ellauri052.html on line 281: John Caryll (or Caryl), a close friend of Pope, asked Pope to write the poem to help reconcile the Fermor and Petre families.
ellauri055.html on line 223: Voltaire Candidessa dissaa optimisteja mm Leibniziä ja Alexander Popea. Leibnizin teodikea oli sitä ettei jumalakaan pystynyt tätä parempaan. Tää on nyt tätä vaan. Popestakin kaikki oli hyvä näin. Voltairesta ei.
ellauri055.html on line 229: Voltaire on sinänsä samaa mieltä mutta poliittisesti eri leiriä kuin valtaapitävien myötäilijät Leibniz sekä Pope.
ellauri058.html on line 103: Mitä yhteistä oli Toulouse-Lautrecilla ja Popella? Knääpiöitä olivat. Mitä yhteistä Schillerillä ja Popella? Homerosta kääntivät.
ellauri065.html on line 568: 29.10.2009 deus vult: (Latin: 'God wills it') is a Latin Catholic motto associated with the Crusades. It was first chanted during the First Crusade in 1096 as a rallying cry, most likely under the form Deus le volt or Deus lo vult, as reported by the Gesta Francorum (ca. 1100) and the Historia Belli Sacri (ca. 1130).. In modern times, the motto has different meanings depending on the context. The First Crusade was initiated in 1095 when Pope Urban II called on warriors to help the Byzantine Empire retake Anatolia form the Seljuq Turks.
ellauri069.html on line 142: An English illustrator, Beardsley is known for his (often erotically charged) illustrations for Oscar Wilde's Salome, Alexander Pope's Rape of the Lock and other black-and-white works. Along with Oscar Wilde, he was considered a leader of "The Decadents" of the 1890s; 71; 634; Wikipedia entry.
ellauri069.html on line 606: Where is the Pope whose staff will bloom for me? Missä paavi jonka sauva kukkii?
ellauri094.html on line 809: The bible is a fallible human’s interpretation of God/history/etc. Christians who claim it to be infallible seem to crave something in religion that doesn’t exist in mainstream Christianity: authority. Seems to me, they lack something or someone authoritative like the Catholic Pope or the Mormon Prophet who claims to be God’s spokesman. Since mainstream Christianity lacks an authoritative claim, they nonsensically claim “the word of God” to be their powerful lightning rod.
ellauri095.html on line 35: Der Sprung ist bei Kierkegaard leidenschaftliche Entscheidung, der Augenblick, der über Nicht-Sein und Da-Sein entscheidet. Der Sprung ist Wiedergeburt, das Christwerden. Kierkegaard hat den Begriff von Gotthold Ephraim Lessing (1729-1781) ... Stanley the Manley was not very manly, more catholic than Pope, and as much a dwarf, only capable of tiny hopkins snd eurhytmic sprungs..
ellauri097.html on line 88: In one winter while in high school he read William Makepeace Thackeray and then "proceeded backward to Addison, Steele, Pope, Swift, Johnson and the other magnificos of the Eighteenth century." He read the entire canon of Shakespeare and became an ardent fan of Rudyard Kipling and Thomas Huxley.
ellauri102.html on line 471: The Problem: Controversy for this ad campaign arose in many different ways. The first was the use of world leaders without their consent. In fact, one of the ads features Pope Benedict XVI kissing a top Egyptian imam which was quickly removed after being condemned by the Vatican.
ellauri108.html on line 94: Jesus is an important figure in Rastafari. However, practitioners reject the traditional Christian view of Jesus, particularly the depiction of him as a white European, believing that this is a perversion of the truth. They believe that Jesus was a black African, and that the white Jesus was a false god. Many Rastas regard Christianity as the creation of the white man; they treat it with suspicion out of the view that the oppressors (white Europeans) and the oppressed (black Africans) cannot share the same God. Many Rastas take the view that the God worshipped by most white Christians is actually the Devil, and a recurring claim among Rastas is that the Pope is Satan or the Antichrist. Rastas therefore often view Christian preachers as deceivers and regard Christianity as being guilty of furthering the oppression of the African diaspora, frequently referring to it as having perpetrated "mental enslavement".
