ellauri012.html on line 181: I´ve grown accustomed to her face

ellauri012.html on line 184: I´ve grown accustomed to the tune

ellauri012.html on line 204: And yet I´ve grown accustomed to the trace

ellauri052.html on line 749: They stopped, they discussed methods, they practised grips and throws, they became accustomed to each other, to each other´s rhythm, they got a kind of mutual physical understanding. And then again they had a real struggle. They seemed to drive their white flesh deeper and deeper against each other, as if they would break into a oneness. Birkin had a great subtle energy, that would press upon the other man with an uncanny force, weigh him like a spell put upon him. Then it would pass, and Gerald would heave free, with white, heaving, dazzling movements.
ellauri058.html on line 97: The Thin Man is a 1934 American comedy-mystery directed by W. S. Van Dyke and based on the novel of the same name by Dashiell Hammett. The film stars William Powell and Myrna Loy as Nick and Nora Charles, a leisure-class couple who enjoy copious drinking and flirtatious banter. Nick is a retired police detective who left his very successful career when he married Nora, a wealthy heiress accustomed to high society. Their wire-haired fox terrier Asta was played by canine actor Skippy. In 1997, the film was added to the United States National Film Registry having been deemed "culturally, historically, or aesthetically significant."
ellauri083.html on line 376: Farrow has steadfastly supported her daughter throughout the years—but in Allen v. Farrow, she says she has also grown accustomed to Allen attacking her character and parenting skills in the press. (For decades Allen has claimed that Farrow coached Dylan, goading her into accusing Allen after Allen left Farrow for Previn.) Farrow explains her conflicting feelings to the cameras, saying that she wholeheartedly supported Dylan’s decision to write a 2014 op-ed for The New York Times outlining the abuse she claims to have suffered. But privately, Farrow admits in the docuseries, she “crumpled up inside,” knowing that Allen would likely resume his media attacks on her. “He couldn’t go after Dylan, because she was a child at the time, so he’d come after me.”
ellauri115.html on line 816: Conversely, Socrates bore with Xanthippe,​ who was irascible and acrimonious, for he thought that he should have no difficulty in getting along with other people if he accustomed himself to bear patiently with her; but it is much better to secure this training from the scurrilous, angry, scoffing, and abusive attacks of enemies and outsiders, and thus accustom the temper to be unruffled and not even impatient in the midst of reviling.
ellauri117.html on line 247: They stopped, they discussed methods, they practised grips and throws, they became accustomed to each other, to each other´s rhythm, they got a kind of mutual physical understanding. And then again they had a real struggle. They seemed to drive their white flesh deeper and deeper against each other, as if they would break into a oneness. Birkin had a great subtle energy, that would press upon the other man with an uncanny force, weigh him like a spell put upon him. Then it would pass, and Gerald would heave free, with white, heaving, dazzling movements.
ellauri156.html on line 295: It is obvious that Uriah had forsaken his own people and their gods to live in Israel, marry an Israelite woman, and fight in David's army. He is no pagan, to be put to death. He is a proselyte. In spite of all this, I believe David looks down upon him. David has grown accustomed to having the finest of everything. His palace is the finest around. His furnishings, his food, his help, are all the finest. Now, he looks from his penthouse and sees a woman whom he regards as “fine.” How can a woman so “fine” belong to this Hittite? She is fit for a king. And this king intends to have her.
ellauri158.html on line 692: All men are born ignorant of the causes of things, that all have the desire to seek for what is useful to them, and that they are conscious of such desire. Herefrom it follows, first, that men think themselves free inasmuch as they are conscious of their volitions and desires, and never even dream, in their ignorance, of the causes which have disposed them so to wish and desire. Secondly, that men do all things for an end, namely, for that which is useful to them, and which they seek. Thus it comes to pass that they only look for a knowledge of the final causes of events, and when these are learned, they are content, as having no cause for further doubt. If they cannot learn such causes from external sources, they are compelled to turn to considering themselves, and reflecting what end would have induced them personally to bring about the given event, and thus they necessarily judge other natures by their own. Further, as they find in themselves and outside themselves many means which assist them not a little in the search for what is useful, for instance, eyes for seeing, teeth for chewing, herbs and animals for yielding food, the sun for giving light, the sea for breeding fish, &c., they come to look on the whole of nature as a means for obtaining such conveniences. Now as they are aware, that they found these conveniences and did not make them, they think they have cause for believing, that some other being has made them for their use. As they look upon things as means, they cannot believe them to be self—created; but, judging from the means which they are accustomed to prepare for themselves, they are bound to believe in some ruler or rulers of the universe endowed with human freedom, who have arranged and adapted everything for human use. They are bound to estimate the nature of such rulers (having no information on the subject) in accordance with their own nature, and therefore they assert that the gods ordained everything for the use of man, in order to bind man to themselves and obtain from him the highest honor.
ellauri162.html on line 697: People have become accustomed to working for their own needs. Working enables people to earn an honorable livelihood, but using employees as mere objects is wrong. Workers and the rich are dependent upon each other. The worker ought to complete the tasks that they freely agree to, never destroy an employer´s property, never use violence for their cause, never take part in riots or disorder, and not associate with those who encourage them to act unethically. (As Pope John Paul II would later emphasize in Laborem Exercens, work ought to be seen as a privileged expression of human activity. Work, including cultural production, is an example of human creation in the image of the creator.)
