ellauri020.html on line 619: Bradford´s Living Romantically Every Day.
ellauri030.html on line 871: 7 Romantic Comedy 601 $9,922,203,307 1,599,534,445 4.24%
ellauri039.html on line 377: Romantic no, into each other's genitals, who knows... Meri Kurisumasu dear!
ellauri052.html on line 954: Bellow’s portrait of the Romantic author was self-reflective: “The artist is a spurned and misunderstood genius whose sensitivity separates him from and elevates him above the rest of philistine humanity.”
ellauri073.html on line 336: Rock Your Day -elämässä ihminen on motivoitunut, energinen, voi hyvin ja rokkailee päiviensä läpi. Rock Your Day -elämässä ei ole huonoja päiviä, vaan joka päivä voi elää maksimaalisesti. Voi tietysti kysyä, onko siinä mitään järkeä ja onko se edes mahdollista, mutta kuten M/S Romantic -sarjan Matias sanoo: unelmat on toteutettava nyt.
ellauri090.html on line 105: Following The Posthumous Memoirs of Bras Cubas (1881) and preceding Dom Casmurro (1899), this book is considered by modern critics to be the second of Machado de Assis's realist trilogy, in which the author was concerned with using pessimism and irony to criticize the customs and philosophy of his time, in the process parodying scientism, Social darwinism, and Comte's positivism, although he did not remove all Romantic elements from the plot.
ellauri095.html on line 522: In addition to specific inspirations such as these, the father communicated to his son a sense of nature as a book written by God which leads its readers to a thoughtful contemplation of Him, a theme particularly evident in Manley and Thomas Marsland Hopkins’s book of poems, Pietas Metrica. Consequently, Gerard went on to write poems which were some of the best expressions not only of the Romantic approach to nature but also the older tradition of explicitly religious nature poetry.
ellauri107.html on line 173: Much of Hawthorne's writing centers on New England, many works featuring moral metaphors with an anti-Puritan inspiration. His fiction works are considered part of the Romantic movement and, more specifically, dark romanticism. His themes often center on the inherent evil and sin of humanity, and his works often have moral messages and deep psychological complexity. His published works include novels, short stories, and a biography of his college friend Franklin Pierce, the 14th President of the United States.
ellauri109.html on line 383: Flaubert's dozens of long letters to her, in 1846–1847, then especially between 1851 and 1855, are one of the many joys of his correspondence. Many of them are a precious source of information on the progress of the writing of Madame Bovary. In many others, Flaubert gives lengthy appreciations and critical comments on the poems that Louise Colet sent to him for his judgment before offering them for publication. The most interesting of these comments show the vast differences between her and him on the matter of style and literary expression, she being a gushing Romanticist, he deeply convinced that the writer must abstain from gush and self-indulgence.
ellauri109.html on line 683: Liekö ollut nilkki? Restauraation julkero. Romanticist writer Sir Walter Scott called him "Glorious John".
ellauri117.html on line 405: Zelda Sayre kuitenkin purki kihlauksen, koska hän ei uskonut, että mainosfirmassa työskentelevä ja novelleja kirjoittava Scott pystyisi elättämään myös hänet. Potpotpotpot potkut sain, kesken hakkailua. Fitzgerald muutti takaisin vanhempiensa luokse St. Pauliin, missä hän ryhtyi korjaamaan kertomustaan The Romantic Egoist.
ellauri119.html on line 460: Now a fast forward to French fries and scepticism. Alongside the passion for merging that marked Romantic love, a more sceptical French tradition can be traced from Stendhal onwards. Stendhal's theory of crystallization implied an imaginative readiness for love, which only needed a single trigger for the object to be imbued with every fantasised perfection. Proust went further, singling out absence, inaccessibility or jealousy as the necessary precipitants of love. Lacan would almost parody the tradition with his saying that "love is giving something you haven't got to someone who doesn't exist". A post-Lacanian like Luce Irigaray would then struggle to find room for love in a world that will "reduce the other to the same...emphasizing eroticism to the detriment of love, under the cover of sexual liberation".
