ellauri014.html on line 1692: Being the peculiar person that I am (says the blogger), I thought I would look up the poem, “To the Fringed Gentian.” The Poetry Foundation provided the full text by William Cullen Bryant:
ellauri014.html on line 1973: "Thanatopsis" remains a milestone in American literary history. "Poems" was considered by many to be the first major book of American poetry. Nevertheless, over five years, it earned Bryant only $14.92. Poet and literary critic Thomas Holley Chivers, who often accused other writers of stealing poems, said that the only thing Bryant "ever wrote that may be called Poetry is ´Thanatopsis´, which he stole line for line from the Spanish."
ellauri022.html on line 956: Erotic Poetry Book, Gamahucher Press, Australian johtava eroottinen runoilija.
ellauri042.html on line 682: Atwood's works encompass a variety of themes including gender and identity, religion and myth, the power of language, climate change, and "power politics". Many of her poems are inspired by myths and fairy tales which interested her from a very early age. Atwood is a founder of the Griffin Poetry Prize and Writers' Trust of Canada. She is also a Senior Fellow of Massey College, Toronto.
ellauri053.html on line 1368: Yeats met the American poet Ezra Pound in 1909. Pound had travelled to London at least partly to meet the older man, whom he considered "the only poet worthy of serious study." From that year until 1916, the two men wintered in the Stone Cottage at Ashdown Forest, with Pound nominally acting as Yeats's secretary. The relationship got off to a rocky start when Pound arranged for the publication in the magazine Poetry of some of Yeats's verse with Pound's own unauthorised alterations. These changes reflected Pound's distaste for Victorian prosody.
ellauri160.html on line 172: Poetry published Pound's "A Few Don'ts by an Imagist" in March 1913. Superfluous words, particularly adjectives, should be avoided (Ahha! This is where Stephen King comes in) as well as expressions like "dim lands of peace". He wrote: "It dulls the image. It mixes an abstraction with the concrete. It comes from the writer's not realizing that the natural object is always the adequate symbol. Just say 'lands'." Poets should "go in fear of abstractions". He wanted Imagisme "to stand for hard light, clear edges", he wrote later to Amy Lowell.
ellauri160.html on line 174: The New England poet Amy Lowell, who was to win the Pulitzer Prize for Poetry in 1926, was apparently unhappy that only one of her poems had appeared in Des Imagistes. Ford Madox Hueffer announced that he had been an Imagiste long before Lowell and Pound, and that he doubted their qualifications.
ellauri160.html on line 189: On 22 September 1914 T. S. Eliot traveled from Merton College, Oxford, with an introduction from Conrad Aiken, to have Pound read Eliot's unpublished "The Love Song of J. Alfred Prufrock". Pound wrote to Harriet Monroe, editor of Poetry, on 30 September to say that Eliot—who was at Oxford on a fellowship from Harvard—had "sent in the best poem I have yet had or seen from an American ... He has actually trained himself and modernized himself on his own." Monroe did not like Prufrock's "very European world-weariness", according to Humphrey Carpenter, but she published it anyway, in June 1915.
ellauri160.html on line 197: Harriet Monroe, editor of Poetry, published a letter in April 1919 from a professor of Latin, W. G. Hale, who found "about three-score errors" in the text; he said Pound was "incredibly ignorant of Latin", that "much of what he makes his author say is unintelligible", and that "If Mr. Pound were a professor of Latin, there would be nothing left for him but suicide" (adding "I do not counsel this"). Pound replied to Monroe: "Cat-piss and porcupines!! The thing is no more a translation than my 'Altaforte' is a translation, or than Fitzgerald's Omar is a translation."
ellauri160.html on line 203: In June, July and August 1917 Pound had the first three cantos published, as "Three Cantos", in Poetry. Twice the length of Paradise Lost and 50 times longer than The Waste Land, Pound's 800-page The Cantos ("Canto I" to "Canto CXVI", c. 1917–1962) became his life's work.