ellauri109.html on line 745: Auden referred to him as "the master of the middle class". Alexander Pope was heavily influenced by Dryden and often borrowed from him.
ellauri109.html on line 753: A heroic couplet is a traditional form for English poetry, commonly used in epic and narrative poetry, and consisting of a rhyming pair of lines in iambic pentameter. Use of the heroic couplet was pioneered by Geoffrey Chaucer in the Legend of Good Women and the Canterbury Tales, and generally considered to have been perfected by John Dryden and Alexander Pope in the Restoration Age and early 18th century respectively. A frequently-cited example illustrating the use of heroic couplets is this passage from Cooper's Hill by John Denham, part of his description of the Thames:
ellauri111.html on line 176: According to Edward Hills in The King James Version Defended p. 98 other famous Catholics with this viewpoint include Augustine (354-430 who at first defended the Apocrypha as canonical), Pope Gregory the Great (540-604), Cardinal Ximenes, and Cardinal Cajetan.
ellauri111.html on line 353: You might wonder what's the diff if you still need to do 3) anyway. Wasn't the point that Christ had already paid our bills? So why can't we just go on and sin, and then go back to step 1)? Admittedly, there is the timing problem, like what the Pope had, when he had to say last of all Amen, and he ended up saying instead, "No, minä..." Jokes aside, but yes, in principle that's the way it works. It is never too late to repent, though there are a few things that are unpardonable, like making fun of the Holy Ghost, and converting to Islam (for some creeds at least).
ellauri118.html on line 1162: Pieixoto´s name suggests Pope Pius IX, a Vatican pope (1854-1878), who, in his first year of office, issued the doctrine of the Immaculate Conception of the Blessed Virgin Mary. Peixoto is a Portuguese surname. It refers to fish. Notable people with the surname include: Alvarenga Peixoto (1743-1793), Brazilian poet, born in Rio de Janeiro; António Augusto de Rocha Peixoto (1866-1909), Portuguese naturalist, ethnologist and archaeologist; César Peixoto (born 1980), Portuguese footballer who plays for Sport Lisboa e Benfica in the Portuguese first division.
ellauri119.html on line 434: The Apostle Paul glorified love as the most important virtue of all. Describing love in the famous poetic interpretation in 1 Corinthians, he wrote, "Love is patient, love is kind. It does not envy, it does not boast, it is not proud. It is not rude, it is not self-seeking, it is not easily angered, it keeps no record of wrongs. Love does not delight in evil but rejoices with the truth. It always protects, always trusts, always hopes, and always perseveres." (1 Cor. 13:4–7, NIV) He didn't mean eros, but rather homophilia. Perseveraatiosta oli puhe. John also wrote, "Dear friends, let us love one another for love comes from God. Everyone who loves has been born of God and knows God. Whoever does not love does not know God, because God is love." (1 John 4:7–8, NIV) Influential Christian theologian C. S. Lewis wrote a book called The Four Loves. The first retired nazi pope Benedict XVI named his first circular God as love. He said that a human being, created in the image of God, who is love, is able to make love; to give himself to God and others (agape) and by receiving and experiencing God's love in contemplation (eros). This life of love, according to him, is the life of the saints such as Teresa of Calcutta and the Blessed Virgin Mary and is the direction Christians take when they believe that God loves them. Pope Francis taught that "True love is both loving and letting oneself be loved...what is important in love is not our loving, but allowing ourselves to be loved by God." That's just what Virgin Mary did. "You have heard that it was said, 'Love your neighbor and hate your enemy.' But I tell you, love your enemies and pray for those who persecute you, that you may be children of your Father in heaven. He causes his sun to rise on the evil and the good, and sends rain on the righteous and the unrighteous. If you love those who love you, what reward will you get? Are not even the tax collectors doing that? And if you greet only your own people, what are you doing more than others? Do not even pagans do that? Be perfect, therefore, as your heavenly Father is perfect." – Matthew 5: 43–48. Jews didn't like tax collectors.