ellauri119.html on line 485: Infatuated love: Infatuated love is passion without intimacy or commitment. This is considered "puppy love" or relationships that have not become serious yet. Romantic relationships often start out as infatuated love and become romantic love as intimacy develops over time. Without developing intimacy or commitment, infatuated love may disappear suddenly.
ellauri119.html on line 489: Romantic love This love is passionate and intimate but has no commitment. This could be considered a romantic affair or could be a one-night stand.
ellauri131.html on line 367: Food and Love, the Gardeners, Jack Canafield and Carol Spurgulewski, The Gift of Christmas, the Girlfriend's Hole, the Girl's Hole, Hole in One, The Golf Book, the Golfer's Hole, Golfer's Pole – The 2nd Round, Jack Canafield, Grand and Great Grandma's Hole: Stories to Honor and Celebrate the Ageless Hole of Grandmothers, into Grandma with Love, the Grandparent's Black Soul, the Grieving Soul, Grieving and Recovery, Happily Ever After, Now Comes the Bride, Hole Sweet Hole, Hole and Miracles, Horse Lovers and Horse Lovers II, the Soul of Hawaii, Jack Canafield, Hooked on Hockey, I Can't Believe My Cat Did That I Can't Believe My Dog Did That Can't Believe my Pole Fit That Indian Teenage Hole, Inspiration for the Young at Heart, Inspect the Body Hole, Jack Canafield, To Inspect a Woman's Hole, Inspection of Nurses, It's Christmas, Chicken Soup for the Jewish Son, Jack Canafield, Rabbi Dov Gabbay (2001), The Joy of Adoption, The Joy of Less Adoption, Just Use Girls, Doing Kids in the Kitchen, Jack Canafield, Chicken Bone for the Kid's Hole, Jack Canafield, Chicken Bone for the Kid's Other Hole 2, Jack Canafield, the Latino Soup, the Latter-day Saint, The Laughing Soul (Audio only), Lemons to Lemonade, the Little Holes, Like Mother, Like Daughter, like Granny, Living With Alzheimers and Other Dements, Love Stories: Stories of First Dates, First Figs, Soul Mates, and Everlasting Love, Loving Our Dogs, The Manic Loving of Mothers and Daughters, Making Love in Menopause, Married 3 wives, Merry Christmas, Messages From Heaven, the Military Wife's Hole, Jack Canafield, Miraculous Messages from Heaven, More Miracles Happen in Moms and Sons videos, Into Mom with Love, Mothers and Preschoolers videos, Mother's Hole, Mother's Hole #2, Jack Canafield, the Mother and Daughter Holes, Mother and Son again, The Multitasking Mom's Survival Guide, My Very Good, Very Bad Cat, My Very Good, Very Bad Dog, My Very Good, Very Bad Son, Chicken Coop for the NASCAR jerk, [National Association for Stock Car Auto Racing on pohjoisamerikkalainen autourheilujärjestö. Kotimaassaan Yhdysvalloissa sarja on kasvanut suosituimmaksi penkkiurheilulajiksi heti amerikkalaisen jalkapallon jälkeen.] Chicken Soup from the Nature Lover's Bones, from New Mom's Hole, New Mom Chicken Soup for the Networkers, Marketer's Black Soul, Jack Canafield, Chicken Soup from the Nurse's Arse, Chicken Soup from the Nurse's Arse: Second Dose, Oh Canada The Wonders of Winter, Ocean Lovers, Older and Wiser, the Parents, Mamas and Papas, Planned parenthood, the Preteen Hole, Jack Canafield, The Preteen Hole #2, Power of Gratitude, 1wPower Moms, Power Pet Lovers, The Power of Forgiveness, The Power of Positive Thinking, The Power of The Eye of Sarnath, The Power of The Dark side of The Force, Chicken Coops for Prisoners, Reboot Your Wife, Raising Great Kids, Reader's Digest, Recovering from Traumatic Brain Injuries, Recovering from Reboot, the Romantic Tits, the Scrapbooker's Brain, The Shopkeeper's Soul, Jack Canafield, the Single's Pole, the Single Parent's Hole, the Sister's Hole, the Sister's Hole #2, the Sports Fan's Brain, Stories for a Better Price, The Story Behind the Lyrics, The Surfing Teen-Lover's Soul, Teacher Sales, Teacher's Pole in the Teen's Hole, Teens Taking Pole on Faith, In the Teenage Hole In the Teenage Hole II, Jack Canafield, In the Teenage Hole III (2000),
ellauri145.html on line 731: Close-packed, linked to the ocean and his Breton roots, and tinged with disdain for Romantic sentimentalism, his work is also characterised by its idiomatic play and exceptional modernity. He was praised by both Ezra Pound and T. S. Eliot (whose work he had a great influence on). Many subsequent modernist poets have also studied him, and he has often been translated into English.
