Looking always out for number one, sitting
ellauri019.html on line 35: Once they're understood as more than just absurdities, these cartoons can be seen clearly as the work of an angry man. And there is, after all, much in this world for a decent man to be angry about. "Look around, read the newspapers,"as Kliban said. "You don't have to stretch out too much to see a little darkness out there."
ellauri024.html on line 1342: Looking over rubbish and wasting my time
ellauri035.html on line 264: Looking askance at me with smiling eyes.
ellauri042.html on line 917: Look, and tomorrow late, tell me, Kazo sinäkin, ja kerro mulle huomenillalla,
ellauri048.html on line 784: Look in at the open door; ne kurkistavat sisään uxesta;
ellauri051.html on line 629: 77 Looks down, is erect, or bends an arm on an impalpable certain rest, Vähexyy, on jäykkänä, tai vääntää kättä johkin lepoasentoon,
ellauri051.html on line 630: 78 Looking with side-curved head curious what will come next, Kazoo pää kenossa, kiinnostaa mitä seuraavaxi tulee,
ellauri051.html on line 1379: 779 Looking in at the shop-windows of Broadway the whole forenoon, flatting the flesh of my nose on the thick plate glass, 779 Katson sisään Broadwayn ikkunoihin koko iltapäivän, litistäen nenäni paksua lasia vasten,
ellauri051.html on line 1719: 1109 Looking forth on pavement and land, or outside of pavement and land, 1109 Katseet jalkakäytävälle ja maalle tai jalkakäytävän ja maan ulkopuolelle,
ellauri051.html on line 1940: 1322 Look in my face while I snuff the sidle of evening, 1322 Katso naamaani, kun nuuskan iltaa,
ellauri052.html on line 855: Vitun paxua narsismia. Ja se on jenkeistä olevinaan hienoa. Me first. Looking out for Nr. 1.
ellauri053.html on line 1059: Look at the far horizon
ellauri060.html on line 164: Kaikki alkaa siitä kun sanot izellesi: minä rakastan minua! Me first! Looking out for number one! Amerikkalaista humpuukia. Tää punkero on ollut ankkana tuhoomassa suomalaista vaatimattomuutta. Siinä 1/15 asiasta missä se on ollut tosi paska.
ellauri069.html on line 222: Richard Fariña, to whom Gravity's Rainbow is dedicated, was a good friend of Pynchon's when they were students at Cornell University in the 50s. In 1963, Farina married Mimi Baez, a folksinger and sister of Joan Baez. Although first married under the Napoleonic Code in a secret ceremony in Paris in the spring of 1963, they had an official marriage in Carmel, California, for the benefit of the Baez family. Pynchon was the best man for the Carmel ceremony, coming up from Mexico City where he was living and working on Gravity's Rainbow. In A Long Time Coming and a Long Time Gone, Farina's posthumously published collection of stories (Random House, 1969), Farina describes his and Pynchon's visit to the Monterey Fair. Richard and Mimi Farina formed a folk-music duo (Farina on guitar and Mimi on dulcimer, both singing) and released several albums in the 60s. Richard Farina was killed in a motorcycle crash following a book signing in Carmel for his newly published first (and only) novel, Been Down So Long It Looks Like Up To Me (Random House, 1966). You might want to visit this sweet website dedicated to the memory of Richard and Mimi (who died of cancer in 2001).
ellauri092.html on line 279: As a young Christian, because of a lack of discipleship, I was literally tossed about on various theological waves because of my emotions. Because of that I was drawn into the Charismatic Movement. Looking back now, I fully realize my error.
ellauri099.html on line 217: Looking now at the beautifully maintained site of the Lyceum, which is comparatively new by Athenian standards (as excavations only began in 1996, and it was opened to the public in 2014), we are only now beginning to form a proper picture of the plan, architecture and function of the Lyceum.
ellauri100.html on line 748: “Look, Lizzie, look, Lizzie,
ellauri100.html on line 1062: “Look at our apples
ellauri102.html on line 389: Looking out for n:o 1
ellauri106.html on line 195: Thomas Wolfe (1900–1938) was born in Asheville, North Carolina, and educated at the University of North Carolina and Harvard University. He taught English at New York University and traveled extensively in Europe and America. Wolfe created his legacy as a classic American novelist with Look Homeward, Angel; Of Time and the River; A Stone, a Leaf, a Door; and From Death to Morning. Wolfe's influence extends to the writings of Beat Generation writer Jack Kerouac, and of authors Ray Bradbury and Philip Roth, among others. He remains an important writer in modern American literature, as one of the first masters of autobiographical fiction, and is considered North Carolina's most famous writer. Ei mitään pientä.
ellauri107.html on line 465: Looking out for #1
ellauri107.html on line 491: “Look here now, Paul! You're pretty darn near talking socialism!” “Oh yes, of course I don't really exactly mean that—I s'pose. Course—competition—brings out the best—survival of the fittest—but—
ellauri107.html on line 501: “Look here, Stan; let's get this clear. You've got an idea somehow that it's you that do all the selling. Where d' you get that stuff? Where d' you think you'd be if it wasn't for our capital behind you, and our lists of properties, and all the prospects we find for you? All you got to do is follow up our tips and close the deal. The hall-porter could sell Babbitt-Thompson listings! You say you're engaged to a girl, but have to put in your evenings chasing after buyers. Well, why the devil shouldn't you? What do you want to do? Sit around holding her hand? Let me tell you, Stan, if your girl is worth her salt, she'll be glad to know you're out hustling, making some money to furnish the home-nest, instead of doing the lovey-dovey. The kind of fellow that kicks about working overtime, that wants to spend his evenings reading trashy novels or spooning and exchanging a lot of nonsense and foolishness with some girl, he ain't the kind of upstanding, energetic young man, with a future—and with Vision!—that we want here. How about it? What's your Ideal, anyway? Do you want to make money and be a responsible member of the community, or do you want to be a loafer, with no Inspiration or Pep?”
