fusako-shigenobu-e9878de4bfa1-e688bfe5ad90.jpg" />
ellauri216.html on line 320: Painter Grigory Ostrovsky was active in Soligalich; the only paintings known to be by his hand are currently held in the town´s regional museum. There is a monument to Gennady Nevelskoy, who was born in the vicinity. Publisher Ivan Sytin was born in Soligalichsky District. Imugeeni Haritonia ei edes mainita.
ellauri219.html on line 236: Born in 1938, American painter and illustrator Richard Merkin was enamored with the early jazz period that flourished in the years before his birth. His modernist style matched the abstraction of jazz music, and also inspired Peter Blake’s tribute artwork, Souvenirs For Richard Merkin, created in 1966.
ellauri219.html on line 241: Having made a name for himself designing posters for the Ziegfield Follies that appeared on Broadway across the 1910s to the 30s, Peruvian painter Joaquin Alberto Vargas Y Chávez went on to create a series of paintings of pin-ups. Known as the Varga Girls, they gained widespread exposure in Esquire magazine during the 40s, and also inspired a number of paintings that would appear on World War II fighter jets. P.S. Ahha! esim. Long Tall Sally, Lollon ykkös nastatyttö.
ellauri221.html on line 93: Issue d'une famille modeste (son père Louis Betenfeld, violent et alcoolique, est ouvrier brasseur et sa mère Marie Lartisant domestique), Marthe Betenfeld a un frère et une sœur aînés, Camille et Jeanne. Elle est envoyée quelques années dans une institution catholique et son destin semble tout tracé : couturière, comme sa sœur aîné. Puis elle devient à Nancy apprentie culottière, à quatorze ans. Le métier ne l'enchantant guère, elle fugue de chez ses parents. Elle est interpellée pour racolage en mai 1905 par la Police des mœurs et ramenée chez ses parents. Elle fugue à nouveau à 16 ans et se retrouve à Nancy, ville avec une importante garnison militaire, où elle tombe amoureuse d'un Italien se disant sculpteur mais qui se révèle être un proxénète. Il l'envoie sur le trottoir, puis elle devient prostituée dans les « bordels à soldats » de Nancy. Devant effectuer plus de 50 passes par jour, elle tombe rapidement malade et contracte la syphilis. Renvoyée du bordel, dénoncée par un soldat pour lui avoir transmis la syphilis et fichée par la police (où elle est inscrite comme prostituée mineure le 21 août 1905), elle est contrainte de s'enfuir à Paris. Elle rentre dans un « établissement de bains » rue Godot-de-Mauroy (maison close d'un standing supérieur à ses anciennes maisons d'abattage) où elle rencontre, un soir de septembre 1907, Henri Richer, mandataire aux Halles. Le riche industriel l'épouse le 13 avril 1915. Elle fait alors table rase de son passé et devient une respectable bourgeoise de la Belle Époque dans son hôtel particulier de l'Odéon. Elle demande à être rayée du fichier national de la prostitution, ce qui lui est refusé.
ellauri226.html on line 66: In late 1964, as Brian Wilson's industry profile grew, he became acquainted with various individuals from around the Los Angeles music scene. He also took an increasing interest in recreational drugs (particularly marijuana, LSD, and Desbutal). According to his then-wife Marilyn, Wilson's new friends "had the gift of gab. All of a sudden Brian was in Hollywood—these people talk a language that was fascinating to him. Anybody that was different and talked cosmic or whatever he liked it." Wilson's closest friend in this period was Loren Schwartz, an aspiring talent agent that he met at a recording studio. Schwartz introduced Wilson to marijuana and LSD, as well as a wealth of literature commonly read by college students. During his first LSD trip, Wilson had what he considered to be "a very religious experience" and claimed to have seen God. God has subsequently personally confirmed this.
ellauri241.html on line 1071: Blush-tinted cheeks, half smiles, and faintest sighs.
ellauri247.html on line 108: Big fires were lit on the edge of the scrub, throwing light on the dancers as they came dancing out from their camps, painted in all manner of designs, waywahs round their waists, tufts of feathers in their hair, and carrying in their hands painted wands. Heading the procession as the men filed out from the scrub into a cleared space in front of the women, came Narahdarn. The light of the fires lit up the tree tops, the dark balahs showed out in fantastic shapes, and weird indeed was the scene as slowly the men danced round; louder clicked the boomerangs and louder grew the chanting of the women; higher were the fires piled, until the flames shot their coloured tongues round the trunks of the trees and high into the air. One fire was bigger than all, and towards it the dancers edged Narahdarn; then the voice of the mother of the Bilbers shrieked in the chanting, high above that of the other women. As Narahdarn turned from the fire to dance back he found a wall of men confronting him. These quickly seized him and hurled him into the madly-leaping fire before him, where he perished in the flames. And so were the Bilbers avenged. Good work, bare-butt boys, and good riddance for the bad rubbish.
ellauri249.html on line 472: Its origin is set down in Pliny the Elder's Naturalis Historia where he records that a shoemaker (sutor) had approached the painter Apelles of Kos to point out a defect in the artist's rendition of a sandal (crepida from Greek krepis), which Apelles duly corrected. Encouraged by this, the shoemaker then began to enlarge on other defects he considered present in the painting, at which point Apelles advised him that ne supra crepidam sutor iudicaret ('a shoemaker should not judge beyond the shoe'), which advice, Pliny observed, had become a proverbial saying. The Renaissance interest in meddling cluelessly into other people's affairs made the expression popular again.
ellauri254.html on line 115: Aleksei Remizov (1877 Moskova, Venäjä – 1957 Pariisi, Ranska) oli venäläinen kirjailija. Mielenosoituksiin osallistunut Remizov karkotettiin Pohjois-Venäjälle. Hän pääsi palaamaan Pietariin 1905 mutta pötki pakoon Venäjältä 1921. Remizovin kertomuksia alettiin julkaista vuonna 1897 lehdissä. Hän hyödynsi niissä kansantarinoita, unia ja legendoja. Hän on vaikuttanut myöhempiin kirjailijoihin, esimerkiksi Isaak Babeliin, Jevgeni Zamjatiniin ja Boris Pilnjakiin. Hänen tuotantoaan julkaistiin Neuvostoliitossa uudelleen vuodesta 1978. Il s'est établi en France en 1923. Il est enterré au cimetière russe de Sainte-Geneviève-des-Bois, près de Paris. Sillä oli mukanaan pikku suite sute pussukka isänmaan multaa.
ellauri254.html on line 395: ‘reshaped his daily life in a new and unnecessary way. A big new apartment was rented, small gilt chairs were bought. The walls of the large cold office for some reason were decorated with paintings of Leda by various painters. The quiet talks were replaced by noisy gatherings with dances and masks. Sologub shaved his mustache and beard, and everyone started to say that he resembled a Roman of the period of decline.’
ellauri257.html on line 661: paljolla kirjaintekemisellä ei ole loppua,
ellauri260.html on line 219: It is a strange situation to see ancient wisdom join hands with the advancing present: to find permanent hopes of human nature shooting through the stormy agitation of the day. Our starting point is the problem of the physical maintenance man that Matti Keijola tried to solve with artificial intelligence.
ellauri260.html on line 427: No sit viä tää yhteisomistus, jonka mahdottomuudesta Ari jo niin viisaasti vinoili ("pantes hos hekastos", remember?). Aristoteles sanoi aivan oikein, että mikään ei niin innosta miestä toimimaan kuin hänen oma omaisuutensa ja hänen kiintymyxensä kohde. Vaan entäpä sosialismi, jänisrukka? Eikö se vähennä tehokkuutta? Eikö se rajoita henkilöiden vapaata liikkuvuutta ja vähennä heidän iloaan työstään? Kyllä maar niin gumminnii! Siihenhän kaatui Neuvostolakin, pysähtyneisyyteen. Toki länkkärien talouspakotteetkin auttoivat, mutta silti vittu, kyllä kökkäröityminen ja sen puute oli avaintekijät.
