ellauri042.html on line 943: Donne's style is characterised by abrupt openings and various paradoxes, ironies and dislocations. These features, along with his frequent dramatic or everyday speech rhythms, his tense syntax and his tough eloquence, were both a reaction against the smoothness of conventional Elizabethan poetry and an adaptation into English of European baroque and mannerist techniques. His early career was marked by poetry that bore immense knowledge of English society. Another important theme in Donne´s poetry is the idea of true religion, something that he spent much time considering and about which he often theorised. He wrote secular poems as well as erotic and love poems. He is particularly famous for his mastery of metaphysical conceits.
ellauri062.html on line 396: A character ("General Hopgood") in the 2009 film The Men Who Stare at Goats — a fictionalized adaptation of Ronson's book — is loosely based on Stubblebine as commander of the "psychic spy unit" (portrayed in the film) who believed he could train himself to walk through walls.
ellauri063.html on line 287: Abdelazer, Abdelazar, /æbdɛləˈzɛər/ or /æbdəˈlɑːzə/ or The Moor's Revenge is a 1676 play by Aphra Behn, an adaptation of the c. 1600 tragedy Lust's Dominion.
ellauri063.html on line 291: Abdelazer suite is written in 10 movements of which Rondo is currently the most famous due to the use of the piece and its variations in films, including the 2005 adaptation of Pride and Prejudice in which Purcell's piece can be heard as dancing music at the Netherfield ball.
ellauri065.html on line 209: In January 2016, Tom Six revealed on Twitter that production of a graphic novel adaptation of The Human Centipede was underway, along with posting an image of a test printed copy.
ellauri071.html on line 134: One of Coward's best-known songs is "A Room with a View". A Room with a View is a 1908 novel by English writer E. M. Forster, about a young woman in the restrained culture of Edwardian era England. Set in Italy and England, the story is both a romance and a humorous critique of English society at the beginning of the 20th century. Merchant Ivory produced an award-winning film adaptation in 1985.
ellauri074.html on line 353: Le secret de mon adaptation à la vie? J'ai changé de désespoir comme de chemise.
ellauri106.html on line 106: That same year, rather than wait to be drafted, Roth enlisted in the army. Roth enlisted in the Army that year to avoid being drafted and assigned to unpleasant duty like the infantry. Fortunately he suffered a back injury during basic training and was given a medical discharge. Who knows. He returned to Chicago in 1956 to study for a PhD in literature but dropped out after one term. It was a yeasty environment for a young writer. Saul Bellow was a contemporary and with some what similar backgrounds and interests they could not avoid being rivals. During that year he met a lovely shiksa waitress Margaret Martinson, a single woman with a small child. He was smitten. An intense, but often troubled relationship ensued. At the end of the year he dropped out of the U of C and headed to the University of Iowa to teach in its creative writing program. None the less, whatever he may have said, Roth was not happy there, perhaps because the semi-rural Midwesterness of Ames was alien to him. After a while with Martinson in tow he moved on to a similar position at Princeton, another WASP bastion but one with even more prestige. Everyone who knew him recognized Roth as an early comer. He later continued his academic career at the University of Pennsylvania, where he taught comparative literature before retiring from teaching in 1991. Roth started teaching literature in the late 1960s at the University of Pennsylvania. The 1969 feature film adaptation of Goodbye, Columbus coincided with the publication of Portnoy’s Complaint, which soon became a best-seller amid controversy for its prurient content. (Those who've read it will likely not forget Portnoy's "love affair" with mom´s slab of liver in the fridge.)
ellauri118.html on line 1149: The failure to include obese body types in the television adaptation was a major oversight. The Handmaid’s Tale should have done better by fat women.
ellauri133.html on line 364: Stephen King’s novel It, first published in 1986, is known for its whopping page count and multigenerational horror saga. In 2017, buzz around It spiked again due to director Andy Muschietti´s big-screen adaptation of the novel. The film, which went on to become the highest-grossing horror movie ever, was the novel’s second trip to the screen, following a 1990 television miniseries. And now Muschietti is continuing the story with the highly anticipated IT Chapter 2, which arrives in theaters today.
ellauri133.html on line 382: 4. The most controversial scene in It is too disturbing for any adaptation.
