ellauri016.html on line 780: In 1999, "Pink Moon" was used in a Volkswagen commercial, boosting Drake's US album sales from about 6,000 copies in 1999 to 74,000 in 2000. The LA Times saw it as an example of how, following the consolidation of US radio stations, previously unknown music was finding audiences through advertising. Fans used the filesharing software Napster to circulate digital copies of Drake's music; according to the Atlantic, "The chronic shyness and mental illness that made it hard for Drake to compete with 1970s showmen like Elton John and David Bowie didn't matter when his songs were being pulled one by one out of the ether and played late at night in a dorm room." In November 2014, Gabrielle Drake published a biography of her brother. Over the following years, Drake's songs appeared in soundtracks of "quirky, youthful" films such as The Royal Tenenbaums, Serendipity and Garden State. Made to Love Magic, an album of outtakes and remixes released by Island Records in 2004, far exceeded Drake's lifetime sales. In 2017, Kele Okereke cited Pink Moon as an influence on his third solo album Fatherland. Other contemporary artists influenced by Drake include José González, Bon Iver, Iron & Wine, Alexi Murdoch and Philip Selway of Radiohead.
ellauri030.html on line 910: An analysis of content from business-to-business advertising magazines in the United States, United Kingdom, and Germany found a high (23 percent) overall usage of humor. The highest percentage was found in the British sample at 26 percent. Of the types of humor found by McCullough and Taylor, three categories corresponded with Freud's grouping of tendentious (aggression and sexual) and non-tendentious (nonsense) wit. 20 percent of the humor were accounted for as “aggression” and “sexual.” “Nonsense” was listed at 18 percent.
ellauri042.html on line 813: In the meantime Ollie had published not one but two memoirs, with an exhaustive range of anecdotes, full of enchantment and anguish, covering everything from his all-consuming childhood obsession with the properties of metals to the abuse he endured at boarding school to his feeling, amphibian-like, more at home in water than on land to his mother’s reaction when she discovered his sexual orientation. “You are an abomination,” Ollie recounted her telling him when he was 18. “I wish you had never been born.” Nor had Ollie kept anything hidden. He described his first orgasm — reached spontaneously while floating in a swimming pool — and, in deft yet fairly pornographic detail, an agonized, inadvertent climax experienced much later while giving a massage to a man who shunned Ollie’s love.
ellauri060.html on line 1063: All these trends have been masked by rises in advertising revenue i.e. stuffing of more and more ads. But that gravy train seems to have stopped in Q2 of 2020, as Google reported a decrease in search revenue, their first EVER:
ellauri066.html on line 683: Yet when I met Tegnell, 64, in the capital Stockholm he was being lauded as if he was the fifth member of Abba. T-shirts proclaiming — in the style of the Carlsberg adverts — “Tegnell, probably the best state epidemiologist in the world” are best-sellers.
ellauri067.html on line 583: The publication of Voices: A Memoir in 1983, advertised as a record of his encounters with some of the century´s leading artists and writers, returned Prokosch to the limelight. His early novels The Asiatics and The Seven Who Fled were reissued to much public acclaim. In 2010, Voices was shown to be almost wholly fictitious and part of an enormous hoax.
ellauri069.html on line 89: Barthelme believed himself to be working in the tradition of Joyce and Samuel Beckett, and that his appropriation of popular, commercial, and other sub-artistic elements (instruction manuals, travel guides, advertisements, sentences from newspaper articles, and so on) in his writing was done as a means of making literature, not subverting it or announcing its obsolescence. Daugherty thinks that many people have got Barthelme wrong.
ellauri077.html on line 46: This article examines David Foster Wallace’s Infinite Jest alongside its eponymous film, arguing that they share a common purpose, but that the former succeeds where the latter fails. Coupled with a biographical and phenomenological analysis, the aim of this examination is to better understand Infinite Jest’s place in the cultural and literary movement away from post-modernism. Through the novel, Wallace seeks a cure for the postmodern malaise that is irony, which creates a distancing effect between author and reader. I argue that he collapses this distance by creating a conversation-like novel that uses sentimentality and endnotes to converse with a generation bombarded with easily consumable irony from television, advertisements, and even art. The results of this conversation are the curtailing of passive consumption of entertainment and the beginning of a new sincerity in literature, which allows for grand narratives without the unending cynicism of postmodernism.
