ellauri064.html on line 79: Benjamin maintained a fiercely productive focus on his intellectual mission throughout his life, despite repeatedly complaining of ‘grand-scale defeats’ and lows. After his request for divorce from Dora Pollak was granted in 1932, he suffered 10 paralysing days during which he seriously prepared suicide. Suicidal thoughts endured. He was an elegant, cultivated man who oozed old-world charm, exerting attraction on women but not always enough to give him cunt. Asja Lacis, the Latvian Communist Director of Children's Theatre in the USSR, twice refused, as did later lover Anna Maria Blaupot ten Cate. Lacis suffered relapsing mental illness and was hospitalised with hallucinations when Benjamin rushed to Moscow in 1926, at the brink of Stalinisation. His luminous Moscow Diary records his frustrating two-month experience.
ellauri069.html on line 78: What was he doing? Daugherty is right to claim that Barthelme conceived of himself as an heir of the modernist tradition—in particular, of Beckett. He encountered Beckett’s work for the first time in 1956, when he picked up a copy of Theatre Arts at Guy’s Newsstand, in Houston, and read the text of “Waiting for Godot.” “It seemed that from the day he discovered ‘Godot,’ Don believed he could write the fiction he imagined,” the woman who was his wife at the time, Helen Moore Barthelme, says in her memoir, “Donald Barthelme: The Genesis of a Cool Sound” (2001).
ellauri071.html on line 109: His biggest failure in this period was the play Sirocco (1927), which concerns free love among the wealthy. It starred Ivor Novello, of whom Coward said, "the two most beautiful things in the world are Ivor's profile and my mind". Theatregoers hated the play, showing violent disapproval at the curtain calls and spitting at Coward as he left the theatre. Taisi olla downright homostelua.
ellauri092.html on line 514: She haes a maister's degree frae the Theatre Academy o Finland. Krohn wis marriet 18 years tae the movie director Wille Mäkelä. Krohn is the niece o the Finnish author an journalist Kaarina Goldberg. Kaarina Goldberg (born 28 Januar 1956) is a Finnish author an jurnalist who lives in Vienna. She is best kent for her childer's beuks Petokylän Ilona Ilves, Rämäpäinen robotti an her comic strip Senni ja Safira in the Finnish newspaper Eläkeläiset.
ellauri107.html on line 395: The antihero of Roth’s 1995 novel Sabbath’s Theatre blinds us with his astonishing misogyny, his exponential misanthropy, his audacious nihilism - and yet he makes us care shit. The depraved Mickey Sabbath, the hero, anti-hero and villain of Philip Roth’s 1995 tour d'Eiffel, Sabbath’s Theatre. Just what he does to deserve this affection over the course of 450 bile-filled pages is hard to fathom. He virtually copies that bête noire of creative writing courses, the unsympathetic character. To discover such a monstrous creation on the page is a shock.
ellauri163.html on line 50: God of Vengeance was published in English-language translation in 1918. In 1922, it was staged in New York City at the Provincetown Theatre in Greenwich Village, and moved to the Apollo Theatre on Broadway on February 19, 1923, with a cast that included the acclaimed Jewish immigrant actor Rudolph Schildkraut. Its run was cut short on March 6, when the entire cast, producer Harry Weinberger, and one of the owners of the theater were indicted for violating the state's Penal Code, and later convicted on charges of obscenity. Weinberger, who was also a prominent attorney, represented the group at the trial. The chief witness against the play was Rabbi Joseph Silberman, who declared in an interview with Forverts: "This play libels the Jewish religion. Even the greatest anti-Semite could not have written such a thing". (You just wait for Philip Roth...) After a protracted battle, the conviction was successfully appealed. In Europe, the play was popular enough to be translated into German, Russian, Polish, Hebrew, Italian, Czech, Romanian and Norwegian. Indecent, the 2015 play written by Paula Vogel, tells of those events and the impact of God of Vengeance. It opened on Broadway at the Cort Theater in April 2017, directed by Rebecca Taichman. Eli ei Asch ihan pasé vielä ole.
ellauri204.html on line 753: Antoine Marie Joseph Paul Artaud, better known as Antonin Artaud, was a French writer, poet, dramatist, visual artist, essayist, actor and theatre director. He is widely recognized as one of the major figures of the European avant-garde. In particular, he had a profound influence on twentieth-century theatre through his conceptualization of the Theatre of Cruelty. Known for his raw, surreal and transgressive work, his texts explored themes from the cosmologies of ancient cultures, philosophy, the occult, mysticism and indigenous Mexican practices. Hirveää scheissea.