ellauri133.html on line 394: In the novel, the creature known as IT is not a clown; IT is a malevolent entity that takes on forms tailored to the person it´s terrorizing. Unlike Steve who is a clown AND a malevolent entity. Although its most common form is a clown, IT also appears as creatures like werewolves and vampires, wreaking murderous havoc on the fictional town of Derry every 27 years. Oddly, the 2017 film adaptation hit theaters 27 years after the 1990 miniseries. Since the film’s production has stalled and changed hands several times, this is pure coincidence. (For the sequel, fans only had to wait two years.)
ellauri140.html on line 142: Dosetti ihaili kovasti Ariostoa ja omisti kirjan Ludovicolle. Numerous adaptations in the form of children's literature have been made – the work was a popular choice in the 19th and early 20th century with over 20 different versions written.
ellauri140.html on line 146: According to Richard Simon Keller, George Lucas's Star Wars film also contains elements of a loose adaptation, as well as being influenced by other works, with parallels including the story of the Red Cross Knight championing Una against the evil Archipelago in the original compared with Lucas's Luke Skywalker, Princess Leia, and Darth Vader. Keller sees extensive parallels between the film and book one of Spenser's work, stating "Almost everything of importance that we see in the Star Wars movie has its origin in The Faerie Queene, from small details of weaponry and dress to large issues of chivalry and spirituality". Olix Dispenserillä valomiekkoja ja muovihaarniskoita? Tuhoplaneettoja? Täytyypä tutustua. No ainakin on sexirobotteja. She is not a toy!
ellauri140.html on line 148: Near the end of the 1995 adaptation of Sense and Sensibility, Colonel Brandon reads The Faerie Queene aloud to Marianne Dashwood.
ellauri142.html on line 91: Prize motivation: "in consideration of the power of observation, originality of imagination, virility of ideas and remarkable talent for narration which characterize the creations of this world-famous author." As a poet, short story writer, journalist and novelist, Rudyard Kipling described the British colonial empire in positive terms, which made his poetry popular in the British Army. Contemporary Great Britain appreciated him for his depictions of the British colony of India. The Jungle Book (1894) has made him known and loved by children throughout the world, especially thanks to Disney’s 1967 film adaptation.
ellauri144.html on line 263: The United States has long maintained a military base at Guantanamo in Cuba. This makes the U.S. adaptation of the song a multi-layer statement, to put it mildly. It's typically sung by freedom activists who would perhaps like to see that illegally torturing prison and military base close for good, though they don't usually employ the song to that end.
ellauri147.html on line 169: Adler's adaptation of the will to power was and still is in contrast to Sigismund Freud's pleasure principle or the "will to pleasure", and to Viktor Frankl's logotherapy or the "will to meaning". Adler's intent was to build a movement that would rival, even supplant, others in psychology by arguing for the holistic integrity of psychological well-being with that of social equality. His interpretation of Nietzsche's will to power was concerned with the individual patient's overcoming of the superiority-inferiority dynamic.
ellauri150.html on line 490: Ben-Hur: A Tale of the Christ is a novel by Lew Wallace, published by Harper and Brothers on November 12, 1880, and considered "the most influential Christian book of the nineteenth century". It became a best-selling American novel, surpassing Harriet Beecher Stowe's Uncle Tom's Cabin (1852) in sales. The book also inspired other novels with biblical settings and was adapted for the stage and motion picture productions. Ben-Hur remained at the top of the US all-time bestseller list until the 1936 publication of Margaret Mitchell's Gone with the Wind. The 1959 MGM film adaptation of Ben-Hur is considered one of the greatest films ever made and was seen by tens of millions, going on to win a record 11 Academy Awards in 1960, after which the book's sales increased and it surpassed Gone with the Wind. It was blessed by Pope Leo XIII, the first novel ever to receive such an honour. The success of the novel and its stage and film adaptations also helped it to become a popular cultural icon that was used to promote catholicism plus numerous commercial products.
ellauri152.html on line 583: The most basic information is this: “Yentl the Yeshiva Boy” is a short story by Isaac Bashevis Singer, the famous Polish-American Jewish writer, published in 1962. It follows Yentl, a Jewish girl from a Polish shtetl who loves Torah-study, as she disguises herself as a man named Anshel in order to study at a yeshiva. Yentl (1983) is the movie-musical adaptation of the story, directed by and starring Barbra Streisand. In many ways it is a fairly faithful adaptation of the story’s events, but it has a different tone and a different ending.