ellauri262.html on line 593: Teippikirjainten (The Screwtape Letters) tiedettiin olevan Andrew Cunananin suosikkikirja, joka tunnetaan parhaiten suunnittelija Gianni Versacen vuoden 1997 murhasta.
ellauri263.html on line 620: Aleister Crowley (/ˈælɪstər ˈkroʊli/; born Edward Alexander Crowley; 12 October 1875 – 1 December 1947) who was an English occultist, philosopher, ceremonial magician, poet, painter, novelist, and mountaineer. He founded the religion of Thelema, identifying himself as the prophet entrusted with guiding humanity into the Æon of Horus in the early 20th century. A prolific writer, he published widely over the course of his miserable life.
ellauri263.html on line 630: Unlike the occultism presented earlier by Éliphas Lévi and similar authors, which mostly caught the interest only of a small circle of freethinkers, Theosophy fast became a successful semi-mass movement. By 1889 the Theosophical Society had 227 sections all over the world, and many of the era’s most important intellectuals and artists were strongly influenced by it. Avant-garde painters, especially, took this new teaching to heart, and it marked the work of great artists such as Mondrian, Kandinsky and Klee. In literature, authors like Nobel Prize laureate William Butler Yeats became
ellauri264.html on line 382: He was despised and rejected by men, a man of sorrows, acquainted with grief. Like one from whom men hide their faces, he was despised, and we esteemed him not.
ellauri294.html on line 154: Jotkut kommentaattorit ovat olettaneet, että Paavalin suuret kirjaimet kirjeen lopussa johtuvat hänen huonosta näöstään, epämuodostuneista käsistään tai muista fyysisistä, henkisistä tai henkisistä vaivoista. Muut kommentaattorit ovat pitäneet Paavalin pölkky kirjainten syynä hänen huonoa koulutustansa, hänen yritystään "huutaa" textarissa puolustaaxeen auktoriteettiaan tai hänen pyrkimyksiään korostaa kuuluisia viimeisiä sanojaan, että Jeesuksessa Kristuksessa ei ole enää eroa heidän välillään. Paavali ei kuitenkaan selitä tämän jakeen merkitystä sen enempää. Nykypolitiikassa keskustelu Galatalaiskirjeen 3:28:n merkityksestä on merkittävää, sillä eri ihmiset ja tutkijat käyttävät sitä tehdäkseen normatiivisia väitteitä Paavalin seksuaalisuudesta, sukupuolesta ja jopa avoliitosta. Tämän keskustelun jatkuva luonne paljastaa, että tutkijat eivät ole vieläkään päässeet yhtenäiseen johtopäätökseen Paavalin teologiasta.
ellauri294.html on line 312: Lähellä 80 minuutin matkapuhelintallenteen loppua illallisesta Parmas esittelee Trumpille hänen mukaansa lahjan "Ukrainan päärabbilta" ja eräiltä Israelin rabbeilta. Hän selittää, että geometrian mukaan DJ Trumpin nimen kirjainten summa on 357, mikä on lähes sama kokonaismäärä kuin heprealaisen messiaan sanan kirjainten, 358. Yxi ääni sinne tänne, mitä väliä.
ellauri297.html on line 48: Founder, Ammi Ruhama Community Christian Union. Living History Interpretor. Baker. Milford Baby and Toddler Group Organizer. Bada Bing Pizza Chef. Sunnymead Residential Home Kitchen Assistant. Be Life Cafe and Marketplace Operations Personnel. Summit Christian Academy Steward. I vacuum the hallways, library, music room and preschool room. I clean the bathrooms and mop the gym/cafeteria floor. I also maintain the general premises. Dan the Handy Man. Do you need handy work done around your house, but don't want to have to call in the big guys with the big price? My name is Daniel Bacon and I am an experienced handy man living right here in Clarks Summit. If you need your lawn cut, bushes trimmed, garden weeded, fence painted / stained or just about any other job done, then call me at 570-585-9595 or email me at contactdanielbacon@gmail.com and we'll set up a time for me to come and see if I am the right man for the job. Wait! let me…Show more... (Ouch!) I emptied the front cash register as well as filling in as a sandwich maker. I created schedules and activities for the campers and staff to participate in. I also led worship during the evenings. Student janitor.
ellauri297.html on line 51: Maintenance Worker, Word of Life Fellowship. I helped maintain the facilities of Word of Life Ranch.
ellauri301.html on line 157: Wallander was once married, but his wife Mona (remember? the immigrant charity dish) left him and he has since had a difficult relationship with his rebellious only child, Linda, who barely survived a suicide attempt when she was fifteen. He also had issues with his late father, an artist who painted the same landscape 7,000 times for a living; the elder Wallander strongly disapproved of his son´s decision to join the police force and frequently derided him for it. Fair enough: painting sunsets with/without a black grouse pays off better than finding random middle fingers of color. Kurt Wallander sr is a great fan of the opera. Kurt Wallander jr says he actually hates opera. I bet that was a joke.
ellauri302.html on line 673: Reshit Chochmah kuvaa meditaatiomenetelmää, jossa yhdistyvät heprealaisten kirjainten visualisointi ja niiden permutaatio. Sen tarkoituksena on inspiroida lukija puhtauden ja pyhyyden tunteella, jos kirjaimia sekoitetaan säännöllisesti. Kirja esittelee eettisen ja moraalisen opetuksen yhdistelmän Kabbalaan. Kirja näyttää tietä tietämättömille ja neuvoja neuvottomille päästäkseen Kabbalan maailmaan ja viisauteen. Erittäin helposti ja ymmärrettävästi kirja selittää lukijalle tapoja saavuttaa korkeampi jumalallinen tietoisuus, jota Pyhä toivoo rakkaalle kansalleen Israelille. Kirja on pysynyt suosittuna julkaisustaan lähtien.
ellauri318.html on line 123: Kaikki vetää kamaa, kertoo Abdul iloisena. Svedut, mutiaiset, teinit. Tästä on tullut koko kansan juttu tyyliin Ikea tai Henkkamaukka. Kauppa käy kuin siimaa. JP ostaa kolarahoilla ällöjä merkkivaatteita. Hän ei pane mitään säästöön. Hän panee neitosia hampaankoloon. Sohvi oli lumoava kuin fixu tv-juontaja. Tosissaan iskeminen oli kinkkistä. JPlle tuli Pohjois-Euroopan tiukin stondis silkasta rahanhimosta. Väkivalta Tukholmassa on kasvanut ja asujainten suhde aseisiin on lämmennyt. Ruåzi etenee päättäväisesti jenkkiesikuviensa tietä. Nekin jotka eivät osallistu seuraavat kiihottuneina vierestä kumikauloina. Ostelevat Vapiduxen ja kumppaneiden sellukirjoja. Svedut on 50v jenkeistä jälessä mutta nopeita oppijoita. Niikö virolaiset poroista.
ellauri321.html on line 182: There is room for every body in America; has he any particular talent, or industry? he exerts it in order to procure a livelihood, and it succeeds. Is he a merchant? the avenues of trade are infinite; is he eminent in any respect? he will be employed and respected. Does he love a country life? pleasant farms present themselves; he may purchase what he wants, and thereby become an American farmer. Is he a labourer, sober and industrious? he need not go many miles, nor receive many informations before he will be hired, well fed at the table of his employer, and paid four or five times more than he can get in Europe. Does he want uncultivated lands? Thousands of acres present themselves, which he may purchase cheap. Whatever be his talents or inclinations, if they are moderate, he may satisfy them. I do not mean that every one who comes will grow rich in a little time; no, but he may procure an easy, decent low maintenance, by his industry. Instead of starving he will be fed, instead of being idle he will have employment; and these are riches enough for such men as come over here.
ellauri322.html on line 127: When all the governments of Europe shall be established on the representative system, nations will become acquainted, and the animosities and prejudices fomented by the intrigue and artifice of courts, will cease. As soldiers have hitherto been treated in most countries, they might be said to be without a friend. Shunned by the citizen on an apprehension of their being enemies to liberty, and too often insulted by those who commanded them, their condition was a double oppression. But where genuine principles of liberty pervade a people, everything is restored to order; and the soldier civilly treated, returns the civility.