ellauri080.html on line 599: The two-man crew of the charter boat SS Minnow and five passengers on a "three-hour tour" from Honolulu run into a typhoon and are shipwrecked on an uncharted island somewhere in the Pacific Ocean. Their efforts to be rescued are typically thwarted by the inadvertent conduct of the hapless first mate, Gilligan. In 1997, show creator Sherwood Schwartz explained that the underlying concept is still "the most important idea in the world today". That is, people with extremely different characters and backgrounds being in a situation where they need to learn how to get along and cooperate with each other as a matter of survival.
ellauri098.html on line 177: TV Tropes is a wiki that collects and documents descriptions and examples of plot conventions and devices, more commonly known as tropes, within many creative works. Since its establishment in 2004, the site has shifted focus from covering only television and film tropes to those in other types of media such as literature, comics, anime, manga, video games, music, advertisements, and toys, and their associated fandoms, as well as some non-media subjects such as history, geography, and politics.
ellauri099.html on line 226: Very low rope barriers separated off areas that visitors were not meant to visit. I looked around for a guard, saw no one, and stepped onto the green moss and made my way quietly to the location of Aristotle’s library. On my hands and knees, I saw the ground was littered with tiny delicate snail shells, no bigger than a fingernails, scattered like empty scholars’ backpacks. My partner gave me one, and I put it in my pocket. I had it on my desk right in front of me as I was writing this. Inadvertently, I crushed it to pieces under the weight of one of Mr. Staikos’s huge tomes on the history of libraries. There’s probably a moral in this, but it escapes me. The moral is this: fucking Americans, keep your fat butts and greedy fingers off European soil!
ellauri102.html on line 465: Despite the backlash from the public the ad received a lot of publicity and press coverage. Protein World went on to make a reported £1 million profit from the £250,000 they spent on the advertising campaign. Although it caused a lot of controversy around the world, it somehow still managed to boost the company’s sales.
ellauri102.html on line 479: The Problem: During the time the advert was released, there were many protests and riots taking place in America over the #BlackLivesMatter campaign. The ad took a lot of “inspiration” from these protests and fundamentally undermined the whole point of the protests. In addition to this, the ad also received a lot of criticism for how Pepsi was responsible for “saving the day.”
ellauri102.html on line 487: The Problem: As you can probably see from the advert above, the choice of words for this campaign was very poorly chosen. To make things worse, they specifically aimed the campaign at people in the Middle East which caused many people to call the advert racist.
ellauri102.html on line 489: In addition to this, many right-wing groups started to promote the advert with some going as far as saying Nivea was the official alt-right antiperspirant. Eventually, Nivea released a statement about the ad and immediately withdrew it after realising the wording and context caused offence to many viewers.
ellauri102.html on line 495: The Problem: The controversy caused by the advert is as clear as day. Not only is the advert racist, but it’s also insulting to viewers.
ellauri102.html on line 678: Because we only accept certain advertising, our readers have a high level of trust in our advertisers and sponsors. Our readers are deeply loyal to the Ms. brand and our uncompromising principles, and they know that our advertisers have the Ms. seal of approval.
ellauri106.html on line 65: Philip Roth was the younger of the 2 boys of Herman Roth (1901–1989) and his wife Bess, nee Finkel (1904–1981). Both parents were assimilated American Jews of the second generation of immigrants. The maternal grandparents came from the area around Kiev, the Yiddish-speaking paternal grandparents, Sender and Bertha Roth, from Koslow in Galicia. Sender Roth had trained as a rabbi in Galicia and worked in a hat factory in Newark. Herman Roth, the middle of seven children and the first child in the United States, first worked in a factory after eight years of schooling, then became an insurance agent selling door-to-door life insurance. By his retirement he made it to the district director of Metropolitan Life. Philip Roth's brother, Sanford (Sandy) Roth (1927–2009), who was four years older than him, studied art at the Pratt Institute, became vice-president of the advertising agency Ogilvy & Mather in Chicago and made a name for himself as a painter after his "early retirement".