ellauri160.html on line 224: While in custody in Italy, Pound began work on sections of The Cantos that were published as The Pisan Cantos (1948), for which he was awarded the Bollingen Prize for Poetry in 1949 by the Library of Congress, causing enormous controversy. After a campaign by his fellow writers, he was released from St. Elizabeths in 1958 and lived in Italy until his death in 1972. His economic and political views have ensured that his life and work remain controversial. He is popular with the alt-right but his opinions about usury forever condemn him in the circles of New York money liberals.
ellauri196.html on line 853: So-called lyrics is at work, self-proclaimed poets like Bob Dylan fall into step with new times. Poetry becomes acoustic guitar and visual effects again, as it was in the times of Erato. The words splash in all directions, like the explosion of dynamite, there is no true meaning, but a verbal earthquake with many epicenters. Decipherment is not necessary, in many cases the aid of the psychoanalyst may help.
ellauri206.html on line 314: Learn French with the most famous French poems, such as “Demain, dès l’aube”, “La Cigale et la Fourmi”, “Parfum Exotique” with my Classic French Poetry audiobooks.
ellauri244.html on line 455: Courtney Faye Taylor is a writer and visual artist. She is the author of Concentrate (Graywolf Press, 2022), selected by Rachel Eliza Griffiths as the winner of the Cave Canem Poetry Prize. Courtney earned her BA from Agnes Scott College and her MFA from the University of Michigan Helen Zell Writers' Program where she received the Hopwood ...
ellauri256.html on line 391: Mayakovsky produced a large and diverse body of work during the course of his career: he wrote poems, wrote and directed plays, appeared in films, edited the art journal LEF, and produced agitprop posters in support of the Communist Party during the Russian Civil War of 1917–1922. Though Mayakovsky's work regularly demonstrated ideological and patriotic support for the ideology of the Bolsheviks and a strong admiration of Vladimir Lenin, his relationship with the Soviet state was always complex and often tumultuous. Mayakovsky often found himself engaged in confrontation with the increasing involvement of the Soviet state in cultural censorship and the development of the State doctrine of Socialist realism. Works that criticized or satirized aspects of the Soviet system, such as the poem "Talking With the Taxman About Poetry" (1926), and the plays The Bedbug (1929) and The Bathhouse (1929), met with scorn from the Soviet state and literary establishment. Majakovskin lehdykkä Lef teki pilkkaa serapioniveljistä. Ei ois kannattanut. Fedin pani sen hampaankoloon ja Zishtshov närkästyi.
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ellauri272.html on line 406: Archibald Randolph Ammons (February 18, 1926 – February 25, 2001) was an American poet who won the annual National Book Award for Poetry in 1973 and 1993.
ellauri275.html on line 446: The Georgian poets were, by the strictest definition, those whose works appeared in a series of five anthologies named Georgian Poetry, published by Harold Monro and edited by Edward Marsh, the first volume of which contained poems written in 1911 and 1912. The group included Edmund Blunden, Rupert Brooke, Robert Graves, D. H. Lawrence, Walter de la Mare, Siegfried Sassoon, and John Drinkwater. Until the final two volumes, the decision had not been taken to include female poets.
ellauri276.html on line 476: Vuonna 1942 hän julkaisi pitkän runonsa Suuri nälkä, joka kuvaa hänen tuntemansa maaseutuelämän puutteita ja vaikeuksia. Vaikka tuolloin huhuttiin, että Garda Síochána takavarikoi Horizonin, kirjallisuuslehden, jossa se julkaistiin, kopiot, Kavanagh kiisti tämän tapahtuneen ja sanoi myöhemmin, että kaksi Gardía vain vieraili hänen kotonaan (luultavasti erityisvaltuuksia koskevan lain mukaisen Horizon- tutkimuksen yhteydessä). Yksittäisen talonpojan näkökulmasta historiallisen nälänhädän ja emotionaalisen epätoivon taustalla kirjoitettu runo on kriitikoiden mielestä usein Kavanaghin hienoin teos. Se pyrki vastustamaan irlantilaisen kirjallisen laitoksen sakarimaista romantisointia sen näkemyksessä talonpoikien elämästä. Richard Murphy The New York Times Book Review -lehdessä kuvaili sitä "suureksi teokseksi" ja Robin Skelton Poetryssa ylisti sitä "näkemykseksi myyttisestä intensiivisyydestä".
