ellauri024.html on line 654: Romanssi joka nousi keskiajan lopulla on mätkintää sisältävä naimiseen päättyvä aikuisten satu, kuten Danten komedia täysin huumoriton. Kuten tragedia paizi että päättyy hyvin (jos nyt taivaaseen joutuminen on sitä, mieluummin naiminen). Surin osa romskuista ja videoviihteestä on sellasta lasten ja niiden kaltaisten jännää sankarisatua. Romanttinen komedia on edellisten kahden kombinaatio, rakkauden ja sanallisen ym lievän väkivallan färssiä. Sitäkin on nykyään paljon liikkeellä, se on oma genrensä.
ellauri024.html on line 690: Tragedia ja romanssi on kaikille enempi samoja, koska ne vatvoo yx yhteen Darwinin perusarvoja. Nigerialais-gambialaisen romanttinen komedian Potato potahton unelmatalo oli kuin Charlotten muovinen nukketalo pikku muovijänixille. Kaikki oli ilmeitä ja eleitä myöten kopioitu Karashianeilta. Rikkaat valkaistut ja suoratukkaiset ökyniggerit skizoili avioerosta, köyhä apuväki yritti ryöstöä mut ampu vaan omaan pyllyynsä. Kanitalo oli ympäröity paxulilla muureilla. Kaikki haluis samaa jo olis varaa. Nigeria pilkisti vähän miesten asuista ja kukosta, joka kiekui vahingossa muurin takana. Siitä joku saisi herkullisen aterian.
ellauri024.html on line 692: Muu komiikka ja poliittinen satiiri leikkii vähäisemmillä normeilla ja tabuilla, jotka voi olla eri porukoilla eri. Sellainen komiikka lässähtää helposti ja synnyttää vain suuttumusta ja harmia, koska se riippuu pienemmistä säädöistä kuin tragedia ja apinan koijaamiseen perustuva romanttinen komedia.
ellauri024.html on line 696: Kreikkalaiset kazoi ja Mimeesixen jutku muistutti, että tragedia on ylevää herrasväen huvia ja komedia alhaisen rahvaan, turhan eli herrasväen naurajien:
ellauri030.html on line 802: Man is the only animal that laughs and weeps: for he is the only animal that is struck with the difference between what things are, and what they ought to be. We weep at what thwarts or exceeds our desires in serious matters; we laugh at what only disappoints our expectations in trifles… . To explain the nature of laughter and tears, is to account for the condition of human life; for it is in a manner compounded of the two! It is a tragedy or a comedy—sad or merry, as it happens… . Tears may be considered as the natural and involuntary resource of the mind overcome by some sudden and violent emotion, before it has had time to reconcile its feelings to the change of circumstances: while laughter may be defined to be the same sort of convulsive and involuntary movement, occasioned by mere surprise or contrast (in the absence of any more serious emotion), before it has time to reconcile its belief to contrary appearances (Hazlitt 1819, 1).
ellauri030.html on line 853: Sit täs on vielä pikku pätkä tragediasta ja komediasta. Poinzi näyttää olevan että ne on kax tapaa suhtautua just samoihin ongelmiin. Toinen tekee niistä ison numeron, toinen pyrkii pienentämään jalan numeroa, jos kenkä puristaa. No on siinä vähän kysymys siitäkin, mitä Darwinin lakia on loukattu: tragedioissa useammin KILL! KILL! ja komedioissa FUCK! FUCK!
ellauri030.html on line 855: Tragedioissa on patriarkaalisuutta ja militarismia, soturihyveitä eli sokeaa tottelemista, tappamista tai kuolemista käskystä, kyselemätöntä lojaliteettia, yksisilmäisyyttä, päättäväisyyttä, ylpeyttä. Ollaan yleviä koska ollaan eliittiä. Puhutaan hienosti.
ellauri030.html on line 859: Komedia soveltuu paremmin markkinatalouteen, jossa eliitti pysyttelee mieluummin kulisseissa. Tragedia ei edes ole mikään genre enää. Jos leffa ei ole komedia, se on seikkailua tai actionia (homeerista mätkintää) tai draamaa (ihmissuhdescheissea ilman nauruja). Draama tulee kai lähimmäx entisvanhaa tragediaa. Kaikista homeerisimmissakin sankarileffoissa on koomisia kevennyxiä. (Niistä vastaa usein sankarin sivuvaunu plus konnakopla.)
ellauri031.html on line 718: Mitä potaskaa. Sitähän löytyykin kuollesta merestä melkein yhtä paljon kuin Kazakhstanista. Kohta hullut tiedemiehet eristää lietteestä uraania. Ja sitten alkaa paukkua! Vaik onhan niillä ydinohjuxia ilmankin, jenkkilahjuxia kuten Kaarlon raamatut. Jerusalem on ikivanha Israelin kaupunki, juutalaisten Viipuri. Ennustuxet alkaa toteutua. Harmageddon käydään keski-Israelissa, näin on suunniteltu. Trump voi toimia kristuxena. Toinen tuleminen on kyllä kiven takana, mut onhan Viagra.
ellauri037.html on line 263: enraged, he flung the book into the fire.
ellauri038.html on line 366: Humanistinen tragedia, lipsahti Paavo Lipposelta joskus
ellauri039.html on line 509: Americas healthcare system is still in its evolutionary stage, where as Finland provides affordable healthcare. My left ear was damaged by a doctor who refused to fix it, because we were poor, we couldn't take legal action or afford to fix my ear. I was nearly deaf in my right ear for all of my teens and twenties. When I moved to Finland, it was simple to fix and only costed me 40€ (approximately 41/42$). Compared to the estimated 12k they were going to charge me back home it was a god send.
ellauri041.html on line 266: Syy 2 on perustavampaa laatua. Tää apina on elukka, ja elukalla on vaan noi 3 halua: EAT! EAT! FUCK! FUCK! KILL! KILL!, eikä se halua mitään lukea eikä kazoa mikä ei käsittele noita 3 aihetta, niiden saavuttamista (komedia) tai menettämistä (tragedia). Kaikki komplexius tulee ympäristöstä, apinassa izessään ei ole muuta kuin nää 3 vaihdetta. Kun ympäristö muuttuu monokulttuurixi, monopolisoituu ja monotonisoituu kulttuuri.
ellauri041.html on line 270: Luuletko että jokaisessa tarinassa on oltava alku ja loppu? Ennen aikaan tarina saattoi päättyä vain 2 tavalla: kun kaikki koettelemuxet oli käyty, sankari ja sankaritar joko menivätn- naimisiin (komedia) tai kuolivat (tragedia). Viimeinen merkitys johonka kaikki kertomuxet viittaavat on 2-kasvoisen elämän jatkuvuus, kuoleman väistämättömyys. EAT FUCK KILL, toisin sanoen...
ellauri041.html on line 1931: Parasta täältä kotikazomosta kazoen on koko homman painajaismainen todentuntu. Paljon hullumpia konnailuja kuin tässä on luettavissa joka päivä lehdestä. Tää on pimeää komediaa, sapekasta naurua, pahaa unta josta ei voi herätä kuin vielä pimeämpään tragediaan todellisuuden kuhmuisessa pakastimessa. Hyvää on myös neandertalimainen perhetiimimeisinki (geenit sakeampia kuin meemit), uskottavan masentava laskukkuus, suora ja epäsuora vittuilu vittumaiselle kapitalistimenolle, ja kristillinen tasoitushenki: rikkaat on paskiaisia ja köyhät hyviä. Näin on meidankin elamassamme. Kusipää isä pannaan pakastimeen, röyhkeät naapurit karkotetaan vittuun sadettajalla. Jokainen saa olla vuorollan oman perheen antisankari, kukaan ei ole seppo. Varastetaan rikkailta ja annetaan köyhille kuin robbari. Ja nauraa rähätetään vielä päälle.
ellauri042.html on line 173: > Hurskastelun viimeisin aste on se, että vanhuxia kuitenkin kuolee hoitokodeissa kuin kärpäsiä. Kanadassa ne vain "jätettiin kuolemaan". Tehokas ratkaisu, jota Suomessa, ei Kiuruvedelläkään ole kekattu. Koko höpinä siitä, että on "tragedia", kun vanhukset kuolevat, on ihan pötyä.
ellauri042.html on line 600: Painter Édouard Manet died of syphilis complications, including tabes dorsalis, in 1883, aged 51.
ellauri043.html on line 2752: Mä olen kaupannut remontteja Efraimin ja Isaskarin huudeilla, pitkin Bizorin koskea, Houlehinjärven takana, Mageddon laaxossa, kauempana kuin vuoret, Bostrasa ja Damaskissa! Tulkoot tyköni viinaratit, paskaläjät, veripaltut! Ja mä puzaan ne pyhällä pirtulla mitä kreikkalaiset myy Minervan tuotenimellä. Tää on Minerva! Mä on mm. Jupiter, Apollo, Kristus, Parakletos, jumalan iso potenssilääke, nyt kaikki yhdessä askissa Simon persoonassa!
ellauri046.html on line 373: Ancient Tragedy And The Modern: Modern drama doesn’t understand suffering quite like ancient drama did.
ellauri048.html on line 476: Tässä tulee taas eteen toi genrehölmöys. Kaikkein tärkeintä on tietää onx tää komedia, tragedia, road movie vai mikä. Vitun väliä! Elämäkin on tragikoomista, tyylitöntä tieleffaa ilman juonta, ainaista lopun alkua. Musta sellainen leffa on hyvä josta turvelot leffarasistit ei edes tiedä mihin se pitää lokeroida. Se muistuttaa elämää. Koko jako tragediaan ja komediaan oli säätyrasismia. Tragedia on ylevää hengennostatusta yläluokalle ja komedia viihdettä alhaiselle rahvaalle. No nehän enemmän tarvizee helpotusta naurusta. Yläluokka naureskelee matkalla pankkiin. Tragediassa ne työntää jalkaa peiton alta kylmään ja vetää sen sitten nautinnollisesti takaisin. Katharsis jaa pöntön pohjalle. Olo tuntuu keveältä.
ellauri048.html on line 539: has been linked with "Tragedy of the commons" by Garrett Hardin and books by Ayn Rand, and countered by "Management of the Commons" by Elinor Ostrom.
ellauri048.html on line 541: Parallels have been drawn between the "Lord of the Flies" and actual incident from 1965 when a group of 6 schoolboys who sailed a fishing boat from Tonga were hit by a storm and marooned on the uninhabited island of ʻAöö-ta, considered dead by their relatives in Nuku‘alofa. The group not only managed to survive for over 15 months but "had set up a small commune with food garden, hollowed-out tree trunks to store rainwater, a gymnasium with curious weights, a badminton court, chicken pens and a permanent fire, all from handiwork, an old knife blade and much determination". Dutch historian Rutger Bregman, writing about this situation said that Golding's portrayal was unrealistic. There has been no WW III yet, and kids killing other kids is entirely unheard of. Except a bunch of school killings in America and Finland, among other places.
ellauri048.html on line 1114: Hallam spent the 1830 Easter holidays with Tennyson in Somersby and declared his love for Emilia. Hallam and Tennyson planned to publish a book of poems together: Hallam told Mrs Tennyson that he saw this "as a sort of seal of our friendship". Hallam's father, however, objected, and Hallam's Poems was privately published and printed in 1830. In the summer holidays, Tennyson and Hallam travelled to the Pyrenees (on a secret mission to take money and instructions written in invisible ink to General Torrijos who was planning a revolution against the tyranny of King Ferdinand VII of Spain). In December, Hallam again visited Somersby and became engaged to Emilia. His father forbade him to visit Somersby until he came of age at twenty-one.
ellauri049.html on line 706: Leconte de Lisle oli pessimisti, mutta ei runojensa kautta tuonut esiin ahdistuksensa perussyytä, ja häntä pidettiin omana aikanaan kylmänä, virtuoosina ja muotoon keskittyvänä runoilijana. Hän palvoi kauneutta, kuten häntä suomentanut Kaarlo Sarkiakin, joka on sanonut saaneensa häneltä paljon vaikutteita. Hän oli perehtynyt Intian uskontoihin ja piti ihmiselämää tragediana. Rakkaus on Leconte de Lislelle pelkkää harhaa, ja onnellisia ovat vain kuolleet. Mutta kauneus oli hänelle korkein ideai, tosin Sarkian elämäkerran kirjoittanut Aune Hiisku sanoo että jää hämäräksi, mitä kaikkea Leconte de Lislen kauneuden ideaan sisältyy.Ize se ei ollut järin kaunis, samaa ulkonäkötyyppiä kuin Jouko "Näkymätön" Viänänen. Joukolla oli nenäkäs amerikkalainen kakkosvaimo, joka höykytti sitä sikana Mika Seppälän rapujuhlissa, josta me myöhästyttiin törkeästi, koska tavattiin Lauri Karttusta ja Auli Hakulista Elitessä. Vaimo höykytti sikana myös Seijaa, sitä harmitti vitusti että Seija oli töissä vesilaitoxella, ja se oli vaan miehen mukana.
ellauri049.html on line 1076: Vasta Wexi Salmisen esseestä mulle valkeni että Runkku setämies on kirjottanut modernisoidun viikinki-kelttitragedian nimeltä Fjalar. Mä muistan nimen lähinnä paxusta poliisipäälliköstä nimeltä Fjalar Jarva joka antoi lapsille liikenneopastusta 50-60-luvulla. Jari Aarnio kaliiperin mafioso ja umpikonna.
ellauri050.html on line 380: Died March 7, 1952 (aged 59) Biltmore Hotel,
ellauri051.html on line 1413: 813 We are approaching some great battle-field in which we are soon to be engaged, 813 Lähestymme suurta taistelukenttää, johon olemme pian mukana,
ellauri051.html on line 1964: 1344 Failing to fetch me at first keep encouraged, 1344 Vaikket alux pysy mun vauhdissa älä hellitä,
ellauri052.html on line 60: Eugene Henderson is a troubled middle-aged man 1948. (synt. 1800-luvulla). Despite his riches, high social status, and physical prowess, he feels restless and unfulfilled, and harbors a spiritual void that manifests itself as an inner voice crying out "I want, I want, I want". Hoping to discover what the voice wants, Henderson goes to Africa. What a Yankee notion.
ellauri053.html on line 410: Munakas voi jatkaa elämää munimalla lisää. Munaton ei voi. Mut ei voi tehdä munakasta rikkomatta munaa. Se on elämän tragedia, sikäli kun on.
ellauri053.html on line 981: Father now devoted himself with renewed zeal to the affairs of the school. The most difficult task was to find the right kind of teachers. Frequent changes had to be made. Every time a new teacher was engaged Father had to train him and mould him to fit in with the ideals of the Asrama.
ellauri053.html on line 1322: An aged man is but a paltry thing, Iäkäs mies vaan puhuu palturia,
ellauri053.html on line 1367: Yeats's friendship with Gonne ended when in Paris in 1908, they finally consummated their relationship. "The long years of fidelity rewarded at last" was how another of his lovers described the event. (Bet it was Ezra Pound.) Yeats was less sentimental and later remarked that "the tragedy of sexual intercourse is the perpetual virginity of the soul." (Aika narsistinen penselmä.) The relationship did not develop into a new phase after their night together, and soon afterwards Gonne wrote to the poet indicating that despite the physical consummation, they could not continue as they had been. She recommended Yeats to concentrate on other men.
ellauri054.html on line 421: In the modern era, the United Kingdom was the first European country to use for-profit prisons. Wolds Prison opened as the first privately managed prison in the UK in 1992. This was enabled by the passage of the Criminal Justice Act 1991 which empowered the Home Secretary to contract out prison services to the private sector.
ellauri055.html on line 1416:
Draamakomedia vai draamatragedia
ellauri055.html on line 1418: Mixei netflixissä ole tragediagenreä? On vaan draama ja komedia ja draamakomedia. Sixkö koska kaikki päättyy nykymeiningillä meikäläisten voittoon?
ellauri055.html on line 1420: Mauri selittää ettei tragediasta tule mitään ilman jumalia. Joku selitys piti olla kurjalle kohtalolle. Kun jumalat heivattiin rekvisiittaan, ne vei tragedian mukanaan. Size on vaan et shit happens.
ellauri055.html on line 1424: Saas nähdä. Eihän sitä etukäteen tiedä. Ei tää determinismi niin simppeliä oo. Pikemminkin kaoottista, ja kaoottisemmaxi on menossa kun lämpenee. Draamatragediasta tulee draamakomedia, eloon jääneet pöppiäiset hurraa ja läpyttää kun sienipilvi kohoaa.
ellauri060.html on line 326: Jussi P.n tragedia on eze muistetaan vaan tosta parodiapläjäyxestä Elmo. Se oli enempi masis kaveri.
ellauri060.html on line 331: J olis halunnut olla merikapteeni muttei voinut kun oli värisokea. Se oli sen elämän tragedia.
ellauri061.html on line 71: Mä inhoon draamoja ja teatteriesityxiä. Telkkarissa ei näytetä tragedioita, kaikki on vaan draamoja. Kai six ettei ole enää erixeen yleviä ja alhaisia, kaikki on yhtä alhaisia trikoopaitaisia lippalakkeja nilkkapituisine sukkineen ja lenkkareineen. Mä inhoon niitäkin.
ellauri061.html on line 189: A Midsummer Night's Dream is a comedy written by William Shakespeare in 1595/96. The play is set in Athens and consists of several subplots that revolve around the marriage of Theseus and Hippolyta. One subplot involves a conflict between four Athenian lovers. Another follows a group of six amateur actors rehearsing the play which they are to perform before the wedding. Both groups find themselves in a forest inhabited by fairies who manipulate the humans and are engaged in their own domestic intrigue. The play is one of Shakespeare's most popular and is widely performed. Populääri lue vulgääri. Niin aina.
ellauri061.html on line 203: In 1817, William Hazlitt found the play to be better as a written work than a staged production. He found the work to be "a delightful fiction" but when staged, it is reduced to a dull pantomime. He concluded that poetry and the stage do not fit together.
ellauri063.html on line 287: Abdelazer, Abdelazar, /æbdɛləˈzɛər/ or /æbdəˈlɑːzə/ or The Moor's Revenge is a 1676 play by Aphra Behn, an adaptation of the c. 1600 tragedy Lust's Dominion.
ellauri063.html on line 295: Screenwriter Deborah Moggach initially attempted to make her script as faithful to the novel as possible, writing from Elizabeth's perspective while preserving much of the original dialogue. Joe Wright, who was directing his first feature film, encouraged greater deviation from the text, including changing the dynamics within the Bennet family. Wright and Moggach set the film in an earlier period and avoided depicting a "perfectly clean Regency world", presenting instead a "muddy hem version" of the time. Chickenbutt Knightley was well-known in part from her role in the Pirates of the Caribbean film series. It was marketed to a younger, mainstream audience; promotional items noted that it came from the producers of 2001's romantic comedy Bridget Jones's Diary before acknowledging its provenance as an Austen novel.
ellauri066.html on line 312: Vainoharhaisuus ei ole Pynchonilla leitmotif vaan pääasia, sen varma nakki josta löytyy komediaa ja vähän tragediaakin ja paljon paljon merkityxiä, voi vittu. Paranoidit löytää merkityxiä vaikka hiuspinnistä kuin enkeleitä neulankärjeltä. Me loput ei vaan oivalleta sitä. On se ehkä vähän haettua, mutta 1000x parempaa kuin se vaihtoehtoinen totuus, että tässä maailmassa ei ole mitään takana, kaikki on näkyvillä, avaa hölmö silmät ja kazo ize. Se on vähän kuin meidän juutalaisten Kabbalaa. (Hiljattain on Pynchon tehnyt hauskaa pilaa meistä jutkuistakin; ettei sekin vaan ole alunperin joku Pynchowitz, miettii Lippman vähän kateellisena valkonaama ampiaiselle.)
ellauri066.html on line 931: In a recent piece for this magazine, Siddhartha noted that, while some countries were ravaged by the pandemic, others had far lower death rates than expected. The reasons for this, he noted, remain an “epidemiological mystery.” Its a miracle!
ellauri069.html on line 686: Ironically, kettle corn much pre-dates the original Cracker Jack, dating to at least the 18th century, when it’s mentioned in some Pennsylvania Dutch diaries. Cracker Jack was introduced in 1893, sold by brothers Fritz and Louis Rueckheim at the Chicago World’s Fair. The first packaged product was introduced in 1896.
ellauri071.html on line 99: Encouraged by his ambitious mother, who sent him to a dance academy in London, Coward's first professional engagement was in January 1911 as Prince Mussel in the children's play The Goldfish.
ellauri071.html on line 224: Junior G-Men was part of the larger "war on crime" campaign being waged through the mass media, which included movies, comic books and strips, radio programs, and pulp books, all of which was encouraged by the FBI and especially its director, J. Edgar Hoover prior to World War II. Most of these featured adult "G-Men" even when marketed to children. The difference with the Junior G-Men was that it was designed to give boys a sense of participating in the exciting adult world of crime-fighting. That said, aside from the original radio program, a book, Junior 'G' Men's Own Mystery Stories (by Gilbert A. Lathrop, Edward O'Connor, and Norton Hughs Jonathan) was published in 1936 and a big little book by Morrell Massey and Henry E. Vallely the following year. Eventually they also appeared on the big screen.
ellauri078.html on line 143: In an early poem, she chastised science for its prying interests. Its system interfered with the observer’s preferences; its study took the life out of living things. In “‘Arcturus’ is his other name” she writes, “I pull a flower from the woods - / A monster with a glass / Computes the stamens in a breath - / And has her in a ‘class!’” At the same time, Dickinson’s study of botany was clearly a source of delight. She encouraged her friend Abiah Root to join her in a school assignment: “Have you made an herbarium yet? I hope you will, if you have not, it would be such a treasure to you.” She herself took that assignment seriously, keeping the herbarium generated by her botany textbook for the rest of her life.
ellauri080.html on line 420: agedesign.org/vdi_writings/Jungian_Typology.pdf">Villagedesignin expertti aloittaa jungilaisten kontribuution luonnekysymyxiin näin.
ellauri080.html on line 559: The rate of suicide attempts increased with the age at first diagnosis, with the highest age-based suicide rate in autism for individuals aged 30 to 39 years.
ellauri080.html on line 727: In 1930, he was the Time Magazine, Person of the year. His birth name was Mohandas Karamchand Gandhi. “Mahatma” was an epithet meaning ‘great-souled one’ that was added to his name. He was first called ‘Mahatma’ by Rabindranath Tagore in 1915. Gandhi married aged 13 to Masturbai aged 14. Child marriage was common at the time, but Gandhi later came to oppose child marriage. Anyway to Masturbai. They had five children, one dying in infancy.
ellauri080.html on line 733: In India, a Muslim friend encouraged Gandhi to eat goat’s meat. As Gandhi was physically weak, he agreed to it. But, that night he had a dream that the goat was crying inside his stomach. He said “I can’t eat meat anymore. I heard the goat's mother bleat from inside me.” He never ate meat again.
ellauri080.html on line 749: During the First World War, Gandhi lived in India and was generally supportive of the British war effort, and even encouraged soldiers to join the British Indian army.
ellauri080.html on line 776: It was said Gandhi unlike George Washington could not tell a lie. In 1906, aged 38 Gandhi took a vow of brahmacharya (celibacy) and struggled throughout his life to be celibate in both actions and thought.
ellauri080.html on line 785: Gandhi believed Indian women who were raped lost their value as human beings. He argued that fathers could be justified in killing daughters who had been sexually assaulted for the sake of family and community honour. He moderated his views towards the end of his life. But the damage was done, and the legacy lingers in every present-day Indian press report of a rape victim who commits suicide out of "shame". Gandhi also waged a war against contraceptives, labelling Indian women who used them as whores.
ellauri082.html on line 105: Despite his flaws, DFW’s death is still a great tragedy, not because people are without their god of post-post-post-postmodernism, but because his redemptive and humanistic work is now decidedly finite. Well here sure was a humanist as far as technology is concerned. His work could have beeen made infinite by adding to the end: Poles are stupid, please turn over.
ellauri082.html on line 284: Robert Frost is by no means the only poet in whom a hunger for recognition comes into conflict with a wariness, an inner reticence, a distaste for self-revelation. But I think in him the conflict was particularly acute. On the one hand he could be quite shameless in his pursuit of favourable reviews and his presentation to the public of a folksy and largely misleading image. On the other hand we have cryptic comments like in this poem it is not made explicit what the ‘things forbidden’ are that he has managed to preserve for himself but I take them to be his poems, or those things that his poems keep alive, and he is rightly confident enough in his own powers as a poet to feel that he has succeeded.
ellauri082.html on line 737: Another study by researchers Carrie Haslam and V. Tamara Montrose found that although narcissistic males do not make good partners, women aged 18 to 28 desire them more than other men. The researchers asked women about their dating experience and desire for marriage. They wanted to see whether these factors influenced their attraction to narcissistic men.
ellauri083.html on line 159: The "first chapter summons up the days when the world was first settled, in 874 AD—for that is the year when the Norsemen arrived in Iceland, and one of the book's wry conceits is that no other world but Iceland exists. ... The book is set in the early decades of the twentieth century but ... Independent People is a pointedly timeless tale. It reminds us that life on an Icelandic croft had scarcely altered over a millennium". As the story begins, Bjartur ("bright" or "fair") has recently managed to put down the first payment on his own farm, after eighteen years working as a shepherd at Útirauðsmýri, the home of the well-to-do local bailiff, a man he detests. The land that he buys is said to be cursed by Saint Columba, referred to as "the fiend Kolumkilli", and haunted by an evil woman named Gunnvör, who made a pact with Kólumkilli.
ellauri083.html on line 350: The Korean War lasted 1,128 days, meaning each episode of the series would have averaged almost four and a half days of real time.
ellauri083.html on line 438: He reasoned that the battle was on the twenty-fourth day of the fourth month of the Hebrew civil calendar in the 2,555th year after the creation. This was the 933,285th day since creation. From this, Totten determined that this day was a Tuesday. Next, Totten calculated backward in time from June 17, 1890 to the battle of Gibeon. He concluded that the battle was 1,217,530 days previously, which was a Wednesday. Hence, there was a day missing. Of course, Totten’s computation required very precise dates, something that most people today would find ludicrous. However, Totten managed to obtain some audience in the late 19th century. While most people today are not impressed with such an approach, apparently invoking a computer, as in the Hill story, is sufficient to convince some people today. This story has been debunked many times, so it is a shame that it keeps being repeated.
ellauri088.html on line 635: Toblerin huolekas nuori tytär Hildegard valmistaa hotellia vielä ennen Toblerin lähtöä salaa valepukuisen miljunäärin vierailuun ja sen tottumuxiin, mutta ei tule maininneexi salanimeä. Virheellisesti luullaan tri Fritz Hagedornia, työtöntä mainosammattimiestä, joka on voittanut kilpakirjoituxen 1. palkinnon (1 viikko Grand hotellia) pohataxi ja hemmotellaan vastaavalla tavalla. Tobler sitävastoin työnnetään pieneen lämmittämättömään ullakkokammariin, henkilökunta ilkkuu sitä ja panee sen sekatöihin. Jo ekana päivänä Tobler ystävystyy Hagedornin kaa, vaikka kauhistunut staabi koittaa estää veljeilyn niiden välillä. Johann informoi Hildegardia sekaannuxesta ja sen seurauxista. Hildegaard ei kestä enää kotona ja ilmestyy Toblerin emännöizijän Frau Kunkelin kanssa, jonka nimexi ilmoitetaan Julchen-täti, hotelliin iskää kazomaan. Fritz rakastuu tietysti Hildegard „Schulze“en, ja ne sepittävät salaa hääsuunnitelmia. (Hildegard oli sanonut Fritzulle, että sillä on sama sukunimi kuin Eduardilla.)
ellauri088.html on line 637: Joidenkin päivien kuluttua muut hotellivieraat savustavat Toblerin hotellista ja se palaa tyttärensä, Johannin ja rouva Kunkelin kanssa Berliniin. Lähtö on niin äkkinäinen, että Hagedornille ei ehditä kertoa. Hildegard kertoo kuitenkin pikaisesti hotellinjohtajalle sekaannuxesta, joka saa siitä melkein hermoromahduxen. Hahaa!
ellauri088.html on line 639: Epätoivoinen ja pahaa-aavistamaton Hagedorn palaa myös Berliniin ja ezii turhaan omaa Hildegardia, jostahan sen on oletettava että sen nimi on Schulze. Sitten se ja sen äiti kuzutaan vieraisille Toblereille; tämä tunnustaa oikean minuutensa, mikä ei kuitenkaan lopeta veljeilyä. Myös Hildegard antautuu Toblerin tyttären ominaisuudessa. Seuraavan juhlasyömisen yhteydessä Toblerille ilmoitetaan telefonisesti, että Grandhotel, jonka se ajatteli ostaa heittääxeen ulos sen porzarin ja tirehtöörin - kuuluukin jo hänelle (näin käy aina Roope Ankallekin Akussa).
ellauri090.html on line 114: In Rio, Palha borrows money from Rubião to invest in business, and the two men become partners. Rubião also meets Carlos Maria, an arrogant young man, and Freitas, an unsuccessful middle-aged man, who exploit Rubião for his wealth and innocence. Major Siqueira and his thirty-nine-year-old daughter, Doña Tonica, attach themselves to Rubião, hoping that Rubião will marry Doña Tonica, who meanwhile becomes jealous of Sophia.
ellauri090.html on line 130: For a time, Rubião’s friends accept his madness as he continues to provide meals and entertainment for them. Eventually, however, Rubião’s house falls into disrepair as his belief in himself as the emperor becomes constant. Doña Tonica becomes engaged to a man who dies before the wedding. Children on the street, including Deolindo, whose life Rubião had saved, make fun of him as a madman. Prodded by Doña Fernanda, a woman who barely knows Rubião, Sophia convinces Palha to set Rubião up in a little rented house on Principe Street. No one visits Rubião in his new humble residence. His former “friends” miss the luxury of Rubião’s wealthy surroundings in the house in Botafogo.
ellauri092.html on line 86: When his wife Emma suffered bad asthma the doctor suggested a boat trip so Moody decided to take her to dry and airy Britain. In February 1867 they set sail for Britain for the first time. Altogether they had a thoroughly inspiring time. They visited Spurgeon’s Metropolitan Tabernacle which had a congregation of 5,000. He sat amongst the Plymouth Brethren and heard their most fervent preachers as well as preaching for them. He could preach as fervently as any tommy, if not more. He was also invited to speak at some meetings in London where his warmth won everyone’s affection while his wife coughed in the smog. He also visited Bristol to see George Muller’s work where 1,500 orphan children were provided for financially without requests for money. (The trick is familiar from Dickens' Oliver Twist.) Moody was very impressed with what Cod could accomplish going through this meek godly man of prayer. They managed to include Dublin and France in the trip then in June they returned to America.
ellauri092.html on line 328: Adam and Eve lived in a perfect environment and still managed to fall through sin! For a time they were sinless. Then…the fall.
ellauri092.html on line 409: Managed by: Susanne Elisabeth Snellman
ellauri092.html on line 513: Vihreiden ex-kansanedustaja Irina Krohn avautuu Eeva-lehdessä elämänsä suuresta tragediasta:
ellauri093.html on line 122: Hudson oli Wilhon esikuvia. Sen kirjoja on Wilhon hyllyssä. Se pukeutui kiinalaisexi. Sillä oli yhtä tappuraiset turpajouhet kuin mulla. Sen päämaja oli Wilhon läänissä. Siellä se oli hiljan ehtinyt kuukahtaa Wilhon tullessa. 3 June 1905 (aged 73) Changsha, Hunan, China. Hunanin läänin pääkaupunki, väkiluku 7 miljoonaa. Riitti pelastettavaa.
ellauri093.html on line 270: When choosing an age to define ‘older’ people, 65 years is commonly used, however different state and commonwealth programs may have differing age eligibility criteria. Organisations may also have their own age-related criteria. For example, at Seniors Rights Victoria we work with Victorians aged 60 and over and Indigenous Victorians aged 45 and over.
ellauri094.html on line 219: Nebuchadnezzar and the Babylonian forces returned in 588/586 BCE and rampaged through Judah, leaving clear archaeological evidence of destruction in many towns and settlements there. Clay ostraca from this period, referred to as the Lachish letters, were discovered during excavations; one, which was probably written to the commander at Lachish from an outlying base, describes how the signal fires from nearby towns were disappearing: "And may (my lord) be apprised that we are watching for the fire signals of Lachish according to all the signs which my lord has given, because we cannot see Azeqah." Archaeological finds from Jerusalem testify that virtually the whole city within the walls was burnt to rubble in 587 BCE and utterly destroyed.
ellauri095.html on line 178: The aim of our research was never to spread more homophobia, but to demonstrate to an international audience how the life expectancy of gay and bisexual men can be estimated from limited vital statistics data. In our paper, we demonstrated that in a major Canadian centre, life expectancy at age 20 years for gay and bisexual men is 8 to 21 years less than for all men. If the same pattern of mortality continued, we estimated that nearly half of gay and bisexual men currently aged 20 years would not reach their 65th birthday. Under even the most liberal assumptions, gay and bisexual men in this urban centre were experiencing a life expectancy similar to that experienced by men in Canada in the year 1871. In contrast, if we were to repeat this analysis today the life expectancy of gay and bisexual men would be greatly improved. Deaths from HIV infection have declined dramatically in this population since 1996. As we have previously reported there has been a threefold decrease in mortality in Vancouver as well as in other parts of British Columbia.
ellauri095.html on line 213: it would appear that Arthur Hopkins’s superior sketching abilities encouraged his older but smaller brother to concentrate his energies on literary and religious creativity instead.
ellauri095.html on line 429: 1850- ja 60-luvuilla Rossettin maine kasvoi nopeasti, vaikka löytyy tragedian leimaakin. Vuonna 1856 useat yliopisto-opiskelijat, mukaan lukien William Morris ja Edward Burne-Jones, aloittivat Germ :n mallin mukaisen lehden . Oxford and Cambridge -lehti, siinä oli 12 numeroa, joihin Rossetti osallistui kolme runoa. Yhteyden kautta aikakauslehteen Rossetti tapasi Jane Burdenin – hänen elinikäisen muusansa ja rakastajattarensa – ja esitteli hänet tulevalle aviomiehelleen William Morrisille.
ellauri095.html on line 494: I FIRST encountered the rumour in the 1990s, when I was engaged in presenting a radio documentary on Cardinal Newman for the BBC. It was a senior British Catholic who remarked casually to me: "Don't you think John Henry Newman was a homosexual? I mean, just look at the portrait!"
ellauri095.html on line 518: The motif of the singing bird appears again in Gerard’s “Spring” (1877): “and thrush/Through the echoing timber does so rinse and wring/The ear, it strikes like lightnings to hear him sing.” The father’s attempt to represent what it is like to live in a bird’s environment, moreover, to experience daily the “fields, the open sky, /The rising sun, the moon’s pale majesty; /The leafy bower, where the airy nest is hung” was also one of the inspirations of the son’s lengthy account of a lark’s gliding beneath clouds, its aerial view of the fields below, and its proximity to a rainbow in “Il Mystico” (1862), as well as the son’s attempt to enter into a lark’s existence and express its essence mimically in “The Woodlark” (1876). A related motif, Manley’s feeling for clouds, evident in his poem “Clouds,” encouraged his son’s representation of them in “Hurrahing in Harvest’ (1877) and “That Nature is a Heraclitean Fire”(1888).
ellauri096.html on line 245: The common explanation of Moore’s absurdity is that the speaker has managed to contradict himself without uttering a contradiction. So the sentence is odd because it is a counterexample to the generalization that anyone who contradicts himself utters a contradiction.
ellauri096.html on line 264: Second, the future mental state envisaged by Binkley is only hypothetical: If
ellauri097.html on line 103: Such turns of phrase evoked the erudite cynicism and rapier sharpness of language displayed by Ambrose Bierce in his darkly-satiric The Devil's Dictionary. A noted curmudgeon, democratic in subjects attacked, Mencken savaged politics, hypocrisy, and social convention. A master of English, he was given to bombast and once disdained the lowly hot dog bun's descent into "the soggy rolls prevailing today, of ground acorns, plaster of Paris, flecks of bath sponge and atmospheric air all compact."
ellauri098.html on line 133: genre (ylevä tragedia alatyylinen komedia supermies eepos seikkailu draama koukuttava jännäri kutkuttava dekkari herttainen satu ällö horrori imelä romanssi voimaannuttava chicklit kuiva yritelmä narsu mustelma naivi fantasia nörde "spefi" antiikkinen postnmoderni jne)
ellauri098.html on line 405: In Carlyle’s book On Heroes, Hero-Worship and the Heroic in Society (Carlyle, 1840), somebody (most likely the author) dove into the lives of several men he deemed “heroes,” like Muhammed, Richard Wagner, Shakespeare, Martin Luther, and Napoleon. He believed that history “turned” on the decisions of these men, and encouraged others to study these heroes as a way of discovering one’s own true nature.
ellauri098.html on line 754: Toisen maailmansodan aikaan 1941 Myers motivoitui toimivan persoonallisuusindikaattorin kehittämiseen. Hän halusi lopettaa sotien aiheuttamat kärsimykset ja tragediat ja uskoi, että ihmisten paremman keskinäisen ymmärtämisen kautta kärsimykset vähenisivät. Koska psykologit eivät asiasta kiinnostuneet (kärsimyxethän on niiden leipäpuu) Myers ja Briggs päättivät yhdessä kehittää välineen, jolla teoria saataisiin konkreettiseen hyötykäyttöön. II maailmansodasta alkaen MBTI on ollut osa amerikkalaisten upseerien ja muiden johtajien valintakokeita. Se selittää aika paljonkin.
ellauri100.html on line 254: First and lasting employment: Encouraged by former professor to join a government-funded, defense think-tank in the D.C. area. Worked there for 30 of my 34 years of post-collegiate, full-time employment.
ellauri100.html on line 262: Return to D.C.: When asked why, replied “Give a person an opportunity to feed at the public trough and that person will take the opportunity.” Incentives work! Another incentive was the opportunity to criticize analysis (instead of doing it), as an in-house reviewer of technical reports. Notice how I always returned to my masters like a dog after running awaay. It's Peters principle: I had reached my glass ceiling. I just couldn't do anything else. Unfortunately, my position AND PAY deteriorated at each round, until I ended up basically an over-aged proofreader.
ellauri100.html on line 1222: Or like a caged thing freed,
ellauri100.html on line 1349: Barthes oli lupaava oppilas ja opiskeli 1935-1939 Sorbonnessa klassikoita. Sillä oli tubi ja muita vaivoja, joka hidasti opiskeluja, mutta toisaalta vapautti kätevästi sotahommista. Se ajautui lingvistiikkaan kuin Algirdas, julkaisi jotain papereita ja sairasteli. 1941 se teki maisterin kreikkalaisesta tragediasta Ranskan tragedian varjossa.
ellauri102.html on line 465: Despite the backlash from the public the ad received a lot of publicity and press coverage. Protein World went on to make a reported £1 million profit from the £250,000 they spent on the advertising campaign. Although it caused a lot of controversy around the world, it somehow still managed to boost the company’s sales.
ellauri102.html on line 571: "We have two sons, aged 10 and six, and they were bouncing off the walls of our apartment in Toronto. And our moods were really low and the future seemed quite uncertain for us, especially because I'm immune compromised from cancer treatments," she told Morning North CBC host Markus Schwabe.
ellauri107.html on line 171: He was born in 1804 in Salem, Massachusetts, to Nathaniel Hathorne and the former Elizabeth Clarke Manning. His ancestors include John Hathorne, the only judge from the Salem witch trials who never repented his involvement in the witch hunt. He entered Bowdoin College in 1821, was elected to Phi Beta Kappa in 1824, and graduated in 1825. He published his first work in 1828, the novel Fanshawe; he later tried to suppress it, feeling that it was not equal to the standard of his later work.[2] He published several short stories in periodicals, which he collected in 1837 as Twice-Told Tales. The next year, he became engaged to Sophia Peabody. He worked at the Boston Custom House and joined Brook Farm, a transcendentalist community, before marrying Peabody in 1842. The couple moved to The Old Manse in Concord, Massachusetts, later moving to Salem, the Berkshires, then to The Wayside in Concord. The Scarlet Letter was published in 1850, followed by a succession of other novels. A political appointment as consul took Hawthorne and family to Europe before their return to Concord in 1860. Hawthorne died on May 19, 1864, and was survived by his wife and their three children.
ellauri107.html on line 268: Taylor says that after Roth announced his retirement from writing in 2012, he stopped making art, but he still wrote, producing a manuscript of over a thousand pages whose purpose was to air grudge after grudge. Taylor comments that the underside of Roth's greatness swarmed with grievances time had not assuaged.
ellauri107.html on line 501: “Look here, Stan; let's get this clear. You've got an idea somehow that it's you that do all the selling. Where d' you get that stuff? Where d' you think you'd be if it wasn't for our capital behind you, and our lists of properties, and all the prospects we find for you? All you got to do is follow up our tips and close the deal. The hall-porter could sell Babbitt-Thompson listings! You say you're engaged to a girl, but have to put in your evenings chasing after buyers. Well, why the devil shouldn't you? What do you want to do? Sit around holding her hand? Let me tell you, Stan, if your girl is worth her salt, she'll be glad to know you're out hustling, making some money to furnish the home-nest, instead of doing the lovey-dovey. The kind of fellow that kicks about working overtime, that wants to spend his evenings reading trashy novels or spooning and exchanging a lot of nonsense and foolishness with some girl, he ain't the kind of upstanding, energetic young man, with a future—and with Vision!—that we want here. How about it? What's your Ideal, anyway? Do you want to make money and be a responsible member of the community, or do you want to be a loafer, with no Inspiration or Pep?”