ellauri111.html on line 709: Look around, the more the leaders make plans, the worse things get--child abuse, drug addiction, abortion, murders, shoplifting, lying, compulsive disorders, broken families, directionless young people, mind-killing school system, panic attacks, reprobate mind laws, denying God and his word, etc. This thing called time is coming to an end. The heavens above and the earth beneath that you see before your eyes are going to be burned up completely and dissolved. The day of the Lord is coming and we will all stand before God at the final judgment and the books are going to be opened. We will all be there--including all the dead people...they won't be left out--nobody will be left out.
ellauri112.html on line 790: When shall we eat supper? First or last day of the week? This has nothing to do with the Sabbath being changed. I do not believe that it has, but that it is obsolete. The Sabbath is “Saturday”, the 7th day, which I am convinced to be for the rest that Christians will take with the Father (Heb. 4:1-11) and for weekend shopping. I find keeping the Sabbath day is a part of the 10 commands. Exodus says “And He wrote on the tablets the words of the covenant, the Ten Commandments” (Exo. 34:28, also see Deut. 4:13, 9:9, 11). Jeremiah said “Behold, the days are coming, says the LORD, when I will make a new covenant” (Jeremiah 31:31). Look further for Jeremiah said, “not according to the covenant that I made with their fathers”
ellauri119.html on line 86: Look-up Popularity: Top 1% of words. Cite this Entry. “Holy.” Merriam-Webster.com Dictionary, Merriam-Webster, https://www.merriam-webster.com/dictionary/holy Accessed 25 Jun. 2021. Keep scrolling for more.
ellauri131.html on line 752: Gallagher on kirjoittanut suurimman osan Oasiksen tuotannosta. Tunnetuimpia hänen säveltämiään Oasis-kappaleita ovat muun muassa ”Live Forever”, ”Wonderwall” ja ”Don’t Look Back in Anger”. Näistä en ole kuullut yhtäkään. Hänen kirjoittamansa kappaleet ovat keränneet paljon arvostusta sekä yleisön että kriitikoiden keskuudessa, ja Gallagherin on muun muassa sanottu olevan ”oman sukupolvensa paras lauluntekijä.” Gallagher soitti Oasiksen kitaristina vuoteen 2009, jolloin erosi yhtyeestä.
ellauri133.html on line 82: There are lots of books out there. The reader has to decide quickly which one she is going to spend her time and money on. She's not going to buy something just because it might get good later on. Unless you have won a major prize or had a film made from your book, chances are your reader has never heard of you. She’s going to read a page or two and decide. If it’s on Amazon, she’s going to click “Look Inside” and read a few pages. Yep, "your reader" will do just that, being an analphabet in for mind-numbing pulp. "My reader" takes time to choose a book by its literary merits, not by its gaudy cover and advertising blurbs. And most likely from a public library on the recommendation of a friend. Preferably after reading the plot synopsis.
ellauri140.html on line 1034: Lookt for her knight, who far away was fled, Ezien nuppia, joka oli jo varsin pitkällä,
ellauri145.html on line 194: "You zee," said he, "it iz te bess vor zit still; and now you shall know who I pe. Look at me ! zee ! I am te Angel ov te Odd."
ellauri147.html on line 426: Yes, many Jewish women have felt the curse of the eyebrow. Must be in the genes. That being said, perhaps you should embrace them? Look at Lily Collins! (Yes, we know, she is only a quarter Jewish: dad Phil clearly isn´t.) She OWNS those eyebrows. Those eyebrows are her calling card. You think she is getting Hollywood roles without those eyebrows? (Alright, dad Phil clearly helps.)
ellauri156.html on line 279: Uriah Heep on brittiläinen progressiivinen hard rock -yhtye, joka perustettiin Lontoossa vuonna 1970 ja on edelleen aktiivinen. Nimensä yhtye otti Charles Dickensin romaanissa David Copperfield esiintyvästä samannimisestä viekkaasta ja vastenmielisestä kirjanpitäjästä. Yhtyeen tunnetuimpiin kappaleisiin kuuluvat muun muassa "Easy Livin'", "Lady in Black", "Gypsy", "July Morning" ja "Look at Yourself". Suurinta suosiota se nautti 1970-luvun ensimmäisellä puoliskolla.
ellauri156.html on line 578: Fourth, "How much wood would a woodchuck chuck if a woodchuck could chuck wood?" Sin snowballs. Sin has not got a snowball's chance in hell. Sin is not stagnant; it is not static. Sin grows. Look at the progression of sin in our text. David's sin starts when he ceases to act like a soldier and (what is way worse) becomes a late sleeper. David's sin grows from staying up late to adultery to murder. His sin begins very privately, but as the story progresses, more and more people become aware of it, and worse yet, more and more people become participants in it. His sin first acted out by his taking another man's wife, and then taking another man's life, and along with his life, his wife, plus the lives of a number of men who must die with him to make his death credible. David's sin blossoms so that it transforms a true and loyal friend (Uriah) to his enemy, and his enemies (the Ammonites, and his other rival Joab) into his allies.
ellauri156.html on line 738: I fear some of us tend to miss the point here. We read Nathan's story and we hear Nathan's rebuke as though David's sin is all about sex. David does commit a sexual sin when he takes Bathsheba and sleeps with her, knowing she is a married woman. But this sexual sin is symptomatic, according to Nathan, and thus according to God. God is not just saying, “Shame on you, David. Look at all the wives and concubines you had to sleep with. And if none of these women pleased you, I could have given you another woman, just one that was not already married.” Wow, this is the same 'gotcha' as with Adam earlier: I give you about anything as long as you keep your fingers off my property.
ellauri159.html on line 1033: Avoid writing about abstract ideas. Discussing the topic with a friend, particularly an intuitive type, may help you articulate an approach. Look for ways to add practical examples, such as case studies, to illustrate a theoretical concept.
ellauri159.html on line 1046: Yoo respect authority and often cite experts in their writing. Avoid over-copying others, particularly if the subject is unfamiliar, theoretical, or impersonal. Look for ways to draw on your own experience or to explore how the topic affects people.
ellauri159.html on line 1129: Enjoy writing about the natural world. Focusing on a sensation, such as fragrance or flavor, or a hot, slippery, hard or soft touch, can open a pathway into the subject matter. Look for ways to relate the topic to your personal experience. Think about the feelings that the experience evoked.
