ellauri069.html on line 696: Crackerjack is a 1938 British comedy crime film directed by Albert de Courville and starring Tom Walls, Lilli Palmer and Noel Madison. It was made at Pinewood Studios with sets designed by Walter Murton. The film was released in the U.S. as Man With 100 Faces. Plot:
ellauri156.html on line 62: When my Grandmother Palmer was alive, she lived on a farm outside of Shelton, Washington. At the entrance to her driveway was a small lot, where a small mobile home was parked. As I recall, the woman who lived in the trailer and her husband were estranged. The husband, who had served time in prison, was prone to violence. When the husband came to the mobile home to see his wife, another man was there. An argument resulted, and blows were exchanged. Ultimately, the woman's visitor brandished a weapon and demanded that the husband leave. He left, but only while uttering threats about what he was yet to do.
ellauri220.html on line 135: Jayne Mansfield (synt. Vera Jayne Palmer, 19. huhtikuuta 1933 Bryn Mawr, Pennsylvania – 29. kesäkuuta 1967 Slidell, Louisiana) oli yhdysvaltalainen näyttelijä, malli ja laulaja, joka työskenteli sekä Broadwaylla että Hollywoodissa. Hän oli myös yksi 1950- ja 1960-lukujen johtavista seksisymboleista ja julkisuuden henkilöistä. Pelkästään syyskuun 1956 ja toukokuun 1957 välisenä aikana Mansfield esiintyi noin 2 500 uutiskuvassa ja niillä runkattiin kuivixi noin 122 000 000 kullia ympäri maailmaa.
ellauri220.html on line 137: Mansfield syntyi Bryn Mawrissa Pennsylvaniassa, mutta vietti varhaislapsuutensa Phillipsburgissa New Jerseyssä. Hänen juristi-isänsä Herbert William Palmerin kuoltua sydänkohtaukseen Mansfieldin äiti Vera Palmer (o.s. Jeffrey) palasi työelämään opettajaksi. Vuonna 1939 Mansfield muutti äitinsä ja tämän uuden aviomiehen kanssa Dallasiin Texasiin.
ellauri221.html on line 153: En enää muista mistä sain vinkin lainata kirjastosta Nosovin kirjan Neznaikan seikkailut (1954). Englannixi se on Dunno. Muistaaxeni joku anglosaxi jotain siitä vittuili, mutten enää muista kuka. Nosov nyysi idean kanadalaiselta Palmer Coxilta, joka rikastui törkeästi Brownie-kirjoilla.
ellauri243.html on line 736: Job Thornberry comes into the story with the Anti-Corn-Law League, representing the remarkable change in English politics from the time before Napoleonic wars when the 10% richest guys were local landowners to after the wars when the merchants and industrialists had become the nobs (am. head honchos). This change of mens of production necessitated the passage of Reform Bills that favored Millian laissez-faire by the Conservative Derby-Disraeli ministries. Job Thornberry may be Richard Cobden; for he certainly has much of Cobden´s subject in him. The energetic and capable minister Lord Roehampton is taken to be Lord Palmerston, and Count Ferrol is perhaps Bismarck. Neuchatel, the great banker, is the historical Rothschild; Cardinal Henry Edward Manning figures as the tendentious papist Nigel Penruddock.
ellauri264.html on line 387: The song has some similarities to the hymn "Poor Pilgrim," also known as "I Am a Poor Pilgrim of Sorrow" and "I am a Poor Lonesome Cowboy", which George Pullein Jackson speculated to have been derived from a folk song of English origin titled Palmer-collection/025M-C1023X0116XX-0400V0">"The Green Mossy Banks of the Lea".
ellauri331.html on line 266: Syyskuussa 2018 englanninkielinen Wikipedia hylkäsi Occupy Democratsin lähteenä sen epäluotettavuuden vuoksi. Lokakuussa 2018 Simmons Researchin 38 uutisorganisaation tutkimuksessa Occupy Democrats sijoittui amerikkalaisten kolmanneksi vähiten luotetuksi uutisorganisaatioksi. Breitbart News, Daily Kos ja Palmer Report sekä InfoWars ja The Daily Caller (6kpl) olivat vielä alempana.