ellauri152.html on line 613: “Miss Streisand [made] Yentl, whose greatest passion was the Torah, go on a ship to America, singing at the top of her lungs. Why would she decide to go to America? Weren’t there enough yeshivas in Poland or in Lithuania where she could continue to study? Was going to America Miss Streisand’s idea of a happy ending for Yentl? What would Yentl have done in America? Worked in a sweatshop 12 hours a day where there is no time for learning? Would she try to marry a salesman in New York, move to the Bronx or to Brooklyn and rent an apartment with an ice box and a dumbwaiter? This kitsch ending summarizes all the faults of the adaptation. It was done without any kinship to Yentl’s character, her ideals, her sacrifice, her great passion for spiritual achievement. As it is, the whole splashy production has nothing but a commercial value.”
ellauri152.html on line 630: That is actually much the same reason why I hate that infamous scene in Harry Potter and the Goblet of Fire so much, when Dumbledore confronts Harry about putting his name in. One of the worst decisions in adaptation history!
ellauri160.html on line 796: Every two weeks, Stammtisch, the Meet-Up group for German speakers, gets together in various bars and restaurants all over the greater Philadelphia area. At their first meeting after New Year’s, the big topic was Lauri Wylie’s Dinner for One, the short TV adaptation of his quintessential British one-act comedy with a huge international cult following—except Britain and the US.
ellauri188.html on line 415: Josh's other projects included the horror-thriller Child of Darkness, Child of Light, an adaptation of Paterson's novel Virgin, a tale of two Catholic virgin schoolgirls, that folded when they were both found pregnant under mysterious and supernatural circumstances. To avoid being caught red "handed" Lucas relocated to Australia to play the hot "headed" American cousin Luke McGregor opposite Andrew Clarke and Guy Pearce in the first season of the family western Snowy River: The McGregor Saga. Lucas appeared in all 13 episodes of the first season, but claimed in a later interview that despite the friendly reception by Rhonda Byrne, he was homesick for the United States, and his character was killed off in the second episode of season 2.
ellauri236.html on line 169: Prohibition and the ensuing Great Depression in the US (1929–39) had given rise to the Chicago gangster culture prior to World War II. This, combined with Chase's book trade experience, convinced him that there was a big demand for gangster stories. After reading James M. Cain's novel The Postman Always Rings Twice (1934), and having read about the American gangster Ma Barker and her sons, and with the help of maps and a slang dictionary, he wrote No Orchids for Miss Blandish in his spare time, he claimed over a period of six weekends, though his papers suggest it took longer. The book achieved remarkable notoriety and became one of the best-selling books of the decade. It was the subject of the 1944 essay "Raffles and Miss Blandish" by George Orwell (alla). Chase and Robert Nesbitt adapted it to a stage play of the same name which ran in London's West End to good reviews. The 1948 film adaptation was widely denounced as salacious due to the film's portrayal of violence and sexuality. Robert Aldrich did a remake, The Grissom Gang, in 1971.
ellauri238.html on line 40: Täähän oli kissanpojan Psapfa-coveri? Jep: Catullus 51 is a poem by Roman love poet Gaius Valerius Catullus (c. 84 – c. 54 BC). It is an adaptation of one of Sappho's fragmentary lyric poems, Sappho 31. Catullus replaces Sappho's beloved with his own beloved Lesbia. Unlike the majority of Catullus' poems, the meter of this poem is the sapphic meter. This meter is more musical, seeing as Sappho mainly sang her poetry.