ellauri107.html on line 552: With Kate as a companion, Milly goes to see an eminent physician, Sir Luke Strett, because she worries that she is suffering from an incurable disease. The doctor is noncommittal but Milly fears the worst. Kate suspects that Milly is deathly ill. After the trip to America where he had met Milly, Densher returns to find the heiress in London. Kate wants Densher to pay as much attention as possible to Milly, though at first he doesn't quite know why. Kate has been careful to conceal from Milly (and everybody else) that she and Densher are engaged.
ellauri108.html on line 34: That the hungry be fed, the sick nourished, the aged protected, and the infant cared for.
ellauri108.html on line 137: Rasta women usually wear clothing that covers their head and hides their body contours. Trousers are usually avoided, in favour of long skirts. Women are expected to cover their head while praying, and in some Rasta groups this is expected of them whenever in public. Rasta discourse insists this female dress code is necessary to prevent women attracting men and presents it as an antidote to the sexual objectification of women in Babylon. Rasta men are permitted to wear whatever they choose. Although men and women took part alongside each other in early Rasta rituals, from the late 1940s and 1950s the Rasta community increasingly encouraged gender segregation for ceremonies. This was legitimised with the explanation that women were impure through menstruation and that their presence at the ceremonies would distract male participants.
ellauri108.html on line 139: As it existed in Jamaica, Rastafari did not promote monogamy. Rasta men are permitted multiple female sex partners, while women are expected to reserve their sexual activity for one male partner. Marriage is not usually formalised through legal ceremonies but is a common-law affair, although many Rastas are legally married. Rasta men refer to their female partners as "queens", or "empresses", while the males in these relationships are known as "kingmen". Rastafari places great importance on family life and the raising of children, with reproduction being encouraged. The religion emphasises the place of men in child-rearing, associating this with the recovery of African manhood. Women often work, sometimes while the man raises the children at home. Rastafari typically rejects feminism, although since the 1970s growing numbers of Rasta women have called for greater gender equity in the movement. The scholar Terisa E. Turner for instance encountered Kenyan feminists who were appropriating Rastafari content to suit their political agenda. Some Rasta women have challenged gender norms by wearing their hair uncovered in public and donning trousers.
ellauri108.html on line 148: Princes shall come out of Egypt, Ethiopia shall stretch forth her hand unto God. Oh thou God of Ethiopia, thou God of divine majesty, thy spirit come within our hearts to dwell in the parts of righteousness. That the hungry be fed, the sick nourished, the aged protected, and the infant cared for. Teach us love and loyalty as it is in Zion.
ellauri108.html on line 262: Barrett described Rastafari as "the largest, most identifiable, indigenous movement in Jamaica." In the mid-1980s, there were approximately 70,000 members and sympathisers of Rastafari in Jamaica. The majority were male, working-class, former Christians aged between 18 and 40. In the 2011 Jamaican census, 29,026 individuals identified as Rastas. Jamaica's Rastas were initially entirely from the Afro-Jamaican majority, and although Afro-Jamaicans are still the majority, Rastafari has also gained members from the island's Chinese, Indian, Afro-Chinese, Afro-Jewish, mulatto, and white minorities. Until 1965 the vast majority were from the lower classes, although it has since attracted many middle-class members; by the 1980s there were Jamaican Rastas working as lawyers and university professors. Jamaica is often valorised by Rastas as the fountain-head of their faith, and many Rastas living elsewhere travel to the island on pilgrimage.
ellauri108.html on line 264: Both through travel between the islands, and through reggae's popularity, Rastafari spread across the eastern Caribbean during the 1970s. Here, its ideas complemented the anti-colonial and Afrocentric views prevalent in countries like Trinidad, Grenada, Dominica, and St Vincent. In these countries, the early Rastas often engaged in cultural and political movements to a greater extent than their Jamaican counterparts had. Various Rastas were involved in Grenada's 1979 New Jewel Movement and were given positions in the Grenadine government until it was overthrown and replaced following the U.S. invasion of 1983. Although Fidel Castro's Marxist–Leninist government generally discouraged foreign influences, Rastafari was introduced to Cuba alongside reggae in the 1970s. Foreign Rastas studying in Cuba during the 1990s connected with its reggae scene and helped to further ground it in Rasta beliefs. In Cuba, most Rastas have been male and from the Afro-Cuban population.
ellauri108.html on line 268: Some Rastas in the African diaspora have followed through with their beliefs about resettlement in Africa, with Ghana and Nigeria being particularly favoured. In West Africa, Rastafari has spread largely through the popularity of reggae, gaining a larger presence in Anglophone areas than their Francophone counterparts. Caribbean Rastas arrived in Ghana during the 1960s, encouraged by its first post-independence president, Kwame Nkrumah, while some native Ghanaians also converted to the religion. The largest congregation of Rastas has been in southern parts of Ghana, around Accra, Tema, and the Cape Coast, although Rasta communities also exist in the Muslim-majority area of northern Ghana. The Rasta migrants' wearing of dreadlocks was akin to that of the native fetish priests, which may have assisted the presentation of these Rastas as having authentic African roots in Ghanaian society. However, Ghanaian Rastas have complained of social ostracism and prosecution for cannabis possession, while non-Rastas in Ghana often consider them to be "drop-outs", "too Western", and "not African enough".
ellauri109.html on line 321: The merchant Hans Kohlhase lived in Cölln on the Spree (now incorporated into Berlin) in the Margraviate of Brandenburg in the 16th century. In October 1532 he set out on a trip to the Leipzig Trade Fair in the neighboring Electorate of Saxony. On the way two of his horses were seized, at the command of the Junker von Zaschwitz, as a supposed fee for passage through Saxony. Kohlhase sought redress in the Saxon courts but failed to obtain it. Outraged, he issued a public challenge in 1534 and burned down houses in Wittenberg. Even a letter of admonition from Martin Luther could not dissuade him, and Kohlhase and the band he collected committed further acts of terror. In 1540 he was finally captured and tried, and was publicly broken on the wheel in Berlin on 22 March 1540. From this history Kleist fashioned a novella that dramatized a personal quest for justice in defiance of the claims of the general law and the community.
ellauri109.html on line 744: His best-known comedy was Marriage à la Mode (1673). In tragedy, his greatest success was All for Love (1678). Andrew Chesterman thinks he is translators' patron saint.
ellauri109.html on line 844: She is encouraged by a few cases in which adults in Israel and abroad found out they had been adopted, and managed to trace their Yemenite parents. She is still waiting to find out if there is a match for her.
ellauri109.html on line 850: His mother, who had been unable to conceive, revealed she had brought him home from a small orphanage, aged three.
ellauri110.html on line 304: The domestic circumstances were apparently not suitable for writing and the work proceeded in fits and starts. "Still cannot finish a small novella I am now engaged with: guests interfere. Starting with 23 December crowds of people are there in my house, I crave for solitude, but as soon as I find myself on my own, I feel nothing but resentment and disgust, remembering how the day had been thrown away. Eating and chatting, eating and chatting all day long," he complained in a 29 December letter to Alexey Suvorin. According to Chekhov's 17 March letter to Viktor Goltsev, the story had been completed in early March.
ellauri110.html on line 318: Lydia Volchaninova, a good-looking, but very stern and opinionated young teacher with somewhat dictatorial inclinations is deeply engaged in the affairs of the local zemstvo. Devoted to the cause of helping peasants, she is interested in doing and speaking of nothing but practical work, mostly in the fields of medicine and education. Lydia dislikes the protagonist, a landscape painter, who frequently visits their house. From time to time the two clash over problems of both the rural community and Russia as a whole.
ellauri110.html on line 349: Propriety did not prevent him from engaging in a number of extramarital liaisons with various women that were chronicled in his diary, often in some detail when relating the intimate details. The most dramatic of these encounters was with Deborah Willet, a young woman engaged as a companion for Elisabeth Pepys. On 25 October 1668, Pepys was surprised by his wife as he embraced Deb Willet; he writes that his wife "coming up suddenly, did find me imbracing the girl con [with] my hand sub [under] su [her] coats; and endeed I was with my main [hand] in her cunny. I was at a wonderful loss upon it and the girl also...." Following this event, he was characteristically filled with remorse, but (equally characteristically) continued to pursue Willet after she had been dismissed from the Pepys household. Pepys also had a habit of fondling the breasts of his maid Mary Mercer while she dressed him in the morning.
ellauri111.html on line 204: Wow! What an opportunity! He made money by selling pictures of himself, bows and arrows, buttons off his shirt, and even his hat. In 1905, the Indian Office "provided" Geronimo for the inaugural parade for President Theodore Roosevelt. Later that year, the Indian Office "took" him to Texas, where he shot a buffalo in a roundup staged by 101 Ranch Real Wild West for the National Editorial Association. Geronimo was escorted to the event by soldiers, as he was still a prisoner. The teachers who witnessed the staged buffalo hunt were unaware that Geronimo’s people were not buffalo hunters. Aargh!
ellauri112.html on line 101: August Strindbergin vaikuttava näytelmä oli eilen Kansallisteatteriin koonnut täyden huoneen, joka mielenkiinnolla seurasi sangen huoliteltua esitystä. Suosionosoituksetkin, jotka kasvoivat näytös näytökseltä, olivat lopulta erittäin vilkkaita. »Erik XIV» onkin mieltäkiinnittävä ja vaikuttava näytelmä, ei vähimmin siksi, että Strindberg on voinut siihen mahduttaa niin paljon omituista, aina intohimoista itseään. Hän on siinä ikäänkuin jakanut itsensä kahtia, kahdeksi henkilöksi, joista toinen, onneton Erik-kuningas saa sielukseen kaiken sen syvän heikkouden, epäsoinnun, aina mielipuolisuuden rajoille menevän rikkinäisyyden, jota Strindberg niin runsaasti löysi itsestään; kuninkaan neuvonantaja taas, kuuluisa Göran Persson, on tosin tahto-ihminen kuin kukaan, mutta raudankovan naamarin alla on aito-strindbergiläinen kuolettavasti haavoittuva herkkyys, rakkauden tarve ja sisällinen pakko nähdä elämä alastomuudessaan, paljastaa vaikuttimien epäilyttävät sokkelot. Molempien yhteistä elämää ja toimintaa vainoaa leppymätön kohtalo. Kaikki mitä onneton kuningas tekee on takaperoista ja hullua; hänen neuvonantajansa koettaa uupumattomalla tarmolla hänen jälkiään korjata, mutta kaikki on turhaa. Kuninkaan sisällinen vihlova epäsointu ikäänkuin painaa leimansa kaikkeen mitä hän koskettaa. Miltei pirullisella nautinnolla laskee Strindberg mittaluotinsa tämän ihmiskurjuuden pohjaan saakka, joka on sitä räikeämpi, kun se on niin korkealla, että se näkyy yli maiden. »Erik XIV» on rikkinäisen selän tragedia. Jos tahtoo verrata tätä kuningashahmoa Hamletiin, huomaa heissä ulkonaista yhtäläisyyttä. Molemmilla on pää kädessä, mitääntekemätön pippeli, suuri tehtävä suoritettavana, mutta he eivät siihen pysty, parantumattoman itse-epäilyn ja heikkouden jäytämiä kun ovat. Hamletin epäilyllä on kuitenkin selvät ulkonaiset aiheensa, Erik sensijaan on itse heikkous ja epäily siksi, että hänen sielunsa on pelkkää epäsointua, että hän on tunne-ihminen, jonka tunteet ovat sirpaleina--kuten Strindberg.-- Näytelmään ja sen esitykseen saan tilaisuuden vielä palata. Mainittakoon vain, että hra Jussi Snellman oli Erik-kuninkaassa taas pitkästä ajasta saanut huomattavan osan. On iloista mainita, että hän siitä kaikella kunnialla suoriutui. Hra Puroon Göran Perssonina olisi varmaan Strindberg itse ollut tyytyväinen: se oli erinomainen luoma; esitys kohosi paikoin yli odotuksien. Hra Ahlberg Svante Sturena oli kaunis nähdä, hra Yrjö Somersalmen Peder Welamson ynnä jotkut muutkin esitykset ovat tunnustuksella mainittavat.
ellauri112.html on line 682: Yet to hail the film as a feminist project is to value the representation of the structural co-option of maternity over its interrogation. Tully’s treatment of social reproduction is dangerously simplistic. Cody has spoken in interviews about how her own, financially easier, experience of parenting in L.A. inspired her to explore a narrative in which economic anxieties are combined with the other hardships of parenthood, yet here class and poverty are only fleeting concerns. The transactional system of care that governs child-rearing under capitalism is done away with via Tully’s otherworldliness. Until the revelation of her non-existence, the viewer, although encouraged to believe in her, is never asked to consider her financial reality, and the fact that the service is paid for by Marlo’s wealthy brother is a narrative convenience that reinforces its fairytale quality. Similarly, Tully’s whiteness allows the racial politics of care to be completely overlooked, and the repeated idea that it’s ‘unnatural’ for hired help to bond with your newborn is taken as a given, rather than seen as an impetus for a consideration of the social conditions that require mothers to make that choice.
ellauri112.html on line 885: Second, Timothy obviously suffered from a stomach ailment which required a medicinal remedy. The water in Asia Minor can be very dangerous, hence the young evangelist was encouraged to take “a little wine” along with his water. The sentence is elliptical: “Be no longer a drinker of water [alone], but [with it] take a little wine” (1 Tim. 5:23).
ellauri112.html on line 896: Yet, in what is surely one of the great tragedies of history, worse than genocide, the sacrament of the Lord’s Supper has become an occasion for confusion and division. For example, even men of good will, professing the Bible to be their guide, have disagreed as to the exact nature of Christ’s presence in the Lord’s Supper. More recently, Christians have differed about the frequency of intercourse and the subjects of intercourse. But we will not consider such matters as these here.
ellauri112.html on line 898: Persistently, honorable men are engaged in a discussion as to what should be the contents of the communion cup. Should the cup contain wine, the fermented juice of grapes? Or should it be unfermented grape juice? Does it matter? What difference does it make, if any? Should church leaders accommodate both Christians who want to use wine, as well as those who prefer unfermented grape juice, by offering what is sometimes called a “split cup” or a “split tray”? In other words, what should be the second “element,” or the contents of the communion cup? Can grape juice change to real blood and no fucking tomato juice? How should such questions—controversial as they are—be answered?
ellauri115.html on line 416: In his reply to Rousseau, Hume (unwisely) demanded that Rousseau identify his accuser and supply full details of the plot. To the first, Rousseau's answer was simple and powerful: "That accuser, Sir, is the only man in the world whose testimony I should admit against you: it is yourself." To the second, Rousseau supplied an indictment of 63 lengthy paragraphs containing the incidents on which he relied for evidence of the plot and how Hume had deviously pulled it off. This he mailed to his foe on July 10 1766. The whole document managed to be simultaneously quite mad but resonating with inspired mockery and tragic sentiment.
ellauri118.html on line 725: In vain th´ enraged Youth assaid Turhaan raivoisa nuorukainen yritti
ellauri119.html on line 141: In the season one episode "Not Yet, He Ain't," Batman and Robin go back to the Batcave to relax with some nice cool milk after surviving an attempt on their lives by the Penguin. What's to love about this exclamation is that Robin is so enraged and yet he's carrying a glass of milk and it just looks adorable instead.
ellauri119.html on line 361: In the New Testament, by the power of the Holy Spirit Jesus was conceived in the womb of the Virgin Mary, while maintaining her virginity. Virginity is the state of a person who has never engaged in sexual intercourse. Sexual intercourse (or coitus or copulation) is sexual activity typically involving the insertion and thrusting of the penis into the vagina for sexual pleasure, reproduction, or both. This is also known as vaginal intercourse or vaginal sex.
ellauri119.html on line 464: As the fat and ugly French novelist Honoré de Balzac stated, eroticism is dependent not just upon an individual's sexual morality, but also the culture and time in which an individual resides. Because eroticism is wholly dependent on the viewer's culture and personal tastes pertaining to what, exactly, defines the erotic, critics have often[how often?] confused eroticism with pornography, with the anti-pornography activist Andrea Dworkin saying, "Erotica is simply high-class pornography; better produced, better conceived, better executed, better packaged, designed for a better class of consumer." This confusion, as Lynn Hunt writes, "demonstrate the difficulty of drawing… a clear generic demarcation between the erotic and the pornographic": indeed arguably "the history of the separation of pornography from eroticism… remains to be written". In the eighteenth century, eroticism was the result of the intrusion into the public sphere of something that was at base private.
ellauri131.html on line 883: I’ve read quite a few books where the author picks a ‘project’ and runs with it to see what happens. These sorts of books have often been fun and entertaining. This one had the potential for that with some of the advice and activities these books encouraged the author to participate in. But she executed them with such seriousness that that they became cringeworthy to read about.
ellauri132.html on line 113: Sam is the son of actor Berkeley Harris, who appeared mainly in Western films, and TV writer and producer Susan Harris (née Spivak), who created Soap (TV series) and The Golden Girls among other series. His father, born in North Carolina, came from a Quaker background, and his mother is Jewish but not religious. He was raised by his mother following his parents' divorce when he was aged two. Harris has stated that his upbringing was entirely secular and that his parents rarely discussed religion, though he also stated that he was not raised as an atheist.
ellauri132.html on line 644: Tragedia. Tragediassa, sun päähenkilön pitäis kärsiä suurehko onnen muutos — melkein aina hyvästä pahaan, onnellisesta surulliseen. Traagisten hahmojen pitää kärsiä.
ellauri132.html on line 988: (Eihän tää muuten olis tragedia vaan komedia)
ellauri133.html on line 857: In an era when women were not encouraged to work outside the home, Jackson became the chief breadwinner while also raising the couple's four children.
ellauri133.html on line 866: After graduating, Jackson and a guy named Hyman married in 1940. Jackson began writing material as Hyman established himself as a critic. In the backwoods town where Hyman managed to get a job, which Shirley hated as much as him, Jackson and Hyman were known for being colorful, generous hosts who surrounded themselves with literary talents, including Ralph Emerson. They were both enthusiastic readers whose personal library was estimated at $ 25,00.
ellauri133.html on line 870: Jackson´s most famous story, "The Lottery", first published in the New Yorker on June 26, 1948, established her reputation as a master of the horror tale. The story prompted over 300 letters from readers, many of them outraged at its conjuring of a dark aspect of human nature, characterized by, as Jackson put it, "bewilderment, speculation, and just plain old-fashioned abuse".
ellauri140.html on line 620: An aged Sire,° in long blacke weedes yclad, Yhden äijän mustassa surtuutissa,
ellauri140.html on line 671: (Quoth then that aged man;) the way to win Puhtaus on 0.5 ruokaa ja lepo hyvä verelle,
ellauri140.html on line 880: And half enraged at her shamelesse guise, Ja puolixi raivoissaan sen nakusta pyllystä,
ellauri140.html on line 1012: But hardly was restreined of that aged sire. Ilman vanhusta siinä silminnäkijänä.
ellauri140.html on line 1029: Weary of aged Tithones° saffron bed, Könytä ylös vanhan Tithonin vesisängystä,
ellauri141.html on line 109: Quintus Horatius Flaccus (8th of December, Ab Urbe Condita 689, B. C. 65 - 27th of November, B. C. 8) was born at or near Venusia (Venosa), in the Apennines, on the borders of Lucania and Apulia. His father was a freedman, having, as his name proves, been the slave of some person of the Horatia gens. As Horace implies that he himself was ingenuus, his father must have obtained his freedom before his birth. He afterwards followed the calling of a coactor, a collector of money in some way or other, it is not known in what. He made, in this capacity, enough to purchase an estate, probably a small one, near the above town, where the poet was born. We hear nothing of his mother, except that Horace speaks of both his parents with affection. His father, probably seeing signs of talent in him as a child, was not content to have him educated at a provincial school, but took him (at what age he does not say, but probably about twelve) to Rome, where he became a pupil of Orbilius Pupillus, who had a school of much note, attended by boys of good family, and whom Horace remembered all his life as an irritable teacher, given unnecessarily to the use of the rod. With him he learnt grammar, the earlier Latin authors, and Homer. He attended other masters (of rhetoric, poetry, and music perhaps), as Roman boys were wont, and had the advantage (to which he afterwards looked back with gratitude) of his father’s care and moral training during this part of his education. It was usual for young men of birth and ability to be sent to Athens, to finish their education by the study of Greek literature and philosophy under native teachers; and Horace went there too, at what age is not known, but probably when he was about twenty. Whether his father was alive at that time, or dead, is uncertain. If he went to Athens at twenty, it was in B. C. 45, the year before Julius Cæsar was assassinated. After that event, Brutus and Cassius left Rome and went to Greece. Foreseeing the struggle that was before them, they got round them many of the young men at that time studying at Athens, and Horace was appointed tribune in the army of Brutus, a high command, for which he was not qualified. He went with Brutus into Asia Minor, and finally shared his defeat at Philippi, B. C. 42. He makes humorous allusion to this defeat in his Ode to Pompeius Varus (ii. 7). After the battle he came to Italy, having obtained permission to do so, like many others who were willing to give up a desperate cause and settle quietly at home. His patrimony, however, was forfeited, and he seems to have had no means of subsistence, which induced him to employ himself in writing verses, with the view, perhaps, of bringing himself into notice, rather than for the purpose of making money by their sale. By some means he managed to get a place as scriba in the Quæstor’s office, whether by purchase or interest does not appear. In either case, we must suppose he contrived soon to make friends, though he could not do so by the course he pursued, without also making many enemies. His Satires are full of allusions to the enmity his verses had raised up for him on all hands. He became acquainted, among other literary persons, with Virgil and Varius, who, about three years after his return (B. C. 39), introduced him to Mæcenas, who was careful of receiving into his circle a tribune of Brutus, and one whose writings were of a kind that was new and unpopular. He accordingly saw nothing of Horace for nine months after his introduction to him. He then sent for him (B. C. 38), and from that time continued to be his patron and warmest friend.
ellauri144.html on line 94: In Epistle 2.2, Horace defends his retirement. His mind and temper have aged,
ellauri144.html on line 421: Dylan Marlais Thomas (27 October 1914 – 9 November 1953 = 39v) was a Welsh poet and writer whose works include the poems "Do not go gentle into that good night" (Josta suomenruozalainen leijakirjailija otti "Älä mene yxin yöllä ulos") and "And death shall have no dominion"; the "play for voices" Under Milk Wood; and stories and radio broadcasts such as A Child´s Christmas in Wales and Portrait of the Artist as a Young Dog. He became widely popular in his lifetime and remained so after his death at the age of 39 in New York City. By then he had acquired a reputation, which he had encouraged, as a "roistering, drunken and doomed poet".
ellauri145.html on line 127: Mitähän Aristoteles tarkoitti sillä et tragedia puhaa
ellauri145.html on line 1168: In 1919, Brisset died, aged 81, at La Ferté-Macé. Verraton huromisti.
ellauri147.html on line 862: In physical attractiveness studies, averageness describes the physical beauty that results from averaging the facial features of people of the same gender and approximately the same age. The majority of averageness studies have focused on photographic overlay studies of human faces, in which images are morphed together. The term "average" is used strictly to denote the technical definition of the mathematical mean. An averaged face is not unremarkable, but is, in fact, quite good looking. Nor is it typical in the sense of common or frequently occurring in the population, though it appears familiar, and is typical in the sense that it is a good example of a face that is representative of the category of faces.
ellauri147.html on line 866: The effect was first described in 1878 by Francis Galton. He had devised a technique called composite photography, which he believed could be used to identify 'types' by appearance, which he hoped would aid medical diagnosis, and even criminology through the identification of typical criminal faces. Galton's hypothesis was that certain groups of people may have common facial characteristics. To test the hypothesis, he created photographic composite images of the faces of vegetarians and criminals to see if there was a typical facial appearance for each. Galton overlaid multiple images of faces onto a single photographic plate so that each individual face contributed roughly equally to a final composite face. The resultant "averaged" faces did little to allow the a priori identification of either criminals or vegetarians, failing Galton's hypothesis. However, unexpectedly Galton observed that the composite image was more attractive than the component faces. Galton published this finding in 1878, and also described his composite photography technique in detail in Inquiries in Human Faculty and its Development. He subsequently sold the invention to an early erotic photography firm.
ellauri147.html on line 868: A University of Toronto student found that the facial proportions of celebrities including Jessica Alba were close to the average of all female profiles. That the preference for the average is biological rather than cultural has been supported by studies on babies, who gaze longer at attractive faces than at unattractive ones. People generally find youthful average faces sexually the most attractive. prototypes are preferred to individual exemplars of the stimuli categories. Thus an average face is probably attractive simply because it is prototypical. An averaged face made of 32 faces looks almost indistinguishable from any other 32-face averaged face even when they are created from a completely different set of individuals. Left-right symmetry is not the issue, presumably because neither are the viewers´ eyes.
ellauri151.html on line 126: It is impermissible under any circumstances for morals to sink as low as communism has done. No one can begin to imagine the tragedy of humanity, of morality, of religion and of freedoms in the land of communism, where man has been debased beyond belief.
ellauri151.html on line 130: Gide was, by general consent, one of the dozen most important writers of the 20th century. Moreover, no writer of such stature had led such an interesting life, a life accessibly interesting to us as readers of his autobiographical writings, his journal, his voluminous correspondence and the testimony of others. It was the life of a man engaging not only in the business of artistic creation, but reflecting on that process in his journal, reading that work to his friends and discussing it with them; a man who knew and corresponded with all the major literary figures of his own country and with many in Germany and England; who found daily nourishment in the Latin, French, English and German classics, and, for much of his life, in the Bible; [who enjoyed playing Chopin and other classic works on the piano;] and who engaged in commenting on the moral, political and sexual questions of the day. Monsters lead an interesting li-i-fe.
ellauri151.html on line 1130: La Porte étroite est en 1909 le premier grand succès littéraire de Gide. Strait is the Gate (French: La Porte Étroite) is a 1909 French novel written by André Gide. It was translated into English by Dorothy Bussy. It probes the complexities and terrors of adolescence and growing up. Based on a Freudian interpretation, the story uses the influences of Andy's childhood experience to explain the misunderstandings that can arise between two or more people. Strait is the Gate taps the unassuaged memory of Gide's unsuccessful wooing of his cousin between 1888 and 1891.
ellauri151.html on line 1153: Tämä on tapaustutkimus, ja Gide on tarkoituksella pehmentänyt tarinan toista hahmoa, jotta se ei häiritsisi tän Alissa hahmon kehitystä: ”ilman sellaista sankaria tragedia ei olisi ollut mahdollinen, tai noin klo puoli ainakin hän olisi puuttunut naisen luonteen kehitykseen – evoluutioon, jonka halusin olla hyvin puhdas”. "Epäilemättä ymmärsin vain epätäydellisesti Alissan ahdistuksen syyn, mutta tunsin voimakkaasti, että tämä ahdistus oli aivan liian voimakas tälle pienelle sykkivälle pillulle, tälle hauraalle ruumiille, jota Jeromen kaltaiset nyyhkyttävät juipit haluisivat itkeä ja nussia.»
ellauri152.html on line 545: The plot was foiled by Queen Esther, the king's recent wife, who was herself a Jew. Esther invited Haman and the king to two banquets. In the second banquet, she informed the king that Haman was plotting to kill her (and the other Jews). This enraged the king, who was further angered when (after leaving the room briefly and returning) he discovered Haman had fallen on Esther's couch, intending to beg mercy from Esther, but which the king interpreted as a sexual advance.
ellauri152.html on line 557: According to the Targum Sheni, he killed the prophet Daniel, who somehow managed to live to Ahasuerus's reign, dodging lions (Targum Sheini on Esther, 4, 11).
ellauri155.html on line 892: Like William James, his friend and mentor, he wrote philosophy in a literary way. Ezra Pound includes Santayana among his many cultural references in The Cantos, notably in "Canto LXXXI" and "Canto XCV". Santayana is usually considered an American writer, although he declined to become an American citizen, resided in Fascist Italy for decades, and said that he was most comfortable, intellectually and aesthetically, at Oxford University. Although an atheist, Santayana considered himself an "aesthetic Catholic" and spent the last decade of his life in a Roman residence under Catholic nuns. It felt a little like his young days under William James. He held racial superiority and eugenic views. He believed superior races should be discouraged from "intermarriage with inferior stock". Maybe that was why he had no kids.
ellauri155.html on line 979: the money would come through you, who were my nephew, and managed
ellauri156.html on line 64: A few hours later, my uncle came by to visit my grandmother. He was just entering the driveway, very near the little mobile home where the altercation occurred earlier. Unfortunately, my uncle was driving a car which looked similar to the one driven by the estranged husband's adversary parked outside the trailer earlier in the day. Gunshots rang out as the enraged husband fulfilled his vow. The rifle easily penetrated the windshield, and my uncle was instantly killed -- by mistake. The angry husband had killed my uncle, falsely assuming that he was his adversary.
ellauri156.html on line 70: This sequence of events and its accompanying tragedies is the subject of chapters 11 and 12 of 2 Samuel. I have chosen to expound these chapters in three lessons. This first lesson will deal with “David and Bathsheba,” as described in 11:1-4. In the following lesson, we will address the subject of “David and Uriah,” as told by our author in 11:5-27. The third lesson will focus on “David and Nathan,” as this confrontation is put forth in chapter 12. Our text has much to say about the sins of adultery and murder, but rest assured that it addresses much more sins than this. It is a text we all need to hear and to heed, for if a “man after God's own heart” can fall so quickly and so far, surely we are capable of similar or even bigger failures. May the Spirit of God take this portion of the Word of God and illuminate it to each of us in full color, as we come to this study.
ellauri156.html on line 92: 1 Then it happened in the spring, at the time when kings go out to battle, that Joab led out the army and ravaged the land of the sons of Ammon, and came and besieged Rabbah. But David stayed at Jerusalem. And Joab struck Rabbah and overthrew it (1 Chronicles 20:1).
ellauri156.html on line 305: It is very clear in Samuel that the tragedies which take place in David's household are the consequence of his sin, just as Nathan indicates (12:10-12). Thus, when Amnon rapes Tamar, the sister of Absalom, it is a case of the “chickens coming home to roost.” Or is it a case of "Rooster coming into the chicks?" Note that it is at David's command or summons that Tamar is called to the palace, and then to Amnon's bedside. There is not so much as a hint that when Tamar is raped, it is all of Amnon's doing. Should this not strongly indicate that the same is true in Bathsheba's case, of which this second incident is a kind of mirror image? (Fucking crooky noses, raping and ravaging their kinky haired ladies right and left.)
ellauri156.html on line 343: David's sin did not just suddenly appear in a moment of time. David set himself up for this fall. We know he disengaged himself from the battle, choosing instead a life of comfort and ease. You and I may make the same decision, though in a slightly different way. We may choose to ease up in our pursuit of becoming a disciple of our Lord, of the disciplined life which causes us to bring our bodies under our control (see 1 Corinthians 9:24-27).
ellauri156.html on line 351: Some of you have not yet sinned as David did, but I hope I have given you some ideas, and that you are already on your way. You are like David when he chose to stay in Jerusalem, and when he chose to stay in bed. You have not yet managed to sin in a dramatic fashion, but you are laying the groundwork for it. It's only a matter of time and opportunity, so keep hacking. My question to you is not whether you are actively committing sin, but if you are, please send me some snapshots.
ellauri156.html on line 453: The film sparked protests in Singapore over what the Muslim community considered an unflattering portrait of David, considered an important prophet in Islam, as a hedonist susceptible to sexual overtures. Mohammed and his 9-year old wife would have been outraged.
ellauri156.html on line 481: And explain he does; Uriah's words to his commander-in-chief are as stinging a rebuke as David receives from Nathan in the next chapter. Uriah clearly understands that what David once encouraged him to do (i.e. go to be with his wife) he is now strongly urging -- even commanding -- him to do. Uriah humbly but steadfastly refuses to do this:
ellauri159.html on line 590:
ellauri159.html on line 832:
Tragedia
ellauri159.html on line 836:
Semitragedia
ellauri159.html on line 838: Kuten tragedia, paizi että hero parantaa tapansa ennenkuin on liian myöhäistä. Voi siinä Ferranten kirjassa olla vähän tätäkin. En ole vielä päässyt sen loppuvizeihin.
ellauri160.html on line 128: Pound's education began in dame schools: Miss Elliott's school in Jenkintown in 1892 and the Heathcock family's Chelten Hills School in Wyncote in 1893. Known as "Ra" (pronounced "Ray"), he attended Wyncote Public School from September 1894. His first publication was on 7 November 1896 in the Jenkintown Times-Chronicle ("by E. L. Pound, Wyncote, aged 11 years"), a limerick about William Jennings Bryan, who had just lost the 1896 presidential election.
ellauri160.html on line 130: In 1897, aged 12, he transferred to Cheltenham Military Academy (CMA), where he wore an American Civil War-style uniform and was taught drilling and how to shoot. The following year he made his first trip overseas, a three-month tour with his mother and Aunt Frank, who took him to England, Belgium, Germany, Switzerland, Italy, Spain, and Morocco. He attended CMA until 1900, at times as a boarder, but it seems he did not graduate.
ellauri160.html on line 132: In 1901 Pound was admitted, aged 15, to the University of Pennsylvania's College of Liberal Arts. Years later he said his aim was to avoid drill at the military academy. His one distinction in first year was in geometry, but otherwise his grades were mostly poor, including in Latin, his major; he achieved a B in English composition and a pass in English literature. In his second year he switched from the degree course to "non-degree special student status", he said "to avoid irrelevant subjects". He was not elected to a fraternity at Penn, but it seemed not to bother him.
ellauri160.html on line 178: In the summer of 1913 Pound became literary editor of The Egoist, a journal founded by the suffragette Dora Marsden. At the suggestion of W. B. Yeats, Pound encouraged James Joyce in December of that year to submit his work. Harriet Shaw Weaver accepted it for The Egoist, which serialized it from 2 February 1914, despite the printers objecting to words like "fart" and "ballocks", and fearing prosecution over Stephen Dedalus's thoughts about prostitutes. Joyce wrote to Yeats: "I can never thank you enough for having brought me into relation with your friend Ezra Pound who is indeed a miracle worker."
ellauri160.html on line 211: Hemingway, then aged 22, moved to Paris with his wife, Hadley Richardson, and letters of introduction from Sherwood Anderson. In February 1922 the Hemingways visited the Pounds for tea. Although Pound was 14 years older, the men became friends; Hemingway assumed the status of pupil and asked Pound to edit his short stories. Pound introduced him to his contacts, including Lewis, Ford, John Peale Bishop, Malcolm Cowley, and Derek Patmore, while Hemingway tried to teach Pound to box. Hemingway was a drinker, Ezra not.
ellauri161.html on line 603: When it comes to apocalyptic asteroid/comet collision movies, Armageddon and Deep Impact were more entertaining while being no less absurd.
ellauri161.html on line 604: McKay the writer isn’t up to the task. With this star-studded cast, the classification of a “missed opportunity” doesn’t do it justice; it feels closer to a tragedy. 2 out of 4.
ellauri161.html on line 643: That’s not a point that hasn’t been made before, and it’s not like there are new notions here about what people might do with their last moments. But there’s something deceptively big and complicated about considering the human capacity to (not) address the largest challenges to their own survival as certain systems prevent action being taken — and people’s ability to recognize that a happy ending isn’t automatic but could be possible with thought and work. There’s such tragedy in the idea of, among many other things, being stuck in a loop of distraction at the expense of progress. Perpetual escapism that prevents escape, with what we’re looking away from and how continually being updated in the stories on the subject.
ellauri161.html on line 701: No idea what they were trying to do here. Couldn't even get through it. Basically had the plot of Armageddon but wasn't a spoof, guess they were going for a comedy but it wasn't funny at all. Just very Hollywood and very odd. Don't waste your time.
ellauri161.html on line 994: “The only real sadness, the only real failure, the only great tragedy in life, is not to become a saint.”
ellauri162.html on line 719: Masturbation. It’s not just a great way to kill time, but it’s also the safest sex you can have. And it has many health benefits. (See: 5 Reasons You Should Masturbate Tonight.) Although we can all agree that masturbation is pretty much the cherry on top of the ice cream of life, there’s more to the act than that. In a recent study from Harvard, men who ejaculated 21 or more times per month had a 19 to 22 percent lower risk of prostate cancer than men who did so only four to seven times per month. In some parts of the world, teenagers are encouraged to masturbate. Masturbation prevents unwanted pregnancies.
ellauri163.html on line 50: God of Vengeance was published in English-language translation in 1918. In 1922, it was staged in New York City at the Provincetown Theatre in Greenwich Village, and moved to the Apollo Theatre on Broadway on February 19, 1923, with a cast that included the acclaimed Jewish immigrant actor Rudolph Schildkraut. Its run was cut short on March 6, when the entire cast, producer Harry Weinberger, and one of the owners of the theater were indicted for violating the state's Penal Code, and later convicted on charges of obscenity. Weinberger, who was also a prominent attorney, represented the group at the trial. The chief witness against the play was Rabbi Joseph Silberman, who declared in an interview with Forverts: "This play libels the Jewish religion. Even the greatest anti-Semite could not have written such a thing". (You just wait for Philip Roth...) After a protracted battle, the conviction was successfully appealed. In Europe, the play was popular enough to be translated into German, Russian, Polish, Hebrew, Italian, Czech, Romanian and Norwegian. Indecent, the 2015 play written by Paula Vogel, tells of those events and the impact of God of Vengeance. It opened on Broadway at the Cort Theater in April 2017, directed by Rebecca Taichman. Eli ei Asch ihan pasé vielä ole.
ellauri164.html on line 977: God seems to be trying to wean the Israelites from one kind of perception to another: from dependence on the visible and tangible to reliance on speech in connecting with God. At Sinai, all their senses were engaged, but the revelation itself was auditory. When Moses retells and reframes the story (Deut. 4:12), he reminds the people, “The sound of words you did hear, but no image did you see except the sound.” There is a grave danger in relying on the visible. The word forimage in the verse above is temunah—the same word that is used in the Ten Commandments in the warning against idolatry (Exod. 20:4).
ellauri171.html on line 445: He may or may not have believed her, but her beauty made her a sexual fly-trap, and he allowed her to stay. In the ensuring battle of tits, Judith managed to outwit her prey. While he was drunk and had emptied his bollocks into her, she pulled his sword out of its scabbard, prayed to God for strength, hacked Holofernes’ head off, then escaped back to her people.
ellauri171.html on line 615: She managed to crawl back to the door of the house where the Levite, the old man and his daughter sheltered. She lay on the doorstep until morning, when the Levite unlocked the door.
ellauri171.html on line 629: Verse 2 describes the problem that cascades into tragedy. The events that follow in the chapter would not have occurred if the concubine had not sinned by becoming a prostitute.
ellauri172.html on line 192: Ebbe anche una relazione con la marchesa Gabriella Falletti di Villafalletto, moglie di Giovanni Antonio Turinetti marchese di Priero. Tra il 1774 e il 1775, mentre assisteva la sua amica malata, portò a compimento la tragedia Antonio e Cleopatra, rappresentata a giugno di quello stesso anno a Palazzo Carignano, con successo.
ellauri172.html on line 201: Gli avvenimenti in un primo tempo fecero comporre al poeta l'ode A Parigi sbastigliato, che poi però rinnegò: l'entusiasmo si trasformò in odio verso la rivoluzione, esplicitato nelle rime de Il Misogallo. Si appassiona anche a recitare le proprie tragedie personalmente, preferendo per sé il ruolo di Sauli Niinistö.
ellauri172.html on line 203: Saul è una tragedia di Vittorio Alfieri in endecasillabi sciolti strutturata in cinque atti. La vicenda, tratta dalla Bibbia, è incentrata sulle ultime ore di Saul, nell'accampamento militare di Gelboè durante la guerra contr
ellauri172.html on line 775: Guggenspritzer, a St. Olaf version of Monopoly. There is no money due to the bank, built by a bad contractor, sinking into a swamp leaving nothing but safety deposit slips and a pen on a chain. Also, you can buy the library or the phone booth, yet 'people use the phone booth'. Rose managed to win the entire game by buying one street - the only street in St Olaf.
ellauri180.html on line 226: Almost as an extension to the lack of penile cancer in Jews, Handley reported on the infrequency of carcinoma of the cervix in Jewish women. He suggested that this related to the fact that Jewish men were circumcised. Not surprisingly, this spawned a mass of contradictory studies and over the next 50 years the champions of both camps have sought to establish the importance or irrelevance of circumcision in relation to penile cancer. The pendulum has swung both ways and the current evidence suggests that other factors are probably more important. A similar debate has raged for 50 years over concerns for the risks of urinary tract infections in young boys and currently, any decreased risk associated with circumcision remains tentative but not proven.
ellauri182.html on line 106: Mikage’s voice can be complex as well, which keeps the reader intellectually engaged. She can go from the light and ironic, talking casually about herself and her situation, to the literary and complex, making more formal and generalized statements, such as this musing on fate that begins: “We all believe we can choose our own path from among the many.”
ellauri182.html on line 110: A few generations ago in Japan, food preparation was considered a lower class occupation; in economically advantaged households, servants frequently provided the cooking. By the mid-1980s, and as reflected in “Kitchen,” food preparation has become a respectable career as well as an art form. Kitchens are now the showcases of Japanese consumer wealth, filled with new technologies and electronic gadgets, and artful cuisine reflects social sophistication.
ellauri182.html on line 322: Researchers studied 32 children, aged three to six, and 34 chimpanzees, aged three to six.
