ellauri048.html on line 702: Saul Bellowin alter ego Gene Henderson tiesi että monet Lähi-Idän prinssit oli saaneet amerikkalaisen koulusivistyxen. Se ei tajunnut miten niistä oli tullut niin verenhimoisia, vaikka niille oli opetettu The Village Blacksmith ja "sweet Alice and laughing Allegra". Häh? Osoittautuu et nää on Longfellowia. Longfellow oli seppoilun armoitettu runoseppo, nää runot opetetaan jenkkikakaroille vieläkin.
ellauri048.html on line 760: The Village Blacksmith
ellauri067.html on line 178: 1959-60 Greenwich Village bohemianism, pot smoking, idolizes Monk, begins V.
ellauri070.html on line 313: Skippy: Thomas More believed "Skippy" alludes to the Percy Crosby cartoon strip Skippy, of 1920s-1945 vintage: "Skippy, like Orphan Annie, led a schlemihl's life, always threatened by evil forces of change, which meant, for the politically reactionary Crosby, Rooseveltian changes in the direction of liberalism, urbanism, and the homogenized Global Village." (p.170n.)
ellauri080.html on line 420: Villagedesignin expertti aloittaa jungilaisten kontribuution luonnekysymyxiin näin.
ellauri101.html on line 58: In 1938, he married one of his former students, the dancer-choreographer Jean Erdman. Jean's father Toni wore false teeth and a wig at the wedding. For most of their 49 years of marriage they shared a two-room apartment in Greenwich Village in New York City. In the 1980s they also purchased an apartment in Honolulu and divided their time between the two cities. They did not have any children.
ellauri163.html on line 50: God of Vengeance was published in English-language translation in 1918. In 1922, it was staged in New York City at the Provincetown Theatre in Greenwich Village, and moved to the Apollo Theatre on Broadway on February 19, 1923, with a cast that included the acclaimed Jewish immigrant actor Rudolph Schildkraut. Its run was cut short on March 6, when the entire cast, producer Harry Weinberger, and one of the owners of the theater were indicted for violating the state's Penal Code, and later convicted on charges of obscenity. Weinberger, who was also a prominent attorney, represented the group at the trial. The chief witness against the play was Rabbi Joseph Silberman, who declared in an interview with Forverts: "This play libels the Jewish religion. Even the greatest anti-Semite could not have written such a thing". (You just wait for Philip Roth...) After a protracted battle, the conviction was successfully appealed. In Europe, the play was popular enough to be translated into German, Russian, Polish, Hebrew, Italian, Czech, Romanian and Norwegian. Indecent, the 2015 play written by Paula Vogel, tells of those events and the impact of God of Vengeance. It opened on Broadway at the Cort Theater in April 2017, directed by Rebecca Taichman. Eli ei Asch ihan pasé vielä ole.
ellauri184.html on line 60: Morales moved in with Mailer during 1951 into an apartment on First Avenue near Second Street in the East Village, and they married in 1954. They had two daughters, Danielle and Elizabeth. After attending a party on Saturday, November 19, 1960, Mailer stabbed Adele twice with a two-and-a-half inch blade that he used to clean his nails, nearly killing her by puncturing her pericardium. He stabbed her once in the chest and once in the back. Adele required emergency surgery but made a quick recovery. Mailer claimed he had stabbed Adele "to relieve her of cancer". He was involuntarily committed to Bellevue Hospital for 17 days. While Adele did not press charges, saying she wanted to protect their daughters, Mailer later pleaded guilty to a reduced charge of assault saying, "I feel I did a lousy, dirty, cowardly thing", and received a suspended sentence of three years' probation. In 1962, the two divorced. In 1997, Adele published a memoir of their marriage entitled The Last Party, which recounted her husband stabbing her at a party and the aftermath. This incident has been a focal point for feminist critics of Mailer, who point to themes of sexual violence in his work.
ellauri185.html on line 408: Pinker was born in Montreal, Quebec, in 1954, to a middle-class Jewish family. His grandparents emigrated to Canada from Poland and Romania in 1926, and owned a small necktie factory in Montreal. His father was a lawyer. His mother eventually became a high-school vice-principal. His brother is a policy analyst for the Canadian government, while his sister, Susan Pinker, is a psychologist and writer who authored The Sexual Paradox and The Village Effect.
