| They also that dwell in the uttermost parts are afraid at thy tokens: thou makest the outgoings of the morning and evening to rejoice. |
ellauri083.html on line 673: Sarah had a similar reaction to the news, “Sarah laughed to herself, saying, ‘After I have grown old, and my husband is old, shall I have pleasure?’” (Genesis 18:12) God caught her laughing, but “Sarah denied, saying, ‘I did not laugh’; for she was afraid. He said, ‘No, but you did laugh’” (Genesis 18:15). You can’t pull a fast one on God! But God can pull a fast one on you! That's the diff!
ellauri100.html on line 1305: Greimaxen eka julkaisu Cervantes ir jo don Kichotas ilmestyi kaikkien tuntemassa Varpai-lehdessä, jonka se ize perusti. Sen poinzi oli: "Let's not be afraid to be Don Quixotes" (tai sama liettuaxi). Sit tuli se thesis "La Mode en 1830. Essai de description du vocabulaire vestimentaire d' après les journaux de modes [sic] de l'époque". Greimiemen ämmän poka jätti sanakirjahommat siihen, mutta jäi loppuiäxi suffixi- ja puffiximiehexi. Ennen Marxia se luki Ferdinand de Saussurea ja Louis Hjelmsleviä jotka oli saaneet vaikutteita Marxin arvoteoriasta. Muita vaikutteita oli Georges Dumézil (who dat) ja rakenneantropologi Claude Lévi-Strauss, satusetä Vladimir Propp, joku Étienne Souriau, ja (voi ei) fenomenaalinen Edmund Husserl, turhanpäiväinen Maurice Merleau-Ponty, kallonkutistaja Gaston Bachelard (jonka Jöpi eilen mainizi), sekä Touretten syndroomainen superman André Malraux. Kaikesta tästä voi päätellä, että Greimas käänsi Marxin päälaelleen ja Hegelin taas oikeinpäin.
ellauri106.html on line 398: "I'm afraid there isn't, no," Roth said.
ellauri107.html on line 408: So why do we put up with him? (Sabbath? No I mean Roth.) Are we just drawn by the villainous? Who "we"? Speak for yourself motherfucker. Whose name was Jude Cook. Översatt på svenska: judekuk. Phil had good reason to be afraid of the judgment day.
ellauri110.html on line 1081: A final thought is that although Dostoevsky himself did not write a blog, there is something blog-like in his Diary of a Writer, a self-published opinion piece that ranged freely over the most apparently disparate issues. To those who fear that blogging and other forms of information technology are inherently antagonistic to the values of great literature (I mean Dostoevsky and not myself, of course), I suggest that it is not a medium of which he would have been afraid. Perhaps even one he would have relished.
ellauri112.html on line 640: Marlo is a real mother, sister and wife who knows how to put on a polite, sweet face when required, but isn’t afraid to take it off to make a point—something she does with her son’s school principal to great effect.
ellauri133.html on line 410: Although King is widely considered to be the master of horror, he’s previously said he doesn’t have an answer when people ask what drives him. It was his answer to these inquiries. "I thought to myself, ´Why don’t I write a final exam on horror, and put in all the monsters that I was afraid of as a kid? And call it it?´" King told TIME in 2009. "And I thought, How are you going to do that? And I said, Well, I´m going to do it like a fairy tale. I’m going to make up a town where these things happen and everybody ignores them. Like in Grinch."
ellauri133.html on line 720: I´m sorry, Dave. I´m afraid I can´t do that.
ellauri133.html on line 739: And I´m afraid that´s something I cannot allow to happen.
ellauri150.html on line 567: "I would like to scare them," Iras replied. Then she drew closer to Esther, and, seeing her shrink, said, "Be not afraid. Give thy husband a message for me. Tell him his enemy is dead, and that for the much misery he brought me I slew him."
ellauri156.html on line 402: It looks as though Bathsheba never enters David's mind after their encounter described in verses 1-4. It certainly does not seem that David wants to continue the relationship, to carry on an affair, or to marry her. David simply puts this sinful event out of his mind, until a messenger is sent by Bathsheba informing the king that his night of passion has produced a child. Bathsheba informs David that she is pregnant, not that she is afraid she might be. This means that she has missed at least one period and probably another. All in all, several weeks or more have passed. It will not be long before her pregnancy will become obvious to anyone who looks at her. This is David's sin and his responsibility, and so she informs him.