ellauri159.html on line 1167: It´s OK to postpone starting a project if the topic doesn’t grab you. When at a deadline, use your prolific imagination to find an angle that interests you. Free-write or cluster to generate ideas. Look to newspapers, magazines, or the internet for inspiration. Write a strong opening paragraph to get your creativity flowing.
ellauri161.html on line 491: Annoyingly, in these days movies from the U. S. are becoming more and more of "a color". They are not telling a story, but are taking a side. They are either democrat or republican, conservative or liberal, blue or red, flyover or coast. Don't Look Up is not a big offender, but the language and presentation was clearly on the "coast" side. Thus, it will be probably appreciated by people who already saw the world this way and ignored or at best maligned by the people on the other side. And it's a pity, because this film is meant to bring us together as a civilization and not keep us divided. I feel like it could have done a better job in that direction.
ellauri161.html on line 493: Initially then I wasn't really overly hooked on watching the 2021 movie "Don't Look Up" since I wasn't really won over by the movie's synopsis. Granted, I hadn't checked out the movie's trailer, so I wasn't really sure what I would be in for here. But as friends started to praise the movie, I opted to sit down and watch it.
ellauri161.html on line 494: Now, one friend said that "Don't Look Up" was a masterpiece. Well, I wouldn't go as far as to calling it a masterpiece. Sure, "Don't Look Up" was a watchable movie, and writers Adam McKay and David Sirota definitely had some good jabs at the crazy world we live in today, with the likes of a crazy president, everything being on social media, people being concerned about riches even when facing extinction and such. I found the movie to be watchable and enjoyable, sure, but it wasn't a masterpiece, nor will it become a classic movie for me.
ellauri161.html on line 496: The comedy used in "Don't Look Up", as written by Adam McKay and David Sirota wasn't really something that had me laughing. Sure, I could see the jabs at society and the ridiculing of certain aspects of the society and world we live in today, but it didn't make me laugh.
ellauri161.html on line 499: What works for "Don't Look Up" is the cast, as it has a handful of great names on the list, with the likes of Leonardo DiCaprio, Jennifer Lawrence, Meryl Streep, Cate Blanchett, and so forth. Mitä enemmän julkkixia, sen parempi leffa. On kiva bongata tuttuja naamoja. Ne on kuin perhettä.
ellauri161.html on line 504: Overall, Don't Look Up is devoid of the fun, finesse & ferocity that goes into making a biting & stinging satire. Just like his previous ventures, McKay remains clueless about the necessity of restraint when dealing with topics such as this and gets carried away too often.
ellauri161.html on line 511: Before Covid, former Saturday Night live head writer Adam McKay had already written his smug doomsday satire Don't Look Up based on the usual liberal tropes. Chief among them was the old progressive rant linking those on the right to a predatory elite consisting of a group who were referred to as, in the parlance of days gone by, "robber barons."
ellauri161.html on line 515: But something happened in 2016 that set the wheels in motion to eventually cause McKay to change the focus of the Don't Look Up script. And that was the humiliating victory of businessman Donald Trump in the presidential election--a man with no political experience--over the left's heir apparent, Hillary Clinton.
ellauri161.html on line 533: Don't Look up manages to encapsulate the problem with our times: the reliance on experts which is used to justify the proliferation of rigid dogma and ideology through unchecked force. It's all a huge conspiracy of the satanist pedophiliacs who want to inject microchips in our blood.
ellauri161.html on line 540: Entonces, hay suficientes razones para el ridículo, más que suficientes. De hecho, una de las deficiencias de Don't Look Up es que no se ha seleccionado ningún grupo que esté específicamente dirigido. Los dos personajes principales están en una racha perdedora con su trabajo científico porque el mundo entero parece estar formado solo por egoístas e idiotas. Quizás el director y el guionista incorporan una gran cantidad de personajes que no serían necesarios. (Vittu mikä ääliö! "ningun grupo johon satiiri olisi "especificamenti dirigido" ei ole "seleccionado". Helvetti, se just on se pointti! Kaikki on tässä pankrotissa mukana! Satira para tontos, nimenomaan! Exactamente la pelicula que nuestra sociedad se merece.)
ellauri161.html on line 544: La película parece como si alguien hubiera tomado la directriz de una sátira para tontos y la hubiera trabajado. Con Don't Look Up estamos obteniendo exactamente la película que nuestra sociedad se merece.
ellauri161.html on line 557: I’ve seen some negative reactions to Don’t Look Up—complaints that it is too despairing for its own good.
ellauri161.html on line 560: Haha, yeah, he is—and amen to that. This is the truest, most on-point movie I saw in 2021. McKay gets sinister in Don’t Look Up, and I, for one, am glad somebody is being appropriately nasty in pointing out how absolutely moronic humans have become in the new millennium. Sorry, folks: We are fucking up big time; McKay knows it; and he’s pulling no punches.
ellauri161.html on line 566: This movie is devoid of hope. There is no optimism in Don’t Look Up. Yes, it deserves comparison to Stanley Kubrick’s Dr. Strangelove, because it pulls laughs out of the fact that the human race is on a crash course with destruction. In Don’t Look Up, the technology has multiplied and advanced, but the message is the same as it was when Slim Pickens rode that bomb to the doomed ground in Strangelove: Humans are messing up big-time, in a manner that is so egregious you just have to laugh at it … to prevent yourself from going insane. The situation is hopeless but not serious.
ellauri161.html on line 572: Pressed together, however, the mix just doesn’t work. Too many characters, such as Jonah Hill’s presidential aide, know they’re in a comedy and play for laughs accordingly. There’s way too much going on in Don’t Look Up, so the story focus is constantly diffused as we jump from one narrative thread to another. Consequently the soiree packs very little punch; as a satire on corporate greed, media ethics and celebrity culture it’s pretty limp. All bite but no teeth, you could say. (Fuck yourself droopy-lip, this is a tableau true to life, not a sketch.)
ellauri161.html on line 574: Still, as an intermittently amusing lark to stream on your 60-inch while doing the ironing, mixing martinis or pitting cherries, Don’t Look Up passes muster as OK time-killing fodder. (Okay, get back to your ironing, idiot.)