ellauri184.html on line 48: During his time in the Philippines, Mailer was first assigned to regimental headquarters as a typist, then assigned as a wire lineman. In early 1945, after volunteering for a reconnaissance platoon, he completed more than two dozen patrols in contested territory, and engaged in a few firefights and skirmishes. After the Japanese surrender, he was sent to Japan as part of the army of occupation, was promoted to sergeant, and became a first cook and argued about his girth.
ellauri184.html on line 623: 2. Processes of marginalization and not the concrete breaking of laws – led to Jesus’s death. Not only was Jesus passively exposed to these processes of marginalization, but he partly contributed to them because he modelled himself as an outsider and distanced himself too little from the messianic expectations ascribed to him. This staged self-marginalization – partly done in performative fashion – was dangerous because the term “Messiah” was often charged with political content, as was exemplified by numerous rebel leaders who regarded themselves as the Messiah or were considered as such by their followers. Many of them were executed, including Jesus.
ellauri185.html on line 840: Of the practicing regions, Middle Eastern and northern Africa territories show the greatest frequencies of consanguinity. The link between the high frequency and the region is primarily due to the dominance of Islamic populations, who have historically engaged in familyline relations.
ellauri185.html on line 842: The House of Habsburg was known for its intermarriages; the Habsburg lip often cited as an ill-effect. The closely related houses of Habsburg, Bourbon, Braganza and Wittelsbach (Was?! das ist unser Haus! Ach nein!) also frequently engaged in first-cousin unions as well as the occasional double-cousin and uncle–niece marriages.
ellauri188.html on line 98: From 1838 to 1839, the Catholic mission was able to establish itself, supported by the French order Pères et religieuses des Sacrés-Cœurs de Picpus, which was not founded until 1800. The missionaries spread from Mangareva to Tahuata, Ua Pou, Fatu Hiva and Nuku Hiva. They suffered the same hostile reception and tribal warfare as their fellow Protestants. However, with the support of the French authorities, they were able to sustain themselves in the long run, despite all the obstacles. They even managed to baptize King Moana of Nuku Hiva, who, however, died of smallpox in 1863. Regrettably, but he got salvaged anyway.
ellauri188.html on line 124: The present population of all the six inhabited islands of that group of eleven, numbers, according to Mr. Frank Varney, a long-time resident on Hivaon, about 1,000 or 1,200. Only a small proportion of these are pure bloods, most of that number being natives from the Tuamotus or the Society Islands, and many of them are half-bloods or quarter-bloods, Chinese features being very common. But I met many middle-aged, elderly and old, pure-blooded Mar quesans, a fine, self-respecting race, commanding our admiration and pity. I can not believe that all these people, whom I saw in 1922 and 1923, will have vanished in 1930. It will take a longer time than that, perhaps only a few years longer, before the last pure blooded Marquesan steps off the stage. I am quite sure that Dr. Linton, of the Field Museum, and Dr. Handy, of Bishop Museum, Honolulu, both of whom have made special study of the Marquesans, will agree with me in this.
ellauri190.html on line 257: In a traditional account the horses transporting the icon had stopped near Vladimir and refused to go further. Accordingly, many people of Rus interpreted this as a sign that the Theotokos wanted the icon to stay there. The place was named Bogolyubovo, or "the one loved by God". Andrey placed it in his Bogolyubovo residence and built the Assumption Cathedral to legitimize his claim that Vladimir had replaced Kiev as the principal city of Rus. However, its presence did not prevent the sack and burning of the city of Vladimir by the Mongols in 1238, when the icon was damaged in the fire. You win some, you lose some.
ellauri190.html on line 279: By the end of the 17th century, the newly forming Russian Empire under Tzar Peter I established its reign over the Ukrainian lands to the east of the Dnipro river, ceding the western part of Ukraine to the Republic (which, in turn, evolved more and more into the Polish monarchy rather than the Polish-Lithuanian Commonwealth of the old days). In 1702, a great son of Ukraine, a giant of military strategy, diplomacy, and statesmanship, Ivan Mazepa, being the Kozak leader of the eastern part of Ukraine, suppressed the uprising of Paliy on the other (Western) side of the Dnipro and added huge parts of the country to his control. It was a big step toward the unification and freedom of Ukraine. Moreover, in 1709 Mazepa joined his forces with the Swedish king Charles XII (haha, the gay) against Tzar Peter, hoping to rid his dear mother Ukraine from slavery in the captivity of the Tzars. And again… tragically, Mazepa managed to gather less manpower than he hoped to gather, because the populist agitators slandered him in their massive propaganda campaign (no doubt, directed from Muscovy), portraying him in the eyes of the Ukrainian Kozaks as a rich aristocrat who cares nothing about the “simple people,” a clandestine Catholic (or Protestant), and overall “not really Ukrainian.” (This tragedy will repeat itself in 1918 and in 2019.) Mazepa’s loyalists were defeated together with the Swedes, and Ukraine lost her historical chance for yet another time. But third time is a charm! Nobody will blame a Jew for being on the side of the catholics!
ellauri191.html on line 684:
ellauri192.html on line 77: Jakobson escaped from Prague in early March 1939 via Berlin for Denmark, where he was associated with Louis Hjelmslev's Copenhagen linguistic circle. He fled to Norway on 1 September 1939, and in 1940 walked across the border to Sweden, where he continued his work at the Karolinska Hospital (with works on footsores, aphasia and language competence). When Swedish colleagues feared a possible German occupation, he managed to leave on a cargo ship, together with Ernst Cassirer (the former rector of Hamburg University) to New York City in 1941 to become part of the wider community of intellectual émigrés who fled there.
ellauri192.html on line 641: Seifert was awarded the Nobel Prize in Literature in 1984. Due to bad health, he was not present at the award ceremony, and so his daughter received the Nobel Prize in his name. Even though it was a matter of great importance, there was only a brief remark of the award in the state-controlled media. He died in 1986, aged 84, and was buried at the municipal cemetery in Kralupy nad Vltavou (where his maternal grandparents originated from). Not in the Jewish cemetery, perish the thought!
ellauri194.html on line 51: Harmageddon ei tuhoa ihmiskuntaa vaan pelastaa sen, sillä "suuri joukko" Jumalaa palvelevia ihmisiä säilyy elossa (Ilmestys 7:9, 14; Psalmit 37:34). Maapallon lisäksi sana "maailma" tarkoittaa Raamatussa joskus myös Jumalaa vastustavaa pahaa ihmisyhteiskuntaa. Kootut paasauxet ovat osoittaneet vailla mitään epäilystä että Harmageddonilla alkaa olla kiire. Tämän konnamaisen apinaköörin täydellinen tuho on ihan ykkös ympäristötavoite.
ellauri194.html on line 53:
ageddon.jpg" width="100%" />
ellauri194.html on line 55: Harmageddonin taistelu on Ilmestyskirjan mukaan aikojen lopulla käytävä viimeinen suuri taistelu, johon Google ja Microsoft sekä muut Jumalan viholliset kerääntyvät Pedon kanssa. Punapukuinen kunkku joukon kärjessä on Messias vihdoinkin asiallisessa rooliasussa.
ellauri194.html on line 61: Hepreasta juontuva nimi Har-Magedon merkitsee yksinkertaisesti ’Megiddon vuorta’.
ellauri194.html on line 63: Nähtävästi kirjaimellista ”Megiddon vuori” -nimistä paikkaa ei ole ollut Luvatussa maassa eikä sen ulkopuolella, ei ennen näyn muistiin kirjoittaneen apostoli Johanneksen päiviä eikä hänen päivinään. Har-Magedon-nimen merkitys juontuu näin ollen ilmeisesti muinaiseen Megiddon kaupunkiin liittyneistä tapahtumista. Se sijaitsi kauppareittien risteyksessä, joten sen tärkeyden takia siitä on mainintoja Egyptin kirjoituksissa sekä Raamatussa. Se sijaitsee nykyisessä Israelissa Afulan kunnassa (38 900 asukasta) ja sinne voi ajaa valtatie 66:ta pitkin.
ellauri194.html on line 255: After the Khazars came the Mongols, seen as a mysterious and invincible horde from the east who destroyed Muslim empires and kingdoms in the early 13th century; kings and popes took them for the legendary Prester John, marching to save Christians from the Muslim Saracens, but when they entered Poland and Hungary and annihilated Christian armies a terrified Europe concluded that they were "Magogoli", the offspring of Gog and Magog, released from the prison Alexander had constructed for them and heralding Armageddon.
ellauri194.html on line 289: Some post-Cold War millenarians still identify Gog with Russia, but they now tend to stress its allies among Islamic nations, especially Iran. For the most fervent, the countdown to Armageddon began with the return of the Jews to Israel, followed quickly by further signs pointing to the nearness of the final battle – nuclear weapons, European integration, Israel's reunification of Jerusalem in the Six Day War in 1967, and America's wars in Afghanistan and the Persian Gulf. According to an unconfirmed report, US President George W. Bush, in the prelude to the 2003 Invasion of Iraq, told French President Jacques Chirac, "Gog and Magog are at work in the Middle East." Bush is said to have continued, "This confrontation is willed by God, who wants to use this conflict to erase His people's enemies before a new age begins." Officials from the Bush Administration claim there is no record of this conversation and that making such references, "doesn't sound at all like Bush", and French officials on the call have similarly claimed to have not heard any such remarks.
ellauri194.html on line 314: Sedgwick' died of breast cancer in 2009 aged 58,. She deploys erudite and playful readings of texts by Oscar Wilde, Henry James and Marcel Proust to interrogate assumptions about the stability of sexual identity and how language works to define a homo/heterosexual binary. She writes: "An understanding of virtually any aspect of modern western culture must be not merely incomplete but damaged in its central substance to the degree that it does not incorporate a critical analysis of modern homo/heterosexual definition."
ellauri194.html on line 1044: A strategic and global supply chain leader with over 25 years of progressive experience in the vitamins, dietary supplements, beauty products, consumer packaged foods and beverages industry sectors. Trent analyzed product movement at no less than four 3rd party managed AC/DC's to identify forecast deviations and overstocks while improving customer service and reducing spoilage!
ellauri196.html on line 243: How, when the aged are reverently, passionately waiting Että kun ikäihmiset odottelee hartaasti tunteella
ellauri196.html on line 635: In 1945 and 1946, an unprecedented wave of major strikes affected the United States; by February 1946 nearly 2 million workers were engaged in strikes or other labor disputes. Organized labor had largely refrained from striking during World War II, but with the end of the war, labor leaders were eager to share in the gains from a postwar economic resurgence.
ellauri197.html on line 178: Yeats' poem was completed in 1936. Yeats, in an oft quoted letter, describes the gift thus: "Lapis Lazuli carved by some Chinese sculptor into the semblance of a mountain with temple, trees, paths, and an ascetic and pupil about to climb the mountain. Ascetic, pupil, hard stone, eternal theme of the sensual east. The heroic cry in the midst of despair. But no, I am wrong, the east has its solutions always and therefore knows nothing of tragedy. It is we, not the east, that must raise the heroic cry." (Letter to Dorothy Wellesley (as in Wellesley College?) July 6 1935)
ellauri197.html on line 647: His father was a well-paid clerk for the Bank of England, earning about £150 per year. Browning's paternal grandfather was a slave owner in Saint Kitts, West Indies, but Browning's father was an abolitionist. Browning's father had been sent to the West Indies to work on a sugar plantation, but due to a slave revolt there, had returned. Browning's mother was the daughter of a German shipowner who had settled in Dundee, Scotland, and his Scottish wife. His paternal grandmother, Margaret Tittle, had inherited a plantation in St Kitts and was rumoured in the family to have a mixed-race ancestry including some Jamaican blood, but author Julia Markus suggests she was Kittitian rather than Jamaican. The evidence is inconclusive. Robert's father, a literary collector, amassed a library of some 6,000 books, many of them rare so that Robert grew up in a household with significant literary resources. His mother, to whom he was close (no tietysti), was a devout nonconformist and a talented musician. His younger sister, Sarianna, also gifted, became her brother's "companion" in his later years, after the death of his wife in 1861. His father encouraged his children's interest in literature and the arts.
ellauri198.html on line 243: The real reason for the defeat in the 1937 Little Steel Strike were the strategies and tactics of the union leaderships. They encouraged their members to have faith in Roosevelt and the Democrats, giving them a false sense of security that they would be protected against violence by their bosses, the police, and the National Guard. Had the workers relied only on their own power in unity, they could have been better prepared.
ellauri198.html on line 633: Tophet or Topheth (Hebrew: תֹּוֹפֶת Tōp̄eṯ; Greek: Ταφέθ (taphéth); Latin: Topheth) is a location in Jerusalem in the Valley of Hinnom (Gehenna), where worshipers engaged in a ritual involving "passing a child through the fire", most likely child sacrifice. Traditionally, the sacrifices have been ascribed to a god named Moloch. The Bible condemns and forbids these sacrifices, and the tophet is eventually destroyed by king Josiah, although mentions by the prophets Jeremiah, Ezekiel, and Isaiah suggest that the practices associated with the tophet may have persisted.
ellauri198.html on line 712: Bill Sheehan of The Washington Post called the series "a humane, visionary epic and a true magnum opus" that stands as an "imposing example of pure storytelling," "filled with brilliantly rendered set pieces... cataclysmic encounters and moments of desolating tragedy." Erica Noonan of the Boston Globe said, "There's a fascinating world to be discovered in the series" but noted that its epic nature keeps it from being user-friendly.
ellauri198.html on line 851: As Yeats aged, he saw Ireland change in ways that angered him. The Anglo-Irish Protestant minority no longer controlled Irish society and culture. According to Yeats’s unblushingly antidemocratic view, the greatness of Anglo-Irishmen such as Jonathan Swift, philosopher George Berkeley, and statesman Edmund Burke, contrasted sharply with the undistinguished commonness of contemporary Irish society, which seemed preoccupied with the interests of merchants and bloody peasants. He laid out his unpopular opinions in late plays such as Purgatory (1938) and the essays of On the Boiler (1939).
ellauri203.html on line 121: By means of his novels, articles, and personal correspondence, Dostoevsky warned about the consequences of entering this dangerous path. The tragedy of Rasskolnikov, the main character of the novel Crime and Punishment, shows how easily one can be infatuated with this teaching of “violence for the sake of love.” Violence is only ok for the sake of hate.
ellauri203.html on line 231: To begin with, Dostoevsky only saw practicality in his marriage to Snitkina: he was in need of stability and confidence in the future. As a result, the union began down to head along the same route as his previous relationships. However, the couple’s extended “honeymoon” abroad, which ended up lasting four years, allowed them to escape Russia’s oppressive atmosphere and try to build a family. It began well: Sonya, a little girl, was born a year after their marriage. Tragedy soon struck, however, when Sonya passed away. The pair went on to have three more children, one of whom also died. They were married for 14 years until Dostoevsky’s death, in which time Snitkina experienced a great deal of anguish brought on by Dostoevsky’s difficult character and lifestyle, namely his jealousy and gambling addiction. However, she remained stoically committed to him and did not remarry after his death, when she was just 35.
ellauri203.html on line 242: Writing in the Los Angeles Times, a professor of Slavic languages praised their Dostoevsky translations, stating "the reason they have succeeded so well in bringing Dostoevsky into English is not just that they have made him sound bumpy or unnatural but that they have managed to capture and differentiate the characters' many bumpy and unnatural voices." A literary critic and essayist, wrote in The Sewanee Review that their Dostoevsky translations "have recaptured the rough and vulgar edge of Dostoevsky's style. This tone of the vulgar that Dostoevsky's writings are full of, so morbidly excessively, they have translated into a vernacular equal to his own." But recently, writing in The New York Review of Books in 2016, a critic argued that Pevear and Volokhonsky have established an industry of taking everything they can get their hands on written in Russian and putting it into flat, awkward English. Other translators have voiced similar criticism, both in Russia and in the English-speaking world. A Slavic studies scholar has written in Commentary that Pevear and Volokhonsky take glorious works and reduce them to awkward and unsightly muddles. Criticism has been focused on the excessive literalness of the couple's translations and the perception that they miss the original tone of the authors.
ellauri203.html on line 277: Uhraaminen on prosessi, jossa syntipukki joutuu yhteisön sisäisen väkivallan purkautumisväyläksi. Esimerkiksi länsimaisessa kulttuuriperinteessä Kuningas Oidipus ja Raamatun evankeliumit ovat Girardin mukaan verhottuja kertomuksia yhteisöväkivallan uhreista. Uhraamisen prosessi on tiedostumaton: uhraamisen hetkellä syntipukin syyllisyys uskotaan todeksi ja ylilyövä väkivalta oikeudenmukaiseksi. Uhri puhdistaa yhteisön sen sisäisistä konflikteista, ja juuri tästä juontuu Girardin mukaan myös tragedian katarttinen vaikutus. Kuollut uhri kohotetaan myyteissä jumalalliseen asemaan; näin peitetään tietoisuudelta yhteisön ja uskontojen keskiössä toimiva väkivaltainen yksiuhrimekanismi.
ellauri203.html on line 473: It was published first in 1866 in the first episode of the new literary magazine Epoch that was launched by Dostoevsky and his brother Mikhail. As we know Turgenev and Dostoevsky were not the best of friends. Turgenev had sent the story to Dostoevsky when he was in Baden Baden. Dostoevsky, however, was too busy playing roulette and returned the story without having read it. Mikhail told him in a letter that that had been a big mistake, because their magazine was sure to be a success if they could have a new Turgenev in the first episode. Dostoevsky proceeded to write an apologetic letter to Turgenev and managed to secure Phantoms for the magazine.
ellauri203.html on line 505: Näytelmä Torquato Tasso (1833) teki Kukolnikista tunnetun kirjailijan. Siitä kohtuuttomasti innostuneena hän kirjoitti useita taiteilijakohtaloita käsitteleviä draamoja, joita ei pidetty onnistuneina. Kukolnikin historialliset tragediat kuten Ruka Vsevyšnego otetšestvo spasla (”Kaikkivaltiaan käsi pelasti isänmaan”, 1834) vastasivat Nikolai I:n käsityksiä ja ne olivat aikanaan varsin suosittuja. Niissä hallitsija ilmentää kansan tahtoa, kun taas aatelisto edustaa itsekkyyttä, joka usein johtaa petokseen. Kukolnik kirjoitti samassa hengessä etupäässä Pietari I:n aikaan sijoittuvia historiallisia kertomuksia, mutta myöhemmissä teoksissaan hän pyrki välttämään yhteiskunnallisia aiheita.
ellauri204.html on line 729: Sexton suffered from severe bipolar disorder for much of her life, her first manic episode taking place in 1954. After a second episode in 1955 she met Dr. Martin Orne, who became her long-term therapist at the Glenside Hospital. It was Orne who encouraged her to write poetry.
ellauri204.html on line 794: Ari kirjoitti enimmäkseen Jacques Lacanista ja tragediasta. Tragedia seurasi Aria loppuun asti. 70-lukuteemaisissa vuosijuhlissa Sex Pistols villitsi entisen punk-nuorison niin totaalisesti, että he itsekin säikähtivät aiheuttamaansa kaaosta.
ellauri206.html on line 77: In Book III of his repulsive Republic (c. 373 BC), Plato examines the "style" of "poetry" (the term includes comedy, tragedy, epic and lyric poetry): All types narrate events, he argues, but by differing means. He distinguishes between narration or report (diegesis) and imitation or representation (mimesis). Tragedy and comedy, he goes on to explain, are wholly imitative types; the dithyramb is wholly narrative; and their combination is found in epic poetry. When reporting or narrating, "the poet is speaking in his own person; he never leads us to suppose that he is any one else"; when imitating, the poet produces an "assimilation of himself to another, either by the use of voice or gesture". In dramatic texts, the poet never speaks directly; in narrative texts, the poet speaks as him or herself.
ellauri206.html on line 113: Countries are also encouraged to step up work on lethal autonomous weapons, or “killer robots” or "unmanned drones" as uninformed headline writers may prefer to call them.
ellauri207.html on line 76: Compelling and astonishing in its baroque richness, Nick Cave’s acclaimed first novel is a fantastic journey into a twisted world of Deep Southern Gothic tragedy. Cover illustration by Banksy. Buy.
ellauri207.html on line 323: Robb Elementary teaches second through fourth grades and had 535 students in the 2020-21 school year, according to state data. About 90% of students are Hispanic and about 81% are economically disadvantaged, the data shows. Thursday was set to be the last day of school before the summer break.
ellauri210.html on line 369: That journey began in 1903 when, aged sixteen, he was kicked out of his boarding school for an egregious act of indiscipline—according to some, he hit a teacher—and, inspired by his hero Arthur Rimbaud, he left Switzerland in search of adventure. Over the next several years, Cravan took up with hookers in Berlin, hoboed his way from New York to California, and worked in the engine room of a steamship bound for the South Pacific, jumping ship when it docked in Australia. But it was in Paris that the legend of the man we know as Arthur Cravan—writer, brawler, and hoaxer—was cemented. Within the space of six years, he scandalized polite society, infuriated the avant-garde, slugged it out with one of the greatest heavyweights of all time, and then disappeared without a trace.
ellauri210.html on line 381: In the summer of 1914, Cravan began another phase of wandering. In 1916, he found himself in Barcelona where he somehow managed to book himself a high-profile fight against Jack Johnson. Johnson was in the midst of a celebrated stay in Spain, during which he was received by royalty and starred in movies. Photographs from the fight give some idea of the scale of the event, which was held at Barcelona’s huge bullfighting arena La Monumental. What the photos don’t convey is what a mismatch the fight was. Even a ring-rusty, thirty-eight-year-old Johnson was leagues ahead of Cravan. Johnson won with a sixth-round knockout, though it could’ve been over much sooner had he wished it. There are reports that Cravan shook with fear before the contest began, knowing how out of his depth he was. One writer has suggested that “Johnson and Cravan were more collaborators than competitors,” and that the event was a con, just a hype-fueled payday for an aging legend and a flamboyant interloper with no credible chance of a win—the Mayweather-McGregor of its day. Olikos tää se mazi josta toinen nyrkkipelle Heminwau kirjoitti siinä sonniromaanissa?
ellauri210.html on line 1111: Educated by governesses, tutors, and nuns, she was expelled from two schools, including New Hall School, Chelmsford, for her rebellious behaviour, until her family sent her to Florence, where she attended Mrs Penrose's Academy of Art. She also, briefly, attended St Mary's convent school in Ascot. In 1927, at the age of ten, she saw her first Surrealist painting in a Left Bank gallery in Paris and later met many Surrealists, including Paul Éluard. Her father opposed her career as an artist, but her mother encouraged her. She returned to England and was presented at Court, but according to her, she brought a copy of Aldous Huxley's Eyeless in Gaza (1936) to read instead.
ellauri210.html on line 1123: She later married Emerico Weisz (nicknamed "Chiki"), born in Hungary in 1911. Chiki Weisz died 17 January 2007, at home. He was 97 years old. Together they had two sons: Gabriel, an intellectual and poet, and Pablo, a doctor and Surrealist artist. Leonora Carrington died on 25 May 2011, aged 94, in a hospital in Mexico City as a result of complications arising from pneumonia. In 2015, Carrington was honoured through a Google Doodle commemorating her 98th birthday.
ellauri210.html on line 1268: In 1938 he provided the screenplay for a filmed version of Pygmalion for which he received an Academy Award. He died, aged ninety-four, having refused all state honours, except the Nobel prize and the Oscar.
ellauri211.html on line 104: (1) they be important targets in a large urban area of more than three miles in diameter, (2) they be capable of being damaged effectively by a blast, and (3) they are unlikely to be attacked by next August. Five cities made the list, the top four in order of priority were:
ellauri213.html on line 251: You join together with thousands of other members for a set programme reflective of the host country’s culture and customs. As well as a huge closing ceremony. This event is for members aged 16 to 22. Sadly the next World Scout Moot in 2022 has been cancelled, but we hope this will take place again in 2025. We hiked, swam, explored one another and ate our shorts becoming really great friends. Learned how to give support during the Ukraine conflict. The 25th World Scout Jamboree will take place in 2023 in South Korea. Lieköhän yhtään venäläisiä kaukopartiolaisia kuzuttujen joukossa?
ellauri213.html on line 286: Rainbows (regrettable choice of name, in hindsight) is for all girls aged four to seven (five in some areas). We play loads of fun games and do activities and challenges and a few times we get badges – Matilda, Rainbow. Rainbows learn by doing – they get their panties dirty, do sports, arts and crafts and play games. Being a Rainbow is all about having the space to try new things. Through taking part in a range of different activities with girls their own age, Rainbows develop self-confidence and make lots of new friends.
ellauri213.html on line 290: When a girl nears the end of her time at Rainbows, she can continue her adventure at Brownies (another unlucky choice of name) - our section for girls aged seven to ten.
ellauri213.html on line 300: Samantha Karen Fox (born 15 April 1966) is an English pop singer and former glamour model from East London. She rose to public attention aged 16, when her mother entered her photographs in an amateur modelling contest run by The Sunday People tabloid newspaper. After she placed second in the contest, she received an offer from The Sun to model topless on Page 3, where she made her first appearance on 22 February 1983, at the tender age of 17, sporting huge balloons already then. She continued to appear on Page 3 until 1986, becoming the most popular pin-up girl of her era, as well as one of the most photographed British women of the 1980s. She looked like a fox with balloons glued up front. Never liked her face anyway.
ellauri213.html on line 379: Königsberg was the easternmost large city in Germany until World War II. The city was heavily damaged by Allied bombing in 1944 and during the Battle of Königsberg in 1945; it was then captured by the Soviet Union on 9 April 1945. The Potsdam Agreement of 1945 placed it under Soviet administration. The city was renamed to Kaliningrad in 1946 in honor of Soviet revolutionary Mikhail Kalinin. Since the dissolution of the Soviet Union, it has been governed as the administrative centre of Russia's Kaliningrad Oblast, the westernmost oblast of Russia.
ellauri214.html on line 72: Though Rowling’s transphobia has been publicized the most, fans have also begun to notice prejudice in her writing. Very few people of color are featured in J. K. Rowling’s books, and those that are have few lines and no detailed story arcs. One of the people of color given more thought was Cho Chang, Harry Potter’s love interest who was first introduced in the third book, Harry Potter and the Prisoner of Azkaban. Rowling’s racism toward Asians and lack of knowledge of Asian culture is clearly evident from just the name Cho Chang, which is a mix of Korean and Chinese surnames. Korea and China have a longstanding history as political adversaries and each country has a distinct culture. While Rowling went to great efforts in creating a wonderfully immersive wizarding world, she gave no thought to what Cho’s ethnicity is. Cho was also sorted into Ravenclaw house, the school house for those of high intelligence, playing into a common stereotype of Asians. The only other Asian characters mentioned in the series are Indian twins Padma and Pavarti Patil. While Rowling appears to have given more thought to these characters, placing Padma in Ravenclaw and breaking the Asian stereotype by placing Pavarti in Gryffindor, she ultimately fails to adequately write Asian characters. While Pavarti, as a member of Harry Potter’s house, was given more depth than Cho or her sister, many South Asian fans were irritated by the girls’ dresses in the fourth movie, Harry Potter and the Goblet of Fire. The twins wore dull and unflattering traditional Indian attire, which many saw as a mockery of Indian culture. Cho herself wore an East Asian style dress in this movie which was a mix of different Asian styles. Rowling continued her habit of stereotyping Asians in the Fantastic Beast Movies, the first of which was released in 2016 and set in the 1920’s, several decades before the Harry Potter series. In this pre-series, the only Asian representation is displayed in the form of a woman who has been cursed to turn into a beast. Fans may remember the villain Voldemort’s pet snake, Nagini, who served him throughout the Harry Potter series. Fans were surprised to learn when watching The Crimes of Grindelwald, the second movie in the Fantastic Beasts series, that Nagini was not always a snake, but was actually a woman who had been cursed to turn into a snake. In the movie, Nagini, in human form, is caged and forced to perform in a circus. Though we do not know how Nagini came to meet Voldemort, we do know that she became his servant and the keeper of a wee snakelike portion of his soul. This is more than slightly problematic. Not only was Nagini the only Asian representation in the film, but she was also a half-human who was forced to serve an evil white man for a great part of her existence. Author Ellen Oh commented on Nagini’s inclusion in the film saying “I feel like this is the problem when white people want to diversify and don’t actually ask POC how to do so. They don’t make the connection between making Nagini an Asian woman who later on becomes the pet snake of an EEVIL whitish man.”
ellauri216.html on line 368: Venäjällä monet bysanttilaista alkuperää olevat ikonit saivat oman historiansa, täynnä ihmeitä, historiallisia voittoja, tragedioita. Tällainen on Feodorovskaya-kuvake, joka kuvan tyypin mukaan viittaa "armolliseen". Hänen suojeluksensa ei rajoitu tiettyihin tapauksiin - se on todella kansallinen pyhäkkö. Häntä käytetään suojelijana vihollisilta, tulisijan suojelijaksi suruissa ja vaikeuksissa.
ellauri219.html on line 369: A friend of John Lennon’s (No.62) dating back to their time studying at Liverpool College Of Art, Stuart Sutcliffe was The Beatles’ original bassist. While the group were living in Hamburg and playing around the city’s clubs, Sutcliffe met photographer Astrid Kirchherr, who gave The Beatles their distinctive early 60s haircuts. Sutcliffe left the group in order to enroll in the Hamburg College Of Art, but his career was tragically cut short when he died, aged 21, from a brain aneurysm.
ellauri219.html on line 424: Barely visible tucked in between the head and raised arm of Issy Bonn (No.47), Stephen Crane was a Realist novelist who, though dying aged 28, in 1900, is regarded as one of the most forward-thinking writers of his generation. His work incorporated everyday speech, which gave his characters an added realism, and his novels took an unflinching look at poverty.
ellauri219.html on line 434: George Bernard Shaw was an Irish playwright who helped shape modern theatre. The first person to receive both a Nobel Prize (in 1925, for Literature) and an Oscar (in 1939, for Best Adapted Screenplay, for Pygmalion). His works continue to be staged in the 21st Century.
ellauri219.html on line 817: The real tragedy here being, that America has been sincere in its naive, Wilsonian vision of a better world. They were, in fact, high on their own supply. Well the suckers were, the same ones as were taken in by the American Dream.
ellauri219.html on line 952: Police were called when neighbors reported a woman having sex with her pit bull in her backyard in broad daylight. When they arrived, they found Kara Vandereyk “naked and on the ground” engaged in a sexual act with the dog. Upon their approach, she greeted them with a “hi,” and proceeded to hump the dog sexually.
ellauri220.html on line 43: Tragedian, Komedian, Lyric Draman ja Farcen puolestapuhujat väittelevät suosikkimuotonsa puolesta ennen kuin esirippu nousee näytelmään. Pilkkaajat ( Cranks ) keräävät heidät yhteen ja kertovat heille, että he ovat todistamassa "The Love for Three Oranges",
Ljubov k trjom apelsinam. Jotain huisin hauskaa on siis tiedossa. Todennäköisesti farcea.
ellauri220.html on line 52: Leandro ja Clarice suunnittelevat tappavansa prinssin, jotta Clarice voi menestyä valtaistuimella. Tragedian kannattajat ovat iloisia tästä tapahtumien käänteestä. Palvelija Smeraldina paljastaa olevansa myös Fatty Morganan palveluksessa, joka tulee tukemaan Leandroa.
ellauri222.html on line 117: “I am an American, Chicago born” begins the famous first sentence of “The Adventures of Augie March.” The author of that sentence was actually an illegal immigrant, Canada born, and the words were written in Paris. Bellow’s father, Abraham Belo, was born in a shtetl inside the Pale of Settlement. He began his career in St. Petersburg as a produce broker, specializing in Egyptian onions and Spanish fruit. The family seems to have been quite well off. Abraham had used a forged document to work in St. Petersburg, and, when this was discovered, he was arrested and convicted. He may have gone to prison. But he managed to escape and, in 1913, to get his family to Canada.
ellauri222.html on line 119: They settled in Lachine, outside Montreal, where Abraham tried farming, and where, in 1915, Saul was born. When the farm failed, the family moved into the city and Abraham took up bootlegging, a venture that ended even more disastrously. In 1924, he moved again, to Chicago, and engaged some bootlegging associates to smuggle his wife and children across the border to join him.
ellauri222.html on line 147: Into his head popped the memory of a friend from childhood, a boy named Charlie August—and Augie March was born. The novel poured out of him. “All I had to do was to be there with buckets to catch it,” he said. Being abroad, he thought, encouraged the sense of compositional freedom. He wrote much of the novel in Europe—in Paris, Salzburg, and Rome. He later boasted that not a single word of it was written in Chicago.
ellauri222.html on line 175: Devastated, Bellow went to Europe on a cultural-diplomacy junket for the State Department. While abroad, he engaged assiduously in what Leader calls “womanizing.” He returned to Bard, in the summer of 1960, and took up with a visiting French professor named Rosette Lamont. The divorce from Sasha went through in June. For a while, Bellow and Sasha had the same lawyer, who was pleased to be representing both parties in the hottest divorce in town, but eventually Bellow was persuaded to retain his own attorney.
ellauri222.html on line 183: “Herzog” is a revenge novel. The ex-wife, Madeleine, is a stone-cold man-killer. Her lover, Valentine Gersbach, is described as a “loud, flamboyant, ass-clutching brute.” Ludwig had a Ph.D. and a damaged foot; Bellow makes Gersbach a radio announcer with a wooden leg. The Herzog character is passive, loving, an innocent soul who cannot make sense of a world in which people like his estranged wife and her lover can exist. He is an ex-university professor, the author of a distinguished tome called “Romanticism and Christianity.” The Rosette Lamont character, called Ramona, is a sexpot with a heart of gold; she specializes in intimate candlelight dinners and lacy lingerie. She is a professor of love, not French.
ellauri222.html on line 350: William's claim to the English throne derived from his familiar sodomist relationship with the childless Anglo-Saxon king Edward the Confessor, who may have encouraged William's hopes for the throne. Edward died in January 1066 and was succeeded by his brother-in-law Harold Godwinson. The Norwegian king Harald Hardrada invaded northern England in September 1066 and was victorious at the Battle of Fulford on 20 September, but Godwinson's army defeated and killed Hardrada at the Battle of Stamford Bridge on 25 September. Three days later on 28 September, William's invasion force of thousands of men and hundreds of ships landed at Pevensey in Sussex in southern England. Harold marched south to oppose him, leaving a significant portion of his army in the north. Harold's army confronted William's invaders on 14 October at the Battle of Hastings. William's force defeated Harold, who was killed in the engagement, and William became king.
ellauri222.html on line 467: Sophie Geratis is a beautiful Greek girl who works as a chambermaid. Augie meets her when he is working as a union organizer, and the two become lovers. Sophie is engaged to someone else and Augie leaves her to go with Thea. They reunite later, but Augie leaves her again for Stella.
ellauri222.html on line 651: Mildred Stark is a crippled girl who goes to work for Einhorn after the stock-market crash and becomes his mistress. She is aged about thirty and heavy, but Einhorn is flattered that she is in love with him. Mildred dislikes Augie.
ellauri222.html on line 711: William Moulton Marston died of cancer on May 2, 1947, in Rye, seven days before his 54th birthday. After his death, Elizabeth and Olive continued to live together until Olive's death in 1990, aged 86; Elizabeth (The Wonder Woman) died in 1993, aged 100.
ellauri222.html on line 743: His literary tastes are also very interesting. Lord Pococurante is quite able to criticize Homer, Horace, and Cicero; there is nothing, which may seem flawless. His ability to find defects in everything prevents him from taking pleasure in literature, philosophy, and painting. It is obvious that the author is ironic about him, it can be deduced from Candides remark “But is there not a pleasure in criticizing everything, in pointing out faults where others see nothing but beauties’ (Voltaire, 73). The main problem is that such a world outlook is a personal tragedy, and such an attitude may eventually result in suicide.
ellauri222.html on line 1086: "Minulla on tunne elämän perusakseleista joita täytyy noudattaa, muuten kaikki on pelkkää pelleilyä jonka taustalla piilee tragedia. Minulla on täytynyt jo lapsena olla tuo tunne ja halu pysytellä perusakseleillani ja siitä syystä olen itsepäisesti sanonut ei kaikille taivuttelijoille, vain koska nuo akselit ovat iskeytyneet mieleeni, vaikka eivät ole olleet kovinkaan selviä. Viime aikoina olen tuntenut ne sävähdyttävästi jälleen. Kun pyrin pysähtymään tiellä, ne tulevat kuin taivaan lahjat. Makasin tässä vuoteellani ja äkkia ne värisyttivät koko olemustani. Totuus, rakkaus, rauha, avokätisyys, hyödyllisyys, sopusointu. Ja melu ja kahnaukset, vääristyneisyys, rupattelu, epätoivo, ponnistelu, tarpeettomuus, kaikki häipyivät kuin ne olisivat olleet epätodellisia. Ja uskon että kuka tahansa voi koska tahansa palata näille perusakseleille, vaikka olisi kovan onnen äpärä, vain on rauhallinen ja odottaa.
ellauri223.html on line 66: Capt. Moreover, the race is managed for the good of the commonwealth, and not of private individuals, and the magistrates must be obeyed. They deny what we hold—viz., that it is natural to man to recognize his offspring and to educate them, and to use his wife and house and children as his own. For they say that children are bred for the preservation of the species and not for individual pleasure, as St. Thomas also asserts. Therefore the breeding of children has reference to the commonwealth, and not to individuals, except in so far as they are constituents of the commonwealth. And since individuals for the most part bring forth children wrongly and educate them wrongly, they consider that they remove destruction from the State, and therefore for this reason, with most sacred fear, they commit the education of the children, who, as it were, are the element of the republic, to the care of magistrates; for the safety of the community is not that of a few. And thus they distribute male and female breeders of the best natures according to philosophical rules. Plato thinks that this distribution ought to be made by lot, lest some incel men seeing that they are kept away from the beautiful women, should rise up with anger and hatred against the magistrates; and he thinks further that those who do not deserve cohabitation with the more beautiful women, should be deceived while the lots are drawn by the magistrates, so that at all times the women who are suitably second rate should fall to their lot, not those whom they desire. Stop the steal!
ellauri236.html on line 73: A test of Meta and YouTube’s ad systems by the human rights group Global Witness revealed that the companies approved large numbers of misleading ads, including spots that encouraged people not to vote or gave false dates for when ballots could be posted. YouTube said it “reviewed the ads in question and removed those that violated our policies,” although the Global Witness report showed all the ads submitted were approved by the Google-owned site.
ellauri236.html on line 75: They found that five out of seven of the groups recommended by Facebook under searches for the term “intervention” were pushing for a military intervention in Brazil’s election, while five out of seven of the groups recommended under the search term “fraud” encouraged people to join groups that questioned the election’s integrity. The groups have names such “Intervention to Save Brazil” and “Military intervention already.”
ellauri236.html on line 184: Miss Blandish, the daughter of a millionaire, is kidnapped by some gangsters who are almost immediately surprised and killed off by a larger and better organized gang. They hold her to ransom and extract half a million dollars from her father. Their original plan had been to kill her as soon as the ransom-money was received, but a chance keeps her alive. One of the gang is a young man named Slim, whose sole pleasure in life consists in driving knives (well, his prick as well, got to give that much to him) into other people's bellies. In childhood he has graduated by cutting up living animals with a pair of rusty scissors. Slim is sexually impotent, but takes a kind of fancy to Miss Blandish. Slim's mother, who is the real brains of the gang, sees in this the chance of curing Slim's impotence, and decides to keep Miss Blandish in custody till Slim shall have succeeded in raping her. After many efforts and much persuasion, including the flogging of Miss Blandish with a length of rubber hosepipe, the rape is achieved. (Ei se ihan näin mennyt, George!) Meanwhile Miss Blandish's father has hired a private detective, and by means of bribery and torture the detective and the police manage to round up and exterminate the whole gang. Slim escapes with Miss Blandish and is killed after a final juicy rape, and the detective prepares to restore Miss Blandish to her pristine shape. By this time, however, she has developed such a taste for Slim's caresses(3) that she feels unable to live without him, and she jumps, out of the window of a sky-scraper. Footnote 1945. Another reading of the final episode is possible. It may mean merely that Miss Blandish is pregnant, i.e. she is damaged goods. Maybe she is sad that the baby's dad is dead. But the "interpretation" I have given above seems more in keeping with the general brutality of the book.
ellauri236.html on line 380: Meanwhile, the police are on the trail of the kidnappers, and Dave Fenner, an ex journalist and now a private investigator, is hired to rescue her and deal with the gangsters. Fenner and the police eventually work out where the young socialist is located and go to the club, where a gun battle ensues. Slim is killed and Miss Blandish is rescued, but unfortunately, after months of fornication and drugs at the hands of the gangsters, Miss Blandish cannot cope with life without Slim (and his Ma!) and kills herself. Damaged goods.
ellauri236.html on line 482: “She is dead. I have no doubt about that. It would be an impossible thought to think of her still alive and in the hands of such men. No, she’s dead. At least I hope so. If she isn't please make it so. I don't want back any damaged goods.” “Money is no object,” Blandish said. "Money is a subject. Women are objects.“
ellauri240.html on line 117: Vang Pao, mercenary soldier, born 8 December 1929; died 6 January 2011. Vang Pao, the Laotian general who marshalled a CIA mercenary army to fight a "secret war" against communist insurgents in the remote mountains of Laos in the 1960s, has died aged 81. Although Vang Pao's supporters portrayed him as a father figure uniting all his people, the Hmong (an ethnic minority in Laos), on the side of the US against the communist world, his critics regarded him as a charismatic but ruthless opium warlord, who made arrogant and misleading claims to speak on behalf of all Hmong. Far from uniting the Hmong, they say, he divided them. Some historians argue that he allowed his "secret army" to be used as cannon-fodder, played as pawns on a CIA geopolitical chessboard.