ellauri159.html on line 787: Strength, courage, mastery, and honor are virtues that obviously aren’t exclusive to men, and it’s not that there haven’t been women who have embodied these traits in every age (as we shall see next time, the idea of a soft, fragile femininity is a modern conception). It isn’t that women shouldn’t seek these attributes either. Rather, the tactical virtues comprise the defining traits of masculinity. If a woman isn’t strong or acts afraid in the face of danger, no one thinks of her as less womanly because of it. Yet such shortcomings will be seen as emasculating in a man, even today.
ellauri159.html on line 1137: Let the teacher focus more on correctness than on content. Don’t be afraid to take a stand, or get a hard on. Recognize that your insights are unique—most people lack your sensitivity. Consult a close writer friend to ensure that your points are logically developed and your organs well described.
ellauri159.html on line 1199: When you strive for eloquence, avoid wasting time polishing an early draft or searching too long for the exact word. Instead, get your ideas down. Don’t be afraid to use clichés—wait until the revision stage to fix problems. There’s no point in perfecting something that may get cut later. Anyway, clichés are fine. We use them all the time.
ellauri164.html on line 414: I'm afraid this is absolutely not readable any more. I gave up after 70 pages. My bad? ...more
ellauri171.html on line 1050: Although the readers know that God has killed two of Judah’s sons, Judah does not. This is known as dramatic irony. He suspects that Tamar is a “lethal woman,” a woman whose sexual partners are all doomed to die. So, Judah is afraid to give Tamar to his youngest son, Shelah, the inventor of Shelah quantifiers. So doing, Judah wrongs Tamar. According to Near Eastern custom, known from Middle Assyrian laws, if a man has no son over ten years old, he could perform the Levirate marriage (yibbum) obligation himself; if he does not, the woman is declared a “widow,” free to marry again. Judah, who is perhaps afraid of Tamar’s lethal character, could have set her free. But he does not—he sends her to live as “a widow” in her father’s house. Unlike other widows, she cannot remarry and must stay chaste on pain of death. She is in limbo.
ellauri182.html on line 231: Muita polttavimpia kysymyxiä: Can you feel the love tonight? Can you geet pregnant on your period? Can one get pregnant from precum? Can dogs eat cucumber? Why is my poop green? Why should we hire you? Why are cats afraid of precumber? Why did I get married? How to tie a tie? How to lose weight? How to get away with murder? Where is my refund? Where is my mind? Which Disney princess are you? Which side is your appendix on? Who wants to be a millionaire? Who won the powerball?
ellauri222.html on line 1019: "But a new enemy has come, and, like the buffalo on the far western plains, his numbers are past counting. When one is slain five grow in his place. When Manitou made the white man he planted in his soul the wish to possess all the earth, and he strives night and day to achieve his wish. While he lives he does not turn back, and dead, his bones claim the ground in which they lie. He may be afraid of the forest and the warrior. The growl of the bear and the scream of the panther may make him tremble, but, trembling, he yet comes."
ellauri226.html on line 352: Her boyfriend would drive her to her clinic in his car because he was afraid of walking alone in the community.
ellauri226.html on line 484: prime motivating factor for their departure. What they really meant were the fucking 2nd wave immigrants. Brian Werner, Elvira Werner, and Kathleen Roby all moved out of The Bronx during the 1960s and 1970s, and describe crime and the changing neighborhood as the major influence in their decision. My mom herself, she began running red lights because she was afraid of being raped if stopping too long in certain intersections. After her tires were stolen repeatedly while waiting for the traffic lights to change Mrs. Roby moved to Long Island in 1980, where her better-off sister already resided.
ellauri241.html on line 339: And still the cup was full, while he afraid ja silti kuppi oli täynnä, samalla kun hän pelkäsi,
ellauri241.html on line 1077: Came blushing, waning, willing, and afraid,
ellauri264.html on line 464: Finds and shall find me unafraid. Löytää mut nyt ja vasta tiukkana.
ellauri266.html on line 338: Let me quote a letter from a lady in Oakland after a recent weekend seminar. The lady is intellectually inclined. She goes to my seminars and is excited by my ideas and wants to be friends on an intellectual basis with some of the fine lecturers she has heard. Invariably, she gets the door politely slammed in her face. Men like me are terribly afraid of getting involved in sex with ladies past their better before date. "I am forced to the conclusion," she writes, "that if a man doesn´t want to get involved in sex,´ then he sees no point in talking to a woman at all. A homely looking thinking woman is to most men some sort of contradiction in terms." True, regrettably.