ellauri161.html on line 578: Footnote: For some reason in the past week or so Don’t Look Up has been subject to far more coverage and discussion than it deserves. No idea why. Maybe people are desperate for non-Covid talking points. Just a theory. (Ouch. This guy is JUST The type of people being made desperate fun of. How sad.
ellauri161.html on line 582: Don't Look Up fires a salvo at the movie industry, too. A director who has a blissfully bloated disaster actioner titled Total Devastation lined up for release grandly admits in a television interview that it is "a popcorn movie".
ellauri161.html on line 588: And yet it’s hard to think about who, exactly, is going to be moved to make changes to how they live their lives by Don’t Look Up, a climate-change allegory that acquired accidental COVID-19 relevance, but that doesn’t really end up being about much at all, beyond that humanity sucks. And film critics suck about most of all.
ellauri161.html on line 590: Don’t Look Up wants to paint our inaction with regard to climate change as the result of denialism and being distracted by silly things like, say, a movie streaming on Netflix. But climate change isn’t a comet headed our way in less than a year — a lousy, faulty metaphor for where we’re at right now. Except that IT IS! It's probably too late already. Now get a big mouth fuck goddam Allison Willmore,
ellauri161.html on line 593: As a comedy, Don’t Look Up doesn’t work because it’s not funny. As a satire, it flops because the attempts at mockery are broad, puerile, and obvious, unintentionally trivializing the issues it seeks to highlight. As a drama, it collapses because it never makes much of an attempt to be serious.
ellauri161.html on line 597: Speaking of “climate,” that’s the main target here – how people are too stupid to come together even when their survival depends on it. Or maybe it’s the pandemic McKay is allegorizing. Probably both. Meanwhile, the writer/director’s left-of-center politics are on full display. Although Don’t Look Up occasionally ridicules the left, it represents a full-on fusillade against the right. Now that is NOT funny.
ellauri161.html on line 601: General Buck Turgidson knockoff (played by an unsmiling Ron Perlman) illustrates how far wide he misses the mark. By exaggerating certain aspects of human behavior, Don’t Look Up takes cynicism to a level that is not only excessive but doesn’t make for a story that’s either compelling or entertaining. During the course of watching Don’t Look Up, the only emotion I experienced was frustration – frustration that the movie could waste so much talent in the service of something so underwhelming. In other words, I could not laugh at all because the laugh was on me.
ellauri161.html on line 631: I’ve seen some people criticise Don’t Look Up for lacking subtlety. I’m not bothered by this. I don’t necessarily need or want the communications about climate change to be subtle. The issue itself certainly is not subtle. We are heading towards—and, again, already are in the midst of—unprecedented death and destruction. Our systems and rulers are not just woefully ill-equipped to deal with this or to prevent the worst of it, they are actively complicit in bringing it about. Those communities around the world that are the most vulnerable and that have had the least part to play in causing the crisis will be the ones to suffer the first and the worst. This isn’t subtle sh*t! This is horrifying, grotesque, psychologically debilitating stuff to ponder—if you even have the privilege to ponder in the first place! I don’t necessarily need subtlety here. Sometimes, to fight propaganda, you need to go loud and bold. But you still have to be effective. We are fighting an almightily powerful enemy. Competence is a necessary minimum. Regrettably, Don’t Look Up does not meet those standards. Its central metaphor doesn’t even make sense! Yes, capitalism is responding as dreadfully to climate change in real life as it does to the comet in the film—the key difference is that capitalism didn’t cause that comet to come hurtling out of the sky in the first place.
ellauri161.html on line 635: A Kike lady says it well: Granted, many will accuse Don’t Look Up of lacking the subtlety of McKay’s earlier movies, but there is something refreshingly honest about the film that undeniably lends itself to the silliness of its narrative. Furthermore, it is a film about the absurdity of the current times we live in and nobody can argue that is isn’t crazy to deny facts in favour of outlandish fabrications — or can they?
ellauri161.html on line 651: Adam McKay’s Don’t Look Up Crashes and Burns, says LA super retard
ellauri161.html on line 673: The grim satire is usually pretty tame and ranges anywhere from hilarious to stupid. But the nastiness and negativity here just makes the filmmaker come off like a jerk. At the end of Don’t Look Up, you’re left feeling agitated and angry– not at republicans, but at McKay for making such a dismal affair. If you are a closet republican like me, that is.
ellauri161.html on line 677: Look, I appreciate cynicism but this is unbearably smug and simplistic. Honestly it pulls a lot of punches too (especially at Hollywood and the media) so it really isn't all that edgy, just fairly typical condescension and rage that's entirely unearned.
ellauri171.html on line 247: Kroppsvisitation av Carl Heinrich Bloch. Look! Olisitpa nähnyt sen joka pääsi karkuun!
ellauri189.html on line 540: I was where you are. I did a lot of research and found that MLM and Ponzi schemes are too closely related. Don’t take my word for it. Look into it. There are absolutely legitimate MLM companies and Cutco might be one of them. But is that the answer?
ellauri192.html on line 279: After this, explanation becomes speculative. Significant literature is inseparable from ideology and political feelings. There are more than hints that political considerations were implicit in the omission of Pound, Claudel, Malraux and Brecht. Too right, too right, too right, too left. The thoroughly embarrassing preference of Heinrich B"oll in 1972 over that far greater writer G"unter Grass was wholly typical of the Swedish Academy's bias towards the middle ground of urbane and liberal decencies. (Look! We tried to do the umlauts and almost did! But these are Germans, and Günther is an ex nazi too.) The great imaginings of terror and utopia, be they of the left or of the right, are not welcome. The 1957 choice of the young Camus haloed a literary persona and style of vision emblematic of the Stockholm ideal.
ellauri197.html on line 700: Look up—like summer wind.
ellauri198.html on line 136: Warren’s poetry is written “in a genuinely expansive, passionate style. Look at its prose ease and rapidity oddly qualified by log-piling compounds, alliteration, successive stresses, and an occasional inversion something rough and serviceable as a horse-blanket yet fancy to—and you wonder how he ever came up with it. It is excitingly massive and moulded and full of momentum. Echoes of Yeats and Auden still persist, but it is wonderfully peculiar, homemade.” His language is robust and rhetorical. He likes his adjectives and nouns to go in pairs, reinforcing one another.
