ellauri069.html on line 737: Follow the yellow brick road on tyhmä laulu typerästä elokuvasta Wizard of Oz. Joka on tehty yhtä typerästä lastenkirjasta Ihmemaa Oz. Seuraa kullanväristä tietä, varo punaista!
ellauri069.html on line 744: Typerä elokuva perustuu vielä typerämpään samannimiseen lastenkirjaan Ihmemaa Oz (engl. The Wonderful Wizard of Oz, 1900), joka on aikaisemmin suomennettu myös nimillä Oz-maan taikuri (1977) sekä Ozin velho (1985), jonkun L. Frank Baumin kirjoittama lastenkirja. Kirja aloitti Baumin Oz-maahan sijoittuvien kirjojen sarjan, joka käsittää kaikkiaan 15 teosta. Kirja kertoo Dorothy-nimisen kansasilaistytön seikkailusta Oz-maassa.
ellauri069.html on line 750: Tässä kohtaa suomenkielinen wikisivu katkeaa, joten täytyy kääntää loppupää omin sanoin suomexi. Matkalla keltaista tiilitietä alas Dorothy ottaa osaa bankettiin jonka järkkää maiskiainen nimeltä Boq. Seuraavana päivänä D. vapauttaa Varixenpelätin (h.k.) (TW: trigger warning) paalusta jossa se roikkuuu, laittaa öljyä kannusta Tölkki Puumiehen ruosteisiin jointteihin, ja tapaa Pelkurimaisen Leijonan. Varixenpelätin tahtoo aivot, Tölkki Puumies tahtoo sydämmen, ja Leijona haluu cojones, joten D. rohkaisee niitä matkaamaan kanssaan ja Toton kanssa Smaragdistadiin pyytämään apuaa Welholta. Useiden seikkailujen kuluttua matkalaiset saapuvat Smaragdistadiin ja tapaavat portinvartijan (Guardian!) joka pyytää heitä käyttämään vihreäxi värjättyjä rillejä jotta niiden silmät ei häikäistyisi stadin loistosta. Jokainen kuzutaan Wizardin pakeille. Hän ilmestyy Dorothylle jättipäänä, Varixenpelätille hemaisevana leidinä, Tölkki Puumiehelle hirveänä petona, ja Leijonalle tulipallona. Hän lupaa silti auttaa heitä kaikkia jos ne tappavat Lännen ilkeän noidan, joka hallizee Kullimaata. Guardian varoittaa heitä että kukaan ei ole koskaan voittanut noitaa.
ellauri069.html on line 762: Biographers report that Baum had been a political activist in the 1890s with a special interest in the money question of gold and silver (bimetallism). The City of Oz earns its name from the abbreviation of ounces "Oz" in which gold and silver are measured. Unssin kaupunki. For example, the Tin Woodman wonders what he would do if he ran out of oil. "You wouldn't be as badly off as John D. Rockefeller", the Scarecrow responds, "He'd lose six thousand dollars a minute if that happened." Dorothy—naïve, young and simple—represents the American people. She is Everyman, led astray and seeking the way back home. Moreover, following the road of gold leads eventually only to the Emerald City, which may symbolize the fraudulent world of greenback paper money that only pretends to have value. It is ruled by a scheming politician (the Wizard) who uses publicity devices and tricks to fool the people (and even the Good Witches) into believing he is benevolent, wise, and powerful when really he is a selfish, evil humbug.
ellauri069.html on line 766: Hugh Rockoff suggested in 1990 that the novel was an allegory about the demonetization of silver in 1873, whereby “the cyclone that carried Dorothy to the Land of Oz represents the economic and political upheaval, the yellow brick road stands for the gold standard, and the silver shoes Dorothy inherits from the Wicked Witch of the East represents the pro-silver movement. When Dorothy is taken to the Emerald Palace before her audience with the Wizard she is led through seven passages and up three flights of stairs, a subtle reference to the Coinage Act of 1873 which started the class conflict in America.”
