ellauri020.html on line 391: Trump spoke in a hypnotic, unending torrent of words. Often he appeared to free-associate. He referred to himself in the third person: “Trump says. . . Trump believes.” His phrases skibbled around and doubled back on themselves like fireworks in a summer sky. He reminded me of a carnival barker trying to fill his tent. “I’m more popular now than I was two months ago. There are two publics as far as I’m concerned. The real public and then there’s the New York society horseshit. The real public has always liked Donald Trump. The real public feels that Donald Trump is going through Trump-bashing. When I go out now, forget about it. I’m mobbed. It’s bedlam,” Trump told me. Donald is a believer in the big-lie theory,” his lawyer had told me. “If you say something again and again, people will believe you.” “One of my lawyers said that?” Trump said when I asked him about it. “I think if one of my lawyers said that, I’d like to know who it is, because I’d fire his ass. I’d like to find out who the scumbag is!”
ellauri052.html on line 754: So they wrestled swiftly, rapturously, intent and mindless at last, two essential white figures working into a tighter closer oneness of struggle, with a strange, octopus-like knotting and flashing of limbs in the subdued light of the room; a tense white knot of flesh gripped in silence between the walls of old brown books. Now and again came a sharp gasp of breath, or a sound like a sigh, then the rapid thudding of movement on the thickly-carpeted floor, then the strange sound of flesh escaping under flesh. Often, in the white interlaced knot of violent living being that swayed silently, there was no head to be seen, only the swift, tight limbs, the solid white backs, the physical junction of two bodies clinched into oneness. Then would appear the gleaming, ruffled head of Gerald, as the struggle changed, then for a moment the dun-coloured, shadow- like head of the other man would lift up from the conflict, the eyes wide and dreadful and sightless.
ellauri053.html on line 1006: Often when he gets late for his bath you have to call him a hundred times.
ellauri053.html on line 1174: He was very much fascinated by self-induced trance states, calculated symbolism, mediums, theosophy, crystal-gazing, folklore and hobgoblins. Golden apples, archers, black pigs and such paraphernalia abounded. Often the verse has an hypnotic charm: but you cannot take heaven by magic, especially if you are, like Mr. Yeats, a very sane person.

ellauri064.html on line 75: TEOTWAWKI Acronym of the end of the world as we know it. Often used online by members of survivalist groups.
ellauri067.html on line 384: What Does the Triskelion Symbol Mean? Derived from the Greek word "Triskeles" meaning "three legs", the Triskele or Triple Spiral is a complex ancient Celtic symbol. Often referred to by many as a Triskelion, its earliest creation dates back to the Neolithic era, as it can be seen at the entrance of Newgrange, Ireland. The Triskele gained popularity in its use within the Celtic culture from 500BC onwards. This archaic symbol is one of the most convoluted to decipher as symbolists believe it is reflective of many areas of culture from the time. Huoh. Vitun symbolistit. Seinän töhrijät. Nuijia. Kirkkovene ja Jallu luuraa on selkeämpiä.
ellauri093.html on line 252: Elder abuse can take many forms. Often more than one type of abuse can be used.
ellauri117.html on line 251: So they wrestled swiftly, rapturously, intent and mindless at last, two essential white figures working into a tighter closer oneness of struggle, with a strange, octopus-like knotting and flashing of limbs in the subdued light of the room; a tense white knot of flesh gripped in silence between the walls of old brown books. Now and again came a sharp gasp of breath, or a sound like a sigh, then the rapid thudding of movement on the thickly-carpeted floor, then the strange sound of flesh escaping under flesh. Often, in the white interlaced knot of violent living being that swayed silently, there was no head to be seen, only the swift, tight limbs, the solid white backs, the physical junction of two bodies clinched into oneness. Then would appear the gleaming, ruffled head of Gerald, as the struggle changed, then for a moment the dun-coloured, shadow- like head of the other man would lift up from the conflict, the eyes wide and dreadful and sightless.
ellauri151.html on line 255: Often the worst in us springs from the worst in us.
ellauri156.html on line 335: Conversely, David never did worse than he did in prosperity and power. How many psalms do you think David wrote from his palatial bed and from his penthouse? How much meditation on the law took place while David was in Jerusalem, rather than on the battlefield? On the other hand, how many maidens did he open the psalmbook with on the field? We are not to be masochists, wanting more and more suffering, but on the other hand we should recognize that success is often a greater test than adversity. Often when it appears “everything's goin' my way” we are in the greatest danger of producing some shit like Frank Sinatra's "My Way".
ellauri159.html on line 1055: View writing as a form of personal expression. Often write about topics you care about, although you may not let their own beliefs shine through. Prefer to present the facts, which you may do in great detail, then let readers make up their own mind!
ellauri164.html on line 856: Often, we are angry (always an entry point for Satan) and we have our own agenda to follow.