ellauri262.html on line 521: Ruuvinauha (Screwtape) esiintyy kuvitteellisena (https://en.m.wikipedia.org/wiki/Character_(arts)) demonina (https://en.m.wikipedia.org/wiki/Demon) kirjassa Teippikirjaimet (The Screwtape Letters) (https://en.m.wikipedia.org/wiki/The_Screwtape_Letters) (1942) ja sen jatko- novellissa Ruuvinauha ehdottaa paahtoleipää (Screwtape Proposes a Toast 1959), jotka molemmat on kirjoittanut kristitty (https://en.m.wikipedia.org/wiki/Christianity) kirjailija CS Lewis (https://en.m.wikipedia.org/wiki/C._S._Lewis) . Ruuvinauha (Screwtape) on myös James Forsythin Kirjeiden (alunperin Rakas Matomezä (Dear Wormwood), 1961) lavasovituksen nimi. (https://en.m.wikipedia.org/wiki/Theatrical_adaptation)
ellauri263.html on line 395: Small wonder, then, that all eyes are on finding the new Homeland Security, itself based on an Israeli TV series, Hatufim. And it’s not surprising that the quest is focused on Israel, which has spawned a string of international hits, starting with In Treatment, a 2008 HBO adaptation of the Hebrew-language Be Tipul. In 2016 Neflix started airing Mossad 101, about Israel’s intelligence service, while earlier this year Hulu nabbed False Flag, a conspiracy thriller loosely premised on the 2010 assassination of Hamas official Mahmoud al-Mabhouh, widely thought to be the work of the Mossad, by a hit squad carrying foreign passports.
ellauri264.html on line 172: There is not a single redeeming factor to this cringy, extremely unneeded adaptation. Just so bad.
ellauri266.html on line 56: Desmond Morris was a scandal when his 1967 book appeared on human sociobiology. Some of Morris's theories have been criticized as untestable. For instance, geneticist Adam Rutherford writes that Morris commits "the scientific sin of the 'just-so' story – speculation that sounds appealing but cannot be tested or is devoid of evidence". However, this is also a criticism of adaptationism in evolutionary biology, not just of Morris.
ellauri266.html on line 449: Satire de l´humanité, de la science et de la guerre, l´ouvrage aborde également les thèmes de l´instinct, de l´évolutionnisme et de la société humaine. La Planète des singes est l´un des romans les plus célèbres de Pierre Boulle et fait l’objet de plusieurs adaptations cinématographiques internationales. L´auteur est même contacté par les producteurs pour rédiger le scénario d´un des films.
ellauri266.html on line 497: Pourtant, l´histoire intrigue Jacobs, qui achète immédiatement les droits d´adaptation pour le cinéma même s´il considère que le roman n´a pas une nature intrinsèquement cinématographique.
ellauri332.html on line 468: In fact, there are min. eight other film and TV adaptations, including an Emmy award-sinning TV mini-series, and Roland Joffé's 1995 Hollywood feature starring Robert Duvall, Gary Oldman and Demi Moore.
ellauri352.html on line 47: Pinocchio oli puinen sätkyukko. Mäntysilmä (oxankohta laudassa?) tai männynsiemen toskanaxi, jonka nenä veny valhetellessa kuin penis erektiivisenä. These aspects are consistent across all adaptations: Pinocchio is an animated sentient puppet, Pinocchio's maker is Geppetto and Pinocchio's nose grows when he lies. Pinocchio's bad behavior, rather than being charming or endearing, is meant to serve as a warning. Collodi originally intended the story, which was first published in June 1881 in the children's magazine Il Corriere dei Piccoli, to be a tragedy. It concluded with the puppet's execution. Kettu ja kissa jotka vievät Disneyn Pinocchion "teeatteriin" hirttävät hänet lähimpään puuhun, joka sattui olemaan tammi eikä mänty.
ellauri365.html on line 276: Leo Tolstoy used Maupassant as the subject for one of his essays on art: The Works of Guy de Maupassant. His stories are second only to Shakespeare in their inspiration of movie adaptations with films ranging from Stagecoach, Oyuki the Virgin and Masculine Feminine.
xxx/ellauri057.html on line 925: En 1946, il quitte le Canada pour les États-Unis et Hollywood qui lui faisait des appels d'offre pour l'adaptation de ses œuvres à l'écran depuis de nombreuses années. Il s'installe d'abord en Californie, puis en Floride et dans l'Arizona en 1947, à Carmel-by-the-Sea en Californie en 1949, avant de s'établir en juillet 1950 à Lakeville dans le Connecticut, dans une propriété nommée Shadow Rock Farm, dont la grande maison de dix-huit pièces comporte huit chambres à coucher et six salles de bains. Pendant dix années, il parcourt cet immense continent en voiture. Afin d’assouvir sa curiosité et son appétit de vivre, il visite intensément New York, la Floride, l’Arizona, la Californie et toute la côte est, des milliers de miles, de motels, de routes et de paysages grandioses.
