This is a profoundly dumb and misguided roaming-junior-male-ape-gang roadmovie type of thought. Damn wagnerian homoerotic Quest for a Holy Grail. Murder mysteries. Spoilers. "Nyaah we already got the Grail!" taunt the French knights Arthur & co. in Monty Python´s Holy Grail:
ellauri111.html on line 488: The Lord Jesus Christ came to save you from both the GUILT and POWER of sin. The Lord Jesus Christ was manifested TO DESTROY the works of the devil (I John 3:8)--THE LORD JESUS CHRIST CAME TO SAVE YOU AND CHANGE YOU AND TO MAKE YOU HOLY. When you are unsaved, sin has dominion over you. Sin is your boss and you cannot do anything BUT sin. You are justly under the wrath of a holy and just God. Murderers, thieves, fornicators, witches, sodomites, whores, liars, lovers of pleasure more than lovers of God, rebels, and all other spiritual lepers will not inherit the kingdom of God. This is not to put anybody down, before we got saved, we Christians were once the murders, thieves, whoremongers, etc. We have to be born again into the kingdom of God. When we REPENT and BELIEVE in Jesus, we are born again and all things become new. A new life emerges and things change. We start reading the Bible and obeying it and the Lord Jesus helps us obey it more and more. Our life changes. Our desires literally change as we go forward in obeying the word of God.
ellauri145.html on line 117: Thomas De Quincey: On Murder Considered as one of the Fine Arts Thomas Penson De Quincey (/də ˈkwɪnsi/;[1] 15 August 1785 – 8 December 1859) was an English writer, essayist, and literary critic, best known for his Confessions of an English Opium-Eater (1821) Many scholars suggest that in publishing this work De Quincey inaugurated the tradition of addiction literature in the West. Mulla on toi kirja, mä luinkin sen, mutta se oli kyllä aika pitkästyttävä. Tämänkertainen ozikko tuo mieleen sen usein mietityttäneen havainnon että mixhän vitussa 50% tv-sarjoista on murhajuttuja. Eikai siinä muuta ole kun että KILL! on 1/3 apinan mieliharrastuxista. Dekkarit ja horrorit on musta lattapäisyyden selvimpiä ilmentymiä.
ellauri146.html on line 654: Poe, unlike other great American writers of his time, spent a considerable portion of his childhood in Britain. In 1815, John Allan set out for England, accompanied by his wife, Frances Allan; his sister-in-law, “Aunt Nancy” Valentine; and his six-year-old foster son, Edgar Poe. For a time Edgar attended the small London school of Miss Dubourg (a name which subsequently was to appear in “The Murders in the Rue Morgue”) and later, for a period of three years from 1817 to 1820, was sent to a better school, the Manor House at Stoke Newington near London. Here Poe, in addition to being affected profoundly by the atmosphere of England, studied French, Latin, history and literature. The Manor House School, with its “Dr.” Bransby, Poe later was to transplant bodily to the semi-autobiographical tale “William Wilson” (1840).
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ellauri171.html on line 709: This was Number 8 of Bible Murders: Jael and Sisera. Ancient metal tent pegs! Jael's improvised weapon were ancient metal tent pegs! Can you beat that?
ellauri171.html on line 744: He was left-handed. The guards searched for a weapon on his left thigh where a right-handed person would have hidden it. They missed the knife inside his right thigh! Clever! Bible Murders: Ehud murders Eglon. Man's body of about the same proportions as Eglon's. The Bible gives a graphic description of the king’s body. It was so fat that the blade went deep into his belly: it plunged so far in that the hilt went in as well, and the skin closed over it.
ellauri194.html on line 333: Orange is the New Black, Bull, Mindhunter, How to Get Away with Murder and Criminal Minds are the only shows with 50% or more female writers.
ellauri217.html on line 684: Murder: "Furthermore, I will demand your blood, for [the taking of] your lives, I shall demand it [even] from any wild animal. From man too, I will demand of each person's brother the blood of man. He who spills the blood of man, by man his blood shall be spilt; for in the image of God He made man." (9:5–6)
ellauri220.html on line 190: In "Murder Most Foul", a musical on Kennedy's assassination and its effect on American bar counter culture, Bob Dylan sings 'Zapruder's film I've seen 33 times maybe more'.
ellauri244.html on line 48: Kaikkein traagisinta on se mikä valkeni kazoessamme tunkkaista brittisarjaa Murder in Paradise: Kaikki 3 klicheetä miljoonine variaatioineen ovat lakanneet kiinnostamasta vanhusta henkilökohtaisesti enää karvan vertaa. Sen puolesta vanhus on valmis Hietaniemeen pienessä tuhkalaatikossa.
ellauri248.html on line 65: Dublinin murhien kahdeksanosainen draamasarja perustuu Irlannin rikoskirjallisuuden viime aikojen suosituimman kirjailijan Tana Frenchin dekkarisarjaan Dublin Murder Squad. Jatkuvajuoninen sarja yhdistää kahden ensimmäisen dekkarin In The Woods ja The Likeness tarinat raastavaksi kertomukseksi ihmismielen salaisuuksista.
ellauri254.html on line 711: Stalin käytti Kirovin murhaa hyväkseen päästäkseen eroon vanhoista bolševikeista, jotka vielä muistivat Stalinin olleen vain yksi kollektiivisen johdon jäsen muiden joukossa. Tämä on herättänyt epäilyjä, että murhan takana olisikin ollut Stalin itse. Stalinin kuoleman jälkeen vallinneen suojasään aikana aihe sai paljon huomiota, ja spekulaatiot jatkuivat vielä 1990-luvulla. Yhdysvaltalainen tutkija Matthew E. Lenoe on teoksessaan The Kirov Murder and Soviet History arvioinut, että murhaaja toimi yksin. Kirovin henkivartija kuoli seuraavana päivänä, mutta se on tulkittu aidoksi liikenneonnettomuudeksi eikä salaliiton peittelyksi. Samaan johtopäätökseen tulee Stalin-elämäkerran kirjoittaja Oleg Hlevnjuk, joka toteaa, että Stalinin osuudesta ei ole löytynyt todisteita. Nikolajev oli epävakaa persoona, joten murhan taustalla saattoi olla mustasukkaisuus!
ellauri382.html on line 592: The play was adapted to the big screen as two films, both entitled Gaslight—a 1940 British film, and a 1944 American film directed by George Cukor, also known as The Murder in Thornton Square in the UK. Both films are considered classics in their respective countries of origin, and are generally equally critically acclaimed. The play is set in fog-bound London in 1880, hence the name. The term "gaslighting" does not appear in any of the stageplays or screenplays and is inspired by the film´s title "Gaslight". The play has a happy end by the way.
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