ellauri090.html on line 107: In contrast to the earlier novel of the trilogy, Quincas Borba was written in third person, telling the story of Rubião, a naive young man who becomes a disciple and later the heir of the titular philosopher Quincas Borba, a character in the earlier novel. While living according to the fictional "Humanitist" philosophy of Quincas Borba, Rubião befriends and is fooled by the greedy Christiano and his wife Sofia who manage to take him for his entire inheritance.
ellauri090.html on line 112: Quincas Borba (Joaquim Borba dos Santos), a wealthy man and a self-proclaimed philosopher, dies and leaves his large estate to his friend, Rubião, a teacher. The only condition of the bequest is that Rubião care for Quincas Borba’s dog, also named Quincas Borba, as if the dog were human. Rubião travels from the provincial town of Barbacena to the city of Rio de Janiero to establish himself with his newly inherited wealth. On the train, he meets Christiano Palha and Palha’s wife, Sophia. Rubião soon becomes infatuated with Sophia.
ellauri090.html on line 114: In Rio, Palha borrows money from Rubião to invest in business, and the two men become partners. Rubião also meets Carlos Maria, an arrogant young man, and Freitas, an unsuccessful middle-aged man, who exploit Rubião for his wealth and innocence. Major Siqueira and his thirty-nine-year-old daughter, Doña Tonica, attach themselves to Rubião, hoping that Rubião will marry Doña Tonica, who meanwhile becomes jealous of Sophia.
ellauri090.html on line 116: Rubião misinterprets as a love offering a box of strawberries Sophia had sent him. At the Palhas’s house in Santa Thereza, he clutches her hand and makes his affection clear to her. Distressed by Rubião’s advances, Sophia suggests to her husband that they end their relationship with Rubião. Having borrowed money from Rubião, however, Palha is reluctant to break with him.
ellauri090.html on line 122: Maria Benedicta, Sophia’s young cousin, is another potential wife for Rubião, but Rubião is too infatuated with Sophia to be interested in Maria Benedicta. After the incident at Santa Thereza, Rubião appears more cosmopolitan and confident. He spends his inherited money freely, often in support of others in addition to Palha and Dr. Camacho. When his impoverished friend, Freitas, falls ill, Rubião generously gives Freitas’s mother a substantial sum of money. Later, he pays Freitas’s funeral expenses.
ellauri090.html on line 130: For a time, Rubião’s friends accept his madness as he continues to provide meals and entertainment for them. Eventually, however, Rubião’s house falls into disrepair as his belief in himself as the emperor becomes constant. Doña Tonica becomes engaged to a man who dies before the wedding. Children on the street, including Deolindo, whose life Rubião had saved, make fun of him as a madman. Prodded by Doña Fernanda, a woman who barely knows Rubião, Sophia convinces Palha to set Rubião up in a little rented house on Principe Street. No one visits Rubião in his new humble residence. His former “friends” miss the luxury of Rubião’s wealthy surroundings in the house in Botafogo.
ellauri090.html on line 198: Seu Quincas Borba apresenta um conceito onde "a ascensão de um se faz a partir da anulação do outro" e que, em essência, constitui a vida inteira do personagem Rubião, que morre desagregado e crendo ser Napoleão.
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