ellauri276.html on line 492: Vuosina 1959–1962 Kavanagh vietti enemmän aikaa Lontoossa, missä hän osallistui Swiftin X- lehteen. Tänä aikana Kavanagh asui silloin tällöin viinahöyryisenä ja muutenkin pahanhajuisena Swiftsien luona Westbourne Terracessa. Hän piti luentoja University Collegessa Dublinissa ja Yhdysvalloissa, edusti Irlantia kirjallisissa symposiumeissa ja hänestä tuli Guinness Poetry Awards -palkinnon tuomari.
ellauri277.html on line 151: Saman vuoden joulukuussa Gibranin visuaalisia taideteoksia esiteltiin Montross Galleryssä, mikä herätti amerikkalaisen taidemaalari Albert Pinkham Ryderin huomion. Gibran kirjoitti hänelle proosarunon tammikuussa, ja hänestä tulee yksi ikääntyneen miehen viimeisistä vierailijoista. Ryderin kuoleman jälkeen vuonna 1917 Henry McBride lainasi Gibranin runon ensimmäisenä.jälkimmäisen kuolemanjälkeisenä kunnianosoituksena Ryderille, sitten sanomalehdissä eri puolilla maata, josta tuli Gibranin nimen ensimmäinen laaja maininta Amerikassa. Maaliskuuhun 1915 mennessä kaksi Gibranin runoa oli myös luettu Poetry Society of Americassa, minkä jälkeen Corinne Roosevelt Robinson, Theodore Rooseveltin nuorempi sisar, nousi ylös ja kutsui niitä "tuhoisiksi ja pirullisiksi jutuiksi".
ellauri277.html on line 250: The Prophet received tepid reviews in Poetry and The Bookman, an enthusiastic review in the Chicago Evening Post, and little else. On the other hand, the public reception was intense. It began with a trickle of grateful letters; the first edition sold out in two months; 13,000 copies a year were sold during the Great Depression, 60,000 in 1944, and 1,000,000 by 1957. Many millions of copies were sold in the following decades, making Gibran the best-selling American poet of the twentieth century. It is clear that the book deeply moved many people. When critics finally noticed it, they were baffled by the public response; they dismissed the work as sentimental, overwritten, artificial, and affected.
ellauri282.html on line 438: Vuoteen 1947 mennessä Merton oli mukavampi roolissaan kirjailijana. Maaliskuun 19. päivänä hän antoi juhlallisen lupauksensa ja sitoutui elämään elämänsä luostarissa. Hän aloitti myös kirjeenvaihdon erään karthusialaisen kanssa St. Hugh's Charterhousessa Englannissa. Merton oli arvostanut kivempää karthusialaista ritarikuntaa Getsemaniin saapumisestaan vuonna 1941, ja hän harkitsi myöhemmin kystersiläisistä luopumista tuon ritarikunnan vuoksi. Siitä huolimatta Katolinen Commonweal- lehti julkaisi 4. heinäkuuta Mertonin esseen nimeltä Poetry and the Contemplative Life.
ellauri311.html on line 573: Thomas Percy's 1765 book Reliques of Ancient English Poetry), and mishearing the
ellauri313.html on line 32: Onko nyt tänään? Tänään taitaa Helsingissä olla viimeinen päivä Runokuuta / Poetry moon. Runojen tiivistämö on Sörkässa teurastamon vieressä.