ellauri106.html on line 146: Sanford Roth, more affectionately known as "Sandy," lived with flair and boldness in his roles as an accomplished artist, a successful advertising executive spanning three decades, and a smooth dancer some likened to Fred Astaire.
ellauri106.html on line 148: A mid-1970s transplant to Chicago from New York, he rose in the competitive advertising world to become senior vice president and creative director of Ogilvy & Mather, where his major account was Sears Home Fashions, friends and family said. But in 1983, he gave it all up to devote himself to painting full time.
ellauri107.html on line 458: he have any doctrine about preacher-mayors laid down for him, so he grunted and went on. She looked sympathetic and did not hear a word. Later she would read the headlines, the society columns, and the department-store advertisements.
ellauri107.html on line 466: He serenely believed that the one purpose of the real-estate business was to make money for George F. Babbitt. True, it was a good advertisement at Boosters' Club lunches, and all the varieties of Annual Banquets to which Good Fellows were invited, to speak sonorously of Unselfish Public Service, the Broker's Obligation to Keep Inviolate the Trust of His Clients, and a thing called Ethics, whose nature was confusing but if you had it you were a High-class Realtor and if you hadn't you were a shyster, a piker, and a fly-by-night. These virtues awakened Confidence, and enabled you to handle Bigger Propositions. But they didn't imply that you were to be impractical and refuse to take twice the value of a house if a buyer was such an idiot that he didn't jew you down on the asking-price.
ellauri107.html on line 518: He snatched from the back of his geometry half a hundred advertisements of those home-study courses which the energy and foresight of American commerce have contributed to the science of education. The first displayed the portrait of a young man with a pure brow, an iron jaw, silk socks, and hair like patent leather. Standing with one hand in his trousers-pocket and the other extended with chiding forefinger, he was bewitching an audience of men with gray beards, paunches, bald heads, and every other sign of wisdom and prosperity. Above the picture was an inspiring educational symbol—no antiquated lamp or torch or owl of Minerva, but a row of dollar signs. The text ran:
ellauri118.html on line 972: The show modernizes the setting with references to Uber and Craigslist.
(Mikä vitun Craigslist? Craigslist is an American classified advertisements website with sections devoted to jobs, housing, for sale, items wanted, services, community service, gigs, résumés, and discussion forums. Craig Newmark began the service in 1995 as an email distribution list to friends, featuring local events in the San Francisco Bay. Privately owned company. Property is theft.)
ellauri119.html on line 462: Luce Irigaray (born 3 May 1930) is a Belgian-born French feminist, philosopher, linguist, psycholinguist, psychoanalyst and cultural theorist who examined the uses and misuses of language in relation to women. Irigaray's first and most well known book, published in 1974, was Speculum non matris sed aliae mulieris (1974), which analyzes the texts of Freud, Hegel, Plato, Aristotle, Descartes, and Kant through the lens of phallocentrism. Presently, she is active in the Women's Movements in both France and Italy. Eroticism (from the Greek ἔρως, eros—"desire") is a quality that causes sexual feelings, as well as a philosophical contemplation concerning the aesthetics of sexual desire, sensuality, and romantic love. That quality may be found in any form of artwork, including painting, sculpture, photography, drama, film, music, or literature. It may also be found in advertising. The term may also refer to a state of sexual arousal or anticipation of such – an insistent sexual impulse, desire, or pattern of thoughts.