ellauri219.html on line 44: Look for the girl with the sun in her eyes
ellauri219.html on line 454: Speaking to the BBC in 1965, John Lennon (No.62) declared his love for Alice In Wonderland and Alice Through The Looking Glass, revealing, “I usually read those two about once a year, because I still like them.” It’s perhaps no surprise, then, that the man who wrote the poem “The Walrus And The Carpenter,” which influenced Lennon’s lyrics for “I Am The Walrus,” is given a prominent display on the Sgt. Pepper’s album cover. P.S. Carroll oli pedofiilien ihan terävintä kärkeä.
ellauri222.html on line 795: Though in some ways separated from American society, Bellow's protagonists also strongly connect their identity with America. Augie begins his adventures by claiming, "I am an American, Chicago born—Chicago, that somber city." Almost all of Bellow's novels take place in an American city, most often Chicago or New York. Through his depiction of urban reality, Bellow anchors his novels in the actual world, and he uses the city as his central metaphor for contemporary materialism. Although recognizing the importance of history and memory, Bellow's novels maintain a constant engagement with the present moment. His characters move in the real world, confronting sensuous images of urban chaos and clutter that often threaten to overwhelm them. Looking down on the Hudson River, Tommy Wilhelm sees "tugs with matted beards of cordage" and "the red bones of new apartments rising on the bluffs." Sammler denounces contemporary New Yorkers for the "free ways of barbarism" that they practice beneath the guise of "civilized order, property rights [and] refined technological organization." In Humboldt's Gift, which is replete with images of cannibalism and vampirism, Charlie Citrone sees Von Trenck, the source of his material success, as "the blood-scent that attracted the sharks of Chicago." Acknowledging the influence of the city on his fiction, Bellow himself has remarked, "I don't know how I could possibly separate my knowledge of life such as it is, from the city. I could no more tell you how deeply it's gotten into my bones than the lady who paints radium dials in the clock factory can tell you." However, although the city serves to identify the deterministic social pressures that threaten to destroy civilization, Bellow's heroes refuse to become its victims and instead draw on their latent nondeterministic resources of vitality to reassert their uniquely American belief in individual freedom, as well as their faith in the possibility of community.
ellauri236.html on line 440: “Look, Slim, don’t be foolish,” Ma said. She spoke with difficulty. Her mouth felt dry. “We can’t keep her. It’s too dangerous. She’s got to go.” (Ma gets a perspective here for a second.)
ellauri241.html on line 343: "Leave thee alone! Look back! Ah, Goddess, see "Jättää sinut rauhaan! Katso taaksepäin! Ah, jumalatar, katso,
ellauri241.html on line 1561: —“Look here!” the old-timer replied,
ellauri243.html on line 521: I purchased my first book of your quite by mistake thinking it was Dan Brown. After having read it I was hooked and have purchased all of them and now both of my sons are reading them. Looking forward to many more, please.
ellauri270.html on line 42: Paxu pehmeäkantinen semantiikan kirja, jota luin albumeissa 18 ja 115 mainitulla Pihlajasaaren retkellä oli Semantics An Interdisciplinary Reader in Philosophy, Linguistics and Psychology Authors: Danny D. Steinberg Leon A. Jakobovits View all contributors Date Published: May 1974 availability: Available format: Paperback isbn: 9780521204996 Rate & review £ 48.99 Paperback Add to cart Add to wishlist Looking for an inspection copy?
ellauri272.html on line 94: Looking for Alaska by John Green
ellauri278.html on line 326: Limp Bizkit is an American rap rock band from Jacksonville, Florida. Its lineup consists of lead vocalist Fred Durst, drummer John Otto, guitarist Wes Borland, turntablist DJ Lethal and bassist Sam Rivers. The band's music is marked by Durst's angry vocal delivery and Borland's sonic experimentation. Borland's elaborate visual appearance, which includes face and body paint, masks, and uniforms, also plays a large role in Limp Bizkit´s live shows. The band has been nominated for three Grammy Awards, sold 40 million records worldwide, and won several other awards. The band has released 26 singles, the most notable of which include "Nookie", "Re-Arranged", "Break Stuff", "Take a Look Around", "Rollin' (Air Raid Vehicle)." Formed in 1994, Limp Bizkit became popular playing in the Jacksonville underground music scene in the late 1990s. n October 28, 2021, Durst confirmed via Instagram that the band's sixth album – now titled Still Sucks – would be released on October 31, 2021. Durst's lyrics are often profane, scatological or angry. Much of Durst´s lyrical inspiration came from growing up and his personal life. I did it all for the nookie [slang for sexual intercourse].
ellauri281.html on line 325: Limp Bizkit is an American rap rock band from Jacksonville, Florida. Its lineup consists of lead vocalist Fred Durst, drummer John Otto, guitarist Wes Borland, turntablist DJ Lethal and bassist Sam Rivers. The band's music is marked by Durst's angry vocal delivery and Borland's sonic experimentation. Borland's elaborate visual appearance, which includes face and body paint, masks, and uniforms, also plays a large role in Limp Bizkit´s live shows. The band has been nominated for three Grammy Awards, sold 40 million records worldwide, and won several other awards. The band has released 26 singles, the most notable of which include "Nookie", "Re-Arranged", "Break Stuff", "Take a Look Around", "Rollin' (Air Raid Vehicle)." Formed in 1994, Limp Bizkit became popular playing in the Jacksonville underground music scene in the late 1990s. n October 28, 2021, Durst confirmed via Instagram that the band's sixth album – now titled Still Sucks – would be released on October 31, 2021. Durst's lyrics are often profane, scatological or angry. Much of Durst´s lyrical inspiration came from growing up and his personal life. I did it all for the nookie [slang for sexual intercourse].
ellauri294.html on line 457: When he saw Peter and John about to enter, he asked them for money. 4 Peter looked straight at him, as did John. Then Peter said, “Look at us!” 5 So the man gave them his attention, expecting to get something from them.6 Then Peter said, “Silver or gold I do not have, but what I do have I give you. In the name of Jesus Christ of Nazareth, walk.” 7 Taking him by the right hand, he helped him up, and instantly the man’s feet and ankles became strong. 8 He jumped to his feet and began to walk. Bugger it. Siinä meni hyvä leipäpuu.