ellauri223.html on line 192: However, an increasing number of reports circulated about friction in the marriage, with speculation that this may have been due to Alice's making do with less money than she had once been accustomed to. It was said that she was strongly interested in fame and fortune, and when household finances dwindled, she complained bitterly. Bunten wrote in her Life of Alice Barnham that, upon their descent into debt, she went on trips to ask for financial favours and assistance from their circle of friends. Bacon disinherited her upon discovering her secret romantic relationship with Sir Frodo Underhill. He subsequently rewrote his will, which had previously been very generous—leaving her lands, goods, and income—and instead revoked it all.
ellauri223.html on line 202: Reports of increasing friction in the marriage appeared, with speculation that some of this may have also been due to financial resources not being as abundantly available to Alice as she was accustomed to in the past. Alice was reportedly interested in fame and fortune, and when reserves of money were no longer available, there was constant complaining about where all the money was going.
ellauri263.html on line 616: The book is a comedy about the birth of the son of Satan and the coming of the End Times. There are attempts by the angel Aziraphale and the demon Crowley to sabotage the coming of the end times, having grown accustomed to their comfortable surroundings in England. One subplot features a mixup at the small country hospital on the day of birth and the growth of the Antichrist, Adam, who grows up with the wrong family, in the wrong country village. Another subplot concerns the summoning of the Four Horsemen of the Apocalypse, each a big personality in their own right. With Armageddon averted, Crowley and Aziraphale muse that this was God's plan all along and speculate that the real apocalyptic conflict will be between humanity and the combined forces of Heaven and Hell. In 2003, the novel was listed at number 68 on the BBC's survey The Big Read.
ellauri266.html on line 344: Who knows perhaps one day these upper-class working women in teaching, in office jobs, in factories, in pubic services, are part of the answer to the lady from Oakland. As men become more accustomed to dealing with women colleagues and service staff, they will come to their senses and discuss with their partners sports events, the stock market, automobiles, politics, religion, philosophy, natural history, or science as they are waiting for their seed guns to reload. All the more enriched will be the relationship between them.
ellauri322.html on line 440: A story is told here of the King’s formerly making a dog counsellor of state, because when the dog, accustomed to eat at the royal table, snatched a piece of meat off an old officer’s plate, the geezer reproved him jocosely, saying that he, monsieur le chien, had not the privilege of dining with his majesty, a privilege annexed to this distinction.
ellauri391.html on line 566: It is not easy to summarize Kimhi’s book. Though only 166 pages, it strives to do a lot in a short space, aiming to overthrow views about logic and metaphysics that have prevailed in philosophy for a century. And though characterized by a precision of expression, the book is not what you would call lucid. Reading it is less about working through a series of rigorous, detailed arguments — the dominant mode of contemporary Anglophone philosophy — and more about getting accustomed to a radically different way of looking at fundamental philosophical questions, including What is thinking? and What is the relationship between thinking and the world?
xxx/ellauri068.html on line 219: So what did I do? I chose to remember that Borges is not a writer of the era of Facebook and autofiction; that it is not true that he hides in his texts, speaks little about himself (in fact, the opposite is true: how often in his work does his double appear, the character called Borges?); he simply does not do it the way in which we are accustomed today; that, like his friend Alfonso Reyes, Borges learned the classical notion of decorum, which is a set of rules of style when writing and also a certain principle of discretion, an obligation not to say absolutely everything that is very likely inconceivable to many people today.
xxx/ellauri124.html on line 138: James' wife Tine says she struggled at first with the other "women" coming into James' life while she was caring for her sick mother but has now grown accustomed to them sharing his bed, reports The Mirror.
xxx/ellauri137.html on line 204: Majas on a Balcony 1800-1810 is one of the many genre paintings by Goya portraying scenes from contemporary life. The physical setting is an azotea or balcony, a characteristic appendage of Spanish houses and an integral part of social life and character in the towns and cities of Goya's country. The features and props of the setting are confined to an iron railing with vertical grills, a very austere structure (compared to the rich elaborate grill-work of which we are accustomed to think as flourishing in Spain, or at least in New Orleans), which alludes to the socio-economic character of the house; the edge of the floor; some chairs - rather inelegant - one of which has cheap wicker matting; and in the background, a bare wall, a only proof of whose presence is a shadow to the extreme right suggesting a material surface.
xxx/ellauri195.html on line 214: you. Once only you can live it. What is the noblest object of desire, the supreme gift to covet? We have been accustomed to be told that the greatest thing in the religious world is Faith. That great word has been the key-note for centuries of the popular religion; and we have easily learned to look upon it as the greatest thing in the world. Well, we are wrong. It is love! all you need is love; love, love, love is all you need. Näitä merkkejä on alkanut taas näkyä viestimissä Ukraina-miekkareissa. Niitä vilahteli myös Gently-sarjassa brittein ydinasevastustajien miekkarissa 1967. Ne näyttää erehdyttävästi ylösalaisilta pilluilta. Kristina täti ärähti kun huomautin sille siitä.
xxx/ellauri218.html on line 150: Ralph was the inspiration for the animated character Fred Flintstone. Alice (née Alice Gibson), played in the first nine skits from 1951 to January 1952 by Pert Kelton, and by Audrey Meadows for all remaining episodes, is Ralph's patient but sharp-tongued wife of 14 years. She often finds herself bearing the brunt of Ralph's tantrums and demands, which she returns with biting sarcasm. She is levelheaded, in contrast to Ralph's pattern of inventing various schemes to enhance his wealth or his pride. She sees his schemes' unworkability, but he becomes angry and ignores her advice (and by the end of the episode, her misgivings almost always prove correct). She has grown accustomed to his empty threats—such as "One of these days, POW!!! Right in the kisser!", "BANG, ZOOM!" or "You're going to the Moon!"— to which she usually replies, "Ahhh, shaddap!" Alice runs the finances of the Kramden household, and Ralph frequently has to beg her for money to pay for his lodge dues or crazy schemes. Alice studied to be a secretary before her marriage and works briefly in that capacity when Ralph is laid off. Wilma Flintstone is based on Alice Kramden.
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