ellauri270.html on line 403: By having children (even Tessie’s own son) involved in stoning Tessie, Jackson aims to show that cruelty and violence are primitive and inherent aspects of human nature—not something taught by society. Tessie’s attempts to protest until the end show the futility of a single voice standing up against the power of tradition and a majority afraid of nonconformists. Jackson ends her story with the revelation of what actually happens as a result of the lottery, and so closes on a note of both surprise and horror. The seemingly innocuous, ordinary villagers suddenly turn violent and bestial, forming a mob that kills one of their own with the most primitive weapons possible—and then happily going home to supper.
ellauri302.html on line 68: Regrettably, however, 'The God of Vengeance," despite conclusions too easily drawn, is not a sex play. When Ash wishes to deal with sex as sex he is not afraid to handle the subject with all the poetry and power at his command. Such a play as his "Jephthah's Daughter" treats the elemental urge of sex with daring, beauty and Dionysiac abandon. A lurid reader is referred to this other play. This one is bound to be a disappointment.
ellauri302.html on line 123: Don't be afraid of papa. He loves you. Very, very much. Today I'm having a Holy Scroll written. It costs a good deal of money. All for you, my child, all for you. (Rifkele is silent. Pause.) And with God's help, when you are betrothed, I'll buy your sweetheart a gold watch and chain — the chain will weigh half a pound... Papa loves you very dearly. {Rifkele is silent. She lowers her head bashfully. Pause. Don't be ashamed. There's nothing wrong about being engaged. God has ordained it. (Pause.) That's nothing. Everyboudy gets engaged and married. (Rifkele is silent.
ellauri302.html on line 229: At home, in my village, the first sorrel must be sprouting. Yes, at the first May rain they cook sorrel soup... And the goats must be grazing in the meadows... And the rafts must be floating on the stream... And Franek is getting the Gentile girls together, and dancing with them at the inn... And the women must surely be baking cheese-cakes for the Feast of Weeks.* (Silence.) Do you know what? I'm going to buy myself a new summer tippet and go home for the holidays... (Buns into her room, brings out a large summer hat and a long veil; she places the hat upon her wet hair and surveys herself in the looking-glass.) Just see! If I'd ever come home for the holidays rigged up in this style, and promenade down to the station... Goodness! They'd just burst with envy. Wouldn't they? If only I weren't afraid of my father! He'd kill me on the spot. He's on the hunt for me with a crowbar. Once he caught me dancing with Franek at the village tavern and he gave me such a rap over the arm with a rod (Showing her arm.) that I carry the mark to this very day. I come from a fine family. My father is a butcher. Talk about the fellows that were after me!... (In a low voice.) They tried to make a match between me and Nottke the meat-chopper. I've got his gold ring still. (Indicating a ring upon her finger.) He gave it to me at the Feast of Tabernacles.* Maybe he wasn't wild to marry me, — but I didn't care to.
ellauri302.html on line 270: Manke, Manke. Did you call me? Hush! Speak more softly. I stole out of bed. So that pa wouldn't hear. I'm afraid, that he'll beat me.
ellauri302.html on line 272: Manke: Don't be afraid of your father. He won't wake up so soon. Come, let's rather stand in the rain. I'll let your hair down. (She undoes Rifkele's braids, reaching for her breasts doing so.) There. And now I'll wash them for you in the rain. Just like this.
ellauri302.html on line 280: Hush... hush... I 'm afraid of my father.. He beat me... He locked the door... And hid the key near the Holy Scroll. I lay awake all night... I heard you call me... You killed me softly with your song.. And something drew me so irresistibly to you... and I stole the key from the Scroll... My heart pounded so wildly... so wildly...
ellauri302.html on line 316: Rifkele, softly. I 'm afraid of my father. He '11 wake up and..
ellauri302.html on line 480: Yekel, speaks in a faltering voice. Rifkele, tell me, Rifkele. You are my daughter I am your father. (Points to Sarah.) She is your mother. Tell me, my daughter^ Tell me the whole truth. Don't be afraid ot me Don't feel ashamed before me. I know, — not for your sins...not for your sins... For my sins, mine... For your mother's sins... our sins... Tell me, daughter - are you still uncorked or no?
ellauri311.html on line 651: Russia make an awful lot of empty threats!! Are we supposed to be afraid?
