ellauri092.html on line 347: Seuraava paasaus on J.C.:n kamee-esiintyminen näissä albumeissa. Hieno suoritus! Kateexi käy. J.C. ei siis ole Jesus Christ Superstar, vaan Jöns Carlson.
ellauri153.html on line 666: Mikään muualla Raamatussa ei viittaa siihen, että Jonatanilla tai Daavidilla olisi ollut homoseksuaalisia taipumuksia tai että heidän ystävyyteensä olisi liittynyt mitään seksuaalista. Ne jotka väittävät tällaista, lukevat kuin piru Raamattua, ja ovat näkevinään siinä jotain, mitä siellä ei yksinkertaisesti ole. Ehei. Ei todellakaan ole. No, sir! Tää ei ollut mikään Jesus Christ Superstar saippua, kaukana siitä!
ellauri184.html on line 457: Bisnesmiehen poikana Juudas tajuaa miten bisnesmiehen pää toimii, mutta miten toimi Jeshuan, toimiiko se ylipäänsä? Pistää ihmettelemään. Juudas ei pidä tuloeroista, se näyttää olevan stallari pelkkää kateuttaan kuten nuori Nalle Wahlroos. Jesus Christ Superstarilla on tässäkin koosteessa vähän jimbajambaa Juudaxen kaa. Jeshua ei voi olla ihailematta Nallen päättäväisyyttä, vaikka se on toki ihan väärässä.
ellauri184.html on line 721: Herodes Antipasto (isoisän nimi) oli Naahumin mielestä lihava lössykkä. Hyvän kirjan lisäksi hän esiintyy vuonna 1973 Jesus Christ Superstar musikaalin elokuvaversiossa ja vuonna 1965 ensi-iltansa saaneessa elokuvassa The Greatest Story Ever Told. Hänet nähdään myös vuonna 1977 valmistuneessa italialais-brittiläisessä televisiosarjassa Jesus of Nazareth. Elokuvien Herodes Antipas on naismainen, hovinsa naisten ja erityisesti puolisonsa Herodiaan ohjailema ruhtinas. Sellainen onkin vitun naismaista, för helvete.
ellauri189.html on line 488: Superstar:
xxx/ellauri149.html on line 352: Jesus Christ Superstar (film)
xxx/ellauri149.html on line 354: Kun Pezkun lankeemus tuli ilmi, Kirsi rankaisi siitä pakottamalla Pezkun kazomaan filmiä Jesus Christ Superstar joka ilta uudestaan, roiskimalla itkien. Mekin saatiin olla kerran mukana. Mikäs olikaan tän filmin spoileri? Ai se oli tää:
xxx/ellauri149.html on line 358: Jesus Christ Superstar on Norman Jewisonin ohjaama elokuva vuodelta 1973. Se perustuu Tim Ricen ja Andrew Lloyd Webberin samannimiseen musikaaliin, ja sen pääosissa ovat Ted Neeley, Carl Anderson, Yvonne Elliman ja Barry Dennen. Elokuva sai Oscar-ehdokkuuden parhaasta musiikista. Video-oppaassa vuodelta 1994 Asko Alanen piti elokuvaa yritteliäänä mutta vanhentuneena ja antoi sille kaksi tähteä viidestä, mikä vastaa sanallista arviota ”keskinkertainen”.
xxx/ellauri149.html on line 362: On Rotten Tomatoes, the film has an approval rating of 52% based on 25 reviews, with an average rating of 5.93/10. The website's critics consensus reads: "Jesus Christ Superstar has too much spunk to fall into sacrilege, but miscasting and tonal monotony halts this musical's groove." On Metacritic, the film has a weighted average score of 64 out of 100 based on 7 critics, indicating "generally favorable reviews".
xxx/ellauri149.html on line 366: Conversely, Howard Thompson of The New York Times wrote, "Broadway and Israel meet head on and disastrously in the movie version of the rock opera 'Jesus Christ Superstar,' produced in the Biblical locale. The mod-pop glitter, the musical frenzy and the neon tubing of this super-hot stage bonanza encasing the Greatest Story are now painfully magnified, laid bare and ultimately patched beneath the blue, majestic Israeli sky, as if by a natural judgment." Arthur D. Murphy of Variety wrote that the film "in a paradoxical way is both very good and very disappointing at the same time. The abstract film concept ... veers from elegantly simple through forced metaphor to outright synthetic in dramatic impact."
xxx/ellauri149.html on line 368: Gene Siskel of the Chicago Tribune gave the film two-and-a-half stars out of four and called the music "more than fine," but found the character of Jesus "so confused, so shapeless, the film cannot succeed in any meaningful way." Siskel also agreed with the accusations of the film being anti-Semitic. Charles Champlin of the Los Angeles Times wrote, "The faults are relative, the costs of an admirable seeking after excellence, and the many strong scenes, visually and dramatically, in 'Superstar' have remarkable impact: the chaos of the temple, the clawing lepers, the rubrics of the crucifixion itself." Gary Arnold of The Washington Post panned the film as "a work of kitsch" that "does nothing for Christianity except to commercialize it.
xxx/ellauri149.html on line 381: Jesus Christ Superstar is a Rock Opera and (subverted?) Passion Play by Andrew Lloyd Webber and Tim Rice. Originally released as a Concept Album in 1970 (when Lloyd Webber and Rice were still in their very early twenties, no less!), it made its way to the Broadway and London stage in 1971, and was adapted into a film directed by Norman Jewison in 1973. An updated version was recorded sometime around 2000 by Webber's Really Useful Group for PBS. A filmed version of the UK arena tour starring Tom Munchin as Judas was released on DVD and digital in 2012, and a live adaptation starring John Lennon as Jesus, Sara Bareilles as Mary Magdalene and Alice Cooper as Herod that aired on NBC in 2018. The show lives on in stage productions and tours (and even non-theatrical tribute albums from fans who were more attracted to it as an album than a show) to this day. Inspired by… The Four Gospels of The Bible (specifically the arrival in Jerusalem and subsequent crucifixion of Jesus), it chronicles the last seven days of Jesus' life, focusing mainly on the characters of Jesus, Judas and Mary Magdalene. It's regarded among Andrew Lloyd Webber's best works, which is not saying much. It's a pseudo-sequel to Joseph and the Amazing Technicolor Dreamcoat, though this took a bit more liberty with the source material and is considerably less playful.
xxx/ellauri149.html on line 396: On a different note, whether or not Christ is actually divine is ambiguous. There is evidence both for (his prophecy to Peter and Judas) and against (Jesus running from the lepers instead of healing them, and his prayers in Gethsemane) in the music, and it is typically left to the individual production to sort it out, usually in Judas' "Jesus Christ Superstar" number and after Jesus' death, where some productions will throw in a hint that he was resurrected later.
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