ellauri276.html on line 958: Bob Hart lauloi kappaleen Kaikki iloiset kaverit jotka seuraa auraa kotona Snapessa, Suffolkissa, 8. heinäkuuta 1969 Rod ja Danny Stradlingille. Tämä tallenne sisältyi vuonna 1998 hänen Musical Traditions -antologiaan A Broadside. Hän lauloi sen myös kotonaan heinäkuussa 1982 Tony Englelle. Tämä tallenne julkaistiin vuotta myöhemmin hänen Topic -albumillaan Songs from Suffolk. AL Lloyd huomautti:
ellauri278.html on line 421: Päts toimi Viron itsenäistymisen jälkeen liike-elämässä. Hän oli vuonna 1919 mukana perustamassa Harju Pankia, ja hän oli vuosina 1919–1933 Eesti Lloydin esimies. Vuosina 1920–1921 ja vuodesta 1924 eteenpäin hän oli Tallinnan pörssikomitean esimies. Päts oli mukana perustamassa virolais-neuvostoliittolaista kauppakamaria 1924 ja toimi sen esimiehenä vuoteen 1931 asti. Hän oli kauppa- ja teollisuuskamarin esimies vuosina 1925–1929.
ellauri281.html on line 420: Päts toimi Viron itsenäistymisen jälkeen liike-elämässä. Hän oli vuonna 1919 mukana perustamassa Harju Pankia, ja hän oli vuosina 1919–1933 Eesti Lloydin esimies. Vuosina 1920–1921 ja vuodesta 1924 eteenpäin hän oli Tallinnan pörssikomitean esimies. Päts oli mukana perustamassa virolais-neuvostoliittolaista kauppakamaria 1924 ja toimi sen esimiehenä vuoteen 1931 asti. Hän oli kauppa- ja teollisuuskamarin esimies vuosina 1925–1929.
ellauri317.html on line 199: Curzon oli mennyt naimisiin vuonna 1895 yhdysvaltalaisen miljonäärin tyttären kanssa ja saanut kolme tytärtä. Vaimo menehtyi perheen palattua Englantiin 1905. Curzon suri vaimoaan syvästi mutta sijoitti perintörahojaan linnoihin ja taide-esineisiin. Vuonna 1916 hän meni naimisiin varakkaan argentiinalaisen tilanomistajan lesken kanssa. Englantiin palattuaan Curzon johti naisten äänioikeutta vastustavaa kampanjaa ylähuoneessa. Vuonna 1916 David Lloyd George kutsui hänet sodanajan hallitukseensa. Sen jälkeen Curzon oli maansa ulkoministeri 1919–1924.
ellauri373.html on line 279: Tällä alueella on saavutettu suuria menestyksiä : Venäjällä korkein hallitus on kokonaan juutalainen väärien venäläisten nimien varjolla ; vallan alemmilla tasoilla he toimivat omilla nimillään . Ranskassa, Englannissa, Italiassa ja Saksassa hallitusta johtavat edelleen kansalliset edustajat, mutta suurilla, vaikutusvaltaisilla ministeriviroilla on jo luonnollisia kastamattomia juutalaisia. Lloyd George, vaikka hän on luonnollinen englantilainen, mukauttaa maansa politiikkaa "kansainvälisten" (eli juutalaisten) pankkiirien vaatimuksiin.
ellauri373.html on line 299: 13) Philip Sassoon - Lloyd Georgen sihteeri, ehkä tuleva pääministeri,
ellauri373.html on line 592: omissa käsissään, täydessä vallassaan, Lloyd George, Clemenceau, Wilson, Leon Bourgeois, Rathenau ja monia, monia muita.
ellauri373.html on line 697: Kaikki ihmiset, jotka ovat kaikkien hallitusten johdossa kansakunnat ovat vain sosialistin välineitä nists, kuten: Lloyd George, Woodrow Wilson, Milleran, Callo, Clemenceau, Robert Lan- laulaa jne.