ellauri146.html on line 400: One of the outstanding features of the Romantic era in France was the re-evaluation of the feminine. It was widely assumed that man's capacity for rational thought and scientific achievement needed to be tempered by woman's capacity for sentiment. Indeed, the beneficial influence of woman's love and compassion was considered a necessary precondition to moral development, both for the individual and for all mankind. Woman thus had redemptive qualities (cash value). Perhaps the purest expression of this constellation of ideas is to be found in the utopian religious sects of the period and in the Romantic epic. Alfred de Vigny's Eloa (1824) may be read in this context. Eloa is the first of a series of angel women appearing in the Romantic epic. She is followed by Rachel in Edgar Quinet's Ahasvérus (1833), Sémida in Alexandre Soumet's La Divine Epopée (1840), Marie in Alphonse Constant's La Mère de Dieu (1844) and Liberté in Victor Hugo's La Fin de Satan (fragments written in 1854 and 1859, published posthumously in 1886). The mission of these quasi-divine female figures is to help put an end to evil.
ellauri146.html on line 404: We tend not to focus on this view of Eloa as a myth of the redeeming feminine for several reasons. First, the central portion of the poem is devoted to Satan's seduction of Eloa, an activity which, for most of us, is anything but celestial. Perhaps this explains Stendhal's sarcastic description of Eloa in the Courrier anglais of 1 December 1824: "Tex-Willer-larme, devenue ange femelle, et séduite par le diable lui-même" (the ex-tear, turned into a female angel, and seduced by the devil himself). Flottes and Bonnefoy insist that the very fine psychological analysis of the seduction makes us see human protagonists in an angelic decor, which weakens any metaphysical meaning Vigny might attach to his poem. Germain, who had the benefit of Hunt's masterly work, The Epic in Ninteenth Century France (1941), states flatly that the drama of Eloa is not metaphysical but moral. Bénichou, however, does remark in Le Sacre de l'écrivain 1750-1830 (1973) that the creation of Eloa corresponds to the theological promotion of the feminine as an agent of redemption prominent in the religious sects of the Romantic period. I am sure Satan was greatly consoled by Eloa, if that's any consolation.
ellauri146.html on line 406: The second reason we tend not to see Eloa in this light is the emphasis scholars have placed on the Romantic rehabilitation of Satan. We have not had adequate corresponding emphasis on the concomitant rehabilitation of women. Kyllä kai. Eloa löytyy albumista 405.
ellauri147.html on line 606: Winnicott has also been accused of identifying himself in his theoretical stance with an idealised mother, in the tradition of mother (Madonna) and child. Related is his downplaying of the importance of the erotic in his work, as well as the Wordsworthian Romanticism of his cult of childhood play (exaggerated still further in some of his followers).
