ellauri194.html on line 291: In the Islamic apocalyptic tradition, the end of the world would be preceded by the release of Gog and Magog, whose destruction by God in a single night would usher in the Day of Resurrection. Reinterpretation did not generally continue after Classical times, but the needs of the modern world have produced a new body of apocalyptic literature in which Gog and Magog are identified as Communist Russia and China. One problem these writers have had to confront is the barrier holding Gog and Magog back, which is not to be found in the modern world: the answer varies, some writers saying that Gog and Magog were the Mongols and that the wall is now gone, others that both the wall and Gog and Magog are invisible. Why it is the iron curtain of course, the pay wall that stops money transfers between east and west. It is Google of MAGA what else!
ellauri216.html on line 1077: Valaam-askeetit halusivat muuttaa luostaristaan Uuden Jerusalemin, minkä ansiosta saarelle ilmestyi 1900-luvun alussa Uuden testamentin aikoihin viittaavia nimiä : Kidron, Getsemane. Eleonvuori. Resurrection Skete.
xxx/ellauri086.html on line 75: About Lindsfarne Gospels Bede explains how each of the four Evangelists was represented by their own symbol: Matthew was the man, representing the human Christ; Mark was the lion, symbolising the triumphant Christ of the Resurrection; Luke was the calf, symbolising the sacrificial victim of the Crucifixion; and John was the eagle, symbolising Christ's second coming. A collective term for the symbols of the four Evangelists is the Tetramorphs. Each of the four Evangelists is accompanied by their respective symbol in their miniature portraits in the manuscript. In these portraits, Matthew, Mark, and Luke are shown writing, while John looks straight ahead at the reader holding his scroll. The Evangelists also represent the dual nature of Christ. Mark and John are shown as young men, symbolising the divine nature of Christ, and Matthew and Luke appear older and bearded, representing Christ's mortal nature.
xxx/ellauri148.html on line 260: The Resurrection
xxx/ellauri165.html on line 687: Resurrection (of the dead)
xxx/ellauri208.html on line 1050: Dhu al-Qarnayn, (Arabic: ذُو ٱلْقَرْنَيْن, romanized: Ḏū l-Qarnayn, IPA: [ðuː‿l.qarnajn]; lit. "He of the Two Horns") appears in the Quran, Surah Al-Kahf (18), Ayahs 83–101 as one who travels to east and west and sets up a barrier between a certain people and Gog and Magog (called Ya'juj and Ma'juj). Elsewhere the Quran tells how the end of the world will be signaled by the release of Gog and Magog from behind the barrier. Other apocalyptic writings predict that their destruction by God in a single night will usher in the Day of Resurrection (Yawm al-Qiyāmah).
xxx/ellauri361.html on line 214: Varhaisesta menestyksestään huolimatta Resurrection ei ole nykyään yhtä kuuluisa kuin sitä edeltäneet teokset. Sitä pidetään yleensä huonompana kuin Sota ja rauha ja Anna Karenina, vaikka se on edelleen merkitty erittäin tärkeäksi kirjalliseksi saavutukseksi ja teokseksi, joka auttaa ymmärtämään Venäjän vallankumousta.
xxx/ellauri417.html on line 207: as Philosophy of Physical Resurrection). He died in the
xxx/ellauri440.html on line 151: Jesus Christ Superstar was controversial because the portrayal of Jesus as having moments of doubt, the focus on Judas Iscariot, and the implied romantic relationship between Jesus and Mary Magdalene upset many Christians. Why did Jesus Christ Superstar not include the Resurrection? Simple. Tim Rice, the lyricist, does not believe Jesus was the Son of God. Rice said, “We approached the opera from the point of view of Christ the man, rather than Christ the God. Rice and Lloyd Webber were in their 20s when they wrote Jesus Christ Superstar. How is Andrew Lloyd Webber so rich? Real estate investments: Aside from his musical career, Webber sources income from profitable investments in the real estate world. The prolific British composer behind "Cats," "Phantom of the Opera," and "Jesus Christ Superstar," built a billion-dollar fortune off blockbuster musicals. But Sir Paul McCartney was the richest musician in the United Kingdom and Ireland in 2022.
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