ellauri322.html on line 256: At this time Mary Wollstonecraft had moved to rooms in Store Street, Bedford Square. She was fascinated by Fuseli the painter, and he was a married man. She felt herself to be too strongly drawn towards him, and she went to Paris at the close of the year 1792, to break the spell. She felt lonely and sad, and was not the happier for being in a mansion lent to her, from which the owner was away, and in which she lived surrounded by his servants. Strong womanly instincts were astir within her, and they were not all wise folk who had been drawn around her by her generous enthusiasm for the new hopes of the world, that made it then, as Wordsworth felt, a very heaven to the young.
ellauri322.html on line 489: You are viewing an original antique oil painting on canvas by Paulette Bardy, listed French Impressionist of the early part of the 20th century. She was born in Fez, Morocco and her works were accepted and exhibited at the prestigious Salon des Artistes Francais in Paris. She was a pupil of French artist Charles Fouqueray and she also painted a series of controversial risque beach scenes, erotic in nature, titled "La Plage" and "Bord de Mer". Her landscapes are Impressionistic mixed with an influence of rural French folk art.
ellauri323.html on line 135: And I daresay, indeed, that had he never met Zuleika, the irresistible, he would have lived, and at a very ripe old age died, a dandy without reproach. For in him the dandiacal temper had been absolute hitherto, quite untainted and unruffled. He was too much concerned with his own perfection ever to think of admiring any one else. Different from Zuleika, he cared for his wardrobe and his toilet-table not as a means to making others admire him the more, but merely as a means through which he could intensify, a ritual in which to express and realise, his own idolatry. At Eton he had been called “Peacock,” and this nick-name had followed him up to Oxford. It was not wholly apposite, however. For, whereas the peacock is a fool even among birds, the Duke had already taken (besides a particularly brilliant First in Mods) the Stanhope, the Newdigate, the Lothian, and the Gaisford Prize for Greek Verse. And these things he had achieved currente calamo, “wielding his pen,” as Scott said of Byron, “with the easy negligence of a nobleman.” The dandy must be celibate, cloistral; is, indeed, but a monk with a mirror for beads and breviary—an anchorite, mortifying his soul that his body may be perfect.
ellauri333.html on line 390: His theory of State Socialism had three points: state ownership of agricultural land, the maintenance of resources for production by the state, and a just distribution of these resources to the population. 2023 biljonäärit määrää koko andamaanien asujainten kohtalot.
ellauri340.html on line 621: Vuonna 2005 syöpädiagnoosin saanut Baudrillard taisteli sairautta vastaan kaksi vuotta asunnostaan Rue Sainte-Beuvella, Pariisissa, mutta hävisi. Hän kuoli 77-vuotiaana. Marianne kuratoi hänet.
ellauri344.html on line 261: Jews without Money is set in a slum populated mainly by Jewish immigrants from Eastern Europe. The father of the hero is a Romanian-born painter who suffers from lead poisoning. When he falls from a scaffold, he is disabled and can no longer work. His business fails and the family is pushed into poverty. The mother has to seek work in a restaurant. Although he is a bright boy, young Michael decides he must leave school. On the final page of the book, the poor Jewish boy prays for the arrival of a Marxist worker's revolution that will emancipate the working class.
ellauri348.html on line 413: Hänen mukaansa nuorten pitäisi kehittää taitoja, joilla he voivat luotettavasti suuntautua ja navigoida tulevaisuuden yhä epävarmemmassa digitaalisessa ja globaalissa työelämässä. Salmela-Aron mukaan sosiaaliset taidot, sisukkuus ja sopeutumiskyky ovat avaintekijöitä menestykseen.
ellauri348.html on line 808: Kun tarkastellaan esimerkiksi Maailman terveysjärjestön tietoja psykoosin tuloksista, alhaisen tulotason maissa asuvilla ihmisillä on usein parempia tuloksia kuin Yhdistyneessä kuningaskunnassa. Vaikka tämä tulos on usein virheellisesti liitetty lääkkeiden puuttumiseen, avaintekijät ovat sosiaalinen yhteenkuuluvuus, ihmisarvo ja turvallinen paikka parantua.
ellauri349.html on line 507: Lors des évènements de Mai 68, Aron a d'abord un élan de sympathie pour les étudiants révoltés, avant de critiquer les débordements qu'il juge pseudo-révolutionnaires. Sartre, qui soutient le mouvement, étrille violemment son ancien ami : « Je mets ma main à couper qu'Aron ne s'est jamais mis en cause et c'est pour cela qu'il est, à mes yeux, indigne d’être professeur. Il faut, maintenant que la France entière a vu de Gaulle tout nu, que la France entière pût regarder Aron tout nu ». Aron répond calmement à ces attaques, dénonçant des arguments que « même un démagogue de bas étage n'aurait pas utilisés »
ellauri351.html on line 241: Koko viikon mittaisen retriitin aikana näytti joskus siltä, ettei mikään tapahtuma ollut geopoliittisesti liian laaja tai historiallisesti monimutkainen trauman kautta. Ensimmäisenä iltana van der Kolkin henkilökunta kokoontui hänen kanssaan sviittiinsä. Siellä oli nainen, joka johti TRF:n kansainvälistä haaraa, joka keskittyi traumatyöpajojen kehittämiseen globaalissa etelässä, ja psykoterapeutti, joka kertoi minulle keksineensä "seksuaalisen surun" käsitteen. Yö oli sujunut loistavasti, he olivat yhtä mieltä, kun keskustelu pyörähti Trauma-säätiön maailmanlaajuiseen elintärkeään työhön ja jäljellä olevaan työhön: Ukrainan sotaan, ilmaston lämpenemiseen, pakolaiskriisiin, nälänhätään, sissien väkivaltaan, suureen murrospyörään. historia huutaa lisää traumainterventiota. Oli vaikea ajatella ongelmaa, johon traumaterapia ei olisi vastaus.
ellauri351.html on line 381: Halbwachs vaikutti myös tiedon sosiologiaan teoksellaan La Topographie Legendaire des Évangiles en Terre Sainte ; Uuden testamentin spatiaalisen infrastruktuurin tutkimus. (1951)
ellauri364.html on line 113: Helwegin Kierkegaard-patografian avaintermejä ovatassessor Barn barndommen begynder bestandig betydning dagbogen dementia depression depressive derfor død egentlig Enten-Eller ethiske faderen fald finde Forfatter-Virksomhed forhold forlovelsen forstaaet fortsætter Frygt Frygt og Bæven H. C. Andersen hende holde homosexualitet hvorledes imidlertid jordrystelsen journal konstitution kristendommen kærlighed kønssygdom lade lidelse lidenskab lige ligesom lægge længe læse mand manio-depressive maniske Menneske Mynster Maade maaske maatte N. F. S. Grundtvigs neppe Nero netop næsten opfattelse optegnelse P. A. Heiberg pathologiske person psykologisk psykose refleksion Regine Regine Olsen religiøse udvikling sandt seer senere sexuelle sidste Sindssvaghed sindssygdom sindstilstand sjælelige skriver stemning stærkt sygdom sygelige synd synes syphilis sætte søge Søren Kierkegaard saadan saaledes tanke tankegang tungsindet tvivl tænker udtryk ulykkelig umiddelbare veed vejen Verden virkelig viser vist ægteskabet øjeblik Aand.
ellauri369.html on line 290: Tiesittekö että: Carlylella oli keskeinen asema viktoriaanisessa kulttuurissa, ja häntä ei pidetty ainoastaan Ralph Waldo Emersonin sanoin "englanninkielisten kirjainten kiistattomana päänä", vaan myös takapuolena. Ketä ne ovat kysyi Sepukka. En tietäisi izekään ilman Uikipediaa. Niin katoaa teeren kunnia.