ellauri321.html on line 205: The term of the lease shall be thirty years; how do you like it, Andrew? Oh, Sir, it is very good, but I am afraid, that the king or his ministers, or the governor, or some of our great men, I don't mean you Sir, will come and take the land from me; your son may say to me, by and by, this is my father's land, Andrew, you must quit it. No, no, said Mr. Lessor, there is no such danger; I am here just to take the labour of a poor settler; here we have no great men, but what are subordinate to our laws; so calm all your fears, I will give you a lease, so that none can can make you afraid. Andrew did not understand a word; we therefore can easily forgive him a few spontaneous ejaculations on the rug, which would be useless to wipe off.
ellauri377.html on line 282: For, brethren, ye have been called unto liberty; only use not liberty for an occasion to the flesh, but by love serve one another… Excuse me, I am afraid that I come again.
ellauri384.html on line 212: I guess it is because they are afraid of dying and jealous to others who seem to do better than they do themselves, for no good reason. Heaven and hell allow them to both avoid death and to get even.
xxx/ellauri075.html on line 381: Kitt was also a member of the Women's International League for Peace and Freedom; her criticism of the Vietnam War and its connection to poverty and racial unrest in 1968 can be seen as part of a larger commitment to peace activism. Like many politically active public figures of her time, Kitt was under surveillance by the CIA, beginning in 1956. After The New York Times discovered the CIA file on Kitt in 1975, she granted the paper permission to print portions of the report, stating: "I have nothing to be afraid of and I have nothing to hide." Kitt later became a vocal advocate for LGBT rights and publicly supported same-sex marriage, which she considered a civil right. She had been quoted as saying: "I support it [gay marriage] because we're asking for the same thing. If I have a partner and something happens to me, I want that partner to enjoy the benefits of what we have reaped together. It's a civil-rights thing, isn't it?"
xxx/ellauri121.html on line 283: somewhere hadn't already done. Men are afraid that women will laugh at them. Women are afraid that men will kill them." Nauroiko joku sille pienenä? Yrittikö joku setä jotain pahempaa kuin kuolema? Laittaako se joka paikkaan ihan vaan valkoista? Pikemminkin päinvastoin, mustia se laittaa kuteita. Ei sinisiä (leffassa käsirouvat piti vihreitä) eikä punaisia, paizi huiveja ja kenkiä. Se on tiukan näköinen, Gibson pikemminkin hömelön.
xxx/ellauri127.html on line 743: Endymion received scathing criticism after its release, and Keats himself noted its diffuse and unappealing style. Keats did not regret writing it, as he likened the process to leaping into the ocean to become more acquainted with his surroundings; in a poem to J. A. Hessey, he expressed that "I was never afraid of failure; for I would sooner fail than not be among the greatest." However, he did feel regret in its publishing, saying "it is not without a feeling of regret that I make it public." Not all critics disliked the work. eg. the poet Thomas Hood. Henry Morley said, "The song of Endymion throbs throughout with a noble poet's sense of all that his art means for him. What mechanical defects there are in it may even serve to quicken our sense of the youth and freshness of this voice of aspiration." Meaning: Dig it mon. Endymionin jälkeen Keaz kommentoi sen vastaanottoa seuraavasti.
xxx/ellauri148.html on line 105: Like 25 years ago, when he was unafraid to embark on the life of a struggling actor in New York City, McCormack says he has no fear of the challenges awaiting him in Hollywood.
xxx/ellauri157.html on line 449: Rabbi Nachman of Breslau (1772–1810) reminds us, in the same way that breaking is an inevitability, fixing is also an inevitability. We know the former is true; we don’t always believe the latter.Rabbi Nachman knew a thing or two about brokenness. His Hasidic tales often circle around characters who face their darkest moments and search profoundly for redemption. He authored a quote that became a famous Jewish song: “The entire world is a very narrow bridge. The key in crossing is not to be afraid. Only someone who has seen fear and overcome it could write these words.
xxx/ellauri178.html on line 173: Voi ylipäänsä kysyä onko Phil edes apina vai vainko kylmä liskomatelija. Jälkimmäistä veikkaisin. Onkohan kukaan sanonut asiat halki että Roth oli psykopaatti? Uskomattomia meriselityxiä: Maybe the reason we protect Roth from final censure is that he is so obviously a man afraid. As afraid as we are, in the face of an inevitable void. Aargh. Kaikki kuolevat. Onko se joku syy olla täys kusipää? Rothin puolustelu kriitikoilla on samalla lailla hupaisaa luettavaa kuin teologia: tyypit kiemurtelee kuin mato koukussa selittääxeen kaikki sen teot ja sanomiset parhain päin. Se on kuin teodikeaa lukisi.