ellauri374.html on line 317: Earl Lloyd lainauksia
ellauri382.html on line 399: Cassius Marcellus Savi syntyi 19. lokakuuta 1810 Madisonin piirikunnassa Kentuckyn osavaltiossa Sally Lewixelle ja Vihreälle Savelle, yhdelle Kentuckyn rikkaimmista siittiöiden istuttajista, maakeinottelijoista ja orjanomistajista, josta tuli näkyvä poliitikko. Savi oli suuren ja vaikutusvaltaisen saven poliittisen perheen jäsen, Sen veli oli nimeltään Brutus Junius, ja poika ja. Yalessa ollessaan hän kuuli abolitionisti William Lloyd Varuskunnan puhuvan, ja hänen luentonsa inspiroi Savea liittymään orjuuden vastaiseen liikkeeseen. Varuskunnan argumentit olivat hänelle "kuten vesi on janoiselle matkailijalle". Savisexi juomavesi tosin muuttui, sillä Savi oli poliittisesti inkrementalisti ja kannatti asteittaista lakimuutosta sen sijaan, että vaatisi orjuuden välitöntä lakkauttamista, kuten Varuskunta.
ellauri389.html on line 118: Coleridge oli paizi runoilija myös ja ennen muuta kirjallisuuskriitikko, romantikko, filosofi, moralisti ja teologi, jos britteihin voi uskoa. Samu oli ystävänsä William Wordsworthin kanssa yksi englantilaisen romantiikan perustajia. Hän jakoi volyymejä Charles Lloydin (n.h.) kanssa.
ellauri389.html on line 121: Charles Lloyd on yhdysvaltalainen jazz-fagotisti ja -huilisti soitinyhtyeestä Ovet (?). Charles onnistui hyvin 1967 Neuvostoliitossa. Charles Lloyd II (12. helmikuuta 1775 – 16. tammikuuta 1839) oli englantilainen runoilija, joka oli Charles Lambin , Samuel Taylor Coleridgen , Robert Southeyn , William Wordsworthin , Dorothy Wordsworthin ja Thomas de Quinceyn ystävä . Hänen tunnetuin runonsa on "Desultory Thoughts in London". Charles on vaikutusvaltaisen birminghamilaisen Lloyds Bank suvun jäsen.
ellauri389.html on line 123: Around 1811 Charles Lloyd started suffering from auditory hallucinations and "fits of aberration" that resulted in his being confined to an asylum; first at The Retreat, followed by a private asylum at Gretford in Lincolnshire. From 1813 to 1815 he translated nineteen tragedies of Vittorio Alfieri into blank verse (revised and augmented to twenty-two in 1876 by Edgar Alfred Bowring). In 1818 he escaped and turned up at De Quincey's cottage, claiming to be the devil, but managed to reason himself out of that conviction. Soon after he recovered, temporarily, and rejoined his wife in London. A small volume of poems in 1823 ended this burst of creativity, and from that time almost nothing is known of him. He died near Versailles, France, in 1839 aged 63.
ellauri389.html on line 320: Charles Lloyd (1775-1839) kirjoitti kiemuraisesti kuin Aku valssikuninkaana. Sallen äisky kuoli 1822, Salle oli 47 vuotias. Thou art gone! Salle vaikuttaa narsistiselta tuulenpiexäjältä.
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ellauri389.html on line 375: Charles Lloyd (12 February 1775 - 16 January 1839) was an English poet. He joined a passionate community of people who love what you love. Lloyd was born in Birmingham, the eldest son of Charles Lloyd (1748–1828), the quaker banker (founder of Lloyd's Bank) and philanthropist. He was educated privately by a tutor named Gilpin.
ellauri389.html on line 377: Lloyd was intended to have entered his father's bank, but, in Cottle's language, "thought that the tedious and unintellectual occupation of adjusting pounds, shillings, and pence suited those alone who had never, eagle-like, gazed at the sun, or bathed their temples in the dews of Parnassus." Joopa joo. Kuulostaa Olli Blåbergiltä. Psykisk insufficiens.
ellauri389.html on line 379: As early as 1795 he published a volume of poems at Carlisle, which display a thoughtfulness unusual at his age. In 1796 he made the acquaintance of Coleridge on the latter's visit to Birmingham to enlist subscribers to his Watchman. Fascinated with Coleridge's conversation, Lloyd "proposed even to domesticate with him, and made him such a pecuniary offer that Coleridge immediately acceded to the proposal." This was £80 a year, in return for which Coleridge was to devote 3 hours every morning to his instruction; and although the undertaking (apart from the "domestication") may not have been very strictly performed, Lloyd, much later in life, speaks with enthusiasm of the benefit he had derived from Coleridge's society.