ellauri132.html on line 438: Google AdSense is a program run by Google through which website publishers in the Google Network of content sites serve text, images, video, or interactive media advertisements that are targeted to the site content and audience. These advertisements are administered, sorted, and maintained by Google. They can generate revenue on either a per-click or per-impression basis. Google beta-tested a cost-per-action service, but discontinued it in October 2008 in favor of a DoubleClick offering (also owned by Google). In Q1 2014, Google earned US$3.4 billion ($13.6 billion annualized), or 22% of total revenue, through Google AdSense. AdSense is a participant in the AdChoices program, so AdSense ads typically include the triangle-shaped AdChoices icon. This program also operates on HTTP cookies. In 2021, over 38.3 million websites use AdSense.
ellauri132.html on line 444: For contextual advertisements, Google's servers use a web cache of the page created by its Mediabot "crawler" to determine a set of high-value keywords. If keywords have been cached already, advertisements are served for those keywords based on the Ads bidding system.
ellauri132.html on line 445: For website-targeted advertisements, the advertiser chooses the page(s) on which to display advertisements, and pays based on cost per mille (CPM), or the price advertisers choose to pay for every thousand advertisements displayed.
ellauri132.html on line 446: Search advertisements are added to the list of results after the visitor/user performs a search.
ellauri133.html on line 82: There are lots of books out there. The reader has to decide quickly which one she is going to spend her time and money on. She's not going to buy something just because it might get good later on. Unless you have won a major prize or had a film made from your book, chances are your reader has never heard of you. She’s going to read a page or two and decide. If it’s on Amazon, she’s going to click “Look Inside” and read a few pages. Yep, "your reader" will do just that, being an analphabet in for mind-numbing pulp. "My reader" takes time to choose a book by its literary merits, not by its gaudy cover and advertising blurbs. And most likely from a public library on the recommendation of a friend. Preferably after reading the plot synopsis.
ellauri145.html on line 404: Roger Tichborne, heir to the noble and filthy rich Tichborne family´s title and fortunes, was presumed to have died in a shipwreck in 1854 at age 25. His mother clung to a belief that he might have survived, and after hearing rumours that he had made his way to Australia, she advertised extensively in Australian newspapers, offering a reward for information. In 1866, a Wagga Wagga butcher known as Thomas Castro came forward claiming to be Roger Tichborne. Although his manners and bearing were unrefined, he gathered support and travelled to England. He was instantly accepted by Lady Tichborne as her son, although other family members were dismissive and sought to expose him as an impostor. During protracted enquiries before the case went to court in 1871, details emerged suggesting that the claimant might be Arthur Orton, a butcher´s son from Wapping in London, who had gone to sea as a boy and had last been heard of in Australia. After a civil court had rejected the claimant´s case, he was charged with perjury; while awaiting trial he campaigned throughout the country to gain popular support. In 1874, a criminal court jury decided that he was not Roger Tichborne and declared him to be Arthur Orton. Before passing a sentence of 14 years, the judge condemned the behaviour of the claimant´s counsel, Edward Kenealy, who was subsequently disbarred because of his conduct.
ellauri150.html on line 608: We see an advertisement.
ellauri150.html on line 614: We see an advertisement.
ellauri150.html on line 677: As the nature of Our Apostolic office required of Us, We have not omitted, from the very outset of Our Pontificate, addressing you, Venerable Brothers, in Encyclical Letters, in order to advert to the deadly plague which is tainting society to its very core and bringing it to a state of extreme peril. At the same time We call attention to certain most effectual remedies, by which society may be renewed unto salvation and enabled to escape the crisis now threatening.
ellauri156.html on line 209: A second reason may be boredom. Something you my dear remaining readers know by now. It is one thing to fight battles in which the enemy is quickly overcome. But the besieging of Rabbah is a whole different kind of war. This battle will not be won so quickly. It will take time to starve the Ammonites to the point that they surrender. It is not a very exciting kind of war to wage. And while they wait, the Israelite soldiers (which includes David) have to pitch their tents outside the city, living in the open field. This is no picnic, and David knows it. David's attitude seems reflected in the advertising slogan of a major hamburger chain, “You deserve a break today.”