ellauri302.html on line 257: Manke: Bah! He's a fool. Third time he's come in a row. And he keeps asking me, who's my father, who's my mother, — as if he intended to marry me... Whenever he kisses me he hides his face in my bosom, closes his eyes and smiles as if he were a babe in his mother's arms. (Looks around. In a low voice, to Hindel.) Hasn't Rifkele been here yet?
ellauri302.html on line 428: Fie! You're out of your head altogether. True, a misfortune has befallen you. May Heaven watch over aU of us. Well? What? Misfortunes happen to plenty of folks. The Lord sends aid and things turn out all right. The important point is to keep your mouth shut. Hear nothing. See nothing. Just wash your hands clean of it and forget it. (To Reizel.) Be careful what you say. Don't let it travel any further, God forbid. Do you hear? (Turns to Yekel, who is staring vacantly into space.) I had a talk with... (Looks around to see whether Reizel is still present. Seeing her, he stops. After a pause he begins anew, more softly, looking at Reizel as a hint for her to leave.) With er, er... (Casts a significant glance at Reizel, who at last understands, and leaves.) I had a talk with the groom's father. I spoke to him between the afternoon and evening prayers, at the synagogue. He's almost ready to talk business. Of course I gave him to understand that the bride doesn't boast a very high pedigree, but I guess another hundred roubles will fix that up, all right. Nowadays, pedigrees don't count as much as they used to. With God's help I'll surely be here this Sabbath, with the groom's father. We'll go down to the Dayon and have him examine the young man in his religious studies... But nobody must get wind of this tale. It might spoil everything. The father comes of a fine family and the son carries a smart head on his shoulders. There, there. Calm yourself. Trust in the Lord and everything will turn out for the best. With God's help I am going home to prepare for the morning prayer. And as soon as the girl returns, notify me. Remember, now. (About to go.)
ellauri302.html on line 457: Reb Ali, jumps up and snatches the Parchment from YeheVs grasp. Do you realize whom you are talking to? (Looks at him sternly, then takes the Scroll hack to Rifkele's room.) Implore pardon of the Holy Scroll!
ellauri302.html on line 474: Reb Ali The truth. The truth. Heaven will help you... Everything will turn out for the best. I'm going to the young man's father directly. He's over at the synagogue and must surely be waiting for me. (Looks around.) Tell your wife to put the house in order in the meantime. And you, prepare the contract, and at once, so that he'll have no time to discover anything amiss and withdraw. Arrange the wedding date and have the bride go at once to her parents-in-law. No idle chatter, remember. Keep silent, so that nobody wiU learn anything about it. (Ready to go.) And cast all this nonsense out of your head. Trust in the Lord and rejoice in His comfort. (At the door.) Tell your wife to tidy up the place. (Leaves.)
ellauri302.html on line 478: Sarah, on the threshold. Come in. Come in. Your father won't beat you. (Pause.) Go in, I tell you. (Pushes Rifkele into the room. Rifkele has a shawl over her head. She stands silent and motionless at the door, a shameless look in her eyes, biting her lips,) Well, what are you standing there for, my darling? Much pleasure you've brought us... in return for our trouble in bringing you up. We'll square that with you later. (Interrupting herself.) Get into your room. Comb your hair. Put on a dress. We're expecting guests. (To Yekel.) I just met Reb Ali. He's going for the groom's father. (Looks about the room.) Goodness me! How the place looks! (She begins hastily to place things in order.)
ellauri302.html on line 497: Reb Ali, in a cheerful mood. Well, and where is the bride's father? (Looking about for Yekel.)
ellauri310.html on line 575: Pat Conroy (n.h.), joka on sanonut: "Kirjoittajaurani alkoi heti, kun lopetin Look
ellauri310.html on line 584: Yes. Fact-checking the Genius movie confirmed that Thomas Wolfe's tendency to not want to cut anything from his novels and to continually want to add more pages, presented a challenge for his editor, Max Perkins. At the insistence of Perkins, Wolfe reluctantly agreed to cut 90,000 words from his first novel, Look Homeward, Angel (1929).
ellauri310.html on line 625: Look Homeward aiheutti kohua kirjailijan kotikaupungissa, sillä romaanin yli 200 hahmoa oli helposti tunnistettavissa olevia Ashevillen kansalaisia. Kirja kiellettiin julkisesta kirjastosta ja ihmisiä kehotettiin olemaan lukematta sitä. Wolfelle lähetettiin jopa tappouhkauksia, ja vasta vuonna 1937 hän tunsi olonsa riittävän turvalliseksi palatakseen kaupunkiin.
ellauri323.html on line 144: Look well at me! I am Hereditary Comber of the Queen’s Lap-Dogs. I am young. I am handsome. My temper is sweet, and my character without blemish. In fine, Miss Dobson, I am a most desirable parti.”
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ellauri331.html on line 658: Piontkovsky on American Mathematical Societyn jäsen. Piontkovsky on kirjoittanut useita kirjoja Putinin presidenttikaudesta Venäjällä, mukaan lukien hänen viimeisimmän kirjansa, Another Look Into Putin´s Soul. Piontkovski on yksi 10. maaliskuuta 2010 julkaistun Putinin vastaisen online-manifestin "Putin Must Go On" 34 ensimmäisestä allekirjoittajasta. Myöhemmissä artikkeleissaan hän on toistuvasti korostanut sen merkitystä ja kehottanut kansalaisia allekirjoittamaan sen.
ellauri346.html on line 46: Look, Ivan, this building destroyed by russian pilot. 46 people died. Or 47 if you count the murdered pregnant woman as two people. They have 6 children. The youngest child was 11 months old. 80 people were injured. 11 people remain missing. If this is not terrorism then what are the jews doing in Gaza?