ellauri369.html on line 418: Sankari kirjainten miehenä. Johnson, Rousseau, Burns; Carlyle
ellauri377.html on line 135: Barnabaan kirje käyttää myös toista muinaisen juutalaisen eksegeesin tekniikkaa, gematriaa, uskonnollisen merkityksen osoittamista kirjainten numeeriselle arvolle. Kun sitä käytetään kreikkalaisten aakkosten kirjaimiin, sitä kutsutaan myös isopsephiaksi. Tunnettu Uuden testamentin esimerkki sen käytöstä on Ilmestyskirjassa: "Se, jolla on ymmärrystä, laskekoon pedon lukumäärän, sillä se on ihmisen luku ja hänen lukunsa on 666", jonka tulkitaan usein viittaavan heprealaisilla kirjaimilla kirjoitettuun nimeen "Nero Caesar".
ellauri382.html on line 371: When Goggins enrolled in the third grade, he was diagnosed with a learning disability due to the lack of schooling. He also found it difficult to learn as he was suffering from toxic stress because of the child abuse that he suffered during his early years in Buffalo, New York. Because of the stress, he developed a stutter. Goggins explains h-ho-how he was c-co-constantly in a f-fight-or-flight response with social anxiety because of his s-st-stuttering. In school, Goggins was subjected to racism and the K-Ku-Klux Klan held a local presence at the time in Brazil and Indiana. Goggins recalls he once found "Niger [sic] we're gonna kill you" on his Spanish notebook. At 16, a better informed student spray painted "nigger" on the door of Goggins's car.
ellauri389.html on line 77: All this lexical play upon the word "china" that Elia performs has an imperial logic: it lets a teacup metonymize the East Asian empire. Porcelain collecting is a way of possessing the country, as porcelain purchasers such as Elia display a piece of China earth in British domestic space, offering everyday access to another exotic world every time he indulges in a cup of proverbial British tea. Deliberately confusing his cup's porcelain glaze with "the lucid atmosphere of fine Cathay" Elia imperially assumes the painted pictures on his teacup to be a telescopic vision of China itself ("for so we must in courtesy interpret that speck of deeper blue").
ellauri389.html on line 267: “My grandfather gave me some really strange books to read, including Colin Wilson’s The Outsider and Zen and the Art of Motorcycle Maintenance. He was an autodidact, left school at about twelve, a completely self-taught man, so he had a very eclectic taste. He would pass on books that interested him, some were philosophical books, and they interested me too.
ellauri390.html on line 428: She's well-acquainted with the touch of the velvet hand
ellauri391.html on line 233: His opponents in Congress, who he felt were sabotaging his program for their own political gain, unfairly painted him blue and black as a callous and cruel President. Hoover became the scapegoat for the Depression and was badly defeated in 1932. In the 1930’s he became a powerful critic of the New Deal, warning against tendencies toward statism.
ellauri392.html on line 395: Consumption. Beatrice died; Rossetti painted her
ellauri392.html on line 397: Painted the rest: Simonetta Vespucci
xxx/ellauri027.html on line 402: Avainteemoja ovat: "pehmeitten" teemojen kova, ratkaiseva voima - positiivisuuden positivisuus - käytännön ensisijaisuus - kasvun ihme - se hengen ankara laulu, mistä on kyse. Kirja on fyysesti ostettavissa Akateemisesta kirjakaupasta ja Aalto-yliopiston Tuotantotalouden laitoksen kirjastosta, jonka sivuilta teos on myös ladattavissa digitaalisesti (ilmaiseksi). Hinta vain (en nyt muista, muttei se kovin kallis oo). Et tukka putkella nyt vaan ihan fyysisest tänne Tuotantotalouden laitoxeen! Luvassa on hellän dynaamisia ja innostavia, räjähdysvoimaisia hetkiä... ja vähän tietoakin!
xxx/ellauri075.html on line 104: Il prend la direction de la manufacture familiale de 1908 jusqu'à son exil en 1919. Malgré la contrainte que représente la gestion de cette entreprise, il abandonne le droit et se tourne vers l'écriture et la philosophie.
xxx/ellauri085.html on line 120: Sidney Peterson (November 15, 1905, Oakland, California – April 24, 2000, New York City) was an American author, artist, and avant-garde filmmaker. He attended UC Berkeley, worked as a newspaper reporter in Monterey, and spent time as a practicing painter and sculptor in France in the 1920s and 1930s. After World War II, Peterson founded Workshop 20 at the California School of Fine Arts (renamed the San Francisco Art Institute), initiating filmmaking courses at the school.
xxx/ellauri086.html on line 881: It shall clasp a sainted maiden whom the angels name Lenore— jahka sielun aivastan, kohta pääsen nirvanaan.
xxx/ellauri091.html on line 778: As a young student she was first attracted to the study of literature, but she was soon to take an interest in the work to which she was to devote all her energies in the period preceding the First World War: the improvement of conditions of life through social reform. The necessity of such work was first brought home to her when she became acquainted with the poverty and squalor of the slums in America’s big cities. She collaborated in the founding of a social center in Boston and undertook other practical work as well, becoming a member of the American Federation of Labor and helping to establish the Women’s Trade Union League of America.
xxx/ellauri123.html on line 1201: Mais maintenant, ô Dieux, est couard et craintif. Mutta nyt, jumalauta, on pelokas ja nolo.
xxx/ellauri125.html on line 779: Love's bandmate Eric Erlandson said that both he and Love were introduced to Cobain in a parking lot after a Butthole Surfers/L7 concert at the Hollywood Palladium on May 17, 1991. Sometime in late 1991, Love and Cobain became re-acquainted through Jennifer Finch, one of Love's longtime friends and former bandmates. Love and Cobain were a couple by 1992.
xxx/ellauri125.html on line 782: Cobain had become a major public figure following the surprise success of Nirvana's album Nevermind. Love was urged by her manager to participate in the cover story. In the year prior, Love and Cobain had developed a heroin addiction; the profile painted them in an unflattering light, suggesting that Love had been addicted to heroin during her pregnancy. The Los Angeles Department of Children and Family Services investigated, and custody of Frances was temporarily awarded to Love's sister, Jaimee. Love claimed she was misquoted by Hirschberg, and asserted that she had immediately quit heroin during her first trimester after she discovered she was pregnant.
xxx/ellauri127.html on line 743: Endymion received scathing criticism after its release, and Keats himself noted its diffuse and unappealing style. Keats did not regret writing it, as he likened the process to leaping into the ocean to become more acquainted with his surroundings; in a poem to J. A. Hessey, he expressed that "I was never afraid of failure; for I would sooner fail than not be among the greatest." However, he did feel regret in its publishing, saying "it is not without a feeling of regret that I make it public." Not all critics disliked the work. eg. the poet Thomas Hood. Henry Morley said, "The song of Endymion throbs throughout with a noble poet's sense of all that his art means for him. What mechanical defects there are in it may even serve to quicken our sense of the youth and freshness of this voice of aspiration." Meaning: Dig it mon. Endymionin jälkeen Keaz kommentoi sen vastaanottoa seuraavasti.
