ellauri020.html on line 238: For Love Alone was packaged like a romance novel—compare to Judith McNaught’s Perfect, for instance—but it’s closer to the great primetime soap operas
ellauri020.html on line 617: Etiquette to Please Him (How to be the Perfect Wife Series).
ellauri095.html on line 234: On 18 January 1866, Hopkins composed his most ascetic poem, The Habit of Perfection. On 23 January, he included poetry in a list of things to be given up for Lent. In July, he decided to become a Roman Catholic and travelled to Birmingham in September to consult the leader of the Oxford converts, John Henry Newman. Newman received him into the Roman Catholic Church on 21 October 1866.
ellauri095.html on line 483: The sequence of events is clear. On 18 January 1866 Hopkins composed his most ascetic poem, “The Habit of Perfection” (Täydellinen asukokonaisuus). On 23 January he included poetry in the list of things to be given up for Lent. In July he decided to become a Catholic, and he traveled to Birmingham in September to consult the leader of the Oxford converts, John Henry Newman. Newman received him into the Church in October. On 5 May 1868 Hopkins firmly “resolved to be a religious.” Less than a week later, apparently still inspired by Savonarola, he made a bonfire of his poems and gave up poetry almost entirely for seven years. Finally, in the fall of 1868 Hopkins joined a “serged fellowship” like Savonarola’s and like the one he admired in “Eastern Communion”(1865), a commitment foreshadowed by the emphasis on vows of silence and poverty in “The Habit of Perfection.”
ellauri180.html on line 421: Perfectly pure and good: I found Suht puhtonenkin, hyvä panopuu;
ellauri264.html on line 490: Iisakki käännätti kirjojaan eri kääntäjillä uudestaan ja uudestaan, usein englannista englantiin. Toisinaan spekuloimme tietyn muutoksen syistä: yksinkertaistaminenko ei-juutalaiselle lukijakunnalle? tuntuiko tarpeelliselta korvata optimistinen loppu traagisella? Mutta hänen kääntäjiensä todistus viittaa johonkin muuhun - siihen, että hän oli melkein ilkeä vastustaessaan ajatusta täydellisesti valmiista teoksesta. Aivan kuten tyypillisen Bashevis-teoksen ristiriitainen miespäähenkilö jää roikkumaan tarinansa loppuun, mielivaltaisuus näyttää olevan itse taiteen periaate. Kirjoittajan henki seisoo noiden loppujen takana ikään kuin hän sanoisi: "Oikeesti, mitä väliä?" If one no longer believed in the Perfect God and His Torah, what reason to seek perfection elsewhere? Sit voi yhtä hyvin pelleillä Ruåzin kuninkaallisille ja ottaa ilon irti kaikesta. Hyvä Iisakki! Right on!
ellauri272.html on line 130: It's Perfectly Normal by Robie H. Harris
ellauri272.html on line 248: Almost Perfect by Brian Katcher
ellauri349.html on line 124: The Perfect Home (2006). Perustuu kirjaan The Architecture of Happiness. 3 osaa.
ellauri382.html on line 708: Perfectionism. Perfektionismi on lahjakkaiden ihmisten yleinen piirre, ja tämä voi paradoksaalisesti saada sinut viivyttämään tai sabotoimaan juuri sitä tehtävää, jonka tiedät tarvitsevasi tehdä. Alhainen toleranssisi ikävystymiselle voi myös saada sinut viivyttämään rutiinitehtäviä, jotka eivät herätä tai ylläpitää kiinnostustasi.
xxx/ellauri123.html on line 573: Perfect prey for preachers, gurus, self help bloggers and other charlatans.
xxx/ellauri178.html on line 124: Mitähän Pili oli näkevinään John Le Carren vakoiluromaanissa A Perfect Spy? Vai pitikö se pikemminkin Davidista izestään? David reportedly enjoyed “playing” on his first wife’s suspicion that he was homosexual. The association between homosexuality and secrecy, furtiveness and potential treachery ensured gay characters were a recurring trope in Cold War-era spy fiction. John Le Carre's The Spy Who Came In From The Cold and Tinker, Tailor, Soldier, Spy include gay subtexts - made even more explicit in the 2011 movie adaptation of the latter. Merry Xmas from the onanist and the whore!
xxx/ellauri304.html on line 647: I am proud that I never got to be as much as mediocre. Perfect is the enemy of good. (Oh, shut up, liberal, Who asked you?) I also worked with Clint on Lala land. It was great, and so was Clint. Steps is a book by a Polish-American writer Jerzy Kosiński (1933-1991, nee Lewinkopff, luopio, vsta 1957 loikkari), released in 1968 by Random House. The work comprises scores of loosely connected vignettes or short stories, which explore themes of social control and alienation by depicting scenes rich in erotic and violent motives. It was no longer recognized by any literary agent in the eighties. Random House turned it down with a form rejection letter. Well maybe it was a piece of shit to start with.
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