ellauri156.html on line 457: One notable TV airing of the movie was on the American network NBC during The NBC Monday Movie on September 7, 1964 (which was Labor day that year). During one of the commercial breaks was the one and only official airing of the Daisy political advertisement by the Lyndon B. Johnson presidential campaign in the run-up to the 1964 United States presidential election. The commercial aired at 9:50 p.m. EST. It was a family film though most children living in the EST time-zone were gone to bed by then, leaving the children's parents to watch the commercial. The commercial stars a little girl (played by Monique Luiz) who is shown counting petals of a daisy which was then followed by an ominous male voice counting down to zero. During the countdown, the screen zoomed up the girl's eye in such a way whereby the parents would imagine their children there instead of the girl. The next scene was a nuclear explosion with the voice of Johnson asking for peace.
ellauri156.html on line 660: In these verses, David makes it clear that God is at work even when it does not appear to be so. During the time David tries to cover up his sin, God is at work exposing it in his heart. These are not times of pleasure and joy, as Satan would like us to conclude; they are days of misery. David is plagued with guilt. He cannot sleep, and it seems he cannot eat. Worst of all, he cannot fuck. He is not sleeping nights, and he is losing weight. Whether or not David recognizes it as God who is at work in him, he does know he is miserable. It is this misery which tenderizes David, preparing him for the rebuke Nathan Zuckermann is to bring, preparing him for repentance. David's repentance is not the result of David's assessment of his situation; it is the result of divine intervention. Hey wait? If that is the case, where is the much-advertised free will? He has gone so far in sin that he cannot think straight. God is at work in David's life to break him, so that he will once again cast himself upon God for grace. He has good experience in casting himself upon folk, from Saul thru Jonathan to Bathsheba.
ellauri194.html on line 1030: This article contains content that is written like an advertisement. (April 2022)
ellauri198.html on line 144: Not all reviewers agree that Warren’s work deserves such unqualified praise. Though Warren tackles unquestionably important themes, his treatment of those themes borders on the bombastic. Warren becomes ridiculous on occasion, whenever we lapse from total conviction. His philosophical musings are “sometimes truly awkward and sometimes pseudo-profound.” Warren thus joins a central American tradition of speakers—Emerson, Thoreau, Henry Adams, Norman Mailer—who are not only the salesmen but the advertisers of their own snake oil.”
ellauri216.html on line 170: Indeed, it is precisely by imitating the good that all things are preserved in existence. It follows that evil is something that can only happen inadvertently. Every being or thing has a natural aim and a perfection it strives for. Pahat on vaan mokia, my bad.
ellauri220.html on line 243: | Esmeralda | Esmeralda is the beautiful runaway Sister Edgar tracks. After Esmeralda is raped and murdered at the end of the novel, her spirit begins appearing on a billboard advertisement for orange juice. |
ellauri220.html on line 463: Of course, there is a "moron" demographic out there, and it has its members, but executives seem to believe that every person who watches TV belongs in it. This may be due to something known as the "80-20" rule in business — in this case, that market research shows that 80% of money spent on television-advertised products comes from the lowest 20% in terms of education and intelligence, so show-content is naturally geared towards them. On top of that, not only are viewers stupid, they are also intolerant of people and things unlike themselves, ignorant, hate change, need to be instantly satisfied, and have the attention span of a goldfish.
ellauri243.html on line 613: In 1951 he went into business forming an advertising agency, David J. Mahoney, Inc. The company managed advertising for eight companies, including Exzema, White Rock and Good Humor. Mahoney sold his agency in 1956 and became President of Good Humor, and became President of Canada Dry in 1966.
ellauri256.html on line 382: Professionally, Brik was everything and nothing: she tried to be a sculptor, a writer, a film actress, she worked in advertising and took balling lessons. She did not achieve great results in any of these fields. Yet, she founded one of Moscow's most famous literary salons of the 20th century. That salon outlived all others. “The literature was canceled, there was just the Briks' salon left, where writers met with KGB operatives,” Anna Akhmatova, who was not invited to the salon, jealously said.
ellauri262.html on line 402: Sayers's longest employment was from 1922 to 1931 as a copywriter at an advertising agency.