xxx/ellauri128.html on line 181: Madame de Staël (/stal/) ou bien Anne-Louise-Germaine Necker, baronne de Staël-Holstein, était une romancière, épistolière et philosophe genevoise et française née le 22 avril 1766 à Paris où elle est morte le 14 juillet 1817. Issue d´une famille de protestants valdo-genevois richissimes, fille du ministre des finances de Louis XVI Jacques Necker, elle est élevée dans un milieu de gens de lettres. Elle épouse, en 1786, le baron Erik Magnus Staël von Holstein, ambassadeur du roi Gustave III de Suède auprès de la cour de France à Versailles. Le couple se séparera en 1800. Devenue baronne de Staël, elle mène une vie sentimentale agitée et entretient en particulier une relation orageuse avec Benjamin Constant, écrivain et homme politique franco-vaudois rencontré en 1794. Entretemps, sa réputation littéraire et intellectuelle s´est affirmée grâce à trois essais philosophiques que sont les Lettres sur les ouvrages et le caractère de Jean-Jacques Rousseau (1788), De l´influence des passions sur le bonheur de l´individu et des nations (1796) et De la littérature considérée dans ses rapports avec les institutions sociales (1800). Favorable à la Révolution française et aux idéaux de 1789 au debut, elle adopte une position critique dès 1791 et ses idées d´une monarchie constitutionnelle la font considérer comme une opposante gênante par les maîtres de la révolution. Malgré le statut de diplomate de son mari, elle doit se réfugier auprès de son père en Suisse à plusieurs reprises. Interdite de séjour sur le sol français par Napoléon Bonaparte qui la considère comme un obstacle à sa politique, elle s´installe en Suisse dans le château familial de Coppet qui sert de lieu principal de rencontres au groupe du même nom, et d´où elle fait paraître Delphine (1802), Corinne ou l´Italie (1807) et De l´Allemagne (1810/1813b). Ses œuvres fictionnelles majeures, dans lesquelles elle représente des femmes victimes des contraintes sociales qui les enchaînent, sont Delphine (1802) et Corinne ou l´Italie (1807).
xxx/ellauri128.html on line 590: Max Ernst (2 April 1891 – 1 April 1976) was a German (naturalised American in 1948 and French in 1958) painter, sculptor, graphic artist, and poet. A prolific artist, Ernst was a primary pioneer of the Dada movement and surrealism. He had no formal artistic training, but his experimental attitude toward the making of art resulted in his invention of frottage—a technique that uses pencil rubbings of objects as a source of images—and grattage, an analogous technique in which paint is scraped across canvas to reveal the imprints of the objects placed beneath. He is also noted for his novels consisting of collages. Vitun tuhertaja. Onko hölmömpää kuin noi Maxin älynväläyxet? Se on yhtä puupää kuin Wolfram Rothin isäpuoli Ernst Rüdiger. Turmiolan Hannu on kyllä raapinut aforismikasaansa ihan pahnanpohjatkin. Oscar Wilden turauxet puolestaan on tyypillistä homopetteröintiä.
xxx/ellauri128.html on line 611: Adrian Henri (10 April 1932 – 20 December 2000) was a British poet and painter best remembered as the founder of poetry-rock group the Liverpool Scene and as one of three poets in the best-selling anthology The Mersey Sound, along with Brian Patten and Roger McGough. The trio of Liverpool poets came to prominence in that city´s Merseybeat zeitgeist of the 1960s and 1970s. He was described by Edward Lucie-Smith in British Poetry since 1945 as the "theoretician" of the three. His characterisation of popular culture in verse helped to widen the audience for poetry among 1960s British youth. He was influenced by the French Symbolist school of poetry and surrealist art. Aika nolla.
xxx/ellauri129.html on line 672: William Wilkie Collins (8 January 1824 – 23 September 1889) was an English novelist and playwright known for The Woman in White (1859), and for The Moonstone (1868), which has been posited as the first modern English detective novel. Born to the London painter William Collins and his wife, he moved with the family to Italy when he was twelve, living there and in France for two years and learning Italian and French. He worked initially as a tea merchant. After publishing Antonina, his first novel, in 1850, Collins met Charles Dickens, who became a friend and mentor. Some Collins work first appeared in Dickens's journals Household Words and All the Year Round. They also collaborated on drama and fiction. Collins gained financial stability and an international following by the 1860s, but began to suffer from gout and became addicted to the opium he took for the pain, so that his health and writing quality declined in the 1870s and 1880s. Collins was critical of the institution of marriage: he split his time between widow Caroline Graves – living with her for most of his adult life, treating her daughter as his – and the younger Martha Rudd, by whom he had three children.
xxx/ellauri137.html on line 194: When Manet painted this piece 1868, scenes of bourgeois life were in vogue. Yet The Balcony went against the conventions of the day. All the subjects were close acquaintances of the artist, especially Berthe Morisot who here, pictured sitting in the foreground, makes her first appearance in Manet's work, and who went on to become one of his favourite models.
xxx/ellauri137.html on line 196: At its presentation at the 1869 Salon, this enigmatic group portrait was overwhelmingly misunderstood despite the obvious reference to Majas at the Balcony of Francisco Goya. "Close the shutters!" was the sarcastic reaction of the caricaturist Cham while another critic attacked "this gross art" and Manet who "lowered himself to the point of being in competition with the painters of the building trade".
xxx/ellauri139.html on line 951: Telle etait la plainte d’Hégésippe Moreau, alors que Gilbert avait écrit avant lui:
xxx/ellauri139.html on line 1039: Sainte-Beuve väsäs esipuheen Hegesippen koottuihin. H. oli taiteilijanimi, oikeesti se oli Petri-Jaakko.
xxx/ellauri139.html on line 1041: Hégésippe Moreau ( ranskalainen Pierre-Jacques Roulliot ; 8. huhtikuuta 1810-20 . joulukuuta 1838) oli ranskalainen lyyrinen runoilija . Syntymästään lähtien häntä kutsuttiin biologisen isänsä (Moreau) sukunimellä ja hän otti salanimen Hégésippe, kun hän aloitti runojen julkaisemisen vuonna 1829. Ranskan romantikkojen ja 1800 -luvun yleisön mielikuvituksessa Hégésippe Moreaun vaikeudet elämä ja hänen ennenaikainen kuolemansa tekivät hänestä romanttisen vastineen aikaisemmille runoilijoille Thomas Chattertonille , Nicolas Joseph Laurent Gilbertille ja Jacques Clinchamps de Malfilâtrelle . Tämä romanttinen myytti vahvistui julkaisemalla hänen täydelliset teoksensa yhdessä Gilbertin teosten ja luettelon runoilijoista, jotka kuolivat nälkään vuonna 1856; hänen teostensa 1860-painos sisälsi Sainte-Beuve'n tärkeän elämäkertaisen esipuheen.
xxx/ellauri139.html on line 1045: Kun hän lähti Avonista vuonna 1828 (esipuheessaan Hégésippen kerätyille teoksille, Sainte-Beuve ilmoittaa meille, että Hégésippe oli erinomainen klassisen kirjallisuuden opiskelija ja että hänellä oli lahjakkuus latinalaiseen tulkintaan), hän aloitti oppisopimuskoulutuksen oikolukijana Provinsin kustantaja, monsieur Lebeau - Hégésippe viittaa teoksissaan M. Lebeaun tyttäreen "sisarekseen" ja hän omisti lyhyet proosakertomuksensa hänelle. Kun Kaarle X kulki Provinsin läpi vuonna 1828, Sainte-Beuve ilmoittaa meille, Moreau kirjoitti isänmaallisen runonsa Vive le roi! . Hégésippe Moreau meni Pariisiin ennen vuotta 1830. M.Lebrunin neuvosta hän lähetti kopion kirjeestään painamisesta M. Firmin Didotille, ja hänet palkattiin Didot -kustantamolla, joka sijaitsi rue Jacobilla, mutta lähti tämä työnantaja pian sen jälkeen. Hän osallistui heinäkuun vallankumoukseen 1830, työskenteli lyhyesti opettajana ( maître d'étude ) ja alkoi johtaa Böömin elämää.
xxx/ellauri149.html on line 83: Koska se ei auttanut, Wish halutaan virallisesti kieltää. Viranomaiset haluavat Wish-sovelluksen pois sovelluskaupoista, ja Wishin verkkokaupan pois selainten hakutuloksista.
xxx/ellauri154.html on line 228: Furthermore, it is quite possible that Moreau was acquainted with Flaubert’s 1862 Salammbô and with Mallarmé’s 1864 Hérodiade, which would have influenced his approach.
xxx/ellauri157.html on line 98: Jacob (Jacques) Jordaens was a Flemish painter, draughtsman and tapestry designer known for his history paintings, genre scenes and portraits. After Peter Paul Rubens and Anthony van Dyck, he was the leading Flemish Baroque painter of his day. Unlike those contemporaries he never travelled abroad to study Italian painting, and his career is marked by an indifference to their intellectual and courtly aspirations. In fact, except for a few short trips to locations in the Low Countries, he remained in Antwerp his entire life. As well as being a successful painter, he was a prominent designer of tapestries.
