ellauri026.html on line 509: Of more recent biographies, that of R. B. Drummond is, all things considered, the best; careful and serious, but showing the almost universal tendency to take Erasmus at his word, even while admitting his incapacity to tell the truth.
ellauri053.html on line 1377: During the first years of marriage, they experimented with automatic writing; she contacted a variety of spirits and guides they called "Instructors" while in a trance. The spirits communicated a complex and esoteric system of philosophy and history, which the couple developed into an exposition using geometrical shapes: phases, cones, and gyres.[71] Yeats devoted much time to preparing this material for publication as A Vision (1925). In 1924, he wrote to his publisher T. Werner Laurie, admitting: "I dare say I delude myself in thinking this book my book of books".
ellauri073.html on line 269: In the sketch itself, Foley attempts to motivate two teens, played by Spade and Applegate, to "get themselves back on the right track" after the family’s cleaning lady finds a bag of marijuana in their home. Foley’s attempt to motivate them falls short when he repeatedly insists that they're "not going to amount to jack squat" and will end up “living in a van down by the river!” Foley attempts to endear himself to Spade's character by telling him they're "gonna be buddies" and that everywhere he goes, Foley will follow. Comparing himself to Spade's shadow, Foley jumps about where he's standing and then dives into the coffee table, though he picks himself up moments later. None of the other cast members knew that Farley was going to do this and their startled reactions are genuine. The sketch ends with Foley offering that the only solution to solve the family's problems is for him to move in with them. Horrified, Applegate begs him not to, vowing never to smoke pot again. Even so, Foley leaves the house to get his things from his van and the family locks him out, finally reconciling and admitting to how much they love each other.
ellauri073.html on line 443: “seemed intuitively to sense that it was a matter not of reduction at all, but—perversely—of expansion, the aleatory flutter of uncontrolled, metastatic growth—each well-shot ball admitting of n possible responses, n-squared possible responses to those responses, and on into what Incandenza would articulate to anyone who shared both his backgrounds as a Cantorian continuum of infinities of possible move and response, Cantorian and beautiful because infoliating, contained, this diagnate infinity of infinities of choice and execution, mathematically uncontrolled but humanly contained, bounded by the talent and imagination of self and opponent, bent in on itself by the containing boundaries of skill and imagination that brought one player finally down, that kept both from winning, that made it, finally, a game, these boundaries of self.”
ellauri077.html on line 696: - admitting that one cannot control one´s alcoholism, addiction or compulsion;
ellauri097.html on line 95: Mencken admired the German philosopher Friedrich Nietzsche (he was the first writer to provide a scholarly analysis in English of Nietzsche´s views and writings) and Joseph Conrad. His humor and satire owed much to Ambrose Bierce and Mark Twain. He did much to defend Dreiser despite freely admitting his faults, including stating forthrightly that Dreiser often wrote badly and was a gullible man. Mencken also expressed his appreciation for William Graham Sumner in a 1941 collection of Sumner´s essays and regretted never having known Sumner personally. In contrast, Mencken was scathing in his criticism of the German philosopher Hans Vaihinger, whom he described as "an extremely dull author" and whose famous book Philosophy of 'Als ob' he dismissed as an unimportant "foot-note to all existing systems."
ellauri322.html on line 367: Here I met with an intelligent literary man, who was anxious to gather information from me relative to the past and present situation of France. The newspapers printed at Copenhagen, as well as those in England, give the most exaggerated accounts of their atrocities and distresses, but the former without any apparent comments or inferences. Still the Norwegians, though more connected with the English, speaking their language and copying their manners, wish well to the Republican cause, and follow with the most lively interest the successes of the French arms. So determined were they, in fact, to excuse everything, disgracing the struggle of freedom, by admitting the tyrant’s plea, necessity, that I could hardly persuade them that Robespierre was a monster. Laureenska myöntää että kaikki ukrainalaiset eivät pidä Zelenskystä.
xxx/ellauri127.html on line 517: He helps Lorenzo abduct Jessica, which almost makes him late for the departure to Belmont. He falls in love with Nerissa, Portia’s lady-in-waiting, who agrees to marry him on condition that Bassanio succeeds in the task of the caskets. He has no compunction about admitting to the mercenary nature of Bassanio’s choice of bride.
xxx/ellauri202.html on line 309: You can see it in Jordan Peterson - he has no problem admitting that he doesn't know something. It doesn't hurt his self-confidence. It does not hurt him to admit that he is a crazy fascist and a shithead. Because he is that too above the average.
xxx/ellauri305.html on line 44: Pete Mencken defended Dreiser despite freely admitting his faults, stating forthrightly that Dreiser often wrote badly and was a gullible man. Dreiser oli Chicagon kirjallisuusliikkeen veteraani ja antisemiitti.
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