ellauri426.html on line 332: Lucas uskoo, että Suomesta tulee ”johtava voima” Itämeren turvallisuudessa. Vitun pelle. Lucaksen spekulointi on rajua. "Itämeri on rauhan meri", luki banderollissa 1966 Harry Palmerin vakoillessa Riiassa.
ellauri429.html on line 521: Palmer, 1927. Lähde: The Collected Poems of G.
ellauri456.html on line 1480: "Murzilka" slangissa tarkoittaa jotain alkeellista tai heikkolaatuista, joka johtui neuvostoliittolaisen lastenlehden Murzilkan negatiivisesta maineesta mielenkiinnon ja hienostumattoman sisällön lähteenä. Alkuperäinen "Murzilka"-hahmo oli venäläisen kirjailijan viaton luomus Palmer Coxin brownieiden pohjalta, mutta lehti alettiin lopulta muutenkin yhdistää heikkoon laatuun.
ellauri456.html on line 1482: Browniet olivat pieniä keiju- tai menninkäismäisiä olentoja, jotka ilmestyivät yöllä ja tekivät pahantekoja ja hyödyllisiä tehtäviä. Palmer Coxin julkaisemat teokset perustuivat skotlantilaisiin kansantarinoihin. Brownie-hahmoista tuli kuuluisia omana aikanaan, ja he olivat ensimmäisiä pohjoisamerikkalaisia ​​sarjakuvahahmoja, joita markkinoitiin kansainvälisesti. Brownie-hahmojen suosion kasvaessa niitä käytettiin monissa myyntikohteissa, kuten peleissä, palikoissa, korteissa, nukeissa, kalentereissa, mainoksissa, pakkaustarroissa, mukeissa, lautasissa, lipuissa, limsoissa, peliautomaateissa, bagatelle-peleissä ja niin edelleen.
ellauri468.html on line 449: The novel was filmed as Billion Dollar Brain in 1967, the third instalment of the Harry Palmer series of films based on Deighton's novels, featuring Michael Caine; it was a commercial flop.
ellauri468.html on line 570: Harry Palmer is the name given to the anti-hero protagonist of several films based on spy novels written by Len Deighton, in which the main character is an unnamed intelligence officer. For convenience, the novels are also often referred to as the "Harry Palmer" novels. The Times called Caine "the epitome of Sixties cool in his first outing as the secret agent Harry Palmer". A trailer for his second role as Palmer described him as possessing "horn rims, cockney wit and an iron fist". The character's thick horn-rimmed glasses, girls, and disregard for authority were cited by Mike Myers as an influence for Austin Powers; Caine would later star in Austin Powers in Goldmember (2002), with his portrayal of Nigel Powers, father of secret agent Austin Powers, a spoof of Palmer.
ellauri468.html on line 580: When developing the 1965 film The Ipcress File, based on Len Deighton's 1962 novel of the same name, the production team needed a name for the previously anonymous protagonist, a rough-edged, petty crook turned spy. They chose "Harri Kädettäjä", because they wanted a mundane name, 'one that means absolutely nothing, a common name', to distance him from Ian Fleming's James Bond, the stereotypical sophisticated, swashbuckling spy. Caine stated at the time of filming that he knew a dull kid at school called "Palmer", with Harry Saltzman saying 'good, and what about a first name?', to which Caine innocently remarked "Harry", not realising his gaffe until seeing Saltzman's stare. Yes, Harry Saltzman was Jewish. He was the son of Jewish immigrants Abraham and Sara, no Dora, from Poland, and his Jewish heritage is a topic mentioned in discussions of his life and work, with The Guardian noting his resemblance to characters in Mordecai Richler's novels about Canadian-Jewish bluffers and gamblers.
ellauri468.html on line 584: Harry Palmer is the name given to the anti-hero protagonist of several films based on spy novels written by Len Deighton, in which the main character is an unnamed intelligence officer. For convenience, the novels are also often referred to as the "Harry Palmer" novels. The Times called Caine "the epitome of Sixties cool in his first outing as the secret agent Harry Palmer". A trailer for his second role as Palmer described him as possessing "horn rims, cockney wit and an iron fist". The character's thick horn-rimmed glasses, girls, and disregard for authority were cited by Mike Myers as an influence for Austin Powers; Caine would later star in Austin Powers in Goldmember (2002), with his portrayal of Nigel Powers, father of secret agent Austin Powers, a spoof of Palmer.