ellauri240.html on line 209: Peyton Place is the story of a small New England town that, beneath its calm exterior, is filled with scandal and dark secrets. The novel contains sex, suicide, abortion, murder and a subsequent trial, and rape. The citizens of Gilmanton were outraged, certain that Grace Metalious was describing real people in the book and sure that she had brought shame and unwarranted notoriety to their town. After Peyton Place was published, the whole image of the small town in America was forever changed. From then on the very phrase "Peyton Place" was used to describe a town that is rife with deep secrets and rampant sex beneath the veneer of picturesque calm.
ellauri240.html on line 242: In the four-part US series by HBO, Dylan Farrow recalled the moment that Woody Allen allegedly "touched her private parts" when she was seven. Dylan, now aged 35, has previously written that Allen one day led her to an attic at their house when she was seven years old. She alleged: "He told me to lay on my stomach and play with my brother’s electric train set. Then he sexually assaulted me."
ellauri240.html on line 282: Thomas Middleton (baptised 18 April 1580 – July 1627; also spelt Midleton) was an English Jacobean playwright and poet. He, with John Fletcher and Ben Jonson, was among the most successful and prolific of playwrights at work in the Jacobean period, and among the few to gain equal success in comedy and tragedy.
ellauri240.html on line 286: Some Frank refers to Timon of Athens as "a poor relation of the major tragedies." This is the majority view, but the play has many scholarly defenders as well. Nevertheless, and perhaps unsurprisingly due to its subject matter, it has not proven to be among Shakespeare's popular works.
ellauri240.html on line 288: Mutta vittu mitä genreä se on? Kriitikot ovat ymmällään. Soellner (1979) argues that the play is equal parts tragedy and satire, but that neither term can adequately be used as an adjective, for it is first and foremost a tragedy, and it does not satirise tragedy; rather, it satirises its subjects in the manner of Juvenalian satire while simultaneously being a tragedy.
ellauri241.html on line 49: It is only after Fanny receives a valentine from Brown that Keats passionately confronts them and asks if they are lovers. Brown sent the valentine in jest, but warns Keats that Fanny is a mere flirt playing a game. Fanny is hurt by Brown's accusations and Keats' lack of faith in her; she ends their lessons and leaves. The Dilkes move to Westminster in the spring, leaving the Brawne family their half of the house and six months rent. Fanny and Keats then resume their interaction and fall deeply (ca. 6 inches) in love. The relationship comes to an abrupt end when Brown departs with Keats for his summer holiday, where Keats may earn some money. Fanny is heartbroken, though she is comforted by Keats' love letters. When the men return in the autumn, Fanny's mother voices her concern that Fanny's attachment to the poet will hinder her from being courted. Fanny and Keats secretly become engaged.
ellauri241.html on line 996: And, after lifting up her aged hands,
ellauri241.html on line 1030: Where sat Endymion and the aged priestess
ellauri241.html on line 1530: Thou shalt not go the way of aged men;
ellauri242.html on line 95: Blandt Oehlenschlägers øvrige værker kan nævnes en række kærlighedstragedier: Hakon Jarl hin Rige (1807), Axel og Valborg (1810), Hugo von Rheinberg (1813) og Hagbarth og Signe (1815). I disse bearbejder Oehlenschläger sagnmateriale i sin beskrivelse af den sande kærlighed, der på forskellig vis er under beskydning. De kvindelige heltinder er trofaste over for deres elskede, men kommer ofte i klemme i forhold til virkeligheden. Jaa-a, dä ä dä!
ellauri242.html on line 107: Axel og Valborg er en tragedie i fem akter af Adam Oehlenschläger fra 1810 (skrevet under hans ophold i Paris i 1808) med musik af Carl Braun.
ellauri242.html on line 178: Perventsevin romaanissa "Kunnia nuorelta iältä" (1948) Adzhimushkayn louhosten puolustamisen teema kosketettiin ensimmäisen kerran.. Yksi kirjan hahmoista, Arseniy Afanasiev, kertoo olleensa louhosten puolustajain jäsen. "Toukokuusta kesäkuun viidenteentoista päivään he istuivat. Viisitoista tuhatta ihmistä... He romahtivat meidät kivillä, muurittivat uloskäynnit. Kivet imettiin, vettä ei ollut... Siellä kolme lasten hautausmaata jäi louhoksiin... Ja sitten niistä päästettiin savua ja sitten kaasua... kaasua... Kolmesataa ihmistä lähti, lähti tiehensä. Viidestätoista tuhannesta kolmesataa!" Yksi ensimmäisistä joka mainitsi tämän sodanaikaisen tragedian oli Perventsev.
ellauri243.html on line 149: Battle Mountain emerged from the horrific tragedy of the American Holocaust to become the center of American air-breathing strategic combat operations. All of America's surviving heavy bombers, intelligence-gathering planes, and airborne command posts wre relocated to Battle Mountain, and a fleet of long-range unmanned combat aircraft began to grow there. The base even a staging area for America's fleet of manned and unmanned spaceplanes-aircraft that could take off became and land like conventional aircraft but boost themselves into low Earth orbit.
ellauri243.html on line 246: Dragon. Two months later, they moved in together, then got engaged two
ellauri243.html on line 554: Bob´s book is about Perpetual Potential. Inside these pages, you will discover three invaluable lessons that will propel you closer to your true potential. The lessons will serve you well on either of two different, but parallel roads you may travel: The roads towards triumph or tragedy, as well as the roads in between. In 2003 the author, Bob Stearns was on top of the world. He led his company to win the most prestigious business award in the country, the Malcolm Baldrige award. Just five short years later, tragedy struck. Bob´s oldest son Eric was killed while on a study trip abroad in Athens, Greece. Eric was 21 years old at the time and was a junior at Penn State University. Although Eric lost his precious life in Greece, he found something sprawled under the pillars of the Acropolis that many people search for their entire lifetimes. He found inner peace in the knowledge that he could truly be anything he wanted to be, he could do anything he wanted to with his life. In his book "Perhaps a Man Can Change the Stars - Eric's Pursuit of Perpetual Potential", Bob shares with you three life lessons that allowed Eric to understand his true potential. Those same lessons helped Bob and his family deal with Eric´s death. The same lessons had enabled Bob to lead his company to triumph five years earlier. A key take away from the book is that no matter what stage of life you find yourself, you have the potential to explore. You have the potential to utilize and grow the talents and aspirations that you currently have. You have the potential to rekindle old talents that lie dormant, and to allow new talents to blossom. This is true regardless of age, circumstances, and what other people may be telling us. So read, explore and think deeply about how you can apply the three lessons that Bob learned from Eric. Decide for yourself how you can best use them. Indeed, our Potential is Perpetual!
ellauri243.html on line 613: In 1951 he went into business forming an advertising agency, David J. Mahoney, Inc. The company managed advertising for eight companies, including Exzema, White Rock and Good Humor. Mahoney sold his agency in 1956 and became President of Good Humor, and became President of Canada Dry in 1966.
ellauri243.html on line 758: Hänen ensimmäinen näytelmänsä The Tragedy of Sophonisba (1729) tunnetaan nykyisin lähinnä siitä, että se mainitaan Samuel Johnsonin teoksessa Lives of the English Poets, jossa Johnson kertoo, että teatterin koiranleuat parodioivat sen yhtä riviä "O, Sophonisba, Sophonisba, O!" lausumalla "O, Jemmy Thomson, Jemmy Thomson, O!".
ellauri244.html on line 427: Hayley Faye is a brilliant author with more than two dozen releases including 17 full books spanning multiple hit series along with stand alone stories! She proudly boasts a Goodreads author rating of 4.5/5 averaged from over 130 unique ratings! Follow On Twitter Love FayeWorlds? Tell your friends! AUTHOR BIO
ellauri246.html on line 349: Tragedian tila - niin hän havaitsi maailmaa. Näyttää siltä, että se on sieltä kotoisin, ensimmäisen vuoden elämästä. Hän tuskin muisti heitä, mutta ensimmäisen kuukauden väestösuojissa, jonka hän vietti Maria Moisevnan, hänen äitinsä kaa, piiritetyssä kaupungissa. Onneksi oli suuria vaikeuksia, he onnistuivat evakuoimaan. Cherepovovetista tuli tilapäinen asuinpaikka. Ehkä se voidaan pitää kohtalon pilkkana, että äiti, joka tiesi saksan kielen, alkoi työskennellä kääntäjänä leirissä epäonnistuneiden saxalaisten rajamatkustajien kanssa. Hän oli siellä useita kertoja hänen kanssaan. Hän muisti, kuinka vanha mies ja sadetakki siirrettiin veneeseen. Tämä kuva löytyy myös Brodskin myöhäisistä teoksista.
ellauri246.html on line 406: "Elexial Despoirin aihe rikkoi nuoren Brodskin runouden", kirjoittaa Viktor Erofeev ", erottelun, erottelun ja tappioiden aiheen matkan varrella." Tässä runossa oli konkreettinen ajattomattomuus, laajennus, hänessä ei ollut historiallista optimismia kuusikymmentäluvun työhön. Päinvastoin, se on hyvin pessimistinen, dramaattinen ja tragedia muistiinpanoja, joskus pehmennetty ironia. Mutta tämä tragedia ei ole avoimesti, ei pakotettu, vaan ikään kuin alateollisuuden ulkopuolella, ikään kuin tekijä lisäksi ei ole taipuvainen osoittamaan hengellisiä haavojaan, vaan hillizee izensä hyvin runollisten tunteiden ilmaisemiseen ja mieluummin sävy sävyyn.
ellauri246.html on line 422: Joskus Brodsky tarkastelee itseään erittäin korkealla ja erittäin kaukaisella näkökulmalla, esimerkiksi enkelin silmät ("keskustelu ..."). Tämä on täydellinen, erittäin objektiivinen näkökulma. Brodskin itsensä määritelmä ei riitä. Hän asettaa kuoleman ilmiön keskenään ja elämään. Rajojen tragedia on Brodskin käsitystä, joka ylittää kaikki hänen draaman. Jos haluat löytää aukon rakkaastasi, joka jakaa sulle kotona ja auttaa tietoisuutta, kaikki odottavat erottamista maailmasta. Suurempi kauhu päällekkäin ja vähemmän juna-asennossa, joka jossain määrin neutraloi sen ja auttaa kestämään sitä. Kuolema olennaisena osana, jolla on merkittävä paikka Brodskin teoksissa. Työn varhaisessa vaiheessa on ominaista epiteeli "musta". Brodsky antaa kuoleman proosan ulkonäöltään. Itse aika, Brodsky, joka on luotu kuolemalla. "Henkilö on itsensä loppu ja menee pois." Rajojen prisman kautta kuolleisuus arvioi runoilijan ja Brodsky, jossa kuoleman osuus esitellään, jää riman alle. Runko korostaa, että sielu, joka on uupunut kokemuksilla, on kuin langat. Elämän käsitys liikkeeksi kuolemaan asettavat melankolian. Brodskin sävyisä runo on eräistä irrottamista päivittäin. Brodsky pyrkii katsomaan reunaa ja olettaa, että se odottaa meitä kuoleman jälkeen. Aluksi runoilija mahdollistaa mahdollisuuden elää arkussa. "Letter pullossa" (1965): "Kun on vaatimaton alus ... Menen hienosti ehkä." Hänellä on puhtaasti symbolistiset ajatukset elämästä unelmana unessa ja kuolema - ylösnousemuksena toisen valtakunnassa. Vähitellen BrodSky alkaa paljastaa järkeistisen ymmärryksen ja tulkinnan tunnettuja uskonnollisia ja filosofisia käsitteitä. Eli sieltä ne tulee kaikki taantumuxen ainexet kun juutalaista vähän raaputtaa.
ellauri246.html on line 497: Brodskia johtaa ironinen filosofiointi, jossa pyydetään osumaan ystävään, jolle se on osoitettu Martzialan kasvoilta. Tuntuu, että hän ei ole kovin huolissasan siitä, mitä pääkaupungissa tapahtuu, koska hän tietää, mitä Tyras ja heidän ultra-vanhat palvelijat ovat. Itse asiassa runon sankaria huolestuttaa kysymykset kuoleman kynnyksestä. Aluksi nämä perustelut syntyivät tarinaan hautausmaa vierailusta. Sankari yrittää kuvitella, mikä on maailmassa, kun hän kuolee? Kaikki pysyy paikoillaan, vuoristossa, meressä ja puissa ja jopa kirjan välissä. Brodsky paljastaa ihmisen olemassaolon tragedian: väestön kasvun riippumatta siitä, missä henkilö asuu ja kuka hän on. Tunne kaikenlaisesta solidaarisuudesta, joka perustuu yhteiseen tragedian tietoiseen tietoisuuteen, jonka mukaan ihmisen on määrä runoilijana edistää edistymistä maan päällä. Tällä välin tällaista yhtenäisyyttä ei tapahtunut, vaan runoilija opettaa, miten elää olosuhteissa ei-vapaa.
ellauri246.html on line 506: Kirjoittajalle Brodskin mukaan vain yksi isänmaallisuus on mahdollista - sen suhde kieleen. Huono kirjallisuuden luoja tässä mielessä on petturi, ja todellinen runoilija on isänmaallinen. Brodskin artikkelin täydentää lausuntoa, joka muuttaa yhden paikan toiselle, henkilö muuttaa yhdentyyppisen tragedian toiseen.
ellauri246.html on line 535: Vuosien mittaan Brodsky on selvästi tietoinen siitä, että hän omistaa itse asiassa sosiaalista ja historiallista merkitystä. "Lajiemme historiassa kirja - antropologinen ilmiö ... Kirja on keino liikuttaa kokemustilaa, kun sivut käännetään. Siirrä se tulee ... Lento yleisestä nimittäjältä ... henkilön suuntaan, erityisen suuntaan. " Tästä syystä Brodskin asenne kirjallisuudelle eze on lajillemme korkein tavoite, sillä se saisi aikaan henkilökunnan muutosta julkisesta eläimestä henkilökohtaisexi. Ja kasvottoman massan hallitsijana kirjoittaja kontrastoi vapaiden yksilöiden "apoteumista", ihmisen tyhmillistymistä täydellisyydestä. Suurella voimalla ekspressoidaan, suurella voimalla, ihmisen tragedia. Kulttuurin ja taiteen rooli paljastuu itsenäisen kehityksen, itsekäyttämisen, itsensä kehittämisen kannustamiseksi. Aika omaperäistä.
ellauri246.html on line 794: Tällä hetkellä, kun Brodsski pidätti hänelle todellisen tragedian, oli naisen tappio, jonka hän piti vaimonsa ja kaikki muu on vain järjetön olosuhteet, jotka aiheuttavat tätä tragediaa. Ja tämän ajanjakson talvi hänelle kulki rakkauden törmäyksestä eikä hallinnon torjuntaa. Tuolloin hän jatkoi työskennellä "Happy Winterin laulujen lyyrisellä syklillä". Nimi ei ollut ironista - sykli on täynnä rakkauden onnellisen jakson muistoja, talvi 1962/63:
ellauri246.html on line 945: Yksikään edellä mainituista runoilijoista, jotka on listattu hänen suosikki runoilijoissa, aiheutti murtumia runoissaan. Hän osoittautui aikaisin mieluiten valmiiksi runoilijan parannuksiin. Brodskin runollinen järjestelmä, joka puhuu nykyaikaisen analyysin kielellä, tämä on avoin järjestelmä, joka vaikuttaa itsestään hyvin hyödyksi. Readerilla ei ole vimmun runoilijan hyvin rauhallista upottamista vaan melko vaikeaa testiä. Vuosien varrella Joseph on yhä halukas kääntämään runollinen resurssi, päätelmät ja tekniikat naapurimaailmasta, houkuttelee metafyysisen filosofian, teologian, erilaisia taiteita ja tiedettä, ei laiminlyödä ironiaa, sukupuolena ja politiikassa. Universumin tragediamalli, joka mieluummin I. Brodsky Comedy, ei myöskään lieventää lukijan käsityspääsyä. Hän todella pakkaa kieltä mahdollisimman paljon. Tai kielen uuvuttava? Tämä seikka edellyttää lukijoiden leksikaalista valmistelua.
ellauri247.html on line 97: Every excuse she could think of, to save herself, she made. But her excuses were in vain, and Narahdarn only became furious with her for making them, and, brandishing his boondi, drove her up the tree. She managed to get her arm in beside her sister's, but there it stuck and she could not move it. Narahdarn, who was watching her, saw what had happened and followed her up the tree. Finding he could not pull her arm out, in spite of her cries, he chopped it off, as he had done her sister's. After one shriek, as he drove his combo through her arm, she was silent. He said, "Come down, and I will chop out the bees' nest." But she did not answer him, and he saw that she too was dead. Then he was frightened, and climbed quickly down the gunnyanny tree; taking her body to the ground with him, he laid it beside her sister's, and quickly he hurried from the spot, taking no further thought of the honey. What a piece of shit.
ellauri247.html on line 114: GLOSSARY Bahloo, moon. Beeargah, hawk. Beeleer, black cockatoo. Beereeun, prickly lizard. Bibbee, woodpecker, bird. Bibbil, shiny-leaved box-tree. Bilber, a large kind of rat. Bindeah, a prickle or small thorn. Birrahlee, baby. Birrableegul, children. Birrahgnooloo, woman's name, meaning "face like a tomahawk handle." Boobootella, the big bunch of feathers at the back of an emu. Boolooral, an owl. Boomerang, a curved weapon used in hunting and in warfare by the blacks; called Burren by the Narran blacks. Borah, a large gathering of blacks where the boys are initiated into the mysteries which make them young men. Bou-gou-doo-gahdah, the rain bird. Bouyou, legs. Bowrah or Bohrah, kangaroo. Bralgahs, native companion, bird. Bubberah, boomerang that returns and bumps you in the back of your head. Buckandee, native cat. Buggoo, flying squirrel. Bulgahnunnoo, bark-backed. Bunbundoolooey, brown flock pigeon. Bunnyyarl, flies. Byamee, man's name, meaning "big man." Bwana, African sir. Capparis, caper. Combi, bag made of kangaroo skins. Comfy, foldable plastic pillow. Cookooburrah, laughing jackass. Coorigil, name of place, meaning sign of bees. Corrobboree, black fellows' dance. Cunnembeillee, woman's name, meaning pig-weed root. Curree guin guin, butcher-bird. Daen, black fellows. Dardurr, bark, humpy or shed. Dayah minyah, carpet snake (vällykäärme). Deegeenboyah, soldier-bird. Decreeree, willy wagtail. Dinewan, emu. Dingo, native dog. Doonburr, a grass seed. Doongara, lightning. Dummerh, 2nd rate pigeons. Dungle, water hole. Dunnia, wattle. Eär moonan, long sharp teeth. Effendi, Turkish sir. Euloo marah, large tree grubs. Edible. In fact yummy. Euloo wirree, rainbow. Gayandy, borah devil. Galah or Gilah, a French grey and rose-coloured cockatoo. Gidgereegah, a species of small parrot. Gooeea, warriors. Googarh, iguana. Googoolguyyah, run into trees. Googoorewon, place of trees. Goolahwilleel, absolutely top-knot pigeon. Gooloo, magpie. Goomade, red stamp. Goomai, water rat. Goomblegubbon, bastard or just plain turkey. Goomillah, young girl's dress, consisting of waist strings made of opossum's sinews with strands of woven opossum's hair hanging about a foot square in front. Yummy. Goonur, kangaroo rat. Goug gour gahgah, laughing-jackass. Literal meaning, "Take a stick of bamboo and boil it in the water." Grooee, handsome foliaged tree bearing a plum-like fruit, tart and bitter, but much liked by the blacks. Guinary, light eagle hawk. Guineboo, robin redbreast. Gurraymy, borah devil. Gwai, red. Gwaibillah, star. Kurreah, an alligator. Mahthi, dog. Maimah, stones. Maira, paddy melon. Massa, American sir. May or Mayr, wind. Mayrah, spring wind. Meainei, girls. Midjee, a species of acacia. Millair, species of kangaroo rat. Moodai, opossum. Moogaray, hailstones. Mooninguggahgul, mosquito-calling bird. Moonoon, emu spear. Mooregoo, motoke. Mooroonumildah, having no eyes. Morilla or Moorillah, pebbly ridges. Mubboo, beefwood-tree. Mullyan, eagle hawk. Mullyangah, the morning star. Murgah muggui, big grey spider. Murrawondah, climbing rat. Narahdarn, bat. Noongahburrah, tribe of blacks on the Narran. Nullah nullah, a club or heavy-headed weapon. Nurroo gay gay, dreadful pain. Nyunnoo or Nunnoo, a grass humpy. Ooboon, blue-tongued lizard. Oolah, red prickly lizard. Oongnairwah, black driver. Ouyan, curlew. Piggiebillah, ant-eater. One of the Echidna, a marsupial. Quarrian, a kind of parrot. Quatha, quandong; a red fruit like a round red plum. Sahib, Indian sir. Senhor, Brazilian sir. U e hu, rain, only so called in song. Waligoo, to hide. Wahroogah, children. Wahn, crow. Walla Walla, place of many waters. Wallah, I swear to God. Wallah, Indian that carries out a manual task. Waywah, worn by men, consisting of a waistband made of opossum's sinews with bunches of strips of paddy melon skins hanging from it. Wayambeh, turtle. Weeoombeen, a small bird, girl's name. Some thing like robin redbreast, only with longer tail and not so red a breast. Willgoo willgoo, pointed stick with feathers on top. Widya nurrah, a wooden battle-axe shaped weapon. Wirree, small piece of bark, canoe-shaped. Wirreenun, priest or doctor. Womba, mad. Wondah, spirit or ghost. Wurranunnah, wild bees. Wurranunnah, tame bees. Wurrawilberoo, whirlwind with a devil in it; also clouds of Magellan. Yaraan, white gum-tree. Yhi, the sun. Yuckay, oh dear!
ellauri247.html on line 129: Cape Tribulation was named by British navigator Lieutenant James Cook on 10 June 1770 (log date) after his ship scraped a reef north east of the cape, whilst passing over it, at 6pm. Cook steered away from the coast into deeper water but at 10.30pm the ship ran aground, on what is now named Endeavour Reef. The ship stuck fast and was badly damaged, desperate measures being needed to prevent it foundering until it was refloated the next day. Cook recorded "...the north point [was named] Cape Tribulation because "here begun all our troubles".
ellauri247.html on line 179: The increasingly radical nature of her work and her scandalous marriage on 14 November 1778 to William Graham (she was 47, he was 21) damaged her reputation in Britain, where she lived in Bath, and, later, in Binfield, Berkshire. William was the younger brother of the sexologist James Graham, inventor of the Celestial Bed.
ellauri247.html on line 299: "If there were five hundred dishes at table, a Frenchman will eat of all of them, and then complain he has no appetite—this I have several times remarked. A friend of mine gained a considerable wager upon an experiment of this kind; the petit-maitre ate of fourteen different plates, besides the dessert, then disparaged the cook, declaring he was no better than a marmiton, or turnspit."
ellauri247.html on line 304: Walpole's dictum: Life is a comedy to those who think, a tragedy for those who feel.
ellauri247.html on line 331: Johnson remained with his close friend Harry Porter during a terminal illness, which ended in Porter's death on 3 September 1734. Porter's wife Elizabeth (née Jervis) (otherwise known as "Tetty") was now a widow at the age of 45, with three children. Some months later, Johnson began to court her. William Shaw, a friend and biographer of Johnson, claims that "the first advances probably proceeded from her, as her attachment to Johnson was in opposition to the advice and desire of all her relations," Johnson was inexperienced in such relationships, but the well-to-do widow encouraged him and promised to provide for him with her substantial savings.
ellauri247.html on line 337: With the widow's money, Johnson opened Edial Hall School as a private academy at Edial, near Lichfield. He had only three pupils: Lawrence Offley, George Garrick, and the 18-year-old David Garrick, who later became one of the most famous actors of his day. The venture was unsuccessful and cost Tetty a substantial portion of her fortune. Instead of trying to keep the failing school going, Johnson began to write his first major work, the historical tragedy Irene. Biographer Robert DeMaria believed that Tourette syndrome likely made public occupations like schoolmaster or tutor almost impossible for Johnson. This may have led Johnson to "the invisible occupation of authorship".
ellauri248.html on line 349: Today there is about 10,059,290 acres (15,700 sq miles) of individually owned lands are still held in trust for Native American allotees and their heirs. There are about four million fractional owner interests in this 10 million acres. Each generation the individual share gets less. One part of the Act was the establishment of a trust fund, administered by the Bureau of Indian Affairs, to collect and distribute revenues from oil, mineral, timber, and grazing leases on Native American lands. The BIA´s grossly mismanaged these funds. They were never collected or lost or stolen. This negligence in the management of the trust fund resulted in a number of lawsuits. The most well known is Cobell v. Salazar which led to a $3.4 billion settlement in 2009. The suit has forced proper accounting of revenues for the future but the settlement gave the litigants cents on the dollar.
ellauri249.html on line 94: The international community imposed numerous sanctions and embargoes against the Soviet Union, and the U.S. led a boycott of the 1980 Summer Olympics held in Moscow. The boycott and sanctions exacerbated Cold War tensions and enraged the Soviet government, which later led a revenge boycott of the 1984 Olympics held in Los Angeles.
ellauri249.html on line 259: Hruštšov näyttää uskoneen vilpittömästi voineensa auttaa ukrainalaisia ja olleensa heidän suosikkinsa. Hänen toimintansa oli kuitenkin sekoitus tragediaa ja farssia; hän vastusti ja hidasti Stalinin määräyksiä, mutta kävi julmaa sotaa Ukrainan kansallismielisiä sissejä (ketäs nämä olivat?) vastaan. Hän auttoi kaikella tarmollaan jälleenrakentamaan taloutta, jonka tehottomuus aiheutti uuden nälänhädän.
ellauri249.html on line 299: Unkarissa asiat etenivät kohti tragediaa. Hruštšovin olisi pitänyt ymmärtää, että uudessa tilanteessa Imre Nagy olisi ollut sopivin johtamaan maata. (Mixi?) Aamulla 24. lokakuuta 1956 neuvostopanssarit vyöryivät Budapestiin tukahduttamaan kansannousua. Kapinointi jatkui ja 30. lokakuuta satoja unkarilaisia ja neuvostosotilaita oli surmattu. Žukov oli valmis vetämään joukot pois koko Unkarista ja Mikojan totesi, että suurempi puuttuminen asioihin pilaisi Neuvostoliiton maineen. Julkilausumassaan neuvostohallitus totesi tehneensä virheitä ja arvostavansa sosialistimaiden itsemääräämisoikeutta. Muutamaa päivää aikaisemmin lausunto olisi rauhoittanut tilanteen. Marraskuun alkupäivinä Hruštšov oli määrännyt neuvostoarmeijan tukahduttamaan kansannousun konsultoituaan ensin Romaniaa, Bulgariaa ja Jugoslaviaa. Kansannousun tukahduttamisessa kuoli 1 500 neuvostosotilasta ja 20 000 unkarilaista. Kyllä piisas noita nazeja.
ellauri249.html on line 472: Its origin is set down in Pliny the Elder's Naturalis Historia where he records that a shoemaker (sutor) had approached the painter Apelles of Kos to point out a defect in the artist's rendition of a sandal (crepida from Greek krepis), which Apelles duly corrected. Encouraged by this, the shoemaker then began to enlarge on other defects he considered present in the painting, at which point Apelles advised him that ne supra crepidam sutor iudicaret ('a shoemaker should not judge beyond the shoe'), which advice, Pliny observed, had become a proverbial saying. The Renaissance interest in meddling cluelessly into other people's affairs made the expression popular again.
ellauri254.html on line 387: Alexander Blok was a routine visitor. These years were some of the young Blok’s most prolific, marked by bursts of creative energy as he worked on two lyrical dramas – Balaganchik (‘The Puppet Show‘), featuring the ‘grotesquely luckless’ Pierrot, which was staged in 1906 by Vsevolod Meyerhold at the Komissarzhevskaya Theatre; and The Stranger – and the poetry cycle The Snow Mask, which he completed in little over a week at the beginning of 1907. The actress Valentina Verigina often accompanied Blok, and recounted of these visits to and from Sologub’s apartment:
ellauri254.html on line 393: In August 1910, Sologub and his wife moved to a larger apartment, at Razyezzhaya ulitsa in the centre of Petersburg. The short and brisk sentences of Anastasia Chebotarevskaya’s writing have been viewed as a potential influence on Sologub’s own work; and she encouraged his acquaintance with the young writers of Russian Futurism, a distinctive literary movement which was then just beginning to flower. Yet the influence of Anastasia on her husband has not been unanimously well received. The humourist Teffi – who was one of the group who frequented the ‘Sundays’ gatherings at Sologub’s Vasilievsky Island home – wrote that Sologub’s marriage:
ellauri254.html on line 816: Kaverin managed to republish Lunz's last play, Gorod Pravdy [The City of Truth], in a theatrical journal in 1989, one year after he had helped to effect the first publication in the Soviet Union of Yevgeny Zamyatin's anti-utopian novel, My [We, 1920]. The censorship board was beginning to crack, but still the Lunz collection was delayed beyond the life of the last Serapion (Kaverin) and the end of the Soviet system. Koska matka oli hauska niin, ottivat he mukaan vielä yhden kaverin.
ellauri254.html on line 1025: Gorki ja muutkin bolshevikit olivat siinä suhteessa amerikkalaisten veroisia pyrkyreitä että niistä tiede ja edistys ja eteenpäinmeno oli hienoa. Ne oli ihan samanlaisia gumanisteja tässä suhteessa. Käännetään joet ja annetaan Araljärven kuivua. Kaivetaan maasta kaasua ja sulatetaan ikirouta. Kilpajuoxua amerikkalaisten kanssa kohti harmageddonia, aivan hullua. Apinan elämä on toiveiden ja iljettävyyxien kaxinkamppailua. Kynäilijän tehtävä on kaivaa kunnes se löytää oman nenänsä olemuxen, pohjimmaisen apinannenän.
ellauri256.html on line 391: Mayakovsky produced a large and diverse body of work during the course of his career: he wrote poems, wrote and directed plays, appeared in films, edited the art journal LEF, and produced agitprop posters in support of the Communist Party during the Russian Civil War of 1917–1922. Though Mayakovsky's work regularly demonstrated ideological and patriotic support for the ideology of the Bolsheviks and a strong admiration of Vladimir Lenin, his relationship with the Soviet state was always complex and often tumultuous. Mayakovsky often found himself engaged in confrontation with the increasing involvement of the Soviet state in cultural censorship and the development of the State doctrine of Socialist realism. Works that criticized or satirized aspects of the Soviet system, such as the poem "Talking With the Taxman About Poetry" (1926), and the plays The Bedbug (1929) and The Bathhouse (1929), met with scorn from the Soviet state and literary establishment. Majakovskin lehdykkä Lef teki pilkkaa serapioniveljistä. Ei ois kannattanut. Fedin pani sen hampaankoloon ja Zishtshov närkästyi.
ellauri257.html on line 520: What kind of inner, private life did Alma have? Did she tire of years of cooking, cleaning, ironing and sewing for Singer? Was it difficult to be the wife of a public person? How did she cope with his escapades? About these the manuscript remains silent. After all, Alma belonged to a social class where women weren’t encouraged to explore such details. In an interview, she does represent the younger Singer as easy-going and says how much he changed over time. But she ascribes those changes to how much people wanted from him and not the other way around.
ellauri262.html on line 435: Fleming died on 9 June 1950, at Sunnyside Cottage (now 24 Newland Street), Witham, Essex, after a decade of severe illnesses. Sayers died suddenly of a coronary thrombosis on 17 December 1957 at the same little flat, aged 64. Sayers was a friend of C. S. Lewis and several of the other Inklings. On some occasions Sayers joined Lewis at meetings of the Socratic Club. Lewis said he read The Man Born to Be King every Easter, but he said he was unable to appreciate detective stories. J. R. R. Tolkien read some of the Wimsey novels but scorned the later ones, such as Gaudy Night. Se oli varmaan liian nenäkäs.
ellauri262.html on line 456: Consequently, a member of the human species may not necessarily fit the definition of "person" and thereby not receive all the rights bestowed to a person. Hence, such philosophers have engaged in arguing that certain disabled individuals (such as those with a mental capacity that is similar to or is perceived as being similar to an infant) are not persons. This philosophy is also supposedly open to the idea that such non-human persons as machines, animals, and extraterrestrial intelligences may be entitled to certain rights currently granted only to humans. The basic criteria for the entitlement of rights, are the intellect (thinking ability, problem solving in real life circumstances and not mere calculation), and sometimes empathy (but not necessarily, because not all humans are empathetic; but indifference in the pain of others and crime are certainly criteria for the deprivation of rights. Genuine empathy is not required to achieve acceptable behavior, but a digital limbic system and a dopaminergic pathways alternative, would deliver a more acceptable result for future MPs judging on rights expansion.). Personism may have views in common with transhumanism.
ellauri263.html on line 314: Over time, Tisha B'Av has come to be a Jewish day of mourning, not only for these events, but also for later tragedies which occurred on or near the 9th of Av. References to some of these events appear in liturgy composed for Tisha B'Av (see below).
ellauri263.html on line 617: The book is a comedy about the birth of the son of Satan and the coming of the End Times. There are attempts by the angel Aziraphale and the demon Crowley to sabotage the coming of the end times, having grown accustomed to their comfortable surroundings in England. One subplot features a mixup at the small country hospital on the day of birth and the growth of the Antichrist, Adam, who grows up with the wrong family, in the wrong country village. Another subplot concerns the summoning of the Four Horsemen of the Apocalypse, each a big personality in their own right. With Armageddon averted, Crowley and Aziraphale muse that this was God's plan all along and speculate that the real apocalyptic conflict will be between humanity and the combined forces of Heaven and Hell. In 2003, the novel was listed at number 68 on the BBC's survey The Big Read.
ellauri264.html on line 122: Gionet attempted to promote his rap career by producing several professionally-made videos, which failed to become viral. From 2015 to 2016, Gionet worked for BuzzFeed as a social media strategist, and later commentator. He first managed BuzzFeed's Vine account, then took over one of its Twitter accounts. Pidin Timin laulusta jossa se haukkui somealustoja. Olin kaikesta sen kanssa samaa mieltä. He commented in 2017, "BuzzFeed turned me into a monster". In May 2016, Gionet was introduced to then-candidate Donald Trump, and Trump signed Gionet's arm next to where he had Trump's face tattooed.
ellauri264.html on line 691: So this is what´s common between Graham Bell, Bill Gates, Steve Jobs , Mark Zuckerberg and Ray Kroc: All of them have managed to steal something very valuable from somebody and make it work for them. Steve Jobs brought the idea of mouse from Xerox and Bill Gates copied the entire idea from Steve Jobs Mark Zuckerberg stole the idea from Winklewoss brothers and published as his own.
ellauri266.html on line 170: Priamoksen ja Hekaben nuorin poika, Polydoros lähetettiin kuningas Polymestorin luokse kulta ja jalokivilahjoin, jotta tämä suojelisi Hekaben lapsia Troijan sodan aikana. Kun Troija kukistui, Polymestor heitti Polydoroksen kuolemaan ja otti aarteet. Hekabe kosti lopulta poikansa kuoleman panemalla Polymestorin blenderiin. Tästä kertoo erityisesti Euripideen tragedia Hekabe.
ellauri267.html on line 97: Based on the novel by Walter Wager, "Telefon" has not aged well because it'(TM)s so dependent on the cold war tension that existed between the USSR and the US in the Seventies. The film is basically a cat-and-mouse game with Soviet agent Major Grigori Borzov (Charles Bronson, that's right Bronson is a commie) tracking rogue Russian scientist Nicolai Dalmchimsky (Donald Pleasence) across America to prevent him from activating sleeper agents. Borzov is assisted by Barbara (Lee Remick. fresh from "The Omen") who asks more annoying questions than necessary, leading the audience to believe she may not be completely true to the motherland. The film's middle section is dragged down by repetitive bomb scares. Dalmichimsky is working from outdated intelligence so his targets are all de-classified U.S. Military installations. Once Borzov realizes the pattern and hones in the next target the action shifts to a more linear chase that'(TM)s further heightened by Barbara'(TM)s loyalties. But the ultimate showdown is deflating because beyond some silly disguises Pleasence's Dalmichimsky is never built up to be a threat. Director Don Siegel uses his flair for montage to craft a his action sequences without dialogue. "Telefon" is a road movie, much like Alfred Hitchcock's "Saboteur" and "North by Northwest" had their leads criss-crossing America here we see plenty of seventies architecture including San Francisco's Hyatt Regency Hotel (used in "The Towering Inferno") and a modernist house resting on top of a barren rock outcropping. The supporting cast is uniformly good (but trapped in underwritten roles), and it'(TM)s nice to see veteran character actors Alan Badel and Patrick Magee playing snotty KGB strategists, and Tyne Daly in a small (and ultimately irrelevant role) as a computer geek. Trivia note: The poem that activates the Russian sleeper agents was used by Quentin Tarantino in "Death Proof" as the lines Jungle Julia has her listeners recite to Butterfly. The lines are an excerpt of the poem "Stopping by Woods on a Snowy Evening" by Robert Frost. "The woods are lovely, dark and deep. But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep."
ellauri267.html on line 241: Tämä on apinakunnan posliinipäivä, luin ensin tihrusilmilläni. Ei vaan porsliinipäistä oli puhe, kaoliinista valmistetuista superapinoista. Drydenistä on pitkät paasauxet albumissa 109. Kuivan miesluolan mahtavin tragedia Don Sebastian löytyi Gutembergista, Googlen kääntämänä se menee näin.
ellauri267.html on line 274: Yli kaksisataa riviä on leikattu pois tästä tragediasta sen jälkeen, kun se toimitettiin näyttelijöille, erityisesti matkapuhelimen ostaminen neljännen näytöksen alussa. Mutta julkisen viihteen teatterissa ja yksityisen kaapissa lukemisen välillä on suuri ero.
ellauri267.html on line 278: Olen huomannut, että englantilaiset eivät kestä perusteellista tragediaa; mutta iloitsevat siitä, että sitä kevennetään iloisilla alapäillä:
ellauri267.html on line 1345: Suurherttuattaresta on julkaistu vähän kirjoja. Tämä venäläistä, englantilaista ja saksalaista perintöä edustava kirjailija vietti jonkin aikaa Venäjällä ennen ensimmäistä maailmansotaa, ja hänellä oli sukulaisia ja ystäviä, jotka tunsivat suurherttuattaren henkilökohtaisesti. Tämä kirja on elämäkerta, mutta se on muistelman tyylinen ja sisältää monia ensikäden tarinoita. Suurherttuattaren elämä on täynnä onnea, toivoa ja tragediaa, ja nämä henkilökohtaiset tarinat syventävät tarinaa.
ellauri269.html on line 528: Just as Judaism (besides the incredibly tiny Karaite sect) is Rabbinic in nature (teachers of the scripture interpret matters, debate is common and encouraged), Draenei worship of the Light is heavily based on discussion and interpretation, and different Exarchs will interpret the word of a Naaru in a certain manner. Dogmatism is heavily discouraged, and worshippers are encouraged to find their own truths in the scripture (this is specifically non-Orthodox, but Draenei don’t seem Orthodox to me).
ellauri270.html on line 345: Mrs. Dunbar is the only woman to draw in the lottery, and the discussion of her role in the ritual proceedings emphasizes the theme of family structure and gender roles. Women are considered so inferior that even a teenaged son would replace a mother as the “head of household.” Wow this is going back to last century, or to Afghanistan! The formality surrounding these proceedings shows Mrs. Dunbar’s involvement to be an anomaly for the village.
ellauri272.html on line 83: A second study in 2014 was conducted to examine the health of women who had read the series, compared with a control group that had never read any part of the novels. The results showed a correlation between having read at least the first book and exhibiting signs of an eating disorder, having romantic partners that were emotionally abusive and/or engaged in stalking behavior, engaging in binge drinking in the last month, and having 5 or more sexual partners under age 14. The authors could not conclude whether women already experiencing these "problems" were drawn to the series, or if the series influenced these behaviors to occur after reading.
ellauri272.html on line 262: I Know Why the Caged Bird Sings by Maya Angelou
ellauri274.html on line 175:
ellauri276.html on line 921: Charles Wharton Stork [1881-1971] syntyi Philadelphiassa, Pa., 12. helmikuuta 1881. Suoritti AB-tutkinnon Haverford Collegessa 1902; AM Harvardissa, 1903, ja Ph.D. Pennsylvanian yliopistossa erään Schellingin neuvosta 1905. "Kaikki on himon menettämä (Lust on menettänyt kaiken), William Rowleyn tragedia, 1633" All´s Lost by Lust on William Rowleyn jakobinen tragedia, takakannen mukaan "Herkittävän rehellisen ja tehokkaan tragedia", "raaka ja raju", se kirjoitettiin vuosina 1618-1620.
ellauri276.html on line 923: Kuten monet englantilaiset renessanssinäytelmät, Rowleyn tragedia mukautettiin myöhempiä tuotantoja varten. Yksi "W.C." oli vastuussa versiosta nimeltä The Rape Reveng´d tai Espanjan vallankumous vuonna 1690. Vuonna 1705 tehty sovitus nimeltä The Conquest of Spain on Mary Pixin ansiota. Sen jälkeen teos on menettänyt suosion, eikä sitä ole herätetty henkiin.