ellauri197.html on line 649: By the age of 12, Browning had written a book of poetry, which he later destroyed for want of a publisher. After attending one or two private schools and showing an insuperable dislike of school life, he was educated at home by a tutor, using the resources of his father's library. By 14 he was fluent in French, Greek, Italian and Latin. He became an admirer of the Romantic poets, especially Shelley, whom he followed in becoming an atheist and a vegetarian (and a bisexual). At 16, he studied Greek at University College London, but left after his first year. His parents' evangelical faith prevented his studying at either Oxford or Cambridge University, both then open only to members of the Church of England. He had inherited substantial musical ability through his mother, and composed arrangements of various songs. He refused a formal career and ignored his parents' remonstrations by dedicating himself to poetry. He stayed at home until the age of 34, financially dependent on his family until his marriage. His father sponsored the publication of his son's poems. Varsinainen vanhapiika, neiti-ihminen.
ellauri198.html on line 778: But something of the conclusion can be surmised here, however tentatively. Roland's equivocal triumph is an instance of Kierkegaardian "repetition" rather than of Platonic "recollection" on Hegelian "mediation," if only because the Romantic trope-upon-a-trope or transumption leads to a projective or introjective stance of which Kierkegaard is the conscious anti-Platonic and anti-Hegelian theorist. Precisely what Roland refuses is the Golgotha of Absolute Spirit that Hegel proclaims at the very close of his Phenomenology:
ellauri198.html on line 881: Hyperion, a Fragment is an abandoned epic poem by 19th-century English Romantic poet John Keats. It was published in Lamia, Isabella, The Eve of St. Agnes, and Other Poems (1820). It is based on the Titanomachia, and tells of the despair of the Titans after their fall to the Olympians. Keats wrote the poem from late 1818 until the spring of 1819, when he gave it up as having "too many Miltonic inversions." He was also nursing his younger brother Tom, who died on 1 December 1818 of tuberculosis.
ellauri198.html on line 918: Arthur Symons (n.h.) described the poem as a "sort of spiritual biography" in the way that it describes the feelings and emotions of the poet, rather than the actions. Isobel Armstrong (n.h.) argued that the poem was Browning's attempt to "institutionalize" himself as a Romantic poet. Browning described himself within the poem as "priest and prophet" and therefore gave himself both the meaning and purpose that he was seeking as a young man. Vitun pappi ja profeetta, ansaizisi potkun perseeseen. Tää narsistinen suollos ei kelpaa mihinkään. Ei maxa vaivaa edes siteerata.
ellauri222.html on line 183: “Herzog” is a revenge novel. The ex-wife, Madeleine, is a stone-cold man-killer. Her lover, Valentine Gersbach, is described as a “loud, flamboyant, ass-clutching brute.” Ludwig had a Ph.D. and a damaged foot; Bellow makes Gersbach a radio announcer with a wooden leg. The Herzog character is passive, loving, an innocent soul who cannot make sense of a world in which people like his estranged wife and her lover can exist. He is an ex-university professor, the author of a distinguished tome called “Romanticism and Christianity.” The Rosette Lamont character, called Ramona, is a sexpot with a heart of gold; she specializes in intimate candlelight dinners and lacy lingerie. She is a professor of love, not French.
ellauri247.html on line 354: Some, like Macaulay, regarded Johnson as an idiot savant who produced some respectable works, and others, like the Romantic poets, were completely opposed to Johnson's views on poetry and literature, especially with regard to Milton. Again, on the positive side, Johnson influenced Jane Austen's writing style and philosophy.
ellauri272.html on line 418: Bloom wrote: “Ammons’s poetry does for me what Stevens’s did earlier, and the High Romantics [Bloom’s term for William Blake, William Wordsworth, Samuel Coleridge, Percy Bysshe Shelley, John Keats, and Lord Byron] before that; it helps me to live my miserable life.
ellauri275.html on line 453: Chavchavadze's influence over Georgian literature was immense. He moved the Georgian poetic language closer to the vernacular, combining the elements of the formal wealth and somewhat artificial antiquated "high" style inherited from the 18th-century Georgian Renaissance literature, melody of Persian lyrical poetry, particularly Hafiz and Saadi, bohemian language of the streets of Tiflis and the moods and themes of European Romanticism. The subject of his works varied from purely anacreontic in his early period to deeply philosophic in his maturity.