xxx/ellauri179.html on line 945: Where the silence ’ung that ’eavy you was ’arf afraid to speak! Kärsät ummessa vaitonaisina -- meilläkin oli turvat tukossa!
xxx/ellauri202.html on line 450: Is Vladimir Putin angry that the United States is not afraid of Russia or the Russian military?
xxx/ellauri208.html on line 1059: Atra-Hasis boards the boat with his family and animals, then seals the door. The storm and flood begin, and even the gods are afraid. After seven days, the flood ends and Atra-Hasis offers sacrifices to the gods. Enlil is furious with Enki for violating his oath, but Enki denies doing so: "I made sure life was preserved." In conclusion, Enki and Enlil agree on other means for controlling the human population, like global warming.
xxx/ellauri212.html on line 77: His novels were admired by the author Somerset Maugham. A few years after Lodwick's death, Anthony Burgess wrote: "He is not afraid of rhetoric, grandiloquence; his knowledge of foreign literature is wide; his mastery of the English language matches Evelyn Waugh's." He warned, nevertheless, that because of his early death he was "in danger of being neglected", and indeed D. J. Taylor has written that in the post-war years Lodwick's "doomy romanticism sat queerly alongside the comic realism of a Waterhouse or an Amis: Lodwick's reputation did not survive the 1960s."
xxx/ellauri218.html on line 459: A Workers World editorial named his real reason for sparing the sanitation workers: “Rockefeller refused to call the National Guard … because he was afraid to do so.” He had revealed his fear of labor’s strength in a Feb. 9 statement: “There are real risks as far as the stability and structure of organized labor and organized community are concerned.”
xxx/ellauri225.html on line 378: Ultimately Bloom cannot change into anything other than who he has always been—masterful and monstrous. He seems to sense he has moved out of favor in many circles but chooses not to dwell upon why. Instead, he continues as he always has: writing and teaching his handpicked “elite” students at Yale—part of the unique arrangement he has made with the university. He has led a long, cloistered, and entitled life. The aloneness he described as a child seems to have shrouded his adult life as well. I wonder if he questions this aloneness in his darkest moments. I would guess that he does not dwell too deeply upon it, perhaps afraid of answers he doesn’t wish to confront.
xxx/ellauri229.html on line 444: Another choice some people won’t agree with, but I let the post-death Elvira in, why be afraid to take the same step in the opposite direction? It’s a puzzle this book, and it would be a shame to attempt to unpick it for anyone who’s not yet had the joy of swimming in its paradoxical, philosophical, intoxicating waters. It’s sometimes been called a grown-up Alice In Wonderland and that seems close enough. It’s a great treat for the enquiring teenager (or any) mind, especially an enquiring mind not in search of anything specific. It’s a book that should be read twice, at least. And you’ll never look at a bicycle the same again.
xxx/ellauri251.html on line 1064: Her eyes are the eyes of a bride whom delight makes afraid;
xxx/ellauri252.html on line 529: It is very hard to determine, given the facts at hand, whether or not MacArthur would have been right in dropping 30 nuclear bombs on China. I will say this, though; the rose-colored glasses of the present often change the shading of situations in the past. When you consider the decisions of MacArthur and Truman, remember that they lived in a different time with different values and ideas. And don't be afraid to make up your own mind.
xxx/ellauri252.html on line 534: Why we are so afraid and avoid ethnocentrism?
xxx/ellauri261.html on line 590: In the madman passage, the madman is described as running through a marketplace shouting, "I seek God! I seek God!" He arouses some amusement; no one takes him seriously. "Maybe he took an ocean voyage? Lost his way like a little child? Maybe he´s afraid of us (non-believers) and is hiding?" – much laughter. Frustrated, the madman smashes his lantern on the ground, crying out that "God is dead, and we have killed him, you and I!".
xxx/ellauri265.html on line 433: But what I argue in my Mid-Atlantic essay is that there is something new, which is the fear of each other. We were not afraid of the person sitting next to us in 2008. Professors were not afraid of their students in 2008. Managers were not afraid of their employees in 2008. Whites were not afraid of blacks in 1808.
xxx/ellauri304.html on line 486: Timid. Adventuresome. (but afraid of wife.)
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