ellauri468.html on line 606: Dawlish on mennyttä – Punaisen Kuningattaren imperiumi hänen mukanaan – ja itse Harry Palmer, Ipcress-kustantamona tunnettu Jorma Oxasen näköinen töröhammas, on poissa. [Googlen puoliapina: "Dawlish" is the surname of a prominent character—
ellauri468.html on line 620: Mutta vaikka kaikki tämä onkin fiksusti käsitelty, hahmojen ja heidän käytöksensä yleinen hitaus on hieman hidasta. Päähenkilö – onko hän todella Harry Palmer? (EI OLE! huutaa Den takavasemmalta)– on hullunkurisen vähän energiaa, haalea ja jähmettynyt. Tässä kirjassa – joka tosin on osa upeaa romaanisarjaa – alkaa odottaa kärsimättömästi, että hän tekisi jotain . Hän vaikuttaa unissakävelevältä, horroksessa tai sumussa. Harry Palmerin varhaisissa romaaneissa tämä luo jännitystä – koska tiesit Palmerin pystyvän potkaisemaan takapuolelle tarvittaessa.
ellauri471.html on line 342: VERY little attempt is made at characterization, and in this sort of book it doesn't much matter. All the characters are fairly unpleasant anyway, with the exception of the C.I.A. man Blackford Oakes, who, for a protagonist and series hero, is curiously absent from on stage. In his acknowledgments Mr. Buckley naively says that readers have called his Blacky ''not interesting enough.'' He, on the other hand, finds him fascinating. I would not go as far as that, for Oakes is no Harry Palmer and no James Bond. I did long nostalgically for Ian Fleming and his vivacious, sexy, sensational stuff (written at this period, of this period), especially when Sir Alistair, Bart. or non-Bart., takes his mini-Zirca behind the Iron Curtain via Stockholm, scene of many a white night with Caroline sorry Alice of the electronic chest. Who could help being reminded of the Spektor coding machine brought to Bond from Russia with love?
xxx/ellauri166.html on line 491: Manly Palmer Hall (18 March 1901 – 29 August 1990) was a Canadian author, lecturer, astrologer and mystic. Over his 70 year career, he gave thousands of lectures, including two at Carnegie Hall, and published over 150 volumes, of which the best known is The Secret Teachings of All Ages (1928). Manly ei näyttänyt järin miehekkäältä, pikemminkin niljakkaalta ilkimyxeltä.
xxx/ellauri166.html on line 493: Hall was born in 1901 in Peterborough, Ontario, Canada, to Louise Palmer Hall, a chiropractor and member of the Rosicrucian Fellowship, and William S Hall, a dentist. Hui!
xxx/ellauri250.html on line 587: Two years later they moved from the East Hollywood area, where he had lived for most of his life, to the harborside community of San Pedro, the southernmost district of Los Angeles. Beighle followed him and they lived together intermittently over the next two years. He eventually "agreed to" marry her by Manly Palmer Hall, a Canadian-born author, mystic, and spiritual teacher, in 1985. Beighle is referred to as "Sara Heinämaa" in Bukowski's novels Women and Hollywood.
xxx/ellauri265.html on line 358: Jani Kaaro ei muista Thronhillin ja Palmerin nimiä. Käytä wikipediaa! Behavior resembling rape in humans can be seen in the animal kingdom, including ducks and geese [citation needed], bottlenose dolphins, and chimpanzees. Indeed, in orangutans, close human relatives, such copulations constitute up to half of observed matings. Such 'forced copulations' involve animals being approached and sexually penetrated while struggling or attempting to escape. Observations of forced sex in animals are uncontroversial; controversial are the interpretation of these observations and the extension of theories based on them to humans. Thornhill introduces this theory by describing the sexual behavior of scorpionflies. In which the male may gain sex from the female either by presenting a gift of food during courtship or without a nuptial offering, in which case force is necessary to restrain her.