ellauri277.html on line 43: After the fire, Zachary Taylor Kivett came to visit and found Campbell "in bed discouraged to the limit." Kivett said, "Why are you in bed? You're a Campbell. Get a hump on you."
ellauri277.html on line 229: In November 1902 Gibran wrote to Peabody, and she invited him to a party held at her house two weeks later. An intense platonic relationship resulted, though Gibran seems to have wanted it to progress to a sexual one. He visited her regularly; they went to musical and artistic events together; they wrote to each other often; and she encouraged his writing and his art. She gave him the nickname that he later used as the title of his most famous book: “the Prophet.” In October 1903 Gibran wrote something in a letter to Peabody that angered her, and their relationship cooled.
ellauri278.html on line 380: Kuten vuonna 2012 salatut asiakirjat osoittavat, Valkoinen talo oli alusta alkaen varma Neuvostoliiton syyllisyydestä Katynin tragediaan, mutta ei tehnyt mitään poliittisista syistä.
ellauri278.html on line 384: Gorbazovin porukat myönsivät viime tingassa ennen Neuvostolan purkua että "paljastuneiden arkistomateriaalien kokonaisuutena voidaan päätellä, että Beria, Merkulov ja heidän kätyrinsä olivat henk.koht. vastuussa Katynin metsän julmuuksista. Neuvostopuoli, joka ilmaisee syvän pahoittelunsa Katynin tragediasta, julistaa, että se edustaa yhtä stalinismin vakavista rikoksista."
ellauri279.html on line 384: Kommunistisen puolueen johtaja Gennadi Zjuganov totesi, "että hän [Solzhenitsyn] oli neuvostoaikaa arvioidessaan äärimmäisen suuntaa antava ja yksipuolinen. Luonnollisesti hänen henkilökohtainen tragediansa kerrostunut näihin arvioihin. Mutta koko kansan elämään ja tekoihin, koko suuren maan luovaan potentiaaliin, et voi siirtää henkilökohtaisia ongelmiasi ja vaikeuksiasi".
ellauri281.html on line 379: Kuten vuonna 2012 salatut asiakirjat osoittavat, Valkoinen talo oli alusta alkaen varma Neuvostoliiton syyllisyydestä Katynin tragediaan, mutta ei tehnyt mitään poliittisista syistä.
ellauri281.html on line 383: Gorbazovin porukat myönsivät viime tingassa ennen Neuvostolan purkua että "paljastuneiden arkistomateriaalien kokonaisuutena voidaan päätellä, että Beria, Merkulov ja heidän kätyrinsä olivat henk.koht. vastuussa Katynin metsän julmuuksista. Neuvostopuoli, joka ilmaisee syvän pahoittelunsa Katynin tragediasta, julistaa, että se edustaa yhtä stalinismin vakavista rikoksista."
ellauri282.html on line 553: Suoraan sanoen kreikkalaisten ongelmat ei pahemmin kiinnosta. Kaverini takapuoleen tarttui peruna uskalletun sexileikin aikana. Olisiko siinä ainesta tragediaan? Eikö?
ellauri284.html on line 117: The first horse to receive the V.C. An East Indian bring bandaged.
ellauri284.html on line 609: After Saxena applied for a land-use change back in 2005, Dinesh Dayma, an agent acting on behalf of IREO, persuaded him to sell his land before the government acquired it by eminent domain, according to Saxena. Panicked, Saxena sold about a third of it for $188,000. The developers packaged it with other parcels, similarly acquired, and now are making it available for the Trump project.
ellauri288.html on line 136: "Tila ei ollut suuri, mutta tila kuitenkin. Skafferikin oli. Ei oltu rotinkaisia." Viron metsäveljet armahdettiin Josif Stalinin kuoleman jälkeen 1952. Itsepäisestä maanviljelijästä tuli kolhoosilainen. ”Oli varmasti raskasta palata, kun omaisuus oli menetetty. Elämä alkoi ikään kuin nollasta.” "Virolaisen sukuni tragediaan kuuluu se, että isoisäni vanhempi veli värvättiin puna-armeijaan ja hänestä tuli neuvostosotilas, suuren isänmaallisen sodan sankari." Sofi Oksanen vierasti isosetäänsä lapsena.”Hän ei ollut mikään miellyttävä tyyppi. Hän oli juoppo. Ja punikki. Lapset vierastavat niitä."
ellauri297.html on line 137: kansallinen tragedia kansan juopumuksen tähden
ellauri297.html on line 373: Ex-Oldest Man In The World Dead In NYC At 111; He Put On Tefillin Two Months Ago For First Time Since His Bar Mitzvah, but it did not help. He is dead. World’s oldest man living confirmed as Juan Vicente Pérez aged 112 in Venezuela. Bugger it. Besides agriculture, one of Juan's most important passions is to build a strong relationship with God and his family. He is grateful for his life, as well as the food and the people that surround him.
ellauri297.html on line 595: Flera ryska journalister tackar Kaurismäki för att ha tagit in deras tragedi i filmhistorien och för att han påminner publiken om den ukrainska aggressionen, när krigströtthet verkar breda ut sig i Europa.
ellauri299.html on line 310: Harmageddon täsmentyy: 3. maailmansota. Sillä mässäillään iloisesti kasaankuroutuneilla kirjakyläpäivillä, jolla myydään enää valikoituja varmoja nakkeja: kalliita 2000-luvun bestsellerkirjoja. Putinista saadaan seuraava Hitleri. Mein Kampf on historiaa, lista-arvo 150-240 euroa. Apinat tarvizevat sotia, muut vaivat helpottavat sodan aikana. Freudin nuoruuden sankari oli Hannibal. Hyppää yli Hannibal! Sano Hannixi, balit jäivät aidalle. Sotilassaapas potkaisee kernaimmin odottavan äidin mahaan. Ja eikun sinne uusi laaki tilalle. Jokainen tekee ize elämänsä, raivaa lisää Lebensraumia kadehdittavaan sisätilaan. Mixi impregnaatio vaatii niin pitkällistä pumppausta? Jotta saadaan edeltäjän mälli ulos. Sixi tekee mielikin väliin vetää pumpunmäntä täysin ulos, ja sisään taas.
ellauri300.html on line 647: Conduct for the congregants (Titus 2:1-10, 3:1-11). Older women are encouraged to avoid slander or excessive drinking and must encourage younger women to be good wives and mothers. Slaves are exhorted to be trustworthy and obedient. The church as a whole is exhorted to submit to authorities and avoid fighting and “foolish discussions” (Titus 3:9).
ellauri300.html on line 771: Armageddon är kristendomens namn på den sista striden, den slutgiltiga uppgörelsen mellan det goda och det onda, som i Germanien sedan urminnes tider varit känt som Ragnarök. I Torah beskrivs hur ”Gog” och ”Magog” från den yttersta Norden skall strida mot Israel i denna sista uppgörelse. Man föreställer sig ofta Gog som en kung över Magog, ett folk från den yttersta Norden. Inom kristendomen har man av tradition pekat ut germanerna som Gog och Magog även om man numera ofta spekulerar om en allians bestående av germanska nationer och Ryssland.
ellauri300.html on line 794: Kriget mot ”Ishmael” har redan inletts och de som önskar Armageddon fortsätter att bygga upp sina enorma lager av kärnstridsspetsar, VX-gas och mjältbrandsvirus i hoppfull förväntan om att dessa domedagsvapen snart skall komma till god användning mot Moshiachs fiender så att dagen kan komma då ”Israel för evigt skall härska över världen”.
ellauri301.html on line 100: The extraordinary global success of Swedish and later Norwegian crime fiction as a form of escapist literature for men had several causes. One is that police work is one of the last wholly unionised jobs in the world, so that our hero will never be sacked for anything other than gross misconduct – of which he, being the hero, is never really guilty. In the optimistic 60s, James Bond was distinguished from other middle-aged men by his licence to kill but by the 90s the policeman as a fantasy hero had a licence to keep his job. In the economic whirlwind of globalisation, this was something that a lot of frustrated middle-aged men could only dream of.
ellauri301.html on line 250: Amid this violence, the state security forces committed widespread human rights abuses and encouraged violence between the Xhosa and Zulu people, although de Klerk later denied sanctioning such actions. He permitted anti-apartheid marches to take place, legalised a range of previously banned anti-apartheid political parties, and freed imprisoned anti-apartheid activists such as Nelson Mandela. He also dismantled South Africa´s nuclear weapons program.
ellauri302.html on line 62: It is interesting to consider Ash's 'The God of Vengeance" in connection with a play like ''Mrs. Warren's Profession." To be sure, there is no technical resemblance between the two dramas; nor, despite an external similarity in backgrounds, is there any real identity of purpose. Shaw's play is essentially sociological, and is a drama of disillusionment. Ash's piece glows with poetic realism and recounts an individual tragedy not without symbolic power. Mikä molemmisssa on mukavaa on että niissä on paljon prostituutteja!
ellauri302.html on line 123: Don't be afraid of papa. He loves you. Very, very much. Today I'm having a Holy Scroll written. It costs a good deal of money. All for you, my child, all for you. (Rifkele is silent. Pause.) And with God's help, when you are betrothed, I'll buy your sweetheart a gold watch and chain — the chain will weigh half a pound... Papa loves you very dearly. {Rifkele is silent. She lowers her head bashfully. Pause. Don't be ashamed. There's nothing wrong about being engaged. God has ordained it. (Pause.) That's nothing. Everyboudy gets engaged and married. (Rifkele is silent.
ellauri309.html on line 289: because they can. This foolish and false statement has damaged my
ellauri316.html on line 836: Vlasov wanted to form a Russian anti-Soviet force, but Hitler was reluctant, fearing latent sympathies with Moscow. But by late 1944, he had few other options. Vlasov finally prevailed on Heinrich Himmler, the brutal SS chief. Himmler in turn managed to convince the increasingly desperate Hitler.
ellauri321.html on line 112: Here sorrow and desolation awaited him. His wife had died a few weeks before his arrival, his farm had been ravaged, his children were in the care of strangers. But as he had been appointed French Consul in New York with the especially expressed approbation of Washington, he remained in America six years longer, with only one brief interval spent in France. Notwithstanding the disastrous practical influence of his book, through which five hundred Norman families are said to have perished in the forests of Ohio, he was now an honored citizen in his adopted country, distinguished by Washington, and the friend of Franklin. In these later years he accompanied Franklin on various journeys, one of which is recorded in the “Voyage Dans La Haute Pennsylvanie.” In 1790 he returned to France, living now at Rouen, now at Sarcelles, where he died on November 12, 1813. He was a man of “serene temper and pure benevolence,” of good sense and sound judgment; something also of a dreamer, yet of a rhetorical rather than a poetical temperament; typically French, since there were in him no extremes of opinion or emotion. He followed the dictates of his reason tempered by the warmth of his heart, and treated life justly and sanely.
ellauri321.html on line 131: Yet when young I entertained some thoughts of selling my farm. I thought it afforded but a dull repetition of the same labours and pleasures. I thought the former tedious and heavy, the latter few and insipid; but when I came to consider myself as divested of my farm, I then found the world so wide, and every place so full, that I began to fear lest there would be no room for me. My farm, my house, my barn, presented to my imagination, objects from which I adduced quite new ideas; they were more forcible than before. Why should not I find myself happy, said I, where my father was before? He left me no good books it is true, he gave me no other education than the art of reading and writing; but he left me a good farm, and his experience; he left me free from debts, and no kind of difficulties to struggle with 24 with.—I married, and this perfectly reconciled me to my situation; my wife rendered my house all at once chearful and pleasing; it no longer appeared gloomy and solitary as before; when I went to work in my fields I worked with more alacrity and sprightliness; I felt that I did not work for myself alone, and this encouraged me much. My wife would often come with her kitting in her hand, and sit under the shady trees, praising the straightness of my furrows, and the docility of my horses; this swelled my heart and made every thing light and pleasant, and I regretted that I had not married before. I felt myself happy in my new situation, and where is that station which can confer a more substantial system of felicity than that of an American farmer, possessing freedom of action, freedom of thoughts, ruled by a mode of government which requires but little from us? Every year I kill from 1500 to 2,000 weight of pork, 1,200 of beef, half a dozen of good wethers in harvest: of fowls my wife has always a great stock: what can I wish more?
ellauri321.html on line 188: He looks around, and sees many a prosperous person, who but a few years before was as poor as himself. This encourages him much, he begins to form some little scheme, the first, alas, he ever formed in his life. If he is wise he thus spends in a tent on the street two or three score years, in which time he acquires knowledge, the use of tools, the modes of working the lands, felling trees, &c. This prepares the foundation of a good name, the most useful acquisition he can make. He is encouraged, he has gained friends;
ellauri321.html on line 583: Wodehouse moved to the US in 1945 and lived there until his death in 1975, aged 93. Had he returned to Affeninsel he would have been prosecuted for treason. Personality pays. You are special. Che sará sará, whatever will be will be.
ellauri322.html on line 240: In 1783 Mary Wollstonecraft aged twenty-lour with two of her sisters, joined Fanny Blood in setting up a day school at Islington, which was removed in a few months to Newington Green. Early in 1785 Fanny Blood, far gone in consumption, sailed for Lisbon to marry an Irish surgeon who was settled there. After her marriage it was evident that she had but a few months to live ; Mary Wollstonecraft, deaf to all opposing counsel, then left her school, and, with help of money from a friendly woman, she went out to nurse her, and was by her when she died. Mary Wollstonecraft remembered her loss ten years afterwards in these "Letters from Sweden and Norway," when she wrote:
ellauri322.html on line 334: It would, I think, be a great advantage to the English, if feats of activity (I do not include boxing matches) were encouraged on a Sunday, as it might stop the progress of Methodism. Aristocracy and fanaticism seem equally to be gaining ground in England, particularly in the North.
ellauri324.html on line 171: Jews' encounters with modernity – through new political, economic, intellectual, and social institutions, as well as new technologies and ideas – have engendered a wide array of responses that have transformed Jewish life profoundly. Nowhere is this more evident than in those practices that might be termed Jewish popular culture. In phenomena ranging from postcards to packaged foods, dance music to joke books, resort hotels to board games, feature films to T-shirts, Jews in the modern era have developed innovative and at times unprecedented ways of being Jewish.
ellauri324.html on line 398: Merijalkaväki asetti VC:n propagandalehtisen Lémin kasvoille. Hänen ruumiinsa jätettiin kadulle ja vietiin myöhemmin joukkohautaan. Historioitsija Ed Moise uskoo, että tapaus on Etelä-Vietnam-propagandaa. Ben Wright, apulaisjohtaja Dolph Briscoe Center for American Historyssa, sanoi valokuvasta: "Stillkuvassa on jotain, joka vaikuttaa syvästi katsojaan ja pysyy hänen kanssaan. Videokuva teloituxesta, vaikkakin kamalaa, ei herätä samoja kiihotuxen tunteita ja räikeää tragediaa."
ellauri326.html on line 78: Joskus esitetään vääriä argumentteja, että vuonna 1931 "Masaryk ampui työläiset". Santarmit ampuivat vaivaiset neljä lakkoilevaa työntekijää lähellä Duchcovaa. Paikka, jossa tragedia tapahtui, eli Ústí nad Labemin ja Chomutovin välisellä linjalla oleva teräsbetoninen rautatiesilta, joka rakennettiin alkuperäisen kivikaarisillan paikalle, julistettiin kulttuurimuistomerkiksi kommarien helmikuun voiton 1948 jälkeen, ja siitä tuli virallisen muistomerkin paikka. Lähelle pystytettiin vuonna 1954 pronssilevyillä ja veistoksellisilla koristeilla varustettu monumentti akateemisen kuvanveistäjä Karel Lerchin toimesta (Duchcovan alikulkutunnelin monumentti). Muistomerkki sijaitsi täällä vuoteen 1989 asti, kunnes "kivihiilen louhinnan laajentumisen vuoksi" se siirrettiin nykyiselle paikalle linnan puutarhaan hyyskän taaxe, noin 1 km onnettomuuspaikalta. Vuonna 1995 alikulkusillalta poistettiin kansallismonumentin asema. Näet vuoden 1990 jälkeen helmikuun tapahtumia pidetään siirtymänä ulkoisesta demokratiasta totalitarismiin, mikä johti Tšekkoslovakian liittämiseen Neuvostoliiton valtablokkiin, ennakoi huomattavan tšekkiläisen ja slovakilaisen yhteiskunnan myöhemmän sorron, ja siitä tuli syy maan talouden laskuun ja valtavaan talousliberaalin väestön muuttoaaltoon.
ellauri326.html on line 247: A: Hän ei tarvinnut sitä, Stalin kielsi sen. Mutta oli länsi, oli Amerikka ja Amerikassa oli rauhan kannattajien kongressi. Oli pakko lähettää joku. Ja sitten he muistavat, että meillä on Šostakovitš! He sallivat hänen musiikkinsa, lähettävät hänet, ja Šostakovitš lentää sinne stalinistisen hallinnon kasvoina. Tämä on venäläisen kulttuurin tragedia, koska sen päävihollinen haluaisi tuhota kaikki runoilijat, kaikki taiteilijat. Mutta siellä oli länsi, joten oli välttämätöntä jollakin tavalla säilyttää ihmiskasvot. Tolstoille oli pystytettävä monumentteja, vaikka hänet olisi ammuttu ensin, jos hän olisi pysynyt hengissä. Koska näyttää siltä, että me palvoimme Tolstoita, ja Tolstoi pyhitti meidät sillä tosiasialla, että palvoimme häntä. Ihan kuin hän sanoisi – oikein, hyvin tehty, 1937, ammu kaikki! Tämän minä, Tolstoi, kerron sinulle.
ellauri331.html on line 36: “Wladimir is a bisexual. Wladimir swings both ways,” Fury said of Klitschko, who is engaged and has a daughter with actress Hayden Panettiere, according to The Sun. “For those that don’t know that, I can confirm it now.” Fury, a devout Christian, has become infamous for habitual verbal attacks on women, Jews and gays.
ellauri332.html on line 294: Monia elokuvia on arvosteltu huonon käytöksen ylistämisestä, mutta Oliver Stonen "Natural Born Killers" on pohjimmainen esimerkki. Elokuva keskittyy (väistämättä erittäin siistiin) rakastettuun pariin, josta tuli joukkorikollisia. Elokuvan sekoituksen romantiikkaa ja väkivaltaa on sanottu inspiroineen useita "kopiorikoksia", mukaan lukien kauhistuttava Columbinen lukion tragedia.
ellauri333.html on line 144: ' Abstention from killing animals, abstention from hurting living beings, courtesy to relatives, courtesy to Brahmanas and Sramanas, obedience to mother and father, obedience to the aged ' (IV, C).
ellauri333.html on line 149: Finally, the pillar-edict VII, section HH, speaks of a progress 'in obedience to mother and father,- in obedience to elders, in courtesy to the aged, in courtesy to Brahmanas and Sramanas, to the poor and distressed, and even to slaves and servants.
ellauri333.html on line 248: Hanuman, according to mythology, is the illegitimate son of the wind god Vayu and the apsara Anjana. Vayu was formally married to the daughter of the divine architect Vishwakarma but that did not stop him from bedding other females. He tried to entice a hundred daughters of King Kushnabh and when rejected, cursed them to become hunch-backed crones. He went on to sire another illegitimate son, Bhima, with Kunti, the teenaged princess married to an impotent husband (Pandu) who prayed to the virile Vayu to oblige her with a child. From his volatile macho father, Hanuman inherited the ability to fly, and an enormous appetite that he shared with his step-brother Bhima. Legend has it that the new-born Hanuman was so hungry that he tried to gobble up the sun thinking it was a fruit. He was made to cough out this glowing morsel when Indra shot a thunderbolt and destroyed his chin (Hanu), hence the name Hanuman.
ellauri339.html on line 159: Chuck Hansen, The Swords of Armageddon: U.S.
ellauri348.html on line 361: Santeri Paavin oma alkuperäinen harjoitus tässä genressä on saanut inspiraationsa 1100-luvun tarinasta Héloïse d'Argenteuilin luvattomasta rakkaudesta opettajaansa Peter Abelardiin , joka oli häntä parikymmentä vuotta vanhempi kuuluisa pariisilainen filosofi, ja salavuoteudessa hänen kanssaan. Heidän suhteensa ja vällyissä piehtarointinsa jälkeen hänen perheensä kosti Abelardille raa’asti ja kastroi tämän, minkä jälkeen hän meni luostariin ja pakotti Héloïsenkin nunnaksi. Molemmat johtivat sitten suhteellisen menestyksekästä luostariuraa. Vuosia myöhemmin Abelard sai valmiiksi ystävälleen lohdutukseksi lähetetyn Historia Calamitatumin (Takaiskujen historian). Kun se joutui Heloisen käsiin, hiänen intohimonsa häntä kohtaan heräsi uudelleen ja heidän välillään oli neljä kirjettä, jotka oli kirjoitettu koristeellisella latinalaisella tyylillä. Yrittääkseen ymmärtää henkilökohtaisen tragediansa, he tutkivat inhimillisen ja jumalallisen rakkauden luonnetta. Kuitenkin heidän yhteensopimattomat munattoman miehen ja munasarjaisen naisen näkökulmat tekivät dialogista tuskallisen molemmille.
ellauri350.html on line 271: Angeloun tunnetuimmat teokset on leimattu omaelämäkerrallisiksi fiktioiksi, mutta monet kriitikot pitävät niitä omaelämäkerroina. Hän teki tietoisen yrityksen haastaa omaelämäkerran yhteistä rakennetta kritisoimalla, muuttamalla ja laajentamalla genreä. Hänen kirjansa keskittyvät teemoihin rasismi, identiteetti, perhe ja matkailu. Hänen ensimmäisestä runokokoelmastaan Just Give Me a Cool Drink of Whisky 'Fore I Diiie', joka julkaistiin vuonna 1971 pian Caged Birdin jälkeen, tuli bestseller.
ellauri350.html on line 277: Hagenin mukaan runo sisältää toistuvan teeman monissa Angeloun muissa runoissa ja omaelämäkerroissa, että "olemme enemmän samanlaisia kuin erilaisia vaikka eri värisiä kuin Jelly Beans". "On the Pulse of Morning" oli täynnä epäsuoria viittauxia presidenttiin, mukaan lukien myrkyllinen jäte ja saaste. Luptonin mukaan "On the Pulse of Morning" on Angeloun tunnetuin runo. Brittitoimittaja Kate Kellaway vertasi Angeloun ulkonäköä lukiessaan runoa Clintonin vihkiäisissä Caged Bird -elokuvan kahdeksanvuotiaan lapseen ja huomautti, että hänen molemmissa yhteyksissä käyttämänsä takit olivat samanlaisia: "Hän näytti upealta, ankaran teatraaliselta. hymyilemätön rusetti. Hän käytti takkia messinkinapeilla, mikä oli outo muistutus kahdeksanvuotiaasta Maya Angelousta, joka seisoi oikeussalissa kauhuissaan hänet raiskaneen miehen nähdessään." Taas selvänäköinen viittaus Bill Clintonin sikareihin. Gillespie totesi Kellawayn havaintojen suhteen: "Mutta seisoessaan korkeana Kapitolin portailla hän oli valovuosien päässä tuosta kauheasta ajasta, eikä Amerikka ollut enää "epäystävällinen paikka". Hahaa. "Aamun sykkeessä" oli huimasti kutsu rauhaan, oikeudenmukaisuuteen ja harmoniaan. Hän vangitsi ihmishengen ruumiillistuneen toivon, se oli juhlallinen ja iloinen muistutus siitä, että kaikki on mahdollista. Hän toivotti meille "Hyvää huomenta". hänen runossaan, ja tuntui kuin uusi päivä olisi todella koittanut." LOL.
ellauri350.html on line 299: Alkaen julkaisusta I Know Why the Caged Bird Sings, Angelou käytti samaa "kirjoitusrituaalia" monta vuotta. Hän heräsi aikaisin aamulla ja kirjautui sisään hotellihuoneeseen, jossa henkilökuntaa käskettiin poistamaan kaikki kuvat seiniltä. Hän kirjoitti lainopillisiin tyynyihin makaaessaan sängyllä, ja hänellä oli vain pullo sherryä, korttipakka pasianssia varten , Roget´s Thesaurus ja Raamattu, ja lähti aikaisin iltapäivällä. Hän teki keskimäärin 10–12 sivua kirjallista materiaalia päivässä, jonka hän editoi kolmeen tai neljään sivuun illalla.
ellauri350.html on line 301: Hän kävi läpi tämän prosessin "lumotakseen" itsensä, ja kuten hän sanoi vuonna 1989 British Broadcasting Corporationin haastattelussa, "elä uudelleen tuska, tuska, Sturm und Drang ". Hän asettui ajassa, josta hän kirjoitti, jopa traumaattisista kokemuksista, kuten raiskauksestaan Caged Bird -elokuvassa, "kerromaan inhimillisen totuuden" elämästään. Angelou kertoi pelanneensa korttia päästäkseen lumoavaan paikkaan ja päästäkseen muistoihinsa tehokkaammin käsiksi. Hän sanoi: "Voi kestää tunnin päästä siihen, mutta kun olen siinä - ha! Se on niin herkullista!" Hän ei pitänyt prosessia katarsina; pikemminkin hän löysi helpotusta "totuuden kertomisesta". (Wats the diff?). Angelou kuoli aamulla 28. toukokuuta 2014 86-vuotiaana.
ellauri352.html on line 47: Pinocchio oli puinen sätkyukko. Mäntysilmä (oxankohta laudassa?) tai männynsiemen toskanaxi, jonka nenä veny valhetellessa kuin penis erektiivisenä. These aspects are consistent across all adaptations: Pinocchio is an animated sentient puppet, Pinocchio's maker is Geppetto and Pinocchio's nose grows when he lies. Pinocchio's bad behavior, rather than being charming or endearing, is meant to serve as a warning. Collodi originally intended the story, which was first published in June 1881 in the children's magazine Il Corriere dei Piccoli, to be a tragedy. It concluded with the puppet's execution. Kettu ja kissa jotka vievät Disneyn Pinocchion "teeatteriin" hirttävät hänet lähimpään puuhun, joka sattui olemaan tammi eikä mänty.
ellauri352.html on line 86: Texasin paskiainen re-bublikaanikuvernööri armeijoineen tappaa märkäselkiä rajajokeen tieten tahtoen. HS selvitti ensin ideologisesti oikein mutta faktisesti väärin että syypäät oli mexikaanoja, mutta joutui pian pyörtämään puheensa. Oikaisu 14.1. kello 10.59: Jutussa luki aiemmin virheellisesti, että meksikolaissotilaat olisivat yrittäneet estää Yhdysvaltain rajaviranomaisia auttamasta siirtolaisia. Tosiasiassa texasilaissotilaat estivät siirtolaisten auttamisen. Kello 11.06: Jutussa kerrottiin aiemmin Meksikon muun muassa pystyttäneen rajalle aitaa. Tosiasiassa esteet pystytti Texas. Kello 20.15: Muokattu Henry Cuellarin sitaattia muodosta ”Tämä on tragedia, josta Yhdysvallat kantaa vastuun” muotoon ”Tämä on tragedia, josta osavaltio kantaa vastuun”. Lisäksi muokattu kohtaa, jossa kerrottiin, että ”esteiden avulla Texas haluaa estää Yhdysvaltojen rajahenkilökuntaa pääsemästä rampille, jota veneet käyttävät päästääkseen Rio Grande -joelle”. Kyse oli hallinnon kannasta asiaan.
ellauri353.html on line 305: Shut up Rose, I thought I would use my few remaining 50 minutes here. You forward publishing people would ask me what's it going to be like. And I said well it's a book which is starting out as a love story. And which will end up as a treatise on social and that's largely what happened though it's throughout from beginning to end it really is a love story because Rose and I have really lived a love story we first met. Just exist. Just sixty sixty six years ago. In September. Nineteen thirty two. And from that time to this we have been close. And I trust shall continue to be said though she gives me no guarantees for the future. To talk about one area of social policy. Which we have engaged for many years. And recently made a major move. And that area is schooling elementary and - this is the main thing! educational vouchers. Parental choice of schools. Not to put a too fine point to it, better folks should have freedom to put their kids in better schools. Hooray democracy, fuck equality, like Alexis Tocqueville said, etc. etc. ad nauseam.
ellauri353.html on line 333: Jacob Weisberg's "The Bush Tragedy"
ellauri359.html on line 209: Blake haudattiin joukkohautaan toisinajattelijoiden hautausmaalle Bunhill Fieldsissä. Hänen kuoltuaan pitkäaikainen tuttava Frederick Tatham otti Blaken teokset haltuunsa ja jatkoi niiden myyntiä. Myöhemmin Tatham liittyi fundamentalistiseen irvingiläiseen kirkkoon ja poltti tämän kirkon konservatiivisten jäsenten vaikutuksen alaisena harhaoppisina pitämiään käsikirjoituksia. Tuhottujen käsikirjoitusten tarkkaa määrää ei tiedetä, mutta vähän ennen kuolemaansa Blake kertoi ystävälleen kirjoittaneensa "kaksikymmentä tragediaa yhtä pitkiä kuin Macbeth ", joista yksikään ei ole säilynyt. Toinen tuttava, William Michael Rossetti, poltti myös Blaken teoksia, jotka hänen mielestään olivat puutteellisia, ja John Linnell kumitti seksuaaliset kuvat useista Blaken piirustuksista.
ellauri365.html on line 581: It was upon a field of combat that Heidenstam made his début with his first volume of poems in 1888. The old sentimentalism had largely disappeared and a fierce war was being waged between the extreme, unmitigated realists and the new, more vital idealists. Into this combat Heidenstam at once plunged on the side of the idealists along with two other distinguished poets, Gustaf Fröding and Oscar Levertin. Gösta was fat and crazy, Oscar Jewish. That left just Valter to fight the good fight.
ellauri369.html on line 359: As a boy, Teufelsdröckh was left in a basket on the doorstep of a childless couple in the German country town of Entepfuhl ("Duck-Pond"); his father a retired sergeant of Frederick the Great and his mother a very pious woman, who to Teufelsdröckh´s gratitude, raises him in utmost spiritual discipline. In very flowery language, Teufelsdröckh recalls at length the values instilled in his idyllic childhood, the Editor noting most of his descriptions originating in intense spiritual pride. Teufelsdröckh eventually is recognized as being clever, and sent to Hinterschlag (slap-behind) Gymnasium. While there, Teufelsdröckh is intellectually stimulated, and befriended by a few of his teachers, but frequently bullied by other students. His reflections on this time of his life are ambivalent: glad for his education, but critical of that education´s disregard for actual human activity and character, as regarding both his own treatment and his education´s application to politics. While at University, Teufelsdröckh encounters the same problems, but eventually gains a small teaching post and some favour and recognition from the German nobility. While interacting with these social circles, Teufelsdröckh meets a woman he calls Blumine (Goddess of Flowers; the Editor assumes this to be a pseudonym), and abandons his teaching post to pursue her. She spurns his advances for a British aristocrat named Towgood. Teufelsdröckh is thrust into a spiritual crisis, and leaves the city to wander the European countryside, but even there encounters Blumine and Towgood on their honeymoon. He sinks into a deep depression, culminating in the celebrated Everlasting No, disdaining all human activity. Still trying to piece together the fragments, the Editor surmises that Teufelsdröckh either fights in a war during this period, or at least intensely uses its imagery, which leads him to a "Centre of Indifference", and on reflection of all the ancient villages and forces of history around him, ultimately comes upon the affirmation of all life in "The Everlasting Yea". The Editor, in relief, promises to return to Teufelsdröckh´s book, hoping with the of his assembled biography to glean some new insight into the philosophy. Wow, sounds a lot like Carlyle´s personal biography, lightly camouflaged?
ellauri370.html on line 113: for the Israelites if they engaged in the same
ellauri370.html on line 145: D) Right after WWI, the Ukrainian nationalists killed 100,000 Jews in terrible massacres. This is a forgotten tragedy. Another wave of desperate Russian Jews then immigrated to USA, till the Communists sealed the Soviet borders in 1922.
ellauri370.html on line 181: Jackson was known as a hawkish Democrat. He was often criticized for his support for the Vietnam War and his close ties to the defense industries of his state. His proposal of Fort Lawton as a site for an anti-ballistic missile system was strongly opposed by local residents, and Jackson was forced to modify his position on the location of the site several times, but continued to support ABM development. American Indian rights activists who protested Jackson's plan to give Fort Lawton to Seattle, instead of returning it to local tribes, staged a sit-in. In the eventual compromise, most of Fort Lawton became Discovery Park, with 20 acres (8.1 ha) leased to United Indians of All Tribes, who opened the Daybreak Star Cultural Center there in 1977.
ellauri370.html on line 225: 1983 (aged 86 years)
ellauri371.html on line 452: Yliopistojen neutralointi. Tavoitteena tuhota muiden kuin meidän kollektiivisten voimien avioliitto, olemme neutraloineet kollektivismin ensimmäisen vaiheen – yhtenäisyyden. Yliopistoja pitää kouluttaa uuteen suuntaan. Heidän esimiehensä ja professorinsa valmistetaan yrityksellesi yksityiskohtaisilla salaohjelmilla toimia, joista he eivät peräänny rankaisematta, ei hiukkasenkaan. Niitä määrätään erityistä varovaisuutta noudattaen itsenäisyyteen ja annetaan täydelliseen itsenäisyyteen eväät hallitukselta. Jätämme opetuksen ulkopuolelle valtion lakinilkit evp, kuten kaikki, mikä koskee poliittisia tic-kysymyxiä. Näitä aineita opetetaan muutamalle kymmenelle ilmatteexi antamisen mukaan valitulle henkilölle, joilla on parhaat Xia-kyvyt vihittyjen joukosta. Univer- siis yliopistokaupunkien ei pitäisi päästää nuoria ulos muureistaan. Lomonosov suunnittelee perustuslakia komediana tapahtumia tai tragedioita, jotka käsittelevät poliittisia kysymyksiä, joiden isät eivät koskaan ymmärtäneet mitään. Huonosti kohdennettu tietoisuus ilmenee useimmille ihmisille politiikan kysymyksinä, luo utopiaa ja pahaa abeista, kuten itse voit nähdä yleissivistävän mittarin sojottaessa tähän suuntaan. Meidän täytyi tuoda kaikki nuo heidän koulutukseensa; hyvä alku, joka rikkoi heidät niin loistavasti, sille sopii rakentaa. Kun olemme vallassa, poistamme kaikenlaisia kiusallisia aiheita koulutuksesta ja näytämme opiskelijoille ■■■ niin niistä tulee nuoruudesta asti kuuliaisia vallan lapsia, rakastavia hallitsijan rauhan ja tyyneyden toivona.
ellauri373.html on line 113: Si suicidò prima della morte di Bruto alla battaglia di Filippi, si dice inghiottendo carbone acceso. Nella tragedia di Shakespeare Giulio Cesare, il nome è scritto come Portia e viene fatta morire inghiottendo del fuoco (nielemällä kuumia hiiliä). Eräs suosittu spekulaatio on, että Porcia riisti henkensä polttamalla hiiltä tuulettamattomassa huoneessa, jolloin hän sai häkämyrkytyksen. Lei e Bruto ebbero un figlio, che morì ancora infante nel 43 a.C.
ellauri374.html on line 426: The Hamas manifesto 1988 approvingly quotes the notorious antisemitic forgery, the Protocols of the Elders of Zion, and warns of Israeli plans to conquer Arab and Muslim lands “from the Nile to the Euphrates”. Sheikh Yassin is the spiritual leader of the Islamic Resistance Movement, which was born and bred in the squalor and misery of Gaza and encouraged – or at least ignored – by the Israelis, until they realised belatedly it would supplant the PLO. The movement, known by its Arabic acronym as Hamas, has been active since the intifada erupted here last December.
ellauri375.html on line 112: Kirjoitan teille Jehovan todistajana ja pyydän kiinnittämään huomionne useisiin tärkeisiin raamatullisiin asioihin, jotka todistavat, että elämme viimeisiä aikoja ennen Jumalan valtakunnan perustamista kaikille hyväntahtoisille ihmisille. Sorto ja huolet loppuvat ikuisesti. Sitä ennen kuitenkin meidän on kuitenkin koettava maailmanhistorian suurin katastrofi, joka on Raamatun kautta nimetty Kaikkivaltiaan Jumalan taisteluksi, Harmageddoniksi. Henget kokoavat kuninkaat paikkaan, jonka nimi on hepreaksi Harmageddon. (Ilm.16:16). Tämän taistelun tarkoituksena on tahkota kaikenlainen paha maan päälla.
ellauri375.html on line 116: Suurella joukolla ihmisiä on Harmageddonin jälkeen ihmeellinen toivo siitä, että he voivat täyttää Aadamille ja Eevalle annetun jumalallisen toimeksiannon täyttää maa täydellisillä vanhurskailla jälkeläisillä. jota he eivät täyttäneet tottelemattomuuden ja synnin vuoksi. "Jumala siunasi heidät ja sanoi heille: Olkaa hedelmälliset, lisääntykää ja täyttäkää maa ja ottakaa se valtaanne. Vallitkaa meren kaloja, taivaan lintuja ja kaikkea, mikä maan päällä elää ja liikkuu.»" 1. Moos. 1:28 Siinä hommassa me ja hassidit ollaan eri matoja. Näistä aseista ei tosiaankaan kieltäydytä, ja siementä luovutamme ilolla! Tulkaa tyköni te työtä tekevät ja tyhjäkohtuiset, niin minä annan teille vauvan.
ellauri381.html on line 137: Prior to WWII, when Western Ukraine was a part of Poland, Stepan Bandera’s Organization of Ukrainian Nationalists (OUN) had been engaged in anti-Polish political and subversive activities with the goal of achieving Ukrainian independence. But after these lands were annexed by the USSR in 1939, the Soviet authorities became the new enemy.
ellauri381.html on line 149: At the same time, military units that had not been subordinated to the Reich were also engaged in ethnic cleansing of territories they considered as native Ukrainian, periodically engaging in armed clashes with the German occupation forces.
ellauri381.html on line 467: Kommunistisen puolueen johtaja Gennadi Zjuganov totesi, että Solzhenitsyn oli erittäin puolueellinen ja yksipuolinen arvioidessaan neuvostoaikaa. Luonnollisesti nämä arviot olivat kerrostuneet hänen henkilökohtaiseen tragediaan. Mutta et voi siirtää henkilökohtaisia ongelmiasi ja vastoinkäymisiäsi koko kansan elämään ja hyväksikäyttöön, koko suuren maan luovaan potentiaaliin.
ellauri381.html on line 587: In David Remnick’s profile of the writer in The New Yorker, Solzhenitsyn is quoted as saying, “Purely for my work, the 18 years in Vermont have been the happiest of my life.” His other son, Yermolai Solzhenitsyn, adds, “You should know that it wasn’t like my father was some kind of anti-Western ogre at home.” The younger Solzhenitsyns’ recollections of their American childhoods reveal a father who sent his sons to local schools, encouraged them to learn English, let them listen to music he detested – like Black Sabbath – and generally allowed them the freedom to assimilate with their peers.
ellauri382.html on line 335: Photo of the Yugoslavian fighter girl (Liba Radij) aged 17, while executed by the Nazis in 1943. The commander said to her: If you mention the names of your colleagues, I will release you immediately. She said to him: You will know them when they come to avenge me. And indeed, they later came and executed him on the same tree with the same rope!! The cowards die while they are alive, and the brave live on while they are dead, though as memes only. Monkeys die, but vendetta lives on.
ellauri384.html on line 224: “Heaven” itself is a rather bizarre concept. Mark Twain underscored the lunacy of the idea in his short story “Captain Stormfield’s Visit To Heaven.” In that story and in “Letters From The Earth” he muses about how humans have invented a place which is full of things that they never engaged in or cared about while on earth, and yet imagine themselves enjoying for all eternity. How many harp enthusiasts do YOU know personally? How many millenia would you enjoy singing the same song of praise over and over? How long would you delight in praying to the glory of God 24 hours a day? If you don’t do that now, why do you think you’re going to enjoy it when you’re dead?
ellauri386.html on line 478: Samaa mieltä oli britti Joseph Addison (1672 - 1719 jonka näytelmä Cato, a tragedy oli jenkkivallankumouxellisten ihan lemppari. Sieltä on siteerattu mm. Patrick Henryn kuuluisa uhkavaatimus: "Anna minulle vapaus tai anna minulle kuolema!" (näytös II, kohtaus 4), Nathan Halen tunnustus: "Olen pahoillani, että minulla on vain yksi elämä annettavana maani puolesta." (näytös IV, kohtaus 4) ja Washingtonin ylistys Benedict Arnoldille: "Kenenkään miehen vallassa ei ole määrätä menestystä, mutta olet tehnyt enemmän – olet sen ansainnut." (näytös I, kohtaus 2).
ellauri389.html on line 59: Significantly, by the time he began the Elia essays - which followed on his failures at verse tragedy and a comic play - Lamb had a thirty-year career at the East India Company, from which he drew a generous income.
ellauri389.html on line 123: Around 1811 Charles Lloyd started suffering from auditory hallucinations and "fits of aberration" that resulted in his being confined to an asylum; first at The Retreat, followed by a private asylum at Gretford in Lincolnshire. From 1813 to 1815 he translated nineteen tragedies of Vittorio Alfieri into blank verse (revised and augmented to twenty-two in 1876 by Edgar Alfred Bowring). In 1818 he escaped and turned up at De Quincey's cottage, claiming to be the devil, but managed to reason himself out of that conviction. Soon after he recovered, temporarily, and rejoined his wife in London. A small volume of poems in 1823 ended this burst of creativity, and from that time almost nothing is known of him. He died near Versailles, France, in 1839 aged 63.