ellauri350.html on line 321: - Atticus Poetry, Love Her Wild
ellauri350.html on line 327: – Atticus Poetry, Love Her Wild
ellauri350.html on line 337: - Atticus Poetry, Love Her Wild
ellauri350.html on line 348: - Atticus Poetry, Love Her Wild
ellauri350.html on line 354: – Atticus Poetry, Love Her Wild
ellauri350.html on line 361: - Atticus Poetry, Love Her Wild
ellauri350.html on line 396: - Atticus Poetry, Love Her Wild
ellauri369.html on line 339: Vuonna 1827 Carlyle yritti saada moraalifilosofian katedraalin St. Andrewsissa menestymättä huolimatta useiden merkittävien intellektuellien, kuten Goethen, tuesta. Hän teki myös epäonnistuneen yrityksen professuuriksi Lontoon yliopistossa. Toukokuussa 1828 Carlylet muuttivat Craigenbuttockiin, Janen vaatimattoman maataloustilan piharakennukseen Dumfriesshiressä, jossa he asuivat toukokuuhun 1834 asti. Hän kirjoitti siellä useita esseitä, jotka ansaitsivat hänelle rahaa ja lisäsivät hänen mainettaan, mukaan lukien "Elämäni" ja "Wernerin kirjoitukset ", "Goethen Helena", "Goethe", " Palovammat ", " Heynen elämä " (jokainen 1828), "Saksalaiset näytelmäkirjailijat", " Voltaire ", "Novalis " (kukin 1829), "Jean Paul Friedrich Richter Again" (1830), "Cruthers ja Jonson eli Elämän reunat: tositarina", " Lutherin psalmi " ja "Schiller" (kukin 1831). Hän aloitti, mutta ei suorittanut loppuun saksalaisen kirjallisuuden historiaa, josta hän ammentaa materiaalia esseitä " Nibelungit valehtelee ", "Varhainen saksalainen kirjallisuus" ja osia "Historial Survey of German Poetry" -kirjoituksesta (kukin 1831). Ihme tunari.
ellauri386.html on line 262: Vuonna 1595 Raleigh ja Laurence Kemys lähtivät etsimään El Doradoa ja saavuttivat Guyanaan asti, mikä tarjosi heille kohtuullisen määrän kultaa kotiin vietäväksi. Seuraavan vuoden aikana hän julkaisi Discovery of Guayanan. Vuoteen 1600 mennessä hän oli Jerseyn kuvernööri, mutta vain kolme vuotta myöhemmin Raleigh todettiin syylliseksi Espanjan kanssa Englannin vastaiseen juoniin, joka liittyi kuninkaan salamurhaan. Hänet pidettiin Lontoon Towerissa, jossa hän aloitti keskeneräisen The History of the World -teoksensa vuonna 1614. Hänet vapautettiin kaksi vuotta myöhemmin. Muutaman epäonnistuneen espanjalaisen tehtävän jälkeen Raleigh palasi kotiin Englantiin, missä hänet teloitettiin aiemman syytteen perusteella maanpetoksesta. Historiallisen panoksensa lisäksi hänen tunnetuimpia kirjallisia teoksiaan ovat Sir Philip Sidneyn epitafi, Even sellainen aika ja Sir Walter Raleigh pojalle. A. Latham tuotti runonsa vakiopainoksen vuonna 1951. Info toimittaa tiedot, kiitos.com ja Poetry for the People. Lue vähemmän, luulet enemmän.
ellauri392.html on line 106: Mrs. Barbauld laittoi Vanhan merimiehen joikua siitä että juoni oli epätodennäköinen eikä siinä ollut opetusta. Robert Penn Warren väitti että kyllä siinä on. Toinen uuskriitikko oli Cleanth Roberts. Lisäxi TS Eliot, Allen Tate, John Crowe Ransom ja Kristina-täti. Broox ja Ransomilta on Understanding Poetry.
xxx/ellauri128.html on line 619: Adrian Henri (10 April 1932 – 20 December 2000) was a British poet and painter best remembered as the founder of poetry-rock group the Liverpool Scene and as one of three poets in the best-selling anthology The Mersey Sound, along with Brian Patten and Roger McGough. The trio of Liverpool poets came to prominence in that city´s Merseybeat zeitgeist of the 1960s and 1970s. He was described by Edward Lucie-Smith in British Poetry since 1945 as the "theoretician" of the three. His characterisation of popular culture in verse helped to widen the audience for poetry among 1960s British youth. He was influenced by the French Symbolist school of poetry and surrealist art. Aika nolla.