xxx/ellauri157.html on line 100: Like Rubens, Jordaens painted altarpieces, mythological, and allegorical scenes, and after 1640—the year Rubens died—he was the most important painter in Antwerp for large-scale commissions and the status of his patrons increased in general. However, he is best known today for his numerous large genre scenes based on proverbs in the manner of his contemporary Jan Brueghel the Elder, depicting The King Drinks and As the Old Sing, So Pipe the Young. Jordaens' main artistic influences, besides Rubens and the Brueghel family, were northern Italian painters such as Jacopo Bassano, Paolo Veronese, and Caravaggio.
xxx/ellauri157.html on line 102: Jordaen's personal interaction with the Bible was strengthened by his conversion from Catholicism to Protestantism. Like Rubens, he studied under Adam van Noort, who was his only teacher. During this time Jordaens lived in Van Noort's house and became very close to the rest of the family. 8 years later, after joining the tapestry painters' guild, 1616, he married his teacher's eldest daughter, Anna Catharina van Noort, with whom he had three children. Perhaps the big butt belonged to Anna Catharina.
xxx/ellauri165.html on line 316: Seeing an opportunity to make some money by taking a cut of sales, Greville sent her to sit for his friend, the painter George Romney, who was looking for a new model and muse. It was then that Emma became the subject of many of Romney's most famous portraits, and soon became London's biggest celebrity. So began Romney's lifelong obsession with her, sketching her nude and clothed in many poses that he later used to create paintings in her absence. Through the popularity of Romney's work and particularly of his striking-looking young model, Emma became well known in society circles, under the name of "Emma Hart". She was witty, intelligent, a quick learner, elegant and, as paintings of her attest, extremely beautiful. Romney was fascinated by her looks and ability to adapt to the ideals of the age. Romney and other artists painted her in many guises, foreshadowing her later "attitudes".
xxx/ellauri165.html on line 326: They were married on 6 September 1791 at St Marylebone Parish Church, then a plain small building, having returned to England for the purpose and Sir William having gained the King's consent. She was twenty-six and he was sixty. Although she was obliged to use her legal name of Amy Lyon on the marriage register, the wedding gave her the title Lady Hamilton which she would use for the rest of her life. Hamilton's public career was now at its height and during their visit he was inducted into the Privy Council. Shortly after the ceremony, Romney painted his last portrait of Emma from life, The Ambassadress, after which he plunged into a deep depression and drew a series of frenzied sketches of Emma.
xxx/ellauri166.html on line 68: There is a mention of the rod of Moses in a deposition of Nicolas, abbot of the Icelandic Benedictine monastery of Thingeyrar, who had seen it guarded in a chapel of a palace in Constantinople in c. 1150. According to this source, the archbishop of Novgorod, Anthony, stated that it was in the church of St Michael in the Boukoleon Palace, among other precious relics. After the sack of Constantinople in 1204 it was transported to France where Bishop Nevelon placed it in Soissons cathedral and it then passed to the treasury of the Sainte-Chapelle.
xxx/ellauri166.html on line 161: Mandaic lead rolls Scottish painted pebbles V
xxx/ellauri170.html on line 821: Maria sanoi: "Herrani, ilmoita meille, millä tavalla he kantavat pois, joten sielut ovat lumoutuneet, jotta myös veljeni ymmärtäisivät sen." Yew ja Melkisedec. Jeesus,--joka on Aberamenthō, muistatte--teki huomautuksen: "Koska isäni isä,--jos on Marja,-- on kaikkien viivoitinten, jumalten ja voimien esi-isä, jotka ovat syntyneet valtiovarainministeriön valosta, ja Zorokothora Melchisedec on lähettiläs kaikille valoille, jotka puhdistetaan viivaimissa, johdattaen heidät valon valtiovarainministeriöön,--kaksi yksin ovat suuret valot, ja niiden toimitus on, että he menevät hallitsijoiden luo ja puhdistavat heidät ja että Zorokothora Melchisedec roudaa pois puhdistusvalot, jotka he ovat puhdistaneet viivoittimista ja johdattavat heidät Valon valtiovarainministeriöön,-- kun salakirjoitus ja heidän toimituksensa aika tulevat, että he menevät viivainten luokse ja sortavat ja rajoittavat heitä ja kuljettavat puhdistuksen pois viivaimilta."
xxx/ellauri173.html on line 89: Toujours est-il qu’il a permis seulement qu’on imprimât son Évangile, et non qu’on le phonographiât. Cependant, au lieu de dire : « Lisez les Saintes Écritures ! » on eût dit : « Écoutez les Vibrations Sacrées ! » ― Enfin, il est trop tard… Par contre, trop tot! Nythän se jo löytyy äänikirjana varmaan jonkun baptistijuhon lukemana.
xxx/ellauri173.html on line 750: "Katsokaas, rakas Watson, katsoin eräänä iltana teatterissa neiti Alicia Claryta, kun hän kuunteli jonkinlaista melodraamaa erään puheenväärentäjän kynästä, noiden kirjainten ryöstäjien kynästä. Do-it-yourself ammattikieltä, saippuaoopperaa! Heidän fiktionsa banaalisuudet, irvistävä laiskuus, surkastuminen, voittoisa ja tuottoisa rankaisemattomuus, tollanen lattapäinen ylevyyden tunne laahuxen joukossa. Hyvin menee ! Näin miten tämän naisen ihailtavat silmät täyttyvät kyynelistä näissä surkeissa keskusteluissa! Voi helvetti! Että mua eto!
xxx/ellauri176.html on line 51: Athenaeus provides many anecdotes about Phryne. He praises her beauty, writing that on the occasion of the festivals of the Eleusinia and Poseidonia, she would let down her hair and step nude into the sea. Kuvassa sillä näkyy olevan uimalakki päässä. Se onkin järkevämpää kuin aukaista tukka uimaan mennessä. This would have inspired the painter Apelles to create his famous picture of Aphrodite Anadyomene (Ἀφροδίτη Ἀναδυομένη, Rising from the Sea also portrayed at times as Venus Anadyomene). Mitä vittua sehän on sama asia. Herne herne! Supposedly the sculptor Praxiteles, who was also her lover, used her as the model for the statue of the Aphrodite of Knidos, the first nude statue of a woman from ancient Greece. Oiskoon se muka oikeasti eka? Mä oon varma että pornokuvia on tehty maailman sivu, ne ei vaan ole kovassa käytössä kaikki säilyneet.
xxx/ellauri176.html on line 170: Et le merveilleux Paradou du roman, ce paradis panthéiste, cet hymne à la nature, à l'amour – ces paysages décrits par Zola perdent toute vibration, toute poésie. On croit voir défiler les pages du catalogue Vilmorin où s'ébattent Serge et une Albine issue du Petit Echo de la Mode. Le film projeté ne montre pas la séquence du grenier, la découvert des toilettes féminines – les nombreux changements de robe d'Albine sont, dès lors, gratuits, irritants. Comme tous les autres acteurs, Gillian Hills (Albine) est mal dirigée, elle n'a aucune grâce, aucun naturel. Francis Huster (Serge), lui, a du charisme mais son dur combat, sa douceur sont hélas surtout perceptibles par le fard qui rantôt ranime, tantôt creuse un visage que des zooms inutiles amènent en gros plan. Et pour avoir voulu donner aux paysages de la Sainte-Baume, du Lubéron, du Parc Floral d'Orléans une certaine unité, on aboutit à des tonalités froides, éteintes. Seules les intérieurs (l'église, la chambre de Serge, la salle à manger de la cure) gardent leurs contrastes, leurs valeurs. Les personnages n'existent guère, aucune vibration n'émane d'eux, ni de la nature cruelle ou triomphante, de ce Paradou, terre-mère bruissante de vie, féconde.
xxx/ellauri176.html on line 375: Maintenant ? Nytkö vai?