xxx/ellauri265.html on line 362: Thornhill and Palmer write that "In short, a man can have many children, with little inconvenience to himself; a woman can have only a few, and with great effort." Females thus tend toward selectivity with sexual partners. Rape could be a reproductive strategy for males. They point to several other factors indicating that rape may be a reproductive strategy. Most rapes occur during prime childbearing years. Rapists usually use no more force than necessary to subdue, argued to be since physically injuring victims would harm reproduction. Moreover, "In many cultures rape is treated as a crime against the victim's husband. He is the real victim there."
xxx/ellauri265.html on line 381: But to infer from that, as many critics assert that Thornhill and Palmer do, that what is biological is somehow right or good, would be to fall into the so-called appeal to nature. They make a comparison to "natural disasters as epidemics, floods and tornadoes". This shows that what can be found in nature is not always good and that measures should be and are taken against natural phenomena. They further argue that a good knowledge of the causes of rape, including evolutionary ones, are necessary in order to develop effective preventive measures. Of course, my dears, what is good for the rapist is bad for the rest of us. It is equally natural to be critical of it. Killing is also natural, and may be beneficial for the perpertrator it, but not for the victims.
xxx/ellauri394.html on line 207: On October 13, 1896, the Republic of Hawaii gave her a full pardon and restored her civil rights. "Upon receiving my full release, I felt greatly inclined to go abroad," Liliʻuokalani wrote in her memoir. From December 1896 through January 1897, she stayed in Brookline, Massachusetts, with her husband's cousins William Lee and Sara White Lee, of the Lee & Shepard publishing house. During this period her long-time friend Julius A. Palmer Jr. became her secretary and stenographer, helping to write every letter, note, or publication. He was her literary support in the 1897 publication of the Kumulipo translation, and helped her in compiling a book of her songs. He assisted her as she wrote her memoir Hawaii's Story by Hawaii´s Queen. Sara Lee edited the book published in 1898 by Lee & Shepard.
xxx/ellauri394.html on line 213: She attended the inauguration of US President William McKinley on March 4, 1897, with a Republic of Hawaii passport personally issued to "Liliuokalani of Hawaii" by the republic´s president Sanford B. Dole. On June 16, McKinley presented the United States Senate with a new version of the annexation treaty, one that eliminated the monetary compensation for Liliʻuokalani and Kaʻiulani. Liliʻuokalani filed an official protest with Secretary of State John Sherman the next day. The protest was witnessed by her agent and private secretary Joseph Heleluhe, Wekeki Heleluhe, and Captain Julius A. Palmer Jr., reported to be her American secretary.
xxx/ellauri394.html on line 263: Captain Julius A. Palmer Jr. of Massachusetts was her friend for three decades, and became her spokesperson when she was in residence at Boston and Washington, D.C., protesting the annexation of Hawaiʻi. In the nation´s capital, he estimated that she had 5,000 visitors. When asked by an interviewer, "What are her most distinctive personal graces?", Palmer replied, "Above everything else she displayed a disposition of the most Christian forgiveness." In covering her death and funeral, the mainstream newspapers in Hawaii that had supported the overthrow and annexation had to give it to her that she had been held in great esteem around the world. In March 2016, Hawaiʻi Magazine listed Liliʻuokalani as one of the most influential women in Hawaiian history. She sounds like a pretty good woman all things considered.
xxx/ellauri410.html on line 245: Marja Palmer Lundista sums it up rather neatly: The sexual undertone in the early "Love Song" runs through Eliot's poetry between 1910 and 1925, gaining greater emphasis in The Waste Land and The Hollow Men . The agony and distress associated with sexual matters play a vital role in his early poems, a circumstance which has not always been fully recognized. Erotic concerns and preoccupations fill the lives of the main "characters" in this poetry, men and women alike. However, experiences of this kind are unsettling, and any attempt at a dialogue between the sexes is bound to fail. In each of the four collections, the theme of relationships between men and women indicates a step further downwards into isolation. There is an afflicting want of any feelings of love and tenderness - only a mechanized sexuality is left, stripped of all its generative force and with sterility and impotence as the consistent, final result.
xxx/ellauri455.html on line 518:

Barbara Palmer, Clevelandin ensimmäinen herttuatar : Villiersin suvun englantilainen kuninkaallinen rakastajatar ja kenties pahamaineisin Englannin kuningas Kaarle II:n monista rakastajattarista; kääntyi anglikaanisesta uskosta vuonna 1663.
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