ellauri262.html on line 403: As an advertiser, Sayers's collaboration with artist John Gilroy resulted in "The Mustard Club" for Colman's Mustard and the Guinness "Zoo" advertisements, variations of which still appear today. One example was the Toucan, his bill arching under a glass of Guinness, with Sayers's jingle:
ellauri262.html on line 410: Sayers is also credited with coining the slogan "It pays to advertise!" Sayers's translation of the Divine Comedy includes extensive notes at the end of each canto, explaining the theological meaning of what she calls "a great Christian allegory.".
ellauri389.html on line 65: Elia, in contrast to Bridget (qua Mary) speaks for a modern sensibility that is attuned to constant stimulation and that revels in the contemporary industrial and imperial economy of surplus and novelty goods. His teacup is an object of debate because it epitomizes precisely the kind of dangerous indulgence Bridget fears: it is a luxury commodity and, with its fashion-dependent pattern and place in a "set" of companion pieces, it inevitably entails additional purchasing. Elia's dialectical opposition to Bridget thus is underscored by his capacity to "love" one pattern of porcelain, and "if possible, [love another] still more". Indeed, Elia's susceptibility to new-sprung marketing strategies is suggested by his acknowledgment that china jars were "introduced" into his imagination by the recently invented tactics of advertising.
ellauri389.html on line 268: Philosophers could be contributing to something that’s incredibly important. Gay marriage is just one example of many. I don’t think philosophers responded particularly well to 9/11 either. As of free speech, I’m much more sympathetic to the American system actually. Of course I draw the line at incitement to violence, to certain sorts of pornography, plagiarism, false advertising, the disclosure of official secrets – these are the areas where I would shut the buggers up.”
xxx/ellauri085.html on line 55: Burma-Shave was a brand of brushless shaving cream that was sold from 1925 to 1966. The company was notable for its innovative advertising campaign, which included rhymes posted all along the nation’s roadways. Typically, six signs were erected, with each of the first five containing a line of verse, and the sixth displaying the brand name.
xxx/ellauri085.html on line 67: This use of the billboards was a highly successful advertising gimmick, drawing attention to passers-by who were curious to discover the punch line. Within a decade, Burma-Shave was the second most popular brand of shaving cream in the United States.
xxx/ellauri103.html on line 242: Besides: which is it to be? We have to tend our own gardens, and only write about ourselves or people just like us because we mustn’t pilfer others’ experience, or we have to people our cast like an I’d like to teach the world to sing Coca-Cola advert?
xxx/ellauri103.html on line 254: Especially for writers from traditionally privileged demographics, the message seems to be that it’s a whole lot safer just to make all your characters from that same demographic, so you can be as hard on them as you care to be, and do with them what you like. Availing yourself of a diverse cast, you are not free; you have inadvertently invited a host of regulations upon your head, as if just having joined the EU. Use different races, ethnicities, and minority gender identities, and you are being watched.
xxx/ellauri103.html on line 264: Now I proceed to the topic "The left’s embrace of gotcha hypersensitivity inevitably invites backlash." Why, it’s largely in order to keep from losing my fictional mojo that I stay off Facebook and Twitter, which could surely install an instinctive self-censorship out of fear of attack. Ten years ago, I gave the opening address of this same festival, in which I maintained that fiction writers have a vested interest in protecting everyone’s right to offend others – because if hurting someone else’s feelings even inadvertently is sufficient justification for muzzling, there will always be someone out there who is miffed by what you say, and freedom of speech is dead. Why, freedom of speech is just about miffing! What's the use of the freedom if you are not allowed to miff! With the rise of identity politics, which privileges a subjective sense of injury as actionable basis for prosecution, that is a battle that in the decade since I last spoke in Brisbane we’ve been losing.
xxx/ellauri116.html on line 184: Badinter is the largest shareholder of Publicis Groupe, a multinational advertising and public relations company, and the chairwoman of its supervisory board. She received these shares in an inheritance from her father, Marcel Bleustein-Blanchet, who founded the company. According to Forbes, she is one of the wealthiest French citizens with a fortune of around US$1.8 billion in 2012.