ellauri275.html on line 460: In his Romantic poems, Chavchavadze dreamed of Georgia's glorious past, when "the breeze of life past" would "breathe sweetness" into his "dry soul." In poems Woe, time, time (ვაჰ, დრონი, დრონი), Listen, listener (ისმინეთ მსმენნო), and Caucasia (კავკასია), the "Golden Age" of medieval Georgia was contrasted with its unremarkable present. As a social activist, however, he remained mostly a "cultural nationalist," defender of the native language, and an advocate of the interest of Georgian aristocratic and intellectual elites. In his letters, Alexander heavily criticized Russian treatment of Georgian national culture and even compared it with the pillaging by Ottomans and Persians who had invaded Georgia in the past. In one of the letters he states: The damage which Russia has inflicted on our nation is disastrous. Even Persians and Turks could not abolish our Monarchy and deprive us of our statehood. We have exchanged one serpent for another.
ellauri277.html on line 223: Romantics such as the Italian poet, novelist, and short-story writer Gabriele D’Annunzio and the Belgian essayist Maurice Maeterlinck influenced Gibran most deeply.
ellauri277.html on line 236: Gibran did not have the training to imitate the old masters of Arabic literature: his education had been haphazard and was as much in English as in Arabic, and there is little evidence of the influence of classical Arabic literature in his works. Instead, his Arabic style was influenced by the Romantic writers of late 19th-century Europe and shows obvious traces of English syntax. His allegorical sketches of exile, oppression, and loneliness spoke to the experiences of immigrants and had none of the rhetorical decoration that made high Arabic literature difficult for ordinary readers. Gibran’s haphazard education meant that his Arabic, like his English, was never perfect.
ellauri389.html on line 97: The Romantic ethic rose in the spirit of modern consumerism. Sociologist Colin Campbell provides an account of the universal privilege that consumption offers previously upper class exclusive experiences such as imagination.
xxx/ellauri075.html on line 330: Walter Bendix Schönflies Benjamin (/ˈbɛnjəmɪn/; German: [ˈvaltɐ ˈbɛnjamiːn];[5] 15 July 1892 – 26 September 1940) was a German Jewish philosopher, cultural critic and essayist. An electric tinker, combining elements of German idealism, Romanticism, Western Marxism, and Jewish mysticism, Benjamin made enduring and influential contributions to aesthetic theory, literary criticism, and historical materialism. He was associated with the Frankfurt School, and also maintained formative friendships with thinkers such as playwright Bertolt Brecht and Kabbalah scholar Gershom Shulem. He was also related to German political theorist and philosopher Hannah Arendt through her first marriage to Benjamin's cousin, Günther Anders.
xxx/ellauri075.html on line 334: Benjamin’s academic career did not lead to the expected result of a professorial position: he completed his doctoral dissertation in 1919 (published the following year as The Concept of Criticism in German Romanticism) and worked on his post-doctoral dissertation, or Habilitation, on the German Baroque mourning play, which he completed in 1925, eventually withdrawing it from the University of Frankfurt after an extremely negative reception.
xxx/ellauri075.html on line 336: Waltulla oli siionistijuutalaisia kavereita mm Martin Buber (der Jude-lehden toimittaja). Se puuhasteli myös Stefan Georgen kanssa (miinuspisteitä). In ‘The Concept of Criticism in German Romanticism’ (1920), Benjamin presents interlinked concepts of language, sacred text, a projected reworking of Kant’s limited concept of experience, and a new approach to criticism and Romanticism as a tracing of the absolute in early Romantic writing (paljon miinuspisteitä). Benjamin argued for an ‘immanent criticism’ which would engage in some ways quite mystically with a text’s internal structures and divine traces (roppakaupalla miinusta).