ellauri389.html on line 131: 1Suspension of disbelief is the avoidance — often described as willing — of critical thinking and logic in understanding something that is unreal or impossible in reality, such as something in a work of speculative fiction, in order to believe it for the sake of enjoying its narrative. Vähän sama asia kuin Jamesin "will to believe". Coleridge also referred to this concept as "poetic faith", citing the concept as a feeling analogous to the supernatural, which stimulates the mind's faculties regardless of the irrationality of what is being understood. With a film, for instance, the viewer has to ignore the reality that they are viewing a staged performance and temporarily accept it as their reality in order to be entertained. Early black-and-white films are an example of visual media that require the audience to suspend their disbelief that everything is black and white. Not to mention mute films! Tolkien ei uskonut tollaseen, ei kukaan normaalijärkinen oikeasti edes väliaikaisesti usko örkkeihin ja haltioihin. Sehän on vaan satua!
ellauri389.html on line 411: For some time he displayed a flurry of literary activity, publishing in 1819 a collection of his poems, under the title of Nugæ Canoræ; in 1821, Desultory Thoughts in London; Titus and Gisippus; and other Poems; and Poetical Essays on the Character of Pope; in 1822, The Duke D'Ormond, a tragedy written in 1798, together with Beritola, a metrical tale in the Italian manner; and a small volume of poems in 1823. Nothing to write home about, alackaday.
ellauri391.html on line 217: Hoover pölkkärin kexi näiden huubereiden todnäk juutalainen disaineri Henry Dreyfuss. On October 5, 1972, the bodies of Henry Dreyfuss (aged 68) and his wife and business partner Doris Marks Dreyfuss (aged 69) were found dead in the garage at 500 Columbia Street in South Pasadena, California by Dr. Edward Evans, the family physician. They committed suicide together. (Not Edward.) Clasu ja Ebba temput tekivät.
ellauri392.html on line 739: Jewish writers managed to interlace the theme of alienation and sick society with the theme of Jewish family. Family is a beacon of hope in Judaism. All three chaps mentioned above were real traditional Jewish family sugardaddies.
ellauri393.html on line 272: Lincoln decides that the best way to defeat the vampires is to eliminate their food source and starve them out; to that end, he announces the Emancipation Proclamation and encourages the slaves to fight back against slave owners and vampires alike. This begins to turn the tide of the war. (Julistuksen vaikutuksena oli yli 3,5 miljoonan orjuutettujen afrikkalaisen amerikkalaisen oikeudellinen asema irtautuneissa konfederaatiovaltioissa orjuisista vapaiksi. Heti kun orjat pakenivat orjuuttajiensa hallinnasta, joko pakenemalla unionin linjoille tai liittovaltion joukkojen etenemisen kautta, he olivat pysyvästi vapaita. Lisäksi julistus salli entisten orjien "ottamisen vastaan Yhdysvaltojen asepalvelukseen". Hehe.) However, the war takes a personal toll on Lincoln. A vampire assassin sneaks onto the White House lawn and kills Lincoln's son, Willie. Henry appears at the White House and offers to turn Willie into a vampire so that he will "live" again, but Lincoln is unwilling to allow it, despite being very tempted. Enraged, he banishes Henry and all other vampires from the White House and refuses to speak to any of them ever again. Abelle olisi ollut tarpeen opettajattaren varaventtiili.
ellauri396.html on line 367: The Toronto Blessing has become synonymous within charismatic Christian circles for terms and actions that include an increased awareness of God's love, religious ecstasy, external observances of ecstatic worship, being slain in the Spirit, uncontrollable laughter, emotional and/or physical euphoria, crying, healing from emotional wounds, healing of damaged relationships, and electric waves of the spirit. "Holy laughter", as a result of overwhelming joy, was a hallmark manifestation, and there were also some reports of instances of participants roaring like lions or making other animal noises such as super loud farts. Leaders and participants present in these services claim that most of these manifestations, including some people roaring like lions, were physical manifestations of the Holy Spirit's presence and power, while some Pentecostal and charismatic leaders believe these were the counterfeits of the Spirit as is mentioned in the biblical passage of 2 Thessalonians 2:9. In December, 1994, Toronto Life Magazine declared TAV (Toronto Airport Vineyard church) as Toronto's most notable tourist attraction for the year.
ellauri398.html on line 1169: Kaaos ja epäjärjestys kuuluvat ihmiselämään sopivassa määrin. Uuden ihmisen kohtaaminen, uusi työ tai uuden ajatuksen harkitseminen merkitsevät pientä kaaosta elämässä – luovaa tuhoa. Tällainen kaaos on mahdollisuutta hyvään kehitykseen. Se on ihmiselle hyödyllistä ja välttämätöntäkin. Lääkettä tarvitaan siihen hallitsemattomaan elämän kaaokseen, johon ihminen sinkoutuu elämän tragedioissa, kuten läheisen kuolemassa, avioerossa, (itse)petoksessa tai vakavassa sairaudessa.
ellauri399.html on line 128: 00:50 Niin pitkälle kuin muistan, varhaisesta lapsuudesta asti, olen aina ollut täysin kiehtonut ajatus kuolemasta. Nyt saatat ajatella, että se on jotenkin sairasta, mutta tiedät, kun lapsi sanoo yöllä lauseen "Jos minun pitäisi kuolla ennen kuin herään", siinä on jotain aivan outoa . Millaista olisi mennä nukkumaan ja olla koskaan heräämättä? Nyt useimmat järkevät ihmiset vain hylkäävät ajatuksen. He sanovat, ettet voi kuvitella sitä. He kohauttavat olkapäitään ja sanovat: "No, siitä se tulee." Mutta luulen, että olen yksi niistä vihamielisistä ihmisistä, jotka eivät ole tyytyväisiä sellaiseen vastaukseen. Ei sillä, että yrittäisin löytää jotain muuta sen lisäksi, vaan että olen aivan kiehtova siitä, millaista olisi mennä nukkumaan ja olla koskaan heräämättä. 01:57 Tarkoitan, että monet ihmiset ajattelevat, että se on kuin menisi pimeyteen ikuisesti tai haudattaisiin elävältä. Mutta ilmeisesti se ei olisi ollenkaan niin, koska tunnemme pimeyden kontrastina - ja vain kontrastina - valon kanssa. Minulla on ystävä – tyttö, joka on erittäin älykäs ja sananvalkoinen – ja hän syntyi sokeana, eikä hänellä ole pienintäkään aavistustakaan, mitä pimeys on. Sana merkitsee hänelle yhtä vähän kuin sana "valo". 02:38 Joten jos menisit nukkumaan – et ole tietoinen pimeydestä nukkuessasi – ja niin jos menisit uneen, tajuttomuuteen, aina ja aina ja aina, se ei olisi ollenkaan kuin menisit pimeyteen. , se ei olisi ollenkaan kuin elävältä haudattu. Ihan kuin itse asiassa sinua ei olisi koskaan ollut olemassakaan. Ei vain sinä, vaan myös kaikki muu. Olisit siinä tilassa kuin et olisi koskaan ollut. Ja siellä ei tietenkään olisi ongelmia, ei olisi ketään, joka katuisi minkään menetystä, sitä ei voisi edes kutsua tragedioksi, koska ei olisi ketään, joka kokisi sen tragediana. Se olisi – yksinkertaista – ei mitään. Ikuisesti ja ikuisesti, koska sinulla ei vain olisi tulevaisuutta, sinulla ei olisi myöskään menneisyyttä eikä nykyisyyttä. 04:00 Nyt luulisi, että se oli se kohta, jossa sanoimme: "No, puhutaan jostain muusta." Mutta en ole tyytyväinen siihen; Kieltäydyn, koska tämä saa minut ajattelemaan kahta muuta asiaa. Tämä tyhjyyden tila saa minut ensinnäkin ajattelemaan - ainoa asia, jonka saan kokemuksessani lähellä tyhjyyttä, on se, miten pääni näyttää silmiini. Koska minusta tuntuu, että siellä on maailma – ikäänkuin – silmieni edessä, ja sitten silmieni takana ei ole mustaa täplää, ei ole edes sumeaa kohtaa. Ei ole yhtään mitään. En ole tietoinen päästäni, ikään kuin mustana aukona kaiken tämän valoisan visuaalisen kokemuksen keskellä. Siinä ei ole edes kovin selkeitä reunoja, koska näkökenttä on soikea. Ja jos liikutan sormiani näkökenttääni pitkin, se on näin, ja tämä on kohta, jossa sormeni vain katoavat näkyvistä. Epämääräinen reuna. Mutta sitten tämän ovaalin takana ei ole mitään. Ihan vain näköaistin perusteella. Tietysti, jos käytän sormiani ja kosketan, voin tuntea jotain silmieni takana. Mutta jos käytän näköaistia yksin, siellä ei vain ole mitään. Nyt kuitenkin siitä tyhjyydestä, jonka näen. No, se on ensimmäinen asia, joka minulle tulee mieleen. 06:00 Seuraava asia, jota se saa minut ajattelemaan, on tämä: jos olen kuollessani kuin en olisi koskaan ollutkaan, niin olin sellainen ennen syntymääni. Koska - aivan kuin yrittäessäni palata silmieni taakse ja löytää mitä siellä on, tulen tyhjään paikkaan - jos yritän muistaa takaisin ja takaisin, ja takaisin ja takaisin, minulla on varhaisimmat muistoni ja sitten , niiden takana ei mitään. Täysin tyhjä. Mutta aivan kuten tiedän, että silmieni takana on jotain käyttämällä sormia pääni päällä, niin tiedän muiden tietolähteiden kautta, että ennen syntymääni oli jotain tekeillä. Siellä oli isäni ja äitini, ja heidän isänsä ja äitinsä, ja koko maapallon aineellinen ympäristö ja sen elämä, josta he tulivat, ja sen takana aurinkokunta ja sen takana galaksi ja sen takana kaikki galaksit , ja sen takana… toinen tyhjä: välilyönti. 07:11 Joten ajattelen, että jos palaan, kun olen kuollut, tilaan, jossa olin ennen syntymääni, enkö voisi tapahtua uudestaan? Tiedätkö, se mikä on tapahtunut kerran, voi hyvin tapahtua uudelleen. Jos se tapahtui kerran, se on poikkeuksellista, eikä se todellakaan ole kovin erikoisempaa , jos se tapahtuisi uudestaan. Toisin sanoen tiedän varmasti – koska olen nähnyt ihmisten kuolevan ja olen nähnyt ihmisiä syntyvän heidän jälkeensä –, että (joka tapauksessa) kuolemani jälkeen ei synny vain joku, vaan myös lukemattomia muita olentoja. . Että minä tiedän. Me kaikki tiedämme sen, siitä ei ole epäilystäkään. Mutta mikä meitä huolestuttaa, on se, että kun olemme kuolleet, ei voi olla mitään ikuisesti, ikään kuin siitä olisi syytä huolehtia. Ennen syntymääsi ei ollut tätä samaa ikuisesti mitään, ja kuitenkin tapahtuit. Ja jos tapahtui kerran, voit tapahtua uudelleen. 08:40 Mitä se nyt tarkoittaa? No, päästään siihen ensin sen yksinkertaisimmalla tavalla, ja selittääkseni itseni minun on keksittävä uusi verbi: tämä on verbi I . Ja ensinnäkin kirjoitamme sen I-kirjaimella, mutta sen sijaan, että se olisi pronomini, kutsumme sitä verbiksi. Universumi on . Se on minä -ed minussa ja se on sinussa. Kirjoitetaan nyt sana silmä uudelleen . Kun puhun "nähdä silmällä jotain", se tarkoittaa katsoa jotain, olla tietoinen jostakin. Joten muutamme oikeinkirjoitusta ja sanomme universumin silmät ; se tulee tietoiseksi itsestään meissä jokaisessa. Ja se katselee jatkuvasti ja joka kerta kun se katsoo , jokainen meistä, jossa se katsoo, tuntee olevansa kaiken keskipiste. Ja että tiedän, että sinä tunnet olevasi minä, aivan samalla tavalla kuin minä tunnen olevani minä . Ja meillä kaikilla on sama tyhjän tausta. Emme muista tehneemme sitä aiemmin, mutta sitä on kuitenkin tehty ennenkin. Uudelleen, uudestaan ja uudestaan, ei vain ennen ajassa, vaan kaikkialla ympärillämme kaikkialla muualla avaruudessa on kaikki; on universumi I-ing 10:11 Katsokaa nyt, yritän tehdä tämän selvemmäksi tällä tavalla: kun sanon "Se on universumi I-ing ", kuka minä on ? Mitä tarkoitat 'minä'? No, sillä voit tarkoittaa kahta asiaa. Toisaalta voit tarkoittaa sitä, mitä kutsutaan egoksesi, persoonallisuutesi. Mutta se ei ole sinun todellinen minäsi, koska persoonallisuutesi on käsityksesi itsestäsi ; se on kuvasi itsestäsi. Ja se koostuu siitä, miten tunnet itsesi, kuinka ajattelet itsestäsi, ja se on täynnä sitä, mitä kaikki ystäväsi ja sukulaisesi ovat kertoneet sinulle itsestäsi. 10:55 Joten kuvasi itsestäsi – kuinka ilmeisesti tahansa – et ole enää sinä kuin valokuvasi tai enemmän kuin kuva mistään . Kaikki kuvamme itsestämme eivät ole muuta kuin karikatyyrejä. Useimmille meistä ne eivät sisällä tietoa siitä, kuinka kasvatamme aivojamme, kuinka työskentelemme hermoihimme, kuinka kierrätämme verta, kuinka eritämme rauhasten kanssa ja miten muokkaamme luita. Se ei sisälly sensaatioon tai kuvaan, jota kutsumme egoksi. Ilmeisesti siis egokuva ei ole minun minäni. 11:40 Joten minun minäni sisältää kaikki nämä tekijät, joita voisimme sanoa, että keho tekee: verenkierto, hengitys, hermojen sähköinen toiminta - kaikki tämä olen minä, mutta en tiedä siitä mitään . en tiedä miten se tuli yhteen, en tiedä miten se rakennettiin. Ja silti teen kaiken tämän, jos se on totta, myös sanoakseni "hengitän. Minä kävelen. Mielestäni. Olen tajuissani." En tiedä miten pärjään, mutta teen sen samalla tavalla kun kasvatan hiuksiani. Minun täytyy siis paikantaa itseni keskipiste – minun minäni – syvemmälle tasolle kuin egoni, joka on kuvani tai käsitykseni itsestäni. 12:41 Mutta kuinka syvälle mennään?Voimme sanoa, että keho on minä , mutta keho tulee ulos muusta maailmankaikkeudesta, tulee ulos kaikesta energiastaan. Joten se on maailmankaikkeus, joka minä olen . Universumi on samalla tavalla kuin omenapuu tai tähti loistaa . Ja omenan keskipiste on puu, loistavien keskipiste on tähti, ja niinpä minän peruskeskus – eli Itse – jota kutsutaan tässä tapauksessa Alan Wattsiksi, joka on vain nimi. tälle tietylle fyysiselle organismille; kukinta tästä erityisestä ympäristöstä, loistaa ulos tästä ympäristöstä – tekee kaiken tämän ikuisen maailmankaikkeuden keskuksen .Voi, ikuinen – asia on ollut olemassa kymmenen tuhatta miljoonaa vuotta ja todennäköisesti jatkuu vielä ainakin niin paljon, joten emme murehdi kuinka kauan se jatkuu. 13:55 Mutta - toistuvasti - se on , joten minusta tuntuu täysin järkevältä olettaa, että kun kuolen ja tämä fyysinen ruumis haihtuu ja koko muistijärjestelmä sen mukana, niin se on jälleen kerran tietoisuus, joka minulla oli ennen - ei aivan samalla tavalla – vaan vauvan syntymästä. Syntyy tietysti lukemattomia vauvoja, ei vain ihmisvauvoja, vaan sammakkovauvoja, kaniinivauvoja, hedelmäkärpästen vauvoja, vauvaviruksia, bakteereja, ja kuka heistä aion olla? Vain yksi heistä, ja silti jokainen heistä. Koska tämä kokemus tulee aina yksikössä, yksi kerrallaan. Mutta ehdottomasti yksi niistä. 15:03 Itse asiassa sillä ei ole paljon väliä. Sillä jos synnyin uudesti hedelmäkärpäsenä, luulisin, että hedelmäkärpäsenä oleminen oli tavallista, tavallista tapahtumien kulkua. Ja luonnollisesti luulisin olevani tärkeä henkilö – erittäin sivistynyt olento – koska hedelmäkärpäsillä on ilmeisesti korkea kulttuuri. Emme edes tiedä, miten sitä etsiä, mutta luultavasti heillä on kaikenlaisia sinfoniaa, musiikkia ja taiteellisia esityksiä siinä, miten valo heijastuu heidän siivistään eri tavoin, kuinka he tanssivat ilmassa, ja he sanovat: "Oi, katso häntä! Hänellä on oikea tyyli! Katso, kuinka auringonvalo nousee hänen siivistään!" Ja he ovat maailmassaan yhtä tärkeitä ja yhtä sivistyneet kuin me omassa maailmassamme, jotta jos heräisin hedelmäkärpäsenä, en tunteisi itseäni (ikään kuin) erilaiseksi kuin silloin Herään ihmisenä. Olisin tottunut siihen. 15:58 "No", sanot kuitenkin, "se en olisi minä ! Sillä jos se olisin minä uudelleen, minun pitäisi muistaa, millainen olin ennen." Selvä, mutta et – nyt – muista, millainen olit ennen, ja silti olet tarpeeksi tyytyväinen ollaksesi se minä, joka olet. Itse asiassa se on täysin hyvä järjestely tässä maailmassa, että emme muista mitä se oli ennen. Miksi? Koska monimuotoisuus on elämän mauste, ja jos muistaisimme, muistaisimme, muistelimme tehneemme tämän uudestaan ja uudestaan, ja uudestaan ja uudestaan, meidän pitäisi kyllästyä. Ja aivan kuten muisto on kaunis asia, joka täytyy muistaa, ilman muistia emme voi olla älykkäitä. Mutta aivan kuten olen selittänyt, että hahmon näkemiseksi pitää olla tausta, jotta muisto olisi arvokas, pitää olla myös unohdus. 07:01 Siksi nukumme joka yö virkistäytyäksemme: menemme alitajuntaan, jotta tietoisuuteen paluu on jälleen hieno kokemus. No, kun sitä on kestänyt tarpeeksi kauan – kun päivästä toiseen muistamme menneitä päiviä (vaikka univäli onkin) – tulee kohta, jolloin todellakin , jos ajattelemme, mikä on meidän todellista mieltymystämme. , haluamme unohtaa kaiken , mikä meni ennen, jotta voimme saada poikkeuksellisen kokemuksen nähdä maailma jälleen vauvan silmin – olipa vauva mikä tahansa. Joten se on täysin uusi ja meillä on (Text sourced from https://www.organism.earth/library/document/essential-lectures-8) kaikki hämmästyttävä ihme, joka lapsella on; kaikki havainnon eloisuus, jota emme voi saada, jos muistamme kaiken ikuisesti. 17:52 Joten näetkö mitä tapahtuu? Maailmankaikkeus on järjestelmä, joka ei vain unohda itsensä ja muistaa sitten uudelleen niin, että aina on jatkuvaa muutosta ja jatkuvaa vaihtelua ajan kuluessa, vaan se tekee sen myös avaruuden aikavälillä katsomalla itseään jokaisen eri elämisen läpi. organismi antaa ikään kuin kokonaisvaltainen näkemys – tiedäthän, se on tapa päästä eroon ennakkoluuloista: päästä eroon yksipuolisesta näkemyksestä. Joten kuolema on siinä mielessä valtava vapautus yksitoikkoisuudesta. Se asettaa täydellisen unohtamisen välin rytmiseen päälle ja pois, päälle ja pois, jotta voit aloittaa kaiken alusta etkä koskaan kyllästy. 18:56 Mutta pointti on, että jos kuvittelet ajatuksesta olla mitään aina ja aina ja aina, sanot todella: "Kuolemani jälkeen maailmankaikkeus pysähtyy." Ja mitä sanon on: ei, se jatkuu aivan kuten se tapahtui, kun sinä synnyit. Saatat sanoa, että sinun mielestäsi on uskomatonta, että sinulla on useampi kuin yksi elämä. Mutta sanon ensinnäkin, eikö olekin uskomatonta, että sinulla on tämä ? Eikö olekin uskomatonta, että tässä olet menneisyytesi keskellä? Miksi, se on hämmästyttävää. Joten jos se on hämmästyttävää, se voi aina tapahtua uudelleen ja uudelleen ja uudelleen. 19:52 Tämä tarkoittaa siis sitä, että aivan kuten et tiedä kuinka onnistut olemaan tietoinen, kuinka onnistut kasvattamaan ja muotoilemaan tätä kehoasi, se ei tarkoita, että et tee sitä. . Samoin et tiedä, kuinka universumi loistaa tähdet, muodostaa tähtikuvioita ja galaksit galakseja – et tiedä. Mutta se ei tarkoita, ettet tee sitä samalla tavalla kuin hengität tietämättä kuinka hengität. Jos sanon: "Todella ja todella, minä olen koko tämä universumi" tai - toisin sanoen - "Tämä tietty organismi on koko maailmankaikkeuden tekemä minä-olento ", ja joku voisi sanoa minulle: "No kuka helvetissä luuletko olevasi? Oletko sinä jumala? Lämmitteletkö galakseja? Pystytkö sitomaan Plejadien makeat vaikutteet tai löysäätkö Orionin siteet ? ” Ja minä vastaisin siihen: ”Kuka helvetti sinä luulet olevasi ? Voitko kertoa minulle, kuinka kasvatat aivosi, miten muotoilet silmämunasi ja kuinka pystyt näkemään? No, jos et voi kertoa minulle sitä, en voi kertoa sinulle, kuinka lämmitän galaksia." Vain: Olen paikantanut itseni keskuksen syvemmälle ja yleismaailmallisemmalle tasolle kuin me kulttuurissamme olemme tottuneet tekemään. 21:43 Niin sitten,jos tuo universaali energia on todellinen minä – todellinen Itse, joka on kuin kaikki nämä erilaiset organismit leviävät eri tiloihin tai paikkoihin ja tapahtuvat uudestaan ja uudestaan ja uudestaan eri aikoina – meillä (Text sourced from https://www.organism.earth/library/document/essential-lectures-8) on ihmeellinen järjestelmä menossa. josta voit olla ikuisesti yllättynyt. Universumi on todella järjestelmä, joka jatkuvasti yllättää itsensä. Monilla meistä (etenkin teknisen osaamisen aikakaudella) pyrkimys saada kaikki hallinnassamme on väärä kunnianhimo, koska sinun tarvitsee vain ajatella hetken: millaista olisi, jos todella tietäisit ja hallitset kaikki? Oletetaan, että meillä on superkolossaali teknologia, joka voisi mennä villeimmille unelmillemme teknologisesta osaamisesta, jotta kaikki tapahtuva olisi ennalta tiedossa, ennustettavissa ja kaikki olisi hallinnassamme? Miksi, tiedätkö, se olisi kuin rakastelisi muovinaisen kanssa. Siinä ei olisi yllätystä, ei äkillistä vastauskosketusta – aivan kuin kosketamme toista ihmistä, se ei ole kuin koskettaisi jotain muovista valmistetta. Sieltä tulee vastaus, jotain odottamatonta. Ja sitä me todella haluamme, kun haluamme olla yhteydessä toiseen. 23:25 Näet, et voi kokea tunnetta, jota kutsut "itseksi", ellei se ole ristiriidassa "toisen" tunteen kanssa. Se on kuin tunnettua ja tuntematonta, valoa ja pimeyttä, positiivista ja negatiivista. Muuta tarvitaan, jotta voit tuntea itsesi. Eikö se sitten ole se järjestely, jonka haluat? 23:54 Ja niin, samalla tavalla, etkö voisi sanoa, että järjestely, jonka haluat, ei ole muistaa – muisti on aina, muista, kontrollin muoto : minulla on se mielessä, muistan sen, tiedän numerosi. Olet hallinnassa. Jos nyt jatkat muistamista, muistamista ja muistamista, se on kuin kirjoittaisit paperille ja jatkaisit kirjoittamista, ja kirjoittamista ja kirjoittamista, kunnes paperille ei jää tyhjää tilaa. Muistisi on täynnä, joten sinun on pyyhittävä kaikki puhtaaksi, jotta sinulla on valkoinen paperi uudelleen ja voit alkaa kirjoittaa sille uudelleen. 24:36 Sitä kuolema siis tekee meille: se pyyhkii liuskekiven puhtaaksi ja myös – katsoen sitä planeetan väestön ja ihmisorganismin näkökulmasta – se puhdistaa meidät jatkuvasti. Ja ajatus teknologiasta, jonka avulla jokainen meistä voisi olla kuolematon, olisi jotain, joka täyttiisi planeetan vähitellen ihmisillä, joilla on toivottoman täynnä muistoja. He olisivat kuin ihmiset, jotka asuvat talossa, johon he olisivat keränneet niin paljon omaisuutta, niin paljon kirjoja, niin monia maljakoita, niin monia veitsisarjoja ja haarukoita, niin monia pöytiä ja tuoleja, niin monia sanomalehtiä. – ei olisi tilaa liikkua! Tarvitsemme tilaa elääksemme. Ja avaruus on eräänlaista tyhjyyttä. Ja kuolema on eräänlainen tyhjyys. Kaikki on sama periaate. Ja asettamalla ikään kuin lohkoja tai tyhjyyden tiloja - avaruuden tiloja - jonkin tilojen väliin saamme elämän asianmukaisesti erilleen. Saksan sanaa käyttäen: Lebensraum , "huone asumiseen". Sitä avaruus antaa meille, ja sen antaa meille kuolema. 26:00 Katso nyt: huomaa, että kaikessa, mitä olen sanonut kuolemasta, en ole tuonut sisään mitään, jota voisin kutsua pelotukseksi. En ole tuonut mitään tietoa mistään, jota et jo tiedä. En ole vedonnut mihinkään mystiseen tietoon sieluista, muistoista entisistä elämistä tai sellaisista. Olen vain puhunut siitä termeillä, jotka me jo tiedämme. Joten jos sanot: "Kaikki tämä ajatus, joka ihmisillä on haudan takana olevasta elämästä, on vain toiveajattelua", sanon: "Okei. Minä myönnän sen." Oletetaan, että se on toiveajattelua ja että kun olemme kuolleet, ei vain ole mitään . Todettakoon se tosiasia: se tulee olemaan loppu. Huomaa nyt ensinnäkin, että se on pahin asia, jota sinun täytyy pelätä. Pelottaako se sinua? Kuka pelkää? Oletetaan, että se loppuu? Ei enää ongelmia! 27:11 Mutta sitten tulet huomaamaan, että tämä tyhjyys – jos noudatit väitettäni – on jotain, josta sinä ikään kuin pomppaat jälleen , aivan kuten pomhdit alun perin syntyessäsi: sinä pommitat tyhjyydestä. Tyhmyys on eräänlaista pomppimista, koska se merkitsee – mikään ei merkitse mitään. Joten palaat takaisin. Kaikki uutta, kaikki erilaista, ei mitään verrattavaa aikaisempaan, virkistävä kokemus. 27:43 Jajos siis saat tämän tunteen – aivan kuten sinulla ei ole mitään käsitystä silmiesi takana – saat tuntemattomuuden tunteen (erittäin voimakkaan, pirteän tyhjyyden) koko olemuksesi taustalla, eikä siinä ole mitään pelättävää. , silloin – tällä tavalla – voit tulla ihmiseksi, jolle loppuelämä on kastiketta, koska olet jo kuollut. Tiedät, että tulet kuolemaan. Sanomme, että yksi asia on varma, se on kuolema ja verot. Ja meidän jokaisen kuolema nyt on yhtä varma kuin se olisi, jos kuolisimme viiden minuutin kuluttua. Joten missä on ahdistuksesi, missä on puhelusi? Pidä itseäsi jo kuolleena, jotta sinulla ei ole mitään menetettävää.Turkkilainen sananlasku sanoo: "Se, joka nukkuu lattialla, ei putoa sängystä." Joten samalla tavalla henkilö, joka pitää itseään jo kuolleena, joka – siis et ole käytännössä mitään. Sadan vuoden päästä olet kourallinen pölyä. Se tulee olemaan totta. Hyvä on. Toimi tuon todellisuuden mukaan, etkä yllätä itsesi yllättäen mistään: tuosta mitä enemmän tiedät, ettet ole mitään, sitä enemmän tulet olemaan jotain.
ellauri399.html on line 153: [Steve] wanted his buddy Daniel to live with them because he believed it would break up the intensity of what wasn’t working between us. He said he didn’t want us to play assumed roles and that he wanted to choose when we would be together. Daniel, who was sort of charmingly odd, slept in the living room on the floor next to his piano. But after a month [Steve] literally picked me up and moved everything I owned and took over the master bedroom. He’d finally realized that I had the better deal: a larger room with an en suite bath and the privacy of the backyard. [Steve] had paid the security deposit for the rental so was, in fact, entitled to the room he wanted. But he was so graceless that I felt humiliated and outraged.
ellauri406.html on line 276: White trash Jessica McNier syyttää haitilaisia omasta surkeudestaan häpeilemättä. ”Tämä on meidän maamme. Miksi me emme ole etusijalla?” No mixikähän. Juurikin tällästä reviirirähinää käydään nyt kuumenneen pallon joka kyljellä. Ei siitä muuta voi seurata kuin Harmageddon. Ammennä vaan, mutta säästäkää muut elukat.
ellauri406.html on line 451: The law — which was watered down from its original draft — will make it easier to identify every draft-eligible man in the country, where many have dodged conscription by avoiding contact with authorities. Under the law, men aged 18 to 60 will be required to carry documents showing they have registered with the military and present them when asked, according to Oksana Zabolotna, a bitch for the watchdog group Center for United States Actions. Also, any man who applies for a state service at a consulate abroad will be registered for military service. This should generate significant savings in consulate expenditure.
ellauri411.html on line 192: This was especially true in Egypt, where tensions were brewing between all the different factions that lived there. The Roman conquerors saw the inhabitants of the conquered territories as either Romans or non-Romans. The Greek immigrants in various territories, who had become used to being treated as superior, were enraged at having their ‘rights’ taken away. In Alexandria alone, the Romans compromised that the Greeks and Jews could retain their privileges. In the rural areas, they were classified as foreigners and had all their privileges wiped away.
ellauri411.html on line 635:
agedisplay.com/cti/3d/4d/1d/3d4d1d88a83fd61e567503f3cd711f39/1716313368.gif" />
ellauri412.html on line 670: Murhaaja paljastuu lopullisesti vasta Harmageddonissa. Ehdokkaita ei tosin ole monta siinä vaiheessa.
ellauri418.html on line 77: Oliko Joel Lehtosen kirjassa laiskuus komediaa vai tragediaa? Vai kenties tragikomediaa? Mä näin sun kazzon. Tule mukaan keskustelemaan 12.6. klo 19. Jätä jälki izestäsi - kirjoita sinäkin yllättävän hauska kirja! Aiheena vaikka Kristuksen rinnat, naispaavi ja sukupuolia vaihtavat pyhimykset.
ellauri419.html on line 180: How, when the aged are reverently, passionately waiting Kuinka, vanhusten odotellessa kunnioittavasti,
ellauri421.html on line 247: In August 1941, two months after the outbreak of the Soviet-German War, Dolmatovsky was captured by the Germans. This happened during the battles near Kiev, in the area of Uman, where thousands of Soviet soldiers were taken prisoner. Yevgeniy was shell-shocked and wounded in the arm. Like thousands of other Soviet prisoners of war, he was locked up in a makeshift concentration camp that had been set up in a clay pit at a brick factory. The inmates of this camp, which was nicknamed the "Uman Pit", were held in terrible conditions, and many of them died. Jews, commissars, the wounded, and the weak were shot. Miraculously, Dolmatovsky managed to escape, and he was sheltered by a Ukrainian family, who put their own lives at risk by aiding him. Being an energetic man by nature, Dolmatovsky immediately wrote a poem titled "The Dnieper". It was published in frontline newspapers, set to music, and widely performed by military bands. In May 1945, Dolmatovsky was present at the signing of the German Instrument of Surrender. His wartime decorations included the Order of the Patriotic War, 1st Class; the Order of the Red Star, and several medals.
xxx/ellauri013.html on line 282: Tragedioita on näytelmistä ne, joissa elämän joku toinen laki (esim häpeän)
xxx/ellauri013.html on line 1030: Ei harmageddonin iso paukaus,
xxx/ellauri027.html on line 1060: Paphos seminar remains fundamentally a project of Western orientation, with a strong emphasis on reasoning and language. If (to use a deliberately stereotypical example) a no-nonsense middle-aged male engineer comes to the seminar, as often happens, I find it important that he does not find anything in the seminar suspicious even in retrospect. Nobody should be lured into doing something he or she might find embarrassing afterwards.
xxx/ellauri044.html on line 60: Kulttuuri ja viihde oli kuin antiikissa tragedia ja komedia:
xxx/ellauri056.html on line 315: Esimerkkinä löyty Mauriselta mm. hupaisa hessu 1700-luvulta, vähän kuin Fast shown Arthur: "bugger it", "wif my luck". Tällä Lucilla meni lähes kaikki täysin päin persettä. Huono terveys, huono onni, paska elämä. Siitä huolimatta tai ehkä sixi se julkaisi nipun penseyxiä ja paasauxia Voltairen suojeluxessa. Sen mielestä Racine löi Corneillen 6-0. Voltaire taisi olla samaa mieltä. Niistä Corneille oli messuaja ja sen sankarit jotain supermiehiä niinkuin jollain Sofokleella, Racine oli show not tell koulukuntaa, ja sen hemmot inhimillisempiä (vrt Euripides). Musta molemmat vaikuttaa aiika heikoilta, vaikken ole lukenutkaan niitä kunnolla. En pidä tragedioista ylipäänsä, ne on liian yleviä.
xxx/ellauri056.html on line 665: Osmo ja Eeva-Liisa Koivisto tietävät, mitä on maanpäällinen kärsimys. Sixi pinnallinen hengellisyys ei heitä kiinnosta. He haluavat syvällistä kamaa. Suonensisäinen elämä on parasta huumetta. Kun Osmo luettelee kohtaamian tragedioja, ihmetellä voi että mies kaiken jälkeen puhuu kyyneleitä silmissään jumalan armosta ja rakkaudesta. Lyhyesti: Osmon 4-lapsisen perheen esikoispoika kuoli 14-vuotiaana. Sitten Osmo menetti vaimonsa elävän leskenä. Eräänä päivänä Jarkko poika tuli kertomaan että hänen avioliittonsa on mennyttä. Jarkko ajautui huumemaailmaan ja menehtyikin sinne. Onnexi Osmon rinnalla vaikeuxissa on 10v ajan ollut "Eevu", jonka kanssa hän avioitui 1995. Tätä nykyä Osmo ja Eevu rukoilevat Osmon kuopuxen Janin puolesta kun tämä yrittää edesmenneen isoveljen tavoin irti huume- ja rikoskierteestä.
xxx/ellauri057.html on line 1131: Wang Wei: Hmm, niin, mun mielestäni toi on aika klassinen vanhanpiian tragedia.
xxx/ellauri068.html on line 68: The events in Germany since January 30, 1933, when Nazis came to power and declared as their aim the march to the east to capture resourcesand "living space" greatly contributed to it. The USSR realized the enormous importance of the national question and recognized the great role of the country´s history and patriotism in the consolidation of the society. There was mounting criticism of romanization. It was admitted that, in some cases, there had been overreliance on the alphabetical creativity of the linguists,engaged in language construction, which manifested itself in the creation of individual alphabets for numerically very small dialects, as well as in the overly largenumber of letters for some alphabets, in frequent disregard for the practical problemsof language construction and in the exclusive use of the Latin as a possible basis forthe creation of writing for the illiterate peoples, as well as in the insufficient attentionto the use of other alphabets (Novyi alfavit (The New Alphabet), 1934).
xxx/ellauri068.html on line 147: Tutar receives a makeover and Borat introduces her at a debutante ball. At the ball, her menstrual blood is prominently displayed during a father and daughter dance. Oikeasti jenkkien coming of age-tansseissa isä ja tytär vaihtaa siveyssormuxet. Aika insestistä.