ellauri222.html on line 663: Owner of the Star Theatre, Sylvester hires young Augie to work for him by handing out bills. He later loses the theater and becomes an active member of the Communist party. Augie meets up with Sylvester in Mexico where he is working as a bodyguard for the exiled Leon Trotsky. Sylvester also comes to Augie’s wedding in New York.
ellauri254.html on line 387: Alexander Blok was a routine visitor. These years were some of the young Blok’s most prolific, marked by bursts of creative energy as he worked on two lyrical dramas – Balaganchik (‘The Puppet Show‘), featuring the ‘grotesquely luckless’ Pierrot, which was staged in 1906 by Vsevolod Meyerhold at the Komissarzhevskaya Theatre; and The Stranger – and the poetry cycle The Snow Mask, which he completed in little over a week at the beginning of 1907. The actress Valentina Verigina often accompanied Blok, and recounted of these visits to and from Sologub’s apartment:
ellauri262.html on line 592: Teippikirjaimet (Screwtape Letters) soitti 309 esityksensä New Yorkin Westside Theatressa vuonna 2010. Vuoden 2011 kiertue vieraili esittävän taiteen paikoissa kaupungeissa kaikkialla Yhdysvalloissa, mukaan lukien Los Angeles, Houston, Dallas, Atlanta, Seattle, Minneapolis ja Boston . Vuosien 2012–2013 kiertue alkoi Los Angelesista tammikuussa 2012. Kiertueella on paluumatkat San Franciscoon, San Diegoon, Seattleen, Chicagoon ja Atlantaan sekä pysähdyksiin useissa muissa kaupungeissa. The Screwtape Letters on kuvattu "Humoristiseksi ja eloisaksi... Paholaiselle on harvoin annettu ansaitsemansa tarkkaavaisemmin!" kirjoittanut The New York Times, "Syvä kokemus".Christianity Today ja "Pahoin nokkela... Helvetin hyvä esitys!" kirjoittanut The Wall Street Journal . [16] Tuotanto on myös kiertänyt maailmanlaajuisesti. Ruuvinauha (Screwtape)-roolin on myös esittänyt nainen (woman).
ellauri276.html on line 349: Hän muutti Dubliniin vuonna 1905, ei löytänyt työtä ja seuraavana vuonna (1906) hän muutti Lontooseen, missä hän osallistui irlantilaiseen kirjalliseen toimintaan työskennellessään opettajana. Hän meni naimisiin vuonna 1910 Nancy Mauden kanssa, ja he muuttivat pian Dubliniin ja sitten Wicklow´n kreivikuntaan. Hänen näytelmänsä Judgment esitettiin Abbey Theatressa huhtikuussa 1912.
ellauri276.html on line 495: Kavanagh meni naimisiin pitkäaikaisen kumppaninsa Katherine Barry Moloneyn ( Kevin Barryn veljentytär ) huhtikuussa 1967, ja he perustivat yhdessä pubin Waterloo Roadille Dubliniin. Kavanagh sairastui Tarry Flynnin ensiesityksessä Abbey Theatre -yhtiön Dundalkin kaupungintalossa ja kuoli muutamaa päivää myöhemmin, 30. marraskuuta 1967 Dublinissa. Hänen hautansa on Inniskeenissä Patrick Kavanagh -keskuksen vieressä. Hänen vaimonsa Katherine kuoli vuonna 1989; hän on myös haudattu sinne. Nobel-palkittu Séamus Heaney on saanut vaikutteita Kavanaghista. Heaney ja Kavanagh uskoivat paikallisen tai seurakuntalaisen kykyyn paljastaa universaali. Heaney sanoi kerran, että Kavanaghin runoudella oli "muuttava vaikutus yleiseen kulttuuriin ja se vapautti hänen jälkeensä tulleiden runollisten sukupolvien lahjat". Heaney totesi: "Kavanagh on todella edustava moderni hahmo siinä mielessä, että hänen kumouksellinen toimintansa käännettiin itsensä puoleen: tyytymättömyys, sekä henkinen että taiteellinen, inspiroi hänen kasvuaan... Hänen opetuksensa ja esimerkkinsä auttoivat meitä näkemään olennaisen eron hänen välillään. kutsutaan seurakunnalliseksi ja maakunnalliseksi mentaliteetiksi". Kuten Kavanagh sanoi: "Kaikki suuret sivilisaatiot perustuvat seurakuntaan". Hän päättelee, että Kavanaghin runous todistaa hänen "lankattoman uskonsa itseensä ja taiteeseen, joka teki hänestä paljon enemmän kuin hän itse".