ellauri210.html on line 383: The money Cravan earned from the Johnson fight helped him buy his passage out of Europe, and what he thought was safety from the war. In January 1917, he sailed for New York. Dozens of other European artists and intellectuals were making the same journey at the time; one of Cravan’s shipmates was Leon Trotsky, who noted in his diary that he’d met a man who claimed to be related to Oscar Wilde and “who frankly declared that he would rather smash a Yankee’s face in the noble art of boxing than be done in by a German.” Cravan didn’t stay in New York long; just long enough to put several noses metsphorically out of joint. He split his time between sleeping rough in Central Park and hobnobbing with Greenwich Village bohemians. Among them was the poet Mina Loy, with whom Cravan began an intense love affair.
ellauri211.html on line 48: Reader's Digest sai alkunsa New Yorkin Greenwich Villagessa 1920-luvun alussa, kun William Roy DeWitt Wallace (1889–1981) ja hänen vaimonsa Lila Bell Wallace alkoivat julkaista muista lehdistä valikoimiaan juttuja yksissä kansissa. Pian he perustivat Reader's Digest Association -nimisen yrityksen New Yorkin lähellä sijaitsevaan Pleasantvilleen.
ellauri219.html on line 290: A satirical novelist and screenwriter, Terry Southern bridged the gap between the Beat Generation and The Beatles; he hung out with the former in Greenwich Village, and befriended the latter after moving to London in 1966. His dialogue was used in some of the most era-defining movies of the 60s, including Dr. Strangelove Or: How I Learned To Stop Worrying And Love The Bomb and Easy Rider.
ellauri243.html on line 488: In April 2004, Brown pleaded guilty to charges of tax fraud. He was charged with creating companies in the West Indies for the purposes of receiving tax deductions from fictitious expenses. The fictitious expenses amounted to more than $440,000, which Brown claimed on his 1998 income tax filing. He used the tax deductions to remodel his retirement home in Incline Village, Nevada.
ellauri246.html on line 810: Lauseen mukaan Brodsky lähetettiin Konannenskin alueen Konouesky-alueella Konouesky-alueella, Nainanskaya Village. Linkin elämä ei ollut kauhea. Tietenkin linkki ei ollut jokapäiväinen idylli, siellä oli pitkäaikainen kaipuu, joskus tuntuu täydellisestä hylkäämisestä, mutta muistutin BrodSkynsä siitä eri tavoin: "Yksi parhaista elämässäni. Ei ollut pahempaa, mutta parempi - ehkä, se ei ollut. " Maaseudun elämän vaikutelmat kaadettiin tällaisiin runoihin "pohjoiseen reunaan" "Jumala asuu kylässä, joka ei ole kulmissa ...", "Rasolitisessa".
ellauri270.html on line 300: In “The Daemon Lover,” the second story in The Lottery and Other Stories, Jackson’s collection of 25 tales, the reader sees James Harris only through his fiancée’s eyes as a tall man wearing a blue suit. Neither the reader nor anyone in the story can actually claim to have seen him. Nonetheless, this piece foreshadows the appearance of Harris in such other stories in the collection as “Like Mother Used to Make,” “The Village,” “Of Course,” “Seven Types of Ambiguities,” and “The Tooth.” As James Harris wanders through the book, he sheds the veneer of the ordinary that covers his satanic nature.
ellauri276.html on line 824: Toisen sairauskohtauksen jälkeen vuonna 1892 Bottomley jätti pankin ja muutti Cartmeliin, Lancashireen elääkseen intohimoista intensiivistä meditaatiota ja mietiskelyäkin ja aloitti runojen kirjoittamisen. Täällä vuonna 1895 hän tapasi Emily Burtonin. He menivät naimisiin vuonna 1905. Pariskunta asui vuodesta 1914 Silverdalessa, lähellä Carnforthia kuolemaansa asti. 1920 - luvulla hän oli Village Drama Societyn puheenjohtaja. Vuonna 1944 hänelle myönnettiin kirjallisuuden kunniatohtori Leedsin yliopistossa. Bottomley kuoli vuonna 1948 eläen vaimoaan alle vuodella. Heidän tuhkansa haudataan St. Fillanin kappeliin juurella Dundurn, Perthshire.
ellauri276.html on line 984: Len ja Barbara Berry eli The Portway Pedlars lauloivat We Are Kaikki iloiset kaverit jotka seuraa auraa vuonna 1984 Greenwich Village -albumillaan In Greenwood Shades.
ellauri277.html on line 238: After Paris, Gibran found Boston provincial and stifling. Haskell arranged for him to visit New York in April 1911; he moved there in September, using $5,000 that Haskell gave him to rent an apartment in Greenwich Village. He immediately acquired a circle of admirers that included the Swiss psychiatrist and psychologist Carl Gustav Jung and several Baha’is; the latter introduced him to the visiting Baha’i leader ‘Abd al-Baha’, whose portrait he drew. New York was the center of the Arabic literary scene in America; Rihani was there, and Gibran met many literary and artistic figures who lived in or passed through the city, including the Irish poet and dramatist William Butler Yeats.