xxx/ellauri137.html on line 583: Playwriting Shakespeare Tourism Literary Poetry Literature Creative Writing Teaching History Courses Fiction Books Art Theatre American Literature English Literature Academic Writing Teaching English as a Second Language Higher Education Short Stories Freelance Writing Teaching Writing Music College Teaching Literary Criticism Grammar Novels Composition.
xxx/ellauri137.html on line 584: Playwriting, Poetry, Short Stories, Novels, Acting/Reading performance, Travel
xxx/ellauri148.html on line 371: 21 March World Poetry Day xxx/ellauri167.html on line 90: Gustav Davidson (Warsaw, Poland, 1895 – New York City, 6 February 1971) was an American poet, writer, and publisher. He was one time secretary of the Poetry Society of America. Gustav Davidson was born on December 25, 1895, in Warsaw, Poland. In the wake of anti-Jewish pogroms in Poland, his family fled to the United States, settling in New York City in 1907. Davidson received bachelor's and master's degrees at Columbia University in 1919 and 1920 respectively. He worked for the Library of Congress between 1938 and 1939 and became executive secretary of the Poetry Society of America from 1949 to 1965 (after which he was elected executive secretary emeritus).
xxx/ellauri178.html on line 87: Pierujutut se möi American Poetry Reviewiin ja pyllyjutut Penthouseen. Jokaiselle jotakin.
xxx/ellauri199.html on line 32:
Hello Poetry
Poetiikkaa
xxx/ellauri199.html on line 173: Acrostic • Africa • Alone • America • Angel • Anger • Animal • Anniversary • April • August • Autumn • Baby • Ballad • Beach • Beautiful • Beauty • Believe • Bipolar • Birth • Brother • Butterfly • Candy • Car • Cat • Change • Chicago • Child • Childhood • Christian • Children • Chocolate • Christmas • Cinderella • City • Concrete • Couplet • Courage • Crazy • Culture • Dance • Dark • Dark humor • Daughter • Death • Depression • Despair • Destiny • Discrimination • Dog • Dream • Education • Elegy • Epic • Evil • Fairy • Faith • Family • Farewell • Fate • Father • Fear • Fire • Fish • Fishing • Flower • Fog • Food • Football • Freedom • Friend • Frog • Fun • Funeral • Funny • Future • Girl • LGBTQ • God • Golf • Graduate • Graduation • Greed • Green • Grief • Guitar • Haiku • Hair • Happiness • Happy • Hate • Heart • Heaven • Hero • History • Holocaust • Home • Homework • Honesty • Hope • Horse • House • Howl • Humor • Hunting • Husband • Identity • Innocence • Inspiration • Irony • Isolation • January • Journey • Joy • July • June • Justice • Kiss • Laughter • Life • Light • Limerick • London • Lonely • Loss • Lost • Love • Lust • Lyric • Magic • Marriage • Memory • Mentor • Metaphor • Mirror • Mom • Money • Moon • Mother • Murder • Music • Narrative • Nature • Night • Ocean • October • Ode • Pain • Paris • Passion • Peace • People • Pink • Poem • Poetry • Poverty • Power • Prejudice • Pride • Purple • Lgbtq • Racism • Rain • Rainbow • Rape • Raven • Red • Remember • Respect • Retirement • River • Romance • Romantic • Rose • Running • Sad • School • Sea • September • Shopping • Sick • Silence • Silver • Simile • Sister • Sky • Sleep • Smart • Smile • Snake • Snow • Soccer • Soldier • Solitude • Sometimes • Son • Song • Sonnet • Sorrow • Sorry • Spring • Star • Strength • Success • Suicide • Summer • Sun • Sunset • Sunshine • Swimming • Sympathy • Teacher • Television • Thanks • Tiger • Time • Today • Together • Travel • Tree • Trust • Truth • Valentine • War • Warning • Water • Weather • Wedding • Wind • Winter • Woman • Women • Work • World
xxx/ellauri199.html on line 289: First of all I would like to clarify what poetry is and isn´t. Writing poetry is best described as a composition that uses literary techniques and is not prose. Writing Prose is best described as writing that uses ordinary speech or language, such as a story or letter. However, there is such a thing as prose poetry that does use poetic devices, but it is still written in journal, letter or paragraph or story form. Poetry is written with a certain poetic structure of line breaks and stanzas. We will get more into the structure of poetry later in the course. Now that we have that cleared up, let´s forge ahead.