xxx/ellauri177.html on line 256: -- Tu comprends, maintenant, nous allons dormir... Tu dois te coucher à côté de moi, tout contre moi. -- Vois-tu, murmurait Albine, quand on est marié, on a chaud... Tu ne me sens pas?
xxx/ellauri179.html on line 275: Grace Ernestine Hall, sittemmin Grace Hall Hemingway (June 15, 1872 – June 28, 1951) was an American opera singer, music teacher, and painter. Sen isä oli todennäkösesti chicagolainen teurastaja tai lihakauppias. Sen on tytär ainakin näkönen, vielä pelottavamman kuin Keskustan Sirkka-Liisa Anttila (kisa ratkeaa kyllä vasta loppumetreillä).
xxx/ellauri179.html on line 606: Ernest Hemingway squirmed as his second wife, Pauline, read aloud in 1927 from Henry James' novel The Awkward Age. Hemingway wondered why James bailed his characters out of their frequent inactivity by inserting a drawing room scene; and, as he was to do frequently during the next thirty years, he freely criticized the quality of James' works, "and knowing nothing about James he seems to me to be a shit." Too, he was quick to criticize the male protagonists of James,". .and the men all without any exception talk and think like fairies except a couple of caricatures of brutal outsiders". Carlos Baker observes that Hemingway, the "brutal outsider" himself, was at this time publishing Men Without Women, whose sales had reached 15,000 in the first three months after publication. But now Hemingway, the outsider, clearly in literary ascendance, was becoming acquainted with James' works; his artistic and personal recognition of James in future years was, for the most part, to take the form of a peculiar enmity. He was often to refer to James in highly derisive terms almost to the end of his own life. Hemingway's lese majeste towards him takes the form of a sporadic obsession that reveals more about Hemingway's maturity than James' imagined frailties.
xxx/ellauri186.html on line 643: Sebastian Blasius, raadellaan kuoliaaksi rautaisilla karstoilla, Calixtus, kuolee myllynkivi kaulassa, Imolan Cassianus, omat oppilaat surmaavat tikarilla, Castulus, haudataan elävälta, Rooman Cecilia, kurkku viilletään, Bolsenan Christina, surmataan kaikella mitä ikinä voi tehdä: myllynkivellä, teilillä, pihdeillä, nuolilla ja käärmeillä, Nantesin Clarus, mestataan, Viennen Clarus, mestataan, Clemens, hukutetaan ankkuri kaulassa, Soissonsin Crispinus ja Crispinianus, molemmat teloitetaan, Barcelonan Cucufas, kuolee maha auki viillettynä, Karthagon Cyprianus, surmataan mestaamalla, ja kun Jumala oli päässyt C-kirjaimen loppuun, hän sanoi, Tästä eteenpäin kaikki on sitä samaa, tai ainakin melkein, vaihtelun mahdollisuudet ovat enää hyvin vähäiset, jollei oteta lukuun pieniä yksityiskohtia, joiden hienoudet vaatisivat pitkiä selityksiä, joten eiköhän lopeteta tähän. Jatka, Jeesus kehotti, ja Jumala jatkoi mutta lyhenteli niin paljon kuin voi, Arezzon Donatus, mestataan, Rampillonin Eliphius, surmataan irrottamalla päänahka, Emerita, pol tetaan, Regensburgin Emmeramus, sidotaan tikkaisiin ja surmataan niissä, Zaragozan Encratis, mestataan, Gaetan Erasmus, joka tunnetaan myös nimella Elmo, venytetään hengiltä vintturilla, Ruotsin Eskil, kivitetään, Kalkhedonin Eufemia, saa sisäänsä miekan. Méridan Eulalia, mestataan, Saintesin Eutropius, pää katkaistaan tapparalla. Fabianus, miekalla ja rautakarstoilla. Felicitas ja hänen seitsemän poikaansa, pää katkaistaan miekalla, Felix ja hänen veljensä Adauctus, samoin,
xxx/ellauri187.html on line 143: Throughout 600 pages Freedman gives us encounter after encounter between Rilke and the women in his life, in which the women are flawless angels and Rilke a consummate villain. If Rilke's dear friend the great German painter Paula Modersohn-Becker found herself trapped in a stifling marriage, Rilke was a traitor for not extricating her. If Lou Andreas-Salomé told the young Rilke to go off somewhere because one of her other lovers was coming to visit, Rilke's anger was the symptom of an unbalanced psyche.
xxx/ellauri208.html on line 162: The Isenheim Altarpiece painted
xxx/ellauri208.html on line 167: painted for the Monastery of St
xxx/ellauri212.html on line 413: The painter — whose real name was Balthasar Klossowski de Rola and who died in 2001 — has been a controversial figure in the art world for decades. Many of his paintings show highly sexualized depictions of young girls. His 1934 work "The Guitar Lesson" was one of his first to scandalize his peers. When it was displayed along with "Thérèse Dreaming" and other Balthus paintings at a special exhibit in the Met in 2013, a plaque warned readers that the paintings were disturbing in nature.
xxx/ellauri227.html on line 134: Willestä opin että en ole mikään vauvaihminen. Onko siinä jotain hävettävää? Mielestäni ei. Se että Erica on pienten lasten äiti on ollut sen menestyxen avaintekijä. Sillä Camillan lukijoista on enemmän kuin leijonanosa naisia. Camilla käyttää kaiken vapaa-ajan netissä faniensa parissa. En ole koskaan yxin, pääni on täynnä porukkaa.
xxx/ellauri228.html on line 495: With the symbolic preliminaries out of the way, grace was said and the family began to eat the delicious fast foods on the table. Hot mineral oil with ball bearings floating in it, plus colorful red and white-painted walnuts on the trees. No one was permitted to by-pass a food; he or she at least had to taste it or be whacked.
xxx/ellauri230.html on line 284: In addition, he was a big waver of pork sword on the side. In 1908, (20vee) Koo married his first wife, Chang Jun-o .They divorced prior to 1912. Koo's second wife, Tang Pao-yueh "May" (唐寶玥; 唐宝玥; Táng Bǎoyuè; c. 1895–1918), was the youngest daughter of the former Chinese prime minister Tang Shaoyi and a first cousin of the painter and actress Mai-Mai Sze. Their marriage took place soon after Koo's return to China in 1912 (24vee). She died in the US during the 1918 Spanish flu pandemic. Result: 2 kids.
xxx/ellauri231.html on line 242: Denikin kuoli sydänkohtaukseen 8. elokuuta 1947 lomamatkalla Ann Arborissa Michiganissa. Denikin haudattiin sotilaallisin menoihin Detroitissa. Hänen jäännöksensä siirrettiin Pyhän Vladimirin hautausmaalle Jacksoniin, New Jerseyiin. Denikinin puoliso Ksenia haudattiin (1892-1973) Sainte-Geneviève-des-Bois’n venäläiselle hautausmaalle lähelle Pariisia.
xxx/ellauri234.html on line 465: My son is 27, suffering from chronic depression, in a low-paying dead-end job without the faintest idea of how to get out of it. His life is an unending continuum of unhappiness and job dissatisfaction.
xxx/ellauri292.html on line 477: Kun hän edistyi nuoruudessaan, hän osoitti useimpien kirjainten tuntemusta ja suurta muistin voimaa ja sovelluksen voimaa ja että hän puhui ullakon murretta (attic dialect). Opimme myös, että "kun hän täytti neljännentoista ikävuotensa, hänen isänsä vei hänet Tarsokseen, Foinikialaisen Euthydemuksen luo, joka oli hyvä retori, ei nuuskuttanut, ja antoi hänelle koulutuksensa. Apollonios tarrautui opettajaansa." Opimme edelleen, että "hänellä oli opiskelutovereina Platonin ja Khrysippoksen koulun jäseniä ja perin pateettisen joukon jäseniä." Että hän myös kuunteli uutterasti Epikuroksen oppeja, hän ei halveksinut edes niitä, vaikka hän käsitti Pythagoraan opetukset tietyllä sanoin kuvaamattomalla tavalla.