ellauri198.html on line 660: Horace Slughorn is a character in the Harry Potter series of novels by J. K. Rowling. Professor Horace Eugene Flaccus Slughorn (b. 28 April, between 1882 and 1913) was a pure-blood or half-blood wizard. He attended Hogwarts School of Witchcraft and Wizardry as a member of Slytherin before returning in 1931 as Potions Master. Joopa joo, flaccid slughorn, kiitos JK tiedetään mitä ajat takaa. Although Professor Slughorn certainly isn't a villain in Harry Potter, he's definitely done some rotten things. As they all.
ellauri222.html on line 886: Ozymandias (/ˌɒziˈmændiəs/ oz-ee-MAN-dee-əs; real name Adrian Alexander Veidt) is a fictional anti-villain in the graphic novel limited series Watchmen, published by DC Comics. Created by Alan Moore and Dave Gibbons, named "Ozymandias" in the manner of Ramesses II, his name recalls the famous poem by Percy Bysshe Shelley, which takes as its theme the fleeting nature of empire and is excerpted as the epigraph of one of the chapters of Watchmen. Ozymandias is ranked number 25 on Wizard's Top 200 Comic Book Characters list and number 21 on IGN's Top 100 Villains list. No, wait, Ozymandias was a Greek name for the pharaoh Ramesses II (r. 1279–1213 BC), derived from a part of his throne name, Usermaatre. In 1817, Shelley began writing the poem "Ozymandias", after the British Museum acquired the Younger Memnon, a head-and-torso fragment of a statue of Ramesses II, which dated from the 13th century BC. Earlier, in 1816, the Italian archeologist Giovanni Battista Belzoni had "removed" the 7.25-short-ton (6.58 t; 6,580 kg) statue fragment from the Ramesseum, the mortuary temple of Ramesses II at Thebes, Egypt. The reputation of the statue fragment preceded its arrival to Western Europe; after his Egyptian expedition in 1798, Napoleon Bonaparte had failed to acquire the Younger Memnon for France. Although the British Museum expected delivery of the antiquity in 1818, the Younger Memnon did not arrive in London until 1821. Shelley published his poems before the statue fragment of Ozymandias arrived in Britain, and the view of modern scholarship is that Shelley never saw the statue, although he might have learned about it from news reports, as it was well known even in its previous location near Luxor.
ellauri332.html on line 692: Brassi-Eskin spugeporukat toi ensin mieleen tiernapojat, mutta oikea esikuva tuli esiin filmin miljonäärirouvien lastennäytelmässä: Wizard of Oz ja retkeläiset arka Leijona, tyhmä peltipää, Dorothy (? ei tässä ollut naisilla puheosia, saarnat oli pelkkää homostelua) ja Toto (pikku lakukeppi). Seja unica.
ellauri367.html on line 166: Mr. Burnsin tavaramerkkiilmaisu on sana "Erinomaista...", mutisi hitaasti matalalla, synkällä äänellä sormenpäillään. Ajoittain hän käskee Smithersiä "vapauttamaan koirat", jotta hänen ilkeät vahtikoiransa hyökkäävät tunkeilijoiden, vihollisten tai jopa kutsuttujen vieraiden kimppuun. Mr. Burns on Springfieldin rikkain ja voimakkain kansalainen (ja myös Springfieldin osavaltion rikkain henkilö; Forbes on antanut hänen nykyisen nettovarallisuutensa olevan 1,3 miljardia dollaria, vaikka se vaihtelee hurjasti jaksosta riippuen). Hän käyttää valtaansa ja omaisuuttaan tehdäkseen mitä haluaa, yleensä ottamatta huomioon seurauksia ja ilman viranomaisten puuttumista asiaan. Näiden ominaisuuksien vuoksi Wizard- lehti arvioi hänet kaikkien aikojen 45. suurimmaksi konnaksi. TV Guide nimesi hänet toiseksi vuoden 2013 kaikkien aikojen 60 ilkeimmän roiston listalla. Vuonna 2016 Rolling Stone sijoitti hänet sijalle 8 "40 kaikkien aikojen suurimmasta TV-roistostaan".
ellauri389.html on line 297: “Lines Composed a Few Miles above Tintern Abbey (etc.)” by William Wordsworth is told to his sister from the perspective of the writer and tells of the power of Nature to guide one’s life and morality. In the final stanza of the poem, it becomes clear that this entire time the poet was speaking to his sister, Dorothy. Eikös Wizard of Ozissa ollut Dorothy? Vanhanaikainen nimi, kuten Raija, joka tule Kreikan adjektiivista rhaidios 'helppo'. Sisko ei ole vielä yhtä panteistinen kuin William. Dorothya esitti Judy Garland vuonna 1939. Samaan aikaan toisaalla saman ikäinen Pirkko Hiekkala väänsi talvisodan propagandaa Turussa Mika Waltarin opastuxella.