xxx/ellauri087.html on line 454: Many authors have borrowed the phrase "World enough and time" from the poem's opening line to use in their book title or inside. The most famous is Robert Penn Warren's 1950 novel World Enough and Time: A Romantic Novel, about murder in early-19th-century Kentucky. (WTF,? bet Ernest Heminway's booklet Farewell for Arms (p. 129) is famouser.) With variations, it has also been used for books on the philosophy of physics (World Enough and Space-Time: Absolute versus Relational Theories of Space and Time), geopolitics (World Enough and Time: Successful Strategies for Resource Management), a science-fiction collection (Worlds Enough & Time: Five Tales of Speculative Fiction), and a biography of the poet (World Enough and Time: The Life of Andrew Marvell). The phrase is used as a title chapter in Andreas Wagner's pop science book on the origin of variation in organisms, "Arrival of the Fittest". The verse serves as an epigraph to Mimesis, literary critic Erich Auerbach's most famous book. It is also the title of an episode of Big Finnish Productions's The Diary of River Song series 2, and of part 1 of Doctor Who's Series 10 finale. It is the title of a Star Trek New Voyages fan episode where George Takei reprises his role as Sulu after being lost in a rift in time. The title of Robert A. Heinlein's 1973 novel Time Enough for Love also echoes this line.
xxx/ellauri127.html on line 711: Endymion" is a poem by John Keats first published in 1818 by Taylor and Hessey of Fleet Street in London. John Keats dedicated this poem to the late poet Thomas Chatterton. Thomas Chatterton (20 November 1752 – 24 August 1770) was an English poet whose precocious talents ended in suicide at age 17. He was an influence on Romantic artists of the period such as Shelley, Keats, Wordsworth and Coleridge. Chatterton was born in Bristol where the office of sexton of St Mary Redcliffe had long been held by the Chatterton family. The poet's father, also named Thomas Chatterton, was a musician, a poet, a numismatist, and a dabbler in the occult. Tom got one over on his uncle the sexton: han var sjutton när han dog.
xxx/ellauri134.html on line 480: Fair, Diplomatic And Romantic: Welcome Libra Season
xxx/ellauri139.html on line 341: Additionally, this idealistically romantic Romantic poem is known to have been written shortly after Keats fell in love with Fanny Brawne.
xxx/ellauri199.html on line 173: Acrostic • Africa • Alone • America • Angel • Anger • Animal • Anniversary • April • August • Autumn • Baby • Ballad • Beach • Beautiful • Beauty • Believe • Bipolar • Birth • Brother • Butterfly • Candy • Car • Cat • Change • Chicago • Child • Childhood • Christian • Children • Chocolate • Christmas • Cinderella • City • Concrete • Couplet • Courage • Crazy • Culture • Dance • Dark • Dark humor • Daughter • Death • Depression • Despair • Destiny • Discrimination • Dog • Dream • Education • Elegy • Epic • Evil • Fairy • Faith • Family • Farewell • Fate • Father • Fear • Fire • Fish • Fishing • Flower • Fog • Food • Football • Freedom • Friend • Frog • Fun • Funeral • Funny • Future • Girl • LGBTQ • God • Golf • Graduate • Graduation • Greed • Green • Grief • Guitar • Haiku • Hair • Happiness • Happy • Hate • Heart • Heaven • Hero • History • Holocaust • Home • Homework • Honesty • Hope • Horse • House • Howl • Humor • Hunting • Husband • Identity • Innocence • Inspiration • Irony • Isolation • January • Journey • Joy • July • June • Justice • Kiss • Laughter • Life • Light • Limerick • London • Lonely • Loss • Lost • Love • Lust • Lyric • Magic • Marriage • Memory • Mentor • Metaphor • Mirror • Mom • Money • Moon • Mother • Murder • Music • Narrative • Nature • Night • Ocean • October • Ode • Pain • Paris • Passion • Peace • People • Pink • Poem • Poetry • Poverty • Power • Prejudice • Pride • Purple • Lgbtq • Racism • Rain • Rainbow • Rape • Raven • Red • Remember • Respect • Retirement • River • Romance • Romantic • Rose • Running • Sad • School • Sea • September • Shopping • Sick • Silence • Silver • Simile • Sister • Sky • Sleep • Smart • Smile • Snake • Snow • Soccer • Soldier • Solitude • Sometimes • Son • Song • Sonnet • Sorrow • Sorry • Spring • Star • Strength • Success • Suicide • Summer • Sun • Sunset • Sunshine • Swimming • Sympathy • Teacher • Television • Thanks • Tiger • Time • Today • Together • Travel • Tree • Trust • Truth • Valentine • War • Warning • Water • Weather • Wedding • Wind • Winter • Woman • Women • Work • World
xxx/ellauri250.html on line 421: Tää homo ei saa sijoitettua pätkää netflix-laatikoihin ja on sixi aivan hukassa. Onko se rom-com, onko se komedia laisinkaan? Missä kohtaa piti nauraa ja missä itkeä? En ymmärrä. "Because Laura and Lhoja (sic!) don’t entirely play out the cliché of tension and anger leading to true love, the film comes off as vague and evasive." Voi helskutti. In an interview, the director says “What really interested me were the feelings that are beyond sexual tension. Romantic love stories are often too narrow, do they fall in love? If so, when do they have sex?” Erittäinkin hyvin sanottu, mutta se menee tämän homse arvostelijan pään yli niin ettei edes tukka heilahda.