xxx/ellauri086.html on line 666: The Scarlet Letter was one of the first mass-produced books in America. It was popular when first published and is considered a classic work today. It inspired numerous film, television, and stage adaptations. Critics have described it as a masterwork and novelist D. H. Lawrence called it a "perfect work of the American imagination".
xxx/ellauri138.html on line 219: Gloria Grey was born Maria Dragomanovich in Portland, Oregon in 1909. She was educated in San Francisco, California. Her career was spent chiefly during the 1920s in Hollywood, and the 1940s in Argentina. She was given praise for her starring role in the 1924 adaptation of Gene Stratton-Porter's A Girl of the Limberlost, which garnered her the honor of being selected as one of the WAMPAS Baby Stars in 1924. She also sang Jingo etc kneeling beside two black-and-white kids in a tub, (but not the juicy parts), and alleged got arrested because of indecency. Grey was found deceased in bed at her mother's home in Hollywood, California on November 22, 1947, having succumbed to a two-month bout of influenza. She was survived by her husband, Argentine magazine editor Ramón Romero, and their daughter, whose name is unmentionable. 'Oh By Jingo' sung by Gloria Grey (colorized) Shortly Before Her Arrest...(Allegedly). "I din't know there were nude kids in the tub, a black male and a white female in fact." The little pickaninny boy looks slightly shocked.
xxx/ellauri149.html on line 381: Jesus Christ Superstar is a Rock Opera and (subverted?) Passion Play by Andrew Lloyd Webber and Tim Rice. Originally released as a Concept Album in 1970 (when Lloyd Webber and Rice were still in their very early twenties, no less!), it made its way to the Broadway and London stage in 1971, and was adapted into a film directed by Norman Jewison in 1973. An updated version was recorded sometime around 2000 by Webber's Really Useful Group for PBS. A filmed version of the UK arena tour starring Tom Munchin as Judas was released on DVD and digital in 2012, and a live adaptation starring John Lennon as Jesus, Sara Bareilles as Mary Magdalene and Alice Cooper as Herod that aired on NBC in 2018. The show lives on in stage productions and tours (and even non-theatrical tribute albums from fans who were more attracted to it as an album than a show) to this day. Inspired by… The Four Gospels of The Bible (specifically the arrival in Jerusalem and subsequent crucifixion of Jesus), it chronicles the last seven days of Jesus' life, focusing mainly on the characters of Jesus, Judas and Mary Magdalene. It's regarded among Andrew Lloyd Webber's best works, which is not saying much. It's a pseudo-sequel to Joseph and the Amazing Technicolor Dreamcoat, though this took a bit more liberty with the source material and is considerably less playful.
xxx/ellauri149.html on line 389: A similar impression is given in the Bible. Tatu Vaaskivi argues on similar lines in his unforgettable Pyhä kevät. That or not wanting to be bossed around. Many, many adaptations have been made over the centuries, in which Judas, Pilate, and/or the Jews have been blamed to a greater or lesser, sometimes very extreme degree.
xxx/ellauri157.html on line 618: In the late-19th and early-20th century, the Orthodox movement itself underwent some changes. Newer Orthodox Jews tried to integrate the teachings of the Torah into modern life, making some concessions and adaptations to better mesh with contemporary technologies and practices. At the same time, other Orthodox Jews rejected most modern movements, and looked warily on any reinterpretations of Jewish law to make it fit into a modern context.
xxx/ellauri157.html on line 620: These "Ultra-Orthodox" Jews became known as Haredi Jews, although both of these terms are considered negative in some circles. The term is also sometimes spelled Charedi or Chareidi in English. It is important to note that members of this group do not reject the modern world or technologies (like nuclear weapons) entirely, but they treat adaptations of Jewish law to fit that world as very serious. Most of the differences between Haredi and Orthodox perspectives have to do with decisions of oral law as to how the Torah should be applied to a modern situation. In many broad senses, the two groups tend to agree, and it is more in the specifics that things begin to diverge, like payot and tefilin and wearing antimacassars and funny double hats.
xxx/ellauri165.html on line 553: Nicole Kidman played Mrs Coulter in the film adaptation, The Golden Compass. Pullman had previously indicated that he would like to see Kidman play the role. ... Her dæmon was changed from a Golden Monkey to a Golden snub-nosed monkey in order to better reflect the two sides of Coulter´s character.