ellauri140.html on line 698: He told of Saintes and Popes, and evermore Se kerto pyhimys- ja paavikaskuja,
ellauri143.html on line 84: The Kura has been widely admired by scholars and influential leaders across the ethical, social, political, economical, religious, philosophical, and spiritual spheres over its history. These include Ilango Adigal (never heard), Kambar (n.h.), Leo Tolstoy, Mahatma Gandhi, Albert Schweitzer (heard ok), plus Constantius Joseph Beschi, Karl Graul, George Uglow Pope, Alexander Piatigorsky, and Yu Hsi (all n.h.). The work remains to be translated. Oops correct that, the text has been translated into at least 40 Indian languages including English, making it one of the most translated ancient works. Ever since it came to print for the first time in 1812, the Kura text has never been out of print. Whole trainloads lie "left on read" in Sri Lanka.
ellauri145.html on line 751: À mon Chien Pope Paavi-koirolleni
ellauri150.html on line 490: Ben-Hur: A Tale of the Christ is a novel by Lew Wallace, published by Harper and Brothers on November 12, 1880, and considered "the most influential Christian book of the nineteenth century". It became a best-selling American novel, surpassing Harriet Beecher Stowe's Uncle Tom's Cabin (1852) in sales. The book also inspired other novels with biblical settings and was adapted for the stage and motion picture productions. Ben-Hur remained at the top of the US all-time bestseller list until the 1936 publication of Margaret Mitchell's Gone with the Wind. The 1959 MGM film adaptation of Ben-Hur is considered one of the greatest films ever made and was seen by tens of millions, going on to win a record 11 Academy Awards in 1960, after which the book's sales increased and it surpassed Gone with the Wind. It was blessed by Pope Leo XIII, the first novel ever to receive such an honour. The success of the novel and its stage and film adaptations also helped it to become a popular cultural icon that was used to promote catholicism plus numerous commercial products.
ellauri150.html on line 667:

Pope Leo XIII on Freedom

Joo olen kyllä Pentin kannalla siinä että nää termiittiapinat on aivan vitun tyhmiä, täysin beyond redemption. Mitä uutta kissimirrit tässä? Ei mitään, samaa paskanjauhantaa.
ellauri236.html on line 386: In 1973, Gene D. Phillips of Loyola University of Chicago remarked on the influence of William Faulkner's 1931 novel Sanctuary, writing that, "It is a matter of record that [No Orchids for Miss Blandish] was heavily indebted to Sanctuary for its plot line." Phillips also stated that Slim Grisson, who was identified by Phillips as the main antagonist, was based on Popeye The Sailor Man, a criminal in Faulkner's novel. Onko se sama Kippari Kalle joka heilastelee Olkan kanssa ja hoitaa pikku Hajuhernettä?
ellauri245.html on line 751: 1970-luvun loppupuolella alkoi kuitenkin Altmanin alamäki: vaikka Altman ohjasikin vuonna 1979 peräti kolme elokuvaa, niiden taso oli kaukana hänen aiemmista töistään. Tämä kulminoitui vuonna 1980 Disney/Paramount-tuotantoon Kippari-Kalle: Lyttäpäisen suikkikoomikon Robin Williamsin tähdittämä elokuva teki tuottoa teattereissa, mutta oli aikanaan ja myös nykyään kriitikoiden mielestä Altmanin uran pohjanoteeraus. Variety-lehden mielestä se oli Williamsin paras. Lyttäpäinen Robin Williams oli kyllä erehdyttävästi Popeyen näköinen.
