ellauri112.html on line 674: Mary Poppins self-service
ellauri112.html on line 676: Tully’s like a hip millennial Marry Poppins. It all seems too good to be true. Their deepening connection hints at something that’s either eerie or profoundly healing. Are they dykes?
ellauri112.html on line 684: Marlo, already a mother of two, begins the film heavily, outrageously pregnant: we learn, in rapid succession, that this third pregnancy was unwanted, that her husband does little of the domestic labour, and that her “shitty” upbringing is the reason she’s so committed to her nuclear family unit. Postnatal depression, never named, haunts the narrative: her wealthy brother offers to pay for a night nanny to avoid, in his words, the advent of another “bad time” like the one that followed the birth of her son, Jonah. When the nanny arrives – described by more than one reviewer as a “millennial Mary Poppins” – the panacea seems to be working. Not only does she look after the baby at night but she also operates as a kind of empathy machine, listening to Marlo’s problems, sharing sangria in the garden, and baking the Minions cupcakes that Marlo herself never has the time to make. The postnatal depression, it seems, disperses; Jonah – who has “emotional problems” – finds a place at a school more suited to his needs, family dinners get increasingly wholesome, and Marlo does a passable Stevie Nicks impression at a child’s birthday party. And then comes the twist: after a bender in Brooklyn with Tully, a sleep-deprived Marlo, drunk at the wheel, drives her car off a bridge and ends up in hospital, and we realise there was nobody else in the car. Her maiden name, we learn, was Tully.
ellauri112.html on line 700: Jenkkikriitikot ei yleensä tykänneet lopusta jossa ilmeni että toi Mary Poppins oli vaan mielikuvitusta. Eivät kyllä voineet sanoa just mikä siinä niistä mätti kun se olis ollut spoileri.. Ne olis ehkä halunnu et Mary Poppins olis realitya, kotiapulaisbisnexien mainos, kannustusta kotiorjavuokrayrityxille.
ellauri112.html on line 704: Kai se sitten tajus ton "ole omen elämäsi Mary Poppins" aspektin. Uutta vauvaa ei näytetä, koska se on vaan haaste, lisätehtävä. Vahinko se olikin kuin Petteri. Vaahto petti. Kotisisarharjottelija on kyllä tosi helpottava asia, sen tiesi Pirkko Hiekkala.
xxx/ellauri127.html on line 732: line ("A thing of beauty is a joy for ever") is quoted by Mary Poppins in the 1964 Disney movie, while she pulls out a potted plant from her bag. It is also referenced by Willy Wanka in the film Willy Wanka & the Chocolate Factory upon introducing the Wankamobile. https://en.m.wikipedia.org/wiki/List_of_people_claimed_to_be_immortal_in_myth_and_legend
6