xxx/ellauri134.html on line 112: Scorpio, shadow, Sun Sign, Sun Signs, taurus, Virgo, Wizard
xxx/ellauri134.html on line 161: Wizard
xxx/ellauri225.html on line 271: Several scholars have commented that Le Guin´s writing was influenced by Carl Jung, and specifically by the idea of Jungian archetypes. In particular, the shadow in A Wizard of Earthsea is seen as the Shadow archetype from Jungian psychology, representing Ged´s pride, fear, and desire for power. Le Guin discussed her interpretation of this archetype, and her interest in the dark and repressed parts of the psyche, in a 1974 lecture. She stated elsewhere that she had never read Jung before writing the first Earthsea books. Other archetypes, including the Mother, Animus, and Anima, have also been identified in Le Guin´s writing.
xxx/ellauri225.html on line 273: Philosophical Taoism had a large role in Le Guin´s world view, and the influence of Taoist thought can be seen in many of her stories. Many of Le Guin´s protagonists, including in The Lathe of Heaven, embody the Taoist ideal of leaving things alone. The anthropologists of the Hainish universe try not to meddle with the cultures they encounter, while one of the earliest lessons Ged learns in A Wizard of Earthsea is not to use magic unless it is absolutely necessary. Taoist influence is evident in Le Guin´s depiction of equilibrium in the world of Earthsea: the archipelago is depicted as being based on a delicate balance, which is disrupted by somebody in each of the first three novels. This includes an equilibrium between land and sea, implicit in the name "Earthsea", between people and their natural environment, and a larger cosmic equilibrium, which wizards are tasked with maintaining. Another prominent Taoist idea is the reconciliation of opposites such as light and dark, or good and evil. A number of Hainish novels, The Dispossessed prominent among them, explored such a process of reconciliation. In the Earthsea universe, it is not the dark powers, but the characters´ misunderstanding of the balance of life, that is depicted as evil, in contrast to conventional Western stories in which good and evil are in constant conflict, wearing white and black stezons, respectively. The idea of leaving good enough alone, in particular, is deeply un-American.
xxx/ellauri225.html on line 298: The first three Earthsea novels together follow Ged from youth to old age, and each of them also follow the coming of age of a different character. A Wizard of Earthsea focuses on Ged´s adolescence, while The Tombs of Atuan and The Farthest Shore explore that of Tenar and the prince Arren, respectively. A Wizard of Earthsea is frequently described as a Bildungsroman, in which Ged´s coming of age is intertwined with the physical journey he undertakes through the novel. To Mike Cadden the book was a convincing tale "to a reader as young and possibly as headstrong as Ged, and therefore sympathetic to him". Reviewers have described the ending of the novel, wherein Ged finally accepts the shadow as a part of himself, as a rite of passage. Scholar Jeanne Walker writes that the rite of passage at the end was an analogue for the entire plot of A Wizard of Earthsea, and that the plot itself plays the role of a rite of passage for an adolescent reader. Any fucking involved at all? What kind of coming of age would it be without some?
xxx/ellauri268.html on line 256: She died many years before the events of Harry Potter's life and is generally viewed as both a sympathetic and tragic character. Despite this, Merope is still an antagonist, one that left a huge impact upon Britain's magical community. Were it not for her, Lord Voldemort may never have been born. If so, then the Wizarding Wars and the innumerable tragedies associated with them, might never have happened. JKRowling would never have become filthy rich and a philantrope.
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xxx/ellauri268.html on line 335: Mutta kriitikot ovat huomauttaneet jo vuosia, että Gringotts Wizarding Bankia johtavat koukkunenäiset, ahneet peikkopankkiirit näyttävät paljon koukkunenäisiltä, ​​ahneilta juutalaisilta karikatyyreiltä, ​​jotka ovat olleet antisemitistisen propagandan tunnusmerkki keskiajalta Der Stürmeriin asti.
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