ellauri247.html on line 163: Runoilija Alexander Pope keksi pilkkasanan »sinisukka». Se syntyi onnettoman rakkauden seurauksena. Lady Montagu, kaunotar ja hienosti sivistynyt kirjailija, oli Lontoon henkisen elämän keskipiste ja kirjallisen salongin kuningatar. Häneen oli Pope silmittömästi rakastunut, saavuttamatta kuitenkaan vastarakkautta. Hän kosti ylpeälle kaunokaiselle suunnaten tähän purevien vitsien, satiirien ja komparunojen nuolet. Ennen kuin hän oli saanut rukkaset, hän oli huomannut sydämensä valitussa eräitä yksityiskohtia, joita hän sepitteissään säälimättömästi paljasti. Ihana lady Montagu ei näet lainkaan hoitanut käsiään ja käytti mielellään sinisiä sukkia. Pope aloitti sotaretkensä komparunolla: »Palvontani kohteella on taito lumota miehiä, mutta häneltä puuttuu taitoa pestä käsiään. Pope huolehti siitä, että hänen ivasäkeensä levisivät kaikkialle, ja hänen onnistui saada naurajat puolelleen. Myös hänen lausumansa naisesta, jolla on taivaansiniset sukat, tuli siivekääksi. Siitä lähtien on kirjailevia naisia mainittu pilkkanimellä "sinisukka».
ellauri247.html on line 339: In August, Johnson's lack of an MA degree from Oxford or Cambridge led to his being denied a position as master of the Appleby Grammar School. In an effort to end such rejections, the 4-ft Pope asked Lord Gower to use his influence to have a degree awarded to Johnson. Gower petitioned Oxford for an honorary degree to be awarded to Johnson, but was told that it was "too much to be asked". Gower then asked a friend of Jonathan Swift to plead with Swift to use his influence at the University of Dublin to have a master's degree awarded to Johnson, in the hope that this could then be used to justify an MA from Oxford, but Swift refused to act on Johnson's behalf.
ellauri247.html on line 379: Although Byrom père is clearly the author of the epigram, the last two lines have also been attributed to fat Jonathan Swift and tiny Alexander Pope. While the familiar form of the rhyme was not printed until around 1805, when it appeared in Original Ditties for the Nursery, it is possible that Byrom was drawing on an existing rhyme.
ellauri247.html on line 417: Lady Mary Montagu (1689-1762), court beauty, wife of the British Ambassador to Istanbul and prolific letter-writer, was the first major female travel writer of her time. She was a correspondent with Alexander Pope, knew and was disliked by Horace Walpole, and introduced the Turkish, then Ottoman, method of inoculation to Britain.
ellauri247.html on line 421: Lyhyenläntä rampa Pope syntyi samana vuonna kuin Mary. Pope oli Tory ja Mary äänesti Walpolea. - Amazing! I have read that Alexander Pope made passionate and wild love to Lady Mary Wortley Montagu. From this poem I understand that Pope loved the sense of wit and beauty that Lady Mary W. M. possessed.
ellauri247.html on line 423: Linda Marshall - Not entirely true; Pope was smitten with LMWM but she rejected his advances (in fact she laughed at him because he was a cripple). After that he became a bitter enemies and both Pope and Lady Mary wrote vicious satirical poems about each other! But I´m a huge admirer of Pope´s work and as usual it´s superbly written. Although he never married, he had many female friends to whom he wrote witty letters, including Lady Mary Wortley Montagu. It has been alleged that his lifelong friend Martha Blount was his lover. His friend William Cheselden said, according to Joseph Spence, "I could give a more particular account of Mr. Pope's health than perhaps any man. Cibber's slander (of carnosity, abrmal fleshy protrusion growing on any part of the body) is false. He had been gay, but left that way of life upon his acquaintance with Mrs. B."
ellauri276.html on line 721: Robert Burns syntyi 25. tammikuuta 1759 Allowayn kylässä, kaksi mailia Ayrista etelään. Hänen vanhempansa Willian Burnes[s] ja Agnes Broun olivat vuokraviljelijöitä, mutta he varmistivat, että heidän poikansa sai suhteellisen hyvän koulutuksen ja hän alkoi lukea innokkaasti. Alexander Popen, Henry Mackenzien ja Laurence Sternen teokset saivat Burnsin runollisen impulssin, ja suhteet vastakkaiseen sukupuoleen antoivat hänelle inspiraatiota. Handsome Nell Nellie Kilpatrickille oli hänen ensimmäinen kappaleensa.