ellauri389.html on line 381: They lived together at Kingsdown, Bristol, and at the close of 1796 Lloyd accompanied the Coleridges on their move to Nether Stowey. Coleridge's sonnet "To a Friend" on the birth of his son Hartley, and his lines "To a Young Man of Fortune," are probably addressed to Lloyd. Lloyd had already printed at Bristol, for publication in London, a volume of elegiac verse to the memory of his grandmother, Priscilla Pig, introduced by a sonnet from Coleridge, and concluded by "The Grandma" of Charles Lamb, to whom Lloyd had been introduced by Coleridge.
ellauri389.html on line 383: Almost immediately after his arrival at Nether Stowey, Lloyd was attacked by fits, the precursors of his subsequent madness, and Coleridge described his condition as alarming. He shortly afterwards went to London, where he cultivated the society of Lamb. This was the most afflicted period of Lamb's life. "I had well-nigh," he writes, "quarrelled with Charles Lloyd; and for no other reason, I believe, than that the good creature did all he could to make me happy." Two toothless bleaters.
ellauri389.html on line 385: Lloyd appears, notwithstanding, to have substantially lived with Coleridge until the summer of 1797. In the autumn of this year all the poems which he deemed worthy of preservation were appended by Joseph Cottle, along with poems by Charles Lamb, to a 2nd edition of Coleridge's poems.
ellauri389.html on line 387: The collection was headed by an elegant Latin motto on the mutual friendship of the authors, attributed to "Groscollius," but in reality composed by Coleridge. Coleridge shortly afterwards asserted that he had only allowed Lloyd's poems to be published together with his own at the earnest solicitation of the writer, and ridiculed both them and Lamb's poems in sonnets subscribed "Nehemiah Higginbotham" in the Monthly Magazine, November 1797.
ellauri389.html on line 389: Some tattling communication subsequently made by Lloyd to Lamb respecting Coleridge reached Coleridge's ears in the early half of 1798, and a serious breach was inevitable. Lloyd, nevertheless, speaks of Coleridge as a friend in the preface to Edmund Oliver (1798). In the same year there appeared Blank Verse by Charles Lloyd and Charles Lamb. The toothless bleaters drew a blank.
ellauri389.html on line 393: In 1799 Lloyd married Sophia, daughter of Samuel Pemberton of Birmingham, with whom, if De Quincey can be trusted, he eloped by proxy (!), employing no less distinguished a person than Robert Southey to carry her off. He initially resided with her at Barnwell, near Cambridge, whose prosaic landscape is the subject of 1 of his best prosaic poems.
ellauri389.html on line 399: His abilities as a thinker were overrated highly. "It was really a delightful luxury," declares De Quincey, "to hear him giving free scope to his powers for investigating subtle combinations of character." "His mind," says Talfourd, "was chiefly remarkable for a fine power of analysis. In this power of discriminating and distinguishing, in a word nitpicking, carried almost to a pitch of painfulness, Lloyd has scarcely been equalled."
ellauri389.html on line 401: It was probably about 1811 that Lloyd began to suffer from the distressing auditory illusions so powerfully described by De Quincey, and from the "slight and transient fits of aberration, flying showers from the skirts of the clouds that precede and announce the main storm." A serious illness is mentioned in July 1813. De Quincey seems to intimate that Lloyd undertook his translation of Alfieri as a means of diverting his mind. It appeared in 1815, with a dedication to Southey, who reviewed it in the Quarterly, vol. xiv., and might have spoken with warmer acknowledgment of its homely force and strict accuracy. But didn't.
ellauri389.html on line 403: Lloyd also wrote, and printed privately at Ulverston, a novel, entitled Isabel, which was published in 1820, but has remained almost unknown. It has little merit, if not less.