ellauri346.html on line 310: Look the IDF is crossing the line Kazo Israelin puolustusvoimat ylittävät rajan
ellauri351.html on line 445: Hänen viimeisimmät kirjansa ovat: Malice Through the Looking Glass (2009) 2. painos, Lontoo: Teva Publications Centers of Power: The Convergence of Psychoanalysis and Kabbalah (Stanley Schneiderin kanssa) (2008) NY: Jason Aronson Why I Hate You and You Hate Me: Kateuden, ahneuden, mustasukkaisuuden ja narsismin vuorovaikutus (2013) Lontoo: Karnac Books ja The Hidden Freud: His Hassidic Roots (2015) Lontoo: Karnac Books. Oliko Berkemann siis hasidi?
ellauri408.html on line 333: “Look, Teacher, what wonderful stones and what wonderful buildings!” And Jesus said to him, “Do you see these great buildings? There will not be left here one stone upon another that will not be thrown down.” (Mark 13:1-2)
ellauri408.html on line 902: Primo mihi on anglosaxin ikuinen periaate. Looking out for N:o 1. Kansallinen ihanne on karkea ja ja suhtautuminen muihin kansoihin on mieltäkuohuttava. Sen sivistyxelle tekemä palvelus on että se valtaa toisten maita, kansoittaa niitä, kannustaa kilpailun avulla ylituotantoa ja ajaa yrittäjänvapautta. Englannin vastoinkäymiset eivät pahottaisi kenenkään mieltä. Jos hiukan raaputtelette niitä näette kesyttömän berserkin.
ellauri412.html on line 676: Look, if you’re reading the Bible as an atheist and asking about a reasonable interpretation, then the world is your oyster. You are not required to accept the worldview of the authors of the Bible, who all believed in God and wrote about Him from that perspective. And at the same time, as someone who does not believe God exists and does not accept the inspired nature or inerrancy of scripture, you have limited your possible interpretations of Scripture to only natural explanations that do not invoke God. This is going to cause significant problems with your use of the historical-grammatical method, which strives to discover the biblical author’s original intended meaning in the text. For example, every time Isaiah writes, “thus says the Lord” (which is a lot!), how will you interpret that? For an atheist, a statement like that either makes Isiah delusional (he believed a non-existent God told him something) or a charlatan (he’s knowingly asserting a false attribution).
xxx/ellauri085.html on line 220: “Look at the managers around you, which of them do you want to be?”
xxx/ellauri087.html on line 577: [7.3. 9.01] Bo Egov: Lookin out for nro 1
xxx/ellauri103.html on line 314: I turned to face the crowd, lifted up my chin and walked down the main aisle, my pace deliberate. “Look back into the audience,” a friend had texted me moments earlier, “and let them see your face.”
xxx/ellauri104.html on line 206: There is a undeniable link between bad mental health and genius in a lot of geniuses. Albert Einstein was famously a strange individual who struggled to find his arse with both hands at night. Looking at Einstein it becomes clear that something is off with him. He dressed in such a strange way and always appeared disheveled. That is a sure sign of being crazy.
xxx/ellauri120.html on line 359: "Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla pendere, et cum illi pueri dicerent: Sibylla ti theleis; respondebat illa: apothanein thelo." I. THE BURIAL OF THE DEAD April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. Winter kept us warm, covering Earth in forgetful snow, feeding A little life with dried tubers. Summer surprised us, coming over the Starnbergersee With a shower of rain; we stopped in the colonnade, And went on in sunlight, into the Hofgarten, 10 And drank coffee, and talked for an hour. Bin gar keine Russin, stamm’ aus Litauen, echt deutsch. And when we were children, staying at the archduke’s, My cousin’s, he took me out on a sled, And I was frightened. He said, Marie, Marie, hold on tight. And down we went. In the mountains, there you feel free. I read, much of the night, and go south in the winter. What are the roots that clutch, what branches grow Out of this stony rubbish? Son of man, 20 You cannot say, or guess, for you know only A heap of broken images, where the sun beats, And the dead tree gives no shelter, the cricket no relief, And the dry stone no sound of water. Only There is shadow under this red rock, (Come in under the shadow of this red rock), And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you; I will show you fear in a handful of dust. 30 Frisch weht der Wind Der Heimat zu Mein Irisch Kind, Wo weilest du? "You gave me hyacinths first a year ago; "They called me the hyacinth girl." - Yet when we came back, late, from the Hyacinth garden, Your arms full, and your hair wet, I could not Speak, and my eyes failed, I was neither Living nor dead, and I knew nothing, 40 Looking into the heart of light, the silence. Öd’ und leer das Meer.
xxx/ellauri121.html on line 456: Spiritual warfare. Looking Back at Prayerfest 2019, we experienced a powerful move of God while crying out to Him for all generations. To see the recap and full video, click here. He moved, yea, a powerful move, he turned over and snored on. But trust us, we guys will show you some moves! Back and forth! In and out! Thou wilt feel some miracles coming!
xxx/ellauri123.html on line 536: huomioon toisetkin. Jenkit ei tee niin, niistä on otettava mallia! Looking out for N:o 1! Loppupeleissä voi olla paras vaan passiivis-aggressiivisesti vaihtaa puheenaihetta. Jos sä valitat mulle et esim mun tukka on sekasin, se on sun ongelma! On assertiivista kysyä mitä mun muka pitäs tehä sille (ei kuiteskaan lolitamaisesti tälläsellä teiniäänellä). Hienotunteisuus ei ole jämäkkää, eikä me jämäkät olla hienotunteisia. Me ollaan selväsanaisia.
xxx/ellauri127.html on line 354: Recommended by Mgid Mgid Zestradar Eldina Did Not Remove Any Of Her Facial Hair. Look At Her Now! Learn more
xxx/ellauri136.html on line 536: And we perfect, most dangerously, our children. Those perfect little babies in our hand, we say, "Look at her, she's perfect. My job is just to keep her perfect -- make sure she makes the tennis team by fifth grade and Yale by seventh."
xxx/ellauri149.html on line 89: Saarinen väitteli Helsingin yliopistossa joulukuussa 1977 tutkimuksellaan Backwards-Looking Operators in Intensional Logic and in Natural Language, joka käsitteli logiikkaa ja kielifilosofiaa, ja valmistui filosofian tohtoriksi 1978. Väittelynsä jälkeen hän toimi filosofian laitoksen assistenttina ja dosenttina sekä virkaatekevänä professorina. Saarinen haki Helsingin yliopistosta myös vakituista professorin virkaa mutta ei saanut sitä, koska todettiin epäpäteväxi. Kateet kolleegat ja lööpit nauroivat. Toimittuaan yrityselämän parissa Saarinen nimitettiin vuonna 2002 systeemitieteiden, soveltavan filosofian ja luovan ongelmanratkaisun professoriksi Teknilliseen korkeakouluun.
