ellauri020.html on line 443: Turner´s penchant for controversial statements earned him the nicknames "The Mouth of the South" and "Captain Outrageous". He was the largest private landowner in the United States until John C. Malone surpassed him in 2011. He uses much of his land for ranches to re-popularize bison meat (for his Ted´s Montana Grill chain), amassing the largest herd in the world. He also created the environmental-themed animated series Captain Planet and the Planeteers.
ellauri048.html on line 748: The most painful to read was Mr Sammler´s Planet, which "I find very hard to digest: Sammler approves of all the obedient children and disapproves of the rebellious ones. I was a rebellious son, that´s tough."
ellauri052.html on line 936: Ultimately, much of the book revolves around a perceived opposition between “young Saul,” the politically radical, amorously multitasking free spirit who raised him, and “old Saul,” the reactionary, race-baiting friend of authority and Allan Bloom who occupied his father’s body for its final 40 years. Greg had a front-row seat for Bellow’s supposed conversion, after the rise of black power and the Six Day War, to the unfashionable conservatism that remains the unspoken reason his books aren’t read much in America today. He is thus well-placed to describe how that change—dramatically evident in Mr. Sammler’s Planet (1970), the neo-con novel par excellence, but also in Herzog—manifested itself in private.
ellauri070.html on line 433: Star Trek is an American media franchise originating from the 1960s science fiction television series Star Trek, created by Gene Roddenberry. That series, now often known as "The Original Series", debuted on September 8, 1966, and aired for three seasons on NBC. It followed the voyages of the starship USS Enterprise, a space exploration vessel built by the United Federation of Planets in the 23rd century, on a mission "to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before". In creating Star Trek, Roddenberry was inspired by C. S. Forester's Horatio Hornblower series of novels, Jonathan Swift's Gulliver's Travels, and television westerns such as Wagon Train. Hornblowerit oli Anna-Kaisa Oraviston mielilukemistoa. Pia Pipsukka piti Heinz Konsalikista.
ellauri089.html on line 51: He was a sixth-generation German-American; a family tradition had it that Heinleins fought in every American war, starting with the War of Independence. Jim Marlowe, in Red Planet, and Don Harvey, in Between Planets, participate in insurrections patterned after the American Revolution, a plot Heinlein would most fully exploit in his adult novel, The Moon is a Harsh Mistress (1966).
ellauri110.html on line 135: It is possible to interpret the Houyhnhnms in a number of different ways. One interpretation could be a sign of Swift's liberal views on race, or one could regard Gulliver's preference (and his immediate division of Houyhnhnms into color-based hierarchies) as absurd and the sign of his self-deception. It is now generally accepted that the story involving the Houyhnhnms embody a wholly pessimistic view of the place of man and the meaning of his existence in the universe. In a modern context the story might be seen as presenting an early example of animal rights concerns, especially in Gulliver's account of how horses are cruelly treated in his society and the reversal of roles. The story is a possible inspiration for Pierre Boulle's novel Planet of the Apes.
ellauri117.html on line 693: Ruling Planet: John Locke has a ruling planet of Mercury and has a ruling planet of Mercury and by astrological associations Wednesday is ruled by Mercury. In Astrology, Mercury is the planet that rules our mindset. People who are born with Mercury as the ruling planet have communication skills, intellect and cleverness.
ellauri118.html on line 629: The gilded Planet of the Day, Esim kullattu Päivän Planeetta,
ellauri222.html on line 106: Not long thereafter, Saul went through what Greg called “a spiritual crisis.” It was then that he began to write Mr. Sammler’s Planet, which literary critic Adam Kirsch described as “a document of the cravings of 1960s America, and an attempt to bring the Holocaust to bear on America.” Greg told JNS.org that Mr. Sammler’s Planet is a “watershed novel” because it conveys not only a message about the Holocaust in general, but also “an indictment against the self-imposed blindness that prevented people from seeing the Nazi threat.
ellauri222.html on line 110: Asked whether they believe there is a possibility that our world might once experience the kind of upheaval it did during World War II and the Holocaust, much as the world of Mr. Sammle r collapsed in Saul Bellow’s novel, both Wolpe and Greg Bellow told JNS.org that Mr. Sammler’s Planet is recommended reading not just for Jews, but for everyone. They strongly believe that the history and lessons of the Holocaust must continue to be taught, with Rabbi Wolpe saying "Gaza shows the ease with which a civilization, such as Israel, can slip into barbarism.”