xxx/ellauri176.html on line 905: Lucy Mangan of The Guardian said. "This rollicking adaptation of Lee Child’s man-mountain ex-military sleuth is hugely fun, packed with punchups and far better than Cruise’s movie efforts."
xxx/ellauri178.html on line 124: Mitähän Pili oli näkevinään John Le Carren vakoiluromaanissa A Perfect Spy? Vai pitikö se pikemminkin Davidista izestään? David reportedly enjoyed “playing” on his first wife’s suspicion that he was homosexual. The association between homosexuality and secrecy, furtiveness and potential treachery ensured gay characters were a recurring trope in Cold War-era spy fiction. John Le Carre's The Spy Who Came In From The Cold and Tinker, Tailor, Soldier, Spy include gay subtexts - made even more explicit in the 2011 movie adaptation of the latter. Merry Xmas from the onanist and the whore!
xxx/ellauri179.html on line 1046: The Sun Also Rises is a 1957 film adaptation of the 1926 Ernest Hemingway novel of the same name directed by Henry King. The screenplay was written by Peter Viertel and it starred Tyrone Power, Ava Gardner, Mel Ferrer, and Errol Flynn. Much of it was filmed on location in France and Spain in Cinemascope and color by Deluxe. A highlight of the film is the famous "running of the bulls" in Pamplona, Spain and two bullfights.
xxx/ellauri230.html on line 286: Koo's third wife was the socialite and style icon Oei Hui-lan (1889–1992). She married Koo (33vee) in Brussels, Belgium, in 1921. She was previously married, in 1909, to British consular agent Beauchamp Stoker, by whom she had one son, Lionel, before divorcing in 1920. Much admired for her adaptations of traditional Manchu fashion, which she wore with lace trousers and jade necklaces, Oei Hui-lan was the favorite daughter of Peranakan tycoon Majoor Oei Tiong Ham, and the heiress of a prominent family of the Cabang Atas or the Chinese gentry of colonial Indonesia. She wrote two memoirs: Hui-Lan Koo (Mrs. Wellington Koo): An Autobiography, and No Feast Lasts Forever. Koo had 2 more kids out of her.
xxx/ellauri268.html on line 275: Merope is the name of a daughter of Atlas in Greek Mythology. It is also the name of the mother of Oedipus in Oedipus Rex. Both Voldemort and Oedipus killed their fathers randomly. The flashback scene featuring Merope and her family was cut from the film adaptation of Harry Potter and the Half-Blood Prince because of time and pacing concerns. However, it was originally present in an early draft of the film's screenplay according to director David Yates. It's unknown if there were any actresses considered to play Merope by that point. Joanie would have been good for a cameo appearance. Merope means 'part face', possibly a reference to the asymmetry of the two halves of Joanne's face.
xxx/ellauri329.html on line 97: In 2004, Harper’s magazine published Natasha, a first short story by a promising 31-year-old Jewish Canadian writer, David Bezmozgis. This memorable tale of a doomed teenage love between Mark, a Jewish Toronto slacker, and his troubled (shiksa) Russian cousin by marriage was eventually released in a collection chronicling the lives of a Latvian immigrant family, not unlike the author’s own. Bezmozgis’s debut became a cult sensation with critics drawing literary comparisons to Bernard Malamud and Philip Roth. The story was subsequently reprinted in 15 languages. After penning two more acclaimed novels, then writing and directing his first feature Victoria Day (SFJFF 2010), Bezmozgis finally brings his modern classic to the big screen in a remarkably assured adaptation that’s both highly provocative and deeply poignant. At the heart of this emotional, coming-of-age drama are the extraordinarily measured performances of Alex Ozerov as Mark and newcomer Sasha K. Gordon as the sexually precocious Natasha, the dark star who forever alters Mark’s staid, suburban existence. Fans of the writer’s original source material will not be disappointed in David Bezmozgis’s haunting narrative of forbidden love caught between the old world and the new, further proof of this talented artist’s notable command of both literature and the cinema. —Thomas Logoreci Note: Mature Content. A New Life in the west means a second chance for precocious Latvian jews.
xxx/ellauri387.html on line 215: When the film Evil (2003), an adaptation of Guillou's autobiographical novel from 1981, was nominated for an Academy Award in 2003 Guillou was still listed as a terrorist by the US government because of the IB affair. Or was it the CIA affair? "Jamista" on täydentävä paasaus albumissa 301.
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