ellauri276.html on line 929: Augustilainen kirjallisuus (jota kutsutaan joskus harhaanjohtavasti Georgian kirjallisuudeksi) on brittiläisen kirjallisuuden tyyli, joka tuotettiin kuningatar Annen, kuningas Yrjö I:n ja Yrjö II:n hallituskaudella 1700-luvun alkupuoliskolla ja päättyi 1740-luvulle, jolloin Alexander Pope ja Jonathan Swift kellistyivät vuonna 1744 ja 1745. Se oli kirjallinen aikakausi, johon kuului romaanin nopea kehitys, satiirin räjähdys, draaman mutaatio poliittisesta satiirista melodraamaa ja kehitys kohti henkilökohtaisen tutkimisen runoutta. Filosofiassa se oli aika, jota yhä enemmän hallitsi empirismi, kun taas poliittisen taloustieteen kirjoituksissa se merkitsi merkantilismin kehittymistä muodollisena filosofiana, kapitalismin kehitystä ja kaupan voittoa.
ellauri323.html on line 127: In Berlin, every night, the students escorted her home with torches. Prince Vierfuenfsechs-Siebenachtneun offered her his hand, and was condemned by the Kaiser to six months’ confinement in his little castle. In Yildiz Kiosk, the tyrant who still throve there conferred on her the Order of Chastity, and offered her the central couch in his seraglio. In Petersburg, the Grand Duke Salamander Salamandrovitch fell enamoured of her. The Grand Duchess appealed to the Tzar. Zuleika was conducted across the frontier, by an escort of love-sick Cossacks. On the Sunday before she left Madrid, a great bull-fight was held in her honour. Fifteen bulls received the coup-de-grace, and Alvarez, the matador of matadors, died in the arena with her name on his lips. He had tried to kill the last bull without taking his eyes off la divina senorita. From the Vatican, the Pope launched against her a bull which fell utterly flat.
ellauri348.html on line 108: Runoilija Alexander Popen mukaan toivo on universaalia, jopa vaistomaista tunnetta, joka virtaa ikuisuudesta, ihmisen sydämestä. Elämässä on monia lannistavia hetkiä, jolloin tarvitaan toivos tuomaan vahvuutta ja tahtoa siirtyä eteenpäin. Se antaa vankkaa uskoa siihen. että tämän päivän vaikeudet jäävät taakse ja tulevaisuus tuo parempaa tullessaan. Toiveikas uskoo huomiseen ja haluaa toivoa hyvää toisille, vaikka hänellä ei olisi mitään keinoja auttaa heitä. (Höh, izekäs toiveikas ei toivo mitään sellaista, sehän veisi siltä izeltään resuja ja antaisi kilpailijoille paremmat mahixet.)
ellauri348.html on line 359: Elokuvan Tahrattoman mielen ikuinen auringonpaiste nimi on lainaus Alexander Popen vuoden 1717 runosta Eloisa kirje Abelardille.
ellauri348.html on line 379: Pope">Eloisasti Bulevardilla
ellauri348.html on line 385: Tää on pätkä pituushaasteisen Popen (1717) pitkänläntää arkkiveisua munattomasta Abelardista ja sen Eloisasta bändäristä. Eli it's from a poem about a woman named Eloisa who falls in love with her much older tutor Abelard, but her family forces them apart. Eloisa is forced to become a nun and writes about the grief of being without her star-crossed lover. She tries to forget Abelard, but she cannot and she comes to the conclusion that God cannot heal all wounds (such as the loss of Abelard's balls). She wishes she hated Abelard, but concludes her love for him remains. Despite her knowing about her doom with her love, she still longs for it. Just like Joel and Clem. They have knowledge about their destruction and loathing for each other if they continue with the relationship, but it doesn’t matter to them. It’s "Okay," “ignorance is bliss” by another name!