ellauri282.html on line 428: 16. marraskuuta 1938 Thomas Merton kävi kasteen Corpus Christi -kirkossa ja otti sieltä messiin pyhän ehtoollisen. 22. helmikuuta 1939 Merton sai englannin maisterintutkinnon Columbian yliopistosta. Merton päätti jatkaa väitöskirjaansa Columbiassa ja muutti Douglastonista Greenwich Villageen.
ellauri290.html on line 287: | Village Built-up Areas | 8,382 | 10,424 | 317 | 96 | 19,219 |
ellauri290.html on line 340: | c) Number of Towns** and Villages | Arab | Jewish | Mixed | German | Total |
|---|
ellauri290.html on line 342: | Villages | 552 | 22 | — | — | 574 |
ellauri290.html on line 344: | Villages | 272 | 183— | 3 | 458 |
ellauri290.html on line 346: | Villages | 17 | 2 | — | — | 19 |
ellauri290.html on line 348: | Villages | 841 | 207 | — | 3 | 1,051 |
ellauri290.html on line 412: | Village Built-up Areas | 15,672 | 3,457 | 90 | 19,219 |
ellauri290.html on line 437: | e) Number of Towns* and Villages | Arab | Jewish | Mixed |
|---|
ellauri290.html on line 439: | Villages | 834 | 6 |
ellauri290.html on line 441: | Villages | 496 | 201 |
ellauri290.html on line 443: | Villages | 11 |
ellauri290.html on line 445: | Villages | 841 | 207 |
ellauri302.html on line 552: God of Vengeance julkaistiin englanninkielisenä käännöksenä vuonna 1918. Vuonna 1922 se esitettiin New Yorkissa Provincetown Theaterissä Greenwich Villagessa, ja se siirrettiin Apollo Theateriin Broadwaylle 19. helmikuuta 1923. näyttelijät, joihin kuului ylistetty juutalainen maahanmuuttajanäyttelijä Rudolph Schildkraut, saivat paljon buuauxia mutta myös läpyjä. Sen esitys keskeytettiin 6. maaliskuuta, kun koko näyttelijä, tuottaja Harry Weinberger ja yksi teatterin omistajista nostettiin syytteeseen osavaltion rikoslain rikkomisesta ja tuomittiin myöhemmin siveettömyydestä. Weinberger, joka oli myös merkittävä asianajaja, edusti ryhmää oikeudenkäynnissä. Päätodistaja näytelmää vastaan oli rabbi Joseph Silberman, joka julisti Forvertsin haastattelussa: "Tämä näytelmä herjaa juutalaista uskontoa. Edes suurin antisemiitti ei olisi voinut kirjoittaa sellaista." Pitkällisen taistelun jälkeen tuomiosta valitettiin onnistuneesti. Euroopassa näytelmä oli niin suosittu, että se käännettiin saksaksi, venäjäksi, puolaksi, hepreaksi, italiaksi, tšekkiksi, romaniaksi ja norjaksi, ei kuitenkaan suomexi.
ellauri322.html on line 67: En 1804, il collabore à un journal déiste publié à New York. Progressivement isolé, accusé d’athéisme et de radicalisme, Thomas Paine meurt seul dans la pauvreté, à l’âge de 72 ans, le 8 juin 1809 à Greenwich Village (New York).
ellauri323.html on line 200: Vuonna 1916 Moore muutti äitinsä kanssa Chathamiin, New Jerseyn osavaltioon, josta pendelöi Manhattanille. 2v myöhemmin he muuttivat New Yorkin Greenwich Villageen, jossa Moore seukkasi monien avantgarde- taiteilijoiden kanssa, erityisesti niiden kanssa, jotka olivat yhteydessä Others- lehteen. Hänen tuolloin kirjoittamiaan innovatiivisia runoja kiittelivät suuresti setämiehet Ezra Pound, William Carlos Williams, TS Eliot ja myöhemmin Wallace "Cat" Stevens. Plus HD eli Hilda Doolittle, joka ei ollut setämies vaan täti.
ellauri342.html on line 427: Maxwell "Bogey" Bodenheim (26. toukokuuta 1891 – 6. helmikuuta 1954) oli yhdysvaltalainen runoilija ja kirjailija. Chicagon kirjallisuuden hahmona hän meni myöhemmin New Yorkiin, jossa hänet tunnettiin Greenwich Village Bohemiansin kuninkaana. Hänen kirjoittamisensa toi hänelle kansainvälistä mainetta 1920-luvun jazz-ajan aikana.