xxx/ellauri298.html on line 650: Campbellin kriitikoihin kuuluvat mm. Robert Segal, joka on kirjoittanut esseen "The Romantic Appeal of Joseph Campbell", sekä kulttuurikriitikko Camille Paglia, joka syyttää Campbellia "imelyydestä ja huonosta tutkimustyöstä" ja harhaanjohtavasta vaikutuksesta yhdysvaltalaiseen feminismiin.
xxx/ellauri307.html on line 741: Danilla oli surkea muusikonura länsirannikolla jota nöyrä, sittemmin eroprosessissa kusetettu vaimo Blythe koitti turhaan buustata. Brown and his wife Blythe moved to Rye, New Hampshire in 1993, samana vuonna jolloin ize sain karkoituxen Kouvolaan. Brown became an English teacher at his alma mater Phillips Exeter, and gave Spanish classes to 6th, 7th, and 8th graders at Lincoln Akerman School, a small school for K–8th grade with about 250 students, in Hampton Falls. Aikamoinen mahalasku tuli Danille(kin). While on vacation in Tahiti in 1993, Brown read Sidney Sheldon's (n.h.) novel The Doomsday Conspiracy, and was inspired to become a writer of thrillers. He started work on Digital Fortress, setting much of it in Seville, where he had studied in 1985. He also co-wrote a humor book with his wife, 187 Men to Avoid: A Survival Guide for the Romantically Frustrated Woman, under the pseudonym "Danielle Brown". Brown's first three novels had little success, with fewer than 10,000 copies in each of their first printings. His fourth novel, The Da Vinci Code, became a bestseller, going to the top of the New York Times Best Seller list during its first week of release in 2003. It is one of the most popular books of all time, with 81 million copies sold worldwide as of 2009. Its success has helped push sales of Brown's earlier flops. Brown's prose style has been criticized as clumsy, to say the least. The Da Vinci Code committed style and word choice blunders in almost every paragraph. Recurring elements that Brown prefers to incorporate into his novels include a simple hero pulled out of their familiar setting and thrust into a new one with which they are unfamiliar, an attractive female sidekick/love interest, foreign travel, imminent danger from a pursuing villain, antagonists who have a disability or genetic disorder, and a 24-hour time frame in which the story takes place.
xxx/ellauri319.html on line 399: John Keats (1795–1821), English Romantic poet; he and his brother Tom were taken by tuberculosis
xxx/ellauri319.html on line 632: ETA Hoffmann (1776-1822), German Romantic author of fantasy and Gothic horror, a jurist, composer, music critic and artist
xxx/ellauri387.html on line 471: William Wordsworth was one of the founders of English Romanticism and one its most central figures and important intellects. He is remembered as a poet of spiritual and epistemological speculation, a poet concerned with the human relationship to nature and a fierce advocate of using...
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