ellauri401.html on line 114: Ashrama Hall ja Christchurch Garden Theatre – Christchurchin esikaupunki, Dorset, Englanti, Iso-Britannia
ellauri402.html on line 404: Abraham "Bram" Stoker (8 November 1847 – 20 April 1912) was an Irish author who is best known for writing the 1897 Gothic horror novel Dracula. During his lifetime, he was better known as the personal assistant of actor Sir Henry Irving and business manager of the West End's Lyceum Theatre, which Irving owned.
ellauri402.html on line 408: Stoker aloitti romaanien kirjoittamisen työskennellessään Irvingin managerina sekä Lontoon Lyceum Theatren sihteerinä ja johtajana, alkaen Käärmeen passista (The Snake's Pass) vuonna 1890 ja Draculasta vuonna 1897. Tänä aikana hän oli osa The Daily Telegraphin kirjallista henkilökuntaa vuonna 1997 Lontoossa, ja hän kirjoitti muuta fiktiota, mukaan lukien kauhuromaanit Kammoittava kreivi (Dracula), suom 1952, Käärinliinan leidi (The Lady of the Shroud 1909) ja Valkoisen madon luola (The Lair of the White Worm 1911).
xxx/ellauri068.html on line 165: Die Meistersinger von Nürnberg (German: [diː ˈmaɪstɐˌzɪŋɐ fɔn ˈnʏʁnbɛʁk]; "The Master-Singers of Nuremberg"), WWV 96, is a music drama (or opera) in three acts, written and composed by Richard Wagner. It is among the longest operas commonly performed, usually taking around four and a half hours. It was first performed at the National Theatre Munich, today the home of the Bavarian State Opera, in Munich, on 21 June 1868. The conductor at the premiere was Hans von Bülow.
xxx/ellauri076.html on line 59: The members of Mötley Crüe have often been noted for their hedonistic lifestyles and the androgynous personae they maintained. Following the hard rock and heavy metal origins on the band's first two albums, Too Fast for Love (1981) and Shout at the Devil (1983), the release of its third album Theatre of Pain (1985) saw Mötley Crüe joining the first wave of glam metal. The band has also been known for their elaborate live performances, which features flame thrower guitars, roller coaster drum kits, and heavy use of pyrotechnics (including lighting Nikki on fire). Mötley Crüe's most recent studio album, Saints of Los Angeles, was released on June 24, 2008. What was planned to be the band's final show took place on New Year's Eve, December 31, 2015. The concert was filmed for a theatrical and Blu-ray release in 2016.
xxx/ellauri137.html on line 583: Playwriting Shakespeare Tourism Literary Poetry Literature Creative Writing Teaching History Courses Fiction Books Art Theatre American Literature English Literature Academic Writing Teaching English as a Second Language Higher Education Short Stories Freelance Writing Teaching Writing Music College Teaching Literary Criticism Grammar Novels Composition.
xxx/ellauri137.html on line 627: Midtown International Theatre Festival Jul 2014
xxx/ellauri167.html on line 608: Robert Joseph Shea (February 14, 1933 – March 10, 1994) was an American novelist and former journalist best known as co-author with Robert Anton Wilson of the science fantasy trilogy Illuminatus!. It became a cult success and was later turned into a marathon-length stage show put on at the British National Theatre and elsewhere. In 1986 it won the Prometheus Hall of Fame Award. Shea went on to write several action novels based in exotic historical settings.
xxx/ellauri229.html on line 228: Theatre
xxx/ellauri261.html on line 246: Unlike her husband, Isabella Wilder was artistic and worldly, and she made certain that she and her children took full advantage of the benefits of living in a university town. “In Berkeley,” writes Malcolm Goldstein, “she found opportunities to study informally by attending lectures at the University of California and by participating in foreign-language discussion groups. She was fully aware that her husband, were he present, would not approve, but she encouraged her children, nevertheless, in their independent, extracurricular search for carnal knowledge.” Isabella saw to it that Thornton got vaudeville parts in plays presented in the Greek Theatre, and even sewed his female costumes for him.
xxx/ellauri261.html on line 248: Theatre became his passion, and he spent hours in the Doe Library reading European newspapers to learn more about the modern expressionist movement. “The way other kids would follow baseball scores,” his nephew related, “Thornton’s hobby was reading German newspapers so he could read up on German Theater and great German directors like Max Reinhardt.”
xxx/ellauri281.html on line 498: Valmistumisensa jälkeen Milleristä tuli Federal Theatre Projectin työntekijä, joka oli toiminut vuodesta 1935 ja tarjosi työtä työttömille teatterityöntekijöille. Hän työskenteli Federal Theaterissa, ja hän sai 22,77 dollaria viikossa, mutta vuonna 1939 Yhdysvaltain kongressi päätti projektin peläten, että siitä oli tullut vasemmiston ideologian pesäke.
xxx/ellauri356.html on line 665: Theatre de la Colline
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