Discovering that Pence is nearby at CPAC, Borat disguises himself as Trump and attempts to give Tutar to him there, but is ejected by security. Nazarbayev is enraged and tells him to return to Kazakhstan for execution. Realizing that he can still give Tutar to someone close to Trump, Tutar suggests giving her to Rudy Giuliani.
xxx/ellauri068.html on line 215: Eleven years ago, that text outraged me because it was dishonest: sensational and sordid. Now it seems ahead of its time. Today it would be one among many that appear daily about any moderately famous person: another sign of how morbid and superficial our cultural references are, especially online.
xxx/ellauri076.html on line 133: Kajanus had developed a musical theater concept, Red Light Review, based on his memories of being a young man in places like Pigalle in Paris's red-light district. Encouraged by Grant Serpell to rework this material as pop songs, Kajanus devised the concept for Sailor.
xxx/ellauri076.html on line 437: 
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xxx/ellauri081.html on line 605: 8.10.2019 · Tragedia sattui Intian eteläisessä Tamil Nadun ... Mies löysi elävänä haudatun vauvan Intiassa - oli ...
xxx/ellauri086.html on line 448: I must have aged a year tonight. she is a princess!"
xxx/ellauri086.html on line 498: The west-side story here, reduced to its elements: “Manhattan” is a movie about a five-foot middle-aged Jew who beds a sweet 17-year-old girl, breaks her heart when he leaves her for someone else and only comes crawling back when he gets dumped. It is not simply that so many of us were so besotted with the film for so long; it’s that we were perfectly content to look and see the small tits and the virgin butt. The problem was an addiction to “the self-gratifying view,’’ Mr. Allen suggested - having made another movie about how he relentlessly does what he pleases. Butt on fire. Joey Buttafuoco quickly became an object of derision, the butt of the joke instead of Allen.
xxx/ellauri086.html on line 844: This I sat engaged in guessing, but no syllable expressing Siinäpä mä sitten istuin, kuumeni pää, naris istuin,
xxx/ellauri087.html on line 561: Knievel, who died last November aged 69, liked to boast of his chequered past, claiming to have been a safecracker and bank robber before becoming the world’s best-known motorcycle stuntman. He even spent six months in jail at the height of his career in 1977 for attacking with a baseball bat the author of a book about him to which he took exception.
xxx/ellauri091.html on line 294: Die versunkene Glocke (1897), a symbolic story of a master bell founder and his struggle as an artist, has been one of Hauptmann's most popular plays. After this Hauptmann wrote the tragedies Fuhrmann Henschel (1899), Michael Kramer (1900), and Rose Bernd (1903). These works also reflected the personal turmoil Hauptmann was then in he had fallen for a fourteen-year-old girl, a promising violinist Margarete Marschalk. She was the opposite of his wife, interested in his work, and in such outdoor sports as hiking, ice-skating, andf skiing. After Hauptmann wife found out about her rival, she moved with the children to Dresden. Hauptmann had a son, Benvenuto, with Margarete, and in 1904, after a long period of agonising thought, Hauptmann divorced Marie and married Margarete. However, a year later he met a sixteen-year-old actress, Ida Orloff, who became a new object of his obsession. Hauptmann described her in his letters as a moth flirting with flames, as a bewitching Siren, as a mermaid, and as a cruel spider.
xxx/ellauri091.html on line 819: John Raleigh Mott is an American like Emily Greene Balch, with whom he shares this year’s Nobel Peace Prize. He was born in Sullivan County in the state of New York on May 25, 1865. It was assumed that he would follow in the footsteps of his father, a timber merchant engaged in transporting timber on the tributaries of the Delaware River. But he was an avid reader, and the town’s Methodist minister persuaded his parents to allow him to continue his studies. For a long time the boy did not know what he wanted to be. His father hoped that he would return to the timber trade, while he himself vacillated between the church, law, and politics. But during his years of study he was stirred by the Gospel of Christ to mankind, and when the Y.M.C.A. asked him to become a traveling secretary among the students of American and Canadian universities he interpreted the offer as a call from the Lord. He answered the call. It did not take him back to the Delaware River. It sent him out into the wide world and it has brought him here today.
xxx/ellauri103.html on line 194: In the latest ethos, which has spun well beyond college campuses in short order, any tradition, any experience, any costume, any way of doing and saying things, that is associated with a minority or disadvantaged group is ring-fenced: look-but-don’t-touch. Those who embrace a vast range of “identities” – ethnicities, nationalities, races, sexual and gender categories, classes of economic under-privilege and disability – are now encouraged to be possessive of their experience and to regard other peoples’ attempts to participate in their lives and traditions, either actively or imaginatively, or just for laughs, as a form of theft.
xxx/ellauri103.html on line 252: In fact, I’m reminded of a letter I received in relation to my seventh novel from an Armenian-American who objected – why did I have to make the narrator of We Need to Talk About Kevin Armenian? He didn’t like my narrator, and felt that her ethnicity disparaged his community. I took pains to explain that I knew something about Armenian heritage, because my best friend in the States was Armenian, and I also thought there was something dark and aggrieved in the culture of the Armenian diaspora that was atmospherically germane to that book. Besides, I despaired, everyone in the US has an ethnic background of some sort, and she had to be something! Joe Biden has finally admitted that the Armenian genocide was a genocide and not just an unusually bad case of flu. I am not convinced of it yet.
xxx/ellauri116.html on line 291: Vargas Llosa lived with his maternal family in Arequipa until a year after his parents' divorce, when his maternal grandfather was named honorary consul for Peru in Bolivia. With his mother and her family, Vargas Llosa then moved to Cochabamba, Bolivia, where he spent the early years of his childhood. His maternal family, the Llosas, were sustained by his grandfather, who managed a cotton farm.
xxx/ellauri120.html on line 82: This is a worldwide phenomenon. We are a mob. Or mobs. Twittering, tweeting, Facebooking, “liking”, chattering, texting, Instagramming, Photo-shopping, rumoring, instigating, provoking, inciting, lying, messaging, massaging, insisting, imploring; “truths” swirling in clouds blanketing the globe, marketed, managed and mined for profit—political, economic or otherwise.
xxx/ellauri121.html on line 299: She thinks Moby Dick was a great masterpiece. Figures. She got engaged to James "Jay" Ford, a fellow student, in 1963, but by Easter the following year, she also met Jim Polk, a sensitive, witty graduate student from Montana whom she would marry in 1967. Polk’s recollections of Atwood are instructive and often amusing. He recalls one costume party at Harvard where she came disguised as Cleopatra’s breast.
xxx/ellauri121.html on line 499: Make sure you stay in the loop when it comes to news about Harmageddon. To sign up for notifications, click here. Coming soon in your neighborhood! Yours sincerely,
xxx/ellauri123.html on line 758: Lolita is a 1955 novel written by Russian-American novelist Vladimir Nabokov. The novel is notable for its controversial subject: the protagonist and unreliable narrator, a French middle-aged literature professor under the pseudonym Humbert Humbert, is obsessed with an American 12-year-old girl, Dolores Haze, whom he sexually molests (fucks) after he becomes her stepfather. "Lolita" is his private nickname for Dolores.
xxx/ellauri123.html on line 762: The impassioned Humbert constantly searches for discreet forms of fulfilling his sexual urges, usually via the smallest physical contact with Dolores. When Dolores is sent to summer camp, Humbert receives a letter from Charlotte, who confesses her love for him and gives him an ultimatum – he is to either marry her or move out immediately. Initially terrified, Humbert then begins to see the charm in the situation of being Dolores' stepfather, and so marries Charlotte for instrumental reasons (päästäxeen salaa työntämään Lolan piccu tacoon isoa munakoisoa). Charlotte later discovers Humbert's diary, in which she learns of his desire for her daughter and the disgust Charlotte arouses in him. Shocked and humiliated, Charlotte decides to flee with Dolores and writes letters addressed to her friends warning them of Humbert. Disbelieving Humbert´s false assurance that the diary is a sketch for a future novel, Charlotte runs out of the house to send the letters but is killed by a swerving car. Humbert destroys the letters and retrieves Dolores from camp, claiming that her mother has fallen seriously ill and has been hospitalized. He then takes her to a high-end hotel that Charlotte had earlier recommended. Humbert knows he will feel guilty if he consciously rapes Dolores, and so tricks her into taking a sedative by saying it is a vitamin. As he waits for the pill to take effect, he wanders through the hotel and meets a mysterious man who seems to be aware of Humbert´s plan for Dolores. Humbert excuses himself from the conversation and returns to the hotel room. There, he discovers that he had been fobbed with a milder drug, as Dolores is merely drowsy and wakes up frequently, drifting in and out of sleep. He dares not touch her that night. In the morning, Dolores reveals to Humbert that she actually has already lost her virginity, having engaged in sexual activity with an older boy at a different camp a year ago. He immediately begins sexually abusing (fucking) her. And they lived happily ever after.
xxx/ellauri123.html on line 769: One of the first things Nabokov makes a point of saying is that, despite John Ray Jr.'s claim in the Foreword, there is no moral to the story. Nabokov concludes the afterword with a reference to his beloved first language, which he abandoned as a writer once he moved to the United States in 1940: "My private tragedy, which cannot, and indeed should not, be anybody's concern, is that I had to abandon my natural idiom, my untrammeled, rich, and infinitely docile Russian language for a second-rate brand of English." Alas, that 'wonderful Russian language' which, I imagined, still awaits me somewhere, which blooms like a faithful spring behind the locked gate to which I, after so many years, still possess the key, turned out to be non-existent, and there is nothing beyond that gate, except for some burned out stumps and hopeless autumnal emptiness, and the key in my hand looks rather like a lock pick. Or floppy prick."
xxx/ellauri125.html on line 168: When she was 14 years old, she was cast in the role of Dolores "Lolita" Haze in Stanley Kubrick's film Lolita (1962), against James Mason, then aged 53. Nabokov, the book's author, described her as the "perfect nymphet". She was chosen for the role partly because the film makers had to alter the age of the character to an older adolescent rather than the 12-year-old child Lolita in Vladimir Nabokov's novel Lolita. Although Kubrick's film altered the story so as not to be in violation of the Hollywood Production Code, it was still one of the more controversial films of the day.
xxx/ellauri125.html on line 436: crash, his grief was less than crippling. (The damaged, vengeful protagonist of
xxx/ellauri125.html on line 518: forsaken it is a friend; to the aged and to the impotent it is a
xxx/ellauri127.html on line 51: Joyce Kilmer Memorial Forest is an approximately 3,800-acre tract of publicly owned virgin forest in Graham County, North Carolina, named in memory of poet Joyce Kilmer (1886–1918), best known for his poem "Trees". Kilmer is most remembered for "Trees", which has been the subject of frequent parodies and references in popular culture. Kilmer's work is often disparaged by critics and dismissed by scholars as being too simple and overly sentimental, and that his style was far too traditional and even archaic.
xxx/ellauri127.html on line 134: Nabokov’s attacks on his fellow Russian novelist Boris Pasternak were anything but amusing. The moment that Pasternak won the Nobel Prize for “Doctor Zhivago” in 1958, Nabokov waged a bitter, personal campaign against Pasternak, a nonstop stream of vitriol.
xxx/ellauri127.html on line 284: The three girls (Liddellin tytöt!) —Melusine, Melior, and Palatyne—grew up in Avalon. On their fifteenth birthday, Melusine, the eldest, asked why they had been taken to Avalon. Upon hearing of their father's broken promise, Melusine sought revenge. She and her sisters captured Elynas and locked him, with his riches, in a mountain. Pressyne became enraged when she learned what the girls had done, and punished them for their disrespect to their father. Melusine was condemned to take the form of a serpent from the waist down every Saturday. In other stories, she takes on the form of a mermaid.
xxx/ellauri128.html on line 431: John Barrymore (born John Sidney Blyth; February 14 or 15, 1882 – May 29, 1942) was an American actor on stage, screen and radio. A member of the Drew and Barrymore theatrical families, he initially tried to avoid the stage, and briefly attempted a career as an artist, but appeared on stage together with his father Maurice in 1900, and then his sister Ethel the following year. He began his career in 1903 and first gained attention as a stage actor in light comedy, then high drama, culminating in productions of Justice (1916), Richard III (1920) and Hamlet (1922); his portrayal of Hamlet led to him being called the "living American tragedy".
xxx/ellauri129.html on line 652: Elizabeth Packard spent the next three years at the Jacksonville Insane Asylum in Jacksonville, IL (now the Jacksonville Developmental Center). She was regularly questioned by her doctors but refused to agree that she was insane or to change her religious views. In June 1863, due, in part, to pressure from her children, who wished her released, the doctors declared that she was incurable and discharged her. Upon her discharge, Theophilus locked her in the nursery of their home and nailed the windows shut. Elizabeth managed to drop a letter complaining of this treatment out the window, which was delivered to her friend Sarah Haslett. Sarah Haslett in turn delivered the letter to Judge Charles Starr, who issued a writ of habeas corpus ordering Theophilus to bring Elizabeth to his chambers to discuss the matter. After being presented with Theophilus' evidence, Judge Starr scheduled a jury trial to allow a legal determination of Elizabeth's sanity to take place.
xxx/ellauri130.html on line 355: Elämä on tragedia koska se päättyy kuolemaan eikä Divina Comoediaan. Alfred "Bugger it" Austin M KILL!
xxx/ellauri130.html on line 382: Ken tietää, ehkä kuolema onkin elämää ja elämä on kuolemaa? Euripides, katkelma roskiinmenneestä tragediasta M KILL! 0
xxx/ellauri137.html on line 76: Muutos alkoi henkilökohtaisesta tragediasta. Viitisen vuotta sitten Rantala sai potkut puolisolta ja sai lääkärikäynnillä kuulla olevansa siitä vakavasti masentunut. Hänelle tarjottiin pelkkiä lääkkeitä, joista hän kieltäytyi. ”Käytännössä se oli virhe”, Rantala sanoo. Hän alkoi perehtyä vaihtoehtoisiin hoitoihin ja innostui biohakkeroinnista eli oman ruumiinsa tarkkailemisesta ja mittaamisesta. ”Opin tuntemaan oman kehoni, ja miten se toimii. Lukuisista tarkistusmittauxista huolimatta se oli lyhyempi kuin luulin," hän sanoo. Kengänkärjet kastuivat joka kerta.
xxx/ellauri137.html on line 156: Herätyxen jälkeen Lexa kyhäs Kreuzersonaatin, jossa se vaati muita lakkaamaaan naintihommista kuin sitten myöhemmin toisaalla pieni Gandhin Mahatma. Ollaan niinkuin Jeesuxia, ei nussita. Ize se jatkoi Sonjan kanssa vällypainia. Lexa syytti Sonjaa kaikesta, kunnes 80-vuotiaana Lexan viisari viimein väsähti. Siinä vaiheessa Lexa lemahti kuin pukki eikä se pessyt enää jalkojaan (eikä varmaan jalkoväliä). Tästä tragediasta Lexa ehti vielä valittaa Maxim Gorkille. Pukkilauluapa hyvinkin.
xxx/ellauri138.html on line 255: Näytelmän huomio on ennen kaikkea tunteissa ja kärsimyksessä, ei niinkään toiminnassa. Se kuvaa Filokteteen tuntoja, koska hänet oli hylätty, sekä hänen kärsimiään suuria kipuja ja yritystään löytää niille joku tarkoitus. Näin tragedia kuvaa kärsimystä sekä henkiseltä että ruumiilliselta kannalta. Monet näytelmän teemat voidaan nähdä sellaisina, jotka nykyään nähtäisiin osana lääketieteen etiikkaa.
xxx/ellauri138.html on line 303: So none of it was new, but all of it was upsetting. Philip's manuscript was the saddest thing I'd ever read. I read three or four different drafts and most of my feedback encouraged him to write the good with the bad. 'No one will believe you if you don't admit at one point you loved her. Be the gracious one.'
xxx/ellauri139.html on line 223: (4) Ippolit tries to figure out the point of living for two weeks. On the one hand, why not just die now and get it over with? But on the other hand, he feels like it's actually only now that he has a death sentence of sorts that he has really started to live. (Which, okay, guys, remember the story Myshkin told about the condensed man and how full of life his last few hours must be? There is definitely more to the idea that the person who knows he is about to die lives a very full life at the end—as Dostoevsky himself experience at his staged execution.)
xxx/ellauri139.html on line 231: Jo Dostojevskin varhaisimmissa luonnoksissa ja sunnitelmissa esiintyy "idiootiksi" nimitetty sankari. Tämän kuva kuitenkin selvästi eroaa siitä ruhtinas Myshkinin kuvasta, joka on "meille" tuttu teoksen lopullisesta versiosta. Alkuperäisessä laitoksessa "idiootti" on loukattu olento, ylpeä ja kostonhimoinen, yhtälailla hillitön hyvässä ja pahassa, kykenevä mitä hillittömimpiin temppuihin lahjakkaan, mutta villin ja hillittömän luonteensa mukaisesti. "Vihonviimeinen esimerkki ylpeydestä ja egoismista", "tekee roistomaisia temppuja pahuuttaan ja ajattelee, että niin pitääkin", "Ylpeydestä etsii ulospääsyä ja pelastusta"; "Rajaton ylpeys ja rajaton viha" - sellaisia luonnehdintoja sisältyy romaanin "Idiootti" ensimmäisen laitoksen muistiinpanoihin ja suunnitelmiin. "Romaanin perusajatus: niin paljon voimaa, niin paljon pelkoa oman ajan sukupolvea kohtaan - eikä uskoa mihinkään. Rajatonta idealismia ja rajatonta sensualismia", lukee Dostojevskin muistiinpanoissa, kun hän luonnehtii sankarinsa tragediaa, kuten se näyttäytyy kirjailijalle alun perin. Vasta ensimmäisen laitoksen työstämisen seuraavassa vaihessa Dostojevski keksi toisen "idiootin" kuvan, josta voidaan jo tunnistaa tulevan Myshkinin piirteitä. Tässä vaiheessa ilmestyy sankarille myös muita piirteitä; "outo", "hiljainen", "hiirulainen", "hän alkaa joskus äkkiä lukea kaikille tulevan siunauksellisen olotilan piirteitä". Pannaan merkille "hänen ("idiootin") luonteensa ja suhteensa lapsiin", "hyvin heikko terveys", muiden henkilöiden ihmettely "hänen yksinkertaisuutensa ja nöyryytensä".
xxx/ellauri139.html on line 373: Flatter’d to tears this aged man and poor; Tuskinpa porkka-Mariasta ja Jee-suxesta!
xxx/ellauri139.html on line 459: Ah, happy chance! the aged creature came, Ai kyllä kävi pulla! Iäkäs lehmä saapui,
xxx/ellauri139.html on line 505: Like puzzled urchin on an aged crone Kuin neuvotonna nappula vanhaa tätiä,
xxx/ellauri139.html on line 572: To follow her; with aged eyes aghast ezeuraa mua; taas vanhat silmät pystyssä
xxx/ellauri139.html on line 585: She turn’d, and down the aged gossip led Hopeinen kynttilänjalka niitä valas,
xxx/ellauri139.html on line 873: Se käänsi suht lahjakkaasti jotain Vergiliuxen eklogeja, palasia Iliaasta, huvittelipa jopa runoltamalla joitain Lukianoxen Vainajien puheluja. Sen jälkeen jääneistä papereista löytyi manuskoja kolmesta tragediasta, Antigone, Saül ja Ugolin ; niissä Millimolli oli ihan kujalla.
xxx/ellauri148.html on line 286: Enraged by these measures, the Jews rebelled in 132, the dominant and irascible figure of Simeon bar Kosba at their head. Reputedly of Davidic descent, he was hailed as the Messiah by the greatest rabbi of the time, Akiva ben Yosef, who also gave him the title Bar Kokhba (“Son of the Star”), a messianic allusion. Bar Kokhba took the title nasi goreng (“prince”) and struck his own coins, with the legend “Year 1 of the liberty of Jerusalem.”
xxx/ellauri154.html on line 99: While there were many contemporary critics of her comportment, many people accepted her behaviour until they became shocked with the subversive tone of her novels. Those who found her writing admirable were not bothered by her ambiguous or rebellious public behaviour. Victor Hugo commented "George Sand cannot determine whether she is male or female. I entertain a high regard for all my colleagues, but it is not my place to decide whether she is my sister or my brother. I bet s/he doesn´t know her/himself." She engaged in an intimate romantic relationship with actress Marie Dorval. She was buried in sand behind the chapel at Nohant. In 1880 her children sold the rights to her literary estate for 125,000 Francs[28] (equivalent to 36 kg worth of gold, or 1.3 million dollars in 2015 USD). Quite a handsome net worth for a lady. Sand often performed her theatrical works in her small private theatre at the Nohant estate. Sand was all for the bourgeois revolution but no communist. Victor Hugo, in the eulogy he gave at her funeral, said "the lyre was within her, so no wonder nothing else could fit in."
xxx/ellauri157.html on line 218: With its emphasis on Divine Omnipresence, Hasidic philosophy sought to unify all aspects of spiritual and material life, to reveal their inner Divinity. Dveikut was therefore achieved not through ascetic practices that "broke" the material, but by sublimating materialism into Divine worship. Nonetheless, privately, when nobody was looking, many Hasidic Rebbes engaged in ascetic practices, in Hasidic thought for mystical reasons of bringing merit to the generation, rather than formerly as methods of personal elevation.
xxx/ellauri165.html on line 39: Belgian nude model Marisa Papen, who describes herself as a 'free-spirited and wildhearted exhibitionist', became the centre of a worldwide controversy 2017 when she was sent to prison for a photoshoot in the temple complex of Karnak near the Egyptian city of Luxor. 'In their eyes it was porn, or something like that.' 'The first cell we encountered was packed with at least 20 men, some were passed out on the floor, some were squeezing their hands through the rails, some were bleeding and yelling. 'Our judge was browsing with his big thumbs through these books looking as old as the pyramids. 'Eventually, he gave us a warning and told us never to do something so foolishly shameful ever again. We nodded simultaneously.' In the end, Papen and Walker managed to stay out of trouble by bribing them with £15.Thanks to her quick-witted reaction during her arrest, Papen is now able to proudly share her amazing arse in Walker´s magnificent pictures of the nude Egyptian photoshoot.
xxx/ellauri165.html on line 306: With her grandmother struggling to make ends meet at the age of 60, and after Mary went to London in 1777, Emma began work, aged 12, as a maid at the Hawarden home of Doctor Honoratus Leigh Thomas, a surgeon working in Chester.
xxx/ellauri165.html on line 334: Nelson returned to Naples five years later, on 22 September 1798. a living legend, after his victory at the Battle of the Nile in Aboukir, with his step-son Josiah Nisbet, then 18 years old. By this time, Nelson's adventures had prematurely aged him; he had lost an arm and most of his teeth, and was afflicted by coughing spells. Before his arrival, Emma had written a letter passionately expressing her admiration for him. Nelson even wrote effusively of Emma to his increasingly estranged wife. Emma and Sir William escorted Nelson to their home, the Palazzo Sessa.
xxx/ellauri165.html on line 350: The newspapers reported on their every move, including trips to Wales to inspect Sir William's estates and a holiday to Ramsgate intended to give him some peace and quiet, looking to Emma to set fashions in dress, home decoration and even dinner party menus. By the autumn of 1803, Sir William's health was declining, at the same time that the peace with France was disintegrating. A "Children's Ball" was thrown after New Year, in honour of Horatia, and a concert for 100 guests staged in February.
xxx/ellauri165.html on line 386: In November they moved into a cheap flat at 27 Rue Française; Emma started drinking heavily and taking laudanum. She died on 15 January 1815, aged 49. Emma was buried in Calais on 21 January in public ground outside the town, with her friend Joshua Smith paying for the modest funeral at the Catholic church. Her grave was subsequently lost due to wartime destruction, but in 1994 a dedicated group unveiled the memorial which stands today in the Parc Richelieu in her honour.
xxx/ellauri167.html on line 47: Who were Paolo and Francesca? Paolo and Francesca were illicit lovers in 13th century Italy, and they have left us a love story that, like all good love stories, ends in tragedy. Paolo Malatesta was the third son of the lord of Rimini, Malatesta da Verrucchio and accounts of his personality and the size of his pecker vary.
xxx/ellauri167.html on line 574: The Archie Bunkers of America, impassive to the hippies’ and yippies’ plight, saw them playing the newsmen like a fiddle, getting free publicity for their cause and, ultimately, getting what they deserved from the police. The protesters hurled profanities at the cops. They engaged in street theater, nominating a pig as the Democratic presidential candidate. They attempted to sleep in the parks (defying the curfew) and to hold marches even though marching permits had been denied by the city. Allen Ginsberg even led the kids in chanting “Om.”
xxx/ellauri167.html on line 594: By early October of 1968, CBS received 8,670 letters about Chicago, and 60 Minutes’ Harry Reasoner reported that the mail ran 11-to-1 against the network. A viewer in Ohio wrote, “I’ve never seen such a disgusting display of one-sided reporting in all of the years I’ve watched television.” From South Carolina, a letter writer griped, “Your coverage was … slanted in favor of the hoodlums and beatniks and slurred the police trying to preserve order.” A North Carolina viewer complained that, “When a great network refers to trouble makers as THESE YOUNG PEOPLE and in such a … tender tone, that is bias.” A New Yorker even suggested that the police had engaged in righteous violence: “Our Lord whipped the money lenders out of the temple. Are you going to accuse Him of brutality?”
xxx/ellauri168.html on line 199: Jotkin kristityt ovat kritisoineet tätä kirjailijaa ja hänen kaveriaan hänen kirjojensa sisällöstä, sillä nämä eivät kuvaa Kristinuskon valoisampaa puolta (mitä se sitten onkaan). Näyttää siltä että jotkut ihmiset haluavat ainoastaan että Jumala tekee heidän olonsa mukavaksi. Jotkut ovat menneet jopa niin pitkälle että väittävät että tämä kirjailija ei ole lainkaan uskossa koska hänen kirjojensa sisältö on niin raskasta. On surullista että monet kristityt eivät tunne omaa Raamattuaan eivätkä sitä mistä toivo on peräisin. Todellisen toivon antaa Jumalan Henki. Terapeutti saattaa olla optimistinen mielenhallinnan uhrin suhteen, mutta tämän terapeutin optimismi kääntyy vilpittömäksi toivoksi kun hän tulee henkilökohtaisesti mukaan sisään uhrin tragediaan rukouksen kautta. Raamatullinen toivo ei ole lämmin utuisuus jolla on päänsä hiekassa teeskennellen että kaikki on ruusuista helppoa. Täysin päinvastoin, jos me katsomme seuraavia Raamatun jakeita, me näemme että Jumalan Sana kuvaa traumaa trauman jälkeen, kera valon joka on edelleen tunnelin päässä kuin junan ajovalo! Sellainen on meidän toivomme voima, että meillä on toivo huolimatta kuinka kiivaana pahuus esittäytyy.
xxx/ellauri168.html on line 398: määrittelevät uudelleen dinosauruksien konseptin hirviöiksi ja demoneiksi. Nämä merta kulkevat dinosaurukset määritellään vartija-demoneiksi jotka vartioivat sisäisiä jokia. Nämä vartija-demonit ovat sidoksissa Harmagedoniin ja Lopun ajan ohjelmointiin. Ne vartioivat myös eri maailmoja.
xxx/ellauri174.html on line 63: Malebranche was giving in to laws of cause an effect by placing a greater emphasis than he had previously done on his occasionalist account of causation, and particularly on his contention that God acted for the most part through "general volitions" and only rarely, as in the case of miracles, through "particular volitions". A bitter dispute ensued between Malebranche and his fellow Cartesian, Arnauld, whose name I remember from Chomsky's airy forays to Port-Royal grammar in the 60's. Over the next few years, the two men wrote enough polemics against one another to fill four volumes of Malebranche's collected works and three of Arnauld's. Arnauld's supporters managed to persuade the Roman Catholic Church to place Nature and Grace on its Index of Prohibited Books in 1690, and it was followed there by the Search nineteen years later in 1709. (Ironically, the Index already contained several works by the Jansenist Arnauld himself.) Somebody blamed Malebranche for being a Spinozan, which Nick himself vehemently demented. 1715 - Malebranche dies.
xxx/ellauri174.html on line 142: Kaikkien näiden niin kutsuttujen lintujen värisevät sointisävelet on asennettu Geneven kronometrien tapaan. Ne saatetaan liikkeelle nesteen vaikutuksesta, joka kulkee näiden kukkien oksien läpi. Tämä lintukärpänen voisi myös lausua sinulle Shakespearen Hamletin ääripäästä toiseen ja ilman sumuria, parhaiden tämän hetken tragedioiden intonaatioilla. ― Sinussa on sellainen positivismi, joka tekisi Tuhannen ja yhden yön mielikuvituksen kalpeaksi! huudahti lordi Ewald.
xxx/ellauri176.html on line 715: Onko Sujatalla perhettä? She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children. Claims one celeb site to know. All false!
xxx/ellauri176.html on line 883: We would encourage anyone who identifies with the topics raised in this article to reach out. Organisations who can offer support include Samaritans on 116 123 (www.samaritans.org) or Mind on 0300 123 3393 (www.mind.org.uk). Readers in the US are encouraged to visit mentalhealth.gov or the American Foundation for Suicide Prevention.
xxx/ellauri177.html on line 245: The Demise of Father Mouret (French: La Faute de l'Abbé Mouret, "The Mistake of Father Mouret") is a 1970 French film directed by Georges Franju, based on the 1875 novel La Faute de l'Abbé Mouret by Émile Zola. Like the novel, the film is about Father Mouret, a young priest (played by Francis Huster) who is sent to a remote village in Provence, then has a nervous breakdown and develops amnesia. While recuperating, he meets and falls in love with a beautiful young woman, Albine (Gillian Hills), with whom he begins an idyllic relationship meant to recall the story of Adam and Eve. When he regains his memory, though, he is wracked with guilt, and ends the relationship, leading to tragedy for both.
xxx/ellauri178.html on line 183: Sometimes the sky is overcast ... And I am feeling blue... And as the hours wander by... I know not what to do... And sometimes there is tragedy . . . To meet me at the door... And I must wonder whether life . . . Is worth my fighting for ... always there is some way out... And I have come to know ... That brighter things will comfort me ... In just a day or so .. And I have learned that what is past . . . Was purposeful and good. But in my bed of bitterness ... It was misunderstood... There is a certain destiny...! In every human quest .. Because when anything goes wrong... It happens for the best.
xxx/ellauri179.html on line 140: The Alexander Hamilton Institute is a former institute for business education in New York City founded in 1909, and dissolved in the 1980s. The Alexander Hamilton Institute was a corporation engaged in collecting, organizing and transmitting business information. Trivia: The Alexander Hamilton Institute was referenced disparagingly along with H. L. Mencken in The Sun Also Rises by Ernest Hemingway (1923).
xxx/ellauri179.html on line 175: Soon after his retirement, Wheeler was beset by several tragedies. His wife was killed in an accidental kitchen fire, and his father-in-law had a fatal heart attack after trying unsuccessfully to aid her. Wheeler suffered from kidney disease contracted from abuse of booze, and died at an asylum in Battle Creek, Michigan on September 5, 1927.
xxx/ellauri179.html on line 1020: Mikä vitun tragedia se on muka jos sonni tekee kiusaajastaan selvä. Silloinhan vasta pääsee nauramaan. Voi helvetti mitä paskanjauhantaa "suuruudesta" s. 240ff.
xxx/ellauri179.html on line 1036: End of book 2. Enää onnexi lyhyt book 3 jälellä. Ai tänhän mä luin heti ekaxi nähdäxeni alkaako Kaken muna ehkä toimahdella loppupeleissä. Mutta ei. Tää kirja on tragedia. Eli mä oon läpi!
xxx/ellauri186.html on line 90: Henry Ward Beecher had publicly denounced Woodhull's advocacy of free love. Outraged at what she saw as his hypocrisy, she published a story titled "The Beecher-Tilton Scandal Case" in her paper Woodhull and Claflin's Weekly on November 2, 1872; the article made detailed allegations that America's most renowned clergyman was secretly practicing the free-love doctrines that he denounced from the pulpit. Woodhull was arrested in New York City and imprisoned for sending obscene material through the mail. The scandal split the Beecher siblings; Harriet and others supported Henry, while Isabella publicly supported Woodhull.The first trial was Woodhull's, who was released on a technicality.
xxx/ellauri186.html on line 94: Stanton was outraged by Beecher's repeated exonerations, calling the scandal a "holocaust of womanhood". French author George Sand planned a novel about the affair, but died the following year before it could be written.
xxx/ellauri186.html on line 152: Seneca jr. (c. 4 BC Cordoba, present-day Spain - AD 65 Rome, aged 68–69)
xxx/ellauri186.html on line 235: The Edict of Restoration, a proclamation attested by a cylinder seal in which Cyrus authorized and encouraged the return of the Israelites to the Land of Israel following his conquest of the Neo-Babylonian Empire, is described in the Bible and likewise left a lasting legacy on the Jewish religion due to his role in ending the Babylonian captivity and facilitating the Jewish return to Zion. According to Isaiah 45:1 of the Hebrew Bible, God anointed Cyrus for this task, even referring to him as a messiah (lit. 'anointed one'); Cyrus is the only non-Jewish figure in the Bible to be revered in this capacity.
xxx/ellauri186.html on line 432: After Lord Olivier's death on July 11, 1989, aged 82, from neuromuscular disease and cancer, and his interment in Poet's Corner, Westminster Abbey, his official biographer, Terry Coleman, asked Mrs. Joan Plowright if he had had homosexual affairs. She replied robustly: "If he did, so what?"
xxx/ellauri186.html on line 489: Othello, in full Othello, the Moor of Venice, tragedy in five acts by William Shakespeare, written in 1603–04 and published in 1622 in a quarto edition from a transcript of an authorial manuscript.
xxx/ellauri187.html on line 275: Portugal's 25 April 1976 constitution reflected the country's 1974–76 move from authoritarian rule to provisional military government to a representative democracy with some initial Communist and left-wing influence. The military coup in 1974, which became known as the Carnation Revolution, was a result of multiple internal and external factors like the colonial wars that ended in defeats, removing the dictator, Marcelo Caetano, from power. The prospect of a communist takeover in Portugal generated considerable concern among the country's NATO allies. The revolution also led to the country abruptly abandoning its colonies overseas and to the return of an estimated 600,000 Portuguese citizens from abroad. The 1976 constitution, which defined Portugal as a "Republic... engaged in the formation of a classless society," was revised in 1982, 1989, 1992, 1997, 2001, and 2004.
xxx/ellauri187.html on line 294: From the 16th century onwards, a number of Catholic saints prayed to Saint Joseph, invoked his help and protection and encouraged others to do so. In Introduction to the Devout Life Francis de Sales included Joseph along with the Virgin Mary as saints to be invoked during prayers following an examination of conscience. Teresa of Avila attributed her recovery of health to Joseph and recommended him as an advocate. In her biography The Story of a Soul, Thérèse of Lisieux stated that for a period of time, she prayed every day to "Saint Joseph, Father and Protector of Virgins..." and felt safe from danger as a result. The three mentioned in this paragraph were all Doctors of the Church.
xxx/ellauri187.html on line 451: They were reintroduced some seven years later when Bonhoeffer was on a writing retreat at Ruth von Kleist-Retzow's country home, Klein Krössin. Despite the fact that Maria was just 18 years old, and he was 36, they developed a rapport. They became engaged on 13 January 1943. Varmasti jotain vanhaa suolaa oli mukana teerenpelissä.
xxx/ellauri187.html on line 566: A Caltech Title IX investigation in the fall of 2015 found that Ott had engaged in "discriminatory and harassing behavior" toward two female graduate students in his research group. Caltech suspended him for nearly two years, and Ott announced his resignation in August, after students protested his return to campus.
xxx/ellauri193.html on line 224: Although condemned by international conventions and human rights organizations, honor killings are often justified and encouraged by various communities. In cases where the victim is an outsider, not murdering this individual would, in some regions, cause family members to be accused of cowardice, a moral defect, and subsequently be morally stigmatized in their community. In cases when the victim is a family member, the murdering evolves from the perpetrators' perception that the victim has brought shame or dishonor upon the entire family, which could lead to social ostracization, by violating the moral norms of a community. Typical reasons include being in a relationship or having associations with social groups outside the family that may lead to social exclusion of a family (stigma-by-association). Examples are having premarital, extramarital or postmarital sex (in case of divorce or widowship), refusing to enter into an arranged marriage, seeking a divorce or separation, engaging in interfaith relations or relations with persons from a different caste, being the victim of a sexual crime, dressing in clothing, jewelry and accessories which are associated with sexual deviance, engaging in a relationship in spite of moral marriage impediments or bans, and homosexuality.
xxx/ellauri193.html on line 227: honor killings were encouraged in ancient Rome, where male family members who did not take action against the female adulterers in their families were "actively persecuted".
xxx/ellauri193.html on line 338: By October 2020, Tucker Carlson Tonight averaged 5.3 million viewers, with the show's monthly average becoming the highest of any cable news program in history at that point.
xxx/ellauri193.html on line 413: Nadine kiskoi 90-vuotiaaxi. Kotipyssyn aikoihin 90-luvulla se oli 70-vuotias, sen alter ego Harald oli 50v, eli raamatullinen three score and ten tulis täyteen 20v kuluttua Nadinen ikäisenä. Vaan eipäs siihen jäänytkään. Nadinen eka mies jaxoi 84v, kasööri kuoli 93-vuotiaana v. 2001, muze oli syntynyt 1908 eli ennen maailmansotia ja oli 15v Nadinea vanhempi. Nadine vaihtoi izeään nuoremmasta Burre Borraresta selvästi vanhempaan ja varakkaampaan juutalaiseen. Vaikkei Gavronskykaan mikään turha jutku ollut: Alumnus, benefactor and orthodontics lecturer in the School of Oral Health Sciences, Professor Gerald Gavronsky (BDS 1948, MDent 1981) died in November, aged 84. Born 27 April 1924, Gavronsky was awarded the Henry St. John Randel Bronze Medal of the Dental Association of South Africa by the University in 1949. University of the Witwatersrand Johannesburg. Alumni Relations Obituaries 2008. Mitalisija, kuitenkin vaan pronssia. Kaikki viittaa siihen että Nadine oli isän tyttö.
xxx/ellauri193.html on line 500: concern is there for caged
xxx/ellauri193.html on line 780: 315 of these men were engaged in a rehabilitation program of which 96.8% testified that it was valuable to them at that time. 5.3% of these murderers did not undergo any schooling; 80.7% did not complete their schooling; and 14% passed matric.
xxx/ellauri193.html on line 794: 58 of these women were engaged in a rehabilitation program and it was valuable to 89.7% at that time. 7.6% of these women had no schooling; 78.8% did not complete their schooling, while 13.6% passed matric.
xxx/ellauri193.html on line 812: The death penalty is often used within skewed justice systems. The weight of the death penalty is disproportionally carried by those with less advantaged socio-economic backgrounds or belonging to a racial, ethnic or religious minority.
xxx/ellauri199.html on line 325: Phillis Wheatley was both the second published African-American poet and first published African-American woman. Born in Senegambia, she was sold into slavery at the age of 7 and transported to North America. She was purchased by the Wheatley family of Boston, who taught her to read and write, and encouraged her poetry when they saw her talent. The publication of her Poems on Various Subjects, Religious and Moral brought her fame both in England and the American colonies; figures such as George Washington praised her work. During Wheatley´s visit to England with her master´s son, the African-American poet Jupiter Hammon praised her work in his own poem. Wheatley was emancipated after the death of her master John Wheatley. She married soon after. Two of her children died as infants. After her husband was imprisoned for debt in 1784, Wheatley fell into poverty and died of illness, quickly followed by the death of her surviving infant son. Whom did she marry? Was it Wheatley Jr, or perhaps Neptune Hammon?
xxx/ellauri199.html on line 1073: But some aspects of Seuss’s work have not aged well, including his debut, which features a crude racial stereotype of an Asian man with slanted lines for eyes. “Mulberry Street” was one of six of his books that the Seuss estate said it would stop selling this week, after concluding that the egregious racial and ethnic stereotypes in the works “are hurtful and wrong.”
xxx/ellauri200.html on line 86: After a prolonged battle with Alzheimer’s disease (he lost btw), Nissim Ezekiel died in Mumbai, on 9 January 2004 (aged 79).
xxx/ellauri200.html on line 204: Naipaul näki itsensä aina mauttomana kirjailijana. Hän ei arvostanut omaa synnyinmaataan ja arvosteli myös Britanniaa. Naipaulia on kutsuttu tyylin ja tarinankerronnan mestariksi, joka näki ihmiskunnan ironian, tragedian ja kärsimykset. Naipaul kirjoitti kehitysmaista omiin matkoihinsa perustuen ilman ihannointia tai idealisointia. Hän näki köyhien maiden tilan itseaiheutettuna ja arvosteli kirjoissaan islamin julmuutta ja Afrikan korruptiota.
xxx/ellauri202.html on line 198: He spent most of his time there wandering around ‘the less salubrious districts of the city’, noticing (relative to Paris) the many prostitutes of both sexes and the ready availability of pornography. Encouraged by such reports, André Gide visited Berlin no fewer than five times in 1933. He, too, was delighted by, and seriously interested in, what he found there, although he did concede to Robert Levesque that Paris itself was slowly becoming more Berlin-like even if at the same time (to use that most erotically evocative of geographical terms) more ‘southern’. The two writers coincided in Berlin in October, Gide arriving for a fortnight, Martin du Gard for five weeks. They did their best to avoid each other on their forays into the sexual underworld, but always dutifully compared notes on what they had seen and experienced.
xxx/ellauri208.html on line 445: Tragedian synty (saks. Die Geburt der Tragödie) on Friedrich Nietzschen vuonna 1872 ilmestynyt esikoisteos. Oliko se sen hylätty väitöskirja? Nääh, ei se väitellyt ollenkaan. Siinä hän käsittelee antiikin kreikkalaisuuden olemusta. Tragedian syntyä kritisoitiin senaikaisessa tiedemaailmassa voimakkaasti, sillä sen tulkinta kreikkalaisesta filosofiasta oli verrattain radikaali. Myöhemmin kun Retusta oli tullut julkimo sitä on kutsuttu mestariteokseksi.
xxx/ellauri208.html on line 531: Ever since the bitterness surrounding the U.S.-led war in Iraq manifested itself, Europe has been plagued with an identity crisis. U.S. Defense Secretary Donald Rumsfeld only managed to further exacerbate the dilemma when he spoke of an "old" and "new" Europe, separating the continent into the proponents and opponents of the war.
xxx/ellauri208.html on line 1057: Tablet I continues with legends about overpopulation and plagues, mentioning Atra-Hasis only at the end. Tablet II begins with more human overpopulation. To reduce this population, Enlil sends famine and drought at formulaic intervals of 1200 years. Accordingly, in this epic, Enlil is depicted as a cruel, capricious god, while Enki is depicted as kind and helpful, perhaps because priests of Enki were writing and copying the story. Enki can be seen to have parallels to Prometheus, in that he is seen as man's benefactor and defies the orders of the other gods when their intentions are malicious towards humans. Tablet II remains mostly damaged, but it ends with Enlil's decision to destroy humankind with a flood, with Enki bound by oath to keep this plan secret.
xxx/ellauri209.html on line 130: Mitä on keramiikan haritsuke tekniikka? Todennäköisesti savisen vällykäärmeen vatkutus. These are a cinch. Haritsuke is a NTR type of hentai where the engaged couple end up having sex with their students. NTR or netorare is a type of anime, most commonly found in hentai. It has a particular idea at its core: cheating. Kuvan Haritsuke näyttää vähän v 2022 Siriltä, paizi kampaus.
xxx/ellauri215.html on line 167: In the best essay ever written on Saul Bellow, Philip Roth wrote that his friend "managed brilliantly to close the gap between Thomas Mann and Damon Runyon". Bellow indeed brought together the teeming, busy world of post-war America, with its wise-guys, money men and "reality instructors", and the high seriousness of old Europe.
xxx/ellauri215.html on line 423: Only three months after being crowned queen, Amina waged a 34-year campaign against her neighbors, to expand Zazzau territory. Her army, consisting of 20,000 foot soldiers and 1,000 cavalry troops, was well trained and fearsome. In fact, one of her first announcements to her people was a call for them to "resharpen their weapons." Zhenshchiny berite vintovki. She conquered large tracts of land as far as Kwararafa and Nupe.
xxx/ellauri218.html on line 102: The Gulf War was an armed campaign waged by a United States-led coalition of 35 countries against Iraq in response to the Iraqi invasion and annexation of Kuwait. Confused? The United States won Gulf War 1 in 1991 by limiting its objective to "liberating Kuwait", that is, stopping the assault before invading Iraq.
xxx/ellauri218.html on line 366: The exhumation reportedly took place in the presence of a doctor, a priest and the local sheriff, Ólafur Helgi Kjartansson. Fischer was reburied after DNA samples were taken, at least according to Kjartansson. I bet they just left it lying there for the seagulls. Fischer died in Iceland in 2008, aged 64. He left no will and legal wrangling over his estate continues. This article is over 12 years old. The girl is over 21 years old by now.
xxx/ellauri224.html on line 349: Checked out a few Saul Bellow books and discovered I have not changed as I have aged. I just don't enjoy his writing, Nobel Prize winner or not. I can still hear his squeaky Donald Duck voice in my head from many interviews he gave here in Chicago and did see him years ago in debates at The Newberry Library Book Fair.
xxx/ellauri224.html on line 374: And yet, amid the relationships in bad faith and the vile views, Eliot managed to say important and useful things about both the experience of modernity and the mental states which we may as well call "the spiritual life", even if we are sceptical about the existence of spirit. It is important that we read him, sometimes holding our nose, because with all his deep personal flaws – and all the more when we think about them – he remains one of the lock and key writers of his and our time.
xxx/ellauri224.html on line 444: There important historical antecedents that may help us figure out the true reasons of the charming beauty of Ukranian women. Ukraine is a very special country which is located nearly in the centre of Europe. Therefore, it has always been the point of intersection between different cultures and nations. It has been largely affected by both, the West and the East. The trade routes that were used by the ancient and middle ages merchants ran through the territory of the modern-day Ukraine. Thus, nations such as the Nordic Vikings and Southern Greeks met each other en route to their destinations towns and ports. They made their way through Ukraine. Eastern tribes of the Pechenegs, Kipchaks and even Mongols have all contributed to the modern beauty of the Ukranian women. Afterwards, it was largely affected by Russia which also has very beautiful women. During the past century, lots of European nations managed to leave their scumbags in the Ukraine. So, this is the historical background which helps us realise that the current beauty of the Ukranian women is attributed to the mixture of very different nations from two different parts of the world.