xxx/ellauri199.html on line 877: Vittu täähän on tuskin edes Hello Poetryn tasoa. Neptunus ei taida oikein inspiroida runoseppoja.
xxx/ellauri200.html on line 118: Poverty and Poetry, three
xxx/ellauri225.html on line 411: Crane´s critical effort, like those of Keats and Rilke, is mostly to be found in his letters: he corresponded regularly with Allen Tate, Yvor Winters, and Gorham Munson, and shared critical dialogues with Eugene O´Neill, William Carlos Williams, E. E. Cummings, Sherwood Anderson, Kenneth Burke, Waldo Frank, Harriet Monroe, Marianne Moore, and Gertrude Stein. He was also an acquaintance of H. P. Lovecraft, who eventually would voice concern over Crane´s premature aging due to alcohol abuse. Most serious work on Crane begins with his letters, selections of which are available in many editions of his poetry; his letters to Munson, Tate, Winters, and his patron, Otto Hermann Kahn, are particularly insightful. His two most famous stylistic defenses emerged from correspondences: his "General Aims and Theories" (1925) was written to urge Eugene O´Neill´s critical foreword to White Buildings, then passed around among friends, yet unpublished during Crane´s life; and the famous "Letter to Harriet Monroe" (1926) was part of an exchange for the publication of "At Melville´s Tomb" in Poetry. The literary critic Adam Kirsch has argued that "Crane has been a special case in the canon of American modernism, because his reputation was never quite as secure as that of Eliot or Stevens. In fact he FAILED."
xxx/ellauri225.html on line 426: Brian Reed has contributed to a project of critical reintegration of queer criticism with other critical methods, suggesting that an overemphasis on the sexual biography of Crane´s poetry can skew a broader appreciation of his overall work. In one example of Reed´s approach, he published a close reading of Crane´s lyric poem, "Voyages", (a love poem that Crane wrote for his lover Emil Opffer) on the Poetry Foundation website, analyzing the poem based strictly on the content of the text itself and not on outside political or cultural matters. We can faintly hear Harold Bloom clap his hands in the body bag.
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xxx/ellauri354.html on line 441: Louis Zukofsky includes the poem in A Test of Poetry (1948).
xxx/ellauri400.html on line 219: In The Study of Poetry, (1888) which opens his Essays in Criticism: Second series, in support of his plea for nobility in poetry, Arnold recalls Sainte-Beuve's reply to Napoleon, when latter said that charlatanism is found in everything. Sainte-Beuve replied that charlatanism might be found everywhere else, but not in the field of poetry, because in poetry the distinction between sound and unsound, or only half-sound, truth and untruth, or only half-truth, between the excellent and the inferior, is nonexistent.
xxx/ellauri400.html on line 221: In The Study of Poetry he no longer uses the acid test of action and architectonics. He became an advocate of 'touchstones'. 'Short passages even single lines,' he said, 'will serve our turn quite sufficiently'. Some of Arnold's touchstone passages are: Helen's words about her wounded brother, Zeus addressing the horses of Peleus, suppliant Achilles' words to Priam, and from Dante; Ugolino's brave words, and Beatrice's loving words to Virgil.
xxx/ellauri410.html on line 186: Tom of New England oli naisten kasvattama mammanpoika kuten Coriolanus Shakespearessa, sen tautta naiset näytti siltä hampaattomilta jättikidoilta. Ihmisenä Tom oli laimea kuin kraanavesi. Perheen vaakuna oli norsun pää kärsineen, as researched by Walter Graeme Eliot in 1887 (W. Eliot 8). Eliot explains himself in his 1923 essay, “The Beating of Meat”: Primitive man beat the meat and then found a reason for it. Modern man has many reasons, but he has lost the meat. Later in The Use of Poetry and the Use of Criticism he states, “Poetry, I dare say, begins with a savage beating meat in the jungle” (95).
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