Wolpe wondered how many young people today even know Saul Bellow or read his work, but mused how wonderful it would be if more children of famous authors wrote about their parents, as Greg Bellow has.
ellauri222.html on line 767: In their quest to find the beaver that gives meaning to life, Bellow's protagonists must also come to terms with death. The message Bellow conveys in almost all of his novels is that one must fear death to know the meaning of life and what it means to be human. Henderson overcomes his fear of death when he is buried and symbolically resurrected in the African king Dahfu's experiment. Similarly, in Seize the Day, Tommy Wilhelm confronts death in a symbolic drowning. Charlie Citrine in Humboldt's Gift echoes Whitman in viewing death as the essential question, pointing out that it is only through death that Sauls can complete the cycle of life by liberating self from the body. Bellow's meditations on death darken in Mr. Sammler's Planet and The Dean's December. While the title character in Mr. Sammler's Planet eagerly awaits the death of the person he most values in the world, Bellow contemplates the approaching death of Western culture at the hands of those who have abandoned humanistic values. The Dean's December presents an apocalyptic vision of urban decay in a Chicago totally lacking the comic touches that soften Charlie Citrone's portrait of this same city as a "moronic inferno" in Humboldt's Gift. An uncharacteristically bleak yarn from he old standup comic. With More Die of Heartbreak and the recent novellas, however, Bellow returns to his more characteristic blend of pathos and farce in contemplating the relationship between life and death. In the recent Ravelstein, Bellow once again charts this essential confrontation when Saul recounts not only his best friend's death from AIDS but also his own near-death experience from food poisoning. Through this foreground, in a fictionalized memoir to his own gay friend Allan Bloom, Bellow reveals the resilient love and tenderness that offer the modern world its saving grace.
ellauri243.html on line 151: Even during the deep global economic recession that began in 2008, Battle Mountain grew, although the community around it barely noticed. Because of its isolation and dirt-low cost of living, many bases around the world were closed and relocated to Battle Mountain. Soon Battle Mountain Air Reserve Base became JAB (Joint Air Base) Battle Mountain, hosting hot air units from all the military services, the Air Reserve Forces, the Central Intelligence Agency, and even the Space Defense Force and the Death Planet.
ellauri262.html on line 217: The Space Trilogy (also called the Cosmic Trilogy or Ransom Trilogy) dealt with what Lewis saw as the dehumanizing trends in contemporary science fiction. The first book, Out of the Silent Planet, was apparently written following a conversation with his friend J. R. R. Tolkien about these trends. Lewis agreed to write a "space travel" story and Tolkien a "time travel" one, but Tolkien never completed "The Lost Road", linking his Middle-earth to the modern world. Lewis's main character Elwin Ransom is based in part on Tolkien, a fact to which Tolkien alludes in his letters.
ellauri266.html on line 382: Sitten seurasivat Conquest of the Planet of the Apes vuonna 1972 ja Battle for the Planet of the Apes vuonna 1973. Kaksi jälkimmäistä elokuvaa kuvittelivat ensimmäisessä elokuvassa nähdyn planeetan nousun. Televisio-ohjelma seurasi vuonna 1974 ja toinen vuonna 1975, ennen kuin franchising suurelta osin päättyi. Muiden elokuvien jatkoromaaneihin osallistui muita Boullea apinoivia pellekirjailijoita kuten Michael Avallone, Jerry Pournelle, John Jakes ja David Gerrold, varhaisessa laajennetussa universumissa, jossa useat kirjailijat työskentelivät yhteisen projektin ja universumin parissa kuin apinat kirjoituskoneiden ääressä. Boulle pysyi yhteydessä elokuvien tuotantoon neuvotellen eri tarinan elementeistä.