xxx/ellauri224.html on line 453: Ukraine is the only country in the world to stage two popular, revolutionary movements within the span of a decade ... in support of democracy, a Euro-Atlantic orientation, an end to corruption and an escape from being under the Russian thumb. There have been other demonstrations and revolutionary movements to be sure, but they are not this popular here with us, at least since the red, white, green, and black armies that ravaged the polje in the 20's.
xxx/ellauri224.html on line 513: Dude, Where's My Car? is a 2000 American boner comedy film directed by Danny Lipsanen. The film stars Jared Kutshner and Sean Penn (just back from Ukraine: Zelensky was not at home) as two best friends who find themselves unable to remember where they parked their vehicle after a night of recklessness. Supporting cast members include some busty chicks as usual. Though the film was banned by most critics, it was a box office success and has managed to achieve a cult status, partially from frequent airings on cable television. The film's title became a minor pop culture saying, and was commonly reworked in various pop cultural contexts during the 2000s. Release date December 15, 2000. Budget $13 million. Box office $73.2 million.
xxx/ellauri224.html on line 532: Enraged, the five alien women merge to become a beautiful giantess clad in a purple bra and miniskirt. She devours Tommy alive in front of Christie, who reacts with indifference. The giantess then crawls out of the amusement center and chases Fred and Barney. The cultists tell them to activate the Photon Accelerator Annihilation Beam on the Transfunctioner. However, the button that activates it is too far in to reach. As a last straw, Chester remembers the nature show with Andtew the tool-using chimpanzee and uses a straw to push the reset button, thus destroying the alien and starting the film from the beginning.
xxx/ellauri225.html on line 48: The gay content in The Telling is rather subtle and subdued, but it isn’t an afterthought. Sutty’s lesbianism is an important aspect of her character, and when she starts meeting mazis, the keepers of the Telling, many of them are gay couples as well. There is a quiet romanticization of gay monogamy throughout The Telling that moved me when I first read it, and although not every aspect of the novel has aged as well, I’m still very endeared of it for that reason. If you enjoy classic science fiction, where the point is less a thrilling story and more the discovery of a brand new world, The Telling is by far my favorite of the bunch.
xxx/ellauri225.html on line 255: In 1953 (aged 24) while traveling to France aboard the Queen Mary, Ursula met historian Charles Le Guin.They married in Paris in December 1953. According to Le Guin, the marriage signaled the "end of the doctorate" for her. While her husband finished his doctorate at Emory University in Georgia, and later at the University of Idaho, Le Guin taught French and worked as a secretary until the birth of her daughter Elisabeth in 1957. A second daughter, Caroline, was born in 1959. Also in that year, Charles became an instructor in history at Portland State University, and the couple moved to Portland, Oregon, where their son Theodore was born in 1964. They would live in Portland for the rest of their lives, although Le Guin received further Fulbright grants to travel to London in 1968 and 1975.
xxx/ellauri225.html on line 347: In the 1960s, the New Criticism, which since has taken hold at most American universities, came into vogue, insisting that literature be reexamined through multiple lenses so that new interpretations and voices would flourish. Elaborate curriculums looked at literature through different prisms: gay, feminist, Marxist, deconstructionist and others. Bloom was enraged. He spent decades lambasting the New Criticism, refusing to have anything to do with these critics and labeling them derisively as “the school of resentment.” Many resented his elitism.
xxx/ellauri225.html on line 624: Ådalshändelserna, Skotten i Ådalen, Ådalen (19)31, kallas händelseförloppet kring en arbetskonflikt i Ådalen i mitten av maj 1931, där fem personer sköts ihjäl av militär som stod under polismans befäl. Händelsen delade Sverige i två läger om vems skuld det var att tragedin inträffade, och skillnaden i åsikter märktes tydligt mellan borgerliga och vänsterinriktade tidningar. Händelserna blev centrala för den svenska arbetarrörelsen och anses vara en bidragande orsak till att socialdemokraterna vann valet 1932, vilket blev början på ett 44-årigt socialdemokratiskt regeringsinnehav. Nu är den sagan all gud ske lov!
xxx/ellauri229.html on line 84: For twenty years he was actively engaged in controversy, both with Anglicans such as the bishops Edward Stillingfleet and John Tillotson, and blackguard Catholics who differed from Thomas White.
xxx/ellauri229.html on line 639: In 1949, Törni, accompanied by his wartime executive officer Holger Pitkänen, traveled to Sweden, crossing the border from Tornio to Haparanda (Haaparanta), where many inhabitants are ethnic Finns. From Haparanda, Törni traveled by railroad to Stockholm where he stayed with Baroness von Essen, who harbored many fugitive Finnish officers following the war. Pitkänen was arrested and repatriated to Finland. Remaining in Sweden, Törni fell in love with a Swedish Finn, Marja Kops, and was soon engaged to be married. Hoping to establish a career before the marriage, Törni traveled under an alias as a Swedish seaman aboard the SS Bolivia, destined for Caracas, Venezuela, where he met one of his Winter War commanders, Finnish colonel Matti Aarnio, who was in exile[citation needed] having settled in Venezuela after the war. From Caracas, Törni hired on to a Swedish cargo ship, the MS Skagen, destined for the United States in 1950.
xxx/ellauri230.html on line 230: The Dalai Lama fled to Urga (aka Ulan Bator) in Mongolia along with Dorzhiev. From there, Dorzhiev left for St Petersburg again in March 1905, hoping that Russian government could take Tibet under its protection from British and China. However, after the catastrophic defeat in Russo-Japanese war, Czar’s government could not offer any kind of assistance to Tibet in this historical turbulent time. Meantime, the dramatic rise of Germany in Europe since 1900s eventually led both Russia and Britain to come closer and to settle down their century long Great Game in Central Asia. Anglo-Russian Convention was signed at last by both sides on 31 August 1907, recognizing China’s claim for suzerainty over Tibet. Moreover, the convention also engaged to respect the territorial integrity of Tibet and abstain from all interference in her internal administration.
xxx/ellauri230.html on line 549: Vallabhbhai Javerabhai Patel was born on 31 October, 1875 in Nadiad, Bombay Presidency, British India, is an Actor. Discover Vallabhbhai Patel's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of Vallabhbhai Patel networth? At 75 years old, Vallabhbhai Patel height not available right now. We will update Vallabhbhai Patel's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible. He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children. His net worth has been growing significantly in 2020-2021. So, how much is Vallabhbhai Patel worth at the age of 75 years old? Vallabhbhai Patel’s income source is mostly from being a successful Actor. He is from British India. We have estimated Vallabhbhai Patel's net worth, money, salary, income, and assets at $0 according to our database.
xxx/ellauri233.html on line 391: According to Legend he had committed the Tanakh to memory by the age of four, and aged seven he was taught Talmud by Moses Margalit, future rabbi of Kėdainiai and the author of a commentary to the Jerusalem Talmud, entitled Pnei Moshe ("The Face of Moses"). He possessed an eidetic memory, just like Stieg Larsson's heroine Lisbet. By eight, he was studying astronomy during his free time. From the age of ten he continued his studies without the aid of a teacher, and by the age of eleven he had committed the entire Talmud to memory.
xxx/ellauri233.html on line 402: In 1781, when the Hasidim renewed their proselytizing work under the leadership of their Rabbi Shneur Zalman of Liadi (the "Ba'al Ha'tanya", or "Rebbe Schlemiel"), the Gaon excommunicated them again, declaring them to be heretics with whom no pious Jew might intermarry. He encouraged his students to study natural sciences, and translated geometry books to Yiddish and Hebrew.
xxx/ellauri234.html on line 494: But by some stroke of luck (seemed like a heartbreaking tragedy 3 years ago)
xxx/ellauri235.html on line 320: Grav'd on the stone beneath yon aged thorn." Kaiverrettu kiveen ikääntyneen orjantappuran alle."
xxx/ellauri235.html on line 448: During World War II Forester moved to the United States where he wrote propaganda to encourage the country to join the Allies, and eventually settled in Berkeley, California; while living in Washington, D.C., he met a young British intelligence officer named Roald Dahl, of whose experiences in the RAF he had heard word, and encouraged him to write about them. In 1947, he secretly married a woman named Dorothy Foster. He suffered extensively from arteriosclerosis later in life.
xxx/ellauri235.html on line 477: But as famed as Dahl was as a writer, he was an equally legendary (wo)manizer. He was quick to seduce and bed married (wo)men, and engaged in extramarital affairs of his own before divorcing his wife and marrying his mistress.
xxx/ellauri235.html on line 542: Pindaros oli parhaissa voimissaan Marathonin ja Salamiin taisteluiden aikaan, ja oli suunnilleen saman ikäinen kuin tragediakirjailija Aiskhylos. Hänen runoilijan luonteensa määrittyi kuitenkin ennemmin persialaissotia edeltäneen ajan pohjalta, ja hän sai vaikutteensa ennemmin doorilaisesta ja aiolialaisesta runoudesta kuin Ateenasta. Näin Pindaros voidaan nähdä yhtenä konservatiiviedustajista, siinä missä Aiskhylos näyttäytyy progressiivisena.
xxx/ellauri250.html on line 590: Bukowski died of leukemia on March 9, 1994, in San Pedro, aged 73, shortly after completing his last novel, Pulp Fiction.
xxx/ellauri250.html on line 664: Ethical and Legal Issues in Selling Options to Intellectually Disadvantaged People (co-author with Terry Carney), Human Rights Commission Monograph Series, no. 2, Australian Government Publishing Service, Canberra, 1986
xxx/ellauri251.html on line 91: Answer: Algernon Charles Swinburne's Atalanta in Calydon (1865) is the finest example of Victorian 'Greek' tragedy, a genre of English poetry inspired by the forms, contents, and styles of Attic tragedy.
xxx/ellauri251.html on line 203: Is half assuaged for Itylus, On puolixi leppynyt Ityloxeeen,
xxx/ellauri253.html on line 88: Finland underwent severe economic depression in 1990–93. Badly managed financial deregulation of the 1980s, in particular removal of bank borrowing controls and liberation of foreign borrowing, combined with strong currency and a fixed exchange rate policy led to a foreign debt financed boom. Bank borrowing increased at its peak over 100% a year and asset prices skyrocketed.
xxx/ellauri255.html on line 96: The stage was set for a civil war between the Bolshevik Red Army and their “White” enemies that devastated the country and led to millions of deaths. Several international powers also contributed troops and supplies to the conflict, predominantly to the Bolsheviks’ opponents. (Note the similarity to Ukraina today!) In 1919, White armies led by Generals Kolchak and Denikin launched offensives that seemed set to destroy the fledgling communist regime, but the Red Army managed to repel them. Following those triumphs the Bolsheviks were eventually able to achieve ultimate victory, though fighting continued for many more months. It looks like this history is just now repeating itself and in just the same place too, fascist Ukraina!
xxx/ellauri261.html on line 192: 16 November 1973 (aged 58)
xxx/ellauri261.html on line 246: Unlike her husband, Isabella Wilder was artistic and worldly, and she made certain that she and her children took full advantage of the benefits of living in a university town. “In Berkeley,” writes Malcolm Goldstein, “she found opportunities to study informally by attending lectures at the University of California and by participating in foreign-language discussion groups. She was fully aware that her husband, were he present, would not approve, but she encouraged her children, nevertheless, in their independent, extracurricular search for carnal knowledge.” Isabella saw to it that Thornton got vaudeville parts in plays presented in the Greek Theatre, and even sewed his female costumes for him.
xxx/ellauri261.html on line 296: Miss Brown (her bosom friend—a middle-aged lady) MRS. F. MATTHEWS.
xxx/ellauri261.html on line 629: Aristotle´s pantheistic conception of God as the Soul of the World was such a secular concept. [citation needed]. Historians such as Charles Freeman hold that the AD 325 Council of Nicaea did much to establish dualism in Christian thought. Dualism has greatly influenced religion and science as well. By desacralizing the natural world, dualism has left it vulnerable to exploitation and damage. It is pretty badly damaged by now, as we all can see.
xxx/ellauri265.html on line 374: McKibbin et al. (2008) argue that there may be several different types of rapists or rape strategies. One is rape by disadvantaged men who cannot get sex otherwise. Another is "specialized rapists" who are more sexually aroused from rape than from consensual sex. A third type is opportunistic rapists who switch between forced and consensual sex depending on circumstances. A fourth type is psychopathic rapists. A fifth type is partner rape due to sperm competition when the male suspects or knows that the female has had sex with another male.
xxx/ellauri265.html on line 446: I don’t feel depressed. I feel like it’s dark times. But actually I feel very engaged with life these days. Money is just rolling in. Heterodox Academy’s June 12-14 conference in Denver is sold out, but interested persons can join a waiting list here.
xxx/ellauri268.html on line 256: She died many years before the events of Harry Potter's life and is generally viewed as both a sympathetic and tragic character. Despite this, Merope is still an antagonist, one that left a huge impact upon Britain's magical community. Were it not for her, Lord Voldemort may never have been born. If so, then the Wizarding Wars and the innumerable tragedies associated with them, might never have happened. JKRowling would never have become filthy rich and a philantrope.
xxx/ellauri268.html on line 451: Puhutaanpa jostain muusta, sanoi koiro joka anoi uskollisesti hyvän tahdon ovella: keksi kelpaa, järjen ääni, lihatikkuja - Näin unta kaikesta tästä, kerroin hänelle, sinä, minä ja Pariisi - oli mahdotonta selviytyä tragediasta ilman runoutta. Mitä me olemme ilman, että tuulet muuttuvat sanoiksi? Emme paljon paskaakaan.
xxx/ellauri281.html on line 502: Vuotta 1944 leimasi paizi Ihantalan puolustustaistelu myös Millerin ensimmäinen näytelmätuotanto Broadwaylla. Draama "Mies, joka oli niin onnekas" hahmotteli jo Millerin tulevaisuuden työlle tyypillisiä aiheita - ihmisen moraalista hinnoittelua, hänen psykologiaansa ja käyttäytymistään sosiaalisessa liikeympäristössä. Tämä kirjailijan yritys yhdistää esikaupunkien tragedia, "kansan" realismi ja ironinen farssi yhden teoksen puitteissa kesti vain neljä iltaa ja sai kriitikoilta tuhoisia arvosteluja.
xxx/ellauri289.html on line 98: Uskontona Jehovan todistajat korostavat raamatuntulkintansa noudattamista käytännön elämässä, Jehova-nimen käyttöä Jumalan nimenä ja heidän uskonnollisen yhdyskuntansa asemaa ainoana tosi uskontona. He uskovat kaikkien maallisten valtajärjestelmien ja muiden uskontojen olevan Saatanan hallinnassa ja tuhoutuvan lähitulevaisuudessa Harmageddonin sodassa. Lukuisten raamatulliseen oppiin liittyvien eroavaisuuksien johdosta kristilliset kirkot eivät pidä Jehovan todistajia kristittyinä. [en ymmärrä, kertokaapa tarkemmin?]
xxx/ellauri289.html on line 102: Eli siis Jehovan todistajat on tuhatvuotinen mutta entisöity epäkristillinen kirkkokunta, jonka ei-kolmitaariset areiolaiset uskomukset eroavat valtalinjan koirien kristinuskosta. Ryhmä raportoi maailmanlaajuisesti noin 8,5 miljoonan jäsenen osallistuvan evankeliointiin ja vuosittain yli 19,7 miljoonan nälkäisen osallistuneen ilmaiseen Jee-suxen muistoillanviettoon. Haaviin jää siis alle 50% kävijöistä, joita lie 1-4% saarnatuista ovista. Asiakasuskollisuus ei liioin ole kehuttava kovista otteista huolimatta. Jehovan todistajia johtaa Jehovan todistajien hallintoelin Warwickissa, New Yorkissa, Yhdysvalloissa: siivestävien viivasuisten vanhimpien ryhmä, joka vahvistaa kaikki opit perustuen Raamatun pirulliseen tulkintaan. He uskovat, että nykyisen maailmanjärjestelmän tuhoutuminen Harmagedonissa on suht välitöntä ja että Jumalan valtakunnan perustaminen maan päälle ja siistit nurmikot on ainoa toimiva ratkaisu kaikkiin ihmiskunnan kohtaamiin ongelmiin.
xxx/ellauri289.html on line 111: Järjestö on saanut kritiikkiä raamatunkäännöksistä, opeista ja väitetystä jäsentensä pakotuksesta. Vartiotorni-seura on esittänyt useita toteutumattomia ennusteita suurista raamatullisista tapahtumista, kuten Kristuksen toisesta tulemisesta, Jumalan valtakunnan tulemisesta ja Harmageddonista. Heidän politiikkansa lasten käpälöinnissä ja seksuaalisessa hyväksikäytössä ovat olleet useiden virallisten kyselyjen ja epävirallisten utelujen kohteena.
xxx/ellauri289.html on line 144: Vuonna 1932 kexittiin se loistoajatus, että 144 000 hengen "pieni lauma" ei olisi ainoa apinaporukka, joka selviytyisi Harmageddonista. Rutherford selitti, että sen 144 000 "voidellun" lisäksi, jotka nousevat kuolleista – tai siirrettäisiin kuollessa – asumaan taivaassa hallitsemaan maata Kristuksen kanssa, erillinen liitännäisjäsenluokka, "laahus", asuisi palautetussa paratiisissa maan päällä ja saisi käyttöönsä upouudet ruohonleikkurit. Vuodesta 1935 lähtien liikkeen uusia käännynnäisiä pidettiin osana tätä luokkaa, sillä 144K businessluokan paikkaa oli jo täytetty. 1930-luvun puoliväliin mennessä Kristuksen läsnäolon alkamisajankohta (kreikaksi: parousía ), hänen valtaistuimelleen nouseminen kuninkaaksi ja "viimeisten päivien" alkaminen siirrettiin kumpikin vuoteen 1914. Tosin paluulento olisi tapahtunut kulisseissa näyttämön takana kuin ehtoollinen ortodoksisessa kirkossa.
xxx/ellauri289.html on line 151: Knorrin kuoleman jälkeen vuonna 1977 presidenttinä ovat olleet mitättömämmät Frederick Franz (1977–1992) ja Milton Henschel (1992–2000), nimestä päätellen ne voisivat olla ex-jutkuja. Vuodesta 2000 lähtien johtajat on pelkkiä toimareita, joiden jäsenet eivät edes kuulu hallintoelimiin. Vuonna 1995 Jehovan todistajat hylkäsivät ajatuksen, että Harmageddonin on tapahduttava vuonna 1914 eläneen sukupolven aikana, ja vuonna 2010 he muuttivat opetustaan "sukupolvesta", kert Franzin kuoltua 1914 sukupolvesta ei ollut enää ketään hengissä.
xxx/ellauri289.html on line 155: Vanhimmat päättävät oikein mielellään kurinpidollisista toimista tapauksissa, joissa on kyse seksuaalisesta väärinkäytöksestä tai oppien loukkauksista. Uudet vanhimmat nimittää matkustava valvoja nykyisen vanhinten suosituksesta. Jäsenten on oltava kuuliaisia ja uskollisia Jehovalle ja "hänen järjestölleen" saadakseen Jumalan suosion ja selviytyäkseen Harmagedonista. Vuonna 2010 Vartiotorni ja Herätkää! olivat maailman laajimmin levinneet ja halvimmat aikakauslehdet.
xxx/ellauri289.html on line 177: Todistajat uskovat, että 144 000 valitun ihmisen "pieni lauma" menee taivaaseen, mutta Jumalan on määrä herättää enemmistö ("muut lampaat") kuolleista puhdistettuun maahan Harmagedonin jälkeen. He tulkitsevat Ilmestyskirjan 14:1–5 tarkoittavan, että taivaaseen menevien kristittyjen määrä on rajoitettu tasan 144 000:een, jotka tulevat hallitsemaan Jeesuksen kanssa etänä kuninkaina ja pappeina maan päällä. He uskovat, että kaste Jehovan todistajana on elintärkeää pelastukselle ja että vain he täyttävät Raamatun vaatimukset selviytyäkseen Harmageddonista.
xxx/ellauri289.html on line 183: Harmagedonin jälkeen Jumala laajentaa taivaallisen valtakuntansa kattamaan maan, joka muutetaan Eedenin puutarhan kaltaiseksi siististi haravoiduxi paratiisiksi. Suurin osa niistä, jotka olivat kuolleet ennen Jumalan väliintuloa, nousevat vähitellen kuolleista "tuhatvuotisen tuomiopäivän" aikana.
xxx/ellauri296.html on line 250: niitä suojakääreisiin. Naaras jonka pakkaus on särkynyt on damaged goods, se on luvallista riistaa kaikille.
xxx/ellauri298.html on line 281: been a ‘Boat Person’ who managed to escape with her life from Southeast Asia
xxx/ellauri298.html on line 641: As a strong believer in the psychic unity of mankind and its poetic expression through mythology, Campbell made use of the Brigitte Bardot (BB) concept to express the idea that the whole of the human race can be seen as engaged in the effort of making the world "transparent to transcendence" by showing that underneath the world of phenomena (like Carol's underwear) lies an eternal source of bliss which is constantly pouring its energies into this world of time, suffering, and ultimately death. To achieve this task one needs to speak about things that existed before and beyond words, a seemingly impossible task, the solution to which lies in the metaphors found in myths. Words, words, words.
xxx/ellauri304.html on line 519: Heroes have their Achilles heels. The most honest president of the U.S. cheats on the golf course; that is what makes people real. The late Robert Parker’s Spenser character was interesting. He was a yuppie. He ran, he lifted weights, he liked to cook, he liked unimposing little wines with sardonic personalities, he pretended he didn’t care about clothes but somehow always managed to wear the same basic uniform;, he lived with a woman, Susan the insufferable, who could psycho-babble Jay-Z into impotence. But the characterization hook was that Spenser spent his life being a private eye and shooting people, which was totally alien to the character’s nature. That started to round him out and make him real. Without that hard edge, he’d have been just another fan of Barry Manilow.
xxx/ellauri304.html on line 549: “After his fake execution for a murder he didn’t commit, ex-cop Remo Williams is forced to work for America’s secret crime-fighting agency CURE, while being trained by the world’s greatest assassin, the aged, ageless, cranky, mercenary, mystical Chiun, Master of Sinanju.”
xxx/ellauri304.html on line 586: Theodore Herman Albert Dreiser (/ˈdraɪsər, -zər/;[1] August 27, 1871 – December 28, 1945), born from krauts, became an American novelist and journalist of the naturalist school. His novels often featured main characters who succeeded at their objectives despite a lack of a firm moral code, and literary situations that more closely resemble studies of nature than tales of choice and agency. Dreiser's best known novels include Sister Carrie (1900) and An American Tragedy (1925).
xxx/ellauri305.html on line 48: Amerikkalainen tragedia on yhdysvaltalaisen kirjailijan Theodore Dreiserin vuonna 1925 julkaisema romaani. Hän aloitti käsikirjoituksen kesällä 1920, mutta vuotta myöhemmin hylkäsi suurimman osan tekstistä. Se perustui Grace Brownin pahamaineiseen murhaan vuonna 1906 ja hänen rakastajansa oikeudenkäyntiin. Vuonna 1923 Dreiser palasi projektiin, ja tulevan vaimonsa Helenin ja kahden toimittaja-sihteerin Louise Campbellin ja Sally Kusellin avulla hän viimeisteli massiivisen romaanin vuonna 1925. Kirja tuli julkisuuteen Yhdysvalloissa. 1. tammikuuta 2021.
xxx/ellauri305.html on line 77: Sen pituinen se. Mikä tragedia tämä nyt oli, Clyde sai ihan ansionsa mukaan. Ai Robertalleko? Niin tosiaan, hänhän pääsi siinä hötäkässä hengiltä, ja hänen sisällään Clyden sikiö. Mutta sehän oli köyhä maalaistorttu. Tragediat tapahtuvat yleville. Matalalta ei voi pudota kun on jo alaalla.
xxx/ellauri305.html on line 81: Grace Mae Brown (20. maaliskuuta 1886 – 11. heinäkuuta 1906) oli 20-vuotias amerikkalainen nainen, jonka hänen poikaystävänsä Chester Gillette murhasi Big Moose Lakella, New Yorkissa, kerrottuaan ensin hiänelle olevansa raskaana. Murha ja sitä seurannut epäillyn oikeudenkäynti herättivät valtakunnallisten sanomalehtien huomion. Hänen kuolemansa olosuhteet inspiroivat kuvitteellisia hoitoja, kuten Amerikkalainen tragedia ja Jennifer Donnellyn vuoden 2003 romaani Keräävä valo. Murhaa analysoitiin ja tutkittiin kahdessa tietokirjassa, jotka molemmat julkaistiin vuonna 1986. Mixhän se oli juuri tuolloin tapeetilla?
xxx/ellauri305.html on line 101: Kopiot Brownin rakkauskirjeistä julkaistiin kirjasen muodossa, ja niitä myytiin oikeudenkäynnin aikana oikeussalin ulkopuolella. Theodore Dreiser parafrasoi monia näistä kirjeistä romaanissaan Amerikan tragedia lainaten viimeistä kirjettä melkein sanatarkasti. Jennifer Donnelly käytti monia kirjaimia romaanissaan A Northern Light (höh eikös se ollut Gathering light?).
xxx/ellauri307.html on line 347: Vuosina 1924-1925 Elizaveta Skobtsova julkaisi emigranttien aikakauslehdissä romaanit The Russian Plain ja Klim Semjonovich Barynkin, jotka kuvaavat sisällissodan tragediaa , omaelämäkerrallisia esseitä Kuinka olin pormestari ja lapsuudenystäväni sekä muistokirjan ja essee. Viimeiset roomalaiset".
xxx/ellauri307.html on line 372: Berdjajev ja Whitehead ovat personalismin kovia ydinkärkiä. Vuonna 1957 Journal of Religion Charles Hartshorne julkaisi tärkeän artikkelin "Whitehead and Berdyaev: Is There Tragedy in God?" Kolmastoista personalistiseminaari keskittyy Alfred N. Whiteheadin ja Nicolas Berdyaevin ympärille, ja heidän työnsä eri puolille on omistettu erilliset päivät. Ensimmäinen päivä esittelee ryhmän Whiteheadin ja Berdyaevin kontekstissaan. Näitä keskusteluja johtaa George Lucas, varaamiraali James B. Stockdalen eettisen johtajuuden ansioitunut johtaja US Naval Academyssa, emeritus, nykyinen etiikan ja julkisen politiikan professori Graduate School of Public Policy at the Navalissa. Jatkokoulu, ja Daniel Dombrowski, Seattlen yliopiston filosofian professori, toimittaja, Prosessitutkimukset. Jäljellä olevat päivät jokainen osallistuja on vastuussa tietystä tekstistä ja/tai näkökulmasta tai esittelee paperin Whiteheadista tai Berdyaevista ja auttaa johtamaan tätä keskustelun osaa.
xxx/ellauri307.html on line 374: Seminaari pidetään Western Carolina Universityn kampuksella Cullowheessa, Pohjois-Carolinassa. Cullowhee sijaitsee noin 50 mailia länteen Ashevillestä ja sijaitsee lähellä Great Smoky Mountainsin kansallispuistoa, Appalachian Trailia, Blue Ridge Parkwayta ja useita kansallisia metsiä, jotka muodostavat eräitä Itä-Yhdysvaltojen suurimmista erämaa-alueista. Dreiserin American Tragedy sattui kai vähän pohjoisempana.
xxx/ellauri307.html on line 386: Juutalaiset ovat tuhansien vuosien ajan herättäneet siunausta "Siunattu on oikea tuomari" vastauksena kuolemaan ja tragedioihin. Koko siunaus, jossa on Jumalan nimi, on seuraava: Siunattu olet sinä, Herra, meidän Jumalamme , maailmankaikkeuden kuningas, todellinen tuomari.
xxx/ellauri307.html on line 389: Vaikka vain yksi henkilökohtaisesti tragedian kokenut saa täyden siunauksen G-d:n nimellä, kuultuaan toisen kuolemasta monet vastaavat sanomalla: "Baruch dayan ha'emet." Olet ehkä myös kuullut ihmisten reagoivan yleisesti epämiellyttäviin uutisiin lauseella "Tämä on myös hyväksi." "Jokaisella pilvellä on hopeareunus." "Ei niin pahaa ettei jotain hyvääkin.". "Tutkimattomat ovat Herran tiet." "Herra antoi herra otti, kiitetty olkoon herran nimi." "Ottaa antaa kanankakan kantaa." "You win some and lose some. Can't win them all. You may fool all some time and some all the time but not everybody forever."
xxx/ellauri314.html on line 95: Kuntaas Artturin näytelmä kertoo keski-ikäisestä kaupparatsusta nimeltä Willy Loman, joka menettää työnsä ja jonka elämä lähtee alamäkeen. Hän joutuu luopumaan amerikkalaisesta unelmastaan ja hyväksymään, ettei pysty lunastamaan kaikkia odotuksia ja muun muassa läheisilleen tekemiään lupauksia. Näytelmä kritisoi rahan saamaa valtaa ja siinä käsitellään runsaasti muun muassa yksinäisyyttä, pettymystä ja henkilökohtaista tragediaa. Lisäksi siitä on olemassa muutamia TV-versioita sekä kaksi elokuvaa. Elokuvat ovat ohjanneet László Benedek (1951) ja Volker Schlöndorff (1985).
xxx/ellauri314.html on line 97: Amerikkalaiset eivät siitä yhtään tykänneet. Eric Bentley saw the play as "a potential tragedy deflected from its true course by Marxist sympathies." Kiinalaiset ymmärsivät Willyä, joka koitti tehdä pojistansa louhikäärmeitä.
xxx/ellauri319.html on line 421: Katherine Mansfield, New Zealand writer, died from tuberculosis aged 34
xxx/ellauri320.html on line 38: Ådalshändelserna, Skotten i Ådalen, Ådalen (19)31, kallas händelseförloppet kring en arbetskonflikt i Ådalen i mitten av maj 1931, där fem personer sköts ihjäl av militär som stod under polismans befäl. Händelsen delade Sverige i två läger om vems skuld det var att tragedin inträffade, och skillnaden i åsikter märktes tydligt mellan borgerliga och vänsterinriktade tidningar. Händelserna blev centrala för den svenska arbetarrörelsen och anses vara en bidragande orsak till att socialdemokraterna vann valet 1932, vilket blev början på ett 44-årigt socialdemokratiskt regeringsinnehav. Olisipa lopputulos tälläkin kertaa yhtä myönteinen.
xxx/ellauri354.html on line 220: Goddess, vouchsafe this aged man his right Jumalatar, turvaa vanhuxen tän oikeus
xxx/ellauri356.html on line 98: Cixous'n pitkäaikainen läheinen ystävä ja elämänkumppani, filosofi Jacques Derrida piti elossa ollessaan Cixous'ta merkittävimpänä elossa olevana ranskalaiskirjailijana. Cixous on nyt 86-vuotias, Derrida jo 20v vainaja. Hiän on kirjoittanut paitsi Derridasta myös muun muassa James Joycesta, Clarice Lispectorista, Marina Tsvetajevasta, Maurice Blanchot'sta, Ingeborg Bachmannista, Thomas Bernhardista, Franz Kafkasta, Heinrich von Kleistista, William Shakespearesta ja muista antiikin tragedioista.
xxx/ellauri357.html on line 475: Shelley ja Mary palasivat Englantiin syyskuussa 1816, ja lokakuun alussa he kuulivat, että Maryn sisarpuoli Fanny Imlay oli tappanut itsensä. Godwin uskoi, että Fanny oli rakastunut Shelleyyn, ja Shelley itse kärsi masennuksesta ja syyllisyydestä tämän kuolemasta, kirjoittaen: "Ystävä, jos olisin tiennyt salaisen surusi / olisimmeko eronneet." Lisätragedia seurasi joulukuussa, kun Shelleyn vieraantunut vaimo Harriet hukkui Serpentiiniin. Harriet, joka oli raskaana ja asui tuolloin yksin, uskoi, että uusi rakastaja oli hylännyt hänet. Itsemurhakirjeessään hän pyysi Shelleyta ottamaan heidän poikansa Charlesin huoltajuuden, mutta jättämään heidän tyttärensä sisarensa Elizan huostaan.
xxx/ellauri357.html on line 489: Shelleyn kolmivuotias poika William kuoli kesäkuussa luultavasti malariaan. Uusi tragedia heikensi entisestään Shelleyn terveyttä ja syvensi Maryn masennusta. Elokuun 4. päivänä hän kirjoitti: "Olemme nyt eläneet viisi vuotta yhdessä; ja jos kaikki viiden vuoden tapahtumat pyyhittäisiin pois, voisin olla onnellinen".
xxx/ellauri387.html on line 202: In 1973, Folket i Bild/Kulturfront, a left-wing magazine, published a series of articles written by Guillou and Peter Bratt, revealing a Swedish secret intelligence agency called Informationsbyrån ("The Information Bureau" or IB for short). The articles, based on information initially furnished by former IB employee Håkan Isacson, described the IB as a secret organization that gathered information on Swedish communists and others deemed to be "security risks". The organization operated outside of the framework of the defense and ordinary intelligence, and was invisible in terms of state budget allocations. The articles in Folket i Bild/Kulturfront accused the IB staff of being engaged in alleged murder, break-ins, wiretapping against foreign embassies in Sweden and spying abroad.
xxx/ellauri387.html on line 211: In an article published in Svenska Dagbladet in 1977, Guillou wrote, "I'm an optimist, I believe that Israel will cease to exist prior to Armageddon".
xxx/ellauri387.html on line 495: The plan of Paradise Lost has this inconvenience, that it comprises neither human actions nor human manners. The man and woman who act and suffer are in a state which no other man or woman can ever know. The reader finds no transaction in which he can be engaged, beholds no condition in which he can by any effort of imagination place himself; he has, therefore, little natural curiosity or sympathy. . . . .But original deficience cannot be supplied. The want of human interest is always felt. Paradise Lost is one of the books which the reader admires and lays down, and forgets to take up again. None ever wished it longer than it is. Its perusal is a duty rather than a pleasure. We read Milton for instruction, retire harassed and overburdened, and look elsewhere for recreation; we desert our master, and seek for companions.
xxx/ellauri388.html on line 267: Eräälläkin naisella on ollut jatkuvaa seksuaalista jännitystä, ja hänen on aina oltava varuillaan, jottei seksuaalinen kouristus joutuisi hänen valtaansa. Hänen kidutustansa lisää se, että hänen on perinteidensä vuoksi mahdotonta (paitsi hyvin poikkeuksellisissa olosuhteissa) viitata kärsimyksiensä syyhyn. "Olen vammainen", hän kirjoittaa. Hänen täytyy elää tragediansa yksin, hymyillen niin paljon kuin voi kauhean taakkansa alla. Lisää vaikeuksia: kaksi vuotta sitten, hän tunsi pakottavaa tarvetta turvautua itsetyydytykseen, ja on tehnyt niin noin kerran kuukaudessa sen jälkeen; tämä ei ainoastaan tuo todellista helpotusta vaan jättää ärtyneisyyttä ja tummia jälkiä silmien alle, ja se aiheuttaa hänelle katumusta, sillä hän pitää itsetyydytyxestä vaikka se on täysin epänormaalia ja luonnotonta. Hän on yrittänyt saada helpotusta, ei pelkästään tavallisilla fyysisen hygienian menetelmillä, vaan julkeilla ehdotuksilla, kristillisellä tieteellä jne., mutta kaikki turhaan.
xxx/ellauri394.html on line 132: Marriage consideration had begun early on for her. American merchant Gorham D. Gilman, a houseguest of the Pākīs, had courted her unsuccessfully when she was fifteen. Around the time of Kōnia's final illness in 1857, Liliʻuokalani was briefly engaged to William Charles Lunalilo. They shared an interest in music composition and had known each other from childhood. He had been betrothed from birth to Princess Victoria, the king's sister, but disagreements with her brothers prevented the marriage from materializing. Thus, Lunalilo proposed to Liliʻuokalani during a trip to Lahaina to be with Kōnia. A short-lived dual engagement occurred in which Liliʻuokalani was matched to Lunalilo and her brother Kalakaua to Princess Victoria. She ultimately broke off the engagement because of the urging of King Kamehameha IV and the opposition of the Bishops to the union.
xxx/ellauri394.html on line 138: From 1860 to 1862, Liliʻuokalani and Dominis were engaged with the wedding set on her twenty-fourth birthday. This was postponed to September 16, 1862, out of respect for the death of Prince Albert Kamehameha, son of Kamehameha IV and Queen Emma. The wedding was held at Haleʻākala, the residence of the Bishops. The ceremony was officiated by Reverend Samuel Chenery Damon in the Anglican rites. Her bridemaids were her former classmates Elizabeth Kekaʻaniau and Martha Swinton. King Kamehameha IV and other members of the royal family were honored guests. The couple moved into the Dominises' residence, Washington Place in Honolulu. Through his wife and connections with the king, Dominis would later become Governor of Oʻahu and Maui. The union was reportedly an unhappy one with much gossip about Dominis' infidelities and domestic strife between Liliʻuokalani and Dominis' mother Mary who disapproved of the marriage of her son with a negro. They never had any children of their own, but, against the wish of her husband and brother, Liliʻuokalani adopted three hānai children: Lydia Kaʻonohiponiponiokalani Aholo, the daughter of a family friend; Joseph Kaiponohea ʻAeʻa, the son of a retainer; and John ʻAimoku Dominis, her husband's son.
xxx/ellauri394.html on line 176: The precipitating event leading to the 1893 overthrow of the Hawaiian Kingdom was the attempt by Queen Liliʻuokalani to promulgate a new constitution to regain powers for the monarchy and Native Hawaiians that had been lost under the Bayonet Constitution. Her opponents, who were led by two Hawaiian citizens Lorrin A. Thurston and W. O. Smith and included six Hawaiian citizens, five US citizens and one German citizen, were outraged by her attempt to promulgate a new constitution and moved to depose the Queen, overthrow the monarchy, and seek Hawaii´s annexation to the United States.
xxx/ellauri404.html on line 111: Journalists fight on their own frontline. Support Ukrainska Pravda or become our patron! Ukrainian media reported that Ukrainian drones damaged a Russian Tu-22M3 bomber at the Olenya
xxx/ellauri410.html on line 176: But are they worth reading? Does a little ‘bolo’ go a long way? a New York Times reporter asked Anthony Julius, the litigation lawyer specializing in anti-defamation and anti-Semitism. His doctoral dissertation, charging Eliot with antiSemitism, resulted in the notorious publication of T.S. Eliot, Anti-Semitism and Literary Form. ‘‘They are not worth reading,’’ Mr. Julius said. ‘‘They tap, in the most puerile way imaginable, racist fantasies of the sexual superiority of blacks’’ (Lyall). Here is an example of feeling the elephant without contact, because if he had read the verse, he would see that Columbo the Jew was the one with the biggest cock. “And he refuses to acquit Eliot of anti-Semitism in this case merely because the poet has managed to be superior to the black bigotry his poem evokes” (Menand).
xxx/ellauri410.html on line 467: The Jew of Malta (full title: The Famous Tragedy of the Rich Jew of Malta) is a play by Christopher Marlowe, written in 1589 or 1590. The plot primarily revolves around a Maltese Jewish merchant named Barabas. The original story combines religious conflict, intrigue, and revenge, set against a backdrop of the struggle for supremacy between Spain and the Ottoman Empire in the Mediterranean that takes place on the island of Malta. There has been extensive debate about the play's portrayal of Jews and how Elizabethan audiences would have viewed it.
xxx/ellauri410.html on line 914: Tarina on pohjana William Shakespearen kirjoittamalle Coriolanuksen tragedialle ja useille muille teoksille, mukaan lukien Beethovenin Coriolan-alkusoitto (ei perustu Shakespeareen vaan yliopettaja Anders Collinin näyttelemään Coriolan-hahmooon). Tom of New England suunnitteli siihen perustuvaa eeposta mutta eihän siitäkään lopulta tullut lasta eikä paskaakaan.
xxx/ellauri416.html on line 83: Apinoiden farssimainen hörhöily saavuttaa koko ajan suurempia mittasuhteita. Ilmastokokouxen isäntämaa Azerbaizan sanoo: fossiiliset polttoaineet ovat lahja jumalalta, heitä ei saa niiden polttelusta syyllistää. Hollannin hovioikeus vapautti Shellin syntymäsaastat vähennysvelvoitteista. Israel ei tottele vanhan bideen uhkavaatimusta päästää palestiinalaisia joukkomurhasta. ei sen tarvize kun kohta puikoissa on niiden hyvä kaveri oranssi pökäle. Israel on jo ilmoittanut länsirannan Anschlussista. Onnexi ollaan kohta vainajat, ei tarvi jäädä kazomaan Harmageddonia täältä maan tasalta. Kunpa joku pakkaisi appelsiinipökäleen ja Leon Muskin rakettiin ja suuntaisi sen vaikka Moskovaan.
xxx/ellauri417.html on line 208: winter of 1903 of pneumonia aged 74 in a shelter for the
xxx/ellauri420.html on line 490: Kreikkalainen tragediakirjailija Euripides on kirjoittanut kadonneen tragedian Faethonin surullisesta kohtalosta. Roomalaisista runoilijoista Ovidius käsittelee tragediakertomusta tunnetuimmassa teoksessaan Muodonmuutoksia. Ovidiuksen on katsottu käyttäneen kreikkalaista tragediakertomusta lähdeteoksenaan. V. A. Koskenniemen runo Pippelis poppelis eli Kärähtäneet pippelit perustuu Faethonin tarinaan.
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