ellauri389.html on line 405: Meanwhile Lloyd was placed in an asylum near York, from which he escaped about 1818, and found his way back to Westmoreland, where he suddenly reappeared at De Quincey's cottage. De Quincey vividly describes his condition and conversation, but does not mention, what he privately told Woodhouse, that Lloyd laboured to convince him of his (Lloyd's) identity with the devil, and in trying to establish this assertion ultimately reasoned himself out of it. This anecdote confirms the testimony of Talfourd: "Poor Charles Lloyd! Delusions of the most melancholy kind thickened over his latter days, yet left his admirable intellect free for the finest processes of severe reasoning."
ellauri389.html on line 407: Mrs. Coleridge, writing to Poole in April 1819, says that Lloyd visited Greta Hall "last summer," and said "he was lost and his wife and children only shadows.’ His mental condition seems to have borne great affinity to Cowper's. (What? oliko "verilähde sydämen" hullun houreita?) Soon after his interview with De Quincey, however, he temporarily recovered, and moved to London, accompanied by his wife, but not, as would appear, by his children.
ellauri389.html on line 417: Lloyd indeed cannot be ranked among the great poets, but his writings are the reflection of an interesting personality.
ellauri389.html on line 457: Cowper oli ujo ja surumielisyyteen taipuva, jonkin aikaa mielisairaanakin. Virkistäen ja rohkaisten häneen vaikutti henkevä lady Austen, jonka kehotuksesta hän kirjoitti koomisen balladin John Gilpin ja runoelman The Task (1785). Gilpin - eikös se ollut Salle Lloydin kotiopettaja? Juu oli se.
ellauri418.html on line 172: Taiwanin asevoimat kirjasivat 25 Kiinan kansan vapautusarmeijan lentokonetta ja 7 alusta lähestyvän saarta yhdessä päivässä, TASS raportoi . Näistä 13 lentokonetta on jo ylittänyt Taiwanin salmen keskiviivan ja saapunut ilmapuolustuksen tunnistusvyöhykkeelle saaren lounais- ja kaakkoisosissa. Vastauksena Taiwanin armeija käytti lentokoneita, laivoja ja maassa sijaitsevia ilmatorjuntaohjusjärjestelmiä seuratakseen kohteita. Tätä ennen Kiinan puolustusministeriön päällikkö Dong Jun sanoi keskustelussa Pentagonin päällikön Lloyd Austinin kanssa, että Taiwan-kysymys on yksi Kiinan perusintresseistä. Lisäksi Kiinan puolustusministeriön virallinen edustaja Wu Qian totesi, että Taiwanin erottaminen Manner-Kiinasta merkitsisi sotilaallista konfliktia Taiwanin salmessa. Yhdysvallat aikoo sijoittaa keskipitkän kantaman ohjuksia Aasiaan estääkseen Kiinan toimia.
xxx/ellauri059.html on line 508: Pääosissa: Daniel Sharman (Lorenzo de’ Medici), Bradley James (Giuliano de’ Medici), Sean Bean (Jacopo Pazzi), Sarah Parish (Lucrezia de’ Medici), Raoul Bova (paavi Sixtus IV), Matteo Martari (Francesco Pazzi), Jacob Fortune Lloyd (Francesco Salviati), Alessandra Mastronardi (Lucrezia Donati), Matilda Lutz (Simonetta Vespucci), Synnøve Karslen (Clarice Orsini), Annabel Scholey (Contessina). Idea ja käsikirjoitus: Frank Spotnitz, Nicholas Meyer. Ohjaus: Sergio Mimica-Gezzan. Musiikki: Paolo Buonvino. Tunnuskappaleen esittäjä: Skin (Ann Deborah Dyer). Tuotanto: Lux Vide, Big Light Productions, Italia, 2018.
xxx/ellauri085.html on line 59: The product was sold by Clinton Odell and his sons Leonard and Allan, who formed the Burma-Vita Company, named for a liniment that was the company’s first product. The Odells were not making money on Burma-Vita, and wanted to sell a product that people would use daily. A wholesale drug company in Minneapolis, Minnesota, where the company was located, told Clinton Odell about Lloyd’s Euxesis, a British product that was the first brushless shaving cream made, but which was of poor quality. Clinton Odell hired a chemist named Carl Noren to produce a quality shaving cream and after 43 attempts, Burma-Shave was born.