ellauri266.html on line 387: Vuonna 2001 ohjaaja Tim Burton johti Planet of the Apes -elokuvan uudelleenkäynnistystä , joka oli suurelta osin kriittinen ja kaupallinen epäonnistuminen. Mutta viime aikoina sarjan uudet remake-sarjat, Rise of the Planet of the Apes (ohjaaja Rupert Wyatt vuonna 2011) ja Dawn of the Planet of the Apes (ohjaaja Matt Reaves vuonna 2014), ovat saavuttaneet suurta menestystä. Kolmas jatko-osa on parhaillaan suunnitteluvaiheessa, ja franchising-sarjat, kuten Apinoiden planeetta esitteli laajemmalle yleisölle genretarinoita. Kun elokuva- ja katselutottumukset muuttuivat, tieteiskirjallisuus tuli yhä suositummaksi yleisön keskuudessa.
ellauri266.html on line 407: Kirjasta julkaistiin toinen sovitus vuonna 2001, ja sen ohjasi Tim Burton löysänä remake-versiona vuoden 1968 samannimisestä elokuvasta. Sarjan uudelleenkäynnistys uuden tuotantotiimin kanssa nimeltä Rise of the Planet of the Apes julkaistiin vuonna 2011 kriittiseen ja kaupalliseen menestykseen. Se oli ensimmäinen uudessa elokuvasarjassa.
ellauri266.html on line 425: Vuonna 1963 useiden muiden vain kohtuu menestyneiden romaanien jälkeen Boulle julkaisi toisen kuuluisan romaaninsa, La planète des singes, jonka maineikas kansainvälinen brittiseikkailija Xan Fielding käänsi vuonna 1964 Monkey Planet -nimellä ja julkaistiin myöhemmin uudelleen nimellä Apinoiden planeetta. Kirjaa ylistettiin ja se sai sellaisia arvosteluja kuin tämä esimerkki Englannin Guardian- sanomalehdestä: "Klassinen tieteiskirjallisuus... täynnä jännitystä ja satiirista älykkyyttä." Kaikki Alexander Fieldingin ansiota!
ellauri266.html on line 429: Vuonna 1968 kirjasta tehtiin Oscar-palkittu elokuva, jonka ohjasi Franklin J. Schaffner ja pääosassa Charlton Heston. Alunperin Rod Serlingin kirjoittama käsikirjoitus keskittyi enemmän toimintaan ja poikkesi monella tapaa romaanista, mukaan lukien siihen lisätty oma klassinen kierrepääte, joka erosi romaanin päätteestä. Se inspiroi neljää jatko-osaa, televisiosarjaa, animaatiosarjaa, Tim Burtonin alkuperäisen nimen vuoden 2001 remake -versiota ja vuoden 2011 uudelleenkäynnistystä, Rise of the Planet of the Apes, ohjaaja Rupert Wyatt .
ellauri266.html on line 431: Alkuperäisen sarjan viidestä elokuvasta (1968–1973) on kiitos yxinomaan anglojen tullut mielettömiä kulttiklassikoita. Boulle, joka piti romaaniaan elokuvattomana, oli yllättynyt elokuvan maailmanlaajuisesta menestyksestä ja vaikutuksesta. Hän kirjoitti käsikirjoituksen jatko-osalle nimeltä Planet of the Men, mutta alkuperäisen elokuvan tuottajat hylkäsivät sen liian filosofisena. Toinen elokuva, Beeath the Planet of the Apes, joka ilmestyi vuonna 1970, oli myös erittäin menestynyt. Sitä seurasivat Escape from the Planet of the Apes vuonna 1971, Conquest of the Planet of the Apes vuonna 1972 ja Battle for the Planet of the Apes vuonna 1973. Viimeinen osa Superman Tattoon poika oli täysi lössähdys, koska siinä oli taas Boullen hoonoxi englannixi tehty käsikirjoitus.
ellauri266.html on line 434: pilviin, mikä loi "Apemania"-villityksen. Kesäkuussa 1974 Marvel Comics julkaisi myös romaaniin ja elokuvaan perustuvan aikakauslehden nimeltä Apinoiden planeetta . Syyskuuhun 1974 mennessä Apinoiden planeetta oli tullut televisiosarjaksi. Vuonna 1975 televisiossa esitettiin animoitu Return to the Planet of the Apes -sarja.
