ellauri100.html on line 809: Cried “Pretty Goblin” still for “Pretty Polly;”—
ellauri112.html on line 692: Theron is more than capable and proves she’s up to the challenge of the role and its physical demands, but this isn’t as Oscar worthy as some are crowing. How gutsy and brave her performance is! they’ll surely shout, all because she dons a partial fat suit (the actress also gained a very real 50 pounds for the role), doesn’t wear makeup, has unkempt hair and bags under her eyes. Interestingly enough, it seems to be those same critics who ripped Amy Schumer and her “I Feel Pretty” to shreds for ‘fat shaming’ or poking fun at the way women look. Candid and authentic simply because she doesn’t look like the gorgeous movie star that she is? I don’t think so.
ellauri119.html on line 506: Examples of eros may be seen in movies including The Blue Lagoon, Return to the Blue Lagoon, Pretty Woman, Working Girl, and Girl with a Pearl Earring. Lee's recognizable traits:
ellauri119.html on line 520: Kalojen lisääntymisstrategiaa. Miehekästä. Miehillä on paljon siittiöitä ja ne pitää kalanhajusta. Pretty Woman leffa oli aivan perseestä, tai anuxesta [cf. alla]. Ei jaxanut edes loppuun asti kazoa.
ellauri132.html on line 348: The Pretty Pearl
ellauri150.html on line 705: And now comes a bit of papal humor, "Were this the case, it would follow that to become free we must be deprived of reason." Pretty funny, huh? Ok, I see you're not laughing, but instead are scratching your head. Alright, let me paint a picture for you. Imagine a 60s hippy high on LSD, dancing wildly, and shouting out, "I'm free! I'm free!" Yes, this is one of the messages that is often repeated like a mantra in today's society, "If you want to free yourself, you have to stop thinking and just let yourself go." In 1888, Pope Leo XIII rejected this notion and even ridiculed it.
ellauri156.html on line 392: In our first lesson, we devoted our attention to the first four verses of chapter 11, which depict David's sin of adultery with Bathsheba. Pretty unbelievable that I got a whole four pages out of it. The trick is was to keep repeating the juicy bit about Bathsheba washing herself before (or after) David's load. I sought to demonstrate that this sin was all of David's doing. The author points his accusing finger at David, not Bathsheba. It was not Bathsheba's indiscretion in bathing herself (as I understand this story), for she was simply obeying the ritual of purification outlined in the law. It was David who, by means of his lofty elevation and view, looked inappropriately at Bathsheba, washing herself,violating her privacy. I endeavored to demonstrate that David's sin with Bathsheba was the result of a sequence of wrong decisions and attitudes on David's part. In one sense, being on the path he was, his destination (of adultery, or something like it) was to be expected. His sins of omission finally blossomed and came into full bloom.
ellauri207.html on line 249: Svenssonska Dagbladetin mielestä on traagista että sexikauppiaat ovat rupinen joukko nollia. Laahusmaisen lukijakunnan mieleen olisi löytää roistot yhteiskunnan huipulta. Luultavasti amer. elokuvien vaikutusta. Nehän on tunnetusti voimakkaasti rupisten nollien puolella. Esim vaikka Pretty Woman. Huora on huora. Se kuuluu järjestelmään. Ne eivät osaa ruoziakaan kuin sen verran että saavat hoidetuxi hommansa. Kom hit jag är kåt. Jättestor ståkuk! Snart blottades ollonet. Rahat päätyvät valtion kassaan. Saamarin nosket. Niitä pitää kohdella kuin sotarikollisia. Kaikki keinot ovat luvallisia sodassa ja rakkaudessa. Ja nyt hommiin!
ellauri219.html on line 796: No it is not because of Trump. People outside of America slagged off the US in the Clinton years, and the Nixon years, and the Eisenhower years. The negative perception was cemented in the 60s, and everything since has been confirmation bias. So what had happened? Two obviously invasive lost wars in Indochina and nasty machinations here and there, Middle East and South America in particular. Pretty obvious what the fuckheads were (and are) up to: world conquest for the cause of American capitalism, nothing less.
ellauri223.html on line 64: There are occupations, mechanical and theoretical, common to both men and women, with this difference, that the occupations which require more hard work, and walking a long distance, are practised by men, such as ploughing, sowing, gathering the fruits, working at the threshing-floor, stock exchange, and perchance at the vintage. But it is customary to choose women for milking the cows and for making cheese. In like manner, they go to the gardens near to the outskirts of the city both for collecting the plants and for cultivating them. In fact, all sedentary and stationary pursuits are practised by the women, such as weaving, spinning, sewing, cutting the hair, shaving, dispensing medicines, selling arse, and making all kinds of garments. They are, however, excluded from working in wood and the manufacture of arms. If a woman is fit to paint, she is not prevented from doing so; nevertheless, music (song and dance) is given over to the women alone, because they please the more, and of a truth to pretty boys also. But the women have not the practise of the drum and the horn. Pretty boys take care of faggots.
ellauri276.html on line 576: Pretty maids don't think amiss a ploughman for to kiss, Kauniit piiat eivät usko, että kyntäjä suutelee
ellauri276.html on line 603: Here we are on familiar ground, for the beginning is that of the well-known Condescending Lass, often printed on broadsides, and not infrequently met with in the mouths of country singers to this day. The Condescending Lass belongs to a sizeable family of songs on the theme “I wouldn't marry a …”. In it the girl reviews men of various trades, and rejects them all until she finds one whom she will deign to consider. But the present version loses sight of this theme, and from verse two onwards forgets all about the persnickety girl, settling down to a eulogy of the ploughman's trade, though here and there the words still recall those of The Condescending Lass. For the sake of coherence we have abandoned Mr Burstow's first verse and given it another title (he called it: Pretty Wench). The Taverners Folk Group sang The Ploughman in 1974 on their Folk Heritage album Times of Old England. They noted:
ellauri393.html on line 320: Were we designed? Pretty obviously not, just look at the two BW turds in the pic. The watchmaker musta been blind.
xxx/ellauri091.html on line 569: How the heck did Ukraine end up here? Pretty much only because of its hatred for Russia, which is admirable under any circumstances.
xxx/ellauri122.html on line 792: While Kafka had intended for the story to be burned after his death, his friend Max Brod pressed forward to prepare it for publication. Franz was right. The two met as teenagers, following a talk Brod gave about Arthur Schopenhauer at a students’ Union Club on Prague’s Ferdinandstrasse. One of their first conversations concerned Nietzsche’s attack on Schopenhauer’s renouncement of the self. Pretty quickly the two curious minds became inseparable, usually meeting twice daily to discuss life, literature, philosophy, and whatever other topics might randomly arise. Like sex...
xxx/ellauri125.html on line 776: Though Love later said Pretty on the Inside was "unlistenable" and "unmelodic", the album received generally positive critical reception from indie and punk rock critics and was named one of the 20 best albums of the year by Spin. It gained a following in the United Kingdom, charting at 59 on the UK Albums Chart, and its lead single, "Teenage Whore", entered the UK Indie Chart at number one.
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