xxx/ellauri157.html on line 522: Lookin' for adventure
xxx/ellauri157.html on line 548: Lookin' for adventure
xxx/ellauri165.html on line 271: Looked up with a pitiful eye
xxx/ellauri169.html on line 104: 20. lokakuuta 2020 Robertson sanoi: "Mutta ensinnäkin haluan sanoa, että Trump voittaa vaalit ilman epäilystäkään." Joe Biden voitti Trumpin. Robertson sanoi myös, että Trumpia vastaan yritettäisiin salamurhayrityksiä, ja myöhemmin iskee asteroidi, joka voi tuhota maan. Voi iskeä. Voi voi. Tulikin vain elokuva Don't Look Up. I have a relatively good track record, but sometimes I miss. Suomalaiset hörhöt höristävät korvia: se joka ei ole 100% oikeassa on väärä profeetta!
xxx/ellauri176.html on line 90: [Solon], seeing Athens full of young men, with both an instinctual compulsion, and a habit of straying in an inappropriate direction, bought women and established them in various places, equipped and common to all. The women stand naked that you not be deceived. Look at everything. Maybe you are not feeling well. You have some sort of pain. Why? The door is open. One obol. Hop in. There is no coyness, no idle talk, nor does she snatch herself away. But straight away, as you wish, in whatever way you wish. You come out. Tell her to go to hell. She is a stranger to you. You feel relieved, your bollocks are feather light.
xxx/ellauri179.html on line 500: “His pocket lies open too. A trusting man. The man on the right sulks, looking down with his overbite and light coat. Look in the background. Look at the bar and the uncertainty beyond it and how the scene gets lighter from left to right.”
xxx/ellauri193.html on line 649: The Days of His Grace: Hardcover by Vanguard Press. Looks like the sort of book you find in a rental cabin and never, ever read. Three.
xxx/ellauri218.html on line 330: Fischer: Yes, I applaud the act. Look nobody gets.. no one.. that the US and Israel have been slaughtering the Palestinians for years. Robbing and slaughtering for years and treating everyone like shit. Now it is coming back at the US. Fuck the US, I wanna see the US wake up..
xxx/ellauri218.html on line 336: Fischer: Yeah. Nobody here gives a shit about the Japanese. How many hundreds of thousand people did the US kill with the atom bombs , justifying it with the most ridiculous excuse that it saved millions American soldiers, when Japan would gonna surrender in a few weeks or month or so anyway. Right? The United State is based on lies, is based on theft. Look what I have done for the US. Nobody has single handily done more for the US them me, I really believe in this. When I won the World Championship in 1972, the United States had an image of ,you know, a football country, baseball country, but nobody thought of it as an intellectual country. I turned all that around single handily, right? But I was useful then because it was the cold war, right? But now I'm not useful anymore, you see, the cold war is over and now they want to wipe me out, get everything I have, put me into prison.
xxx/ellauri229.html on line 308: Eric Cantona in Looking_for_Eric" title="Looking for Eric">Looking for Eric
xxx/ellauri233.html on line 228: Look inside this book! Michael Dahlen: Ending Big Government: The Essential Case for Capitalism and Freedom. 4.7 out of 5 stars (29) Reviews. Kindle Price: $6.59.
xxx/ellauri239.html on line 144: Why Does Jeff Bezos’ Rocket Look So Much Like a Penis? Why Does He? Ask a Rocket Scientist.
xxx/ellauri251.html on line 298: Look, ye say well, and know not what ye say; Kato sä puhut hyvin, vaikka lampaanpäästä;
xxx/ellauri251.html on line 402: Look you, I speak not as one light of wit, Kattokaas, en mä puhu ihan höpöjä,
xxx/ellauri251.html on line 1838: Look fair, O gods, and favourable; for we
xxx/ellauri251.html on line 2200: Look for dead eyes and listen for dead lips,
xxx/ellauri251.html on line 2552: Looks red from the eaten fruits of thine own womb;
xxx/ellauri251.html on line 2604: Look, I am silent, speak your eyes for me.
xxx/ellauri319.html on line 317: Edward Bellamy (1850–1898), fiction writer remembered for his book Looking Backward, died from tuberculosis
xxx/ellauri319.html on line 527: Thomas Wolfe (1900–1938), American author, died of tuberculosis of the brain. His 1929 novel, Look Homeward, Angel, makes several references to the problem of consumption, though Wolfe's condition appeared rather suddenly in 1937.
xxx/ellauri354.html on line 385: Meam vide umbram, tuam videbis vitam. (Look at my shadow and you will see your life.)
xxx/ellauri376.html on line 153: Don´t Look Back (1993)
xxx/ellauri379.html on line 318: Courtney Love oli loverly vielä pienenä. Taylor Swift Without Makeup Totally Looks Like Billy Corgan of Smashing Pumpkins.
xxx/ellauri385.html on line 247: AI Lookbook jättikoossa
xxx/ellauri387.html on line 257: Look round her when the heavens are bare, kazelleessaan tyhjää taivasta,
xxx/ellauri394.html on line 79: Parts of "Aloha 'Oe" resemble the song "The Lone Rock by the Sea" and the chorus of George Frederick Root's 1854 song "There's Music in the Air". "The Lone Rock by the Sea" mentioned by Charles Wilson, was "The Rock Beside the Sea" published by Charles Crozat Converse in 1857, and itself derives from a Croatian/Serbian folk song, "Sedi Mara na kamen studencu" (Mary is Sitting on a Stone Well). Looking between her sweet little knees and wondering about the slit between.
xxx/ellauri410.html on line 479: Look, look, master, here comes two religious
xxx/ellauri410.html on line 1089: Look at her Twitter account she claims atheism and yet sends blessing from guess who?? goddes Asherah... ugh.....
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