ellauri342.html on line 429: 25-vuotias astianpesukone Harold "Charlie" Weinberg murhasi Bodenheimin ja 28v Bogeyta nuoremman Ruthin 6. helmikuuta 1954 floppitalossa osoitteessa 97 Third Avenue Manhattanilla. He olivat ystävystyneet hänen kanssaan Villagen kaduilla ja hän tarjoutui antamaan heidän viettää yön hänen huoneessaan muutaman korttelin päässä Bowerystä . Weinberg ja Ruth harrastavat seksiä lähellä pinnasänkyä, jossa 62-vuotias humalainen Bodenheim näyttää nukkuvan. Bodenheim nousee, haastaa Weinbergin ja he alkavat kaxintaistelun. Weinberg ampuu Bodenheimia kahdesti rintaan. Hän lyö Ruthia ja puukottaa häntä neljä kertaa selkään. Jälkeenpäin Weinberg tunnusti kaksoismurhan, mutta sanoi puolustuksekseen: "Minun pitäisi saada mitali. Tapoin kaksi kommunistia ." Weinberg tuomittiin hulluksi (sosiopaattiseksi) ja lähetettiin mielisairaalaan. Meidän päältäladattava AEG pyykinpesukone hajosi 13 vuotta uskollisesti palveltuaan. Nyt sen tilalle tulee uusi päältäladattava AEG pyykinpesukone jonka suunniteltu kestoikä on 6-8 vuotta. Edellinen Siemens-merkkinen kesti yli 20 vuotta. Näin se homma etenee. Kuljetusfirma lähetti yhden rimpulan narukaulan nokkakärryillä tuomaan 100kg konetta lumihangessa. Siihen se jäi siltä eteisen lattialle odottamaan kevättä.
xxx/ellauri084.html on line 172: Stream It Or Skip It: ‘Capitani’ On Netflix, Where A Teen’s Murder Digs Up Secrets In A Tiny Village In Luxembourg
xxx/ellauri084.html on line 751: Wallun Rémy-avatar on masis koska sillä eio jalkoja (omavika pikkusika), ei Schweizin kunniaa eikä johtajia jotka taistelevat totuuden puolesta. (Mitä potaskaa.) Se kiroaa kaxikymppisenä izeään koska on pelkuri ja inutile. "Mitä enemmän minussa on tuskaa, sitä enemmän olen minussa sisällä. En pysty välittämään enkä valizemaan mitään sen ulkopuolella." (Olohuoneen seiniin valittiin Tapettitalon tapetit.) "No voi jeesus ja sen veli ja jumankauta koko suku saman tien. Sinä pääsit kliinisestä masennuxesta olemalla jumankauta sankari." Ei helvatti ei se siitä parane, samaa narsismia se on yhävaan. Sitäpaizi Papineau ei ole vuori Schweizissä vaan metroasema lähinnä Montrealin Gay Villagea.
xxx/ellauri084.html on line 819: Millay was a prominent social figure of New York City's Greenwich Village just as it was becoming known as a bohemian writer’s colony, and she was noted for her uninhibited lifestyle, forming many passing relationships with both sexes. A road accident in middle-age left her part-invalided and morphine-dependent for years, yet near the end of her life she wrote some of her greatest poetry.
xxx/ellauri120.html on line 42: Lytton is a village in British Columbia, Canada, and sits at the confluence of the Thompson River and Fraser River on the east side of the Fraser. The location has been inhabited by the Nlaka'pamux people for over 10,000 years. It was one of the earliest locations occupied by non-Indigenous settlers in the Southern Interior of British Columbia. It was founded during the Fraser Canyon Gold Rush of 1858–59, when it was known as "The Forks". The community includes the Village of Lytton and the surrounding community of the Lytton First Nation, whose name for the place is Camchin, also spelled Kumsheen ("river meeting").
xxx/ellauri125.html on line 474: University instructor who lived on Morton Street in Greenwich Village. Roth was
xxx/ellauri125.html on line 483: Street in Greenwich Village.
xxx/ellauri125.html on line 768: After filming Sid and Nancy in New York City, she worked at a peep show in Times Square and squatted at the ABC No Rio social center and Pyramid Club in the East Village.The same year, Cox cast her in a leading role in his film Straight to Hell (1987), a Spaghetti Western starring Joe Strummer and Grace Jones filmed in Spain in 1986. The film caught the attention of Andy Warhol, who featured Love in an episode of Andy Warhol's Fifteen Minutes.