xxx/ellauri120.html on line 76: Bernays became a highly sought, and extravagantly paid consultant to a number of leading businesses. His many successes include helping the American Tobacco Company to sell cigarettes to women, advertising them as glamorous “torches of freedom”; and aiding the United Fruit Company to sell bananas, and when the newly elected president of Guatemala threatened the business interests of United Fruit, Bernays persuaded the CIA and the US government—through rumors, innuendos, and manipulation of the press about a growing Communist menace—to overthrow the his government.
xxx/ellauri178.html on line 136: Kakutani reviewed Norman Mailer’s 2006 novel The Gospel According to the Sun, a first-person autobiographical retelling of the Bible from the perspective of Jesus himself. She called it “a silly, self-important and at times inadvertently comical book that reads like a combination of Godspell, Nikos Kazantzakis’ Last Temptation of Christ and one of those new, dumbed-down Bible translations”; Mailer, never one to shy away from a writerly squabble, called Kakutani a “one-woman kamikaze”.
xxx/ellauri193.html on line 306: Carlson has been a leading voice of white grievance politics. His remarks on race, immigration, and women – including slurs he said about kinky pubic hair between 2006 and 2011 (which resurfaced in 2019) – have for some reason been described as racist and sexist, as have his advertiser boycotts in Tucker Carlson Show. As of July 2021, his was the most-watched cable news show in the United States.
xxx/ellauri193.html on line 335: By the end of 2018, after the show had begun to boycot at least twenty advertisers, Carlson said immigrants are "poorer, dirtier and even worse fooled than the rest". He was saved by his remarks concerning women (calling them "like dogs" and "extremely primitive").
xxx/ellauri193.html on line 732: Capital Punishment was abolished in South Africa on June 6, 1995, by a ruling of the Constitutional Court. ANC MP Nxola Nqola added that the matter of the death penalty had been in the public discussion for quite some time, in relation to the rise of gender-based violence (GBV). Story continues below the bra advertisment.
xxx/ellauri193.html on line 735: Since, South Africa has a history of bloodshed, the restoration of the death penalty has been used as a reactionary response to a movement by people of South Africa. He expressed doubt and dissent that the reinstitution of the death penalty would be in line with the spirit of the Constitution. Story continues below the rope advertisment.
xxx/ellauri200.html on line 172: Ezekiel's first book, No Time to Change (Phileas Foggillekin tuli kiire vaihtaa vaatteita Hong Kongissa), appeared in 1952. He published another volume of poems, The Deadly Man in 1960. After working as an advertising copywriter and general manager of a picture frame company (1954–59), he co-founded the literary monthly Jumpo, in 1961.
xxx/ellauri225.html on line 372: About Shakespeare, however, Bloom is nothing short of reverential: “My religion is the appreciation of high literature. Shakespeare is the summit. Revelation for me is Shakespearean or nothing.” He admits that much about the Bard still bewilders him. In a moment of rare vulnerability, Bloom admits he longs for more life. Bloom explains his theory of “self-otherseeing,” which allows one to glimpse parts of one’s self that are hidden from conscious view. “Self-otherseeing” also describes “the double-consciousness of observing our own actions and offerings as though they belong to others and not to ourselves.” Bloom insists that Shakespeare’s characterizations of Hamlet, Iago, Cleopatra and Falstaff use “self-othering,” and by watching them we inadvertently learn to think more seriously about ourselves. But he doesn’t show us how this has applied to him, only the declaration that it does so. We are left mystified and dubious.
xxx/ellauri225.html on line 388: Crane´s mother and father were constantly fighting, and they divorced early in April 1917. Crane dropped out of East High School in Cleveland during his junior year and left for New York City, promising his parents he would attend Columbia University later. His parents, in the middle of their divorce proceedings, were upset. Crane took various copywriting jobs and moved between friends´ apartments in Manhattan. Between 1917 and 1924 he moved back and forth between New York and Cleveland, working as an advertising copywriter and a worker in his father´s factory. From Crane´s letters, it appears that New York was where he felt most at home, and much of his poetry is set there.
