ellauri112.html on line 633: Motherhood is essentially roasted here, making it easy to laugh at Marlo’s discomforts. Perhaps every element of raising children can be either hellish or heavenly, depending on one’s outlook.
ellauri112.html on line 658: Motherhood
ellauri112.html on line 689: The film is supposedly an ode to the ‘modern parenthood experience’ that’s interspersed with ‘humor and raw honesty.’ I wouldn’t know because I don’t have kids. Perhaps this realism is lost on me because I’m not a parent, but that’s where the film breaks down: it failed to spark even an ounce of empathy in me for its protagonist. Motherhood is portrayed as many childless people like me envision, an absolute misery of an existence (I left the theater thinking thank god I don’t have kids). A successful film would have made Marlo’s predicament relatable to everyone.
xxx/ellauri116.html on line 178: Joku feministi Élizabeth Badinter Mother love: Myth and Reality: Motherhood in Modern History väittää, ettei mitään universaalia äidinvaistoa tai äidinrakkautta ole olemassa. Sen mukaan nekin on vaan tunteita siinä kuin muutkin tunteet. Idixet vaan vaihtelee sen mukaan millasia jäseniä yteiskunta/valtio kulloinkin tarvii. Roomassa naiset antoi lapsensa imettäjille ja piti paljon mieluummin tyyliin vaikka pikkukoiria tai pikkuapinoita sylissään. Siitä tuli ongelma väestörakenteen kannalta niin että lasten poislähettämistä alettin estää lailla, kun niitä kuoli pilvin pimein kun ne naiset ei huolehtineet ize vauvoistaan eikä ne toiset toisten vauvoista.
xxx/ellauri261.html on line 464: Irene and Minnie open their hat shop for the afternoon. Irene wants a husband, but does not love Horace Vandergelder. She declares that she will wear an elaborate hat to impress a gentleman ("Ribbons Down My Back"). Cornelius and Barnaby arrive at the shop and pretend to be rich. Horace and Dolly arrive at the shop, and Cornelius and Barnaby hide from him. Irene inadvertently mentions that she knows Cornelius Hackl, and Dolly tells her and Horace that even though Cornelius is Horace's clerk by day, he's a New York playboy by night; he's one of the Hackls. Minnie screams when she finds Cornelius hiding in the armoire. Horace is about to open the armoire himself, but Dolly, Irene and Minnie distract him with patriotic sentiments related to subjects like Betsy Ross and The Battle of the Alamo shown in the famous lyrics "Alamo, remember the Alamo!" ("Motherhood March"). Cornelius sneezes, and Horace storms out, realizing there are men hiding in the shop, but not knowing they are his clerks.
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