xxx/ellauri125.html on line 809: Amy Phillips of The Village Voice wrote: "Love is willing to act out the dream of every teenage brat who ever wanted to have a glamorous, high-profile hissyfit [= temper tantrum], and she turns those egocentric nervous breakdowns into art. Sure, the art becomes less compelling when you've been pulling the same stunts for a decade. But, honestly, is there anybody out there who fucks up better?". The album sold fewer than 100,000 copies. Love later expressed regret over the record, blaming her drug problems at the time. Shortly after it was released, she told Kurt Loder on TRL: "I cannot exist as a solo artist. It's a joke."
xxx/ellauri179.html on line 619: Novick’s attempt to find love affairs in James’ life reminds me of the 1920s, when there were no biographies of James, and critics loved to speculate on the mysteries of his privacy. Van Wyck Brooks, a skillful writer of pastiche, produced his quasi-biographical Pilgrimage of Henry James to prove the novelist was a literary failure because he had uprooted himself from the United States. Edna Kenton, a devoted Jamesian in Greenwich Village, demonstrated in a biting review in The Bookman that Brooks used important James quotations out of context. Years later, Brooks confessed to having nightmares “in which Henry James turned great luminous menacing eyes upon me.”
xxx/ellauri186.html on line 98: In 1865, Robert E. Bonner of the New York Ledger offered Beecher twenty-four thousand dollars to follow his sister's example and compose a novel; the subsequent novel, Norwood, or Village Life in New England, was published in 1868. Beecher stated his intent for Norwood was to present a heroine who is "large of soul, a child of nature, and, although a Christian, yet in childlike sympathy with the truths of God in the natural world, instead of books." McDougall describes the resulting novel as "a New England romance of flowers and bosomy sighs ... 'new theology' that amounted to warmed-over Emerson". The novel was moderately well received by critics of the day.
xxx/ellauri193.html on line 687: Kelvoton kylä: Kylä Lapsen Kasvattaa; Lapset joutuvat Varisten Palvojien Kylään. (The Vile Village, suom. Marja Helanen-Ahtola 2004)
xxx/ellauri212.html on line 425: "Thérèse Dreaming," which was finished in 1938, was Balthus's first painting of an underage model, according to the Village Voice. Balthus toned down the eroticism in his paintings later in his career, but he remained defensive of it: ''I really don't understand why people see the paintings of girls as Lolitas,'' he told the New York Times in 1996. ''My little model is absolutely untouchable to me." For all his artwork, Balthus's biographies and obituaries haven't published evidence of pedophilia in his personal life. Maybe his wee pencil was too shy to actually intrude inside his underage models. I bet he went afterward into the toilet with the canvas. Tai size taas vaan valehteli raukka nälissään, se oli ashkenazi jutku äiskän puolelta ja valehteli siitäkin. Toi kitaraa soittava ämmäoletettu on äijän izensä näköinen, mahtaisiko olla se Dorotea Spiro äitykkä. Sen veli oli jonkin sortin filosofi ja markiisi de Sade fänittäjä. Varmaan äiskä piti niitä pahoin ja niistä tuli jotain pervoja. Niljakasta porukkaa.
xxx/ellauri265.html on line 442: That’s what has so impressed me about the Village Square and Liz Joyner’s efforts. They were originally very focused on Tallahassee, which as the state capital means you have a lot of people who want to solve problems.
xxx/ellauri329.html on line 102: Mark Berman, idealistinen juutalainen kanadalainen teini-ikäinen Torontossa, viettelee raivoiseen tapaukseen salaperäisen ulkonäköisen, mutta äärimmäisen häikäilemättömän Natashan, setänsä Fiman uuden venäläisen postimyyntimorsiamen tyttären, joka on elänyt kaksoiselämää seksityöntekijänä lapsuudesta asti. Vaikka alkuperäinen novelli tapahtui 1980-luvulla, Bezmozgis päivitti elokuvan ajallisen ympäristön nykypäivään tutkiakseen nykyteknologian, kuten Internetin, vaikutusta tarinaan. Neil Genzlinger The New York Timesista [jutku sekin takuulla] kirjoitti "[elokuva] luo häiritsevän muotokuvan tytöstä, joka on kasvatuksensa vuoksi muuttunut laskelmoivaksi ja nihilistiseksi, eikä tässä ole mitään röyhkeyttä". The Village Voicen Tatiana Crainen mukaan " Natasha on yhtä houkutteleva ja hämmentävä kuin sen nimihenkilö".
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