xxx/ellauri304.html on line 596: Status objects. An essay by Tom Wolfe (Bonfire of the Vanities) put this in my head some years ago. A certain kind of person wants to wear shirts that have little alligators on them and another totally different type of person perhaps wants to have a statue of a black jockey on his lawn…or a pink flamingo. My late loving mother, a paragon of taste, once moved into our guest house and put painted plywood cutouts of the backviews of two people, bending over as if planting something in the yard. Naturally, butt cracks were visible because they were the whole point of this architectural and horticultural display. Since my house then was a mansion and a national historic site, I suggested that my mother take her plywood cutouts off the front lawn and put them in her backyard where nobody could see her butt. (I am a long time out of Alabama.)
xxx/ellauri306.html on line 227: Hän olikin repeytynyt eurooppalaisen alkuperänsä ja irokeesi adoptionsa välillä. Vuonna 1657 hän seurasi ryhmää jesuiittalähetyssaarnaajia , mukaan lukien isä Paul Ragueneau , lähetystyölle Sainte-Marie de Gannnetaan ( Onondaga ) irokeesien maalle, lähellä nykyistä Syracuse -kaupunkia (New York), jossa noin viisikymmentä ihmistä, mukaan lukien Pierre- Joseph-Marie Chaumonot , Zacharie Dupuisin komennossa. Pian irokeesien vihamielisyys kasvaa sukupuolitautien vuoksi, jotka tuhoavat heidän terveytensä ja joiden takia he eivät pidä musta kaapuista (jesuiitoista). Samalla kun irokeesit uhkasivat päästä eroon ranskalaisista, Radisson, kiitos hänen amerikkalaisen psykologian tuntemuksensa (erityisesti mitä tulee liiallisuuksiin liittyviin rituaaleihin, juhliin, joiden aikana irokeesit täyttivät tankkinsa tulivedellä rajoituksetta, sekä unelmanäön ansiosta, mahdollisesti Radissonilta, rohkaisemalla heitä järjestämään tämän juhlan) ja juonen (veneiden ja kanoottien rakentaminen heidän tietämättään) antaa heidän poistua paikalta ilman välikohtauksia (juhlasta hämmästyneiden irokeesien nukkuessa sikeästi) keväällä 1658 ja päästä kanoottijoukkueella Montrealin talvikisoihin.
xxx/ellauri307.html on line 803: 1990-luvun puoliväliin mennessä Euroopan kalatalousrahasto oli vakavasti huolissaan Yhdysvaltojen hallituksen kieltäytymisestä lisensoimasta mitään suojattua salaustuotetta vientiä varten, ellei se käyttänyt avainten palautusta, ja väitti, että hallitukset eivät pystyneet purkamaan tietojen salausta, kun ne suojattiin Data Encryption Standardilla (DES). jopa sen jälkeen, kun koodi on rikottu julkisesti ensimmäisessä DES-haasteessa.
xxx/ellauri307.html on line 805: Avainten talletus (tunnetaan myös nimellä "reilu" salausjärjestelmä ) on järjestely, jossa salattujen tietojen salauksen purkamiseen tarvittavat avaimet säilytetään sulkutilillä, josta valtuutettu kolmas osapuoli voi tietyissä olosuhteissa päästä käsiksi kyseisiin avaimiin. Näihin kolmansiin osapuoliin voi kuulua yrityksiä, jotka saattavat haluta pääsyn työntekijöiden suojattuun liiketoimintaan liittyvään viestintään, tai viranomaisia, jotka saattavat haluta nähdä salatun viestinnän sisällön (tunnetaan myös nimellä poikkeuksellinen käyttöoikeus ).
xxx/ellauri307.html on line 807: Avainten talletus on ennakoiva ja ennakoi avainten öykkäröivän käyttötarpeen.Taannehtiva vaihtoehto on avainten luovutus, jossa käyttäjien on luovutettava avaimet lainvalvontaviranomaisten pyynnöstä tai muuten uhkaa ikäviä oikeudellisia seuraamuksia. Avaintietojen paljastamista koskeva laki välttää jotkin avainsulkujärjestelmien teknisistä ongelmista ja riskeistä, mutta tuo mukanaan myös uusia riskejä, kuten avainten katoamisen ja oikeudellisia ongelmia, kuten tahattoman itsesyytöksen. Moniselitteistä termiä avainten palautus käytetään molempiin järjestelmiin.
xxx/ellauri319.html on line 325: Anne and Emily Brontë and other members of the Brontë family of writers, poets and painters were struck by tuberculosis. Anne, their brother Branwell, and Emily all died of it within two years of each other. Charlotte Brontë's death in 1855 was stated at the time as having been due to tuberculosis, but there is some controversy over this today. Näyttää siltä, että hän myös tuli nopeasti raskaaksi; vaikka hän ei ole koskaan maininnut häntä erityisesti tämänaikaisessa kirjeenvaihdossaan, hän pyytää neuvoja ihmisiltä, jotka ovat saaneet vauvoja, vartioidulla kielellä, jota voidaan helposti tulkita. Brontën pappilamuseossa on myös pieni, kaunis ja liikkuva vauvanhuppari, jonka ystävä oli valmistanut Charlottelle tulevaa iloista tapahtumaa varten. Sitä ei koskaan tapahtunut. Vuonna 1972 Lontoon yliopiston synnytys- ja gynekologian professori, professori Philip Rhodes totesi, että "todisteet ovat melko selvät siitä, että hän kuoli hyperemesis gravidurumiin, raskauden turmiolliseen oksentamiseen." Charlotte oli 39 kun se oxensi viimeisen oxennuxensa. Niis, kirjoitat niin kauniisti Bronten perheestä..
xxx/ellauri319.html on line 608:Mikhail Vrubel (1856–1910), Russian painter
xxx/ellauri319.html on line 637:Henri de Toulouse-Lautrec, French painter
xxx/ellauri354.html on line 263: Frederic Henry and Catherine Barkley show familiarity with well-known painters (Mantegna, Rubens, Titian) and with canonic authors (Shakespeare, Marvell), but their current reading is sparse, practical, and not literary: Catherine reads the Almanac and Frederic reads magazines and newspapers (mostly out of date).
xxx/ellauri354.html on line 608: Syy, miksi puhuin aiemmin siitä, että "syvä henkinen vaellus olisi välttämätöntä kirjainten totuuden ymmärtämiseksi tai ymmärtämiseksi", johtuu siitä, että ne olisivat (olettaen, että uskot tämän) kirjoitettu Jumalan innoittamana. Jos ne olisi kirjoitettu Jumalan innoittamana, niin Paavali olisi kirjoittanut jokaisen kirjeen, jossa oli hengellinen taakka, joka olisi saanut hänet ilmaisemaan jokaista tietyllä tavalla, ei välttämättä ihan samalla tavalla. Kuten Luce Irigaray opettaa, ei kaikea tarvi koittaa ymmärtää niin vimpan päälle, riittää pelkkä textin hyväily.
xxx/ellauri380.html on line 425: In eight remarkable chapters of August 1914 (the so-called Stolypin cycle), Solzhenitsyn painted a portrait of the statesman Pyotr Stolypin, scourge of the revolutionary left and reactionary right alike and the last best hope for Russia’s salvation. Prime Minister of Russia from 1906 until 1911, Stolypin’s abiding concern was to promote far-reaching agrarian reforms that would lead to the creation of a “solid class of peasant proprietors” in Russia. He believed that a property-owning peasantry would provide the social basis for a revitalized monarchy in Russia. He was a “liberal conservative” who rejected pan-Slavist delusions and who advocated a monarchy that respected the rule of law, one that could govern in cooperation with a “society” that had an increasing stake in the existing social order. But unfortunately Stolypin was shot (in the presence of the Tsar) at the Kiev opera house in September 1911. His assassin was, quite strikingly, a double agent of the secret police and revolutionary terrorists!
xxx/ellauri385.html on line 378: Is but a painted ceiling hung with lamps, niille vain maalattu katto josson loistelamppuja,
236