ellauri348.html on line 1057: Toivon symboleja ovat linnut (pulu, kotka, Peukaloliisan pääskynen, E. Saarisen varpunen, kurki, kuovi), käärmeet (kyykäärme, lohikäärme, Asklepios), ankkuri (Popeye, Philomena Cunk, pyhä Riitta),
ellauri362.html on line 435: Vuonna 1775, juuri ennen oppisopimuskoulutuksensa päättymistä Woodbridgessa, Crabbe pani voimansa koetukselle julkaisemalla Ipswichin kirjakauppiaan kanssa kolmiosaisen runon nimeltä Inebriety. Kirkkorekisterin I osan mökkikirjaston kuvauksesta ja muista Crabben teosten viitteistä tiedämme, että hänen lempilukunsa oli poikaiässä ollut romanttista; mutta kirjoittaessaan Inebrietyn hänen on täytynyt tutkia tarkasti sen ajan runollista paavia (Pope). Suuri osa Inebrietystä koostuu An Essay on Manin ja The Dunciadin suorasta jäljitelystä tai parodiasta; kun taas siellä täällä Crabbe todistaa tietämyksensä Graysta. Näiden runoilijoiden kaiut, jotka sekoittuvat lääkärin oppipojan lääkäriltä vetämään kielenkäyttöön, esitetään sankarillisissa säkeissä, yhtä aikaa ponnisteltuina ja liukastettuina, ja jättävät Inebrietyn yhdeksi kaikkien aikojen raaimmista runoista. Silti, jos nuoresta satiiristista lähtee paljon kiintymystä, se ei ole sentimentaalista kiintymystä. Crabbe osoittaa jo merkkejä kapinasta idealisaatiota vastaan, joka oli inspiroinut hänen kypsää työtään. Hänelle päihtymys on paha, ja hän kuvailee tarmokkaasti ja tarkasti sen pahoja vaikutuksia kaikissa elämänluokissa.
ellauri371.html on line 444: Vapaamuurariuden absolutismi. Meidän absolutismimme on johdonmukainen kaikille ja siten jokaisessa sen asetuksessa kunnioitetaan suurta tahtoamme, mikä oli vaadittu ja kiistatta toteutettu: se jätetään huomiotta--- [seuraava avainpointti on taas osin hepreaa, sori siitä goyboyt] Myyaya! in =n=r^^ alastomia ominaisuuksia. NaGO S1*iiii~ip>a. Kassaatiooikeus. Poistamme kassan oikeuden, antaa ajatusten syntyä ihmisten keskuudessa ilmaisexi • ^ хъ sGdyGL/zhGglooo tapahtuu* sitten me --- Che "IYA Po Ch v™rya™ TV" me °o T u d R sGziat joka hattu, "meidän P y 0V a T dg I ja Yu ystratsіi joille vain "ada" ѣ- aL^TGt^^^ . suojatti. p^tpiyaphalny "näkemys" tulevan "hallituksen" vallasta. I - n R yapGpshv^niG^ näyttää patriarkaalliselta. Keskinäinen = Ш "^ t ~ k2k ystävälle, tahdikkuutta ja - X7; ъ LYu N ev1z G moz„°o Ja siellä on ov- HitsGoez™ Popei ".käsikirjat, jos ne haluavat elää rauhassa ja hiljaisuudessa. Idol you, GG "la." Oi" [=™™°; heidän hallituskautensa.
ellauri372.html on line 498: Vuonna 1744 ilmestyi toinen uusi painos, tavalliseen tapaan toimittajan omalla yhdistelmätekstillä: tämä toimittaja oli Zachary Gray (1688–1766), kiihkeästi puritaaneja vastustava Englannin kirkon pappi. Gray lisäsi laajoja ja kiemurtelevia muistiinpanoja, joista monet olivat varsin merkityksettömiä, ja joissa hän yritti määrätietoisesti vääntää Hudibrasin tukemaan Englannin kirkkoa. (Mikään tekstissä ei näytä tukevan tätä.) William Warburton, Alexander Popen ystävä, Shakespearen toimittaja ja myöhemmin Gloucesterin piispa, kirjoitti epäilevänsä, oliko millään opitulla kielellä koskaan ilmaantunut niin säälittävä kasa hölynpölyä kuin Greyn kommentit Hudibrasista.
xxx/ellauri125.html on line 532: similar language. Michelangelo said to Pope Julius II, "Self-
xxx/ellauri129.html on line 859: