ellauri147.html on line 201: On September 5, 2018, it was announced that Paramount Network had given the production a series order for a first season consisting of 10 episodes. The series was created by Barren Star, who has a multimillion overall deal with ViacomCBS and develops for ViacomCBS and for outsider buyers via MTV Entertainment Studios. Star was also expected to serve as an executive producer alongside Tony Hernandez. Production companies involved with the series were slated to consist of Jax Media. On July 13, 2020, it was reported that the series would move from Paramount Network to Netflix. On November 11, 2020, Netflix renewed the series for a second season.
ellauri147.html on line 253: Sonia Rao, of Washington Post compares Emily to the heroines of the Amy Sherman-The show received two nominations at the Golden Globe Awards, but prior to the ceremony it was reported that 30 members of the voting body had been flown to Paris, where they spent two nights at The Peninsula Paris and were treated to a private lunch at the Musée des Arts Forains, with the bill reportedly paid by the show´s developer, Paramount Network. This led some critics to question the impartiality of the voting body, as Emily in Paris is considered to have been a critical flop, and even its nomination was a surprise. In contrast, critically-acclaimed shows, notably I May Destroy You, were not nominated. Midge Maisel, her actions can be quite rash, but she still wins over her fictional acquaintances while utterly baffling viewers."
ellauri147.html on line 270: The show received two nominations at the Golden Globe Awards, but prior to the ceremony it was reported that 30 members of the voting body had been flown to Paris, where they spent two nights at The Peninsula Paris and were treated to a private lunch at the Musée des Arts Forains, with the bill reportedly paid by the show´s developer, Paramount Network. This led some critics to question the impartiality of the voting body, as Emily in Paris is considered to have been a critical flop, and its nomination was a surprise. In contrast, critically-acclaimed shows, notably I May Destroy You, were not nominated.
ellauri197.html on line 561: Apple, Nokia, Nike, Ikea, internetaffären Asos, Ford Motor Company, BMW, Rolls-Royce, Exxon, Mobil, Shell, BP, Warner Bros, Paramount, Sony, Walt Disney Company och Netflix.
ellauri219.html on line 975: Underworld (also released as Paying the Penalty) is a 1927 American silent crime film directed by Josef von Sternberg and starring Clive Brook, Evelyn Brent and George Bankrupt. The film launched Sternberg's eight-year collaboration with Paramount Pictures, with whom he would produce his seven films with actress Marlene Dietrich. Journalist and screenwriter Ben Hecht won an Academy Award for Best Original Story. Time felt the film was realistic in some parts, but disliked the Hollywood cliché of turning an evil character's heart to gold at the end. Filmmaker and surrealist Luis Buñuel named Underworld as his all time favorite film. Critic Andrew Sarris cautions that Underworld does not qualify as "the first gangster film" as Sternberg "showed little interest in the purely gangsterish aspects of the genre" nor the "mechanics of mob power." Film critic Dave Kehr, on the other hand, writing for the Chicago Reader in 2014, rates Underworld as one of the great gangster films of the silent era. "The film established the fundamental elements of the gangster movie: a hoodlum hero; ominous, night-shrouded city streets; floozies; and a blazing finale in which the cops cut down the protagonist."
ellauri245.html on line 762: 1970-luvun loppupuolella alkoi kuitenkin Altmanin alamäki: vaikka Altman ohjasikin vuonna 1979 peräti kolme elokuvaa, niiden taso oli kaukana hänen aiemmista töistään. Tämä kulminoitui vuonna 1980 Disney/Paramount-tuotantoon Kippari-Kalle: Lyttäpäisen vinosuisen suikkikoomikon Robin Williamsin (1951-2014) tähdittämä elokuva teki tuottoa teattereissa, mutta oli aikanaan ja myös nykyään kriitikoiden mielestä Altmanin uran pohjanoteeraus. Variety-lehden mielestä se oli Williamsin paras. Lyttäpäinen Robin Williams oli kyllä erehdyttävästi Popeyen näköinen. Robin ei ihan selvinnyt Solonin 10:nnestä hebdomadista. Kuolinsyy oli "asphyxia through hanging". Tää ei enää ole kivaa, menen hirteen lepäämään.
ellauri332.html on line 516: Megan Fox oli valtava osa kahta ensimmäistä live-action Transformers -elokuvaa, mutta miksi Megan Fox jätti Transformers -sarjan ennen Transformers: Dark of the Moon -elokuvaa ? Steven Spielbergin tuottamana Paramount lanseerasi live-action Transformers -franchise-sarjan vuonna 2007. Ensimmäisen elokuvan ohjasi Michael Bay, ja siinä näytteli Shia LaBeouf Sam Witwickynä, ja Fox toimi hänen näyttelijänä ja rakkausmiehenä Mikaela Banes. Vuoden 2007 elokuva oli taloudellisesti valtava hitti ja ansaitsi yli 700 miljoonaa dollaria maailmanlaajuisesti. Sen jatko-osa, Transformers: Revenge of the Fallen, menestyi vielä paremmin vuonna 2009, mikä takaa trilogian. Megan Fox Transformers -ongelma jätti kuitenkin tumman pilven franchisingin päälle.
xxx/ellauri306.html on line 581: Wetback: Nunca pude comprender por qué The Firm se convirtió en arrollador best seller. El libro era un hormiguero de argumentos conflictivos, que sólo tenían en común su implausibilidad. Era preciso creer que un bufete de abogados en Memphis ocultaba las operaciones criminales de la Mafia, con 43 leguleyos obligados a callar, porque huir les costaba la vida. Por si eso fuera poco, había que aceptar un héroe capaz de sacrificarse por sacar de la cárcel a su hermano convicto, cuya existencia negaba como oveja negra y a quien no veía desde tiempo inmemorial. Lo increíble empataba con lo inconcebible, en rollos paralelos. El libro fue rechazado por editoriales hasta que Paramount le vio potencial cinematográfico e instigó su publicación. Tähti on tietysti Tom Cruise, joka juoksee kuin vinttikoira ja tekee temppuja kuin mountebank. Hän päätyy erittäin vakuuttavasti ahneuteen ja ahneuteen. Ei ole helppoa ylläpitää radikaalin tuskan ilmaisua kahden ja puolen tunnin ajan.
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