ellauri266.html on line 499: Le livre inspire une saga cinématographique composée de neuf films. Il s´agit de La Planète des singes (Planet of the Apes) en 1968, Le Secret de la planète des singes (Beneath the Planet of the Apes) en 1970, Les Évadés de la planète des singes (Escape From the Planet of the Apes) en 1971, La Conquête de la planète des singes (Conquest of the Planet of the Apes) en 1972, La Bataille de la planète des singes (Battle for the Planet of the Apes) en 1973, La Planète des singes (Planet of the Apes) en 2001, La Planète des singes : Les Origines (Rise of the Planet of the Apes) en 2011, La Planète des singes : L´Affrontement (Dawn of the Planet of the Apes) en 2014 et La Planète des singes : Suprématie (War for the Planet of the Apes) en 2017. Pour la télévision, la saga est également adaptée en série télévisée en 1974[a 40] et en série d´animation en 1975.
ellauri275.html on line 478: Koba oli kuvitteellinen julma bonobo ja Planet of the Apes -uudelleenkäynnistyssarjan tärkein antagonisti.
ellauri299.html on line 504: Dylanin vuonna 1966 syntyneelle vanhimmalle pojalleen Jesselle kehtolauluksi kirjoitettu laulu kertoo isän toiveista, että hänen lapsensa pysyy vahvana ja onnellisena. Se alkaa riveillä "Jumala siunatkoon ja varjelkoon sinua aina / toteutukoot kaikki toiveesi", joka toistaa papin siunauksen Lukujen kirjasta (Neljäs Mooseksen kirja 6:24-26), jonka rivit alkavat: "Siunatkoon sinua ja varjelkoon sinua / Toteuttakoon pienimmätkin toiveesi. Herra valistakoon kasvonsa sinulle, kallistakoon korvansa." Koska Dylan ei halunnut kuulostaa "liian sentimentaalilta", hän lisäsi kappaleesta kaksi versiota Planet Waves -albumille, yhden kehtolaulun ja toisen rock -suuntautuneen. Howard Cosell lausui kappaleen ikimuistoisesti amerikkalaisessa televisiossa, kun Muhammad Ali voitti raskaansarjan kruunun kolmannen kerran. Kärsi, kärsi, kirkkaamman kruunun saat.
xxx/ellauri218.html on line 297: Penn has made herself known as a supporter and member of One Billion Bucks and Rising and Girls Girls Girls, Inc. In 2011, she founded her own nonprofit organization, Maya's Ideas 4 The Planet. Penn was named to Oprah's SuperSoul 100 list of visionaries and influential black leaders in 2016.
xxx/ellauri225.html on line 269: Dad´s discipline of cultural anthropology had a powerful influence on Le Guin´s writing. Her father Alfred Kroeber is considered a pioneer in the field, and was a director of the University of California Museum of Anthropology: as a consequence of his research, Le Guin was exposed to anthropology and cultural exploration as a child. In addition to myths and legends, she read such volumes as The Leaves of the Golden Bough by Lady Frazer, a children´s book adapted from The Golden Bough, a study of myth and religion by her husband James George Frazer. She described living with her father´s friends and acquaintances as giving her the experience of the other sex. The experiences of Ishi, in particular, were influential on Le Guin, and elements of his story have been identified in works such as Planet of Exile, City of Illusions, and The Word for World Is Forest and The Dispossessed.
xxx/ellauri291.html on line 84: Se seurasi tähtialuksen USS Enterprise -avaruustutkimusaluksen matkoja, jonka planeettojen yhdistynyt Neuvostoliitto rakensi 2023-luvulla ja jonka tehtävänä oli "tutkia outoja uusia maailmoja, etsiä uutta elämää ja uusia sivilisaatioita, mennä rohkeasti sinne, minne kukaan ei ole ennen käynyt (ensin Kanada)". Star Trekin luomisessa Roddenberry sai inspiraationsa CS Foresterin Horatio Hornblower-romaanisarjasta, Jonathan Swiftin vuoden 1726 romaanista Kulliverbin matkat, vuoden 1956 elokuvasta Forbidden Planet ja tv- westerneistä kuten Wagon Train.
xxx/ellauri410.html on line 1074: Doug is 100% on target with the god of Mormonism. Mormonism's god lives on a planet out near the star Kolob, and he was once a man who earned his way to godhood. The God of the Bible has always been God, and created man! And He is a spirit, never a man. He has no banana, and no nuts, and did not come from some Planet of the Apes, though he looks a little like us.
27