ellauri145.html on line 49: Fatty doit avoir recours à la ruse pour parvenir à ses fins. Ayant saboté le plat de cette dernière, il fait chasser la cuisinière et Lucrecia Borgia (Fatty travesti) est engagée pour la remplacer et lui permet d´investir la place. Mais les choses ne traînent pas et la cérémonie de mariage commence.
ellauri145.html on line 50: Heureusement pour nos amoureux, le tout nouveau pasteur est très nerveux car c´est sa première célébration d´un mariage. Lucrecia propose alors une répétition où elle veut bien tenir le rôle du futur mari. Sitôt dit, sitôt fait. Fort de cela, au beau milieu de la véritable cérémonie qui débute, notre héros s´interpose et dévoile son identité en déclarant être déjà marié à Winnie !
xxx/ellauri116.html on line 274: While the novel takes place exclusively within the confines of the family home in Lima, it is clear that they enjoy a seemingly normal relationship with the outside world: business associates, friends, and school. Don Rigoberto, the head of the household, is the manager of an insurance company. A widower, he marries Lucrecia, a forty-year-old divorcee. Dona Lucrecia enjoys the fruits of her privileged lifestyle; during the day she directs the household staff, goes shopping, plays bridge, and attends to the care of Don Rigoberto's son, the angelic looking Alfonso, a prepubescent boy of indeterminate age.
xxx/ellauri116.html on line 276: At night, she partakes of her husband's rich sexual rituals and fantasies and is a passive yet willing partner to his imaginative sensual flights of fancy and constant experimentation. Dona Lucrecia, a warm, sensual...
xxx/ellauri116.html on line 278: Chapters 2, 5, 7, 9, 12, and 14 contain a color print of a famous painting accompanied by a narration, each from a separate voice. Vizi takuulla mä kynäilin jotain sarkastista tostakin. Rigoberto, Lucrecia, Alfonso, and perhaps even Justiniana, all become the protagonist/narrator of one of the paintings by Jordaenes, Boucher, Titian, Francis Bacon, Fernando de Szyszlo, and Fra Angelico. This rather heterogenous collection of prints share the fact that they could be viewed as depicting various aspects of sensuality, from the voyeuristic to the immaculate.
5