ellauri164.html on line 890: Many brethren and sisters, not to mention those outside the church, have a wrong understanding of what the sin of Moses was and its implication(s). Often when asked or giving comments on the matter, they say that his sin was in smiting the rock twice instead of once. They think that, since at first God told Moses to take the rod and smite the rock, and the next time He also told him to take the rod, therefore, he was also instructed to strike once. Such an understanding erodes the whole essence that God had designed in the type that would later be seen in the antitype. As it will soon be clear, striking the rock even once [that second time] would have been sin on the part of Moses. In view of this, therefore, it is important for us to possess the true facts on this matter.
ellauri171.html on line 840: Ba'al Hadad (lit. master of thunder), god of storms, thunder, lightning and air. King of the gods. Uses the weapons Driver and Chaser in battle. Often referred to as Baalshamin.
ellauri171.html on line 988: “...Often beautiful, she uses her looks to her advantage to ‘lure in’ her next victim.”
ellauri192.html on line 558: Often she fell asleep and the Book Tuon tuostakin se vaan nukahti
ellauri213.html on line 186: Often appears comfortable in pretend situations and during
ellauri213.html on line 190: reality. Often, puppets or roles may be used to get
ellauri241.html on line 1306: Often with more than tortured lion's groan

ellauri262.html on line 494: While there is a social conscious and corporate guilt, don’t let the idea distract you from your own "old-fashioned guilts" that have nothing to do with the ‘system’. Often, it’s an excuse for evading the real issue. Once we’ve learned of our individual corruption, we can go on to think about corporate guilt. If we ever get that far, the plank in our own eye is hard to extricate. (Luke 6:41-42)
xxx/ellauri085.html on line 259: Most people's minds are trying to answer problems even when they're supposed to be resting. What's the difference between them and the little guy? Often not much other than their grandiose sense of self worth very commonly found in type A personalities.
xxx/ellauri122.html on line 922: Tätä kirjaa en ole jaxanut lukea useista yrityxistä huolimatta, se on niin tympäisevä. Catch-22 is a satirical war novel by American author Joseph Heller. He began writing it in 1953; the novel was first published in 1961. Often cited as one of the most significant novels of the twentieth century, beats me why. Heller was born on May 1, 1923, in Coney Island in Brooklyn, son of poor Jewish parents, Lena and Isaac Donald Heller, from Russia. Heller said that the novel had been influenced by Svejk, Céline, Waugh and Nabokov. Hilariously funny, the novel’s insights are also deadly serious. It is a debris of sour jokes.
xxx/ellauri122.html on line 956: Often considered the gateway title to other graphic novels like 'V for Vendetta' and 'Batman: The Dark Knight Returns,' the series dissects the entire concept of the superhero in a way that sticks with readers for years. Fucking superheroes, why the heck do Americans get so hot about them? Well it's all part of the American dream.
xxx/ellauri123.html on line 565: In order to deal with principles, we have rules. “Don’t jump off skyscrapers” is a rule and a good one at that. Unlike principles, however, rules break all the time. Often, it’s us doing the breaking — and often prematurely. I know it would be best for all concerned for me to break the skyscraper rule asap, but I'm going to give it some time. I'm wonderful. I want to fall gently like a snowflake.
xxx/ellauri166.html on line 399: . Rashi's commentary, drawing on his knowledge of the entire contents of the Talmud, attempts to provide a full explanation of the words and of the logical structure of each Talmudic passage. Unlike other commentators, Rashi does not paraphrase or exclude any part of the text, but elucidates phrase by phrase. Often he provides punctuation in the unpunctuated text, explaining, for example, "This is a question"; "He says this in surprise", "He repeats this in agreement", etc.
xxx/ellauri178.html on line 102: Fauntleroy: One who strongly exhibits the tendencies of a blantant homosexual, or actually is a homosexual. Oftentimes used to describe purportedly straight men, during a display of Homosexuality. Named after Little Lord Fauntleroy, a book by Frances Hodgson Burnett in 1885 that resulted in openly gay fashion trends.
xxx/ellauri178.html on line 191: Often the goal is nearer than It seems to a fair and faltering man, Often the struggler has given up When he might have captured the victor's cup, And he learned too late when night came down, How close he was to the golden crown.
xxx/ellauri187.html on line 147: This is all ludicrously unfair. It's certainly unfair to say that Rilke didn't give the women he loved and who loved him the "choice to remove themselves for the sake of their art." He was in no position to give or deny freedom to his independent-minded wife, let alone to any woman of whom he was merely a lover. Only their passion, or admiration, or use for Rilke bound these women to the famous poet. Often ambitious artists themselves, Rilke's lovers expected him to introduce them into his heady artistic and intellectual circles and to help them with their careers. This he unfailingly did; in one case he helped the careers of a former lover's children by her husband. And he offered emotional succor long after the amorous flame had waned--not to mention demanding the same support for himself.
xxx/ellauri229.html on line 136: (2.) Time will not be wasted in choosing what portions to read. Often believers are at a loss to determine towards which part of the mountains of spices they should bend their steps. Here the question will be solved at once in a very simple manner.
xxx/ellauri232.html on line 326: Often, but not always, the shochet is also trained to be a bodek (checker), who examines the inner organs of the animal to ensure that it was healthy at the time of death. In the modern factory set up, these tasks are often divided.
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