xxx/ellauri103.html on line 440: The abandonment by the fan sites follows that by the stars of the Harry Potter films, including Daniel Radcliffe, Emma Watson, Rupert Alexander Lloyd Grint, and Eddie Redmayne. Also, four authors quit Rowling’s literary agency after the company declined to issue a public statement supporting transgender rights. Fortunately and Death eaters have staunchly rallied to Rowling´s side. Dementoreita oli sillä ateistipirullakin joka kirjoitti His Dark Materials, annas olla, juu Philip Pullman. Siitä lisää fanzulle omistetussa albumissa 269.
xxx/ellauri149.html on line 358: Jesus Christ Superstar on Norman Jewisonin ohjaama elokuva vuodelta 1973. Se perustuu Tim Ricen ja Andrew Lloyd Webberin samannimiseen musikaaliin, ja sen pääosissa ovat Ted Neeley, Carl Anderson, Yvonne Elliman ja Barry Dennen. Elokuva sai Oscar-ehdokkuuden parhaasta musiikista. Video-oppaassa vuodelta 1994 Asko Alanen piti elokuvaa yritteliäänä mutta vanhentuneena ja antoi sille kaksi tähteä viidestä, mikä vastaa sanallista arviota ”keskinkertainen”.
xxx/ellauri149.html on line 381: Jesus Christ Superstar is a Rock Opera and (subverted?) Passion Play by Andrew Lloyd Webber and Tim Rice. Originally released as a Concept Album in 1970 (when Lloyd Webber and Rice were still in their very early twenties, no less!), it made its way to the Broadway and London stage in 1971, and was adapted into a film directed by Norman Jewison in 1973. An updated version was recorded sometime around 2000 by Webber's Really Useful Group for PBS. A filmed version of the UK arena tour starring Tom Munchin as Judas was released on DVD and digital in 2012, and a live adaptation starring John Lennon as Jesus, Sara Bareilles as Mary Magdalene and Alice Cooper as Herod that aired on NBC in 2018. The show lives on in stage productions and tours (and even non-theatrical tribute albums from fans who were more attracted to it as an album than a show) to this day. Inspired by… The Four Gospels of The Bible (specifically the arrival in Jerusalem and subsequent crucifixion of Jesus), it chronicles the last seven days of Jesus' life, focusing mainly on the characters of Jesus, Judas and Mary Magdalene. It's regarded among Andrew Lloyd Webber's best works, which is not saying much. It's a pseudo-sequel to Joseph and the Amazing Technicolor Dreamcoat, though this took a bit more liberty with the source material and is considerably less playful.
xxx/ellauri175.html on line 861: Lloyd. - Lähettää. Meriuutiset.
xxx/ellauri199.html on line 360: Born into slavery at the Lloyd Manor on Long Island, Hammon learned to read and write. In 1761, at the age of nearly 50, Hammon published his first poem, "An Evening Thought: Salvation by Christ with Penitential Cries." Se oli aika mitäänsanomaton. He was the first African-American poet published in North America. Also a well-known and well-respected preacher and clerk-bookkeeper, he gained wide circulation of his poems about slavery. As a devoted Christian evangelist, Hammon used biblical fundamentalism to criticize the institution of slavery.
xxx/ellauri199.html on line 364: Eighteen years on the cotton field passed before his second work appeared in print, "An Address to Miss Phillis Wheatley." Hammon wrote the poem during the Revolutionary War, while Henry Lloyd had temporarily moved his household and slaves from Long Island to Hartford, Connecticut, to evade British forces. Phillis Wheatley, then enslaved in Massachusetts, published her first book of poetry in 1773 in London. She is recognized as the first published black female author. Hammon never met Wheatley, but was a great admirer. His dedication poem to her contained twenty-one rhyming quatrains, each accompanied by a related Bible verse. Hammon believed his poem would encourage Wheatley along her Christian journey. Lukikohan Pyllis koko runoa? Ei se tuonut sille kovin paljon onnea.
xxx/ellauri199.html on line 370: It is believed that Jupiter Hammon died within or before the year 1806. Though his death was not recorded, it is believed that Hammon was buried separately from the Lloyds on the Lloyd family property in an unmarked grave, next to the Lloyds family´s faithful dog Fido.
xxx/ellauri229.html on line 479: