ellauri171.html on line 953: In the Baal Cycle, Ba'al Hadad is challenged by and defeats Yam, using two magical weapons (called "Driver" and "Chaser") made for him by Kothar-wa-Khasis. Afterward, with the help of Athirat and Anat, Ba'al persuades El to allow him a palace. El approves, and the palace is built by Kothar-wa-Khasis. After the palace is constructed, Ba'al gives forth a thunderous roar out of the palace window and challenges Mot. Mot enters through the window and swallows Ba'al, sending him to the Underworld. With no one to give rain, there is a terrible drought in Ba'al's absence. The other deities, especially El and Anat, are distraught that Ba'al has been taken to the Underworld. Anat goes to the Underworld, attacks Mot with a knife, grinds him up into pieces, and scatters him far and wide. With Mot defeated, Ba'al is able to return and refresh the Earth with rain.
ellauri219.html on line 969: Eisensteinillä ei ollut leffaa nimeltä Underworld. There have been debates about Eisenstein's sexuality, with a film covering Eisenstein's homosexuality allegedly running into difficulties in Russia. Eisenstein confessed his asexuality to his close friend Marie Seton: "Those who say that I am homosexual are wrong. I have never noticed and do not notice this. If I was homosexual I would say so, directly. But the whole point is that I have never experienced a homosexual attraction, even towards Grisha, despite the fact I have some bisexual tendency in the intellectual dimension like, for example, Balzac or Zola." Eisenstein joi paljon maitoa. Maito oli silloin pulloissa, muistatko? Hän oli menninkäismäinen miesoletettu.
ellauri219.html on line 975: Underworld (also released as Paying the Penalty) is a 1927 American silent crime film directed by Josef von Sternberg and starring Clive Brook, Evelyn Brent and George Bankrupt. The film launched Sternberg's eight-year collaboration with Paramount Pictures, with whom he would produce his seven films with actress Marlene Dietrich. Journalist and screenwriter Ben Hecht won an Academy Award for Best Original Story. Time felt the film was realistic in some parts, but disliked the Hollywood cliché of turning an evil character's heart to gold at the end. Filmmaker and surrealist Luis Buñuel named Underworld as his all time favorite film. Critic Andrew Sarris cautions that Underworld does not qualify as "the first gangster film" as Sternberg "showed little interest in the purely gangsterish aspects of the genre" nor the "mechanics of mob power." Film critic Dave Kehr, on the other hand, writing for the Chicago Reader in 2014, rates Underworld as one of the great gangster films of the silent era. "The film established the fundamental elements of the gangster movie: a hoodlum hero; ominous, night-shrouded city streets; floozies; and a blazing finale in which the cops cut down the protagonist."
ellauri219.html on line 1008: Rereading Don DeLillo’s Underworld – still hits a home run! The author of The Flamethrowers Rachel Kushner hails it as a masterpiece. Rachel who?
ellauri219.html on line 1012: Underworld is a novel, quite simply, about what was experienced in the United States in the second half of the 20th century. An era shaped by the advent and then cancellation of the Bretton Woods agreement. Nuclear proliferation. The withering away and relocation of American manufacturing, and the rise of global capitalism. Jazz. The Cuban missile crisis (through the voice, as DeLillo has it, of the smirking standup comedian Lenny Bruce). Civil tights. The CIA. Bombs on university campuses. Artists on New York rooftops, and around them, the old industrial framework of bygone city life, something aesthetic and exotic, either marvelled at or ignored, take your pick.
ellauri339.html on line 82: Monia vuosia myöhemmin, kun "löytöjät" kasvoivat, heille yritettiin kertoa heidän alkuperänsä salaisuus. Ensimmäinen koehenkilö oli Korney Yashmaa, tuleva edistysaskel (kuvattu teoksessa "The Guy from the Underworld"). Korney otti tiedon salaisesta henkilöllisyydestään rauhallisesti, mutta tämä ei tuonut mitään hyötyä "löytäjä"-ilmiön tutkimukselle. Toinen yritys paljastaa salaisuus päättyi traagisesti: kohde otti hänelle kerrotun ulkoisesti rauhallisesti, mutta jonkin ajan kuluttua hän kuoli olosuhteissa, jotka eivät sulkeneet pois itsemurhaa, samalla vahvistaen "löytöjen" yhteyden "sytyttimiin" - hänen kuolemansa jälkeen havaittiin, että vastaava "sytytin" oli kadonnut. Tutkijat eivät uskaltaneet jatkaa, ja jäljelle jääneet "löydöt" jäivät pimeyteen.
xxx/ellauri113.html on line 560: Shell-shocked, Isis set out to find all the pieces of Osiris’s body. Aided by Nephthys, Isis was able to retrieve all the body parts of Osiris, except Osiris penis. Isis called on the god Anubis to help in the mummification process. After that, she cast a magical spell on Osiris dismembered parts, bringing him back to life. However, he did not come back in his old self. He was instead reborn in the land of the dead (the Underworld). Before he departed for the Underworld, Isis mated with him and became pregnant with Horus (the falcon-headed god. Apparently the missing penis was located eventually.)
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