xxx/ellauri233.html on line 177: Micael Dahlén (born 18 June 1973) is a Swedish author, public speaker and Professor of marketing and consumer behavior at the Stockholm School of Economics, Sweden. His award-winning research within marketing, creativity and consumer behavior has been published in four books and numerous journal articles. Dahlén's books have reached a global audience, rights being sold to countries such as the U.S, U.K, Germany, South Korea, Russia and Brazil. In 2013 Dahlén stated in an interview that he was writing a novel. Only 34 years old he was made Professor. In the same year, 2008, Journal of Advertising ranked Dahlén as number 10 in the world among researchers within the field of advertising.
xxx/ellauri250.html on line 448: Mikähän tää Tsai on miehiään, oisko joku viirusilmä jenkkimamu? Juu justiinsa se! Finland’s entry in the Academy Awards’ International Feature Film category, “Compartment No. 6” tells a deliberately heart-warming story, of an extremely unlikely friendship, that’s patronizing and inadvertently offensive. Ai vinkuintiaaneilleko? Mistä tää kaveri nyt poltti pelihousunsa? Ei vaan tää onkin joku jenkki woke juttu:
xxx/ellauri261.html on line 464: Irene and Minnie open their hat shop for the afternoon. Irene wants a husband, but does not love Horace Vandergelder. She declares that she will wear an elaborate hat to impress a gentleman ("Ribbons Down My Back"). Cornelius and Barnaby arrive at the shop and pretend to be rich. Horace and Dolly arrive at the shop, and Cornelius and Barnaby hide from him. Irene inadvertently mentions that she knows Cornelius Hackl, and Dolly tells her and Horace that even though Cornelius is Horace's clerk by day, he's a New York playboy by night; he's one of the Hackls. Minnie screams when she finds Cornelius hiding in the armoire. Horace is about to open the armoire himself, but Dolly, Irene and Minnie distract him with patriotic sentiments related to subjects like Betsy Ross and The Battle of the Alamo shown in the famous lyrics "Alamo, remember the Alamo!" ("Motherhood March"). Cornelius sneezes, and Horace storms out, realizing there are men hiding in the shop, but not knowing they are his clerks.
xxx/ellauri298.html on line 287: known, that she could be more whole. I had inadvertently allowed her to heal a
xxx/ellauri312.html on line 635: Ads for penis-enlargement products and procedures are everywhere. A vast number of pumps, pills, weights, exercises and surgeries claim to increase the length and width of your penis. However, there's little scientific support for nonsurgical methods to enlarge the penis. And no trusted medical organization endorses penis surgery for purely cosmetic reasons. Most of the techniques you see advertised don't work. And some can damage your penis. Think twice before trying any of them.
xxx/ellauri354.html on line 129: Kalanick was born on August 6, 1976, and grew up in the Northridge neighborhood of Los Angeles. Kalanick's parents are Bonnie Renée Horowitz Kalanick (née Bloom) and Donald Edward Kalanick. Bonnie, whose family were Viennese Jews who immigrated to the U.S. in the early 20th century, worked in retail advertising for the Los Angeles Daily News. Kalanick studied computer engineering and business economics at the University of California, Los Angeles (UCLA) until he dropped out to make MMMMONEY! Inhottava viurusilmä. Uuber ajoi alas Suomen taxilainsäädännön kauko-ohjaamalla limaista näppyläistä kumikana Berneriä.
xxx/ellauri388.html on line 91: The authors of the magazine included at least Kersti Bergroth, Pentti Haanpää, Martti Merenmaa, Elina Vaara, Väinö Nuorteva, and Mika Waltari. The editors-in-chief were Yrjö Rauanheimo, Lauri Viljanen and Waltari. Craucher was the acquirer and marketer of the magazine´s advertising space. As the magazine itself was not very attractive, Craucher even resorted to blackmail in obtaining advertising contracts.
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